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French Stories/Contes Francais
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"The selections are good and the translations are excellent." ― Germaine Brée, New York University
Drawn from two centuries of French literature, these superb selections by ten great writers span a wide variety of styles, philosophies, and literary creeds. The stories reflect not only the beliefs of various literary schools, but the preoccupations of French civilization, at the various times of their composition, with the metaphysical and psychological problems of man.
Contents include Micromégas (Voltaire), La Messe de l'Athée (Honoré de Balzac), La Légende de Saint Julien l'Hospitalier (Gustave Flaubert), Le Spleen de Paris (Charles Baudelaire), Menuet (Guy de Maupassant), Mort de Judas (Paul Claudel), Le Retour de l'Enfant Prodigue (André Gide), Grand-Lebrun (François Mauriac), Le Passe-Muraille (Marcel Aymé), and L'Hôte (Albert Camus).
Students of French, or those who wish to refresh their knowledge of the language, will welcome this treasury of masterly fiction. The selections are arranged chronologically, allowing the reader to witness the development of French literary art — from Voltaire to Camus. Excellent English translations appear on pages facing the Original French. Also included are a French-English vocabulary list, textural notes, and exercises.
Published: Dover Publications on
ISBN: 9780486120270
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French Stories/

Contes Français

A Dual-Language Book

Edited by



With translations, critical introductions, notes and vocabulary by the Editor


New York

MORT DE JUDAS by Paul Claudel. Copyright Librairie Gallimard. All rights reserved.

LE RETOUR DE L’ENFANT PRODIGUE by André Gide. Copyright Librairie Gallimard. All rights reserved.

LE PASSE-MURAILLE by Marcel Aymé. Copyright Librairie Gallimard. All rights reserved.

L’HÔTE by Albert Camus. By permission of Mrs. William Bradley. Copyright Librairie Gallimard. All rights reserved.

The translation of L’HÔTE, by Albert Camus, which appears in this volume was specially prepared by Wallace Fowlie for use only in FRENCH STORIES: A BANTAM DUAL-LANGUAGE BOOK. It appears with the permission of Alfred A. Knopf, Inc., publishers of the volume EXILE AND THE KINGDOM, by Albert Camus, in which the authorized English translation by Justin O’Brien may be found.

COMMENCEMENTS D’UNE VIE by François Mauriac reprinted from GRAND-LEBRUN. Copyright Editions Bernard Grasset. All rights reserved.

Copyright © 1960 by Bantam Books, Inc.

Copyright renewed © 1988 by Wallace Fowlie.

All rights reserved.

This Dover edition, first published in 1990, is a slightly altered republication of French Stories/Contes Français: A Bantam Dual-Language Book, originally published by Bantam Books, Inc., New York, in 1960. In the present edition, years of death have been added to the biographies of Mauriac and Aymé, and the original Publisher’s Note has been omitted.

Library of Congress Cataloging-in-Publication Data

French stories = Contes français : a dual-language book ; with translations, critical introduction, notes, and vocabulary by the editor / edited by Wallace Fowlie. — Dover ed.

p.    cm.

Reprint with revision. Originally published: New York : Bantam Books, 1960. (A Bantam dual-language book ; s1993)

ISBN-13: 978-0-486-26443-1

ISBN-10: 0-486-26443-2

1. French language—Readers. 2. Short stories, French—Translations into English. 3. Short stories, English—Translations from French. 4. Short stories, French. I. Fowlie, Wallace, 1908– II. Title: Contes français.

PC2117.F844 1990




Manufactured in the United States by Courier Corporation








La Messe de l’Athée

The Atheist’s Mass


La Légende de Saint Julien l’Hospitalier

The Legend of St. Julian the Hospitaler


Le Spleen de Paris (Le Vieux Saltimbanque, Le Joujou du Pauvre, La Corde)

Spleen of Paris (The Old Clown, The Poor Boy’s Toy, The Rope)





Mort de Judas

Death of Judas


Le Retour de l’Enfant Prodigue

The Return of the Prodigal Son





Le Passe-Muraille

The Passer-through-Walls



The Guest





FOR EACH of these selections destined to compose a French Reader, many considerations and scruples and values had to be kept in mind. Dominant among these was the desire to elect a representative work from several major French writers, and to elect one not anthologized previously or not often anthologized.

