Biography & Memoir Audiobooks

One of our nation’s most prominent writers finds the truth about how to live a long and happy life in the centenarian next door. When a veteran Washington journalist moved to Kansas, he met a new neighbor who was more than a century old. Little did he know that he was beginning a long friendship—and a profound lesson in the meaning of life. Charlie White was no ordinary neighbor. Born before radio, Charlie lived long enough to use a smartphone. When a shocking tragedy interrupted his idyllic boyhood, Charlie mastered survival strategies that reflect thousands of years of human wisdom. Thus armored, Charlie’s sense of adventure carried him on an epic journey across the continent, and later found him swinging across bandstands of the Jazz Age, racing aboard ambulances through Depression-era gangster wars, improvising techniques for early open-heart surgery, and cruising the Amazon as a guest of Peru’s president. David Von Drehle came to understand that Charlie’s resilience and willingness to grow made this remarkable neighbor a master in the art of thriving through times of dramatic change. As a gift to his children, he set out to tell Charlie’s secrets. The Book of Charlie is a gospel of grit—the inspiring story of one man’s journey through a century of upheaval. The history that unfolds through Charlie’s story reminds you that the United States has always been a divided nation, a questing nation, an inventive nation—a nation of Charlies in the rollercoaster pursuit of a good and meaningful life.

New York Times bestselling historian Craig Nelson reveals how FDR confronted an American public disinterested in going to war in Europe, skillfully won their support, and pushed government and American industry to build the greatest war machine in history, “the arsenal of democracy” that won World War II. As Nazi Germany began to conquer Europe, America’s military was unprepared, too small, and poorly supplied. The Nazis were supported by robust German factories that created a seemingly endless flow of arms, trucks, tanks, airplanes, and submarines. The United States, emerging from the Great Depression, was skeptical of American involvement in Europe and not ready to wage war. Hardened isolationists predicted disaster if the country went to war. In this fascinating and deeply researched account, Craig Nelson traces how Franklin D. Roosevelt steadily and sometimes secretively put America on a war footing by convincing America’s top industrialists such as Henry Ford Jr. to retool their factories, by diverting the country’s supplies of raw materials to the war effort, and above all by convincing the American people to endure shortages, to work in wartime factories, and to send their sons into harm’s way. Within a few years, the nation’s workers were producing thousands of airplanes and tanks, hundreds of warships and submarines. Under FDR’s resolute leadership, victory at land and sea and air across the globe began at home in America—a powerful and essential narrative largely overlooked in conventional histories of the war but which, in Nelson’s skilled, authoritative hands, becomes an illuminating and important work destined to become an American history classic.

In the summer of 1938, botanists Elzada Clover and Lois Jotter set off to run the Colorado River, accompanied by an ambitious and entrepreneurial expedition leader, a zoologist, and two amateur boatmen. With its churning waters and treacherous boulders, the Colorado was famed as the most dangerous river in the world. Journalists and veteran river runners boldly proclaimed that the motley crew would never make it out alive. But for Clover and Jotter, the expedition held a tantalizing appeal: no one had yet surveyed the plant life of the Grand Canyon, and they were determined to be the first. Through the vibrant letters and diaries of the two women, science journalist Melissa L. Sevigny traces their daring forty-three-day journey down the river, during which they meticulously cataloged the thorny plants that thrived in the Grand Canyon's secret nooks and crannies. Along the way, they chased a runaway boat, ran the river's most fearsome rapids, and turned the harshest critic of female river runners into an ally. Clover and Jotter's plant list, including four new cactus species, would one day become vital for efforts to protect and restore the river ecosystem. Brave the Wild River is a spellbinding adventure of two women who risked their lives to make an unprecedented botanical survey of a defining landscape in the American West.

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The Millions A piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the same I took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . . A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment. In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another? This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths. 

