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Chris Peck CV Hard Copy Version

Chris Peck CV Hard Copy Version

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Published by: Chris Peck on May 14, 2012
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Christopher Peck 
Curriculum Vitaechristopherfpeck.blogspot.comchris_peck@baylor.edu(615) 440-37671426 South 11
th
St. Waco, TX 76706
EDUCATION
Master of Fine Arts in Directing: Baylor University (anticipated) 2013Written Thesis: “A Director’s Approach to Euripides’
 Hecuba
Bachelor of Fine Arts in Theatre (Acting Emphasis): Abilene Christian University 2005
TEACHING EXPERIENCE
Baylor University – Waco, TX
Teacher of Record -
 Acting for Non Majors
THEA 1314Fall 2012 Non major students are given the opportunity to experience acting concepts and techniqueincluding Stanislavski method, Bogart and some improvisation. Class size 20.
Theatre Appreciation
THEA 1206Fall 2011, Spring 2012Spring 2013Lecture style course introducing students to fundamental theatrical components includingacting, directing, design, theatrical literature and theatre history. Class enrollment 200.
Guest Lecturer 
– 
 Advanced Studies in
THEA 4379Spring 2012
Contemporary Theatre and Drama
Invited to lead a discussion-based class on Sarah Ruhl’s
 Passion Play
. Guidedconversation amongst Junior and Senior undergraduates to explore themes and ideasinherent in Ruhl’s play.
Teaching Assistant 
– 
 Applied Voice and Movement 1
THEA 2101Fall 2011Aid in the development of actor’s use of body and voice as it applies to realistic acting.Provide practical demonstrations of course techniques.
 Acting Shakespeare
THEA 2302Spring 2011Aided instructor in operative words exercises, scansion, and poetical devices through practical demonstration. Administered tests to students.
 
Theatre Appreciation
THEA 1206Fall 2010, Spring 2011Monitored students and aided in class discussion in two sections of theatre appreciation per semester. Graded students tests and quizzes. Lead lecturer for acting unit in two sectionsin Spring 2011.
KD Studio Actor’s Conservatory – Dallas, TX
Teacher 
 Introduction to Acting 
November ’07-August ‘08Instructed adult students in fundamental elements of acting and character developmentthrough the usage of improvisation, scene work, and monologues.
 Introduction to Acting (Teens)
November ’07-August ‘08Instructed students—ages 12-16—in the fundamentals of acting and character development. Explored the nature of theatre and acting through storytelling games andimprovisation and guided students to a better understanding of acting techniques throughscene work and monologues.
North Mesquite High School – Mesquite, TX
Teacher 
Theatre Arts 1
August ’05-June ‘08Introduce students to the fundamentals of theatre. Class includes units on acting, design,improvisation and theatre history. Students are encouraged to create classroom workingrelationships through activities such as scene work and group projects.
Theatre Arts 2
August ’05-June ‘08Theatre Arts 2 is a continuation of Theatre Arts 1 with a greater in-depth concentration inthe elements of acting. Students are challenged with more intensive scene work as well asnew training in areas such as directing and Shakespeare.
TRAINING
Stage Combat Workshop at Louisiana Tech University
Louisiana TechTwo day intensive workshop. Ten, eighty-minute classes helping students develop skills inthe variety of areas of stage combat. Classes taught by certified members of the SAFDfrom all across the county.
 Master Class with John Patrick Shanley
Baylor University 2011Playwright John Patrick Shanley discusses his approach to playwriting, includinginfluences from his own life, and steps taken to be a successful playwright.
 
Texas Intensive Stage Combat Workshop
University of Houston 2011Two day intensive workshop helping develop a basic skill set of common stage weaponsused in the theatre. Class instructors include S.A.F.D. FM/FD/CT’s Brian Byrnes and k.Jenny Jones, S.A.F.D. FD/CT’s Jack Young and Timothy Pinnow, CT’s Leraldo Anzaldua,Bill Lengfelder, H. Russ Brown, Matt Ellis and Mark Guinn, AAC Intern Jake Guinn.
 Meyerhold’s Biomechanics
Texas A&M 2011One day workshop in which students develop a basic understanding of Meyerhold’sBiomechanics. Practical application of skill set is emphasized. Workshop instructed byKathleen Baum.
DIRECTING
(Full Length)
 Hecuba
EuripidesBaylor Mainstage 2012(Coming November 2012)
The Exception and the Rule
Bertolt BrechtBaylor Studio 2012(Co-director)
 Little Airplanes of the Heart 
Steve FefferBaylor Mainstage 2012(Assistant Director)
 Johannes, Pyotr &Marge
Jeffrey EssmannBaylor Mainstage 2012(Assistant Director)
 Red Flags, Black Squares
DevisedBaylor Studio 2011
Circle Mirror Transformation
Annie BakerBaylor Mainstage 2011
Two Truths and a Lie
Mary Michael WagnerBaylor Studio 2010
 Much Ado About Nothing 
ShakespeareLipscomb Mainstage 2010(Co-director)
The Actor’s Nightmare
Christopher DurangLipscomb Mainstage 2008
One Flew Over the Cuckoo’s Nest 
*Dale WassermanNorth Mesquite HS 2008
God’s Favorite
 Neil SimonNorth Mesquite HS 2007
Cinderella
Rodgers and Hammerstein’sNorth Mesquite HS 2007
Witness for the Prosecution
Agatha ChristieNorth Mesquite HS 2006
The Apollo of Bellac
*Jean GiraudouxNorth Mesquite HS 2006
Wait Until Dark 
Frederick KnottNorth Mesquite HS 2005
Variations on the Death of Trotsky
David IvesACU Mainstage 2005
“Love: An Indescribable Force”
DevisedACU Studio 2005
“Chains”
DevisedACU Studio 2003
*Indicates UIL 40-minute play competition
(Scene Work)
Ghosts*
Henrik IbsenBaylor Studio 2012
 Bengal Tiger at the Baghdad Zoo
*Rajiv JosephBaylor Studio 2011
 Henry IV, Part I 
*ShakespeareBaylor Studio 2011
The Rivals
*Richard SheridanBaylor Studio 2011

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