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    The Haunted Man and the Ghost's Bargain
    The Haunted Man and the Ghost's Bargain
    The Haunted Man and the Ghost's Bargain
    Ebook123 pages2 hours

    The Haunted Man and the Ghost's Bargain

    By Charles Dickens

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    Dodo Collections brings you another classic from Charles Dickens, ‘The Haunted Man and the Ghost's Bargain.’
     
    In this story, Dickens narrates the hair-raising experiences of a professor. As the protagonist dwells on his past sorrows and mistakes, a phantom visits him. It offers him a bizarre escape from painful recollections of yesteryear by offering to eradicate his memory. On seeing the professor turn into a man devoid of emotions, the reader realizes how empty one becomes without a past.
     
    Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
    Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.
     
    A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
    LanguageEnglish
    PublisherDead Dodo Definitive Dickens
    Release dateAug 12, 2015
    ISBN9781508021766
    Author

    Charles Dickens

    Charles Dickens was born February 7, 1812 in Landport, Portsmouth, the second of eight children to John and Elizabeth Dickens. Dickens' father had great difficulty managing his affairs and was often under the burden of crushing debt, which culminated in his imprisonment in Marshalsea debtor's prison in 1824. As a result, Dickens was forced to leave school and begin work at a boot-blacking factory to assist in getting the family out of debt, an experience that would allow Dickens to sympathize with the plight of the poor and destitute that would last his entire life. Dickens took to writing immediately and, in 1833, he published his first story: A Dinner at Popular Walk in Monthly Magazine. The following year, he began writing under the pseudonym Boz and released a collection of short stories entitled Sketches by Boz in 1836. That same year he married Catherine Hogarth, daughter of the editor of the Evening Chronicle. They had 10 children before they separated in 1858. From 1836 to 1837, Dickens serialized what would become the novel The Pickwick Papers, which was an immediate sensation and became one of his most popular works, released in book form in 1837. Encouraged by this success, Dickens began writing at a furious and astonishing rate, producing (in serial form) some of his most favorite novels: Oliver Twist (1837-39), Nicholas Nickleby (1838-39), as well as The Old Curiosity Shop and Barnaby Rudge (1840-41). After that, Dickens barely paused for the rest of his career. He would regularly release a book ever year or so for the next two decades, including American Notes, his five Christmas Books (including, of course, A Christmas Carol), David Copperfield, Bleak House, A Tale of Two Cities, and Great Expectations. Charles Dickens suffered a stroke on June 9, 1870 at died at Gad's Hill. Buried in the Poets' Corner of Westminster Abbey.

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      Book preview

      The Haunted Man and the Ghost's Bargain - Charles Dickens

      THE HAUNTED MAN AND THE GHOST’S BARGAIN

      ………………

      Charles Dickens

      DODO COLLECTIONS

      Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

      This book is a work of fiction; its contents are wholly imagined.

      All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

      Copyright © 2015 by Charles Dickens

      Interior design by Pronoun

      Distribution by Pronoun

      TABLE OF CONTENTS

      CHAPTER I—The Gift Bestowed

      CHAPTER II—The Gift Diffused

      CHAPTER III—The Gift Reversed

      CHAPTER I—THE GIFT BESTOWED

      ………………

      Everybody said so.

      Far be it from me to assert that what everybody says must be true. Everybody is, often, as likely to be wrong as right. In the general experience, everybody has been wrong so often, and it has taken, in most instances, such a weary while to find out how wrong, that the authority is proved to be fallible. Everybody may sometimes be right; "but that’s no rule," as the ghost of Giles Scroggins says in the ballad.

      The dread word, Ghost, recalls me.

      Everybody said he looked like a haunted man. The extent of my present claim for everybody is, that they were so far right. He did.

      Who could have seen his hollow cheek; his sunken brilliant eye; his black-attired figure, indefinably grim, although well-knit and well-proportioned; his grizzled hair hanging, like tangled sea-weed, about his face,—as if he had been, through his whole life, a lonely mark for the chafing and beating of the great deep of humanity,—but might have said he looked like a haunted man?

      Who could have observed his manner, taciturn, thoughtful, gloomy, shadowed by habitual reserve, retiring always and jocund never, with a distraught air of reverting to a bygone place and time, or of listening to some old echoes in his mind, but might have said it was the manner of a haunted man?

      Who could have heard his voice, slow-speaking, deep, and grave, with a natural fulness and melody in it which he seemed to set himself against and stop, but might have said it was the voice of a haunted man?

      Who that had seen him in his inner chamber, part library and part laboratory,—for he was, as the world knew, far and wide, a learned man in chemistry, and a teacher on whose lips and hands a crowd of aspiring ears and eyes hung daily,—who that had seen him there, upon a winter night, alone, surrounded by his drugs and instruments and books; the shadow of his shaded lamp a monstrous beetle on the wall, motionless among a crowd of spectral shapes raised there by the flickering of the fire upon the quaint objects around him; some of these phantoms (the reflection of glass vessels that held liquids), trembling at heart like things that knew his power to uncombine them, and to give back their component parts to fire and vapour;—who that had seen him then, his work done, and he pondering in his chair before the rusted grate and red flame, moving his thin mouth as if in speech, but silent as the dead, would not have said that the man seemed haunted and the chamber too?

      Who might not, by a very easy flight of fancy, have believed that everything about him took this haunted tone, and that he lived on haunted ground?

