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Cogheart

Cogheart

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Cogheart

ratings:
3/5 (25 ratings)
Length:
291 pages
5 hours
Released:
Feb 12, 2019
ISBN:
9781631632884
Format:
Book

Description

Thirteen-year-old Lily Hartman always dreamed of adventure. A strong-willed girl, Lily felt trapped in a life of Victorian stuffiness at her prim boarding school. But after her father-a famous inventor-disappears on a routine zeppelin flight, Lily's life gets turned upside down.



Now cared for by her guardian, the heartless Madame Verdigris, Lily is quite certain that she's being watched. Mysterious, silver-eyed men are lurking in the shadows, just waiting for their chance to strike. But what could they possibly want from her?



There are rumors, Lily learns, that her father had invented the most valuable invention ever made-a perpetual motion machine. But if he made such a miraculous discovery, he certainly never told Lily. And all he left behind is a small box-with no key, no hinges.



With the help of a clockmaker's son, Robert, and her mechanimal fox, Malkin, Lily escapes London in search of the one person who might know something about her father's disappearance-and what he left behind.
Released:
Feb 12, 2019
ISBN:
9781631632884
Format:
Book

About the author

Peter Bunzl grew up in London and lives there with his partner Michael. He is a BAFTA-award-winning animator, as well as a writer and filmmaker. Cogheart is Peter’s debut novel.


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Book Preview

Cogheart - Peter Bunzl

For Michael, with love.

First published in the UK in 2016 by Usborne Publishing Ltd., Usborne House,

83-85 Saffron Hill, London EC1N 8RT, England, www.usborne.com

Text © Peter Bunzl, 2016

Cover and inside illustrations, including map by Becca Stadtlander © Usborne Publishing, 2016

Photo credits: Fir trees silhouettes © ok-sana/Thinkstock; Key © VasilyKovalek/Thinkstock; Brick wall © forrest9/Thinkstock; Wind-up Key © jgroup/Thinkstock; Clock © Vasilius/Shutterstock; Hand drawn border © Lena Pan/Shutterstock; Exposed clockwork © Jelena Aloskina/Shutterstock; Metallic texture © mysondanube/Thinkstock; Plaque © Andrey_Kuzmin/Thinkstock; Burned paper © bdspn/Thinkstock; Crumpled paper © muangsatun/Thinkstock; Newspaper © kraphix/Thinkstock; Old paper © StudioM1/Thinkstock; Coffee ring stains © Kumer/Thinkstock

Published in the United States by Jolly Fish Press, an imprint of North Star Editions, Inc.

First US Edition

First US Printing, 2019

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, business establishments, events, or locales is entirely coincidental. Cover models used for illustrative purposes only and may not endorse or represent the book’s subject.

Library of Congress Cataloging-in-Publication Data (pending)

978-1-63163-287-7

Jolly Fish Press

North Star Editions, Inc.

2297 Waters Drive

Mendota Heights, MN 55120

www.jollyfishpress.com

Printed in the United States of America

PROLOGUE

Malkin pressed his forepaws against the flight deck window and peered out. The silver airship was still following, gaining on them. The purr of its propellers and the whoosh of its knife-sharp hull cutting through the air sent a shiver of terror through his clockwork innards.

The fox tore his eyes away and stared at his master. John’s ship, Dragonfly, was fast but she had nothing in

the way of firepower. The silver airship, by contrast, bristled with weapons. Sharp metal spikes stuck out from her hull, making her look like some sort of militarized porcupine.

Just then, Dragonfly’s rudder shifted, and she pitched as John twisted the wheel into a one-eighty turn to swoop back past her pursuers.

The silver airship shrunk away, but within seconds she’d swung around to follow. She began closing in once more, her propellers chopping through the clouds, throwing dark shadows across their stern. When the two airships broke into a patch of blue, she fired.

A harpoon slashed across the sky and thudded into Dragonfly’s hull, the point piercing her port side.

Thud! Another harpoon speared into the stern.

Malkin let out a bark of alarm as the stench of burning gas filled the flight deck, and the needles in the rows of instrument panels flickered into the red danger zones. Over the whine of their stalling engines, the crackle of straining steel cables could be heard. The silver airship had begun to pull them in.

John locked Dragonfly’s wheel, and engaged her autopilot. He threw open the cockpit door and, with Malkin at his heels, dashed toward the engine room.

Pistons pumped, and crankshafts turned at full power, while the cabin juddered and shook. In the center of the floor, a metal egg-shaped pod sat among a tangle of pipes.

John threw open its door. No room for both of us,

he said. You go, Malkin.

