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    <title>Scribd Feed for zilch0000</title>
    <link>http://www.scribd.com/people/view/284999-zilch0000</link>
    <description>This a feed for documents on Scribd written by zilch0000</description>
    <ttl>30</ttl>
    <pubDate>Sun, 08 Jun 2008 01:57:53 GMT</pubDate>
    <lastBuildDate>Sun, 08 Jun 2008 01:57:53 GMT</lastBuildDate>
    <item>
      <title>RNAi</title>
      <link>http://www.scribd.com/doc/3271917/RNAi</link>
      <description>*Current Topics in Microbiology and Immunology Volume 320

Series Editors
Richard W. Compans Emory University School of Medicine, Department of Microbiology and Immunology, 3001 Rollins Research Center, Atlanta, GA 30322, USA Max D. Cooper Howard Hughes Medical Institute, 378 Wallace Tumor Institute, 1824 Sixth Avenue South, Birmingham, AL 35294-3300, USA Tasuku Honjo Department of Medical Chemistry, Kyoto University, Faculty of Medicine, Yoshida, Sakyo-ku, Kyoto 606-8501, Japan Hilary Koprowski Thomas Jefferson University, Department of Cancer Biology, Biotechnology Foundation Laboratories, 1</description>
      <pubDate>Sun, 08 Jun 2008 01:57:53 GMT</pubDate>
      <guid>http://www.scribd.com/doc/3271917/RNAi</guid>
    </item>
    <item>
      <title>Single-Molecule DNA Sequencing of a Viral Genome</title>
      <link>http://www.scribd.com/doc/3183623/SingleMolecule-DNA-Sequencing-of-a-Viral-Genome</link>
      <description>Single-Molecule DNA Sequencing of a Viral Genome Timothy D. Harris, et al. Science 320, 106 (2008); DOI: 10.1126/science.1150427

The following resources related to this article are available online at www.sciencemag.org (this information is current as of May 31, 2008 ):
Updated information and services, including high-resolution figures, can be found in the online version of this article at: http://www.sciencemag.org/cgi/content/full/320/5872/106 Downloaded from www.sciencemag.org on May 31, 2008 Supporting Online Material can be found at: http://www.sciencemag.org/cgi/content/full/320/5872/1</description>
      <pubDate>Sat, 31 May 2008 18:02:16 GMT</pubDate>
      <guid>http://www.scribd.com/doc/3183623/SingleMolecule-DNA-Sequencing-of-a-Viral-Genome</guid>
    </item>
    <item>
      <title>Rope Magic</title>
      <link>http://www.scribd.com/doc/2148585/Rope-Magic</link>
      <description>Home Page

Rope Magic
Color-Changing String
Effect: A white shoestring is held up for everyone to see, the magician passes his closed fist down the string, instantly changing it from white to black. The shoestring is then handed out for examination. Secret: Two shoelaces are used in this performance, a black shoestring and a hollow white shoelace. Cut a small opening in the white shoelace and thread the black shoestring through the hole, so that the black lace is completely covered by the white lace. Hold up the lace with your right hand covering the hole in the white lace. Using your left han</description>
      <pubDate>Thu, 21 Feb 2008 21:02:09 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148585/Rope-Magic</guid>
    </item>
    <item>
      <title>Money Magic</title>
      <link>http://www.scribd.com/doc/2148584/Money-Magic</link>
      <description>Home Page

Money Magic

Multiplying Bills
Effect: A borrowed bill is held openly in hands, both sleeves are rolled up and hands are shown to be empty separately. Hands are brought together and the borrowed bill is fanned out into ten or more bills, multiplying before the eyes. Secret: Tightly roll several bills into a small tube and wrap it a few times with a piece of thread before the presentation. You must be wearing some kind of loose long sleeves, place the roll of bills in the crease in your left elbow, using the folds of your sleeve and the bend of your arm to conceal it. Presentation: B</description>
      <pubDate>Thu, 21 Feb 2008 21:02:08 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148584/Money-Magic</guid>
    </item>
    <item>
      <title>Ezy Magic</title>
      <link>http://www.scribd.com/doc/2148583/Ezy-Magic</link>
      <description>Another eBookWholesaler Publication

Ezy Magic Fun Book
By John Williams Copyright 2003 All Rights Reserved

Proudly brought to you by
www.lcdirect.com
Email

Recommended Resources Web Site Hosting Service Internet Marketing Affiliate Program

*EzyMagic FUN Book

Contents
READ THIS FIRST &#8230; .................................................................................... 4 ABOUT THE AUTHOR &#8230;............................................................................. 5 FUN GAGS &#8230; .................................................................................................. 6 BALL A</description>
      <pubDate>Thu, 21 Feb 2008 21:02:07 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148583/Ezy-Magic</guid>
    </item>
    <item>
      <title>David Blaine Street Magic</title>
      <link>http://www.scribd.com/doc/2148579/David-Blaine-Street-Magic</link>
      <description>David Blaine