It is surmised, it is even hoped, that the readers of this book will be, first, those students who are learning the French language and who are being introduced to the history of French literature. Then, French has been so constantly in the curriculum of our schools and colleges, that there are a vast number of readers who once studied French, who wish to maintain some facility in reading the language and who will be helped in having a fairly close translation facing the French text. This procedure is followed not in order to encourage indolence but rather to provide a method of steady reading in a foreign tongue so that the apprehending and the enjoyment of the literary work will not be impeded.

The collection proposes considerable variety in styles, in philosophies and in literary creeds. The span from Voltaire to Albert Camus is approximately two hundred years. Such is the mysterious power of story-telling in its highest instances that the ten selections taken from these two centuries of French prose, reflect not only aesthetic beliefs of various literary schools but also the preoccupations of French civilization during this time with the metaphysical and psychological problems of man.

Hence, Voltaire, representative of the 18th-century enlightenment is both the neo-classicist in the clarity, swiftness and wit of his philosophic tale, and the satiric philosophe who questions the rules of authority and the vanity of man’s ambitions. Balzac in his novella is both the realist in his study of the determining factors in a character’s environment, and the visionary who sees behind the individual the species (the spécialité) which he represents. From the pictures in a stained-glass window Flaubert drew the material of his saint’s legend and resurrected the medieval world of the hunt and the supernatural resolution of a chosen life. Such a work as Spleen de Paris of Baudelaire testifies to one aspect of the romantic imagination and to the emergence of a new literary form. The brevity of the de Maupassant story makes it into a vignette, whose utter simplicity corresponds to the poignant human sentiment it transcribes.

The 20th-century selections represent even more variety in form and theme. Claudel’s piece is a monologue spoken by Judas Iscariot. Through the violence of satire and the juggling of chronology, many of Claudel’s grievances are clarified as the portrait of the man Judas is drawn. Gide’s use of the Bible is totally different. He gives to the famous parable an interpretation of his own, a Gidian interpretation, in the four dialogues which make of the work a miniature play. From the autobiography of his childhood, we have chosen one chapter in which François Mauriac evokes a memory of his school in Bordeaux. The last two selections are closer to traditional forms of story-telling. Marcel Aymé’s humor in his account of the man who can walk through walls, does not conceal his fine sense of observation of characters and the ease with which he evokes their setting. Camus’ Algerian story is a serious humanist meditation on a conflict of wills and the problem of justice.

It would be futile to try to impose some unifying principle on this book, to discover in it some literary progression and thematic plan. Each of the ten pieces stands by itself, by its own distinctiveness, by its own testimony to French literary art. It is not necessary, then, to seek for some arbitrary order. The selections are printed in chronological order. But since it is true that each selection is of its time, of its particular generation in French history and in the history of French literature, there is visible in the book—faintly, perhaps, because of the brevity of each piece—a sequence of signs, of preoccupations, of styles which have their specific place in the evolution of a literature and of an attitude toward mankind. Artists of the stature of these writers cannot fail to impress, even on their briefest writings, their mark which is both their manner of writing and their particular vision of the world.

French literature, more clearly than other literatures, resembles a succession of kingdoms or royalties, each one of which has been overthrown in some literary revolution, in order to make way for the successor. The theocentric medieval world, Renaissance humanism, classicism and romanticism were vast powerful dynasties which have now disappeared but which are still apparent in certain aspects of the more rapidly succeeding literary movements of the past century and which are discernible in the ten selections of the volume.


French strories



AFTER THE SUCCESS of his tragedy Oedipe in 1718, François-Marie Arouet changed his name to Voltaire, an anagram formed from Arouet l(e) j(eune), by changing the u to v and the j to i.