The fox gave a whimper of disapproval. No. It should be you, John. Humans over mechanicals. It’s the law.

John shook his head. I can’t leave my ship; I need to try and guide her down safely—and you’ve no opposable thumbs! He gave a half-hearted laugh and withdrew a battered envelope from his pocket. Crouching down, he stuffed it into a leather pouch around Malkin’s neck. This is for my Lily. See that she gets it.

What’s in there?

John smiled. Secrets. Tell her to keep them safe. She mustn’t tell anyone about them, not ever. Can you remember that?

I think so. Malkin prodded the pouch, sniffing at it with his nose.

Good, John said. Make for Brackenbridge, that’s where she’ll be. If I get out of this alive, I’ll come find her.

Is there anything else?

And tell her I love her. John ruffled the mechanimal’s ears one last time. It’s at least a day’s journey from here. Have you enough clicks?

Malkin nodded.

Take your winder anyway. John produced a tarnished key on a chain and hung it around the fox’s neck, next to the pouch. Though heaven knows who’ll wind you if I’m not there.

Thank you, John. Malkin stepped into the escape pod and curled up on the seat. By all that ticks, I hope to see you again.

And I you, old friend. John shut the door. With a clatter and hum the pod bay doors opened, and in a jolt, the pod was free.

As John watched it through the open hatch, shrinking away in the sky, an image of his daughter, Lily, flashed into his mind. If only he could see her one last time. Tell her the truth about the past. He should’ve done it long ago, but he’d not been brave enough. Now Malkin would have to take care of things. Everything was in the letter.

Another harpoon smashed through Dragonfly’s hull, and whirring saw blades cut through the steel ribs, ripping cracks in the ship’s tin chest. In a jagged screech,

the cracks were wrenched into a doorway, and two silhouetted figures appeared. Their silver eyes glinted

in the light. The thinner of the figures raised a stick with a skull handle, then John felt a blinding shaft of pain, and everything went black…

CHAPTER 1

L

ily wrinkled her freckled nose as she trudged along

at the back of the line of girls. With each step, her heart beat hard in her chest, and her green eyes flicked across the dog-eared pages of her beloved penny dreadful hidden inside her schoolbook.

She was enjoying a particularly gory scene in Varney the Vampyre Versus the Air-Pirates, where Varney had captured the heroine in the disused attic of an Italian boarding school and was preparing to feast on her

blood.

Lily had her pencil poised to mark up the gruesomest passages of the magazine, so she could reread them later at her leisure. Another dubious volume, balanced on the crown of her head, wobbled with each step, but she didn’t let it distract her from Varney.

Heads up! Eyes straight! With one copy of The Oxford Guide to Perfect Poise balanced on her head, Mrs. McKracken, Lily’s middle-aged deportment teacher,

led the gaggle of girls in a circle around the Great Hall, her flat feet slapping across the polished wooden floor. The Kraken, Lily called her—though never to her face, that would be far too risky.

The Kraken was somewhat obsessed with posture.

As for Lily, she barely gave it a second thought. In her opinion it was better to read books than balance them. That’s what they were designed for, after all. And if you wanted to wear something on your head there was a perfectly good item designed for that too. It was called

a hat.

Lily sneaked a brief glance at the other girls in her class. At the front of the line, Miss Lucretia Blackwell had her prim nose stuck in the air and three copies of Sensible Etiquette for the Best Occasions balanced on her perfectly coiffed hair.

Second came Miss Alice Harvey, who had seven copies of Butterwick’s Guide to Better Manners balanced on her doughnut plait. With that monstrous hair-buncle, it was no surprise she never dropped a single copy.

Miss Gemma Ruddle was next. She had four precarious copies of The Ladies’ Manual of Politeness balanced and would stop after each step and pretend to scratch her ear so she could adjust her leaning tower

of literature.

Lily had long ago noticed the other girls never read

in posture class. It seemed thinking and walking simultaneously was too difficult for them. She doubted

a single important thought ever floated through their minds. If Spring-Heeled Jack, or Varney the Vampyre,

or the air-pirates, or any of the other blackguards

who roamed England, ever caught any of those girls in

a dark alley they’d be dead for sure. Dead before they’d practiced their conversational French, dead before they’d politely discussed the weather, or asked Tea or coffee? In short, dead before their perfectly poised bodies struck the cobbles. And what use was deportment to one dead? No use. No use whatsoever.

Stop! the Kraken yelled and one by one the girls stopped in a neat line behind her. All except Lily who, having failed to notice her untied shoelaces, tripped, stepped on Gemma’s foot, and fell.

