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The Rats
The Rats
 by Charles Wheeler http://charleswritessomething.blogspot.com
A note from the author
This work is released under a Creative Commons License, specifically the Attribution-Non-Commercial-Share Alike 3.0 Unported version. This allows you, my esteemed reader, to freelydownload and redistribute the book, and make derivative works based upon it provided you credit me,the humble author, with authorship of the original work, release any “remixes” you might make under the very same license, and do all of the above in a noncommercial capacity. I'm doing this because Iwant my fiction to be shared and not become something that is marketed to you, something you're toldyou should like or buy if you're a certain type of person. I want to share my ideas with you, folks, and Iwant you to share them with others, and interpret them, and share them with me. It may be a brave stepfor a young writer whose only published work is a one-page article in a tiny radio station's quarterlymagazine that I legally couldn't be paid for because I was on work experience, but I start as I mean togo on. Maybe that'll change when I get old and my bleeding heart swings to the right, but for now, it'sfree culture for all.Here's a summary of the license:
Creative Commons Attribution-Non-Commercial-Share Alike 3.0 UnportedYou are free:to Share
– to copy, distribute and transmit the work 
to Remix
– to adapt the work 
Under the following conditions:Attribution
– You must attribute the work in the manner specified by the author or licensor (but not inany way that suggests that they endorse you or your use of the work).
Noncommercial
– You may not use this work for commercial purposes.
Share Alike
- If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.
With the understanding that:Waiver
– Any of the above conditions can be waived if you get permission from the copyright holder.1
 
The Rats
Other Rights
— In no way are any of the following rights affected by the license:
Your fair dealing or fair use rights;
The author's moral rights;
Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights.
Notice
— For any reuse or distribution, you must make clear to others the license terms of this work.The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/Thus endeth the summary. The link at the end there is also, conveniently, where you can view thesummary online, and the full license in legal-ese can be viewed here:http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodeEnjoy the story, and share it with your friends if you do.
I
He is standing on the sofa in the living room. I can see him from the alley. Thecurtains are open and the lights are on. He is standing on the sofa. He looks tired,schizoid. Like he hasn’t slept. Hasn’t shaved - a patchy beard is coming through. He’slooking around the floor. The kitchen, the next room down left towards the back of the house, has its windows open.He should have seen me by now. He’s looking at the floor, still. Looking around.He jumped! He looked right, at a cupboard. Did he hear something? I saw, when hemoved, he raised a foot up - he is barefoot. The other lights in the house are off. Thereis nobody else in the house. He is trying to look angry now, but he looks worried.Stressed and tired. He needs to sleep but he can’t move. He is asking, will you help?He doesn’t know who he is asking but I answer yes, I will help.I can’t help if he sees me and there are pans and plates stacked next to the kitchenwindow. I go to the front of the house, exit the alley. Front room window, open. Nobody in the pub across the road, nobody around. Inside, a space next to thewindow. No questions from now. Twelve seconds later I am inside. The room is a bedroom, the door is open. I go. Into the hall, into the living room. He doesn’t see me.He is standing on the sofa, looking at the floor. He looks around my feet. I amwearing shoes. I look down and see the floor. Nothing to see, but still he looks,around and around and around. His bare feet are clenching their toes, his hands don’t
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The Rats
know where to be. I climb up on the sofa and stand next to him. I smell something.Animal, lived in, like a hamster cage. Dirty, needs cleaning. I look at his face. Still thefloor, still moving his eyes. He sill doesn’t see me, even now I’m right here at hisside. Schizoid, tired. Bloodshot. He should sleep.I wonder what he’s seeing, and I look down. There are rats on the floor. Not one or two. At least twenty. Scurrying around and making noises, louder and louder, and thesmell grows, more and more intense. The air around me is nothing but the smell andthe sound. I am covered in it. I almost fall, but I steady myself. I grab him, I twist hisneck until there is a
krakk 
Silence. Fresh air. He lies down on the sofa, finally sleeping. I step down and walk away, out, through the front door.
II
The bus stop shrouds him, but it’s too big and he’s still in the open. A few shadowsare on his face from the leaves on the trees above him. He is looking at his phoneagain. Keeps checking it again, again, again. Quick glances. He’s not expecting amessage. He is checking the time, clearly. Panicking about the time, almost. He seemsto be a shroud of stuttered questions,what time is it,where is the bus,why isn’t the bushere yet,am I attherightstop,whatwillIdoif I
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