David Blaine's Street Magic - REVEALED
Ace Shaker Card in the Window Two Card Monte' The Un-Dead ! Voodoo Spirit Writing The Changing Card The Changing Cards Thought Card - Found ! Twisting Arm Illusion Regurgitated Card The Phone Card Floating Dollar Bill Coin into a Bottle Biting a Coin in Half Tax disc thro' Windscreen The Pop-Up Card Disappearing Coin Mind Probe Kundalini Rising
q q q q q q q q q q q q q q q

q

q

q

q

Ace Shaker
This trick was performed on David Blaine's second special where he asked a spectator sign a card, the card was shuffled into the pack and it was m</description>
      <pubDate>Thu, 21 Feb 2008 21:00:36 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148579/David-Blaine-Street-Magic</guid>
    </item>
    <item>
      <title>David Blaine Balducci Levitation</title>
      <link>http://www.scribd.com/doc/2148578/David-Blaine-Balducci-Levitation</link>
      <description>Home Page

The Balducci Levitation
Intro
The Balducci Levitation is an illusion that can be performed anywhere, anytime. The illustration to the left show you the audience point-of-view.Stand about 8 to 10 feet away from the audience at a 45&#176; 'backward' angle. This is an angle sensitive trick. You have to practice your angles over and over to get used to them. One bad angle or position and the illusion is blown!

The Secret
All there is to do is pretend to "float off of the ground while you tippee-toe on just one foot (the foot furthest from their view) as shown to the right and below. The au</description>
      <pubDate>Thu, 21 Feb 2008 21:00:34 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148578/David-Blaine-Balducci-Levitation</guid>
    </item>
    <item>
      <title>Card Magic</title>
      <link>http://www.scribd.com/doc/2148577/Card-Magic</link>
      <description>Home Page

Card Magic
Here You Can Learn Some Card Tricks

Twenty Cards
Effect: The magician sets twenty randomly selected cards on the table, face up. While the magician is out of the room, each of the spectators mentally select a different pair of cards. The performer randomly places the cards in rows of five. Each of the spectators point to the two rows that their cards are in, and the magician immediately picks up their pair of cards. Secret: The cards are not actually placed at random, instead a formula is used to place them in a special selfworking pattern. Imagine that you see these fou</description>
      <pubDate>Thu, 21 Feb 2008 21:00:31 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148577/Card-Magic</guid>
    </item>
    <item>
      <title>13 Magic Books</title>
      <link>http://www.scribd.com/doc/2148572/13-Magic-Books</link>
      <description>13 Magic Trick Books

1- Beginner Magic 2- Burlingame Magic Tricks 3- Card Magic 4- David Blaine Balducci Levitation 5- David Blaine Mega Magic 6- David Blaine Street Magic 7- David Copperfield Magic Secrets 8- Encyclopedia of Card Tricks 9- Ezy Magic 10- Expert at the Card Table 11- Mentalist Tricks 12- Money Magic 13- Rope Magic

Enjoy! From: Louchuck

*</description>
      <pubDate>Thu, 21 Feb 2008 21:00:10 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148572/13-Magic-Books</guid>
    </item>
    <item>
      <title>Trickshop com - Mastering Hypnosis</title>
      <link>http://www.scribd.com/doc/2148509/Trickshop-com-Mastering-Hypnosis</link>
      <description>MASTERING HYPNOSIS

A Stage Performer&#8217;s Guide
YOU&#8217;LL LEARN...
4How to hypnotize individuals and groups 4Hypnotic tests 4Special techniques that deepen hypnosis 4Entertaining stage routines 4How to put together your own show 4Market yourself like a pro 4and much more!

&#169; Copyright 2001. All rights reserved. eBook Version

TRICKSHOP.COM

**MASTERING HYPNOSIS
A Stage Performer&#8217;s Guide

*MASTERING HYPNOSIS A Stage Performer&#8217;s Guide

TABLE OF CONTENTS

CHAPTER ONE: AN INTRODUCTION TO HYPNOSIS . . . . . . . . . . . . . . . . . . . . . . . . 7 CHAPTER TWO: BASIC HYPNOTIC TECHNIQUE. . . . . .</description>
      <pubDate>Thu, 21 Feb 2008 20:44:57 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148509/Trickshop-com-Mastering-Hypnosis</guid>
    </item>
    <item>
      <title>Steve Fearson - Self Levitation Box</title>
      <link>http://www.scribd.com/doc/2148501/Steve-Fearson-Self-Levitation-Box</link>
      <description>DOWNLOADMAGIC.COM

FEARSON&#8217;S BOX

The ultimate close up self levitation! UNSOLICITED TESTIMONIAL FROM THE INTERNET Subject: Fearson has done it again!
From: LV LEW &lt;1 2442.3301 @CompuServe.com&gt; pate: 3 A 1997 10244 3 l GMT Message-FL: &lt;5i01in mhade.production.compuserve.com&gt;

