Mrs. Dot: A Farce
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W. Somerset Maugham
William Somerset Maugham was born in Paris, on January 25th, 1874. Orphaned by the age of ten, he moved to England to live with an uncle. He received his education in England and Germany, studying medicine and graduating as a physician.Eschewing his education, Maugham instead became a full-time writer. His first novel, Liza of Lambeth, was published in 1897, but he soon established his reputation as a successful playwright. In time he wrote 32 plays, and abandoned the theater scene by 1933.He wrote nineteen novels, of which Of Human Bondage (1915), The Moon and Sixpence (1919), The Painted Veil (1925), Cakes and Ale (1930), and The Razor's Edge (1944), are considered classics of early 20th century literature.Maugham was a restless and inquisitive soul, and his travels and his sympathies with the working class often formed the basis of characters and settings. Maugham also had a tendency to insert auto-biographical aspects into his work, most infamously in the Ashenden stories, based on his time with the British Secret Service during WWI.Throughout his life, Maugham faced many personal challenges. Romantic struggles and speculation of his sexual identity were only exacerbated publicly by his popularity amongst readers. He had an extended affair with Syrie Wellcome, who gave birth to his only child, May Elizabeth "Liza," in 1915, formalizing their relationship by marriage in 1917. Maugham's relationship with Frederick Gerald Haxton-his long-standing secretary/companion-& constant traveling, eventually caused a rift in the marriage, ending in divorce in 1929.He experienced great financial success with his works, many of which were adapted for radio, stage, film & TV; though the same could not be said for critical approval amongst the literary community, which was uneven at best. He died December 16th 1965, in Nice, France.In his later years, Maugham continued to beguile critics and fans alike-as author Pico Iyer writes, "The riddle he presents us with is how a stammering, conventional-seeming Edwardian, writing in civil service prose, could somehow become the spokesman of hippies, black magicians and stockbrokers throwing it all over for Tahiti. His books are measured explorations of extravagance."
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Mrs. Dot - W. Somerset Maugham
W. Somerset Maugham
Mrs. Dot: A Farce
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664606402
Table of Contents
Mrs. Dot
MRS. DOT
CHARACTERS
MRS. DOT
THE FIRST ACT
THE SECOND ACT
THE THIRD ACT
Mrs. Dot
Table of Contents
A FARCE
In Three Acts
By W. S. MAUGHAM
LONDON: WILLIAM HEINEMANN
MCMXII
All rights reserved
This play, originally called Worthley’s Entire, was produced at the Comedy Theatre on April 26, 1908, with the following cast:
MRS. DOT
Table of Contents
CHARACTERS
Table of Contents
Time
: The present day
Act I
—Gerald’s rooms in Grafton Street
Acts II
and III—Mrs. Worthley’s house on the river
The Performing Rights of this play are fully protected, and permission to perform it, whether by Amateurs or Professionals, must be obtained in advance from the author’s Sole Agent, R. Golding Bright, 20 Green Street, Leicester Square, London, W.C., from whom all particulars can be obtained.
MRS. DOT
Table of Contents
THE FIRST ACT
Table of Contents
Scene
:
Gerald’s
rooms in Grafton Street. A man’s room, pleasantly furnished, with very comfortable arm-chairs, and prints on the walls. Books are lying about, and smoking utensils.
Charles
,
Gerald Halstane’s
servant, opens the door.
Mr. Wright
comes in, a dapper young man, smartly dressed.
Charles.
There, you can see for yourself that Mr. Halstane is not at home.
Mr. Wright.
Very well, I’ll wait for him.
Charles.
You’ll have to wait till midnight, because I don’t expect him in.
Mr. Wright.
Last time I came you said he’d be back in half an hour, and when I returned you said he’d just gone out. You don’t catch me napping a second time.
Charles.
The governor don’t take impertinence lying down, Mr. Wright, and he’ll look upon it as a great liberty your dunning him in this way.
Mr. Wright.
I don’t know about taking impertinence, but he’ll have to take a summons if my account is not settled at once.
[There is a ring at the bell.
Charles.
