Artist Profile

AMANDA MARBURG

OVER THE PAST TWO DECADES AMANDA MARBURG’S work has ranged from bar scenes in Western movies, to reinvented Dutch still lifes, ’70s skin magazines, vignettes from Grimm fairy tales with their menacing violence, clay figurines modelled by children, Spanish tiles and surrealist lobsters. ‘I paint from what I’m reading, looking at or where I am at the time,’ Marburg says.

In her essay , Joan Didion explores the power of images that linger in one’s memory – the ‘greyed and obscurely sinister light’ of oil refineries seen decades earlier through a bus window in San Francisco, a flowering pear tree outside a window, a young woman with long hair and a short white halter dress walking through a casino at one o’clock in the morning. ‘What is going on in these pictures in my mind?’

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Editor’s Note
There is a lot to experience in and beyond the pages of issue 48 of Artist Profile. To begin with, we are delighted to be a major partner of this year’s Sydney Contemporary – Australia’s largest art fair. This partnership is our newest initiative in