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Great Expectations
Summary
Pip's life was stricken with tragedy as a small boy being orphaned with the loss of his mother, father and siblings. Pip forms a relationship with the odd Miss Havisham and her lovely adopted daughter Estella. When an anonymous benefactor whisks Pip away from the life he once knew and the people he cared for to a one of class and high society. When his beloved Estella enters his life once more after many years apart she denies him the affections he longs for. Pip has life altering experiences throughout this story that will keep the listeners intrigued until the end.
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Reviews
This could be listed with the subtitle of "The Misadventures of Pip." It's interesting, though not something that caught me to focus on it.If I'm understanding this correctly, Joe was abused by an alcoholic father and as such married an abusive woman to take the place of the abusive father. This is not openly displayed in the text, per se, but it is discussed by the narrator on a few occasions. This felt like a book written and published in stages, so the various parts feel a little stilted when pushed together. Though to bring the file up again did connect them some. Also the whole deal with the dying of Ms. Havernsham is kinda creepy.Something I did have to keep correcting myself in my mind was that the use of certain words has changed mightily since this was written. When someone asks is he an intimate, this isn't referring to a date, but to a close friend, for instance.I noted that unless he's given them no first name, Dickens has a habit of referring to characters by their title and first name. Mr. and Mrs. Joe. Mr. and Ms. Cecelia. It's a touch unnerving.I've gotten just about past the half way point. My loan expires tomorrow. I'm not looking to renew. The story isn't real compelling to me, and the "Great Expectations" are two fold: what Pip expects of himself and what others expect of Pip. This is definitely a long winded fictional biography. I'm not into biographies most times. Might be why this isn't my type of book.
I have a problem with Great Expectations. The problem is, I believe I haven't read it. I have, three or four times, but the very first time, I didn't finish it (we were reading it aloud on a class trip, and the trip ended) and somehow, no matter how often I read it, I think I've never finished it. It's been my secret shame.So I'm writing this review to remind me. I have read Great Expectations. The parts of it I cherish are the sidelights: Magwitch, Wemmick and his Aged Parent. Even the Pockets tumbling up. In the introduction to this edition, John Irving mentions that the language shifts when the plot takes off. Perhaps that's why I stop remembering it: the sidelights fade. I've never had too much use for Mr. Pip (as opposed to young Pip, who is rather charming) -- none of his repentance and retrospective self-deprecation was enough for me.While I see the craft in this book, and the rich imagery that makes it so beloved of English teachers, it is not my favorite Boz. It's well worth reading though, if only for the images -- the ruined wedding feast, the clerk 'posting' bits of toast through his mail-slot mouth, the family of gravestones by the marshes -- that will stick with you, even if the denouement insists on fading.
Enjoyable as an audiobook. Well written.
Great Expectations is one of the Dickens books I never read because I was sure I had read it. I knew all about spooky Miss Havisham in her wedding dress with her moldy, spider-filled wedding cake, so I must have read it, right? No, I must have watched the dreary 1970s movie version somewhere along the line and missed out on the real thing.Too bad it took so long to get around to this one because Great Expectations is a whale of a good read. It is chock-o-block full of Dickens’s extraordinary characters, it is clever and funny, and there are exciting adventures, like prison breaks, murders, and a kidnapping. Orphan Pip goes from helping escaped convicts on the moors to keeping Miss Havisham company before being taken up by an unknown benefactor and taught to be a London gentleman. All goes awry before adult Pip can win the heart of his beloved Estella, but he learns important lessons and all comes right in the end.As it turns out, all came more right in the end of the version I read than originally planned by Dickens. He changed the original melancholy ending in subsequent editions and mine used the later, happier ending. Having gone back and compared the two, the original seems more integral to the story. Either way, what a wonderful book. I wish I had read it 25 years ago, like I thought I had.Also posted on Rose City Reader.
Great book. "You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose..." Perfect. I think I've read it four times, but I'm sure I'll read it again.
I hated this book. I know it's a classic and I've met people who love it, but I just can't.
