May Sarton’s poetic celebrations of the American landscape Written in Santa Fe, New Mexico, May Sarton’s third collection of poems takes inspiration from the land, the light, and the palette of the American Southwest. With archaeological precision, Sarton uncovers American history and heredity. “Plain grandeur escapes definition,” begins one poem. But Sarton’s America is alive with history and is continually redefined by its own settings and mythology.
May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her last memoir, Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.read more
Reviews for The Lion and the Rose: Poems
I don't have anything profound to say about Sarton's third book of poetry. A good decade has progressed since her first book of poetry, so there is obvious growth in her writing. The poems are becoming, at least in my opinion, more what she was to become known for in her later years.read more
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