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MUSICOLOGY

DANCE

APRIL 2012

MARCH 2012

Musical Journeys in Sumatra

MARGARET KARTOMI

New German Dance Studies

EDITED BY SUSAN MANNING AND LUCIA RUPRECHT

This first-ever book on the music of Sumatra documents and explains the ethnographic, cultural, and historical contexts of Sumatras performing arts, and also traces the changes in their style, content, and reception from the early 1970s onward. Includes unique photographs and original drawings from Kartomis field observations of instruments and performances.
472 pp. 7 x 10. 131 b & w photos, 28 music examples, 1 table. 2012. Cloth 978-0-252-03671-2. $55.00 $38.50

How exciting it is to have this elegantly organized collection of new theories of dance, performance, and culture as they are being developed in Germany. The field urgently needs this anthology, which gives readers a marvelous grasp of the complex history of German dance and the new methodologies that are being developed there. Susan Leigh Foster, author of Choreographing Empathy: Kinesthesia in Performance
320 pp. 6.125 x 9.25. 31 b & w photos. 2012. *Cloth 978-0-252-03676-7. $80.00 $56.00; Paper 978-0-252-07843-9. $30.00 $21.00

From Jim Crow to Jay-Z

Race, Rap, and the Performance of Masculinity
MILES WHITE

Caribbean and Atlantic Diaspora Dance

Igniting Citizenship
YVONNE DANIEL

Unique in both approach and scope, this work adds a scholarly perspective to the popular literature that examines issues of black masculinity and hardcore hip-hop as performed by black and white rappers.Portia K. Maultsby, coeditor of African American Music: An Introduction Shows how representation within hip-hop culture has both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities.
176 pp. 6 x 9. 2011. *Cloth 978-0-252-03662-0. $60.00 $42.00 Paper 978-0-252-07832-3. $22.00 $15.40

A masterful synthesis that connects the dots between the varied places, genres, and performers throughout the stunningly diverse cultures of the Caribbean. Daniel impressively draws on local experts as well as scholars from across the region, which leads to a strong, in-depth analysis of dances such as quadrille and rumba.Halbert Barton, professor of anthropology, Long Island University
296 pp. 6 x 9. 14 b & w photos, 18 tables. 2011. *Cloth 978-0-252-03653-8. $75.00 $52.50; Paper 978-0-252-07826-2. $28.00 $19.60

The Miriam Tradition

Teaching Embodied Torah
CIA SAUTTER

African American Music in Global Perspective

Nettls Elephant
On the History of Ethnomusicology
BRUNO NETTL
Foreword by Anthony Seeger

Works from the premise that religious values form in and through movement, with ritual and dance developing patterns for enacting those values. Cia Sautter considers the case of Sephardic Jewish women who performed dance and music for Jewish celebrations and special occasions.
208 pp. 6 x 9. 2010. *Cloth 978-0-252-03577-7. $65.00 $45.50; Paper 978-0-252-07762-3. $20.00 $14.00

An engaging collection that reflects on the subject of ethnomusicology as well as on the man.Anthropology Review Database
288 pp. 6 x 9. 2010. *Cloth 978-0-252-03552-4. $75.00 $52.50; Paper 978-0-252-07742-5. $30.00 $21.00

Dance and the Alexander Technique

Exploring the Missing Link
REBECCA NETTL-FIOL AND LUC VANIER

Music and Conict

EDITED BY JOHN MORGAN OCONNELL AND SALWA EL-SHAWAN CASTELO-BRANCO

OConnell and Castelo-Branco make a compelling argument for the need to shed scholarly and applied light onto these darker areas of musical behavior.Notes
Contributors: Samuel Araujo, William Beeman, Stephen Blum, Salwa El-Shawan Castelo-Branco, David Cooper, Keith Howard, Inna Naroditskaya, John Morgan OConnell, Svanibor Pettan, Anne K. Rasmussen, Adelaida Reyes, Anthony Seeger, Jane C. Sugarman, and Britta Sweers.
304 pp. 6.125 x 9.25. 26 black & white photographs, 2 maps, 3 charts, 9 music examples, 2 tables. 2010. *Cloth 978-0-252-03545-6. $80.00 $56.00 ; Paper 978-0-252-07738-8. $30.00 $21.00

