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Antenna_wo2005062691

Antenna_wo2005062691

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Published by: Mitko Omruznamiregistraciata on Jun 20, 2012
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07/25/2013

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(12)INTERNATIONALAPPLICATIONPUBLISHEDUNDERTHEPATENTCOOPERATIONTREATY(PCT)
(19)WorldIntellectualPropertyOrganizationInternationalBureau(43)InternationalPublicationDate
14
July2005(14.07.2005)
11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111
peT
(10)InternationalPublicationNumber
WO2005/062691A2
(51)InternationalPatentClassification:RO,RU,SC,SD,SE,SG,SK,SL,SY,TJ,TM,TN,TR,TT,TZ,UA,UG,US,UZ,VC,VN,YU,ZA,ZM,Zw.
Notclassified
(21)InternationalApplicationNumber:PCTIIlG2003/000017English(84)DesignatedStates
(regional):
ARIPOpatent(BW,GH,GM,KE,LS,MW,MZ,SD,SL,SZ,TZ,UG,ZM,ZW),Eurasianpatent(AM,AZ,BY,KG,KZ,MD,RU,TJ,TM),Europeanpatent(AT,BE,BG,CH,
CY,
CZ,DE,DK,EE,ES,FI,FR,GB,GR,HU,IE,IT,LU,MC,NL,PT,RO,SE,SI,SK,TR),OAPIpatent(BF,BJ,CF,CG,CI,CM,GA,GN,GQ,GW,ML,MR,NE,SN,TD,TG).(22)InternationalFilingDate:31December2003(31.12.2003)(25)FilingLanguage:(26)PublicationLanguage:EnglishDeclarationsunderRule4.17:
astoapplicant'sentitlementtoapplyforandbegrantedapatent(Rule
4.17(ii))
foralldesignationsofinventorship(Rule
4.
17(iv))forUSonly
(71)Applicantand(72)Inventor:KARIM,Ibrahim,Fahmy
[EGIEG];
17SI.#11,Maadi,Cairo11431(EG).
rsn
DesignatedStates
(national):
AE,AG,AL,AM,AT,AU,AZ,BA,BB,BG,BR,BY,BZ,CA,CH,CN,CO,CR,CU,CZ,DE,DK,DM,DZ,EC,EE,EG,ES,Fl,GB,GD,GE,GH,GM,HR,HU,
ill,
IL,IN,IS,
JP,
KE,KG,KP,KR,KZ,LC,LK,LR,LS,LT,LU,LV,MA,MD,MG,MK,MN,MW,MX,MZ,NI,NO,NZ,OM,PG,PH,PL,PT,
-
Published:
withoutinternationalsearchreportandtoberepublisheduponreceiptofthatreportFortwo-lettercodesandotherabbreviations,refertothe"Guid-anceNotesonCodesandAbbreviations"appearingatthebegin-ningofeachregularissueofthePCTGazette.
(54)Title:BIOGEOMETRYSHAPES
&
METHODOLOGYFORBIOLOGICALENERGYBALANCING
-
-
;;;;;;;;;;;;;;
!!!!!!!!
_(1a
-
--
(57)Abstract:Geometricshapesandtechniques,alongwiththemethodologybehindthem,inventedtoproduceaqualitativeenergybalancingeffectonbiologicalsystems,beithumanbeingsorotherwise.Thisresultsinapositiveeffectonbiologicalfunctions,eitherpreventativeorhealing,andprotectionfromenvironmentalenergydisturbances.Themethodologyintroducedbytheinventoristhediscoveryofthequalitativeenergycomponentsofearthenergypower-spots{specificallythosecomponentsarequalita-tivehigherharmonicsofthefrequenciesofgoldandultra-violet,andacarrierwaveinthenegativegreenoftheenergyspectrum}anddevelopmentofgeometricshapesandtechniquestoreproduceandamplifythatenergybalancingquality.Thismethod-ologyhasbeentermed/copyrighted"BioGeometry"bytheinventor.Thegeometricshapesandtechniquesworkeitherdirectlythroughproximitytothebiologicalsystemorfromwithinitssurroundingenvironment,orbysuperimposingonaradiatingenergysourcethatreachesthebiologicalsystem.Thetwotechniquesare:(1)Usingtwooftheshape(Fig.4)asgeometricpolarizersandorientingtheminrelationtoacentralaxistoproducetheenergybalancingqualityasin(Fig7)andtermed"BioGeometryDial",(2)Usingshape(Fig.4)asanindividualgeometricpolarizerandaligningsamplesofmaterialsfromthebiologicalsystemitselforitsenvironmenttoproducetheenergybal-ancingeffect(Fig.8)andtermed"EnergyBalancingWheel"whenintwo-dimensionalformand"EnergyBalancingSphere"wheninthree-dimensionalform.
 
WO
2005/062691PCT/EG2003/000017
1
DESCRIPTIONBioGeometryShapes
&
MethodologyforBiologicalEnergyBalancingGeometricshapesandtechniques,alongwiththemethodologybehindthem,inventedtoproduceaqualitativeenergybalancingeffectonbiologicalsystems,beithumanbeingsorotherwise.Thisresultsinapositiveeffectonbiologicalfunctions,eitherpreventativeorhealing,andtoprotectfromenvironmentalenergydisturbances.Themethodologyintroducedbytheinventoristhediscoveryofthequalitativeenergycomponentsofearthenergypower-spots{specificallythosecomponentsarequalitativehigherharmonicsofthefrequenciesofgoldandultra-violet,andacarrierwaveinthenegativegreenoftheenergyspectrum}anddevelopmentofgeometricshapesandtechniquestoreproduceandamplifythatenergybalancingquality.Thismethodologyhasbeentermed/copyrighted"BioGeometry"bytheinventor.Thegeometricshapesandtechniquesworkeitherdirectlythroughproximitytothebiologicalsystemorfromwithinitssurroundingenvironment,orbysuperimposingonaradiatingenergysourcethatreachesthebiologicalsystem.Thepresentinventionisnotrigidinitsscopeofapplication,butisratheradynamicdesignlanguagethatcanbeappliedinanyfield.BioGeometryisasciencethatdealswiththeenergyofshape;itusesshapes,colours,motion,orientationandsoundtoproduceavibrationalqualitythatbalancesenergyfields.BioGeometricalshapesaretwoorthree-dimensionalshapesspeciallydesignedbasedontheenergyprinciplesofshapeandtheinteractionwiththeearth'senergyfieldstoproducebalancingeffectsonthemultipleenergylevelsofbiologicalsystems.Thediscoveryofthequalitativeenergycomponentsoftheearth'spower-spotsmentionedabove,whicharethemeasurableindicatorsoftheexistenceofatranscendentalenergythatqualitativelybalancesthemicro-vibrationalenergystructureofbiologicalsystems,isthebasisfortheefficacyofBioGeometryshapesandtechniques,whichreplicateandamplifythatqualitativeenergyenvironmentwithinbiologicalsystems.BioGeometrycanbebetterunderstoodbyanintroductiontothephysicsofqualitativeenergyinteractionsfromthispaperbyDr.KarimontheBioGeometryEnergySystemsLtd.websitetitled"ThePhysicsofQuality:"
 
WO
2005/062691PCT/EG2003/000017
2
Nature
doesnotrecognizeourscientificunitsofmeasurement.Thecentimeter,inch,mile,voltetc.,donotexistinnature,theyareourwayofunderstandingnaturebyquantifyingit.Whennaturerecognizesquantity,itdoessobyinteractingwiththe"qualitativeaspectofquantity".
In
natureforexampleeverynumberhasavibratoryqualitythatcanbetransmittedthroughinteractionandcanproducecertaineffectsonotherenergysystems.Qualityandquantityareactuallytwofacesofthesamecoin.
Pythagoras
wasthefirsttointroducetothewesternworldtheAncientEgyptianwayofcorrelatingmusicalqualitieswithquantifiable,numericalvalues.Heusedasimplemonochord,whichismadeofamusicalchordstrungonapieceofwood,andshowedthateveryqualityofsoundplayedonthechordwasbasedonacertainlengthonthestring,showingthatwehaveinasimplemonochordaninstrumentthatcanactuallyconvertqualityintoquantityandviceversa.Everymusicalinstrumentperformsthisconversion.
To
understandthepropertiesofthisqualitativescale,welookatthemusicalnotesandtheirrelationshiptothequantitativefrequencyofsoundorthelengthofthemusicalchord.Thefactisthatatcertainintervalsthechordsinteract.Whenonecordisstruckothersalsostartvibrating,inwhatwecallresonance,thesearelabeledasthesamemusicalnote,althoughtheyareatdifferentlengthsontheinstrument,orlevelsonthescale,becausetheyproducethesameeffectonthenervesgoingfromtheeartothebrain,andthereforeareperceivedbythenervoussystemasthesamequalityhencethesamenote.Anytrainedmusicianhasusuallyacquiredenoughsensitivitytoperceivethequalityormusicalnoteofanyoneofthesoundsproducedanywhereonthestringsofaninstrumenteveniftheysoundquitedifferenttothelayman.Thisrepetitiveorcycliceffectisthereasonwhywespeakofoctavesonthepianobecausethefirst,eighth,Fifteenthnotesandsoon,producethesamequalitativeeffectonus.
From
thatperspectivewecanassumethatallsensesproducesimilarpatternsofnervousreactiontoexternalstimuli.Theproblemliesintheabilitytomeasure,andmeasurementmustbebasedonascale.Ifwehadmeasurementscalesforquality,thenitwouldbecomeobjective,andevenquantifiable,whichwouldthenbecomescientific.Dosuchqualitativescalesexist?Theyactuallydo

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