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Published by Gon Xin

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Published by: Gon Xin on Jun 18, 2012
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FILIPINOTeoryangPampanitikanHumanismo-naglalarawanngkarakterngisangtaoFeminismo-pagkapantay-pantayngkababaihanSosyolohikal-kalagayanpanlipunan,pangkabuhayanatpangkultura-antasngkalagayanRealismo-katotohananngbuhayopaglalarawanngkatotohananRomantisismo-higitnanagingibabawangdamdaminMoralismo-tumitinginsatamaomaliPormalistiko-pisikalnakatangian,praangngpagsulatImahismo-larawangdiwanamaykahulugan-paggamitnaangkopnawika-mgasalitangnaglalarawanDekonstruksyon-pangsarilinginterpretasyonSimbolismo-paggamitngsimboloSikolohikal-pagpapaliwanagsapamamagitanngmgasaligsapagbuonanaturangkaugalianNaturalismo-paglalarawansakapaligiranEnglishAuthorsandtheirBooksEnglishGeoffreyChaucer-TheCanterburyTalesChristopherMarlowe-Dr.Fautus-PassionateShepherdtoHisLoveWilliamShakespeare-RomeoandJuliet-MuchAdoaboutNothingBenJonson-TheAlchemistAlexanderPope-RapeoftheLockSamuelJohnson-TheDictionaryJonathanSwift-Gulliver’sTaleJohnLocke-TabulaRasaWilliamWordsworth-ThePreludeSamuelColeridge-TheRimeoftheAncientMarinerJaneAusten-PrideandPrejudice-SenseandSensitivityCharlesDickens-OliverTwist-AChristmasCarolEmilyBronte-WutheringHeightsCharlotteBronte-JaneEyreAnneBronte-AgnesGreyLewisCaroll-AliceinWonderlandAlfredLordTennyson-InMemoriamA.H.HElizabethBrowning-HowDoILoveTheeRudyardKipling-TheJungleBookRobertStevenson-TreasureIsland-TheStrangeCaseofDr.JekyllandMr.HydeGeorgeBernardShaw-PygmalionVirginiaWoolf-Mrs.DallowayD.HLawrence-LadyChatterley’sLoverE.MForster-ARoomwithaView-PassagetoIndiaGeorgeOrwell-AnimalFarmJ.R.RTolkien-LordoftheRings-TheHobbitRobertBolt-AManforAllSeasons
 
WilliamGolding-LordoftheFliesIrvineWelsh-TrainspottingAmericanAnneBradstreet-ToMyDearandLovingHusbandJohnSmith-HistoryofVirginiaBenjaminFranklin-PoorRichard’sAlmanacThomasJefferson-DeclarationofIndependenceWashingtonIrving-LegendofSleepyHollowEdgarAllanPoe-TheTell-TaleHeart-TheCaskofAmontilladoHermanMelville-MobyDickWaltWhitman-OCaptainOCaptainHenryLongfellow-APsalmofLifeEdwinRobinson-RichardCoryHarrietStowe-UncleTom’sCabinMarkTwain-AdventuresofTomSawyer-AdventuresofHuckleberryFinnJackLondon-ToBuildaFireKateChopin-TheAwakeningErnestHemingway-ForWhomtheBellTolls-TheOldManandtheSeaScottFitzgerald-TheGreatGatsbyWilliamFaulkner-ARoseForEmilyJohnSteinback-ThePearlRobertFrost-TheRoadNotTakenAnneSexton-CinderellaAliceWalker-TheColorPurpleTrumanCapote-InColdBloodAnneRice-InterviewwithaVampireStephenKing-TheShining-MiseryShirleyJackson-theLotteryEyeoftheBeholder3AssumptionsWhatisbeautifulisgoodWhatisbeautifulissex-typedWhatisbeautifulisself-centeredEuphemism-substitutionofanagreeableorlessoffensiveexpressioninplaceofonethatmayoffendorsuggestsomethingunpleasanttothelistenerElementsofFictionCharacter-apersoninaworkoffiction-thecharacteristicsofapersonDIRECTcharacterization-authorwritesitINDIRECTcharacterization-throughlinesPROTAGONIST-centralcharacter-canbegoodorbadANTAGONIST-oppositionROUND-changesFLAT-staysthesamePointofView-theanglefromwhichthestoryistoldFIRSTPERSON-toldfromtheprotagonist’sviewpointLIMITEDOMNISCIENT-toldinthirdpersonbyacharacterinthestoryOMNISCIENT-theauthortellsthestorySettingTime-whendidthestoryoccur?Location-wheredidthestorytakeplace?
 
WeatherCondition-stormy,sunny,etc.SocialCondition-slums,palace,etc.Mood/Atmosphere-comedy,suspense,etc.Plot-seriesofeventsEXPOSITION-charactersandsettingRISINGACTION-problemsCLIMAX-highestpoint,suspensefulFALLINGACTION-denouementOUTCOME-resolutionSymbolism-representsanidea,quality,orconceptlargerthanitselfTHEME-controllingideaorcentralinsight-theauthor’sthoughtsFILIPINOTeoryangPampanitikanHumanismo-naglalarawanngkarakterngisangtaoFeminismo-pagkapantay-pantayngkababaihanSosyolohikal-kalagayanpanlipunan,pangkabuhayanatpangkultura-antasngkalagayanRealismo-katotohananngbuhayopaglalarawanngkatotohananRomantisismo-higitnanagingibabawangdamdaminMoralismo-tumitinginsatamaomaliPormalistiko-pisikalnakatangian,praangngpagsulatImahismo-larawangdiwanamaykahulugan-paggamitnaangkopnawika-mgasalitangnaglalarawanDekonstruksyon-pangsarilinginterpretasyonSimbolismo-paggamitngsimboloSikolohikal-pagpapaliwanagsapamamagitanngmgasaligsapagbuonanaturangkaugalianNaturalismo-paglalarawansakapaligiranPagtukoysaDetalyePagtukoysaImpormasyonmulasaBinasangAkdaKinagisnangBalonTauhan-Narsing-TandangOrwenyo-NanaPisyangTagpuan-ProbinsiyangTibagTunggalian-pagawayniNarsingatangkanyangamatungkolsapagigingaguadorKasukdulan-napilayangamaniyaKakalasan-nagingaguadorsiNarsingWakas-ayawmanogustonagingaguadorsiNarsingTEORYANGPAMPANITIKAN:dekonstruksyonSaBagangParaisoTauhan-Ariel-CleofeTagpuanDP-ilalimngpuno-tabingdagatBP-luneta-motelTunggalian-sabingmagulangniCleofenabawalsilamagkitaniArielKasukdulan-tumakassinaArielatCleofesaisang“bagongparaiso”Kakalasan-maynagawasilangdikarapat-dapatWakas-nasukasiCleofe(nabuntis)TEORYANGPAMPANITIKAN:romantisismoMabangisnaLungsodTauhan-Adong-Bruno

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