Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing, not even a fallen star, is what he imagined.
From #1 New York Times bestselling author Neil Gaiman comes a remarkable quest into the dark and miraculous—in pursuit of love and the utterly impossible.
Topics: Folk and Fairy Tales, Illustrated, Adventurous, Whimsical, Fairies, Love, Alternate Universe, Mythology, Journeys, Coming of Age, and Postmodern
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I've always loved the book, and the movie is the movie I watch when I need comfort, so rereading was a happy occasion. I forgot how different the book and the movie are -- the movie is definitely an adaptation. Not that it's a bad thing: the way things happen in the book simply wouldn't translate to the screen.
The best things about Stardust, the book, are the tone in general and Yvaine's voice. The tone is kind of dryly humorous, gently mocking the fairytales it comes from and improves on, with fun conversations and great lines. Yvaine herself is awesome, with her grumpy sharpness and her angry obligation and her not-at-all-saccharine love. Compared to the movie, the realisation scenes are maybe a bit dry, and I wish there had been more with the boat in the sky, as in the movie, but all in all, I do love the book so much, and I think it's one of my comfort-books the same as the movie is my comfort-movie.
Perhaps my favourite part of all is the note Tristan and Yvaine leave, though: "Unexpectedly detained by the world."more
In a nutshell: movie - awesome. Book - fantastic. Enjoy both. (I recommend the movie before the book, though -- it's been my experience that if you watch the movie after reading the book, you spend all your time screaming at the screen: "THAT WASN'T IN THE BOOK!")more
Stardust is a fantasy novel that knows it’s a fantasy novel and pokes at that fact repeatedly. I wouldn’t call it a satire, because while it does parody certain tropes in fairy tales and fantasy, there’s a deep homage to them. I love the settings of Wall and Faerie, and the nostalgic feel that Gaiman invokes. I know that he’s mentioned about doing more with his version of Faerie, and it really comes across that it’s a fully realized world with thousands of stories to tell. And while Wall is described as being this plain little town, there’s enough emotion and familiarity infused into that it does feel like the sort of little town a hero would be from.
Although I find him adorable, as heroes go, Tristran’s fairly bland. He’s not seemingly special, there’s no real thrilling heroics involved in his adventures, and he gets by with a little bit of luck. He is a quick think, particular in the scene at the inn, but aside from those few moments, he pretty much embodies the role of Designated Hero. (Although I do like his fanboying penny dreadfuls and adventure books.) Yvaine does fall into the trap of Designated Heroine, but I liked that she was quick-witted and frustrated with her situation. She does feel like a commentary on women in fairy tales—dragged around by the hero at will while everyone’s trying to get her because, well, she’s the heroine. (Well, a star in this case, but you get the point.) Yvaine doesn’t do much either throughout the plot, but I like that she’s snappy.
And this is where I have my problem with the book. Most of the plot follows Tristran and Yvaine finding each other and going back to Wall, and evading the witch-queen and Septimus. But, just as the book’s wrapping up, it’s mentioned that they have fantastic adventures that covers a grand total of one page in my copy. And while I understand that these other adventures aren’t a part of the main story, it kinda bugs me when I’m reading about more interesting stuff that gets glossed over.
The other…nitpick, if you will, about this book is that the supporting cast really outshines Tristran and Yvaine. I adore the airship adventures of Captain Alberic and his crew; I love the little hairy dwarf who’s known as “Charmed” (especially that he’s the only one to say to Tristran “You’re an idiot.”) While the Lords of Stormhold are definitely not nice people, I still enjoyed their storyline, especially as it starts to entwine with Tristran’s story. And their ghosts are hysterical. I wish there had been a little more done with the witch-queens and their ‘defeat,’ but they still made for good villains. (Also, the zombie unicorn is one of the creepiest things that I’ve ever read.)
If there’s one thing that Gaiman pulls off brilliantly, it’s his plotting, as always. The set-up involving the slave girl and her relation to the majority of the characters is worked in subtly, so when the big revelation of who she is and what the riddle means, it feels natural. The riddle in the book does make perfect sense in context, but it’s still misleading the first few times its mentioned. He doesn’t rely on glaringly obvious plot points, they appear slowly, resulting in a gradual reveal.
And it’s just a fun book to read. As much as I go on about how creepy Neil Gaiman can get, Stardust is such a departure from his other work, and still manages to be enjoyable. I’ve always had a grin on my face each time I’ve read it, and this reread was no different.
Also, there are sky pirates, which means I have to categorize this as steampunk.more
What's notable about this book is that Tristran doesn't fight his way through any of their struggles. He does not wield a sword, or a knife, or any other weapon, but he still manages to protect the star. He has to, because bringing back the star is the only way his love will marry him.
It's a sweetly romantic fantasy story; nothing ground-breaking, but a good story nonetheless.more