Foreword by Cameron Diaz A raw and heartening memoir of one woman’s journey from surviving childhood sexual abuse to becoming one of the most successful stuntwomen in Hollywood. “Reading Kimberly Shannon Murphy’s searing and vividly told memoir is like watching a gripping work of cinema verité: each scene demands our attention as the plot moves towards its dramatic conclusion. A powerful and inspiring story of suffering and shame, resilience and redemption.”—Gabor Maté M.D., New York Times bestselling author of The Myth of Normal “Piece by piece, the on-site medic tweezes the shards of candy glass from my face. I don’t mind the stinging. I don’t flinch.” As an award-winning stuntwoman, Kimberly Shannon Murphy was intimate with pain. For years, she propelled her body through dangerous spaces—medicating the trauma of her childhood sexual abuse with the adrenaline rush that came from pushing herself to the absolute limit. But as Kimberly learned, no matter how much you suppress your past, it always catches up with you. In Glimmer, Kimberly details her remarkable journey to the top of her field as a Hollywood stuntwoman for many A-list celebrities, including Cameron Diaz, Charlize Theron, Angelina Jolie, Taylor Swift, and Sandra Bullock, while carrying the pain of her childhood of sexual abuse in a family that refused to acknowledge its reality. In her beautifully written, unflinchingly honest memoir, Kimberly reflects on her past and present, chronicling her path to recovery and calculating the long shadow of trauma. Glimmer is the story of one woman’s quest to reclaim her life and to shine a spotlight on the dark topic of intergenerational familial abuse. As Kimberly reveals, being strong isn’t about getting your black belt, leaping out of four-story buildings, or putting 200-pound stuntmen in chokeholds—it’s about waking up every single morning and choosing to love yourself, no matter your history. A heroic and hopeful story of stolen innocence, pain, courage, and survival, Glimmer is an emotional roadmap for others who have suffered abuse and childhood trauma, offering them hope, healing, and inspiration.

A new audiobook by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity. "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation. Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century. A Macmillan Audio production from Farrar, Straus and Giroux.

An unforgettable and stirring memoir in the vein of Free Cyntoia, Just Mercy, and The Sum of Us that both inspires and upends our understanding about the future of policing in the United States. In 2012, nineteen-year-old Leon Ford was shot five times by a Pittsburgh police officer as he was racially profiled during a case of mistaken identity. When he woke up in the hospital, he was faced with two life-changing realities: he was a new father, and he was paralyzed from the waist down. Now, Ford reveals how he faced these new truths and discovered the power of forgiveness and letting go of his hatred. He explains how his harrowing experience inspired his lifelong commitment to social activism. In the wake of countless similar shootings across the country over the years, he has dedicated himself to bridging the gap between the police and the communities they are supposed to serve. With his compassionate voice, Ford not only offers fresh, counterintuitive advice for social change but also demonstrates how together, we can end police brutality and heal as a country. As he once said, “Lead with love. Start compassionate conversations even with individuals and systems that have caused you pain. I know from experience that you can make your pain purposeful.”

This program is read by the author and includes off-the-cuff commentary that is exclusive to the audiobook. New York Times bestselling author Andy Cohen goes from bottle service to baby bottles in a hilarious, heartwarming, and name-dropping account of the most important year of his life. Andy Cohen has taken on the most important job of his life—father— and boy (and girl!) does he have a lot to say about it! One of Andy Cohen’s most momentous years starts off with a hangover the morning after an epic New Year’s Eve broadcast. But Andy doesn’t have time to dwell on the drama, as his role as media mogul is now matched with the responsibilities, joys, and growing pains of parenthood. This fast-paced, mile-a-minute look behind the scenes of living the so-called glamorous life in Manhattan now takes firm aim at life at home. With a three-year-old son, Ben, and a daughter, Lucy, born in May, stories of late-night parties are replaced by early mornings with Ben, drama at the play-ground, and the musings of a single dad trying to navigate having it all. All this is set against the backdrop of constant Housewives drama, hijinks behind the scenes at Watch What Happens Live, a revolving door of famous faces, and a worried mother (and newly minted grandmother) in St. Louis. Buckle up, bottle up, and get ready for a laugh-out-loud and surprisingly poignant look at the ways in which family changes everything and the superficial gets very real. Watch what happens! A Macmillan Audio production from Henry Holt & Company.

