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The Real Comeback Kid
The play reviewed below motivated me to study Nixon again.If you’ve missed the play,you can rent the movie and see one of the many great comebacks by Richard Nixon.
He haunts us still. President Richard Nixon is making his fourthbigcomeback—this one posthumously. His first was his televised“Checkers” speech saving his place on the 1952 ticket withEisenhower. After his debate with Kennedy and his failed run forCalifornia governor, he vowed the press wouldn’t have Dick Nixontokick around any more.But then a technically brilliant 1968 campaign, aided by George Wallace’s sapping of Democratic votes and a 1972 landslide, solidifiedcomeback number two.The third comeback began after his resignation over the burglary attheDemocratic campaign offices at the wavy Watergate complex in Washington. He wrote books, battled for possession of his papers,made speeches and advised later presidents.President Nixon’s fourth comeback is happening right now onBroadway and in bookstores near you. Larger-than-life Canadianpressbaron, historian and gifted author Conrad Black has a formidablebook out on Nixon. It’s rather kind to the president who fascinates Americans more than any other, save Lincoln.Black is the right man for the job. He knows something of come-backs, since he’s facing years in jail after his conviction for fraud inaChicago trial.On Broadway, Peter Morgan’s new play
Frost-Nixon
chronicles a majorstep in Nixon’s third comeback—a series of in-depth interviews withtalk-show host David Frost. Tony-Award-winning Frank Langella playsNixon, and Brit Michael Sheen, who played Prime Minister Tony Blairin the movie
The Queen
(also by Morgan), plays Frost. As I sat watching the play in New York, one scene leapt off the stage atme. It serves as an object lesson for those who study the relationsbetween the press and politicians.The two characters are near the end of 12 days of grueling face-to-faceinterviewing. Both sides had done research. Famed literary agent
Irving Paul “Swifty” Lazar had brokered the deal. Nixon wanted acomeback, and Frost wanted to be seen as a legitimate journalist withthe “get” of the decade, not a puffball talk-show host.Late at night before one of the last tapings, Nixon calls Frost and they have a chat. Here’s some of the dialogue:
NIXON:
“Watergate.” It’s a small consolation to me that for thenext couple of days, that word will be as much of a millstonearound your neck as it has been around mine. Because, I guess,the way you handle Watergate will determine whether these inter-views are a success or failure.I called former Nixon speechwriter Aram Bakshian Jr., now the editor-in-chief of the periodical journal
American Speaker
. He says theconversation probably never happened in the way described, butit’sagreat literary device.The observation that Nixon’s character makes was true during Watergate, with the careers of
Washington Post
reporters Woodwardand Bernstein soaring in inverse proportion to Nixon’s downfall. Butit’s been true all through history. Publisher William Randolph Hearstfamously told war correspondents, “You supply the pictures, I’ll supply the war”—the Spanish-American War. A generation of reporters, led by Walter Cronkite, earned their stripes in World War II. The careers of thelate David Halberstam and Seymour Hersh were linked to the Viet Nam War. Hersh is still going strong in
The New Yorker
. President George W.Bush’s career is inextricably bound up with both the war in Iraq andthe reporters who covered that war.
NIXON:
... No matter how many awards—or how many columninches—are written about you, or how high the elected office is forme—it still isn’t enough, am I right? We still feel like the little man?Scrambling our way up, in undignified fashion, whatever hillock ormountain it is...People forget the modest circumstances that most reporters comefrom. Before the explosion of journalism schools right after Watergatemade the occupation fashionable and respectable, most journalistscame from working-class backgrounds and earned only modestsalaries. Like politicians, reporters can suffer severe ups and downs. Viewers are even more fickle than the electorate, and incumbency means little in journalism.
NIXON:
If we’re honest for a minute, isn’t that why we’re here now,the two of us? Looking for a way back? Into the sun? Into the lime-light? Back onto the winner’s podium? Because we could feel itslipping away? ... Humiliated all the more for having tried so piti-fully hard. Well, to hell with that. We’re not going to let that
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