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From Script to Screen: The Importance of Copyright in the Distribution of Films

From Script to Screen: The Importance of Copyright in the Distribution of Films

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Introduction to novice-filmmakers to the legal and business issues in the global marketplace for films. Provides a broad overview of the principles and standards currently observed and practiced in the film industry at the international level.
Introduction to novice-filmmakers to the legal and business issues in the global marketplace for films. Provides a broad overview of the principles and standards currently observed and practiced in the film industry at the international level.

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04/12/2014

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FROM SCRIPTTO SCREEN
THE IMPORTANCE OF COPYRIGHTIN THE DISTRIBUTION OF FILMS
Creative industries – No. 6
 
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From Script to Screen
TABLE OF CONTENTS
ABOUT THE AUTHORSPREFACEINTRODUCTIONCHAPTER 1THE GLOBAL STRUCTURE OF THE FILM INDUSTRY
1.1 Opportunities or Film in Local Markets and Overseas
1.1.1 The Major U.S Studios (Sony, Fox, Warner Bros., Disney, Paramount,MGM, Universal)1.1.2 The Independent Distributors1.1.3 Film and TV Distribution Trade Organizations
1.2 Entering the Global Marketplace or Films
1.2.1 Sales Agents and Film and TV Festivals and Markets1.2.2 TV Distribution1.2.3 New Media Distribution1.2.4 Sel Distribution
1.3 Distribution Finance
1.3.1 Basic Finance Issues1.3.2 Distribution/Finance Case Study : Sunny Days in Aricaa) A Pre-sale Modelb) The No International Pre-sales Model
1.4 The Unlawul Distribution o Films
CHAPTER 2COPYRIGHT DOCUMENTATION : FILM CHAIN OF TITLE
2.1 Copyright Overview - Establishing Ownership
2.1.1 Moral and Economic Rights2.1.2 Copyright Term2.1.3 Public Domain2.1.4 Authorship and Ownership o Copyright2.1.5 Formal Aspects o Establishing Copyright Ownership2.1.6 Collective Management Organizations
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The Importance of Copyright in the Distribution of Films
2.2 Chain o Title (COT) Basic Documents
2.2.1 Pre-existing Works2.2.2 Music Licenses and Clearances2.2.3 Clip and Still Photography Licenses2.2.4 Trademark Clearances2.2.5 Name, Lie Story and Likeness2.2.6 Character Licenses2.2.7 Talent Agreements2.2.8 When is it not necessary to license the Copyright ? Public Domainand Fair Use
2.3 Errors and Omissions (E&O) Insurance
CHAPTER 3SAMPLE OF REQUIRED AGREEMENTS FOR FILM DISTRIBUTION
3.1 The Option Agreement3.2 Music Agreements
a) The Composer Agreementb) Contracts or Pre-existing Music
3.3 The Distribution-related Agreements
3.3.1 Analysis o Gross Receiptsa) The Sales Agent Agreementb) The Territorial Distribution Agreement
3.4 Other Agreements / Documents to be aware oChart : Timeline : Agreements and Responsibilities
CHAPTER 4COPYRIGHT CLEARANCE PROCEDURES
4.1 Registration o Copyright4.2 Copyright Reports and other E&O Requirements47
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