The point of view gives a very skewed view of women and out motivations and it annoyed me too much to enjoy the other bits. I know there's lot of merit and so on, but it was just hard to for me stomach, especially at the age that I was when I first read it. It brought on emerging feelings about my place in the world and scared the crap out of me. I didn't mean to make it all about the image of women, but sometimes stories that really have nothing to do with us that way scare the hell out of me. This was one of those.
And yeah, I get it that some find this irrational.
The point of view gives a very skewed view of women and out motivations and it annoyed me too much to enjoy the other bits. I know there's lot of merit and so on, but it was just hard to for me stomach, especially at the age that I was when I first read it. It brought on emerging feelings about my place in the world and scared the crap out of me. I didn't mean to make it all about the image of women, but sometimes stories that really have nothing to do with us that way scare the hell out of me. This was one of those.
And yeah, I get it that some find this irrational.
I find it hard to distinguish between the images furnished by my first reading of this and by the BBC serialisation in the 60s. I suspect that the TV version came first and influenced my rather rapid reading of the novel where I omitted all the characterisation, social commentary, landscape descriptions and comedy in favour of rooting out the plain narrative. So, Great Expectations for me then was a mix of two themes, the rags-to-riches story of Pip and the boy-meets-girl-but-it-doesn't-go-smoothly tale of Pip's infatuation with Estella, and hang the rich tapestry of life in early 19th-century rural Kent and teeming London which Dickens grew up with.I'm so glad I've given this a second chance, and that with maturity and experience am able to more fully appreciate the subtleties and nuances of Dickens' story. Yes, the overarching themes are there: Pip's abandonment of the forge to pursue a gentleman's life followed by the eventual Return of the Prodigal Son; and the hopeless obsession with the haughty Estella who almost until the last (and we never find out the whole story) rejects him while leading him on. And yet, of course, you can't spin out a serialised story in three lengthy parts just by dwelling on an individual's rise in the world and an unrequited love.Anybody else who skims through this novel and finds it wanting may need to put only a little more effort into it if they are to understand the fuss that is made of it. First, there is the cast of wonderful characters, eccentrics, villains, heroes and gentlefolk. The tragic Miss Havisham, Mr Wopsle the actor manqué and the lawyer's clerk Mr Wemmick all fall into the first group; Orlick, Drummle and Compeyson are first-rate villains; Jaggers and Provis are indubitably if unlikely heroes; and Pip's closest acquaintances, some of whom he woefully neglects, come as close as possible to gentlefolk, whatever their station in life.Dickens' own childhood familiarity with the prime locations in this book, London, Chatham and Rochester, add verisimilitude to Pip's experiences and vividly bring alive the events that happen in these bustling, or gloomy, or dank and foggy places. And in amongst the tragic happenings that percolate Great Expectations we mustn't forget the comic personalities and situations that leaven the disappointments; and even if one or two chapters appear a little indulgent and appear just to bulk out the narrative, that's hardly surprising when the public were devouring the previous installments and Dickens was trying to keep a step or two ahead.So, I'm pleased to have given a Dickens novel my undivided attention when I completed it a century and a half after his death in 1861, and doubly pleased that I was much more able to appreciate it than my younger self. The Collins Classic edition gave the full text with the revised, more upbeat, ending; granted that this was a budget edition I was still a little disappointed by the shortness of the introduction and by the glossary particularly, which, apparently directed at foreign students, included historic terms and phrases from a number of Victorian novels but very few, it seemed, from this novel itself.
My favorite Dickens novel.
I had little expectations going into this and it was just as I expected. Dickens's novels are just too wordy to keep my interest.
5 reasons Great Expectations is a great novel1. Pip’s journey It’s a great bildungsroman. At its heart it’s about Pip’s inner journey toward greater self-understanding and molding of his character. He does not get what he expects, but in the journey finds so many other things of greater value. 2. Enduring friendships For me one of the most touching themes is that of friendship - Pip’s and Joe’s and later on with Herbert Pocket. When Pip need his friends the most they do turn up by his side. And Pip will also himself be a true friend to an unexpected person.3. Surprises, surprises You’re not aware of it, but slowly this “bildungsroman” turns into a tightly constructed mystery plot. The second half is full of surprising twists and turns.4. Lessons on wealth Wealth is the vehicle in the story. Everything hinges on what people are in terms of class and money and “expectations”. I like that Pip finds happinness in “working for his profits” rather than living on someone else’s money.5. A wealth of memorable characters You could mention this about any Dickens novel - but just think about Pip himself, Joe and Biddy, Miss Havisham, Estella, Jarvis, Wemming, Magwitch etc, etc.