The contradictions in Voltaire’s character, the varieties of his interests, and the extensiveness of his writings make it impossible to formulate any one interpretation of his position or any one judgment of his worth. A glance at his published correspondence (more than 10,000 letters) will give some indication of his indefatigable curiosity, of his intelligence and his wit. His letters contain a vast repertory of ideas and many of the investigations to which he devoted his time.

He was the defender of all just causes, of countless innocent men who were oppressed by institutions and societies. But this deep feeling for humanity was often offset by an expression of malice and vindictiveness and biting wit. He lacked the capacity to understand many things: metaphysical problems, for example, and the mystery of religions. He had little taste for art and poetry, in the deepest sense.

A description of Voltaire’s style would serve also as a description of his intelligence. It is an analytical style, precise and clear and simple, in which all points are carefully defined and all problems are solved. It is the prose style best suited for the analysis of ideas and abstractions.

It is the opposite of an artist’s style which would create picturesque and poetic effects. The most effective moments for Voltaire the stylist are those when he heaps scorn and ridicule on personages or doctrines or institutions he loathes.

Poet, dramatist, historian and philosopher, Voltaire was also a novelist and story-teller. He came at the end of a long line of satiric conteurs who, from the beginnings of French literature in the Middle Ages, have testified to the naturalistic or bourgeois attitudes toward life and morality. Voltaire perfected the traits of swiftness of action, of clarity and maliciousness which were in the writings of his predecessors. His short novels Micromégas, Candide, Zadig, are written with such a fine sense of order and design that they almost resemble problems in mathematics. Every detail is made to serve for the general demonstration which Voltaire wishes to propose.

In Micromégas, a philosophical tale written in 1752, Voltaire is obviously imitating Swift’s Gulliver’s Travels. Micromégas (from two Greek words meaning small and big) is an inhabitant from one of the planets of the star Sirius. He comes to the earth and learns that nothing is big in itself, or small in itself, but that everything is relative.


par Voltaire


Chapitre I


DANS UNE de ces planètes qui tournent autour de l’étoile nommée Sirius il y avait un jeune homme de beaucoup d’esprit, que j’ai eu l’honneur de connaître dans le dernier voyage qu’il fit sur notre petite fourmilière; il s’appelait Micromégas, nom qui convient fort à tous les grands. Il avait huit lieues de haut: j’entends par huit lieues, vingt-quatre mille pas géométriques de cinq pieds chacun.

Quelques algébristes, gens toujours utiles au public, prendront sur-le-champ ¹ la plume, et trouveront que, puisque M. Micromégas, habitant du pays de Sirius, a de la tête aux pieds vingt-quatre mille pas, qui font cent vingt mille pieds de roi, et que nous autres citoyens de la terre nous n’avons guère que cinq pieds, et que notre globe a neuf mille lieues de tour; ils trouveront, dis-je, qu’il faut absolument que le globe qui l’a produit ait au juste vingt-un millions six cent mille fois plus de circonférence que notre petite terre. Rien n’est plus simple et plus ordinaire dans la nature. Les États de quelques souverains d’Allemagne ou d’Italie, dont on peut faire le tour en une demi-heure, comparés à l’empire de Turquie, de Moscovie ou de la Chine, ne sont qu’une très faible image des prodigieuses différences que la nature a mises dans tous les êtres.


by Voltaire


Chapter I


ON ONE of those planets which revolve around the star named Sirius, there was a very witty young man whom I had the honor of knowing during the last journey he made to our little anthill. He was called Micromegas, a name which is most appropriate for all big men. He was eight leagues high. By eight leagues I mean twenty-four thousand geometrical paces of five feet each.

Some mathematicians, men constantly useful to the public, will immediately take their pens and discover that, since Mr. Micromegas, an inhabitant of the land of Sirius, measures from head to foot twenty-four thousand paces, which make one hundred and twenty thousand royal feet, and since we citizens of the earth barely measure five feet, and since our globe has nine thousand leagues in circumference, they will discover, I say, that the globe which produced him absolutely must have exactly twenty-one million six hundred thousand times more circumference than our small earth. Nothing is more simple and more commonplace in nature. The states of a few sovereigns in Germany or Italy, which can be crossed in half an hour, compared with the empires of Turkey, Muscovy or China, are only a faint image of the prodigious differences which nature has created in all beings.

