What Men Don't Tell Women
By Roy Blount
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About this ebook
Men don’t tell women things for various reasons. 1. The things in question may not be true.2. It is better to keep one’s mouth shut and be thought a pig than to open it and oink.3. There is a certain pleasure in holding certain considerations close to the chest.4. When there is a topic that might complicate a situation in which a woman is pleased for a man to hold her close to his chest, a man does not want to mess with it.5. It is hard to be manly while making pained moaning sounds.6. Men, whether or not they have the Right Stuff, have never quite gotten a secure grip on the concept of the Wrong Thing.
The more Roy Blount Jr. thought about what men don’t tell women, the more he began to realize that nearly all of his writing involved things people don’t tell people. Things the sick don’t tell the well, things southerners don’t tell northerners, things authors don’t tell readers, things all too few of us tell anyone at all. But especially the things men don’t tell women. This riotous collection of classic Blount humor is chock full of those gender trade secrets—and plenty of yodeling too.
Roy Blount
Roy Blount Jr. is the author of twenty-three books. The first, About Three Bricks Shy of a Load,was expanded into About Three Bricks Shy . . . and the Load Filled Up. It is often called one of the best sports books of all time. His subsequent works have taken on a range of subjects, from Duck Soup, to Robert E. Lee, to what cats are thinking, to how to savor New Orleans, to what it’s like being married to the first woman president of the United States. Blount is a panelist on NPR’s Wait Wait . . . Don’t Tell Me!, an ex-president of the Authors Guild, a usage consultant for the American Heritage Dictionary, a New York Public Library Literary Lion, and a member of both the Fellowship of Southern Writers and the band the Rock Bottom Remainders. In 2009, Blount received the University of North Carolina’s Thomas Wolfe Prize. The university cited “his voracious appetite for the way words sound and for what they really mean.” Time places Blount “in the tradition of the great curmudgeons like H. L. Mencken and W. C. Fields.” Norman Mailer has said, “Page for page, Roy Blount is as funny as anyone I’ve read in a long time.” Garrison Keillor told the Paris Review, “Blount is the best. He can be literate, uncouth, and soulful all in one sentence.” Blount’s essays, articles, stories, and verses have appeared in over one hundred and fifty publications, including the New Yorker, the New York Times, Esquire, theAtlantic, Sports Illustrated, the Oxford American, and Garden & Gun. He comes from Decatur, Georgia, and lives in western Massachusetts.
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What Men Don't Tell Women - Roy Blount
Introduction
What Men Don’t Tell Women
Got me a pretty momma,
Got me a bulldog too.
Got me a pretty momma,
Got me a bulldog too.
My pretty momma don’t love me,
But my bulldog do.
—Jimmie Rodgers, Blue Yodel No. 10
I’m … No, I won’t tell you what I am.
—Henry Kissinger, interviewed by Oriana Fallaci
WOMEN probably think that what men do tell women is bad enough. What is to be gained by telling of such things as Flower Guilt, or Why on Earth Female Dogs Do That, or The Toilet-Seat Issue’s Unspoken Crux, or Why You Can’t Confess Fidelity. Secrets have reasons. And yet I feel impelled to lay these things before the public, which includes women. It is because of a vision I had at the Ladies’ Home Journal.
For me the Ladies’ Home Journal has always had a musky quality. It was a prime source of my earliest and most effluvial sex education. When I was a boy, nothing off-color came into our home except Moonbeam McSwine, whose languidly heaving surface, in Li’l Abner,
was veiled by nothing but a tattered — or rather peeling — vestige of dirndl and splotches of mud, and who spent her time lolling with hogs. I now trace certain unhygienic dreams of my childish nights back to Moonbeam McSwine, and although Al Capp went sour toward the end of his days and always had a flawed ear for dialect (yo’ is short not for you,
as Capp would have it, but for yore,
as in yo’ momma
), I am grateful to him.
But my mother subscribed to the Ladies’ Home Journal, and that was something else. Inside stuff. More than I felt was wise for me to know about, and yet I wanted to know. There were certain ads. (Modess … Because.
Because what? What because what?) The Tell Me, Doctor
column. And a regular feature called Can This Marriage Be Saved?
(Marriage can be lost? Marriage? As in marriage that involves parents for instance and, say, little kids for example and, for instance, me — can be in jeopardy?) The Ladies’ Home Journal evoked the way my parents’ bed smelled when I climbed in with them in the morning. The primal funk. The gene-pool frowst. It smelled appalling. But homey. It must be saved.
I am not talking about any kind of specific whiff or anything specific that might have been going on in there. What kind of person do you think I am? I’m talking about the whole grave cohabitational bouquet. Books ought to be full of conjugal sheets.