This is classic Dickens. Young Pip, living with his shrewish sister and her dull, but kindly husband falls comes upon Miss Havisham who, upon being jilted years ago has entombed herself in her huge house with the beautiful Estella with whom Pip immediately falls in love,.Miss Havisham tells Pip that he has "Great Expectations" and throughout the book he rises and then falls in business until he finds contentment back where he started from - a sadder but wiser man. If you've never read this doorstop of a book, it's worth your while for a vivid picture on Victorian England and the vivid characters who inhabit it.
I am giving this audiobook edition 4* but downgrading my rating for the book itself to 3 ½ stars. I found Pip's devotion to Estella romantic but unconvincing and Pip himself I don't care for very much. This is my third or fourth time reading this novel and I keep hoping that I will discover why so many people think it is Dickens greatest. I like David Copperfield so much that I guess I just wish to feel the same fondness for this... Oh well.
I've discovered that listening to Dickens in the car is actually a reasonable way to get through a big old book. Maybe something about listening to it in chunks reflects the original publication in episodes. This has the usual cast of thousands (I may exaggerate, but not by much!) and they are a varied lot. Pip is the hub of the story and it starts with his meeting Magwich in the churchyard as a young boy. He helps the convict with food, but then gets involved in the chase to catch him again. It's an important meeting that has echoes through the rest of Pip's young life. In an unconnected event, Pip gets invited to Miss Haversham's and meets Estella. This is a very odd setup (understatement). In the short term it gives Pip some heartache and ideas above his station. This, again, has repercussions through the story and is a source of some considerable upheaval. Pip becomes Joe's apprentice, but his ideas of being a gentleman and winning Estella blind him to both Joe's goodness and the charms and affection of Biddy. He, in fact, turns into a snob and acts quite badly in this phase. Then comes the big turning point, Pip comes into his Great Expectations. The assumption is that the expectations are from Miss Haversham, certainly that's what everyone seems to think. And Pip becomes even worse. He goes to town and sets up an expensive establishment with Herbert, who is a Haversham relation of some description. They live a bit too high and end up in debt quite a lot. Pip neglects Joe in this period and gets a nice superiority complex going. Then the crisis comes, when Pip discovers who his benefactor is and it's not who you thought. That sets Pip & Herbert off on a bit of a madcap trip, in which they try and get a convict out of the country without being caught. Herbert turns up trumps in this phase, having seemed a bit weak and easily lead until this point. It doesn't turn out well, and Pip looses everything. It is at this point that Joe, once more, does the decent thing and turns up to sort Pip out once more. Not that he deserves it. And he then misses his chance to actually be nice to Joe for once and acknowledge what he owes to him. The ending comes upon you quite abruptly, and is slightly disatisfying. I know it was originally set that pip returned, found Estella, but that she had remarried. In this version, she is not yet married and there is a possibility that they will finally get together. Only I'm not entirely sure that is a good idea. Thy have both changed, with Estella having come down off her high horse and Pip having learnt stability and hard work since they were children. I'm just not convinced the possibly happy ending is justified. I felt, as I often do with Dickens, that he spends 2/3 of the book setting it up and then crams the final third with all the story. It works though, and the pace sits will with the episodic listening.
Dickens' descriptions of locations, people and their characters (or lack of it) create a mellow reading experience.They make the plot, at times revolving around Bonkers Chicken predictable twists with a few delightful surprises, more memorable and enduring.His description of Pip's early encounters with the alphabet and numbers is a treasure:"...I struggled through the alphabet as if it had been a bramble-bush...""After that I fell among those thieves, the nine figures, who seemed every evening to do something new to disguise themselves and baffle recognition."Though not as compelling as A TALE OF TWO CITIES, Great Expectations offers fewerannoying personages than his other books and Joe, Wemmick, Herbert, and the Aged givereaders people to care about. Pip and his convict are more of a challenge.