Well, Steve Fearson has done it again. Last evening at the Las Vegas Gary Darwin Magic Club meeting he unveiled his latest creation. Here is a brief description: Performer brings in one of those plastic milk cartons that you see in back of your local supermarket. The box has attached to it a loop of rode about 7 feet lon</description>
      <pubDate>Thu, 21 Feb 2008 20:42:53 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148501/Steve-Fearson-Self-Levitation-Box</guid>
    </item>
    <item>
      <title>Simon Aronson - Memories Are Made of This</title>
      <link>http://www.scribd.com/doc/2148495/Simon-Aronson-Memories-Are-Made-of-This</link>
      <description>MEMORIES ARE MADE OF THIS

Simon Aronson&#8217;s

Introduction to Memorized Deck Magic

Original Edition Copyright 1999 by Simon Aronson Revised Edition Copyright 2002 by Simon Aronson

*The card conjurer&#8217;s repertory is never complete without employing the prearranged deck to some extent. - S. W. Erdnase

2 &#8226; Simon Aronson&#8217;s

*MEMORIES ARE MADE OF THIS
Simon Aronson&#8217;s

Introduction to Memorized Deck Magic
[Note (May 2002): This pamphlet was originally written approximately three years ago, for use in some private workshops I conducted on memorized deck magic. Since that time much has happe</description>
      <pubDate>Thu, 21 Feb 2008 20:42:34 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148495/Simon-Aronson-Memories-Are-Made-of-This</guid>
    </item>
    <item>
      <title>Si Stebbins - Card Control System</title>
      <link>http://www.scribd.com/doc/2148492/Si-Stebbins-Card-Control-System</link>
      <description>Si Stebbins Card Control System
The following is a deck "stack" that must be set up ahead of time and maintained as you handle the deck. Among other things, by peeking at the bottom card, you can tell what the top card is. This allows you to perform many miracles!! Start by dividing your deck into suits and into numerical order... Ace (top) to King (bottom).

The suits are set up: Clubs, Hearts, Spades, Diamonds (CHSD) or you may hear this referred to as "CHaSeD"
Leave the Clubs alone. Hearts: Leaving the Ace, Two and Three in the same order, move them to the bottom of the Hearts pile. Spades:</description>
      <pubDate>Thu, 21 Feb 2008 20:42:15 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148492/Si-Stebbins-Card-Control-System</guid>
    </item>
    <item>
      <title>Senor Mardo - Magic for Bartenders</title>
      <link>http://www.scribd.com/doc/2148490/Senor-Mardo-Magic-for-Bartenders</link>
      <description>*Second Printing &#8226; January 1991

PUBLISHED BY

St. Pierre&#8217;s

Hollywood Magic Shop
6614 Hollywood Blvd. Hollywood, CA. 90028

*Foreward

This little book is written for those who would like to add the ingredient of a bit of fascinating magic to the art of mixing a drink. This applies to the expert and suave mixologist behind the fifty foot horseshoe bar, or the chap who enjoys adding some mystifying entertainment for the fun and amusement of his guests at his own tiny, private bar in his home. By learning the contents of this little book, you develop your own personality. You are able to en</description>
      <pubDate>Thu, 21 Feb 2008 20:42:13 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148490/Senor-Mardo-Magic-for-Bartenders</guid>
    </item>
    <item>
      <title>Paul Harris - Immaculate Connection</title>
      <link>http://www.scribd.com/doc/2148486/Paul-Harris-Immaculate-Connection</link>
      <description>************</description>
      <pubDate>Thu, 21 Feb 2008 20:41:25 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148486/Paul-Harris-Immaculate-Connection</guid>
    </item>
    <item>
      <title>Michael Ammar - Lecture Notes 2000</title>
      <link>http://www.scribd.com/doc/2148478/Michael-Ammar-Lecture-Notes-2000</link>
      <description>*********************</description>
      <pubDate>Thu, 21 Feb 2008 20:39:30 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148478/Michael-Ammar-Lecture-Notes-2000</guid>
    </item>
    <item>
      <title>Kenton Knepper - Kolossal Killer</title>
      <link>http://www.scribd.com/doc/2148475/Kenton-Knepper-Kolossal-Killer</link>
      <description>*****************</description>
      <pubDate>Thu, 21 Feb 2008 20:38:59 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148475/Kenton-Knepper-Kolossal-Killer</guid>
    </item>
    <item>
      <title>Joseph R  Plazo -  Ph D Of Persuasion</title>
      <link>http://www.scribd.com/doc/2148472/Joseph-R-Plazo-Ph-D-Of-Persuasion</link>
      <description>Home

Ph.D of Persuasion [ Home ] [ Contents ] [ Basic ] [ Advanced ]

Ph.D of Persuasion
[ Home ] [ Acknowledgements ] [ Prologue ] [ The Author ] [ Purchase of this Book ]

Mastering the art of Persuasion Influence and Seduction
Our Mission
Unleash the power of persuasion! Learn to easily: Use body language to increase cooperation! Exude rapport and instant attraction! Influence and persuade with a 99% success rate! Master the magic of NLP! Unleash your natural charm and charisma!

