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Table Of Contents

SUBTITLE: NEW YORKER MAGAZINE, TWO YEARS LATER
INT. OFFICE - CONTINUOUS 7 7
INT. RANGER'S TRUCK - MID-MORNING 8 8
INT. L.A. BUSINESS LUNCH RESTAURANT - MIDDAY 9 9
INT. OFFICE - DAY 10 10
SUBTITLE: HOLLYWOOD, CALIFORNIA, THREE WEEKS EARLIER
EXT. MURKY POOL OF WATER - DAY 11 11
SUBTITLE: THE EARTH, THREE BILLION YEARS AGO
EXT. SWAMP - MORNING 12 12
INT. RESTAURANT - MIDDAY 13 13
INT. PET STORE (1972) - DAY 14 14
SUBTITLE: NORTH MIAMI, TWENTY-SIX YEARS EARLIER
EXT. SWAMP - MORNING 15 15
INT. ROMANTIC RESTAURANT - EVENING 16 16
SUBTITLE: EARTH, ONE BILLION YEARS EARLIER
INT. BARNES AND NOBLE - DAY 18 18
EXT. JANES SCENIC DRIVE - MORNING 19 19
INT. ORLEAN'S APARTMENT - NIGHT 20 20
EXT. TROPICAL RIVER - DAY 21 21
SUBTITLE: SIERRA LEONE
SUBTITLE: YANGTZE RIVER
EXT. JANES SCENIC DRIVE - MORNING 25 25
INT. RENTAL CAR - DAY 26 26
INT. HOTEL ROOM - AFTERNOON 27 27
EXT. RIVER'S EDGE - DAY/NIGHT 28 28
SUBTITLE: EARTH, THREE HUNDRED MILLION YEARS EARLIER
EXT. BIG SPANISH-STYLE HOUSE - DAY 29 29
INT. EMPTY HOUSE - A COUPLE OF MINUTES LATER 30 30
INT. EMPTY BEDROOM - CONTINUOUS 31 31
INT. LIBRARY - DAY 32 32
SUBTITLE: CONNECTICUT, TWENTY-FOUR YEARS EARLIER
INT. EMPTY LIVING ROOM - DAY 32A 32A *
EXT. SWAMP - LATE MORNING 35 35 *
INT. EMPTY KITCHEN - DAY 35A 35A *
INT. EMPTY DINING ROOM - A BIT LATER 36 36 *
INT. RENTAL CAR - DAY 37 37
SUBTITLE: FLORIDA, THREE YEARS EARLIER *
INT. EMPTY BEDROOM - DAY 38 38
INT. COURT ROOM - DAY 39 39
INT. BARNES AND NOBLE - DAY 40 40
INT. EMPTY BEDROOM - NIGHT 41 41
EXT. COURTHOUSE - DAY 42 42
EXT. FIELD - MORNING 43 43
INT. CALIFORNIA PIZZA KITCHEN - DAY 44 44
EXT. ORCHID SHOW - DAY 45 45
INT. EMPTY ROOM - NIGHT 46 46
INT. GIRL'S BEDROOM - NIGHT 47 47
SUBTITLE: CANTON, OHIO, FORTY-THREE YEARS EARLIER *
EXT. HOTEL PARKING LOT - MORNING 48 48
INT. 7 1/2 FLOOR SET - MORNING 52A 52A *
INT. BOY'S BEDROOM (1972) - NIGHT 53 53
INT. LIVING ROOM (1972) - CONTINUOUS 54 54
INT. THERAPIST'S OFFICE - DAY 57 57
EXT. SEMINOLE NURSERY - DAY 57A 57A *
INT. CALIFORNIA PIZZA KITCHEN - DAY 58 58 *
INT. NEW YORKER - MORNING 59 59
EXT. SANTA BARBARA ORCHID SHOW - DAY 60 60
INT. THERAPIST'S OFFICE - DAY 63 63
INT. SHOW HALL - DAY 64 64
INT. EMPTY BEDROOM - NIGHT 65 65
INT. BOOK-LINED STUDY - NIGHT 66 66
SUBTITLE: ENGLAND, ONE HUNDRED AND THIRTY NINE YEARS EARLIER
INT. EMPTY BEDROOM - NIGHT 67 67
EXT. SHOW HALL - DAY 68 68
EXT. MEADOW - DAY 69 69
INT. SHOW HALL - DAY 70 70 *
INT. APARTMENT - EARLY EVENING 71 71
INT. BATHROOM - CONTINUOUS 72 72
INT. NEW YORKER OFFICES - EARLY EVENING 73 73
INT. LARGE EMPTY LIVING ROOM - NIGHT 74 74
INT. ORLEAN'S STUDY - EVENING 76 76
INT. NURSERY - DAY 87 87 *
INT. AGENT'S OFFICE - DAY 89 89
INT. RESTAURANT - DAY 89C 89C *
INT. EMPTY BEDROOM - NIGHT 91 91
