culture, civilization,anddemarcationat thenorthwestbordersofGreece
LAURIEKAINHART-HaverfordCollegeAli Pashaused Greekalmostas his officialanguage,and over thegateof his castle is aninscriptionnGreeknwhich heclaimsdescentfromPyrrhusKingofEpirus.hegreatepic poemof more thantenthousand inesrelatingll hisexploitswhichitwas hisgreatdelighto haveread ohimbyitsauthorHajjiSekhret,MoslemAlbanian romDhelvino,swrittenntirelynGreek.AMoslemAlbanianwho claimsinmodernGreek obe adescendentofPyrrhusnddelightsna Greekpicof hisown deedsrecited ohimbyhis own Homers amost remarkablehenomenon.WaceandThompson914:192]Inearly1790,the infamous MuslimAlbanian,AliPasha,rulerofquasi-autonomousOttomanEpiros,launched a notorious and decisive attack onhisfractiousmountain-dwellingsubjects,theChristianSuliotes.Inthe sameyear,Mozart'soperaCosiFanTutte(SoDoTheyAll,or,They'reAll LikeThat)openedinVienna.The Albanianmotif wasintheair,andMozart'slibrettist,Lorenzo daPonte,madegooduse ofit. Theplotof theopera,setinNaples,isaversionof thewagertheme that motivates Boccaccio'sDecameron andShakespeare's Cymbeline.Thestoryinvolves twoItaliansuitors,FerrandoandGuglielmo,who,challenged byDonAlfonso,declaretheir fiancees to be abovetemptationandagreetoputthisconstancyto the test.Accordingly,FerrandoandGuglielmosay goodbyeto thewomenandpretendto leave forwar.Inshortordertheyreturn,disguisedasdashingAlbanian noblemen. The ladies'maid,De-spina-thenameisGreek-isthe first togreettheexoticallyattired "Albanians."She isimpressedbut voices confusion.Announcingthe visitors to hermistresses,sheexclaims,"Whatappearances!whatcostumes!whatfigures!what mustaches!Idon't knowifthese creatures areVlachsorTurks;Vlachs, Turks;Turks,Vlachs?"' Howperfectanexpressionof the anomalousandvexingpositionof the AlbanianinAdriaticcivilization.2Despinaknows the men are notGreeks.Onlytwopossibilitiesremain-willtheybe Turksor Latins?Inthe18thcentury,theVlachswere transhumantpastoralists,merchants,andintellectualswidelydispersed throughoutthe southernBalkans,andthey spokea Latinlanguage.)And furthermoredoesthiscostuming,Thecollapseofthe CommunistregimeinAlbaniaafter1990 ledto overt tensionsbetween GreeceandAlbania as aresult,ontheonehand,of massiveillegalAlbanianimmigrationto Greeceand,on theother,newquestions concerningthestatus andsecurityof the GreekminorityinsouthernAlbania.Duringthe 20thcentury,nation-constructionacrossthe Greek-Albanianborder involved therecip-rocal differentiationofheterogeneous populationsintobipolarGreek andAlbaniannationalities.Inthisarticle,Iconsiderthepublicrhetoric anddiplomatic processesinvolvedindistinguishingGreekandAlbanianpopulations.Isuggestthatthroughattentionto borderhistory, segmentarymodelsofculturalidentitycan beusefullymarriedto thetheoryofnationalismat thescale of the state.TheGreek-Albaniancase demonstratesboththecentralityof the borderto thelegitimationof the stateand themarginalityof actual borderpopulationswhopersistentlygeneratecondi-tions ofsocialheterogeneity.[Greece,Albania, nationalism,ethnicity,border,stereotype]
AmericanEthnologist26(1):196-220.Copyright?1999,AmericanAnthropologicalAssociation.
196americanethnologist