Ouch! Gemma staggered forward, clutching at Alice to try and keep her balance, but in vain; her four copies of The Ladies’ Manual of Politeness slipped from her head.

Careful! Alice cried, dropping seven copies of Butterwick’s Guide to Better Manners.

Thud-thud-thud-thud-thud-thud… Thud.

Lucretia wobbled from side to side, grasping at the top of her head, but she was too late. Three copies of Sensible Etiquette for the Best Occasions slipped from her brow and scattered at her feet in a crash of fluttering pages.

Why don’t you pay attention, you galumphing lump? the Kraken shouted. What’ve you got to say for yourself?

Lily gazed up from the sea of fallen books. Was the woman talking to her? Sorry? she tried.

The Kraken huffed. "I said: WHAT-HAVE-YOU-GOT-TO-SAY-FOR-YOURSELF? Oh, never mind." She took The Oxford Guide to Perfect Poise from her head and threw it at Lily, who ducked as the heavy volume glanced past her ear.

You’ve been reading. You’re not allowed to read in my class—

I thought—

And no thinking either. The Kraken folded her arms across her chest. She’d turned a most putrid shade of puce; it perfectly matched her purple dress. Perhaps it was her tight corsets that made her face flush so?

The bell rang and the other girls scrabbled across the floor, grabbing their books and slamming them shut. They piled the volumes on the Kraken’s desk and lined up against the wall, waiting for the signal to leave.

You may go, the Kraken said, waving them off with a hand, and the crocodile of young ladies filed out, whispering maliciously to one another. Lily dusted down her tights and stood to join them.

Not you, Miss Grantham. I want words with you. The Kraken waddled towards her. Why is it you think you can ignore my lessons in favor of these tall tales? She plucked the schoolbook from Lily’s hands and examined the gory magazine hidden inside its pages, paying particular attention to the image of a bloody corpse with bat wings.

Where on earth did you get this balderdash?

Papa sent it in his last care package, Miss. He knows I like the penny dreadfuls.

Does he indeed? The Kraken looked unimpressed.

Lily continued. He believes one should read a lot wider than deportment manuals if one plans to get an exceptional education. Don’t you agree?

The Kraken weighed the magazine in her hand. No, she said. I don’t. Besides, this sort of bunkum is not approved of by the academy. It has no educational value.

It teaches piracy and air combat.

And what young lady needs to know that? The Kraken took a deep breath. No. I’m afraid, Miss Grantham, I have to confiscate it. And if you’ve any similar stories, you’d better hand them over right away.

Lily shrugged. "I don’t have a single other magazine of

that kind."

Nonsense. You’ve one there.

I beg your pardon? Where?

The one you’re hiding.

The Kraken craned her neck, trying to see what Lily had behind her back. Lily passed the magazine from her left hand to her right. I don’t know what you mean.

Give it to me. The Kraken held out her shovel of

a palm.

Fine. Lily glowered, handing over Spring-Heeled Jack and the Blackguards.

There. That wasn’t so hard, was it? The Kraken wedged both magazines under her sweaty armpit.

No, Ma’am.

Good. The Kraken handed Lily back her schoolbook. Remember, she said, wagging a single finger, if you’ve any more of these dreadful things you can be sure I’ll find them. Now, run along. You don’t want to be late for your next lesson. And straighten your pinny, it’s wrinkled as an elephant’s ear.

Yes, Ma’am. Good afternoon, Ma’am. Lily brushed at her creased pinny with ink-stained fingers and gave the Kraken a curtsy, but when the woman returned to her desk, Lily stuck her tongue out at her broad

retreating backside. Then, with as much poise as she could muster, she flounced to the door and hurried off down the passage.

Miss Octavia Scrimshaw’s Finishing Academy for Young Ladies was a cluster of wind-blown red-brick buildings that stood in a wild corner of England. The school was proud to proclaim its elegant reputation in the society papers under a scrolled coat of arms, but the truth was its reputation, like the buildings themselves, had steadily crumbled over the years and now was badly in need

of repair.

Lily’s father had chosen to send her to the school after she’d frustrated a number of governesses. His main criterion: It was out of the way and no one there would ask questions about her. He’d even given her a false surname: Grantham—a combination of G for Grace (from her mother), and Hartman—their real surname. He never explained why, or what he was trying to hide her from, but since the time of Mama’s death he’d become preoccupied with keeping Lily’s whereabouts

a secret, even moving them from London to deep in the countryside. Lily suspected he was just a natural born worrier, though he still insisted she have the life of a normal well-bred Victorian young lady.

The trouble was, Lily reflected, as she sneaked up the last set of stairs to the girls’ dormitory, she didn’t want the life of a well-bred Victorian young lady, she wanted the life of an air-pirate.

