Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway’s own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author’s son Patrick Hemingway, and a new introduction by the author’s grandson Seán Hemingway, this edition of A Farewell to Arms is truly a celebration.read more
Ernest Hemingway was one of America’s foremost journalists and authors. A winner of both the Pulitzer Prize (1953) and the Nobel Prize for Literature (1954), Hemingway is widely credited with driving a fundamental shift in prose writing in the early twentieth century. As an American expatriate in Paris in the 1920s, Ernest Hemingway achieved international fame with such literary works as The Sun Also Rises, The Old Man and the Sea, and For Whom the Bell Tolls, which depicts his experience as a correspondent during the Spanish Civil War. Hemingway died in 1961, leaving behind a rich literary legacy.read more
Reviews for A Farewell to Arms: The Hemingway Library Edition
I've read many of Ernest Hemingway's most revered short stories, and I've read one of his more acclaimed novels, The Sun Also Rises. I like Hemingway for the most part. He wrote good stories, but the style was very bare. I think Hemingway tried to strip down his stories as much as possible and, though he was good at it, this has always annoyed me a little. When I'm sipping coffee and nibbling on doughnuts with fellow literati, we make jokes about various authors. I often crack jokes on poor Hemingway and his pronoun-leading sentences.Well, the joke is on me.A Farewell to Arms is a tremendous novel. It employs Hemingway's signature simplicity, but it is not as simple as I remember Hemingway's other works being. He used elegant language and description more freely, but never more than you'd expect from Hemingway. This blend makes for a wonderful novel, a novel that lets the story and the characters speak for themselves. It is well-casted, well-plotted, and paced perfectly. It is thrilling and heartbreaking. This, for me, was a surprisingly good novel.Now, I wasn't a big fan of Catherine Barkley and without reading other reviews, I would guess, aside from the ending for some, this is the most griped about element of this book. Hemingway was “a man's writer” and his life story portrays him as machismo, but Hemingway could still write a descent female character, certainly better than some others. Catherine was not one of these. She's weak and annoying and ignorant; yet she's strong, entertaining, and very intelligent. Perhaps Catherine was a bit crazy, a bit damaged. Now if Hemingway wrote all his female characters this way, I would assume he was just an idiot. Since he doesn't, I have to give him the benefit of the doubt. There may be people like Catherine in the world, but with Hemingway's bare style—refusing to explain Catherine—I struggled to understand her and had difficulty getting past her juvenile dialogue. What was it that Frederic saw in her?Catherine aside, which admittedly is a large part of the book, I thought A Farewell to Arms was spectacular. It's real and it's memorable. Is Hemingway over-hyped by academia? Absolutely, at least in my experience; but that's not to say that he wasn't a really great writer and master of the pared down narrative. So I'll be more careful about the Hemingway jokes. Orwell is easier to poke fun at anyway.read more
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