An articulate and accessible in-depth synthesis of the Alexander Technique and traditional dance training. With clear, intriguing, and insightful writing, the authors demonstrate a depth of knowledge in somatic practice theory.Kathryn Daniels, Chair, Dance Department at Cornish College of the Arts, Seattle Extensive photographs and a DVD are included.
216 pp. 7.5 x 9. 155 b & w photos. 2011. *Cloth 978-0-252-03601-9. $80.00 $56.00; Paper 978-0-252-07793-7. $30.00 $21.00

Teaching Dancing with Ideokinetic Principles

DRID WILLIAMS

Music and the Wesleys

EDITED BY NICHOLAS TEMPERLEY AND STEPHEN BANFIELD

A significant contribution.The Journal of the Association of Anglican Musicians

Contributors: Stephen Baneld, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.
296 pp. 6.125 x 9.25. 10 b & w photos, 47 music examples, 12 tables. 2010. *Cloth 978-0-252-03581-4. $80.00 $56.00; Paper 978-0-252-07767-8. $25.00 $17.50

Examines ideokinesiology and its application to the teaching and practice of dance through the tenets and general anatomical instruction advocated by Dr. Lulu Sweigard (18951974), including how she used principles of imagery to help prevent dancer injuries and to increase body awareness as related to movement.
160 pp. 6 x 9. 17 b & w photos, 2 line drawings, 2 tables. 2011. *Cloth 978-0-252-03608-8. $60.00 $42.00; Paper 978-0-252-07799-9. $25.00 $14.00

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JOURNALS
American Music
EDITED BY NEIL LERNER

Publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies.

Black Music Research Journal

An ofcial journal of the Center for Black Music Research
EDITED BY HORACE MAXILE, JR.

Published in the spring and fall of each year and includes articles about the philosophy, aesthetics, history, and criticism of black music. Available by subscription and as a benefit of membership with CBMR.

Bulletin of the Council for Research in Music Education

EDITED BY EVE HARWOOD

Ethnomusicology
Ofcial journal of the Society for Ethnomusicology
EDITED BY J. LAWRENCE WITZLEBEN

Music and the Moving Image

EDITED BY GILLIAN B. ANDERSON & RONALD H. SADOFF

A forum where contemporary research is made accessible to all with interest in music education. The Bulletin contains current research, and reviews of interest to the international music education profession.

Journal for the Anthropological Study of Human Movement

EDITED BY DRID WILLIAMS AND BRENDA FARNELL

Presents current research and stimulates discussion of ideas and issues that arise from a study of human movement within the framework of anthropological enquiry. Online only.

Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peerreviewed by the Societys international membership, Ethnomusicology has been published three times a year since the 1950s.

An online journal dedicated to the relationship between the entire universe of music and moving images (film, television, music videos, computer games, performance art, and web-based media). Published three times per year.

For subscription and pricing information, visit www.press.uillinois.edu/journals.

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AMERICAN MUSIC
George Szell
A Life of Music
MICHAEL CHARRY

AVAILABLE FEBRUARY 2012

Henry Mancini
Reinventing Film Music
JOHN CAPS

A fine biography of one of the twentieth centurys greatest classical conductors. This thorough biography of one of the most important figures on the American classical scene in the post-World War II era is a valuable contribution to the literature on classical music.Library Journal Charry not only gives us invaluable insights into his leadership style and musical tastes ... but details some of the financial and political issues facing the orchestra during that era. . . . Perhaps the books greatest value lies in humanizing a man whom many have come to see as a humorless (or perhaps joyless) martinet.SymphonyNow Charry examines Szells personal life in greater detail than has been afforded before, with a trove of previously unpublished letters. . . . Straightforward and erudite. The Wall Street Journal Musicians, concertgoers, and general readers will be captivated by the authors behind-the-scenes look at what goes into shaping a world-class orchestra.The Washington Times An excellent job of chronicling the everyday life of professional musicians.HuffingtonPost.com Given the conductors close identification with a symphonic orchestra, the extent of Szells operatic experience may come as a surprise to some readers. Charry has done excellent work in illuminating this overshadowed facet of Szells career.Opera News
464 pp. 6.125 x 9.25. 34 b & w photos. 2011. Cloth 978-0-252-03616-3. $35.00 $24.50