From the New York Times bestselling author of Lady in the Lake, Dream Girl, and many other noir favorites, a raw-funny personal tale of heartbreak and misfortune, and the surprisingly wonderful things they can lead to. “Lucky! I’M LUCKY, GODDAMMIT!” So Laura Lippman keeps telling herself throughout the course of a year when she seems everything but. Her marriage crumbles; a beloved friend dies suddenly; her sister’s health fails. Everything and everyone is falling apart. The calamities reach a symbolic climax in the summer of 2022, when she and her mother both suffer bad falls. (Her mom is ninety-one; Lippman herself is merely “exceptionally clumsy.”) Still, she insists, she is lucky. And in many ways, she is. She has a great kid and a career she loves, and she’s healthy and more or less happy. Yet even a resilient optimist like her can’t deny that life’s catastrophes are indiscriminate and seem always to hit at once. In this wry and honest memoir of a truly lousy time, she gives an intimate look at her private life — perhaps less hair-raising than her award-winning crime thrillers, but no less engaging. And it’s relatable. Even the most fortunate experience heartache, loss, and physical breakdown of some kind. Lippman’s account of her own hard knocks reminds us that, eventually, adversity comes for everyone. But she has a more important message: While misfortune might not be a choice, how we respond to it is. Lippman chooses to be a happy warrior. When her friend Terry Teachout, the renowned theater critic for The Wall Street Journal, dies without warning in January 2022, she finds solace in the fact that he’d recently found joy in a new romance. When two friends make the spontaneous decision to marry during a writer’s workshop in Italy, she throws herself into the role of officiant, despite the flatlining of her own marriage. When she ruins her shoulder in a fall, she refuses to swap her fun shoes for something more sensible. She won’t let sorrow and pain get the best of her. Blessings abound, godammit, and there’s still so much to celebrate. In The Summer of Fall, one of America’s best-loved storytellers tells her own memorable story. Lippman fans will enjoy this rare sneak peek into her life, and new fans are sure to appreciate her humorous, authentic take on the universal themes of marriage, parenting, friendship, and work. As she shows us, hard times are a given, but it’s never too late for a next act.

In Look for Me There, Luke Russert traverses terrain both physical and deeply personal. On his journey to some of the world’s most stunning destinations, he visits the internal places of grief, family, faith, ambition, and purpose—with intense self-reflection, honesty, and courage."—Savannah Guthrie, coanchor of Today Read by the author. “Look for me there,” news legend Tim Russert would tell his son, Luke, when confirming a pickup spot at an airport, sporting event, or rock concert. After Tim died unexpectedly, Luke kept looking for his father, following in Tim’s footsteps and carving out a highly successful career at NBC News. After eight years covering politics on television, Luke realized he had no good answer as to why he was chasing his father’s legacy. As the son of two accomplished parents—his mother is journalist Maureen Orth of Vanity Fair—Luke felt the pressure of high expectations but suddenly decided to leave the familiar path behind. Instead, Luke set out on his own to find answers. What began as several open-ended months of travel to decompress and reassess morphed into a three-plus-year odyssey across six continents to discover the world and, ultimately, to find himself. Chronicling the important lessons and historical understandings Luke discovered from his travels, Look for Me There is both the vivid narrative of that journey and the emotional story of a young man taking charge of his life, reexamining his relationship with his parents, and finally grieving his larger-than-life father, who died too young.  For anyone uncertain about the direction of their life or unsure of how to move forward after a loss, Look for Me There is a poignant reflection that offers encouragement to examine our choices, take risks, and discover our truest selves.