Contact Information
ICQ 3842368 Postal address 62 Katipunan Ave. Ext. Loyola Grand Villas Quezon City Metro Man</description>
      <pubDate>Thu, 21 Feb 2008 20:38:10 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148472/Joseph-R-Plazo-Ph-D-Of-Persuasion</guid>
    </item>
    <item>
      <title>Harry Lorayne - RedBlack Divide Location</title>
      <link>http://www.scribd.com/doc/2148455/Harry-Lorayne-RedBlack-Divide-Location</link>
      <description>Red-Black (Divide) Location
I don't think I have to tell you that now you can count the cards of a borrowed deck, do the deal jog to separate the reds and blacks, and then do any of the standard selected-card locations utilizing the color separation. Basically, have a card selected from one half of the hand-to-hand spread and replaced into the other half, and so forth. But here's a way to do this with which I've "taken in" magicians for years. The idea has been ripped off a few times through the years, so it must be good. Assume you're in position-the cards are color separated (via The Great D</description>
      <pubDate>Thu, 21 Feb 2008 20:36:37 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148455/Harry-Lorayne-RedBlack-Divide-Location</guid>
    </item>
    <item>
      <title>Ed Marlo - Miracle Card Change</title>
      <link>http://www.scribd.com/doc/2148449/Ed-Marlo-Miracle-Card-Change</link>
      <description>************</description>
      <pubDate>Thu, 21 Feb 2008 20:36:14 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148449/Ed-Marlo-Miracle-Card-Change</guid>
    </item>
    <item>
      <title>Ed Marlo - FingerTip Control</title>
      <link>http://www.scribd.com/doc/2148447/Ed-Marlo-FingerTip-Control</link>
      <description>***********</description>
      <pubDate>Thu, 21 Feb 2008 20:35:59 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148447/Ed-Marlo-FingerTip-Control</guid>
    </item>
    <item>
      <title>Cardtrick Central - Best of Cards</title>
      <link>http://www.scribd.com/doc/2148443/Cardtrick-Central-Best-of-Cards</link>
      <description>Divisions of Card Trick Central

Easy Tricks Intermediate Tricks Hard Tricks Other Tricks Impromptu Tricks Mathematical Tricks Mental Tricks Memory Tricks Self-Working Tricks Sleight Index Master List

Tricks for Beginners Tricks for Middle Level Card Magicians Tricks for Advanced Card Magicians Tricks involving other items Tricks that require no preperation Tricks based on math principles Tricks using your mind Tricks that require you to remember certain things Steps to the trick are so simple to follow, that it almost works itself. Different Sleights of Hand including shuffles, passes, etc..</description>
      <pubDate>Thu, 21 Feb 2008 20:35:41 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148443/Cardtrick-Central-Best-of-Cards</guid>
    </item>
    <item>
      <title>Bryan Plumb - Creating Rapport Cheating the Chemistry</title>
      <link>http://www.scribd.com/doc/2148417/Bryan-Plumb-Creating-Rapport-Cheating-the-Chemistry</link>
      <description>CREATING RAPPORT: CHEATING THE CHEMISTRY

BY BRYAN PLUMB

*Index
FOREWORD&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;3 RAPPORT&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.3 CHAPTER 1- PROCESSING Processing patterns&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..4 Conclusion&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;6 Window to the Soul&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..6 Thought Processing&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..7 CHAPTER 2- ANCHORAGE Creating anchors&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;...8 Techniques&#8230;&#8230;&#8230;&#8230;&#8230;</description>
      <pubDate>Thu, 21 Feb 2008 20:31:30 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148417/Bryan-Plumb-Creating-Rapport-Cheating-the-Chemistry</guid>
    </item>
    <item>
      <title>Al Baker &amp; Co  - Our Mysteries</title>
      <link>http://www.scribd.com/doc/2148409/Al-Baker-Co-Our-Mysteries</link>
      <description>Enter eBook

OUR MYSTERIES
By

AL BAKER, ROY BENSON, AL FLOSSO, ROBERT HARBIN, LEO HARTZ (Horowitz), "Think-a-Drink" HOFFMAN, EUGENE LAURANT, MAGINI, MIACO, RUSSELL SWANN.
CIGAM FTP 2002 - PDF version by TARKO The GREAT