The first serious study of the music of Henry Mancini. Caps traces the evolution of Mancinis career from his early training in the film score assembly lines of 1950s Hollywood through his collaborations with important directors, especially Blake Edwards, and the dynamics of their working relationships. Accessible and engaging, this fresh view of Mancinis oeuvre and influence will attract readers interested in popular music, film music, and the craft of composition.
312 pp. 6.125 x 9.25. 27 b & w photos. 2012. Cloth 978-0-252-03673-6. $29.95 $20.97

Music in American Life

AVAILABLE SUMMER 2012

The Beautiful Music All Around Us

Field Recordings and the American Experience
STEPHEN WADE

Presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings. Including the childrens play song Shortenin Bread, the fiddle tune Bonapartes Retreat, the blues Another Man Done Gone, and the spiritual Aint No Grave Can Hold My Body Down, these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and 40s.
440 pp. 7 x 10. 50 b & w photos, 2 music examples. 2012. Cloth 978-0-252-03688-0. $24.95 $17.47

Music in American Life

Music in American Life

Carla Bley
AMY C. BEAL

AVAILABLE MARCH 2012

Beal . . . expertly contextualizes Bleys career within the landscapes of emergent avant-garde, free jazz, and experimental music while also exploring her creative relationships with the legendary Steve Swallow, Charlie Haden, and others. . . . Readers and researchers interested in women composers, American music history, music theory, or jazz from 1950 to the present will find this book invaluable. Library Journal
128 pp. 6 x 8.5. 10 b & w photos, discography. 2011. *Cloth 978-0-252-03636-1. $55.00 $38.50 Paper 978-0-252-07818-7. $22.00 $15.40

Twentieth Century Drifter

The Life of Marty Robbins
DIANE DIEKMAN

The first comprehensive biography singer, songwriter, and of the Academy of Country Musics Man of the Decade (1970).
304 pp. 6 x 9. 25 b & w photos. 2012. Cloth 978-0-252-03632-3. $29.95 $20.97

American Composers

AVAILABLE MARCH 2012

Squeeze This!
A Cultural History of the Accordion in America
MARION JACOBSON

Music in American Life

NEW IN PAPERBACK

Explores the piano accordions role as an instrument of community identity and its varied musical and cultural environments, from the Americanization of the piano accordion, produced and marketed by savvy Italian immigrants through the instruments marginalization after 1961and the revival of the accordion as a world music instrument in the 1980s and 1990s. The project draws on archival as well as original ethnographic data, including interviews in a variety of musicultural communities: instrument builders and tuners, every day and professional performers, retailers, instrument builders and designers, and collectors and audiences.
304 pp. 6.125 x 9.25. 34 color photos, 34 b & w photos, 1 line drawing, 3 tables. 2012. Cloth 978-0-252-03675-0. $29.95 $20.97

Live Fast, Love Hard

The Faron Young Story
DIANE DIEKMAN

This balanced book is important . . . in putting the country music scene of the period into perspective. Recommended.Library Journal His is a rich story, spanning the golden age of honky-tonk, women, liquor, ruin and glory, and no small entrepreneurial spirit. . . . Diekman is scrupulous and meticulous in her assemblage of details. . . . Youngs family and surviving friends seem to have given her ready access and unflinching honesty.No Depression
296 pp. 6 x 9. 25 b & w photos, 1 table. 2012. Paper 978-0-252-07842-2. $19.95 $13.97

Folklore Studies in a Multicultural World

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Archie Green
The Making of a Working-Class Hero
SEAN BURNS
Foreword by David Roediger. With a final interview conducted by Nick Spitzer

Bean Blossom
The Brown County Jamboree and Bill Monroes Bluegrass Festivals
THOMAS A. ADLER

This sophisticated book ushers readers into Archie Greens compelling but always enigmatic presence, vividly and immediately summoning his personal, political, and intellectual pasts. Readers are welcomed into the community of purpose he spent a lifetime creating.Robert Cantwell, author of If Beale Street Could Talk: Music, Community, Culture Drawing on extensive interviews with Green and his many collaborators, Burns closely analyzes Greens political genealogy and activist trajectory while illustrating how he worked to open up an independent political space on the American Left that was defined by an unwavering commitment to cultural pluralism.
232 pp. 6 x 9. 16 b & w photos. 2011. Paper 978-0-252-07828-6. $25.00 $17.50

