Artist Profile


‘THESE PAINTINGS ARE MADE intaglio, with histories and figures sunk below their surface. They are like wombs or libraries—where gestation and absorption are tacitly implied.’ This is from Stella Rosa McDonald’s catalogue essay for my exhibition ‘Beside the Point, Beside Myself, Beside You’ at Olsen Gallery last year (2017), and it offers a nice insight into my work and process.

My paintings talk of relationship, context and metaphor. They

You're reading a preview, sign up to read more.

Related Interests

More from Artist Profile

Artist Profile5 min read
Jacqui Stockdale
Your recent photographic series ‘Ghost Hoovanah’ (2018) speaks to the history of migration through a complex system of symbols and visual cues such as masks, props and costumes. What are the issues that have driven these works for you personally? Thi
Artist Profile4 min read
Waterlicht Daan Roosegaarde
Working at the intersection of art and technology, Dutch artist Daan Roosegaarde is a pioneer for clean energy art projects, through which he designs solutions for a better world. Fuelled by ingenuity and imagination, the artist strives to connect au
Artist Profile3 min read
Process Emma Finneran
Some artists refer to their studios as wombs or sanctuaries, and their practice as sacred and ecclesiastical. I do not. My studio is far from heavenly, and my practice nowhere near as ministerial, but I still see it as equally divine. For me, it is t