Which was why, after her run-in with the Kraken, she decided to skip French conversation class and hide her remaining stash of penny dreadfuls before they were confiscated or worse, destroyed—like every other vaguely interesting or illicit thing in this institution.

The dormitory door was locked, but she knew how to deal with that. She took a hairpin from her bun of red hair, straightened it in her teeth, and popped it in the keyhole. Then she wiggled the pin about, while turning the doorknob. It was a trick she’d practiced many times, first learned from The Notorious Jack Door: Escapologist and Thief Extraordinaire—the book, not the man himself. Although she wouldn’t have minded having a few words with him about advanced lock-picking if they ever bumped into one another. Anyway, according to Jack,

all you had to do was listen for the—

Click!

There it was. Quietly, Lily pulled open the door and crept into the dormitory, her boots squeaking across the floorboards. Ticking radiators warmed the room, and Lily heard the voices of the other girls chanting French verbs in the downstairs classroom. A pale November sun hung above the opposite buildings, sneaking occasional beams of light in through the frost-covered windows to caress her face.

Lily stopped beside her bed and pulled her penny dreadfuls from the drawer of her side table; she was about to push them under her mattress when she heard a faint muffled sobbing.

She glanced about. It seemed the dorm wasn’t empty after all. Through a thin dividing curtain at the end of the row of beds, Lily glimpsed the silhouette of a hunched figure sitting on the corner of a mattress. She walked over and peered round the edge of the drape to find Molly Tarnish, the mechanical maid, sitting, softly crying to herself, her metal shoulders shaking beneath her starched white pinny. Beyond her, the door to the servants’ staircase stood ajar.

Molly raised her head and snuffled away an oily tear. Sorry, Miss. I didn’t hear you come in. I should probably go.

Oh, no need, Lily said. "I’m not supposed to be

here either." She pulled a grubby handkerchief from her sleeve and handed it to Molly, who blew her nose with

a sound as loud as a steamhorn.

Thank you, Molly mumbled, returning the hanky to Lily.

Please, pay it no mind. Lily stuffed the damp rag, now covered in engine oil, back into her blouse sleeve. But whatever’s the matter?

Molly held up a bright pink sheet from a pile behind her. I put these in the washer with the school blazers and they all changed color. Miss Scrimshaw’s going to kill me when she finds out. She’ll have me sent down to the cog-and-bone merchants. Or worse, she’ll strip my parts and melt me down like poor old Elsie. Molly burst into more inconsolable tears.

Lily patted her back. Don’t cry, Moll. We’ll think of something. Maybe I could write to the school board on your behalf?

Molly gave another choking sob. Oh, please, Miss, don’t get them involved, I beg you.

Well, all right then. Lily examined the row of

iron bedsteads, thinking. I know, she said, "why don’t we use your dyed sheets on the bottom of the beds,

then we can use the old white ones as top sheets to

hide them?"

Molly sniffed. D’you really think so?

I don’t see why not, Lily replied. Come on. She unfolded a pink sheet and pulled the covers off the nearest bed. Molly watched her for a moment, then stood to help.

Working together, it didn’t take them long to change the majority of the beds, and once the blankets were on you could hardly tell the bottom sheets had been dyed the wrong color. They’d nearly finished, and were making up the last mattress at the top of the dormitory, when a noise made them both whirl round.

Alice Harvey was standing in the doorway with Lucretia Blackwell, their faces scrunched into sneers.

Look, Miss Harvey, Lucretia said. Lily’s helping the help.

What are you doing here? Lily asked.

Madame Laroux told us to bring you to class, Alice replied. "We’re doing chapter twenty-two in The Art of Making Polite Conversation in French."

I’m not coming, Lily told her. I don’t feel like it. Anyway, Madame wouldn’t know polite conversation if it bit her on the behind. She threw a sideways glance

at Molly, who bowed her head and stifled a wheezing laugh.

How dare you! Lucretia grabbed the last of the sheets from Molly, and threw them on the floor. Look what you’ve done, you stupid mech, you’ve dyed them pink!

I’m sorry, Miss, Molly mumbled back.

Lily balled her fists. Why don’t you leave her alone? she said, stepping forward to shield Molly from the two girls.

What business is it of yours? Alice asked.

She’s a friend of mine.

"She? SHE? Lucretia folded her arms across her chest and gave a disdainful laugh. It’s not alive, Lily. Mechs aren’t living."

Besides, Alice scuttled closer to Lucretia, everyone knows mechs and humans can’t be friends. Mechs have no feelings.

