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The Draw
The Draw
The Draw
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The Draw

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Stories of the old West were filled with bad men who lived by the speed of their gun hand. Well, meet Buck Tarrant, who could outdraw them all. His secret: he didn't even have to reach for his weapon....
LanguageEnglish
PublisherJovian Press
Release dateJan 2, 2017
ISBN9781537814827
The Draw
Author

Jerome Bixby

Drexel Jerome Lewis Bixby (January 11, 1923 – April 28, 1998) was an American short story writer and scriptwriter. He wrote the 1953 story "It's a Good Life" which was the basis for a 1961 episode of The Twilight Zone and which was included in Twilight Zone: The Movie (1983). He also wrote four episodes for the Star Trek series: "Mirror, Mirror", "Day of the Dove", "Requiem for Methuselah", and "By Any Other Name". With Otto Klement, he co-wrote the story upon which the science fiction movie Fantastic Voyage (1966), television series, and novel by Isaac Asimov were based. Bixby's final produced or published work so far was the screenplay for the 2007 science fiction film The Man from Earth. He also wrote many westerns and used the pseudonyms Jay Lewis Bixby, D. B. Lewis, Harry Neal, Albert Russell, J. Russell, M. St. Vivant, Thornecliff Herrick and Alger Rome (for one collaboration with Algis Budrys).

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    Book preview

    The Draw - Jerome Bixby

    THE DRAW

    Jerome Bixby

    JOVIAN PRESS

    Thank you for reading. If you enjoy this book, please leave a review.

    All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

    Copyright © 2016 by Jerome Bixby

    Published by Jovian Press

    Interior design by Pronoun

    Distribution by Pronoun

    ISBN: 9781537814827

    TABLE OF CONTENTS

    THE DRAW

    THE DRAW

    ~

    JOE DOOLIN’S MY NAME. COWHAND—WORK for old Farrel over at Lazy F beyond the Pass. Never had much of anything exciting happen to me—just punched cows and lit up on payday—until the day I happened to ride through the Pass on my way to town and saw young Buck Tarrant’s draw.

    Now, Buck’d always been a damn good shot. Once he got his gun in his hand he could put a bullet right where he wanted it up to twenty paces, and within an inch of his aim up to a hundred feet. But Lord God, he couldn’t draw to save his life—I’d seen him a couple of times before in the Pass, trying to. He’d face a tree and go into a crouch, and I’d know he was pretending the tree was Billy the Kid or somebody, and then he’d slap leather—and his clumsy hand would wallop his gunbutt, he’d yank like hell, his old Peacemaker would come staggering out of his holster like a bear in heat, and finally he’d line on his target and plug it dead center. But the whole business took about a second and a half, and by the time he’d ever finished his fumbling in a real fight, Billy the Kid or Sheriff Ben Randolph over in town or even me, Joe Doolin, could have cut him in half.

    So this time, when I was riding along through the Pass, I saw Buck upslope from me under the trees,

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