Magnificent, of course. Mr. Dickens is amazing.
Aanvankelijk zeer trage start; breedvoerig en zonder dat duidelijk is waar het verhaal heen wil. Het middelste derde is gevarieerder omdat het zich in Londen afspeelt en verschillende nieuwe personages introduceert. Het laatste derde heeft meer weg van een detectiveverhaal, maar dat gaat ten koste van de psychologische diepgang. Thema: ontrouw ten aanzien van afkomst en vrienden; de waan van geldGlobaal: interessant thema, toch mislukte roman vanwege trage opbouw en gebrek aan humor.
Great Expectations is a good book, but not awesome. Story is reasonably fast moving even though language is flowery and dialogues are noteworthy. There is undercurrent of humour and irony in whole narrative though never really explicit. Characters are engaging and some are even haunting too. That said, it always remains a mystery why this is considered popular classic and not others. There is not much substance to story but whole lot of emotional content without being melodramatic. Overall, I am glad that I read this, though I wouldn't have missed anything if I didn't.
With Great Expectations, I have now read or re-read every Dickens novel in the last year (minus two novels I had read in the last couple of years). Great Expectations was a book I studied in year 12, too many years ago, so I know the book well. I was pleased to to find some parts of the book were very familiar, like a favourite jacket, and a little surprised that other parts seemed to be completely new - like I was reading for the first time. The benefit of years, and a better knowledge of Victorian England and social conditions of the era made the book more meaningful now. I had enjoyed it years ago, and I enjoyed it a little more now with the benefit of that better context.At the end of the Dickens marathon, I find it interesting how some authors survive, or thrive, while others, popular in their time, fade away. I find that Dickens is a fine author, but wonder why Trollope, for example, hasn't become the icon of his era?I also notice that in all his many many pages, there is not one single depiction of a "normal" happy marriage. David Copperfield's marital relationship goes close, the couple are not unhappy, but the wife is painted as a child in an adult role and you could not imagine it as a satisfying relationship for either party. Recent biographies have made it clear that Dickens was, to be generous, a "difficult" husband and father. It is sad to think that he may never have experienced the joy of a fulfilling personal relationship.
A masterpiece in the study of corruption, guilt, revenge, obsession, ambition, class snobbery and redemption. Dickens, I dare say, at his best. The characters are brilliant both as individuals and as symbols -- Miss Haversham, Magwitch, Estella, Joe, and of course Pip. This is about as gritty as one can get. (I'm always surprised when someone says to me, "Your novels are so dark!" I can only assume they didn't read Dickens, or Hardy, or George Elliott. Snort.)In Miss Haversham's rotting mansion, Satis House, (word play on satisfy? Stasis?) Dickens created the perfect Gothic setting to explore the corrosive power of self-pity, revenge and narcissism. As though no one save her has ever been hurt by love and its misuse, Miss Havisham nurses her pain and uses everyone around her as props for her own revenge. Her body decays, the wedding dress she never removes decays, the wedding feast decays, the house decays around her like a rotting crust. A portrayal of decadence which has no parallel, and which symbolizes Dickens' feelings about the aristocracy. Much has been written about this book, and its many layers of meaning, and it all adds pleasure to the book, but really, it's one of those novels that is just such a pleasure to read. Enjoy.
Back in high school, I always found Dickens to be rather tedious, but in my adulthood, I gained a greater appreciation of his work. Audiobooks were the key--I discovered that his prose style worked far better for me read aloud that on the page. And so, despite owning the paperback, I listened to the audiobook instead.I wasn't wowed by Great Expectations, but I enjoyed it. Most interesting to me was the glimpse of (lower) middle class life during the time period, something that many novels avoid, preferring to focus on the affairs of the very wealthy or very poor.As is typical with Dickens, there are a number of unlikely coincidences and connections between characters. These are less satisfying to the modern audience than they no doubt were to the original readers. They are also typical of a serial format--modern television shows also tend to let loose those sorts of revelations, to sate an audience hungry for twists.Slow to get going and without a great deal of action, I continued to listen because of the interesting characters and a desire to find out what happened to Pip, even as he got less sympathetic throughout the course of the novel.I'm glad this was not my first introduction to Dickens, but I'm glad to have experienced it nonetheless.
