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Bad Feminist: Essays

Bad Feminist: Essays

Bad Feminist: Essays

3.5/5 (897 ratings)
385 pages
6 hours
Aug 5, 2014

Editor's Note

Profound essays…

Everything from professional Scrabble to abortion to Lena Dunham comes under loving scrutiny in Gay’s profound essays. Told in simplistic yet soul-crushing prose, these musings show how media affects us.


“Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.”  — Sheila Heti, author of How Should a Person Be?

A New York Times Bestseller

Best Book of the Year: NPR • Boston GlobeNewsweekTime Out New York • Oprah.com • Miami Herald • Book Riot • Buzz FeedGlobe and Mail (Toronto) • The Root • Shelf Awareness

A collection of essays spanning politics, criticism, and feminism from one of the most-watched cultural observers of her generation

In these funny and insightful essays, Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.

Aug 5, 2014

About the author

Roxane Gay is the author of the essay collection Bad Feminist, which was a New York Times bestseller; the novel An Untamed State, a finalist for the Dayton Peace Prize; the memoir Hunger, which was a New York Times bestseller and received a National Book Critics Circle citation; and the short story collections Difficult Women and Ayiti. A contributing opinion writer to the New York Times, she has also written for Time, McSweeney’s, the Virginia Quarterly Review, the Los Angeles Times, The Nation, The Rumpus, Bookforum, and Salon. Her fiction has also been selected for The Best American Short Stories 2012, The Best American Mystery Stories 2014, and other anthologies. She is the author of World of Wakanda for Marvel. She lives in Lafayette, Indiana, and sometimes Los Angeles.

Book Preview

Bad Feminist - Roxane Gay


Feminism (n.): Plural

The world changes faster than we can fathom in ways that are complicated. These bewildering changes often leave us raw. The cultural climate is shifting, particularly for women as we contend with the retrenchment of reproductive freedom, the persistence of rape culture, and the flawed if not damaging representations of women we’re consuming in music, movies, and literature.

We have a comedian asking his fans to touch women lightly on their stomachs because ignoring personal boundaries is oh so funny. We have all manner of music glorifying the degradation of women, and damnit, that music is catchy so I often find myself singing along as my very being is diminished. Singers like Robin Thicke know we want it. Rappers like Jay-Z use the word bitch like punctuation. Movies, more often than not, tell the stories of men as if men’s stories are the only stories that matter. When women are involved, they are sidekicks, the romantic interests, the afterthoughts. Rarely do women get to be the center of attention. Rarely do our stories get to matter.

How do we bring attention to these issues? How do we do so in ways that will actually be heard? How do we find the necessary language for talking about the inequalities and injustices women face, both great and small? As I’ve gotten older, feminism has answered these questions, at least in part.

Feminism is flawed, but it offers, at its best, a way to navigate this shifting cultural climate. Feminism has certainly helped me find my voice. Feminism has helped me believe my voice matters, even in this world where there are so many voices demanding to be heard.

How do we reconcile the imperfections of feminism with all the good it can do? In truth, feminism is flawed because it is a movement powered by people and people are inherently flawed. For whatever reason, we hold feminism to an unreasonable standard where the movement must be everything we want and must always make the best choices. When feminism falls short of our expectations, we decide the problem is with feminism rather than with the flawed people who act in the name of the movement.

The problem with movements is that, all too often, they are associated only with the most visible figures, the people with the biggest platforms and the loudest, most provocative voices. But feminism is not whatever philosophy is being spouted by the popular media feminist flavor of the week, at least not entirely.

Feminism, as of late, has suffered from a certain guilt by association because we conflate feminism with women who advocate feminism as part of their personal brand. When these figureheads say what we want to hear, we put them up on the Feminist Pedestal, and when they do something we don’t like, we knock them right off and then say there’s something wrong with feminism because our feminist leaders have failed us. We forget the difference between feminism and Professional Feminists.

I openly embrace the label of bad feminist. I do so because I am flawed and human. I am not terribly well versed in feminist history. I am not as well read in key feminist texts as I would like to be. I have certain . . . interests and personality traits and opinions that may not fall in line with mainstream feminism, but I am still a feminist. I cannot tell you how freeing it has been to accept this about myself.