Ironically enough, I was all set to call this book Clean Sheets.¹ Then the Ladies’ Home Journal invited me to come up and discuss story ideas. I welcomed the notion of a writing project wholesome enough to console my late mother, who taught me to read the way lions teach their cubs to pounce, and who never got over the fact that I once wrote about orgasms for Cosmopolitan. (That what I wrote was a spoof does not seem to have registered very clearly either with Cosmopolitan — see my book One Fell Soup, available in stores — or with that Sunday-school classmate of my mother who felt obliged to show the article to her. What I don’t understand is, why was anybody in my mother’s Sunday-school class reading Cosmopolitan?)
But when I went to the offices of the Ladies’ Home Journal, I learned that it had become a hard-hitting magazine proud of taking on burning controversial topics. (As if there were ever a topic more burning than Can This Marriage Be Saved?
) The editors I talked to — two women of evident dynamism — wanted to know what I thought of the New Woman.
I liked these editors fine and was all for coming to terms with them. But I didn’t know what to say about the New Woman. I still don’t. I am sitting here, now, trying to think of something to say about the New Woman, in all candor and even desperation, and I can’t. And I couldn’t then.
So the topic shifted, slightly, to my marriage. I must have blurted something about my marriage. Soon one of the editors was exclaiming, ‘Fifties Man Married to Sixties Woman!’ Write us something about that!
My blood ran cold. I said I didn’t want to.
"Why not?" they said. Well, I said, would they want to write about their marriages in a magazine? We do it all the time!
they said.
We moved on. I let it slip that I had a seventeen-year-old daughter. ‘An Open Letter to My Daughter: Is Youth Wasted on the Young?’!
they exclaimed. I said I didn’t want to write an open letter to my daughter in a magazine. They seemed incredulous. I began to mope. Right there in a room with New Women.
Okay, how about this,
one of the editors tried. We had a writer who was going to do this, but he never did. How about ‘What Men Don’t Tell Women’!
Annnnngangang. My head swam.
Wh … why would I tell?
I asked weakly. Their incredulity mounted.
I mean …,
I said, like … Tell what?
For instance!
one of them said. Physical Attractiveness Is Important!
Ahnh?
I replied.
"What men don’t tell women is that men do look for physical appearance in a woman!"
"W … Women don’t know that?" I asked.
Frankly, it has always seemed to me that women have at least as pronounced a sense of the importance of a woman’s appearance as men do — hence whole industries; but I was damned if I was going to say that.
"That Men Are Attracted to Pretty, Dumb Women!" they said.
Well …,
I said, beginning to feel like an American critic of American foreign policy enfolded by foreign critics of American foreign policy. "… I don’t know that I’d put it that way. In fact, I’m beginning to see more and more women my age showing up somewhere with cute young towheaded guys with no stomachs who never heard of Edward G. Robinson."
Actually I did not have in mind, very firmly, a single specific instance of this phenomenon; but I felt there was a case to be made along those lines and I had to say something. And if being attracted to pretty, dumb members of the opposite sex is a peculiarly male trait,
I said, "then why do so many women love Elvis? Everybody is attracted, prima facie, to pretty members of the opposite sex, or of whatever sex they’re attracted to, and why not? And there’s something to be said for being attracted to people who can’t outsmart you."
I was overstating my case. I wasn’t at all sure I had a case and I was overstating it. I have a tendency sometimes to start saying things I don’t necessarily actually think, because I don’t want people to leap too soon to conclude that I can’t possibly think what I think they think I can’t possibly think.
Fortunately, I didn’t say some of those things about attractiveness out loud. Much of what I uttered to the Ladies’ Home Journal’s editors, I would imagine, had the ring of well-intentioned but pained moaning sounds.
But pained moaning sounds have reasons. The more I thought about it, after leaving the Ladies’ Home Journal, the more I realized that I had been writing about What Men Don’t Tell Women all my life. In my head or out. If there is anything this book, for instance, is full of, it is things that men don’t tell women. Also things that sick people don’t tell the well, things that Southern hosts don’t tell Northern guests, things that authors don’t tell readers, things that hardly anyone will tell anyone about money, things that all too few people tell all too many people who wear hats, and so on. But especially things that men don’t tell women.
Men don’t tell women these things for various reasons.
But I am an American! I believe in freedom of information! And I have never entirely emerged from the intersexual spell cast on me by intimations I gleaned from the Ladies’ Home Journal in my newtlike early youth.
Need men and women forever be two separate peoples? Can’t there be a link? I decided to give this book the title I have given it. Then I decided to prize apart the book’s intricately interlocking pieces and insert certain scraps of testimony, from men of many stripes, revealing for the first time the things that men don’t tell. I have called these revelations blue yodels, in tribute to Jimmie Rodgers, the Singing Brakeman, who made an art of the pained moaning sound.
One thing I have found myself unable to reveal is what happened on a certain date that I had many years ago with a cheerleader (see Secrets of Rooting,
page 82). I will say this: It would never have happened if I had been able to tell her something.