La taille de son excellence étant de la hauteur que j’ai dite, tous nos sculpteurs et tous nos peintres conviendront sans peine que sa ceinture peut avoir cinquante mille pieds de roi de tour; ce qui fait une très jolie proportion.

Quant à son esprit, c’est un des plus cultivés que nous ayons; il sait beaucoup de choses; il en a inventé quelquesunes: il n’avait pas encore deux cent cinquante ans, et il étudiait, selon la coutume, au collège des jésuites ² de sa planète, lorsqu’il devina, par la force de son esprit, plus de cinquante propositions d’Euclide.³ C’est dix-huit de plus que Blaise Pascal,⁴ lequel, après en avoir deviné trentedeux en se jouant, à ce que dit sa soeur,⁵ devint depuis un géomètre assez médiocre, et un fort mauvais métaphysicien. Vers les quatre cent cinquante ans, au sortir de l’enfance, il disséqua beaucoup de ces petits insectes qui n’ont pas cent pieds de diamètre, et qui se dérobent aux microscopes ordinaires; il en composa un livre fort curieux, mais qui lui fit quelques affaires. Le mufti ⁶ de son pays, grand vétillard et fort ignorant, trouva dans son livre des propositions suspectes, malsonnantes, téméraires, hérétiques, sentant l’hérésie, et le poursuivit vivement: il s’agissait de savoir si la forme substantielle des puces de Sirius était de même nature que celle des colimaçons. Micromégas se défendit avec esprit, il mit les femmes de son côté; le procès dura deux cent vingt ans. Enfin le mufti fit condamner le livre par des jurisconsultes qui ne l’avaient pas lu, et l’auteur eut ordre de ne paraître à la cour de huit cents années.

Il ne fut que médiocrement affligé d’être banni d’une cour qui n’était remplie que de tracasseries et de petitesses. Il fit une chanson fort plaisante contre le mufti, dont celuici ne s’embarrassa guère; et il se mit à ⁷ voyager de planète en planète, pour achever de se former l’esprit et le coeur, comme l’on dit. Ceux qui ne voyagent qu’en chaise de poste ou en berline seront sans doute étonnés des équipages de là-haut; car nous autres, sur notre petit tas de boue, nous ne concevons rien au delà de nos usages. Notre voyageur connaissait merveilleusement les lois de la gravitation,⁸ et toutes les forces attractives et répulsives. Il s’en servait ⁹ si à

His Excellency’s size being the height I said, all our sculptors and all our painters will easily agree that his waist measures fifty thousand royal feet around and this makes him very well proportioned.

As for his mind, it is one of the most cultured we have. He knows many things. He has invented some. He was not yet two hundred and fifty years old, and was studying, according to custom, at the Jesuit college on his planet, when he solved, by the power of his brain, more than fifty theorems of Euclid. That is eighteen more than Blaise Pascal, who, after solving thirty-two with ease, according to his sister, then became a rather mediocre geometrician and a very bad metaphysician. At the end of childhood, when he was about four hundred and fifty years old, he dissected many of those small insects which do not have a hundred feet in diameter and which escape ordinary microscopes. He wrote a very unusual book about them which brought him trouble. The mufti of his country, a very ignorant hair-splitter, found in his book statements that were suspect, foul, rash, heretical, and smacking of heresy. He prosecuted him actively. The problem was whether the bodies of the fleas of Sirius were of the same substance as slugs. Micromegas defended himself wittily and won the women to his side. The lawsuit lasted two hundred and twenty years. At the end, the mufti had the book condemned by jurists who had not read it and the author was ordered not to appear at court for eight hundred years.