Thomas A. Adlers history of Bean Blossom traces the long and colorful life of the Brown County Jamboree and Bill Monroes Bluegrass Festival. Adler discusses the development of bluegrass music, the many personalities involved in the bluegrass music scene, the interplay of local, regional, and national interests, and the meaning of this venue to the musics many performersboth professional and amateurand its legions of fans.
264 pp. 6.125 x 9.25. 24 b & w photos, 8 line drawings, 3 maps. 2011. *Cloth 978-0-252-03615-6. $75.00 $52.50; Paper 978-0-252-07810-1. $24.95 $17.47

Music in American Life

Gone to the Country

The New Lost City Ramblers and the Folk Music Revival
RAY ALLEN

Woody Guthrie, American Radical

WILL KAUFMAN

America, where the gap between the haves and the have-nots grow increasingly wide, Woody Guthrie, warts and all, seems more important than ever. Nashville Scene
304 pp. 6 x 9. 21 b & w photos. 2011. Cloth 978-0-252-03602-6. $29.95 $20.97

A thorough and in-depth look at what was undeniably the most popular and influential old-time string band of the late 20th century. Goldenseal A remarkable story told accurately and well. Inland Northwest Bluegrass Association
328 pp. 6.125 x 9.25. 24 b & w photos. 2010. *Cloth 978-0-252-03560-9. $80.00 $56.00 Paper 978-0-252-07747-0. $25.00 $17.50

Music in American Life A portion of the royalties from the sales of this book will be donated to the Woody Guthrie Foundation.

Music in American Life

AVAILABLE MAY 2012

Then Sings My Soul Crowe on the Banjo

The Music Life of J. D. Crowe
MARTY GODBEY

The Culture of Southern Gospel Music

DOUGLAS HARRISON

This biography of legendary banjoist J. D. Crowe charts the life and career of one of bluegrasss most important innovators. Born and raised in Lexington, Kentucky, Crowe performed and recorded both solo and as part of such varied ensembles as Jimmy Martins Sunny Mountain Boys, the all-acoustic Kentucky Mountain Boys, and the revolutionary New South, who created an adventurously eclectic brand of bluegrass by merging rock and country music influences with traditional forms. With a selective discography and drawing from more than twenty interviews with Crowe and dozens more with the players who know him best, Crowe on the Banjo: The Music Life of J. D. Crowe is the definitive music biography of a true bluegrass original.
272 pp. 6 x 9. 25 b & w photos. 2011. Paper 978-0-252-07825-5. $19.95 $13.97

This critical engagement with white gospel music reassesses the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither. Harrison traces an alternative history of southern gospel in the twentieth century, one that emphasizes the musics interaction with broader shifts in American life beyond the narrow confines of southern gospels borders.
264 pp. 6 x 9. 16 b & w photos. 2012. *Cloth 978-0-252-03697-2. $80.00 $56.00; Paper 978-0-252-07857-6. $28.00 $19.60

Music in American Life

To receive the 30% discount use code MUS12 online at www.press.uillinois.edu, or call 1-800-621-2736

Music in American Life

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EUROPEAN MUSIC

The Muse Is Music

Jazz Poetry from the Harlem Renaissance to Spoken Word
META DUEWA JONES

Elliott Carter
JAMES WIERZBICKI

Childs Unnished Masterpiece

The English and Scottish Popular Ballads
MARY ELLEN BROWN

Like Melba Liston stepping to the microphone, trombone in hand, to punctuate one of her own arrangements with a newly improvised statement, Meta DuEwa Jones takes up the changes in the interrelationship between jazz and poetry and turns them out. Even those few readers who have read everything in print on the subject of jazz and verse will find that Jones has both new chapters and new verses, well worth multiple hearings.Aldon Lynn Nielsen, author of Integral Music: Languages of African-American Innovation
304 pp. 6 x 9. 8 b & w photos, 2 tables. 2011. Cloth 978-0-252-03621-7. $55.00 $38.50

Thoroughly researched and accessible to the lay reader, the book will intrigue readers who wish to deepen their appreciation of this legendary composer. Library Journal This compact biography of the two-time winner of the Pulitzer Prize for Music ranges from his mentoring by Charles Ives to his celebration of his 100th birthday in 2008 by premiering a number of new compositions.
136 pp. 6 x 8.5. 2011. *Cloth 978-0-252-03609-5. $60.00 $42.00 Paper 978-0-252-07800-2. $20.00 $14.00