The writing is stellar. The narration is first-rate. The story is, um, Dickensian, which I now understand to mean brilliant and peopled with billions of fascinating characters. However, I just don't like Pip, and that keeps me from giving this one five stars.
This was the first book by Dickens I have read and, based on this one, I'll definitely read another. At times the vernacular was a little clunky and hard to follow - but that is just because of the change in times and, more than likely, the British influence.
As much as I enjoyed the book I think I'd rename it to "Great Coincidences" as it is chock full of them. In fact every relationship, except those between Pip and his Joe are pretty much purely coincidental and yet those ties interweave throughout the story and continue to build and pile upon one another throughout the tale. Pip, Miss Havisham, Estella, Jaggers, Magwitch, etc. They were all coincidentally connected. Yet, for all of that, I still enjoyed the story.
Pip, as a kid was amiable enough and, as an adult, while he clearly had some failings, he grew on me and remained likable and decent to the core. Perhaps his failings made me like him all the more because he seemed to be altogether believable.
I hope Dickens other works have survived as well as Great Expectations over the years because, if they have, I have a nice new collection of books in my to-read pile.
As much as I enjoyed the book I think I'd rename it to "Great Coincidences" as it is chock full of them. In fact every relationship, except those between Pip and his Joe are pretty much purely coincidental and yet those ties interweave throughout the story and continue to build and pile upon one another throughout the tale. Pip, Miss Havisham, Estella, Jaggers, Magwitch, etc. They were all coincidentally connected. Yet, for all of that, I still enjoyed the story.
Pip, as a kid was amiable enough and, as an adult, while he clearly had some failings, he grew on me and remained likable and decent to the core. Perhaps his failings made me like him all the more because he seemed to be altogether believable.
I hope Dickens other works have survived as well as Great Expectations over the years because, if they have, I have a nice new collection of books in my to-read pile.
Great Expectations tells the story of Pip, an orphan brought up by his abusive sister, who rises from the depths of poverty to the status gentleman, through the machinations of an anonymous benefactor.
Great Expectations, published in 1861, is classified as Bildungsroman, or Coming of Age. This genre focuses on the psychological and moral growth of a main character, in this case Pip. Dickens depicted Pip as whiny and selfish, ready to turn his back on the people who cared most for him, namely Joe Gargery.
Charles Dickens is a master at social criticism and character development. Miss Havisham has to be one of the most recognized in English literature. She is obviously insane, while being coddled by those around her, malicious in her intentions, and delights in the selfish creature she created in Estella.
I thought Great Expectations was a decent book, but the middle part (where Pip learns to be a gentleman) dragged on for longer than I liked. I expect this is due to the original serialization of the novel. Pip was too whiny for me to really care for. However, I did enjoy it overall.
Great Expectations, published in 1861, is classified as Bildungsroman, or Coming of Age. This genre focuses on the psychological and moral growth of a main character, in this case Pip. Dickens depicted Pip as whiny and selfish, ready to turn his back on the people who cared most for him, namely Joe Gargery.
Charles Dickens is a master at social criticism and character development. Miss Havisham has to be one of the most recognized in English literature. She is obviously insane, while being coddled by those around her, malicious in her intentions, and delights in the selfish creature she created in Estella.
I thought Great Expectations was a decent book, but the middle part (where Pip learns to be a gentleman) dragged on for longer than I liked. I expect this is due to the original serialization of the novel. Pip was too whiny for me to really care for. However, I did enjoy it overall.
Another read aloud we did this year as part of Home School. I'd read this book in high school but didn't appreciate it as much then. The story is intriguing and suspenseful. We had many great discussions, about Pip, Joe, the Convict, selflessness, sacrifice and true love. A good read.