I embrace the label of bad feminist because I am human. I am messy. I’m not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I’m right. I am just trying—trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself: a woman who loves pink and likes to get freaky and sometimes dances her ass off to music she knows, she knows, is terrible for women and who sometimes plays dumb with repairmen because it’s just easier to let them feel macho than it is to stand on the moral high ground.

I am a bad feminist because I never want to be placed on a Feminist Pedestal. People who are placed on pedestals are expected to pose, perfectly. Then they get knocked off when they fuck it up. I regularly fuck it up. Consider me already knocked off.

When I was younger, I disavowed feminism with alarming frequency. I understand why women still fall over themselves to disavow feminism, to distance themselves. I disavowed feminism because when I was called a feminist, the label felt like an insult. In fact, it was generally intended as such. When I was called a feminist, during those days, my first thought was, But I willingly give blow jobs. I had it in my head that I could not both be a feminist and be sexually open. I had lots of strange things in my head during my teens and twenties.

I disavowed feminism because I had no rational understanding of the movement. I was called a feminist, and what I heard was, You are an angry, sex-hating, man-hating victim lady person. This caricature is how feminists have been warped by the people who fear feminism most, the same people who have the most to lose when feminism succeeds. Anytime I remember how I once disavowed feminism, I am ashamed of my ignorance. I am ashamed of my fear because mostly the disavowal was grounded in the fear that I would be ostracized, that I would be seen as a troublemaker, that I would never be accepted by the mainstream.

I get angry when women disavow feminism and shun the feminist label but say they support all the advances born of feminism because I see a disconnect that does not need to be there. I get angry but I understand and hope someday we will live in a culture where we don’t need to distance ourselves from the feminist label, where the label doesn’t make us afraid of being alone, of being too different, of wanting too much.

I try to keep my feminism simple. I know feminism is complex and evolving and flawed. I know feminism will not and cannot fix everything. I believe in equal opportunities for women and men. I believe in women having reproductive freedom and affordable and unfettered access to the health care they need. I believe women should be paid as much as men for doing the same work. Feminism is a choice, and if a woman does not want to be a feminist, that is her right, but it is still my responsibility to fight for her rights. I believe feminism is grounded in supporting the choices of women even if we wouldn’t make certain choices for ourselves. I believe women not just in the United States but throughout the world deserve equality and freedom but know I am in no position to tell women of other cultures what that equality and freedom should look like.

I resisted feminism in my late teens and my twenties because I worried that feminism wouldn’t allow me to be the mess of a woman I knew myself to be. But then I began to learn more about feminism. I learned to separate feminism from Feminism or Feminists or the idea of an Essential Feminism—one true feminism to dominate all of womankind. It was easy to embrace feminism when I realized it was advocating for gender equality in all realms, while also making the effort to be intersectional, to consider all the other factors that influence who we are and how we move through the world. Feminism has given me peace. Feminism has given me guiding principles for how I write, how I read, how I live. I do stray from these principles, but I also know it’s okay when I do not live up to my best feminist self.

Women of color, queer women, and transgender women need to be better included in the feminist project. Women from these groups have been shamefully abandoned by Capital-F Feminism, time and again. This is a hard, painful truth. This is where a lot of people run into resisting feminism, trying to create distance between the movement and where they stand. Believe me, I understand. For years, I decided feminism wasn’t for me as a black woman, as a woman who has been queer identified at varying points in her life, because feminism has, historically, been far more invested in improving the lives of heterosexual white women to the detriment of all others.

But two wrongs do not make a right. Feminism’s failings do not mean we should eschew feminism entirely. People do terrible things all the time, but we don’t regularly disown our humanity. We disavow the terrible things. We should disavow the failures of feminism without disavowing its many successes and how far we have come.

We don’t all have to believe in the same feminism. Feminism can be pluralistic so long as we respect the different feminisms we carry with us, so long as we give enough of a damn to try to minimize the fractures among us.

Feminism will better succeed with collective effort, but feminist success can also rise out of personal conduct. I hear many young women say they can’t find well-known feminists with whom they identify. That can be disheartening, but I say, let us (try to) become the feminists we would like to see moving through the world.