A Silent Spring for the human body, this wide-ranging, genre-crossing literary mystery interweaves the author’s quest to understand the source of her own condition with her telling of the story of the chronically ill 19th-century diarist Alice James—ultimately uncovering the many hidden health hazards of life in America. When Jennifer Lunden became chronically ill after moving from Canada to Maine, her case was a medical mystery. Just 21, unable to hold a book or stand for a shower, she lost her job and consigned herself to her bed. The doctor she went to for help told her she was “just depressed.” After suffering from this enigmatic illness for five years, she discovered an unlikely source of hope and healing: a biography of Alice James, the bright, witty, and often bedridden sibling of brothers Henry James, the novelist, and William James, the father of psychology. Alice suffered from a life-shattering illness known as neurasthenia, now often dismissed as a “fashionable illness.” In this meticulously researched and illuminating debut, Lunden interweaves her own experience with Alice’s, exploring the history of medicine and the effects of the industrial revolution and late-stage capitalism to tell a riveting story of how we are a nation struggling—and failing—to be healthy. Although science—and the politics behind its funding—has in many ways let Lunden and millions like her down, in the end science offers a revelation that will change how readers think about the ecosystems of their bodies, their communities, the country, and the planet.

The story of how a little-known junior senator fought wartime corruption and, in the process, set himself up to become vice president and ultimately President Harry Truman. Months before Pearl Harbor, Franklin D. Roosevelt knew that the United States was on the verge of entering another world war for which it was dangerously ill-prepared. The urgent times demanded a transformation of the economy, with the government bankrolling the unfathomably expensive task of enlisting millions of citizens while also producing the equipment necessary to successfully fight—all of which opened up opportunities for graft, fraud and corruption. In The Watchdog, Steve Drummond draws the reader into the fast-paced story of how Harry Truman, still a newcomer to Washington politics, cobbled together a bipartisan team of men and women that took on powerful corporate entities and the Pentagon, placing Truman in the national spotlight and paving his path to the White House. Drawing on the largely unexamined records of the Truman Committee as well as oral histories, personal letters, newspaper archives and interviews, Steve Drummond—an award-winning senior editor and executive producer at NPR—brings the colorful characters and intrigue of the committee’s work to life. The Watchdog provides readers with a window to a time that was far from perfect but where it was possible to root out corruption and hold those responsible to account. It shows us what can be possible if politicians are governed by the principles of their office rather than self-interest.

This program is read by the author. “A timely, urgent portrait of working-class American women.” —Gabrielle Union Minka Kelly takes listeners behind the shiny silver-screen facade and reveals just how good an actress she really is. Fans know her as the spoiled, rich cheerleader Lyla Garrity on Friday Night Lights or as the affluent, mysterious Samantha on the HBO megahit Euphoria. But as revealed for the first time in these pages, Minka Kelly’s life has been anything but easy. Raised by a single mother who worked as a stripper and struggled with addiction, Minka spent years waking up in strange apartments as she and her mom bounced around the country, relying on friends and relatives to take them in. At times they even lived in storage units. She reconnected with her father, Aerosmith’s Rick Dufay, and eventually made her way to Los Angeles, where she landed the role of a lifetime on Friday Night Lights. Now an established actress and philanthropist, Minka takes this next step in her career as a writer. She has poured her soul into this audiobook, which ultimately tells a story of triumph over adversity, and how resilience and love are all we have in the end. A Macmillan Audio production from Henry Holt & Company.

Read by the author The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom. She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman. Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career. This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

Wonder Boy is a riveting investigation into the turbulent life of Zappos visionary Tony Hsieh, whose radical business strategies revolutionized both the tech world and corporate culture, based on rigorous research and reporting by two seasoned journalists. Tony Hsieh’s first successful venture was in middle school, selling personalized buttons. At Harvard, he made a profit compiling and selling study guides. In 1998, Hsieh sold his first company to Microsoft for $265 million. About a decade later, he sold online shoe empire Zappos to Amazon for $1.2 billion. The secret to his success? Making his employees happy. At its peak, Zappos’s employee-friendly culture was so famous across the tech industry that it became one of the hardest companies to get hired at, and CEOs from other companies regularly toured the headquarters. But Hsieh’s vision for change didn’t stop with corporate culture: Hsieh went on to move Zappos headquarters to Las Vegas and personally funded a nine-figure campaign to revitalize the city’s historic downtown area. There, he could be found living in an Airstream and chatting up the locals. But Hsieh’s forays into community-revival projects spun out of control as his issues with mental health and addiction ramped up, creating the opportunity for more enablers than friends to stand in his mercurial good graces. Drawing on hundreds of interviews with a wide range of people whose lives Hsieh touched, journalists Angel Au-Yeung and David Jeans craft a rich portrait of a man who was plagued by the pressure to succeed but who never lost his generous spirit. A Macmillan Audio production from Henry Holt & Company.