INT. LAROCHE'S LIVING ROOM - NIGHT 93 93
INT. ORLEAN'S APARTMENT - NIGHT 93A 93A *
LAROCHE (PHONE VOICE) * Nothing. Going over some paperwork. *
INT. LAROCHE'S LIVING ROOM - NIGHT 93B 93B *
INT. LAROCHE'S LIVING ROOM - DAY 94 94
SUBTITLE: NORTH MIAMI, NINE YEARS EARLIER
INT. LAROCHE'S CAR - A FEW MOMENTS LATER 95 95
EXT. CEMETERY - DAY 96 96
INT. HOSPITAL ROOM - DAY 97 97
EXT. LAROCHE'S STOOP - NIGHT 98 98 *
INT. ORLEAN'S APARTMENT -NIGHT 98A 98A *
LAROCHE (PHONE VOICE) * Why? *
EXT. STREET - DAY 98B 98B *
INT. LITTLE BOY'S BEDROOM - NIGHT 98C 98C *
INT. PARTY HOUSE - NIGHT 99 99
INT. NEW YORKER OFFICE - EVENING 100 100
LAROCHE (PHONE VOICE)
INT. EMPTY BEDROOM - MORNING 101 101
INT. EMPTY LIVING ROOM - CONTINUOUS 102 102
INT. AIRPLANE - NIGHT 104 104
SUBTITLE: FAKAHATCHEE, ONE HUNDRED AND FIFTEEN YEARS EARLIER *
INT. AIRPLANE - NIGHT 104B 104B *
INT. STUDIO APARTMENT - NIGHT 105 105
INT. AIRPLANE BATHROOM - NIGHT 106 106
INT. AIRPLANE - CONTINUOUS 107 107
INT. RENTAL CAR - MORNING 115 115
EXT. SWAMP - MORNING 117 117
INT. HOTEL ROOM - NIGHT 119 119
INT. ORLEAN'S APARTMENT - NIGHT 120 120
INT. PLANE - NIGHT 123A 123A *
INT. HOTEL ROOM - NIGHT 124 124
CLOSE-UP OF MAGAZINE 125 125
PULL BACK TO:
INT. RESTAURANT - MIDDAY 126 126
EXT. SEMINOLE NURSERY - DAY 128 128
INT. TRAILER - CONTINUOUS 129 129
INT. VAN - A FEW MINUTES LATER 130 130
INT. PHONE BOOTH - DAY 132 132 *
INT. LITTLE BOY'S ROOM - CONTINUOUS 133 133 *
INT. PHONE BOOTH - CONTINUOUS 134 134 *
INT. GIRL'S BEDROOM - NIGHT 135 135
SUBTITLE: CANTON, OHIO, THIRTY-FOUR YEARS EARLIER *
INT. HOTEL ROOM - NIGHT 137A 137A *
INT. HOTEL ROOM - LATER 137B 137B *
INT. HOTEL BAR - A LITTLE LATER 137C 137C *
INT. EMPTY HOUSE - NIGHT 139 139 *
INT. EMPTY BEDROOM - CONTINUOUS 140 140
INT. EMPTY BEDROOM - NIGHT 142 142 *
INT. KITCHEN - MORNING 143 143
INT. EMPTY BEDROOM - NIGHT 148 148
EXT. L.A. STREET - NIGHT 149 149
INT. EMPTY BEDROOM - NIGHT 150 150
INT. EMPTY LIVING ROOM - DAY 151 151
INT. EMPTY BEDROOM - MORNING 152 152
INT. KITCHEN - DAY 153 153
VALERIE (PHONE VOICE) Great. So I spoke to Susan yesterday
VALERIE (PHONE VOICE) That's fair. I'll let her know
VALERIE (PHONE VOICE)
INT. EMPTY LIVING ROOM - CONTINUOUS 154 154
INT. EMERGENCY ROOM - DAY 155 155
INT. EMPTY BEDROOM - DAY 156 156
INT. HOTEL ROOM - NIGHT 161 161
LAROCHE (PHONE VOICE) I know. *
INT. LITTLE BOY'S BEDROOM - CONTINUOUS 161A 161A *
ORLEAN (PHONE VOICE) * That sounds good. *
INT. EMPTY BEDROOM - NIGHT 162 162
INT. CAR - A BIT LATER 164 164
EXT. MIDTOWN NEW YORK CITY STREET - DAY 164A 164A
EXT. SWAMP - MORNING 168 168 *
LAROCHE (CONT'D) Clamshell orchid. You know that. *
INT. ELEVATOR - DAY 170 170 *
EXT. NEW YORK CITY STREET - DAY 171 171
EXT. SWAMP - LATE MORNING 172 172
INT. RESTAURANT - DAY 173 173
EXT. SWAMP - NOON 174 174
INT. HOTEL ROOM - NIGHT 175 175