When you can’t find someone to follow, you have to find a way to lead by example. In this collection of essays, I’m trying to lead, in a small, imperfect way. I am raising my voice as a bad feminist. I am taking a stand as a bad feminist. I offer insights on our culture and how we consume it. The essays in this collection also examine race in contemporary film, the limits of diversity, and how innovation is rarely satisfying; it is rarely enough. I call for creating new, more inclusive measures for literary excellence and take a closer look at HBO’s Girls and the phenomenon of the Fifty Shades trilogy. These essays are political and they are personal. They are, like feminism, flawed, but they come from a genuine place. I am just one woman trying to make sense of this world we live in. I’m raising my voice to show all the ways we have room to want more, to do better.


Feel Me. See Me. Hear Me. Reach Me.

Niche dating sites are interesting. You can go to JDate or Christian Mingle or Black People Meet or any number of dating websites expressly designed for birds of a feather to flock together. If you have certain criteria, you can find people who look like you or who share your faith or who enjoy having sex in furry costumes. In the world of the Internet, no one is alone in his or her interests. When you go to these niche dating sites, you can hope you are working with a known quantity. You can hope that in love online, a lingua franca will make all things possible.

I think constantly about connection and loneliness and community and belonging, and a great deal, perhaps too much, of how my writing evidences me working through the intersections of these things. So many of us are reaching out, hoping someone out there will grab our hands and remind us we are not as alone as we fear.

I tell some of the same stories over and over because certain experiences have affected me profoundly. Sometimes, I hope that by telling these stories again and again, I will have a better understanding of how the world works.

In addition to not having done much online dating, I have never really dated anyone I have a lot in common with. I blame my astrological sign. Over time, I definitely find common ground in my relationships, but the people I tend to date are often quite different from me. A friend recently told me I only date white boys and accused me of being . . . I’m not sure what. She lives in a city and takes for granted the diversity around her. In retaliation, I told her I dated a Chinese boy in college. I told her I date the boys who ask me out. If a brotha asked me out and I was into him, I’d go out with him, happily. Brothas don’t step to me unless they’re in their seventies, and I’m not trying to date a geriatric. I also seem to have a penchant for libertarians. I seriously cannot get enough of them and their radical need for freedom from tyranny and taxation. I cannot imagine what it would be like to have a lot in common with someone I’m dating from the first encounter forward. I do not mean to suggest that I would have a lot in common with someone simply because we’re both black or both Democrats or both writers. I don’t know that there is someone in the world with whom I have a lot in common, especially not in the ways that would make sense on the kinds of websites where you enter some key characteristics and preferences and might somehow meet your match. I haven’t even tried, which I do not see as a bad thing. I love being with someone who is endlessly interesting because we are so different. Wanting to belong to people or a person is not about finding a mirror image of myself.

BET is not a network I watch regularly because I am very committed to Lifetime Movie Network and lesser cable network reality programming. Also, the shoddy programming on BET is a travesty, and considering that I have watched two episodes of WE tv’s Amsale Girls, my tolerance for shoddy programming is exceptional. It’s a shame how black people consistently have to settle for less when it comes to quality programming. It’s a shame so few options exist beyond BET. The networks offer a numbing sea of whiteness save for shows produced by Shonda Rhimes (Grey’s Anatomy, Private Practice, Scandal), who makes a deliberate effort to address race, gender, and, to a lesser extent, sexuality when she casts. Beyond that, black people—all people of color, really—only get to see themselves as lawyers and sassy friends and, of course, as The Help. Even when a new show promises to break new ground, like Lena Dunham’s Girls, an HBO show set in Brooklyn, New York, that follows the lives of four friends in their twenties, we are forced to swallow more of the same—a general erasure or ignorance of race.

