Robert Andrews's Documents


  • What Are the Implications of the GlobalisatIon of Television News?

    What are the implications of the 'globalisation of television news'? 'Globalisation of television news' refers to a set of processes which see that the existence of television news products, infrastructure and companies is expanded out of the existing area of operation and around the world. These occurrences are enabled not simply because of a will to be global, but also, and initially, because satellite communication technology brings the ge<)s1ati()iie!"y to the fore, making any event on the p

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  • Pobl Y Net - What Happens to Welsh National Identity in the New Global Media Community

    MC2109 Global Communications Robert Andrews POBL YNET: WHAT HAPPENS TO WELSH NATIONAL IDENTITY IN THE N^W^. GLOBAL MEDIA COMMUNITY? . As if Welsh national identity, or identities, were not already a muddied, complex mindset, in the current media age it is undergoing still more reappraisals. This essay explores the relationship between whatever 'Welsh national identity' may be and the established media, and looks to the new, many to many media which must here be acknowledged as valid media to f

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  • Chewing Gum For The Eyes: The Passive Audience And New Media Texts

    MC2505 Media Analysis Robert Andrews CHEWING GUM FOR THE EYES. THE PASSIVE AUDIENCE AND WHAT HAPPENS WHEN IT MEETS NEW MEDIA TEXTS. The allegation that television is merely 'chewing gum for the eyes' can be levelled at other media, too. Crucially, the statement refers to the passivity with which die reader of mediated texts receives messages. It concerns a low intensity process of readership in which the receiver is not entirely burdened by the nature of the programming being received or the

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  • Globalisation Has Political, Social And Cultural Implications: The Global Village

    January 22, 1998 - BA (Hons) Journalism, Film & Broadcasting - Approaches To The Study Of Mass Communications

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  • What Is Public Service Broadcasting? Why Is It Now Under Attack And Is It Worth Defending?

    January 22, 1998 - BA (Hons) Journalism, Film & Broadcasting - Historical Development Of The Mass Media

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  • Audience Participation and the Evolution of Broadcast Models in the Brave New Media

    This is a very important essay to me, written by me. This is an A-Level Media Studies coursework piece written in 1997. I was a student of the media who cared deeply to understand how our media worked, and one who noted incongruities in the representations of my culture in our media. Aged 16, I had also held a long interest in using technology. During A-Levels, I had begun reading Wired magazine, which suddenly united all these subjects (politics, culture, art, technology and media) and more in a riotous clash of monthly ideas. I felt as though my pent-up frustration at the media-economic systems, about which I was learning, was about to burst forth in to grand possibility. Suddenly, it was clear to me - the power to communicate would no longer rest with he who owned a printing press or broadcast transmitter. The one-to-many communications model could yield to a glorious many-to-many future in which everyone had the ability to publish for themselves, to each other and to be communicated back with in a bursting that would secure authentic, balanced representation of culture. I had, indeed, drunk John Perry Barlow's Kool Aid. These were ideas I was writing about as early as 1995 and 1996. They were ideas that have come to pass in today's internet - I'm proud, to be frank, that I was one of the few people at that time identifying the possibilities, advocating how our new media might change societies for the better. They have. In a sense, we prophesied "social media". But today, I'm sometimes chagrined that the vulgar "social media" crowd acknowledges this revolution as its own, as only a recent phenomenon. No, this was a cultural shift others amongst us identified and helped bring in to being 15 years earlier. This A-Level essay was the first major essay in a series of works that took me through university writings and focused on the media society that was about to change. Back then, it felt like no-one knew it and I was one of the few crazy soothsayers spewing words from the future on the street corner.

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  • Press Gazette thinkpiece

    Printed for pged@pressgazette.co.uk from Press Gazette (March 2009) at www.exacteditions.com. Copyright © 2009.

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  • My Dissertation

    NEW MEDIA NEW WALES IMAGINING NATIONAL IDENTITY IN THE GLOBAL VILLAGE ROBERT ANDREWS This dissertation is submitted to the Centre for Journalism Studies, University of Wales, in partial fulfilment of the requirements for the Degree of Bachelor of Arts in Journalism, Film & Broadcasting. May, 2000 2 DECLARATION I declare that this dissertation is the result of my own efforts. The various sources to which I am indebted are clearly indicated in the references in the text or in the biblio

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