In this candid and illuminating Scribd Original, writer-actor Mara Wilson navigates the good-girl-versus- bad-girl tropes from early childhood through adolescence and teen life. Good Girls Don’t is a coming-of- age memoir that bravely examines both the friendships Wilson formed as a child actor in Hollywood and the complex family relationships that shaped her. Looking back on her experiences on and off the set of notable family-friendly films including Matilda, Mrs. Doubtfire, Miracle on 34th Street, and A Simple Wish, Wilson shares the challenges and joys of growing up in the public eye while enduring the very personal grief of losing her mother to cancer when she was just eight. She describes periods of acting out to assuage her own sadness, as her contentious grandmother stepped in and her hardworking, grief-stricken father grappled with raising a young daughter and her four siblings. Wilson also shares intimate thoughts about religion and her struggle to adhere to the learned family values of her “Conservadox” upbringing while exploring clandestine friendships, such as with “bad girl” classmate Skye, that went against the “good” behavior her parents tried to instill in her. We discover the TV shows, films, and risqué pop and rock music that influenced her and hear fascinating, hilarious details of life on movie sets as seen from the perspective of a highly intelligent and emotionally vulnerable child. And, as Wilson seeks to discard a people-pleasing mentality, she digs into past experiences with fans. We learn about the challenges of maintaining a significant fan base — including her complicated relationship with Edward, the college-age young man who administered a website to engage them — in addition to the ongoing anxiety over others’ opinions of how any move she made would be perceived. With the transition to adulthood, Wilson reflects on the moments that led up to this next phase of her life. Forging solid friendships as a theater student at New York University, she begins to accept her extraordinary past while finally realizing what being “good” means to her.

Some years ago, Oliver Darkshire stepped into the hushed interior of Henry Sotheran Ltd (est. 1761) to apply for a job. Allured by the smell of old books and the temptation of a management-approved afternoon nap, Darkshire was soon unteetering stacks of first editions and placating the store's resident ghost (the late Mr. Sotheran, hit by a tram). A novice in this ancient, potentially haunted establishment, Darkshire describes Sotheran's brushes with history (Dickens, the Titanic), its joyous disorganization, and the unspoken rules of its gleefully old-fashioned staff, whose mere glance may cause the computer to burst into flames. As Darkshire gains confidence and experience, he shares trivia about ancient editions and explores the strange space that books occupy in our lives—where old books often have strong sentimental value, but rarely a commercial one. By turns unhinged and earnest, Once Upon a Tome is the colorful story of life in one of the world's oldest bookshops and a love letter to the benign, unruly world of antiquarian bookselling, where to be uncommon or strange is the best possible compliment.

Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition: “Can I then but pray / Others may never feel tyrannic sway?” By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery. In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley’s life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, “Thy Power, O Liberty, makes strong the weak / And (wond’rous instinct) Ethiopians speak.”

A spare, heartbreaking memoir and tribute to Maria Schneider, the 1970s movie starlet who catapulted to fame in the controversial film Last Tango in Paris—only to live the rest of her life plagued by scandal—as told from the perspective of her adoring younger cousin. The late French actress Maria Schneider is perhaps best known for playing Jeanne in the provocative film Last Tango in Paris, directed by Bernardo Bertolucci and released to international shock and acclaim in 1972. It was Maria’s first major role, alongside film legend Marlon Brando, when she was barely eighteen years old. The experience would haunt her for the rest of her life, traumatizing her and sparking a tabloid firestorm that only ceased when she began to retreat from the public eye nearly two decades later. To Maria’s much younger cousin, Vanessa Schneider, Maria was a towering figure of another kind—a beautiful and fearsome fixture in Vanessa’s childhood, a rising star turned pariah whose career and struggles with addiction won the family shame and pride in equal measure. Here, Vanessa recounts the challenges of their overlapping youths and fraught adulthood and reveals both the tragedy and inevitability of Maria’s path in a family plagued by mental illness and in a society rife with misogyny. Unsentimental and suffused with deep love, My Cousin Maria Schneider is the story of a talented artist and the cousin who admired her, and of exploitation and how its lingering effects can reverberate through a lifetime.

