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Best known for his "Legend of Duluoz" novels, including On the Road and The Dharma Bums, Jack Kerouac is also an important poet. In these eight extended poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues form that he used to fullest effect in Mexico City Blues, his largely unheralded classic of postmodern literature. Edited by Kerouac himself, Book of Blues is an exuberant foray into language and consciousness, rich with imagery, propelled by rythm, and based in a reverent attentiveness to the moment.
"In my system, the form of blues choruses is limited by the small page of the breastpocket notebook in which they are written, like the form of a set number of bars in a jazz blues chorus, and so sometimes the word-meaning can carry from one chorus into another, or not, just like the phrase-meaning can carry harmonically from one chorus to the other, or not, in jazz, so that, in these blues as in jazz, the form is determined by time, and by the musicians spontaneous phrasing & harmonizing with the beat of time as it waves & waves on by in measured choruses." Jack Kerouac
Jack Kerouac(1922-1969), the central figure of the Beat Generation, was born in Lowell, Massachusetts, in 1922 and died in St. Petersburg, Florida, in 1969. Among his many novels are On the Road, The Dharma Bums, Big Sur, and Visions of Cody.read more
The form of these eight long, previously unpublished poems written between 1954 and 1961, is, Kerouac writes, ``limited by the small page of the breastpocket notebook in which they were written.'' Each poem is actually a series of ``blues choruses,'' and they leap with drunkenly self-centered themes and wordplay, laced with some vivid, subjective observations of street scenes, as in Canto Uno of ``MacDougal Street Blues'': ``I mean sincerely/ naive sailors buying prints/ Women with red banjos/ On their handbags... They don't even listen to me when/ I try to tell them they will die.'' Girls, nonsense and the craft of writing are topics that figure prominently. Like all of Kerouac's work, these choruses live or die with the poet's enthusiasm, sometimes sunk in navel-gazing, sometimes stunning in their inspired leaps between images or thoughts. They beg to be read aloud and, like the jazz they are meant to reflect, some sections really swing while others are just keeping time. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved