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Table Of Contents

Aims and readers
Introduction
New, critical, radical, social
Terms and texts
Readings, meanings, values, and politics
Art history, radical art history, and realhistory
Prejudices, perspectives, and principles
For ‘new’ read ‘old’?
Politics, modernity, and radical art history
‘... no art history apart from other kinds of history’1
Elements within ‘the social history of art’
Institutions and ideologies
Meanings and materialism
Feminism, art, and art history
Politics, position, perspective
Greatness, creativity, and cultural value
Ideologies, sexual difference, and social change
Modernism, modernity, and feminist art history in the 1990s
Select bibliography
Psychoanalysis and radical politics after the 1960s
Self, sex, society, and culture
Psychoanalysis and systems of signification
Sight, social ordering, and subjectivity
Notes
Signs, discourse, and society
Marks and meanings
Making and masking the ‘real’
Perception, narration, and ‘visual culture’
Searching, after certainties
Beyond subjects and structures
Signs, surfaces, and civilisation
Politics, culture, and post-modernism
Cultivating nature
Sexualities represented
Matter and materialism
Semantic/somatic: Charles Demuth and Rosa Bonheur
Body heat
The matter of ideals
radical art history
Radicalism in art history and ‘identity-politics’
Race and representation
‘Arguments and values’, not ‘theories and methods’
Index
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The New Art History, A Critical Introduction

The New Art History, A Critical Introduction

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Published by: hectorsiever on Jun 07, 2012
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06/07/2013

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