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Table Of Contents

Introduction
The Description of Taste I: Immediacy and Necessity
THE SUBJECTIVITY OF THE JUDGEMENT OF TASTE
THE CLAIM TO UNIVERSALITY
BEAUTY AS AESTHETIC MERIT
THE APPEARANCE OF UNIVERSALITY
The Description of Taste II: The Role of Concepts
FREE AND DEPENDENT BEAUTY
THE AESTHETIC IDEA
THE STANDARD OF TASTE
THE FREEDOM OF FREE BEAUTY
CONCLUSION
The Grounds of Taste
The Sublime
THE FORM AND FEELING OF THE SUBLIME
THE GROUNDS OF THE SUBLIME
THE DISTINCTION BETWEEN THE SUBLIME AND THE BEAUTIFUL
THE SUBLIME AS DEPENDENT BEAUTY
Reason and Morality in the Sublime
REASON IN THE SUBLIME
THE MORAL LAW AND ITS SUBLIMITY
THE OCCASION FOR SUBREPTION
The Anatomy of an Aesthetic Idea
THE ‘TRUE’ AND ‘FALSE’ SUBLIME
SELF-LOVE IN THE SUBLIME
THE AESTHETIC IDEA IN THE SUBLIME
Fantastic Desires I: Dependent Beauty
ILLUSTRATION OF THE AESTHETIC IDEA
POETRY AND RHETORIC
Fantastic Desires II: Free Beauty
THE MISTAKE
KANT’S TREATMENT OF THE MISTAKE
THE DETERMINATION OF FREE BEAUTY
Conclusion
Notes
References
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Kirwan - Aesthetic in Kant~ a Critique - Continuum International Publishing Group

Kirwan - Aesthetic in Kant~ a Critique - Continuum International Publishing Group

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Published by: L_blisset on Jan 22, 2012
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09/01/2012

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