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American Dirt: A Novel
Written by Jeanine Cummins
Narrated by Jeanine Cummins and Yareli Arizmendi
Book Actions
Start Listening- Publisher:
- Macmillan Audio
- Released:
- Jan 21, 2020
- ISBN:
- 9781250260604
- Format:
- Audiobook
Editor's Note
Description
También de este lado hay sueños. On this side, too, there are dreams.
Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable.
Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day, a man enters the shop to browse and comes up to the register with a few books he would like to buy—two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same.
Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia—trains that make their way north toward the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?
Book Actions
Start ListeningBook Information
American Dirt: A Novel
Written by Jeanine Cummins
Narrated by Jeanine Cummins and Yareli Arizmendi
Editor's Note
Description
También de este lado hay sueños. On this side, too, there are dreams.
Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable.
Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day, a man enters the shop to browse and comes up to the register with a few books he would like to buy—two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same.
Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia—trains that make their way north toward the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?
- Publisher:
- Macmillan Audio
- Released:
- Jan 21, 2020
- ISBN:
- 9781250260604
- Format:
- Audiobook
About the author
Related to American Dirt
Reviews
Disclosures
Before I start the review, I would like to address some things, and it may get personal. If you just want to read my review, head to the bottom.
1. I'm a Hispanic/Latinx mid-20 somethin' reading a book about a well-off Mexican bookseller. To be precise, I'm a Mexican-American, first generation, who frequently travels to Mexico.
2. I listened to this book in it's entirety, IN SPANISH-- Narrator: Diana Torres
My Review:
I refused to read at first, for a lot of reasons but at the end of the day, I'm still a reader, I have been conditioned to read books I dislike and hate (thanks English classes through all my life). I went in to this book knowing I would be disappointment, but like all band-aids, it's better to take it off quick. Man -- where do I even start.
So, I don't know why people are comparing it to Grapes of Wrath, the only thing they have in common is that the protagonist had to move from their home... And why would someone even consider this as becoming "An American Classic?" Like how?
So let's start with the plot. I'm not going to lie, I was intrigued by the premise, although in my mind, for great expectations I was thinking something similar to Narcos: Mexico or El Chapo (both watched on Netflix), and for low expectations I was thinking the Hispanic soap, "Escobar, el patrón del mal" (which I think is on Netflix now, but I watched it on Telemundo). Of course, this book is meant to be on the receiving end of the aforementioned TV shows, but that fell flat. SO -- back to the plot -- this book in-itself was a telenovela (soap). Nothing was believable, everything was melodramatic, this story had shit that just wouldn't happen in real life -- at least Cummins had the decency not to name the protagonist Maria.
Lydia, the protagonist, is pretty clueless about what's happening in her own city, and that's considering her husband is a reporter & she reads the paper. The only thing I could relate to was her love of books! The whole relationship between Lydia & Javier is just pure fantasy. Don't get me wrong, I'm all for great friendships, work-husband-type relationships, but to make the protagonist have that relationship with the antagonist, that just seems to YA and just sloppy.
I had no problem with Luca, I mean anyone can have a super smart/gifted child. But honestly, even an 8 year old, living in Mexico, is very well aware of what's going on.
The first scene, I guess we can call it the catalyst for the story to even happen, is (view spoiler). So, going back to my expectations being similar to Narcos: Mexico and all those other TV shows, this is where my exceptions just evaporated -- and the book just begun. For someone who is not well versed in cartel torture and massacres, I at least know that it's more horrific and traumatizing than what Cummins described. The whole scene was just fluff. And any scene that should have been suspenseful or thrilling or gory and graphic, was just more fluff. Exactly what I would expect boomer white ladies to find "controversial" at their book club -- because I had to keep reminding myself that this book WAS NOT intended for Mexican/Hispanic/Latinx audience, it was intended for those who follow Oprah and who like to portray themselves a "white savior."
And when they mentioned San Miguel de Allende -- I got irritated. She mentioned a glorieta (traffic circle), which according to the audio was the entrance to the downtown area, there's two glorietas in San Miguel de Allende, and once she described the statue, I know exactly where Lydia, Luca, Rebecca & Soledad were -- Great, but WRONG!!! The glorieta she mentions is at the entrance of the city, not downtown, just because there's a shopping mall and other stores around does not make that a downtown area. And this I know because that's where my dad's from, that's where I mainly go when I go to Mexico, I know my city!! I can't say the same for any of the other places mentioned.
The only thing that I found accurate & not so melodramatic, was when El Chacal mentioned that when cartels started taking over desert routes, he was sometimes obligated to smuggle in things and people he didn't want to.
Again, I understand that this book was not intended for an audience like myself, but some of the scenes Cummins presented are just too far from the truth.
And the ending -- of course it had to be a normal, almost happy, ending, oh, and stereotypical. I have nothing against housemaids or cleaning ladies, my mom and aunt were ones, but is that really what Cummins thinks is the only job available to immigrant women?
Lastly, (the true ending of the novel) the whole conversation with Luca's teacher about her knowing an immigration attorney was in bad taste in my opinion. If every immigrant's issue would be solved by a good attorney there would not be this big of an immigration issue. The fact that Cummins mentioned that at the end of her book is just infuriating. I'm sure if it were a viable option, many immigrants would take it in a heart beat.
And don't get me started on the writing. Although I listened to it (in Spanish, my native language), I noticed things that were off. There were some things that, no matter how educated you are, you wouldn't say -- and this could have just been because I listened rather than read. The writing was just not captivating enough. The true portrayal of fear was not present, it wasn't real, the traumatic experiences Rebecca & Soledad were glossed over. I could pause the audio and totally forget about it for days. It was A DRAG to read/listen to this. The only saving grace was that the narrator, Diana Torres, was okay, her voice wasn't annoying.
All controversy aside, this book just -- I don't even know what to say anymore. I got what I expected, and honestly, I was still disappointed.
Over All Rating: 2.4 (round down to 2)
**For full review, go to GoodReads: https://www.goodreads.com/review/show/3451162049?book_show_action=false&from_review_page=1 **
Beautiful narration is full of imagery and almost picture-like descriptions of some places or events. Almost impossible to stop reading.