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Table Of Contents

Introduction
Approach
Musical space
Outline
1 Intrinsic space
1.1 Auditory perception of individual sounds and events
1.1.1 Event recognition
1.1.2 Source recognition
1.2 Attributes of intrinsic space
1.2.1 Magnitude
1.2.2 Shape
1.2.3 Density
2 Extrinsic space
2.1 Spatial hearing and acousmatic listening
2.2 Attributes of extrinsic space
2.2.1 Direction
2.2.2 Distance
2.2.3 Movement
2.3 Categories of sounds based on extrinsic space
3 Spectral space
3.1 Theoretical background
3.1.1 Perception theories
3.1.2 Spectromorphological theory
3.2 Conclusion
4 Composed space
4.1 Space as compositional element
4.1.1 Structural functions
4.1.2 Space on a macro-level: Spatio-structural orientation
4.1.3 Space on a micro-level: Spatio-structural functions
4.3 Case study: Spatio-structural analysis of Intra
5 Listening space
5.1 Sound and the acoustic environment
5.1.1 Case study: Lorry Red Lorry Yellow—a sound installation
5.2 Listening in private and public spaces
5.2.1 Private space
5.2.2 Public space
5.3 Sound systems
5.3.1 Headphone listening
5.3.2 Stereophony
5.3.3 Surround-sound systems
5.1 Surround-sound systems
5.4 Case study: Terra Incognita
5.5 Sound diffusion
5.5.1 The sound diffusion system
5.5.2 Diffusion strategies
5.5.3 Case study: Diffusing (dis)integration
6 Perceived space
6.1 Space as communication
6.1.1 Proxemics
6.1.2 Territoriality
6.2.1 Spatio-musical expression
6.2.2 Spatio-musical experience
Ebb (1998)
Intra (1999)
Itinera (1999-2001)
Terra Incognita (2001)
Lorry Red Lorry Yellow (2000)
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Space in Electroacoustic Music

Space in Electroacoustic Music

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Published by reaktorplayer

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Categories:Types, Research
Published by: reaktorplayer on Apr 23, 2012
Copyright:Attribution Non-commercial

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09/09/2013

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