"Lee's narration is powerful. She communicates all of her anger and frustration at the racism she experiences and sees around her. She shatters the idea that Asian Americans are the 'model minority', clearly laying out her points while also imbuing her performance with intense emotions that come from living in America's racist society." - AudioFile Magazine This program is read by the author. In the vein of Eloquent Rage and Minor Feelings—a passionate, no-holds-barred memoir about the Asian American experience in a nation defined by racial stratification When Julia Lee was fifteen, her hometown went up in smoke during the 1992 Los Angeles riots. The daughter of Korean immigrant store owners in a predominantly Black neighborhood, Julia was taught to be grateful for the privilege afforded to her. However, the acquittal of four white police officers in the beating of Rodney King, following the murder of Latasha Harlins by a Korean shopkeeper, forced Julia to question her racial identity and complicity. She was neither Black nor white. So who was she? This question would follow Julia for years to come, resurfacing as she traded in her tumultuous childhood for the white upper echelon of elite academia. It was only when she began a PhD in English that she found answers—not in the Brontës or Austen, as Julia had planned, but rather in the brilliant prose of writers like James Baldwin and Toni Morrison. Their works gave Julia the vocabulary and, more important, the permission to critically examine her own tortured position as an Asian American, setting off a powerful journey of racial reckoning, atonement, and self-discovery that has shaped her adult life. With prose by turns scathing and heart-wrenching, Julia Lee lays bare the complex disorientation and shame that stems from this country’s imposed racial hierarchy to argue that Asian Americans must leverage their liminality for lasting social change alongside Black and brown communities. A Macmillan Audio production from Henry Holt & Company.

NATIONAL BESTSELLER "America the Beautiful? is so funny and special and illuminating that it makes even me, a person who cannot tolerate trees or weather, wish I could've tagged along in the back seat." — Samantha Irby, author of Wow, No Thank You. and We Are Never Meeting in Real Life. The author of How to Date Men When You Hate Men examines Americans’ obsession with freedom, travel, and the open road in this funny, entertaining travelogue that blends the humorous observations of Bill Bryson with the piercing cultural commentary of Jia Tolentino. For writer and comedian Blythe Roberson, there are only so many Mary Oliver poems you can read about being free, and only so many times you can listen to Joni Mitchell’s travel album Hejira, before you too, are itching to take off. Canonical American travel writers have long celebrated the road trip as the epitome of freedom. But why does it seem like all those canonical travel narratives are written by white men who have no problems, who only decide to go the desert to see what having problems feels like? To fill in the literary gaps and quench her own sense of adventure, Roberson quits her day job and sets off on a Great American Road Trip to visit America’s national parks. America the Beautiful? is a hilarious trip into the mind of one of the Millennial generation’s funniest writers. Borrowing her Midwestern stepfather’s Prius, she heads west to the Loop of mega-popular parks, over to the ocean and down the Pacific Coast Highway, and, in a feat of spectacularly bad timing, through the southwestern desert in the middle of July. Along the way she meets new friends on their own personal quests, learns to cope with abstinence while missing the comforts of home, and comes to understand the limits—and possibilities—of going to nature to prove to yourself and your Instagram followers that you are, in fact, free. The result is a laugh-out-loud-while-occasionally-raging-inside travelogue, filled with meditations and many, many jokes on ecotourism, conservation, freedom, traffic, climate change, and the structural and financial inequalities that limit so many Americans’ movement. Ultimately, Roberson ponders the question: Is quitting society and going on the road about enlightenment and liberty—or is it just selfish escapism?