He was only slightly upset at being banished from a court which was seething with vexations and pettinesses. He composed a very amusing song against the mufti who was unaffected by it. And he began to journey from planet to planet, in order to complete the development of his mind and his heart, as people say. Those who travel only in post-chaise or coach will doubtless be amazed at the conveyances in the planet above, for we, on our little mud pile, cannot imagine anything other than what we use. Our traveler knew remarkably well the laws of gravitation, and all the forces of attraction and repulsion. He used them so

propos, que, tantôt à l’aide d’un rayon de soleil, tantôt par la commodité d’une comète, il allait de globe en globe, lui et les siens, comme un oiseau voltige de branche en branche. Il parcourut la voie lactée en peu de temps; et je suis obligé d’avouer qu’il ne vit jamais, à travers les étoiles dont elle est semée, ce beau ciel empyrée que l’illustre vicaire Derham¹⁰ se vante d’avoir vu au bout de sa lunette. Ce n’est pas que je prétende que M. Derham ait mal vu, à Dieu ne plaise! mais Micromégas était sur les lieux, c’est un bon observateur, et je ne veux contredire personne. Micromégas, après avoir bien tourné, arriva dans le globe de Saturne. Quelque accoutumé qu’il fût à voir des choses nouvelles, il ne put d’abord, en voyant la petitesse du globe et de ses habitants, se défendre de ce sourire de supériorité qui échappe quelquefois aux plus sages. Car enfin Saturne n’est guère que neuf cents fois plus gros que la terre, et les citoyens de ce pays-là sont des nains qui n’ont que mille toises de haut ou environ. Il s’en moqua un peu d’abord avec ses gens, à peu près comme un musicien italien se met à rire de la musique de Lulli,¹¹ quand il vient en France. Mais, comme le Sirien avait un bon esprit, il comprit bien vite qu’un être pensant peut fort bien n’être pas ridicule pour n’avoir que six mille pieds de haut. Il se familiarisa avec les Saturniens, après les avoir étonnés. Il lia une étroite amitié avec le secrétaire de l’Académie de Saturne,¹² homme de beaucoup d’esprit, qui n’avait, à la vérité, rien inventé, mais qui rendait un fort bon compte des inventions des autres, et qui faisait passablement de petits vers et de grands calculs. Je rapporterai ici, pour la satisfaction des lecteurs, une conversation singulière que Micromégas eut un jour avec M. le secrétaire.

skillfully that, at times with the help of a sunbeam, and at other times with the help of a comet, he and those with him went from globe to globe, as a bird flits from branch to branch. He crossed the Milky Way in a very short time, and I am obliged to confess that he never saw, through the stars with which it is sown, that beautiful empyrean sky which the famous Reverend Derham boasts of having seen at the end of his spyglass. It’s not that I claim that Mr. Derham did not see properly. God forbid! But Micromegas was on the spot. He is a fine observer, and I wish to contradict no one. After a long journey, Micromegas reached the globe of Saturn. Despite his being accustomed to seeing new things, he could not at first, on seeing the smallness of the globe and its inhabitants, keep from smiling in that superior fashion in which at times the wisest of men indulge. For Saturn, in a word, is scarcely nine hundred times larger than the earth, and the citizens of that land are dwarfs who are only a mere thousand fathoms tall. At first he and his friends laughed at them a bit, much as an Italian musician laughs at Lully’s music when he comes to France. But since the Sirian was intelligent, he quickly understood that a thinking being may very well not be ridiculous because he is only six thousand feet tall. After amazing them, he became acquainted with the Saturnians. He became an intimate friend of the secretary of the Academy of Saturn, a man of great wit who indeed had invented nothing, but who was well aware of the inventions of other men, and who produced quite good light verse and important computations. I shall relate here, for the benefit of the readers, an unusual conversation which Micromegas had one day with Mr. Secretary.

Chapitre II


APRÈS QUE son excellence se fut couchée, et que le secrétaire se fut approché de son visage: Il faut avouer, dit Micromégas, que la nature est bien variée.

Oui, dit le Saturnien, la nature est comme un parterre dont les fleurs . . .

Ah! dit l’autre, laissez là votre parterre.

Elle est, reprit le secrétaire, comme une assemblée de blondes et de brunes, dont les parures . . .

Eh! qu’ai-je à faire de vos brunes? dit l’autre.

Elle est donc comme une galerie de peintures dont les traits . . .

