In "Stuntman Mike, Simulation, and Sadism," Aaron C. Anderson shows that the structure of Death Proof is about "moving away from memory," from the pained atmosphere of the first half (a moody and s...
The primary difference between Mr. Capra and Tarantino is real-life experience. Mr. Capra's muse was comprised in a lifetime's worth of living, while Tarantino has only been able to draw from a sha...
Looks at Tarantino's Pulp Fiction as if it were a young suburbanite man's daydream, a daydream in which they imagine themselves in the company of their heroes, and in which they configure means by ...