padded shoulders of the heap of body sprawled on top of me. The heap was breathing hard.Sandwiched between us was a football.The player on top of me casually rolled onto his back and stood up. He didn'tseem tonotice he'd landed on a body. All that padding, I guess, or he was just keepingthe focus thatCoach was always screaming about. I didn't blame him--I was focused onfinding our veryexpensive school camera. Spotting it just behind me, I picked it up and cradledit in my handslike a baby, praying it wasn't damaged."You okay?" Jared Wright hollered. I recognized his voice; as quarterback hecalled allthe plays. And he regularly called my sister."Sure," Flynn Delancy replied, tossing back the football he had just caught,grinning atthe defender who had failed to bring him down."Not you, you moron," Jared replied, and the rest of the team laughed."Hayley," hecalled to me, "are
you
okay?"Flynn looked back and seemed surprised to see me sitting on the ground. "Oh.Sorry!Sorry, buddy," he said, taking a few steps back, extending his hand, pulling meto my feet in asingle motion, like I was his teammate.Between the red of his helmet and the metal face mask, I glimpsed the famouseyes.Gray, but a gray that could turn mystical blue. Sometimes, they were the color of the night skywhen it first lightens to silver; at other times, they were a stormy ocean.How would I know this from shooting sports? Hey, I do close-ups! There isnothing thatgrabs your audience like a tight shot. And, actually, I photograph all kinds of schoolactivities--dances, concerts, fund-raisers, and everyday moments by the lockers.With a camerain my hand, I don't feel shy. It's not
me
everyone is looking at--it's the eye of thecamera; it's the people who they imagine will be admiring their photos. I like it that way.Usually.The glimpse of Flynn Delancy's eyes was no more than a glimpse, couldn't be,