The Atlantic

Why British Police Shows Are Better

When you take away guns and shootings, you have more time to explore grief, guilt, and the psychological complexity of crime.
Source: Illustration by Mark Harris; images from AF Archive; Alamy; Allstar Picture Library; BBC; Des Willie / PBS / Masterpiece Theater / Everett Collection

The British detective story is enjoying a golden age unparalleled since the days of Agatha Christie or perhaps even Sir Arthur Conan Doyle. The heroes of the current era are not the preternaturally gifted, idiosyncratic dabblers of old—not, as Sherlock Holmes preferred to describe himself, “consulting detectives.” They are professional detectives—or to be more precise, detective sergeants, detective inspectors, detective chief inspectors, and so on. And they are principally found not on the written page, but on the small screen.

While American viewers shake off the hangover from our long bender of forensic TV franchises (did I only imagine Law & Order: Special Veterinary Unit and ?), Britain has been doing a booming export business in tidy, ruminative detective series: ,,,,,,,, and more. Reliable viewership numbers are hard to come by, but if you begin questioning friends and family, before long you’re likely to discover a semi-fanatical devotee of the genre among them.

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