[Ironically.] Make yourself quite at home, won’t you?
Mr. Wright.
Thank you. I will.
[
Charles
goes out and leaves the door open so that the conversation with
Rixon
, the solicitor, is heard.
Rixon.
[Outside.] Is Mr. Halstane in?
Charles.
No, sir. He’s gone to his club.
Rixon.
Well, I’ll ring him up. I must see him on a matter of the very greatest importance. You’re on the telephone, aren’t you?
Charles.
Yes, sir. But there’s a person waiting to see him.
Rixon.
[Coming in.] Oh, never mind.
[
Rixon
is a short, rubicund man, with white whiskers and a hearty manner.
Mr. Wright.
[Going towards him.] Mr. Rixon. [
Rixon
looks at him without recognising him.] Don’t you remember me, sir? I’m the junior partner in Andrews and Wright.
Rixon.
Of course I do. I saw your father on business the other day. [To
Charles
.] Where’s the telephone book?
Charles.
I’ll just go and fetch it, sir. Mr. Halstane lent it to the gentleman upstairs.
Rixon.
Be as quick as you can.
[
Charles
goes out.
Rixon.
[To
Mr. Wright
.] What are you doing here?
Mr. Wright.
Well, the fact is, we’ve got a very large account with Halstane, and I’m told he’s in queer street. I want to get the money before the crash comes.
Rixon.
Queer street? The man’s just come into seven thousand a year.
Mr. Wright.
What!
Rixon.
That’s why I’m running all over the place to find him. You know he’s a relation of the Hollingtons. I was at her ladyship’s not half an hour ago—the Dowager, you know—my firm has acted for the whole family for the last hundred years. Well, I’d hardly arrived before a message came from the War Office to say that her grandson, the present lord, had been killed in India. So as soon as I could, I bolted round here. Mr. Halstane is the next heir, and he comes into seven thousand a year and the title.
Mr. Wright.
My gracious, that’s a piece of luck.
Rixon.
I don’t mind telling you now that he’d pretty well come to the end of his tether. Your money was all right because he’d have paid everything up, but he wouldn’t have had much left.
Mr. Wright.
Of course he doesn’t know anything about this yet?
Rixon.
Not a word. For all he knows, he’s a ruined man, and here am I trying to get him on the telephone to tell him he’s come into a peerage and a very handsome income.
[
Charles
enters with the telephone book.
Charles.
7869 Gerrard, sir.
Rixon.
Thanks.
[He rings up and asks for the number.
Rixon.
7869 Gerrard, please, Miss.... What? Confound it, the line’s engaged.... I must go round to his club in a cab. I suppose you don’t want to wait here now, Wright?
Mr. Wright.
No, sir. I’ll get back to the shop.
Charles.
I ’ope you’ll suit your own convenience, sir. [
Charles
shows them out and comes back.] I don’t know what these tradespeople are coming to when they expect gentlemen to pay their bills.
[He seats himself in the most comfortable chair in the room and puts his feet on the table. His back is to the door. The newspaper is lying by his side. He shuts his eyes and dozes.
[
Gerald
enters silently, followed immediately by
Blenkinsop
and
Freddie Perkins
.
[
Gerald
is a handsome man of seven or eight and twenty, simple in his manners, carefully dressed but without exaggeration.
Freddie
is a vivacious boy of two and twenty,
Blenkinsop
is an old bachelor of five and forty; he is well-preserved and takes a good deal of care of his appearance. He is dressed in the height of fashion.
[For a moment they look silently at
Charles
, who wakes with a start and jumps up in confusion.
Charles.
I beg your pardon, sir; I didn’t hear you come in.
Gerald.
[With an ironical politeness which he preserves during all his remarks to
Charles
.] Pray don’t let us disturb you. I shall never forgive myself if I think I’ve interrupted your nap.
Charles.
Shall I take your hat, sir?
Gerald.
It’s very kind of you. I shouldn’t like you to put yourself out.
Freddie.
[Sitting down.] By Jove, what a ripping chair! No wonder that Charles went to sleep.
Charles.
Mr. Rixon