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82697370-Makhuzine5

82697370-Makhuzine5

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Published by Brook Brooke

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Published by: Brook Brooke on Jul 17, 2012
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11/13/2013

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asks for a certain environment in which to establish an artistic

production and to organize that production. From this perspective,

the process is very important, since isolating works of art is rather

unproductive. Conversely, it is interesting for most artworks to

demonstrate the stages, the variations, and how the final form has

been chosen. During the process of production, feedback, i.e. a

critical confrontation with other voices, is crucial so that making art

3 – 4 EDITORIAL

A CERTAIN MA-NESS

5 – 6 OPENING: A CERTAIN MA-NESS

WILLEM DE GREEF

7 – 13 UNDER PRESSURE

UTE META BAUER

14 – 22 IS IT POSSIBLE TO MAP…?

CLEMENTINE DELLIS

23 – 27 POSING SINGULARITY

JAN VERWOERT

28 – 32 ROOM FOR THOUGHT

SIMON SHEIKH

33 – 40 UNCERTAIN MA-NESS

MICK WILSON

41 – 43 ANTHROPOLOGICAL LABORATORY

BART VERSCHAFFEL

RESEARCH REPORT

44 – 46 UTRECHT CONSORTIUM

48 COLOFON

itself becomes part of a complex process. Therefore, communication is

immensely important. The work of art has to be addressed somehow

in the community of people working on meanings, belonging to

the culture in an anthropological sense. As a criterium for this,

there is what I would call the degree of condensation in the work

of art. The miracle of an art work is precisely that the artist spends

a year creating it, whereas the spectator can experience it in just a

few minutes. The great gift of cultural production is that the entire

process of creation is condensed in a transmittable form. Thus, in a

few minutes you can understand what the artist intends from a year of

concentration and production.

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