To Kill The Void
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About this ebook
A woman brings her husband to a remote cottage in the middle of nowhere to give him what he always wanted – peace and quiet of his personal fortress of solitude in the northern snowy wilderness. He well deserves to get away from it all, to step out of the rat race every middle-aged, professional family man has to endure. She leaves him alone with supply of food and booze, and his only lifeline to the world – a cell phone.
The man enjoys this almost savage life far away from annoying distractions of civilization. But after a while, the surrounding white emptiness begins to affect him. Something or someone seems to stalk him. Where does it come from? No one is around. Then it must come from inside.
But is it all real or just a bad dream. Instead of peace of mind, his blissful solitude away from it all conjures up the inner demon of self-loathing and self-fear.
The outside world with all its little familiar distractions is only a phone call away; the choice it to run to it or maybe from it. Because no matter what he does he is never alone.
Dmitry Berger
Dmitry Berger is not really a writer. Come to think of it, he is not much of anything, despite a long array of various jobs and experience he has had. After twenty-seven years in the USSR, he traded all the excitement of perestroika for the calm suburbs of Ottawa, Canada, where he continues to expand his raging interest in every bit of what is life: from quantum physics to kinky sex, from soccer tactic to American political circus, from the inner workings of our brains to slow roasting back ribs, in order to cram it all into his writings and music.
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To Kill The Void - Dmitry Berger
To Kill The Void
Screenplay by Dmitry Berger
Copyright 2012 by Dmitry Berger
Library of Congress Registration Number PAu003609479
Smashwords Edition
ISBN 978-0-9880209-1-7
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.
Due to the constrains presented by various ebook formats, this script may not conform to the industry standards. But who cares? You read it for the dialogs only, anyway.
Contents
As the screenplays usually do not have explicit chapters or acts, the author would like to accommodate the reader of this ebook by introducing parts to it, for the sake of better navigation.
Part 1…………… Character Introduction
Part 2…………… Build up
Part 3…………… Conflict
Part 4…………… Finale
Part 1 – Back to Contents
EXT. OUTSIDE THE COTTAGE –- DAY
FADE IN. A lonely tiny cottage, rather a hut, stands in the middle of scenic winter landscape.
A car appears, going to the cottage, struggling through the deep virgin snow.
There is no sign of any road, no power lines, no other cottages around.
CUT TO:
INT. COTTAGE –- DAY
MAN and WOMAN carrying bags with supplies enter the cottage.
Woman puts the bags down and exits.
Man puts the bags down and looks around.
Woman enters again with a box, puts it down and starts unpacking.
Man searches for something on the walls.
MAN
Where’s the light switch?
WOMAN
Haven’t you noticed how far this place is from civilization? There’s no electricity here. But it’s got the nice rustic fireplace and candles.
Man steps to the fireplace.
He takes a flashlight from the mantle.
MAN
And don’t forget this antique flashlight and the most exquisite… What is that?
He scowls and puts it back.
He touches the glass of an old kerosene lamp.
MAN
Is that… a kerosene lamp? What luxury! For that you drove me for three and a half hours? This is your surprise?
WOMAN
Yeah, this is it. Your retreat, your sanctuary, your peace of mind for the next week.
MAN
What’s wrong with the Caribbean? Works like a charm every year.
WOMAN
It does. But this time I thought you needed something completely different.
MAN
To spend our family vacation in some rundown hut in the middle of nowhere?
WOMAN
Not our family vacation. Just you, alone.
MAN
Me? Alone?
WOMAN
Yes, just you, alone, in the middle of nowhere, undisturbed, unprovoked, bonding with nature, gathering your thoughts, generally left alone for awhile.
MAN
Wow! That’s some surprise!
WOMAN
Hardly.