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Carlos Castaneda - The Art of Dreaming

Carlos Castaneda - The Art of Dreaming

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Published by Hiram Abraham

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Published by: Hiram Abraham on Jun 22, 2012
Copyright:Attribution Non-commercial


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Carlos Castaneda
The Art of dreaming  Authors Note
Over the past twenty years, I have written a series of books about my apprenticeship with aMexican Yaqui Indian sorcerer, don Juan Matus. I have explained in those books that he taughtme sorcery, but not as we understand sorcery in the context of our daily world: the use of supernatural powers over others, or the calling of spirits through charms, spells, or rituals to produce supernatural effects. For don Juan, sorcery was the act of embodying some specializedtheoretical and practical premises about the nature and role of perception in molding the universearound us.Following don Juan's suggestion, I have refrained from using shamanism, a category proper toanthropology, to classify his knowledge. I have called it all along what he himself called it:sorcery. On examination, however, I realized that calling it sorcery obscures even more thealready obscure phenomena he presented to me in his teachings.In anthropological works, shamanism is described as a belief system of some native people of northern Asia, prevailing also among certain native North American Indian tribes, whichmaintains that an unseen world of ancestral spiritual forces, good and evil, is pervasive around usand that these spiritual forces can be summoned or controlled through the acts of practitioners,who are the intermediaries between the natural and supernatural realms.Don Juan was indeed an intermediary between the natural world of everyday life and anunseen world, which he called not the supernatural but the second attention. His role as a teacher was to make this configuration accessible to me. I have described in my previous work histeaching methods to this effect, as well as the sorcery arts he made me practice, the mostimportant of which is called the art of 
.Don Juan contended that our world, which we believe to be unique and absolute, is only one ina cluster of consecutive worlds, arranged like the layers of an onion. He asserted that even thoughwe have been energetically conditioned to perceive solely our world, we still have the capabilityof entering into those other realms, which are as real, unique, absolute, and engulfing as our ownworld is.Don Juan explained to me that, for us to perceive those other realms, not only do we have tocovet them but we need to have sufficient energy to seize them. Their existence is constant andindependent of our awareness, he said, but their inaccessibility is entirely a consequence of our energetic conditioning. In other words, simply and solely because of that conditioning, we arecompelled to assume that the world of daily life is the one and only possible world.Believing that our energetic conditioning is correctable, don Juan stated that sorcerers of ancient times developed a set of practices designed to recondition our energetic capabilities to perceive. They called this set of practices the art of 
.With the perspective time gives, I now realize that the most fitting statement don Juan madeabout
was to call it the "gateway to infinity." I remarked, at the time he said it, that themetaphor had no meaning to me."Let's then do away with metaphors," he conceded. "Let's say that
is the sorcerers' practical way of putting ordinary dreams to use.""But how can ordinary dreams be put to use?" I asked."We always get tricked by words," he said. "In my own case, my teacher attempted to describe
to me by saying that it is the way sorcerers say good night to the world. He was, of 

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