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Table Of Contents

Phenomenology and the Film Experience
FILM THEORY AND THE OBJECTIFICATION OF EMBODIED VISION
PHENOMENOLOGY AND FILM THEORY
The Act of Being with One's Own Eyes
INTENTIONALITY, EMBODIMENT, AND MOVEMENT
THE VIEWING SUBJECT
FILM AND/AS VIEWING SUBJECT
BODILY DISCRIMINATIONS
Film's Body
TECHNOLOGY AND INSTRUMENTALITY
THE FILM EMBODIED
FILM'S BODY: A BRIEF INTENTIONAL HISTORY
THESIS AND ANTITHESIS: THE PARANOIA OF SPLIT VISION
SYNTHESIS: THE DIALECTICS OF DOUBLE VISION
FIGURE 3. The Film Experience: Primary Correlations
THE EYE'S ADDRESS
FILM THEORY
BECOMING AND CONCLUDING: THE END IS IN-SIGHT
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Vivian Sobchack - The Address of the Eye

Vivian Sobchack - The Address of the Eye

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Published by: readriver on May 02, 2012
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