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Lives of the Christians (Transcript)

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369 pages

Summary

Lives of the Christians is the companion book to the audio/video series of the same name. It contains a full transcript of the series as well as the complete course guidebook which includes lecture notes, bibliography, and more.

About this series:

Where else can you find masterpieces extending from the dawn of civilization to today; or encyclopedic holdings from all the major cultures on earth; or genres ranging from paintings to period rooms, sculpture to suits of armor, metalwork to musical instruments—all situated in a palatial building beside one of the world's most magnificent parks? No other museum covers the history of humanity and its achievements as thoroughly as The Metropolitan Museum of Art in New York City. Professor Richard Brettell believes that The Metropolitan Museum of Art is not just the greatest art museum in America, but that it is also the most complete encyclopedic art museum on the planet, rivaled only by the Louvre in Paris and the Hermitage in Saint Petersburg, whose collections have significant gaps by comparison. A Consummate Guide Professor Brettell is a scholar, an author, a teacher, and a former museum director, known to many Teaching Company customers for his dazzling investigation of a much-loved period in From Monet to Van Gogh: A History of Impressionism and his overview of a legendary cultural icon in Museum Masterpieces: The Louvre. Above all, he is a consummate guide who delights in selecting superb works of art and then exploring their resonance with other works. For example, in this course he exploits The Metropolitan Museum of Art's wide-ranging holdings to draw your attention to masterpieces that share intriguing similarities, linking different cultures, genres, and periods: Two noble countenances: Auguste Rodin's lifelike portrait bust of Honoré de Balzac from 1891 evokes, in its realistic power, the remarkable 4,000-year-old copper head of a ruler in the museum's Ancient Near Eastern Art collection. A study in forms: The overlapping abstract forms of Willem de Kooning's 1949 painting Attic strikingly recall the figures crowded onto the surface of Roman funerary sarcophagi or the swarming melee in Nicolas Poussin's The Abduction of the Sabine Women. Mother and child: Every culture uses art to depict the bond between mother and child. Professor Brettell chooses four paradigmatic examples: an early Italian painting by Berlinghiero, a 14th-century Indian copper sculpture, a pre-Hispanic Olmec figurine, and a Renaissance relief by Andrea della Robbia. Many Museums under One Roof In these 24 visually rich, half-hour lectures, Professor Brettell takes you through The Metropolitan Museum of Art from front to back, from bottom to top, introducing practically every department in the museum. Each is a museum unto its own, representing one of the world's finest collections in its field. You will see an astonishing number of works—more than 400 in all—focusing on Professor Brettell's favorites, and in the process touching on virtually all of the best-known pieces in the museum, and many more besides. His is a personal tour, driven by his enthusiasm and a ceaseless curiosity to see riches of The Metropolitan Museum of Art unknown even to him. Your journey begins in Lecture 1 with a brief history of the museum, Central Park, and the city itself. Then you proceed up the broad steps facing Fifth Avenue and into the museum's Great Hall. Lectures 2–5 take you to the complex of galleries at the front of the building, dealing with the civilizations of ancient Greece and Rome, ancient Egypt, Asia, the ancient Near East, and the Islamic world. Then in Lectures 6–9 you return to the Great Hall and ascend the grand staircase to The Metropolitan Museum of Art's outstanding collection of European paintings, covering the Renaissance to the 19th century. Here you find masterpieces by Giotto, Raphael, Dürer, Rembrandt, Vermeer, Van Gogh, and many others. Lectures 10 and 11 cov

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