CUT CUT
CHANDLER
Editing Your Film or Video2ND EDITION
MICHAEL WIESE PRODUCTIONS
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vii
Contents
List o Tables2
nd
Edition Foreword1
st
Edition ForewordPreace: The Practical Alchemy o Editing AcknowledgmentsPermissionsIntroduction: Stepping Aboard and Navigating the Book
STAGE ISETTING UP AND ORGANIZING YOUR PROJECT
Introduction
Part OneStarting Your Project
Introduction
1.
Decisions, Decisions: Getting Started on the Right Path throughPostproduction Appendix AProject Checklist
2.
Video, Digital, and Film Basics: Terms, Concepts, and Practices
Part TwoOrganizing for Editing
Introduction
3.
Setting Up the Cutting Room: Workows, Labeling Shots,and Other Cutting Room Common Tasks
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CUT BY CUT
CHANDLER
viii
Appendix BDIY Postproduction Schedule
4.
Preparing Dailies Appendix CStage One: Budget Form or Dailies
STAGE IIEDITING
Introduction
Part OneHow to Approach the Footage
Introduction
5.
To Cut or Not to Cut: Where to Cut and Why
6.
Everyday Editing Challenges
7.
From Animation to Reality: Editing Dierent Genres
Part TwoGetting from First Cut to Final Cut
Introduction
8.
Making the Cuts: Editing on a Digital System
9.
The Process: Getting rom First Cut to Locked Cut Appendix DTape and Tapeless Show Continuity Form Appendix E Film Show Continuity Form Appendix F Stage Two: Budget Form or Editing
STAGE IIICOMPLETING YOUR PROJECT
Introduction
Part OneSound, Music, and the Mix
Introduction
10.
Designing Sound and Music
11.
Editing and Mixing Sound and Music Appendix G ADR Cue Sheet Appendix HStage Three: Budget Form or Sound, Music, and the Mix
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