A darkly humorous and spellbinding detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare. Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of English portraiture.” A lively, bizarre, and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is as entertaining as it is rigorous and will forever change the way you look at one of history’s greatest cultural and literary icons.

NATIONAL BESTSELLER “[A] hilarious and much-needed book.” —Samantha Bee, Emmy Award–winning comedian, author, and host of Full Frontal with Samantha Bee For fans of the perceptive comedy of Hannah Gadsby, Lindy West, and Sarah Silverman, Academy Award–nominated and acclaimed stand-up comedian Jena Friedman presents a witty and insightful collection of essays on the cultural flashpoints of today. Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. A child of the 90s, she wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar nominated Borat Subsequent Moviefilm. Friedman’s debut collection, Not Funny, takes on the third rails of modern life in Jena’s bold and subversive style, with essays that explore cancel culture, sexism, work, celebrity worship, and…dead baby jokes. In a moment where women’s rights are being rolled back, fascism is on the rise, and so many of us could use a breather as we struggle to get by, Jena applies her unique gifts to pull a laugh from things deemed too raw, too precious, and too scary to joke about. She shares her stories of taking on those who told her she was too brash, too edgy, and too “unlikable” to make it. She deftly dissects how we get coerced into silence on the issues that matter most, until they’ve gone too far afield to be turned back around again. And she shares her struggles to make it (-ish) in a world that, more often than not, would rather tune out than listen to a woman confronting the indignities we’ve been told to bear.

From Hadley Freeman, bestselling author of House of Glass, comes a searing memoir about her experience as an anorexic and her journey to recovery. In 1995, Hadley Freeman wrote in her diary: “I just spent three years of my life in mental hospitals. So why am I crazier than I was before????” From the ages of fourteen to seventeen, Freeman lived in psychiatric wards after developing anorexia nervosa. Her doctors informed her that her body was cannibalizing her muscles and heart for nutrition, but they could tell her little else: why she had it, what it felt like, what recovery looked like. For the next twenty years, Freeman lived as a “functioning anorexic,” grappling with new forms of self-destructive behavior as the anorexia mutated and persisted. Anorexia is one of the most widely discussed but least understood mental illnesses. In a brilliant narrative that combines personal experience with deep reporting, Freeman delivers an incisive and bracing work that details her experiences with anorexia—the shame, fear, loneliness and rage—and how she overcame it. She interviews doctors to learn how treatment for the illness has changed since she was hospitalized and what new discoveries have been made about the illness, including its connection to autism, OCD, and metabolic rate. She learns why the illness always begins during adolescence and how this reveals the difficulties for girls to come of age. Freeman tracks down the women with whom she was hospitalized and reports on how their recovery has progressed over decades. Good Girls is an honest and hopeful story of resilience that offers a message to the nearly 30 million Americans who suffer from eating disorders: Life can be enjoyed, rather than merely endured.

INSTANT NEW YORK TIMES BESTSELLER “This book is extraordinary.” —Ann Patchett Named a Most Anticipated Book of 2023 by Good Housekeeping, Goodreads, Zibby Mag, Newsweek, BookPage, and LitHub The bestselling poet and author of the “powerful” (People) and “luminous” (Newsweek) Keep Moving offers a lush and heartrending memoir exploring coming of age in your middle age. “Life, like a poem, is a series of choices.” In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes. With the spirit of self-inquiry and empathy she’s known for, Smith interweaves snapshots of a life with meditations on secrets, anger, forgiveness, and narrative itself. The power of these pieces is cumulative: page after page, they build into a larger interrogation of family, work, and patriarchy. You Could Make This Place Beautiful, like the work of Deborah Levy, Rachel Cusk, and Gina Frangello, is an unflinching look at what it means to live and write our own lives. It is a story about a mother’s fierce and constant love for her children, and a woman’s love and regard for herself. Above all, this memoir is an argument for possibility. With a poet’s attention to language and an innovative approach to the genre, Smith reveals how, in the aftermath of loss, we can discover our power and make something new. Something beautiful.