Eh non! dit le voyageur, encore une fois la nature est comme la nature. Pourquoi lui chercher des comparaisons?

Pour vous plaire, répondit le secrétaire.

Je ne veux point qu’on me plaise, répondit le voyageur; je veux qu’on m’instruise : commencez d’abord par me dire combien les hommes de votre globe ont de sens.

Nous en avons soixante et douze, dit l’académicien, et nous nous plaignons¹³ tous les jours du peu. Notre imagination va au delà de nos besoins; nous trouvons qu’avec nos soixante et douze sens, notre anneau, nos cinq lunes, nous sommes trop bornés; et, malgré toute notre curiosité et le nombre assez grand de passions qui résultent de nos soixante et douze sens, nous avons tout le temps de nous ennuyer.

Je le crois bien, dit Micromégas; car dans notre globe nous avons près de mille sens; et il nous reste encore je ne sais quel désir vague, je ne sais quelle inquiétude, qui nous avertit sans cesse que nous sommes peu de chose, et qu’il y a des êtres beaucoup plus parfaits. J’ai un peu voyagé: j’ai vu des mortels fort au-dessous de nous; j’en ai vu de fort supérieurs: mais je n’en ai vu aucuns qui n’aient plus de désirs que de vrais besoins, et plus de besoins que de satisfaction. J’arriverai peut-être un jour au pays où il ne man-

Chapitre II


After his Excellency had gone to bed and the secretary had drawn near to his face, Micromegas said: You must confess that there is much variety in nature.

Yes, said the Saturnian, nature is like a flower bed in which the flowers . . .

Oh! said the other, forget about your flower-bed.

The secretary continued, It is like a gathering of blondes and brunettes whose dresses . . .

What do I care about your brunettes? said the other.

Then it is like a gallery of pictures whose features . . .

But no, said the traveler, once more I tell you, nature is like nature. Why try to make comparisons?

To please you, answered the secretary.

I don’t want to be pleased, answered the traveler, I want to be taught. First begin by telling me how many senses the men in your world have.

We have seventy-two, said the academician, and every day we complain of the small number. Our imagination surpasses our needs. We find that with our seventy-two senses, with our ring and our five moons, we are too limited. And despite all our curiosity and the fairly large number of passions which come from our seventy-two senses, we have all the time in the world to be bored.

I believe you, said Micromegas, "for in our world we have almost a thousand senses, and we still have strange vague desires, a strange restlessness which keeps warning us that we are of little consequence, and that there are beings much more perfect. I have traveled a little. I have seen mortals much below us. I have seen others far superior to us. But I have not seen any who have not more desires than real needs, and more needs than satisfaction. Perhaps one day I shall reach the country where nothing is lacking.

que rien; mais jusqu’à présent personne ne m’a donné de nouvelles positives de ce pays-là.

Le Saturnien et le Sirien s’épuisèrent alors en conjectures; mais, après beaucoup de raisonnements fort ingénieux et fort incertains, il en fallut revenir aux faits. Combien de temps vivez-vous? dit le Sirien.

Ah! bien peu, répliqua le petit homme de Saturne.

C’est tout comme chez nous, dit le Sirien: nous nous plaignons toujours du peu. Il faut que ce soit une loi universelle de la nature.

Hélas! nous ne vivons, dit le Saturnien, que cinq cents grandes révolutions du soleil. (Cela revient à quinze mille ans ou environ, à compter à notre manière.) Vous voyez bien que c’est mourir presque au moment que l’on est né; notre existence est un point, notre durée un instant, notre globe un atome. A peine a-t-on commencé à s’instruire un peu que la mort arrive avant qu’on ait de l’expérience. Pour moi, je n’ose faire aucuns projets; je me trouve comme une goutte d’eau dans un océan immense. Je suis honteux, surtout devant vous, de la figure ridicule que je fais dans ce monde.