      His dwelling was so solitary and vault-like,—an old, retired part of an ancient endowment for students, once a brave edifice, planted in an open place, but now the obsolete whim of forgotten architects; smoke-age-and-weather-darkened, squeezed on every side by the overgrowing of the great city, and choked, like an old well, with stones and bricks; its small quadrangles, lying down in very pits formed by the streets and buildings, which, in course of time, had been constructed above its heavy chimney stalks; its old trees, insulted by the neighbouring smoke, which deigned to droop so low when it was very feeble and the weather very moody; its grass-plots, struggling with the mildewed earth to be grass, or to win any show of compromise; its silent pavements, unaccustomed to the tread of feet, and even to the observation of eyes, except when a stray face looked down from the upper world, wondering what nook it was; its sun-dial in a little bricked-up corner, where no sun had straggled for a hundred years, but where, in compensation for the sun’s neglect, the snow would lie for weeks when it lay nowhere else, and the black east wind would spin like a huge humming-top, when in all other places it was silent and still.

      His dwelling, at its heart and core—within doors—at his fireside—was so lowering and old, so crazy, yet so strong, with its worn-eaten beams of wood in the ceiling, and its sturdy floor shelving downward to the great oak chimney-piece; so environed and hemmed in by the pressure of the town yet so remote in fashion, age, and custom; so quiet, yet so thundering with echoes when a distant voice was raised or a door was shut,—echoes, not confined to the many low passages and empty rooms, but rumbling and grumbling till they were stifled in the heavy air of the forgotten Crypt where the Norman arches were half-buried in the earth.

      You should have seen him in his dwelling about twilight, in the dead winter time.

      When the wind was blowing, shrill and shrewd, with the going down of the blurred sun. When it was just so dark, as that the forms of things were indistinct and big—but not wholly lost. When sitters by the fire began to see wild faces and figures, mountains and abysses, ambuscades and armies, in the coals. When people in the streets bent down their heads and ran before the weather. When those who were obliged to meet it, were stopped at angry corners, stung by wandering snow-flakes alighting on the lashes of their eyes,—which fell too sparingly, and were blown away too quickly, to leave a trace upon the frozen ground. When windows of private houses closed up tight and warm. When lighted gas began to burst forth in the busy and the quiet streets, fast blackening otherwise. When stray pedestrians, shivering along the latter, looked down at the glowing fires in kitchens, and sharpened their sharp appetites by sniffing up the fragrance of whole miles of dinners.

      When travellers by land were bitter cold, and looked wearily on gloomy landscapes, rustling and shuddering in the blast. When mariners at sea, outlying upon icy yards, were tossed and swung above the howling ocean dreadfully. When lighthouses, on rocks and headlands, showed solitary and watchful; and benighted sea-birds breasted on against their ponderous lanterns, and fell dead. When little readers of story-books, by the firelight, trembled to think of Cassim Baba cut into quarters, hanging in the Robbers’ Cave, or had some small misgivings that the fierce little old woman, with the crutch, who used to start out of the box in the merchant Abudah’s bedroom, might, one of these nights, be found upon the stairs, in the long, cold, dusky journey up to bed.

      When, in rustic places, the last glimmering of daylight died away from the ends of avenues; and the trees, arching overhead, were sullen and black. When, in parks and woods, the high wet fern and sodden moss, and beds of fallen leaves, and trunks of trees, were lost to view, in masses of impenetrable shade. When mists arose from dyke, and fen, and river. When lights in old halls and in cottage windows, were a cheerful sight. When the mill stopped, the wheelwright and the blacksmith shut their workshops, the turnpike-gate closed, the plough and harrow were left lonely in the fields, the labourer and team went home, and the striking of the church clock had a deeper sound than at noon, and the churchyard wicket would be swung no more that night.

      When twilight everywhere released the shadows, prisoned up all day, that now closed in and gathered like mustering swarms of ghosts. When they stood lowering, in corners of rooms, and frowned out from behind half-opened doors. When they had full possession of unoccupied apartments. When they danced upon the floors, and walls, and ceilings of inhabited chambers, while the fire was low, and withdrew like ebbing waters when it sprang into a blaze. When they fantastically mocked the shapes of household objects, making the nurse an ogress, the rocking-horse a monster, the wondering child, half-scared and half-amused, a stranger to itself,—the very tongs upon the hearth, a straddling giant with his arms a-kimbo, evidently smelling the blood of Englishmen, and wanting to grind people’s bones to make his bread.

      When these shadows brought into the minds of older people, other thoughts, and showed them different images. When they stole from their retreats, in the likenesses of forms and faces from the past, from the grave, from the deep, deep gulf, where the things that might have been, and never were, are always wandering.

      When he sat, as already mentioned, gazing at the fire. When, as it rose and fell, the shadows went and came. When he took no heed of them, with his bodily eyes; but, let them come or let them go, looked fixedly at the fire. You should have seen him, then.

      When the sounds that had arisen with the shadows, and come out of their lurking-places at the twilight summons, seemed to make a deeper stillness all about him. When the wind was rumbling in the chimney, and sometimes crooning, sometimes howling, in the house. When the old trees outside were so shaken and beaten, that one querulous old rook, unable to sleep, protested now and then, in a feeble, dozy, high-up Caw! When, at intervals, the window trembled,

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