"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."—Francine Prose, author of The Vixen A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships. "With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life—dependent on his wife to fold an umbrella, answer the phone, or lick a stamp." The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude. Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs. As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers. These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives—and the price these women paid for recognition and freedom.  Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love. Supplemental enhancement PDF accompanies the audio

This program is read by the author. Operating Instructions meets Glennon Doyle in this new book by famed NPR reporter Mary Louise Kelly that is destined to become a classic—about the year before her son goes to college—and the joys, losses and surprises that happen along the way. The time for do-overs is over. Ever since she became a parent, Mary Louise Kelly has said “next year.” Next year will be the year she makes it to her son James’s soccer games (which are on weekdays at 4 p.m., right when she is on the air on NPR’s All Things Considered, talking to millions of listeners). Drive carpool for her son Alexander? Not if she wants to do that story about Ukraine and interview the secretary of state. Like millions of parents who wrestle with raising children while pursuing a career, she has never been cavalier about these decisions. The bargain she has always made with herself is this: this time I’ll get on the plane, and next year I’ll find a way to be there for the mom stuff. Well, James and Alexander are now seventeen and fifteen, and a realization has overtaken Mary Louise: her older son will be leaving soon for college. There used to be years to make good on her promises; now, there are months, weeks, minutes. And with the devastating death of her beloved father, Mary Louise is facing act three of her life head-on. Mary Louise is coming to grips with the reality every parent faces. Childhood has a definite expiration date. You have only so many years with your kids before they leave your house to build their own lives. It’s what every parent is supposed to want, what they raise their children to do. But it is bittersweet. Mary Louise is also dealing with the realities of having aging parents. This pivotal time brings with it the enormous questions of what you did right and what you did wrong. This chronicle of her eldest child’s final year at home, of losing her father, as well as other curve balls thrown at her, is not a definitive answer―not for herself and certainly not for any other parent. But her questions, her issues, will resonate with every parent. And, yes, especially with mothers, who are judged more harshly by society and, more important, judge themselves more harshly. What would she do if she had to decide all over again? Mary Louise’s thoughts as she faces the coming year will speak to anyone who has ever cared about a child or a parent. It. Goes. So. Fast. is honest, funny, poignant, revelatory, and immensely relatable. A Macmillan Audio production from Henry Holt & Company.

A Most Anticipated Book of 2023 from: Dallas Morning News * Today.com * Good Housekeeping * Time * The Rumpus * The Week * Salon * Seattle Times * Electric Literature * Bookpage * The Millions * Elle.com * Washington Post * Book Riot * Lit Hub * NPR's Here & Now * Ms. Magazine * Town & Country * New York Times * USA Today * Sunset From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief—a daughter’s search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she’s lost. In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you’d hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them.  Nicole Chung couldn’t hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in – where there are big homes, college funds, nice vacations – looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets. When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens – less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world.  Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another – and sheds needed light on some of the most persistent and grievous inequalities in American society. 

After years working in homicide, retired Toronto detective Steve Ryan reflects on six cases he will never forget. Retired detective Steve Ryan worked in Toronto’s homicide squad for over a decade. For Ryan, the stories of Toronto’s most infamous crimes were more than just a headline read over morning coffee — they were his everyday life. After investigating over one hundred homicides, Ryan can never forget the tragedies and the victims, even after his retirement from the police force. In The Ghosts That Haunt Me, he reflects on six of the many cases that greatly impacted him — seven people whose lives were senselessly taken — and that he still thinks about nearly every day. While the stories are hard to tell for Ryan, they were harder to live through. Yet somewhere between the crimes and the heartache is a glimmer of hope that good eventually does prevail and that healing can come after grief.

Ever feel like you’re fangirling a little too hard over a celebrity? You’re not alone. In this fast-paced, laugh-out-loud memoir, Abby Vegas dives head-first into the fandom of handsome British actor Richard Armitage (who starred in “The Hobbit,” “North & South,” and “Ocean’s 8”). It’s one crazy ride—but will she achieve her goal of meeting him face to face?