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Table Of Contents

INTRODUCTION
Table 1.1: List of regretz chansons
Intertextuality and Early Music
THE ORBIT OF GHIZEGHEM’S REGRETZ CHANSONS
Echoes of Allez regretz
Chanson Reworkings
Allez regretz and Venés regretz
Ex. 2.1a: Ghizeghem, Allez regretz, m. 1-6
Ex. 2.1b: Compère, Venés regretz, m. 1-5
Ex. 2.2b: Compère, Venés regretz, m. 16-24
Sans regretz as a descendant
Ex. 2.4a: Ghizeghem, Allez regretz, cantus and tenor, m. 12-22
Ex. 2.4b: Weerbeke, Sans regretz, m. 13-22
Calling the “Regretz” “Nuit et jour”
Ex. 2.5: Fresneau, Nuit et jour, m. 1-11
Ex. 2.6: Fresneau, Nuit et jour, m. 18-23
La Regretée as an offspring
Ex. 2.7: Ghizeghem, La Regretée, m. 1-12
Ex. 2.9b: Ghizeghem, La Regretée, m. 62-66
Loose Intertextualities in Anon’s Tous les regretz and Mon souvenir
Ex. 2.10: Anon [Ockeghem], Tous les regretz, superius m. 7-9
Ex. 2.11: Ghizeghem, Mon souvenir, m. 15-21
Ex. 2.12a: Ghizeghem, Les grans regretz, m. 1-4
Ex. 2.12b: Longueval, Alle regres, superius m. 4-7
Ex. 2.13b: Josquin, Mille regretz, bassus m. 1-5
Table 2.1: Scheme of cadences in Les grans regretz and Mon souvenir
Ex. 2.15a: Ghizeghem, Les grans regretz, superius, m. 1-12
Ex. 2.15b: Ghizeghem, Mon souvenir, superius, m. 1-8
Ex. 2.16: Anon, Tous nobles cueurs, superius m. 1-10
Concluding Note
Dialogues among the Regretz of Josquin
Ex. 3.1a: Josquin, Mille regretz, m. 1-7
Ex. 3.2a: Josquin, Mille regretz, m. 18-24
Ex. 3.3: Josquin, Mille regretz, m. 17-19
Ex. 3.4: Josquin, Plus nulz regretz, m. 8-16
Threads Across Mille Regretz and Plusieurs Regretz
Ex. 3.5: Josquin, Plusieurs regretz, m. 1-7
Veiled Allusions of Mille Regretz in Regretz Sans Fin
Ex. 3.6: Josquin, Regretz sans fin, m. 13-18
Ex. 2.3: Josquin, Regretz sans fin, m. 1-8
Resonances with the Regretz of La Rue
Mille and Plusieurs
Ex. 3.9: La Rue, Plusieurs regretz, m. 36-40
Aprez Regretz
Ex. 3.10: La Rue, Aprez regretz, m. 16-24
Ex. 3.11: La Rue, Aprez regretz, m. 1-5
Tous les Regretz
Textual Echoes Between Mille Regretz and Cent Mille Regretz
Mille regretz as the Progenitor of Gombert’s Regretz
Ex. 3.14b: Gombert, Regret ennuy, m. 19-23
Ex. 3.15: Gombert, O doulx regretz, m. 1-3
Ex. 3.16: Gombert, Tous les regretz, m. 1-9
Ex. 2.13: Gombert, O doulx regretz, m. 19-29
The “Other Way Around”
Conclusions
The Referential Aspect of Josquin’s Plus nulz regretz
Discourses with La Rue’s Tous les regretz
Ex. 4.1: Josquin, Plus nulz regretz, m. 1-10
Ex. 4.2b: La Rue, Tous les regretz, m. 21-30
Ties with Secretz regretz
Ex. 4.4: La Rue, Secretz regretz, m. 1-6
Ex. 4.5b: La Rue, Secretz regretz, m. 37-42
Further Subtle Connections
Ex. 4.6: Josquin, Regretz sans fin, m. 32-38
Ex. 4.7: Prioris, Dueil et ennuy, m. 1-5
Josquin’s Regretz à 5
Ex. 4.9b: Josquin, Parfons regretz, m. 28-30
Graftings and Echoes between La Rue’s Dueil et ennuy and Tous les regretz
Ex. 4.11: La Rue, Dueil et ennuy, m. 1-10
Ex. 4.12: La Rue, Dueil et ennuy, m. 36-40
Ex. 4.13: La Rue, Dueil et ennuy, m. 21-25
Marguerite of Austria and More Musical Threads
Ex. 4.14a: La Rue, Pour ung jamais, m. 22-33
Closing comments
Literary Roots
Allez regretz and the Emergence of Regretz
Literary Archetypes in the Regretz Topos
Table 5.4: Prevalent words signifying suffering in the regretz texts
Localized Intertextualities within the Regretz Texts
CONCLUSION
WORKS CITED
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Chansons de Regretz in the Late Fifteenth and Early Sixteenth Centuries

Chansons de Regretz in the Late Fifteenth and Early Sixteenth Centuries

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Published by: abaraval on Mar 16, 2012
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