Lily sighed. It was exhausting dealing with such idiots. Don’t be ridiculous, she told them. Of course they have feelings. They’re no different than you or me.

Lucretia tutted at her. Oh, Lily, Lily, how wrong you are. Let me show you. She whipped out a hand and struck Molly round the head.

Molly’s eyes flared, but she didn’t respond.

You see? Lucretia said. It didn’t even flinch.

Creakily, Molly rubbed her head. She bent down

and gathered her dropped sheets and stepped to the servants’ door. Please, Misses, don’t fight on my account. I am sorry, but I must go. I’ve work to do.

Go then, mech, Lucretia spat. Run along, before you’re thrown on the scrap heap. She smiled

triumphantly at Alice.

Lily had never wanted to hit anyone so much—she could barely stop herself. But she did, because she’d made a promise to Papa to behave, and behaving meant not causing trouble. Even so, as she ground her teeth and watched Molly hurry from the room, the anger ticked away inside her chest, threatening to explode.

Lucretia gave a haughty snigger, and Alice joined in.

Finally, Lily could take it no more—there was not causing trouble, and then there was standing up for what was right. Because mechanicals deserved to be treated like anyone else.

Listen, you pair of simpering, fat-headed dolts,

she said, "if you ever speak to Molly that way again

I’ll…I’ll…"

You’ll what? Alice sneered. "Don’t you threaten

me."

Lily bit her lip and thought better of her reply. Alice broke into a

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Reviews

What people think about Cogheart

3.2
25 ratings / 2 Reviews
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Reader reviews

  • (4/5)
    I really liked Cogheart. While I may be a little biased by my fondness for the steampunk aesthetic, I felt that it was a really well written book for younger readers. The setting is wonderful. It paints a picture of an alternative Victorian London, where Kings Cross station has an airship dock and humans live alongside both mechanicals and mechanimals, both of which run on clockwork. While the world building is strong, it's never too heavy to deter a pre-teen reader and there's even a brief glossary at the back to explain concepts that a young reader may be unfamiliar with, such as perpetual motion machines and penny dreadfuls.The story is quick to begin and filled with exciting chases and air piracy. While I did feel that it slowed down a little towards the middle, the climatic fight atop Big Ben was truly thrilling and the mystery builds well throughout the story, leaving enough clues that an eagle-eyed reader may guess the identity of the villain while still taking its audience's intelligence very seriously. The novel is apparently intended to be the first part of a series but still stands alone very well, leaving most loose ends neatly tied up.Yet the dialogue in the novel never read quite right. It often came across as being forced and melodramatic, with characters often breaking into lengthy detailed and inspirational monologues that just didn't come across as natural speech. While I liked lighthearted way that the book was written, this didn't really carry across into the way that the characters interacted with each other.Yet I did feel that some of the characterisation was a bit lacking. Most of the protagonists felt a little flat, their motivations not really fleshed out in full. For example, Robert's fears never play much into the story. Despite it being established that he's terrified of heights, he barely hesitates when swinging between airships. Similarly, Anna is surprisingly passive given her incredible profession. She's a female reporter, aviator and writer of penny dreadfuls in Victorian London. Why does she not get more invested in the chance to live out her air pirate fantasies?I was also ultimately a little disappointed by Lily. While she started out the novel incredibly strong yet ultimately did need to be rescued from the villain by the male characters. I was also surprised that her discoveries over the climax didn't seem to really affect her at all. I mean, the villain's motivation actually turned out to be pretty damn strong. He had a really legitimate reason for wanting revenge against Lily's family. Yet she did not seem to acknowledge this at all.All in all, I did enjoy Cogheart and would recommend it. It was really only let down by some clumsy dialogue and flat characterisation. It was still an exciting read with some great world building and I'm sure that young science fiction fans will love it.
  • (4/5)
    If Joan Aiken had written steampunk it would have been rather like this. That is very high praise indeed, and I think that Cogheart deserves it. Aiken first came to mind with the character of Madame Verdigris the sinister housekeeper, who certainly owes a few traits to Miss Slighcarp. Lily is as feisty a heroine as Bonnie, and the action trips along nicely with suitable period touches which are also very reminiscent of Aiken's not-quite historical England.Airships, hybrid villans and automata make this a definitely alternative Victorian setting, and they are nicely bedded in, feeling quite natural in the world of the novel. The growing trust between Lily and Robert is handled well, and the irresisitible fox, Malkin, is simply - irresistible.I liked the inclusion of the Dictionary of curious words, and the attractive chapter headings. I'm looking forward to the next instalment - Moonrocket - and sincerely hoping that we'll find out what happened to Robert's mysterious mother...