Enter eBook

*Our Mysteries
Previous | Next INTRODUCTION THE FINGER KNOWS--AND TELLS By Al Baker A truly amazing example of mind reading. THE GLASS TRICK By Roy Benson An instantaneous, and seemingly impossible, disappearance of a handkerchief. SEVEN COINS By Al Flosso A clever sleight to cause several coins to go from one hand to the other. THE PIERCED CARDS By Robert Harbin </description>
      <pubDate>Thu, 21 Feb 2008 20:30:59 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2148409/Al-Baker-Co-Our-Mysteries</guid>
    </item>
    <item>
      <title>3540751564 RNA Interference - P  Paddison, P  Vogt (Springer, 2008) WW</title>
      <link>http://www.scribd.com/doc/2098805/3540751564-RNA-Interference-P-Paddison-P-Vogt-Springer-2008-WW</link>
      <description>*Current Topics in Microbiology and Immunology Volume 320

Series Editors
Richard W. Compans Emory University School of Medicine, Department of Microbiology and Immunology, 3001 Rollins Research Center, Atlanta, GA 30322, USA Max D. Cooper Howard Hughes Medical Institute, 378 Wallace Tumor Institute, 1824 Sixth Avenue South, Birmingham, AL 35294-3300, USA Tasuku Honjo Department of Medical Chemistry, Kyoto University, Faculty of Medicine, Yoshida, Sakyo-ku, Kyoto 606-8501, Japan Hilary Koprowski Thomas Jefferson University, Department of Cancer Biology, Biotechnology Foundation Laboratories, 1</description>
      <pubDate>Thu, 21 Feb 2008 05:35:23 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2098805/3540751564-RNA-Interference-P-Paddison-P-Vogt-Springer-2008-WW</guid>
    </item>
    <item>
      <title>Effect of acoustic clutter on prey detection by bats</title>
      <link>http://www.scribd.com/doc/2097674/Effect-of-acoustic-clutter-on-prey-detection-by-bats</link>
      <description>letters to nature
demonstration that &#175;ow in a low-viscosity crustal channel that is coupled to surface denudation provides an internally consistent explanation not only for ductile extrusion of the GHS but for many other salient features of the Himalayan&#177;Tibetan system. The critical factors are the presence of low-viscosity material in the middle to lower crust, a variation in crustal thickness between plateau and foreland, and surface denudation that is focused on the plateau &#175;ank. The range of model styles, and by implication the tectonics of natural orogens, is sensitive to variations in</description>
      <pubDate>Thu, 21 Feb 2008 02:32:05 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2097674/Effect-of-acoustic-clutter-on-prey-detection-by-bats</guid>
    </item>
    <item>
      <title>31828writingassignment2007</title>
      <link>http://www.scribd.com/doc/2097673/31828writingassignment2007</link>
      <description>Bio 318/328 Research Write-Up Assignment: Critique of a Scientific Paper Title: Effect of acoustic clutter on prey detection by bats The publication of scientific work relies on what is known as the &#8220;Peer-Review&#8221; process, where the editors of scientific journals ask fellow scientists to critically review articles that have been submitted for publication. Based on the reviews that s/he receives and the points raised therein, the editor makes a decision on whether to approve the article for publication. If you decide to make science your career, then you will eventually be asked to review a </description>
      <pubDate>Thu, 21 Feb 2008 02:32:02 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2097673/31828writingassignment2007</guid>
    </item>
    <item>
      <title>Le Petit Prince</title>
      <link>http://www.scribd.com/doc/2083111/Le-Petit-Prince</link>
      <description>Le Petit Prince

DEDICACE
A L&#233;on Werth.
Je demande pardon aux enfants d'avoir d&#233;di&#233; ce livre &#224; une grande personne. J'ai une excuse s&#233;rieuse : cette grande personne est le meilleur ami que j'ai au monde. J'ai une autre excuse : cette grande personne peut tout comprendre, m&#234;me les livres pour enfants. J'ai une troisi&#232;me excuse : cette grande personne habite en France o&#249; elle a faim et froid. Elle a besoin d'&#234;tre consol&#233;e. Si toutes ces excuses ne suffisent pas, je veux bien d&#233;dier ce livre &#224; l'enfant qu'a &#233;t&#233; autrefois cette grande personne. Toutes les grandes personnes ont d'abor</description>
      <pubDate>Mon, 18 Feb 2008 23:30:52 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2083111/Le-Petit-Prince</guid>
    </item>
    <item>
      <title>Don Quixote del La Mancha</title>
      <link>http://www.scribd.com/doc/2083106/Don-Quixote-del-La-Mancha</link>
      <description>Project Gutenberg's Etext of Don Quixote by Miquel de Cervantes #1 in our series by Cervantes Translated by John Ormsby Please proofread this ONLY against pre-1922 editions of Ormsby's translation. There are MANY revised versions of it, and we want to insure that we do not violate any copyrights that might be in the newer revisions. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electro</description>
      <pubDate>Mon, 18 Feb 2008 23:29:24 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2083106/Don-Quixote-del-La-Mancha</guid>
    </item>
    <item>
      <title>Psy346 2008 Lecture5-6</title>
      <link>http://www.scribd.com/doc/2082014/Psy346-2008-Lecture56</link>
      <description>Lecture 5
Probable Material