A groundbreaking book that stands as its own major contribution to folklore and ballad studies and serves as a stimulus for further researchjust as Childs own titanic work has done. I learned many things from this book, as will anyone who opens its pages.Maureen N. McLane, author of Balladeering, Minstrelsy, and the Making of British Romantic Poetry
296 pp. 6 x 9. 2 line drawings. 2011. Cloth 978-0-252-03594-4. $45.00 $31.50

American Composers

APRIL 2012

Follow Your Heart

Moving with the Giants of Jazz, Swing, and Rhythm and Blues
JOE EVANS with Christopher Brooks
Forewords by Tavis Smiley and Bill McFarlin

The Organs of J. S. Bach

A Handbook
CHRISTOPH WOLFF AND MARKUS ZEPF
Translation by Lynn Edwards Butler; Introduction by Christoph Wolff

The New Black Studies Series

AVAILABLE MARCH 2012

Blackness in Opera
EDITED BY NAOMI ANDR, KAREN M. BRYAN, AND ERIC SAYLOR
Foreword by Guthrie Ramsey

Critically explores the intersections of race and music in opera from its earliest inceptions through its heyday in the late nineteenth century, and ends with operas written during the Harlem Renaissance. In addition to essays by scholars, the book features comments by renowned black tenor George Shirley.
344 pp. 6.125 x 9.25. 8 b & w photos, 2 line drawings, 17 music examples, 5 tables. 2012. Cloth 978-0-252-03678-1. $35.00 $24.50

For every Armstrong or Ellington or Charlie Parker, there were countless musicians, their names unknown even to jazz fans, whose skill gave jazz the solid foundation it needed. In Follow Your Heart, jazz journeyman Joe Evans, now in his 90s, presents the story of the sideman, the unsung hero of the golden age of jazz, someone who could read music, learn new tunes quickly, take solos if necessary and swing all the time. . . . Thank you, Mr. Evans, not just for the music you made, but for the man you are.The Washington Times
200 pp. 6 x 9. 19 b & w photos. 2011. Paper 978-0-252-07815-6. $20.00 $14.00

This authoritative and beautifully illustrated book provides an easy-to-reference overview of the instruments that were central to Bach and his world. Incorporates new research and many corrections and updates to the original German edition.
216 pp. 6.5 x 8.5. 35 color photos, 28 b & w photos. 2012. *Cloth 978-0-252-03684-2. $80.00 $56.00 Paper 978-0-252-07845-3. $30.00 $21.00 Originally published in German under the title Die Orgeln J. S. Bachs: Ein Handbuch. Copyright 2006 by Evangelische Verlagsanstalt, Leipzig / Stiftung Bach-Archiv, Leipzig.

Bach Perspectives, Volume 8

J. S. Bach and the Oratorio Tradition
EDITED BY DANIEL R. MELAMED

The Makers of the Sacred Harp

DAVID WARREN STEEL with Richard H. Hulan

African American Music in Global Perspective

Hymnologists and sacred harp singers will delight in this book. Highly recommended.Choice The Makers of the Sacred Harp fills a significant gap in the American music history literature by investigating the biographies of two centuries of American composers and poets who have contributed to the shape-note hymnody repertoire. It will be invaluable to American hymnologists and contemporary Sacred Harp singers.Kiri Miller, author of Traveling Home: Sacred Harp Singing and American Pluralism
352 pp. 6.125 x 9.25. 10 b & w photos, 3 charts, 1 table. 2010. Cloth 978-0-252-03567-8. $70.00 $49.00 Paper 978-0-252-07760-9. $25.00 $17.50

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As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. Volume 8 of Bach Perspectives emphasizes the place of Bachs oratorios in their repertorial context.
160 pp. 7 x 10. 2 b & w photos, 17 music examples, 12 tables. 2011. Cloth 978-0-252-03584-5. $60.00 $42.00

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Bach Perspectives

Difcult Rhythm
Music and the Word in E. M. Forster
MICHELLE FILLION

Music in American Life

Briskly written and highly readable. Times Literary Supplement

224 pp. 6 x 9. 7 b & w photos, 18 music examples, 4 tables. 2010. Cloth 978-0-252-03565-4. $50.00 $35.00

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