This was one of those books you have to be ready to read. I was required to read it in high school and I hated it. In later life, I picked it up again and was quite surprised by how much I enjoyed it. The ending dragged on a little long, but it was a very good story. I found myself to be quite intrigued by Miss Havisham. A classic.
When I heard the movie "Great Expectations" was going to be shown at a Dubuque theater I determined to read the book, because I am a great believer that one should read a book before seeing the movie, rather than the other way around. So I did that,, finishing the book on March 18, 1948. I saw the movie on March 21, 1948, It is the movie which came out in 1946, starring John Mills,Valerie Hobson, Finlay Currie and Alec Guinness. I know I enjoyed the movie, and what I remember of the story is no doubt based on what I remember of the movie.
(Warning, this review has spoilers.)Books become classics for a variety of reasons, but I think this book is a classic because it tackles the major life issues: What do we want to make of our one life? How do the choices of our youth impact our one life, and what impacts, seen and unseen, do we have on the lives of others? Since life is valued uniquely by every individual, this book says something different to every careful reader. Some reviewers on this site even remark that the personal themes of this book change for them as they reread it at different times of their lives. So here are some of my reactions to the book, at least for this, first reading: (1) Pip's shame over Joe. Everybody has done things they regret but Pip's problem is larger -- there is a side of himself that he regrets but cannot bring himself to overcome. Partly because he's so ashamed of himself that he can't face it. What if he could only have talked to Herbert about it? He talks freely to Herbert about everything else -- Estella, Magwitch, his debts -- but not about his shame of home and Joe. He can't say it out loud. He *never* says it out loud. (Just as Miss Haversham won't turn her face to the sun . . . .) What if Pip could have said out loud, "I am ashamed of Joe, and ashamed of myself for feeling that way"? Would he then have been able to deal with it? (What if Biddy had had the nerve to say it to him?) (Tough question for any of us: What am I so ashamed of that I can't say it out loud?) (2) Pip's treatment of Joe. I see this as a two-way street (even though the narrator Pip blames only himself). In their first London meeting, Joe is so uncomfortable that he rushes back home without even staying for dinner. And the invitation he gives Pip is so open-ended, it's easy for Pip to talk himself out of it. Of course Pip wanted to avoid the people of his home town, they were horrible to him, before and after; and the longer he went without a visit, the more awkward the visit would be. But what if Joe had made a direct invitation: "Will you please join us at the Forge for dinner this Sunday, for your dear sister's sake?" Joe's afraid of rejection, perhaps; or feels he shouldn't have to ask; but, after a morning of calling Pip "sir" Joe becomes responsible for some of the distance between them. Unless you want to say, Joe is so simple and stupid that he doesn't bear equal responsibility. Maybe not until Pip accepts Joe fully can Pip shoulder his share of the responsibility in their relationship. And this, perhaps, is another of the gifts Pip receives from Magwitch. Pip feels himself superior to Magwitch, but is grateful towards him, and caring towards him, and patronizing towards him (not telling him the truth about the lost inheritance), and openly shows love towards him; then when Joe comes to take care of Pip while he's sick, Pip is able to adopt some of that same manner with Joe. And just to round out the discussion, I think one of the contributing factors to Pip and Joe's disengagement in Book 2 is the lack of an organizing maternal influence between them. Imagine if Biddy had been Pip's sister, instead of the live-in help -- she could have written a letter saying, "Joe would be so happy to see you. Why don't you come over for dinner this Sunday?" Sometimes a guy just needs to be told what to do. (As an aside, the whole business between Joe and Pip in Book 2 reminds me of what Mr. Emerson said to Lucy in A Room with a View: Take an old man's word; there's nothing worse than a muddle in all the world. It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror--on the things that I might have avoided.)