From the Publisher
From the Hardcover edition.
THE PALACE THEATRE IN LONDON’S West End has seen many hits over the years, Les Misérables among them. But surely nothing can compare to the hysteria surrounding its latest tenant, Harry Potter and the Cursed Child, the eighth installment of the saga.
FAIRY TALES USUALLY INVOLVE A happily-ever-after, and Ransom Riggs and Tahereh Mafi’s love story is no exception. Riggs, 37, and Mafi, 28, were already best-selling writers when they met: he is the author of the Miss Peregrine’s Home for Peculiar Ch
SARAH BEGLEY THE MURDER OF AISLINN MURRAY LOOKS LIKE A BIG OPPORTUNITY for Detective Antoinette Conway. She usually covers domestic disputes turned fatal, with clear perpetrators. This one is different. The victim in Tana French’s new novel, The Tre
To CHIGOZIE OBIOMA, there is more to writing fiction than crafting engaging characters and plots. Writers, he says, have an opportunity to assess and critique the world in which they live. The 2015 Global Thinker’s debut novel, The Fishermen, is a do
RADHIKA JONES THE PARTY SCENE THAT OPENS Ann Patchett’s new novel unspools like a home movie. A lawyer from the L.A. district attorney’s office, Albert Cousins, crashes the christening celebration of baby Frances, second daughter of L.A. cop Fix Kea
KIRSTEN SALYER THE BOOKS WE READ WHEN WE’RE young have a special sort of power: they can inspire us to be brave and resilient (Matilda by Roald Dahl), take us on thrilling adventures (Divergent by Veronica Roth) and even introduce us to tragedy (The
It’s been five years since Daniel Radcliffe retired Harry Potter’s wand, and the 26-year-old’s grown-up career is going strong. He stars as a surprisingly emotional dead guy (just go with it) in the new movie Swiss Army Man and as a lonely New Yorker
BIG-NAME BOOK RELEASES ARE typically greeted with fanfare and enthusiasm. Midnight Harry Potter release parties? Sure. International book tours that keep authors on the road for months? Yep. The dual publication of Elena Ferrante’s Frantumaglia, her
SARAH BEGLEY IN THE WORLD OF MIDDLE-SCHOOL literature, the how-I-spent-my-summer novel is a genre, and the how-I-spent-my-summer-with-my-grandparents novel its subgenre—Richard Peck’s A Long Way From Chicago and Sharon Creech’s Walk Two Moons are cl
SADIE STEIN ENDINGS ARE VERY, VERY HARD—the greater question is less why books disappoint than why any succeed. Each of these is a good book written by someone of great skill who, for whatever reason, choked, rushed, or otherwise ran a narrative off
Let’s start from the beginning (the Western beginning, anyway).
What hath technology wrought for plot devices? It’s disrupted quite a few.
S.B. Like many of his novels, Spanish author Javier Marías’ new book, Thus Bad Begins, isn’t exactly a mystery, though it is mysterious. Here, the 65-year-old perennial Nobel favorite tells the story of Juan de Vere, a young man working for a film d
ELIZA BERMAN IT’S BEEN 12 YEARS SINCE WE LAST SAW RENÉE Zellweger as Bridget Jones, instructing Colin Firth’s Mark Darcy to please propose after two movies’ worth of indecision. When she returns in Bridget Jones’s Baby, the third chapter in the film
A new edition of The Electric Kool-Aid Acid Test gives a peek into Tom Wolfe’s writing process.
A.S. Kristy’s Great Idea 1986 While you could start mid-series and figure out what’s going on pretty easily, Martin’s BSC debut lets you see her characters at their purest. We get a first hint of Claudia’s fashion sense, Stacey’s diabetes is reveal
SARAH BEGLEY ADULTS TEND TO FRET about how kids will handle the death of a loved one. How much can they understand about permanence? What should they be told about the possibility of an afterlife? How will they move on? The children’s books that st
His The Nix is the season’s splashiest debut novel.
Cookbooks' resurgence in popularity reflects a broadening of our food culture, spurred by the rise of food TV.
The D.C.-born, New York City–dwelling Alam took “Write what you know” and tipped it sideways for his fun but trenchant summer novel, Rich and Pretty, starring two young women, lots of beautiful furniture and our notions of class
FOR 60-PLUS YEARS, the Paris Review has asked writers just what they do every day. Judging from the excerpts below, a whole lot of them spend their time thinking—and arguing—about plot.
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