Where BET is concerned, we settle for nothing at all unless it is airing reruns of Girlfriends, which is criminally underrated. It took me a long time to appreciate Girlfriends, but that show was onto something and never got the support it deserved. Sometimes, though, I feel like looking at people who look like me. Brown skin is beautiful; I like seeing different kinds of stories. The problem is that I see people on BET who look like me, but that’s where the similarities end. This is partly because I’m in my late thirties. In BET years, I am ancient. As much as I am plugged in to pop culture, there are things I don’t know about. Geography and my profession don’t help. As I began writing this essay, there was a show airing on BET called Toya. I’ve seen the name when I’ve browsed TV listings, but I’ve never really watched it. I eventually saw a couple of episodes and don’t even understand why this show is a show. What is the premise? I consulted Dr. Google and learned Toya is the ex-wife of Lil Wayne, but that’s it. She’s not even a backup singer or video ho, I don’t think. The threshold for fame weakens ever so rapidly.

I watched the Toya show, and there was nothing about any of it I could relate to other than caring about my family. I vaguely got the sense that Toya cares for her family and is trying to help them get on the right track, but it was fairly unclear because mostly the show involved people talking about boring things. During the show she dated someone named Memphitz (they are now married), who was looking at gorgeous diamond rings. Is he a rapper? What do these people do for a living? Lil Wayne’s child support can’t be that good. I wish BET did more to represent the full spectrum of black experiences in a balanced manner. If you watch BET, you get the sense that the only way black people succeed is through professional sports, music, or marrying/fucking/being a baby mama of someone who is involved with professional sports or music.

Once in a while, I would love to see an example of black success that involves other professional venues. On most television shows, white characters provide viewers with a veritable panoply of options for What I Want to Be When I Grow Up. There are exceptions, certainly. Laurence Fishburne played the lead on CSI for a season or two. Back in the day, Blair Underwood played a lawyer on L.A. Law. There are the aforementioned Shonda Rhimes–helmed shows. I suppose the thinking is that a person of color as a lawyer or doctor or writer or, hell, a jazz musician or school teacher or professor or postal worker or waitress wouldn’t be as interesting for the kids because the allure of current offerings is undeniable. And yet. At some point, we have to stop selling every black child in this country the idea that he or she only needs to hold a ball or a microphone to achieve something. Bill Cosby is kind of crazy these days, but he knows what he’s talking about, and he’s kind of crazy because he’s been fighting this fight for his whole damn life. BET frustrates me because it is a painful reminder that you can have something and nothing in common with people at the same time. I enjoy difference, but once in a while, I do want to catch a glimpse of myself in others.

In graduate school I was the adviser of the black student association. There was a negligible black faculty presence on campus (you could count them on one hand), and those folks were either too busy or burnt out or completely uninterested in the job. After four years, I understood. The older I get, the more I understand lots of things. Advising a black student association is exhausting and thankless and heartbreaking. It kind of destroys your faith after a while. A new black faculty member came to campus a couple years in, and I asked why she didn’t work with the black students. She said, That’s not my job. That person said, They’re unreachable. I hate when people say something is not their job or that something isn’t possible. We all say these things, sure, but some people actually believe they don’t have to work beyond what is written in their job description or that they don’t have to try to reach those who seemingly cannot be reached.

I get my work ethic from my tireless father. When it comes to showing young black students there are teachers who look like them, when it comes to mentoring and being there to support students, I feel it’s everyone’s job (regardless of ethnicity), and if you don’t believe that as a black academic, you need to check yourself, immediately, and then check yourself again and keep checking yourself until you get your head on right.

When I was an adviser, the black students respected me, probably, but they didn’t really like me a lot of the time. I get it. I am an acquired taste. Mostly, they thought I was bougie. Many of them called me redbone and laughed when I got irritated. They thought the way I use slang is hilarious because I round my vowels. They’d tell me, Say ‘holla’ again, and I would because that’s one of my favorite words even if I maybe say it wrong according to the kids. I kind of singsong the word. They especially loved how I said gangsta. I didn’t mind the teasing. I minded how they thought I expected too much from them where the definition of too much was to have any expectations at all.

Yes, I was a demanding bitch, and at times I was probably unreasonable. I insisted on excellence. I get that from my mother. My expectations were things like requiring the officers to show up to the executive meetings, insisting officers and members show up to general meetings at least five minutes early because to be early is to be on time, insisting that if students agreed to perform a given task they follow through, insisting they do their homework, insisting they ask for help and get tutoring when they needed that kind of support, insisting they stop thinking a C or D is a good grade, insisting they take college seriously, insisting they stop seeing conspiracy theories everywhere, insisting that not every teacher who did something they didn’t like was being racist.