Micromégas lui repartit: Si vous n’étiez pas philosophe, je craindrais de vous affliger en vous apprenant que notre vie est sept cents fois plus longue que la vôtre; mais vous savez trop bien que quand il faut rendre son corps aux éléments, et ranimer la nature sous une autre forme, ce qui s’appelle mourir; quand ce moment de métamorphose est venu, avoir vécu une éternité, ou avoir vécu un jour, c’est précisément la même chose. J’ai été dans des pays où l’on vit mille fois plus longtemps que chez moi, et j’ai trouvé qu’on y murmurait encore. Mais il y a partout des gens de bon sens qui savent prendre leur parti¹⁴ et remercier l’auteur de la nature. Il a répandu sur cet univers une profusion de variétés avec une espèce d’uniformité admirable. Par exemple, tous les êtres pensants sont différents, et tous se ressemblent au fond par le don de la pensée et des désirs. La matière est partout étendue; mais elle a dans chaque globe des propriétés diverses. Combien comptez-

But up until now no one has given me any real news of that country."

The Saturnian and the Sirian then wore themselves out with conjectures. But after many very ingenious and very insecure arguments, they had to come back to facts. How long do you live? asked the Sirian.

A very short time, answered the small man from Saturn.

It is the same with us, said the Sirian. We are always complaining about the short time. It must be a universal law of nature.

Alas! said the Saturnian, we live only five hundred complete revolutions of the sun. (That comes to fifteen thousand years, or approximately, in our way of counting.) You can see that means dying almost at the moment of birth. Our existence is a point, our duration an instant, our globe an atom. We have just begun to learn a few things when death comes before we have any experience. As for me, I don’t dare make any plans. I feel like a drop of water in a huge ocean. In front of you, especially, I am ashamed of the ridiculous figure I cut in this world.

Micromegas answered him, "If you were not a philosopher, I should fear to upset you by telling you that our life is seven hundred times longer than yours. But you know too well that when a man has to return his body to the elements, and to reanimate nature under another form—this is called dying—when that moment of metamorphosis has come, to have lived for an eternity or to have lived for a day, are precisely the same thing. I have been in countries where they live a thousand times longer than in my country, and there I discovered that people still complained. But everywhere there are intelligent people who know how to accept their fate and give thanks to the Creator. He spread over this universe abundant varieties with a kind of remarkable uniformity. For example, all thinking beings are different, and all fundamentally resemble one another in the gift of thought and desires. Matter extends everywhere, but on each globe, it has dif-

vous de ces propriétés diverses dans votre matière?

Si vous parlez de ces propriétés, dit le Saturnien, sans lesquelles nous croyons que ce globe ne pourrait subsister tel qu’il est, nous en comptons trois cents, comme l’étendue, l’impénétrabilité, la mobilité, la gravitation, la divisibilité, et le reste.

Apparemment, répliqua le voyageur, que ce petit nombre suffit aux vues que le Créateur avait sur votre petite habitation. J’admire en tout sa sagesse; je vois partout des différences, mais aussi partout des proportions. Votre globe est petit, vos habitants le sont aussi; vous avez peu de sensations; votre matière a peu de propriétés: tout cela est l’ouvrage de la Providence. De quelle couleur est votre soleil bien examiné?

D’un blanc fort jaunâtre, dit le Saturnien; et, quand nous divisons un de ses rayons, nous trouvons qu’il contient sept couleurs.

Notre soleil tire sur le rouge, dit le Sirien, et nous avons trente-neuf couleurs primitives. Il n’y a pas un soleil, parmi tous ceux dont j’ai approché, qui se ressemble, comme chez vous il n’y a pas un visage qui ne soit différent de tous les autres.

Après plusieurs questions de cette nature, il s’informa combien de substances essentiellement différentes on comptait dans Saturne. Il apprit qu’on n’en comptait qu’une trentaine, comme Dieu, l’espace, la matière, les êtres étendus qui sentent, les êtres étendus qui sentent et qui pensent, les êtres pensants qui n’ont point d’étendue; ceux qui se pénètrent, ceux qui ne se pénètrent pas, et le reste. Le Sirien, chez qui on en comptait trois cents, et qui en avait découvert trois mille autres dans ses voyages, étonna prodigieusement le philosophe de Saturne. Enfin, après s’être communiqué l’un à l’autre un peu de ce qu’ils savaient