*Treatment of Insanity? Mental Illness Psychopathology Key Historical Lessons

*Labeling Distinctions
&#8226; The Fundamental Attribution Error (FAE, Kelly): Preferentially attributing the causes of behavior to an internal characteristic of the person, rather than the circumstances that the person is in
&#8211; Sam is sleeping in class: &#8220;Sam is inconsiderate and lazy&#8221; Something about Sam might be the focus of treatment &#8211; Sam is sleeping in class: &#8220;Sam may have been up all night working.&#8221; Something about Sam&#8217;s circumstances might be the focus of intervention

</description>
      <pubDate>Mon, 18 Feb 2008 18:44:06 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2082014/Psy346-2008-Lecture56</guid>
    </item>
    <item>
      <title>CLA201H5S 2005 Exam</title>
      <link>http://www.scribd.com/doc/2082006/CLA201H5S-2005-Exam</link>
      <description>*********</description>
      <pubDate>Mon, 18 Feb 2008 18:38:20 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2082006/CLA201H5S-2005-Exam</guid>
    </item>
    <item>
      <title>CLA201H5F 2004 Exam</title>
      <link>http://www.scribd.com/doc/2082005/CLA201H5F-2004-Exam</link>
      <description>*********</description>
      <pubDate>Mon, 18 Feb 2008 18:38:16 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2082005/CLA201H5F-2004-Exam</guid>
    </item>
    <item>
      <title>CLA201H TEST #2</title>
      <link>http://www.scribd.com/doc/2081948/CLA201H-TEST-2</link>
      <description>CLA 201H 080213T2format.doc

CLA 201H TEST #2 1. (80 marks) For each of the words listed below: (a) Subdivide so as to indicate prefixes, BASES, suffixes, and combining vowels (2 marks) (b) Give the meaning of each element (2 marks) (c) Give a definition of the whole word which shows how the meanings of the elements relate to its actual use (4 marks). Example: dyschondroplasia (a) dys/CHONDR/o/PLAS/ia (b) bad/cartilage/to form/condition of (c) condition of malformation (= bad formation) of cartilage (i) (ii) (iii) (iv) (v) (vi) (vii) (viii) (ix) (x) 2. (a) (b) (c) (d) (e) (120 marks) For each </description>
      <pubDate>Mon, 18 Feb 2008 17:48:47 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081948/CLA201H-TEST-2</guid>
    </item>
    <item>
      <title>CLA201H TEST #1</title>
      <link>http://www.scribd.com/doc/2081947/CLA201H-TEST-1</link>
      <description>1/31/08

Test #1 - 1 CLA 201H5S TEST #1

CLA 201H5S

1. (20 marks = 3 1/3 marks each) Subdivide the words listed below so as to indicate prefixes, BASES, suffixes, and combining vowels: e.g. achromodermia a/CHROM/o/DERM/ia (i) podobromhidrosis POD/o/BROM/HIDR/osis (ii) geodendrochronology GE/o/DENDR/o/CHRON/o/LOG/y (iii) encephalodysplasia en/CEPHAL/o/dys/PLAS/ia (iv) sphygmochronography SPHYGM/o/CHRON/o/GRAPH/y (v) erythrocythemia ERYTHR/o/CYT/HEM/ia (vi) dacryocystotomy DACRY/o/CYST/o/TOM/y

2. (40 marks = 4 2/5 marks each) For each of the words listed below: (a) Subdivide into prefixes, BAS</description>
      <pubDate>Mon, 18 Feb 2008 17:48:45 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081947/CLA201H-TEST-1</guid>
    </item>
    <item>
      <title>CLA201H Test #1 &#8211; format</title>
      <link>http://www.scribd.com/doc/2081946/CLA201H-Test-1-format</link>
      <description>CLA 201H5S Test #1 &#8211; format 1. (20%) Subdivide the words listed below so as to indicate prefixes, BASES, suffixes, and combining vowels: e.g. achromodermia a/CHROM/o/DERM/ia

2. (40%) For each of the words listed below: (a) Subdivide into prefixes, BASES, suffixes, and combining vowels (b) Give the meaning of each element (c) Explain how the change in the prefix changes the meaning of the words in each group. e.g. anabolism ana/BOL/ism &#8226;up/throw/process of &#8226;process of throwing upwards (i.e., converting from less to more complex body substances) catabolism cata/BOL/ism &#8226;down/throw/proce</description>
      <pubDate>Mon, 18 Feb 2008 17:48:31 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081946/CLA201H-Test-1-format</guid>
    </item>
    <item>
      <title>CLA201H Quiz 4</title>
      <link>http://www.scribd.com/doc/2081945/CLA201H-Quiz-4</link>
      <description>CLA 201H 060210Q4