(3) The last scene with Estella. To me, "He saw no shadow of another parting" means he had no problem saying goodbye, because their parting would have no dark side (no shadow). This parting wouldn't impact him the way the last one did. They walk away from the ruins, knowing that what happened there will always be a part of them, but letting go of the physical, worldly aspects -- she's selling the property; he's comfortable never seeing her again. I've googled and read a lot about this ending, some people prefer the original and some prefer this one, but what I haven't seen mentioned is what a disservice both endings do to the character of Estella. Mr. Jaggers had predicted that either Drummle or she would be the winner, but how can any reader believe it would have turned out as it did, that she would have allowed Drummle's abuse to bend and soften her? She was too cold and strong for that. I believe she would have tricked him into his own death within a year, and ended up with all his money, in addition to her own. That's how Miss Haversham raised her to act, and there would have been a cold, bitter justice to it. (4) The real ending. I am surprised that some people find this to be a dark or unhappy book, because to me it seems like a happy ending, for Pip, for Joe and Biddy, for Herbert and Klara, regardless of the last few paragraphs with Estella. Despite the fears he had when his life flashed before his eyes at the lime kiln, Pip lives to accomplish everything he feared would be left undone: he's at Magwitch's side until the end and brings him peace; he's able to open his heart to Joe and Biddy; he repays his debts; he takes joy in the happiness of Herbert and Klara, Joe and Biddy. And in the end he looks forward to being a good uncle to little Pip. Is it supposedly an unhappy ending just because he's not married himself? "A Christmas Carol" is considered to have a happy ending, and Scrooge doesn't come to regret his mistakes until the very end of his life: Pip figures it out in his mid-twenties. In the last paragraph of Chapter 59 (which should have been the last chapter in the book, in my opinion, leaving Estella's future an open question for another book), Pip says, "Many a year went round, before I was a partner in the House; but, I lived happily with Herbert and his wife, and lived frugally, and paid my debts, and maintained a constant correspondence with Biddy and Joe." He lived happily! How is that not a happy ending?
This particular Dickensian tale wreaks havoc with the mind, but it was a fun read just the same. It had extremely good usage of dialect, and good details to keep you thinking you were there.The story goes as follows: There is a boy named Pip who is being raised by his sister and her blacksmith husband (whom I had visualized looking like Gaston from Beauty and the Beast with an English accent) in a rural English village because his parents died. So he’s walking around in a graveyard when he is assailed by a convict who has escaped from a “Hulk”, or prison ship. And by threats of a fictitious young man who would find and kill Pip if he didn’t do as the convict commanded, Pip brought him food and a file so he could escape. The convict runs away. Soon after, Pip is hired by an insane rich person to play. For her. Some woman literally hired him to come to her house, and on arrival she said:“Play.”And so Pip was given a ton of cash to play cards with the eccentric Miss Havisham’s adopted daughter while she used said daughter, Estella, to toy with his heart, as she had had her heart broken as a young woman and was (as I’ve already said) insane. After a few weeks of this, a mysterious benefactor has just given Pip a huge sum of money and commanded him to go to London where he will be tutored. He does this. This causes him to act like a jerk to his family. After a few years, Pip meets his provider, and good Mr. Dickens betrays you. He led you on! He never said it, but he hinted at it! Nice ol’ Charlie just destroys a mental investment of 300 pages! And for that I can never forgive him. I’m not allowed to spoil your reading of the book, so I won’t. The story kind of ends here, because if I go on, it is impossible not to reveal what could be the biggest twist in any 19th century writing! I’m serious!Now, as for what I didn’t like... There were too many loose ends. Dickens left a whole bunch of people unaccounted for. They used modern vocabulary, particularly “fashionable crib” and “a cool four thousand”. Even Pip is confused! He thought Joe detected the temperature of the money somehow! And it was difficult figure out how to pronounce the name of Pip’s rival Drummle... Could it be said as: Drumlee? Drummleh? Drummel? At the end of the day, this would bring in maybe 3 out of 5 stars.
This is my least favorite Dickens. It's hard to enjoy it when you don't like any of the characters. I do love the last line, however:"I took her hand in mine, and we went out of the ruined place; and, as the morning mists had risen long ago when I first left the forge, so, the evening mists were rising now, and in all the broad expanse of tranquil light they showed to me, I saw no shadow of another parting from her."I don't love it because I understand it (do they actually get together?!), I just love it because in the TV show Beauty and the Beast, Vincent reads it to Catherine and his voice melts my bones.
I loathe this book. Why does the man have to describe every. single. thing. The story itself was torture.