Many of those kids, I quickly realized, did not know how to read or be a student. When talking about social issues in academia and even in intellectual circles, we talk about privilege a lot and how we all have privilege and need to be aware of it. I have always known the ways in which I am privileged, but working with these students, most of them from inner-city Detroit, made me realize the extent of my privilege. Whenever someone tells me I don’t acknowledge my privilege, I really want him or her to shut the fuck up. You think I don’t know? I’m crystal clear on privilege. The notion that I should be fine with the status quo even if I am not wholly affected by the status quo is repulsive.

These kids didn’t know how to read so I got them dictionaries, and because they were too shy to discuss literacy in meetings, they would catch me walking across campus or in my office and whisper, I need help reading. It had never crossed my mind before that it was possible for a child to be educated in this country and make it to college unable to read at a college level. Shame on me, certainly, for being so ignorant about the galling disparities in how children are educated. Shame on me. I learned so much more in grad school out of the classroom than I ever did sitting around a table talking about theoretical concepts. I learned about how ignorant I am. I am still working to correct this.

One-on-one, the students and I got along much better. They were far more open. I had no idea what I was doing. How do you teach someone to read? I consulted Dr. Google regularly. I bought a book with some basic grammar exercises. Sometimes, we just read their homework word for word, and when they didn’t know a word, I made them write it down and look it up and write the definition down too because that’s how my mother taught me. I had a mother who was home every day after school and who sat with me day after day and year after year until I went away for high school, helping me with my homework, encouraging me, and certainly pushing me toward excellence. There were things in my life my mother was unable to see, but when it came to my education and making sure I was a good, well-mannered person, she was on point in every way.

At times, I resented the amount of schoolwork I had to do at home. My American classmates didn’t have to do any of the stuff I had to do. I didn’t understand why my mom, both of my parents really, was so hell-bent on making us use our minds. There was a lot of pressure in our household. A lot. I was a pretty stressed-out kid, and some of that pressure was self-induced and some of it wasn’t. I enjoyed being the best and making my parents proud. I enjoyed the sense of control I felt by being good at school when there were other parts of my life that were desperately out of control. I was expected to get straight As. Bringing home a grade less than an A was not an option so I didn’t. This is a typical child-of-immigrants story, not at all interesting. When I worked with those kids in graduate school, I understood why my parents showed us how we had to work three times harder than white kids to get half the consideration. They did not impart this reality with bitterness. They were protecting us.

At the end of our sessions, the students I worked with would generally say, Don’t tell anyone I came to see you. It wasn’t that they were embarrassed to get help, most of the time. They were embarrassed to be seen putting effort into their education, to be seen caring. Sometimes, they’d open up about their lives. Many of the kids I worked with did not have parents who would or could prepare their children for the world the way mine did. Many of them were eldest children, the first in their families to go to college. One boy was the eldest of nine. One girl was the eldest of seven. Another girl was the eldest of six. There were many absent fathers, incarcerated mothers and fathers and cousins and aunties and siblings. There was alcoholism and drug addiction and abuse. There were parents who resented that their children were in college and tried to sabotage them. There were students who were sending their student loan refund checks back home to support their families and spending the semester without textbooks, without enough money to eat, because the mouths back at home needed to be fed. There were certainly students with a great parent or parents, with families who were supportive, who knew nothing of poverty, who were well prepared for the college experience or well prepared to do what it took to get up to speed. Those students were the exception. I often think about the danger of a single story, as discussed by Chimamanda Adichie in her TED Talk, but sometimes, there actually is a single story and it tears my heart open.

By the end of my last year of school, with all the other things I was dealing with in my personal life, I was completely burnt out. I had nothing left to give. All too often, the students just did not give a damn and neither did I. I’m not proud of this, but I really was dealing with a lot. That’s what I tell myself. The students didn’t show up to the BSA meetings. They half-assed their participation in club events and didn’t promote events and dropped the ball, and I no longer had the energy to glare and yell and push and prod and make them want to do better. If after four years they had learned nothing, I had failed, and there was little I could do to rectify that. They were just being college students, of course, but it was frustrating. When the last semester ended, I was relieved. I would miss the students because they were, to be clear, a great joy—bright, funny, charming, kind of crazy, but good kids. I still needed a break, a very, very long break.