1

Quiz #4 Blood Cells Human blood is composed of plasma in which are suspended erythrocytes, leukocytes, thrombocytes, and adipose globules, as well as a great variety of chemical substances including carbohydrates, proteins, hormones, and some oxygen. All blood cells originate from immature cells called hemocytoblasts. These mature in the red bone marrow tissue of adults and in the liver and spleen of the growing fetus. Erythrocytes get their name from the red colour of one form of hemoglobin (oxygen-carrying pigment) contained within them. When hemoglobin combines with ox</description>
      <pubDate>Mon, 18 Feb 2008 17:48:30 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081945/CLA201H-Quiz-4</guid>
    </item>
    <item>
      <title>CLA201H PARTS OF SPEECH</title>
      <link>http://www.scribd.com/doc/2081944/CLA201H-PARTS-OF-SPEECH</link>
      <description>January 6, 2008 PARTS OF SPEECH

CLA 201H5S

Words are grouped by types, each type being called a PART OF SPEECH. There are EIGHT parts of speech: 1. noun 5. adjective 2. verb 6. preposition 3. pronoun 7. interjection 4. adverb 8. conjunction

Look at the word love in the following sentences: 1. Children love to run. 2. My love is like a red, red rose. 3. He is famous for writing love stories.

The same English word functions in three different ways here as a different part of speech in each example. 1. A noun is a word that can be the name of: &#8226; a person &#8226; a place &#8226; a thing &#8226; an anima</description>
      <pubDate>Mon, 18 Feb 2008 17:48:25 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081944/CLA201H-PARTS-OF-SPEECH</guid>
    </item>
    <item>
      <title>CLA201H Lecture and Reading Schedule</title>
      <link>http://www.scribd.com/doc/2081943/CLA201H-Lecture-and-Reading-Schedule</link>
      <description>CLA201H5 - 12/21/07 CLA 201H5S Latin and Greek in Scientific Terminology Lecture and Reading Schedule Jan. 7 Introduction to the course Why study etymology? Why Latin and Greek? Language families History of the English language History of English scientific and technical terminology Introduction to basic principles of word division Greek bases and prefixes READ: Ayers, Lesson 1. The Greek alphabet READ: Ayers, Lesson 2. The parts of speech READ: Ayers, Lesson 3. Quiz #1 Greek adjective-forming suffixes READ: Ayers, Lesson 4. Greek compound suffixes I READ: Ayers, Lesson 5. LAST DATE TO ADD WIN</description>
      <pubDate>Mon, 18 Feb 2008 17:48:21 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081943/CLA201H-Lecture-and-Reading-Schedule</guid>
    </item>
    <item>
      <title>CLA201H GREEK SUFFIXES</title>
      <link>http://www.scribd.com/doc/2081942/CLA201H-GREEK-SUFFIXES</link>
      <description>January 16, 2008
GREEK SUFFIXES Suffixes are the third of the three major elements in word formation to be introduced.

CLA 201H5 - 1

The meanings of suffixes are both easier and harder to learn than those of prefixes and bases: easier because the commonest ones do not have very distinct fixed meanings, but harder because you have to try various phraseologies to see which one fits the situation of this particular word in this particular context. Suffixes have a crucial importance, however, because they determine what part of speech a word is. Review the definitions of the major parts of speec</description>
      <pubDate>Mon, 18 Feb 2008 17:48:18 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081942/CLA201H-GREEK-SUFFIXES</guid>
    </item>
    <item>
      <title>CLA201H Greek Prefixes 2</title>
      <link>http://www.scribd.com/doc/2081940/CLA201H-Greek-Prefixes-2</link>
      <description>CLA201H_080111
CLA201H_080111pref CLA 201H5 GREEK PREFIXES Prefixes derived from Greek are introduced by Ayers in Lessons 1-3. There are 24 in all, listed in three groups, in alphabetical order, divided between these three lessons.

1/11/08

Since there are only 24 Greek prefixes, as compared with nearly 400 Greek bases introduced in Lessons 1-20 of Ayers, it should be obvious that each of these 24 prefixes is likely to turn up many more times than most of the bases. They are also, because of the relatively small size of the group, relatively easier to remember. So memorize them thoroughly, wi</description>
      <pubDate>Mon, 18 Feb 2008 17:48:13 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081940/CLA201H-Greek-Prefixes-2</guid>
    </item>
    <item>
      <title>CLA201H Greek Prefixes 1</title>
      <link>http://www.scribd.com/doc/2081939/CLA201H-Greek-Prefixes-1</link>
      <description>CLA201H_080111
Greek Prefixes 1. a- (an- before vowels or h) = not, without Examples: atheist, atypical, amoral, anarchy, anesthetic 2. amphi-, ampho- = both, on both sides of, around Examples: amphibious, amphitheatre, amphogenic 3. ana- (an- before vowels or h) = up, back, again Examples: analysis, anatomy, anachronism, anode, aneurysm 4. anti- (ant- before vowels or h) = against, opposite Examples: antidote, antitoxin, antiseptic, antagonist, antarctic 5. apo- (ap- before vowels or h) = from, off, away Examples: apology, apostle, aphorism, apheliotropism 6. cata- (cat- before vowels or h) =</description>
      <pubDate>Mon, 18 Feb 2008 17:48:10 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081939/CLA201H-Greek-Prefixes-1</guid>
    </item>
    <item>
      <title>CLA201H Greek Letter</title>
      <link>http://www.scribd.com/doc/2081938/CLA201H-Greek-Letter</link>
      <description>CLA201H_060111

