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Where is the voice without its body? A virtual quest into musical embodiment

Where is the voice without its body? A virtual quest into musical embodiment

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Published by Michelle Oosthuyzen
Paper from the course Digital Music Cultures of the master New Media & Digital Culture at the University of Utrecht

In which way does the concept of the virtual lead to new insights regarding the idea of disembodied music as described by Richard Middleton (2006) and how does this change our perception of embodiment and the body as such in relation to the digital (re)production of music.

Paper from the course Digital Music Cultures of the master New Media & Digital Culture at the University of Utrecht

In which way does the concept of the virtual lead to new insights regarding the idea of disembodied music as described by Richard Middleton (2006) and how does this change our perception of embodiment and the body as such in relation to the digital (re)production of music.

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Published by: Michelle Oosthuyzen on Apr 03, 2012
Copyright:Attribution Non-commercial

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05/31/2013

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MA New Media and Digital Culture
Where is the voice without its body?
A virtual quest into musical embodiment
Michelle Oosthuyzen3611205January 2012***Course: Digital Music CulturesTeacher: Dr. Isabella van Elferen
 
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Contents
Page
Introduction:
 
a voice without a body
..................................................................................... 41. Music: a way of being ............................................................................................................ 52. Reconfiguration of the human source .................................................................................... 73. Musical embodiment in a (virtual) reality .............................................................................. 8
Conclusion
............................................................................................................................... 10
Literature
................................................................................................................................ 11

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