1. Or, My Mind Is All Made Up (But You Can Hop on In).
Where’d You Get That Hat?
BLUE YODEL 1
JOSEPH
I just came from this Men and Masculinity Workshop. Rose has completed assertiveness training and she said if she was going to continue relating to me in a broader sense I needed to go through tenderness training and claim my wholeness. She said, Won’t it be nice? We’ll hang yours over the lowboy right next to mine.
She has her assertiveness certificate up there. This workshop gives you one in tenderness.
It met in the Pierce High gym. We sat cross-legged on the floor to break down our stereotype image of how men sit. And we related our feelings while empathizing.
We learned how men have lost their aliveness in relationships because we have been programmed from an early age to always be in control. Alec was our counselor in getting us to open up. Alec said we had always wanted to be tender, but the society told us we couldn’t be, but the rapidly growing men’s movement was changing that.
We have to acknowledge that we have always been programmed that men have to always be the strong ones. And instead of using women as a dumping ground for our feelings, we have to not be isolated from other men. Alec told us to put our arm around the next man.
I put my arm around this one man, Neil. He said he was working on getting over his aversion to listening to women talk on the phone. He was getting into nonobjective phone conversation, where you talked to hear the other person’s voice. Also talking long-distance without any sense of time. He said it relaxed him. He said his problem came from his father always yelling for everybody in the family to get off the phone for Christ’s sake. It took him a long time to realize that relaxing on the phone wasn’t sacrilegious. He said he heard there was a way you could apply for a grant to pay your phone bill.
This other man, Jerry, opened up to the group and said his father was not a feeling, emotional man. This other man with a name like Uli said his father wasn’t either.
There were these teenage kids coming into the gym bouncing a basketball.
Then Neil said he had something to say he’d never told anybody. He said he walked past his parents’ bedroom one morning on his way to breakfast and instead of being at the breakfast table already his father was lying there in the bed still, crying. His mother was burning bacon. Alec asked Neil how this made him feel. Neil said it was why he lost his erection every time he thought of bacon.
Alec said see, that was that whole male myth.
I wished I had my arm around Uli or Jerry instead. What I really wished was that Alec would hurry up and give us our certificates. I could feel Neil tensing up to tell something else. But then these teenage kids said they had the gym.
Alec said no, we had the gym for another half hour.
These kids said no, they had the gym now. Some of them were over messing with Alec’s papers and laughing. Alec went and got his papers.
One of the kids said to Alec, "Hey, what’s your problem, man?"
Alec said his problem was all men’s problem, grappling with changing roles. He asked the kids if they’d like to sit in on the rest of the session.
The kid with the ball was dribbling real hard right next to me and Neil where we were sitting cross-legged on the floor. And then Neil stood up and started telling about how we were trying to become whole people and the kid bounced the ball off Neil’s nose.
And then the kids started pounding on all of us while we were getting un-cross-legged and our arms untangled and Neil stole the ball and drove half the court and missed a lay-up. I thought that was pretty cool, if he’d hit it. And the kid Neil stole the ball from pulled out a knife and we left the gym.
We stood outside on the steps. Neil was bleeding. Alec pointed out to us that the kids were caught up in the whole male myth, and we had gotten something out of the experience. He suggested we take turns helping Neil stop bleeding.
So we did, and Neil said his father always accused him of not playing tough when he was hurt. He said one time he had a sprained ankle in the CYO basketball championship and his father made him tape it up and play. I was eleven,
he said. My father said, ‘Be a Marine.’
And Neil missed four lay-ups and his team lost. Neil said he missed lay-ups to prove something to his father.
Then I said, Well, can we have our certificates?
They were all jumbled up and when Alec got them straight and handed them out, somebody had written FAGIT in big letters on mine.
How will I tell Rose?
How to Visit the Sick
BOUNDING into the room is wrong. Hospitalized people do not like to be bounded in upon. The first thing visitors should see as they step off the elevator is the following sign.
PLEASE DO NOT TRY OUR PATIENTS BY
But there is no way to squeeze onto one sign all the things that hospital visitors should bear in mind. Some people assume that just by visiting someone who is sick, they are doing a heartwarming thing. That is like assuming that just because you are walking out onto a stage, you are doing an entertaining thing. A person in a hospital bed is often tempted to take advantage of his position (whose advantages are few enough) by cutting into visitors’ conversation sharply with: "If somebody doesn’t say something interesting pretty soon I’m going to hemorrhage."
But he doesn’t want to deprive his visitors — call them the Bengtsons — of the chance to feel warmhearted. So he doesn’t complain.¹ He just lies there, biding his time until the day when he is up and around and the Bengtsons aren’t, and he can visit them in a hospital and spill their ice water on their pillows. And the Bengtsons, of course, will have to say, "Oh