1/11/08

Greek Letter ? B G D E Z H Y I K L M N J O P R S T U F X C V ^ b g d e z h y i k l m n j o p r s t u f x c v

Name alpha beta gamma delta epsilon zeta eta theta iota kappa lambda mu nu xi omicron pi rho sigma tau upsilon phi chi psi omega

English Transliteration a b g d e z e th i k or c l m n x o p r s t (u) or y ph ch ps o

Sound_________________ a: "papa" or "father" b: "be" g: "go" d: "dog" e: "let" z: "gaze" ay: "fete" th: "thin" i: "it" or "pique" k: "kill" l: "land" m: "men" n: "now" x: "wax" o: "hot" p: "pet" r: "run" s: "sit" t: "tell" u in Fr.; &#252; in German </description>
      <pubDate>Mon, 18 Feb 2008 17:48:08 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081938/CLA201H-Greek-Letter</guid>
    </item>
    <item>
      <title>CLA201H ETYMOLOGY ASSIGNMENT</title>
      <link>http://www.scribd.com/doc/2081937/CLA201H-ETYMOLOGY-ASSIGNMENT</link>
      <description>CLA 201H 080206

ETYMOLOGY ASSIGNMENT SUBMISSION OF ASSIGNMENTS. To be handed in no later than 5:00 p.m., Friday, March 28, 2006. Assignments and proposals handed in late will be penalized by the deduction of 2% per working day. Assignments and proposals should be handed in to Professor Rubincam, preferably in a regularly scheduled class. If this is impossible, then you may place your assignment in the essay box marked &#8220;Classics&#8221; in the second-floor stairwell (numbered 265K) of the North Building. If you use this method of submission, it is your responsibility to send me an e-mail telling </description>
      <pubDate>Mon, 18 Feb 2008 17:48:04 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081937/CLA201H-ETYMOLOGY-ASSIGNMENT</guid>
    </item>
    <item>
      <title>CLA201H Course Outline</title>
      <link>http://www.scribd.com/doc/2081936/CLA201H-Course-Outline</link>
      <description>UTM HISTORICAL STUDIES

2007-08 Winter Session

CLA 201H5S Latin and Greek in Scientific Terminology MWF 9-10 NE205
Instructor: Professor C.I. Rubincam North Building 123 Telephone: (905) 828-3745 E-mail: catherine.rubincam@utoronto.ca Office Hours: W10-12 or by appointment via e-mail
Department of Historical Studies: Academic Counsellor: Mr. T. Johnston North Building 153C Telephone: 905-569-4914 E-mail: terry.johnston@utm.utoronto.ca

TA: Erick Bousman E-mail: e.bousman@gmail.com

Administrative Co-ordinator: Ms. N. Ali North Building 153B Telephone: 905-569-4913 E-mail: historic.utm@utoront</description>
      <pubDate>Mon, 18 Feb 2008 17:48:00 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2081936/CLA201H-Course-Outline</guid>
    </item>
    <item>
      <title>The imprinted gene Magel2 regulates normal circadian output</title>
      <link>http://www.scribd.com/doc/2072895/The-imprinted-gene-Magel2-regulates-normal-circadian-output</link>
      <description>LETTERS

&#169; 2007 Nature Publishing Group http://www.nature.com/naturegenetics

The imprinted gene Magel2 regulates normal circadian output
Serguei V Kozlov1, James W Bogenpohl2, Maureen P Howell3, Rachel Wevrick4, Satchin Panda5, John B Hogenesch6, Louis J Muglia3,7, Russell N Van Gelder8, Erik D Herzog2 &amp; Colin L Stewart1,9
Mammalian circadian rhythms of activity are generated within the suprachiasmatic nucleus (SCN). Transcripts from the imprinted, paternally expressed Magel2 gene, which maps to the chromosomal region associated with Prader-Willi Syndrome (PWS), are highly enriched in the SC</description>
      <pubDate>Fri, 15 Feb 2008 03:28:33 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2072895/The-imprinted-gene-Magel2-regulates-normal-circadian-output</guid>
    </item>
    <item>
      <title>PSY346H5S 2005 Exam</title>
      <link>http://www.scribd.com/doc/2066160/PSY346H5S-2005-Exam</link>
      <description>***************</description>
      <pubDate>Tue, 12 Feb 2008 17:34:52 GMT</pubDate>
      <guid>http://www.scribd.com/doc/2066160/PSY346H5S-2005-Exam</guid>
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