KAUFMAN (CONT'D) * Hello? *
EXT. SWAMP - LATER 176 176
EXT. NYC STREETS (MONTAGE) - MORNING 178 178 *
EXT. NYC STREET - MORNING 180 180
INT. LOBBY - MORNING 181 181
INT. AUDITORIUM - A BIT LATER 182 182
INT. AUDITORIUM - LATER 183 183
EXT. NYC STREET - A FEW MINUTES LATER 184 184
INT. AUDITORIUM - LATER 186 186
INT. AUDITORIUM - LATER STILL 187 187
INT. HOTEL - NIGHT 188 188
INT. KAUFMAN'S DINING ROOM - DAY 189A 189A *
INT. AUDITORIUM - MORNING 190 190
EXT. NYC STREET - NIGHT 191 191
INT. HOTEL ROOM - NIGHT 194 194
INT. MCKEE'S OFFICE - NIGHT 195 195
INT. HOTEL ROOM - NIGHT 196 196
INT. EMPTY LIVING ROOM - CONTINUOUS 196A 196A *
KAUFMAN (PHONE VOICE) *
INT. HOTEL ROOM - MORNING 197 197
INT. ORLEAN'S OFFICE - DAY 198 198
INT. HOTEL ROOM - DAY 199 199
INT. EMPTY SUITE OF OFFICES - NIGHT 200 200
INT. ORLEAN'S OFFICE - CONTINUOUS 201 201
INT. EMPTY SUITE OF OFFICES - CONTINUOUS 202 202
INT. HOTEL ROOM - NIGHT 203 203
INT. RENTAL CAR - DAY 204 204
INT. CAR - A BIT LATER 205 205
EXT. SUBURBAN STREET - LATER 206 206
INT. HOUSE - CONTINUOUS 207 207
KAUFMAN AND LAROCHE
INT. CLOSET - CONTINUOUS 208 208
INT. BASEMENT - CONTINUOUS 208A 208A *
INT. LAROCHE'S LIVING ROOM - CONTINUOUS 208B 208B *
INT. LIVING ROOM WINDOW - CONTINUOUS 209 209 *
INT. RENTAL CAR - NIGHT 210 210
EXT. SEMINOLE NURSERY TRAILER - NIGHT 211B 211B *
INT. TRAILER BACK ROOM - NIGHT 211C 211C *
INT. RENTAL CAR - NIGHT 211E 211E *
INT. HOTEL ROOM - NIGHT 211F 211F *
INT. HOTEL BAR - NIGHT 211G 211G *
INT. HOTEL HALLWAY - NIGHT 211H 211H *
INT. HOTEL ROOM - NIGHT 211I 211I *
INT. HOTEL BATHROOM - A FEW MOMENTS LATER 211J 211J *
INT. HOTEL ROOM - A LITTLE LATER 211K 211K *
INT. HOTEL ROOM - A LITTLE LATER 211L 211L *
INT. HOTEL ROOM - A LITTLE LATER 211M 211M *
SECOND OPERATOR * Operator. *
SECOND OPERATOR * The notes in my...? *
SECOND OPERATOR * I don't have any idea. *
SECOND OPERATOR * I can't really do that. *
INT. HOTEL ROOM - MUCH LATER 212B 212B *
INT. RENTAL CAR - NIGHT 212D 212D *
INT. ORLEAN'S OFFICE - NIGHT 212E 212E *
EXT. LAROCHE'S BACKYARD - DAY 213A 213A *
INT. RENTAL CAR - NIGHT 214 214 *
EXT. JANES SCENIC DRIVE - A LITTLE WHILE LATER 215 215
EXT. LOGGING ROAD - CONTINUOUS 217 217
EXT. SWAMP - CONTINUOUS 218 218
EXT. SWAMP - EARLY MORNING 219 219
INT. RENTAL CAR - CONTINUOUS 220 220
EXT. SWAMP - CONTINUOUS 221 221
INT. EMPTY LIVING ROOM - DAY 224 224
INT. MARGARET'S OFFICE- DAY 225 225
INT. CAR - A FEW MINUTES LATER 226 226 *
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Adaptation, November 2000

Adaptation, November 2000

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Published by Kate Ladd

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Published by: Kate Ladd on Jan 22, 2012
Copyright:Attribution Non-commercial

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