The woman who recruited me to grad school had worked with the black students for about twenty years. When she retired, she was so burnt out she couldn’t even talk about them without being overwhelmed by her frustration with their unwillingness to change, the ways they had been wronged, their lack of faith that there was a different, better way, the administration’s piss-poor efforts to create change, all of it. I understood her burnout too. It took me a mere four years, but I got there. And yet. There was an end-of-the-year banquet where the students surprised me. They gave me a plaque and read a beautiful speech where they said I was the epitome of integrity and grace. They thanked me for recognizing they were talented and powerful beyond measure. They said I stood up for them even when they were wrong and that I was family, which did nicely explain our relationship—unconditional but complicated.

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What people think about Bad Feminist

897 ratings / 65 Reviews
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Critic reviews

  • Everything from professional Scrabble to abortion to Lena Dunham comes under loving scrutiny in Roxane Gay's profound essays on how you can love potentially problematic activities, people, or media, and still be feminist. Told in simplistic yet soul-crushing prose, these musings show how media affects us.

    Scribd Editors
  • Everything from professional Scrabble to abortion to Lena Dunham comes under loving scrutiny in Roxanne Gay's profound essays. Told in simplistic yet soul-crushing prose, these musings show how media affects us. Gay currently teaches creative writing at Purdue University.

    Scribd Editors

Reader reviews

  • (4/5)
    The essays in this book range from several relating to the title to reviews of books and movies from Gay's very personal point of view, which I like a lot. But because the reviews tended to be short, I listened to only a few at a time. It's the kind of book I'm tempted to get in print (electronic or otherwise) so that I can dip back in to see what she thought of this or that film. Gay also gets very personal about her own painful backstory, and why the title of the book fits her and what she means by it.The reader, Bahni Turpin, was excellent. Gay narrates her next book, Hunger, herself. It will be interesting to compare the two voices.
  • (4/5)
    A lot of gems here, some less strong ones mixed in too. I like her best when I don't read her straight through. Take a break in between essays. They are not all about feminism per se but they are mostly all pretty good. Some are wonderful.
  • (5/5)
    I found this book, oddly enough, in a comic book store! I love to read books of all kinds of natures, to inform myself and educate myself. After reading the description of the book, I decided to buy it!

    The essay's really made me think about my actions and my words. It was very thought-provoking and at times, made me question how I dealt with things in life. I love books that make me do that! It helps me to change my mode of thinking and to help change myself for the better. That is exactly what this book does!

    Amazing! Amazing! Amazing! You did an excellent job, Roxanne Gay! Can't wait to find and read Hunger next!
  • (4/5)
    Enjoyed some pieces a lot more than others. Some of the pieces felt dated already and I wished I had read it sooner. Some of them are rather chilling given the current political climate. But I really enjoyed this overall and think it is definitely worth reading!
  • (5/5)
    Roxane's voice is one every woman needs to hear. I have a huge soft spot for anyone willing to lay themselves bare, totally vulnerable, to the general public. It's not a safe, happy place to expose oneself and I respect those souls brave enough to share so openly. I have a minuscule book budget (thank goodness for libraries!) but this one I will be buying; I want to re-read it, mark it up, think deeply about Gay's ideas, criticisms, experiences. She challenges her readers, and that's exactly what has to happen if anything's gonna change.5 stars
  • (4/5)
    [Bad Feminist] (318 pages) by Roxanne GayI enjoyed this book of essays about feminism and discrimination very much. I admit to skimming some of the chapters which analyzed current shows or media that I was not familiar with, but there was more than enough to draw me in. Sections include Me (about Roxanne Gay, the author); Gender and Sexuality; Race and Entertainment; Politics Gender and Race, Back to Me. I found that I like to read a chapter or two at a time, to give things a chance to marinate, so to speak. Gay is intelligent, sincere, compassionate and funny. I didn't agree with everything she said, but it surely made me think about how I perceive things, how I present myself, and how I stand up for my beliefs. A very good read.