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Formalism and the Collision Montage

This essay will discuss the above quotation (from Giannetti) regarding formalism and support the outlined elements of formalism with Eisenstein’s theories and film form in general. In addition to this, Eisenstein’s “Odessa Steps” sequence from Battleship Potemkin (Soviet Union, 1925) will be used in support of his formalist theories of collision montage. 2006.