The Millions

On Living Stories: Kristen Millares Young in Conversation with Kirsten Sundberg Lunstrum

Seattle-area writers Kristen Millares Young and Kirsten Sundberg Lunstrum met just after the 2016 presidential election through the literary advocacy organization Write Our Democracy. As a result of that volunteer service, they began an ongoing conversation about the intersections of literature, community, parenthood, and the canon.

Kirsten Sundberg Lunstrum’s short story collection What We Do with the Wreckage, published in October of 2018, won the 2017 Flannery O’Connor Award for Short Fiction. Kristen Millares Young’s debut novel Subduction publishes with Red Hen Press on April 14, 2020. Young is the Prose Writer-in-Residence at Seattle’s Hugo House.

The following conversation unfolded over the course of a few months and a presidential election cycle.

Kristen Millares Young: Kirsten, you’ve long centered your stories on women’s lives—a radical act, given the canon’s preference for masculine problems and ways of being. Your fiction operates as a slow burn of intimate disclosures about the constraints of being a daughter, a wife, and a mother—roles that both resolve and compound the problems of being a woman. Three books in, with a full-time job and a family, you’re familiar with the demands of fulfilling many identities. And yet, since 2017, you’ve co-organized a reading series in Seattle, Write Our Democracy, to engage performers and audiences in civic ideals. Why now?

I became involved with Write Our Democracy when it was first founded (still under the name Writers Resist) in late 2016. After the election, I (like many) felt bereft, and that grief stripped me of my sense of meaning as a writer. Nothing I’d been working on before the election seemed to hold any value or relevance anymore, and so I put it all aside and looked for more immediate ways to use my time and energy. I found Writers Resist through , whom I’ve known for years, and he invited me to what turned out to be the first meeting of the Seattle Write Our Democracy cohort. There I made connections to other writers (you among, who with me decided to collaborate on organizing a reading series. The series eventually took the shape of a quarterly “Write In,” hosted by Hugo House. At each event, four or five local writers read a short piece related to the mission of Write Our Democracy, followed by a community “write in.” It’s a simple structure, but these events foster relationships between writers, create spaces that uplift truth and the democratic ideal of free expression, and illuminate how art cultivates a more just republic. By making and sharing art, we expand our capacity for critical thought and empathy. And that drives justice, civil discourse, and the co-creation of a humane and functioning democracy.

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