.9l.6out the .9!

uthor:
Carroll "Poke" Runyon describes
himself as "A Gentleman of The Old
School" which he defines as, "One who
recites classical poetry to heartless
beauties while wrestling alligators." He
has lived out his Neo-Romantic philos-
ophy as a Captain in the Green Berets,
a student of Ninjutsu, a blue-water
sailor, a scuba-diver, an internationally
published novelist and author of adven-
ture stories in the legendary ARGOSY
magazine. For more than thirty years he
has been a leading figure in the revival
of ceremonial magick as Western civi-
lization's spiritual counterpart to
Eastern mysticism and native American
shamanism.
His background in occult study and practice is extensive: in 1970 he
became the founder-magister of the Ordo Templi Astartes, which is now
America's oldest continually operating ritual magick lodge. In 1980 Runyon
received his Master's Degree in cultural anthropology from California State
University at Northridge, specializing in magick. After graduate school he
took all the degrees of Freemasonry in both the Scottish and York Rites.
He then undertook an intense series of Tibetan tantric initiations and
training sessions under the direction of H.E. Luding Khen Rinpoche of the
Sakya Order, mastering the Vajra Yogini (Goddess of the Sorcerers) system.
Runyon later received the Kalachakra initiation from H.H. The Dalai Lama.
His articles on Magick and the Western Tradition have appeared in
Gnostica magazine and his Church's journal, The Seventh Ray. Runyon's
most noted contribution to the post W.W. IT occult revival has been his redis-
covery and subsequent development of the facial reflection/distortion dark
mirror skrying method for magical evocation. In 1974 he appeared as a guest
on the Tom Snyder t.v. show, narrating film footage of O.T.A. magical opera-
tions. Through his Church (The Church of the Hermetic Sciences, Inc.),
Runyon has written, produced and narrated a video entitled: The Magick of
Solomon that dramatically demonstrates the unique and powerful spiritual
development system described in The Book of Solomon's Magick. Most
recently he has produced a video documentary of an actual Goetic magical
operation, Dark Mirror of Magick, with remarkable prophetic results in our
troubled times.
Jiow to f4.ngefs into the Crusta!
anaT,voR!- Spirits to o/isibfe f4.ppearance
in the Dark; Mirror
by

Silverado, California
\
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I
I
i

@ C.H.: ••
q'a6fe ofContents
Pronouncement 1.
Introduction. 2.
Part One: rIfie Jiistory ana'Ifieory ofSolomon/s Magide
Chapter One: Jiypnosis ana90ga 10.
Chapter 'Iuio: 'Ihe Secret of the 'DarkMirror. 24.
Chapter 'Ihree: Faiien. 5!Lnge!sIPagan (jodS 39.
Chapter !Four: :die Secret of tfze JioEg eraEfe .47.
Chapter !Five: :die 1(jl.bbafah ofWizarary 56.
Chapter Sit(; :die !iI.refiitecture ofOur Magica{System 69.
Chapter Seven: /Ihe Ba'a!-- 52l.starte Mytfws 8O.
Chapter 'Eight: !iI.rabian Origins ofMagic.k anaWitcfu:raft 87.
Chapter :J{jne: The Hermetic. Caduceus 93.
Chapter Ten: Solomon's 100.
PartTwo: rIfie Practice ofSolomon's Magic(
Chapter 'Eieuen: Pentagram aniSeptagram 2?jtuafs l07.
Chapter 'Itaeiue: Invocation anti'Evocation 2?jtuafs 116.
Chapter 'Thirteen: 'Ihe 'Evocation of 9{ft!iaeL 12 7.
rrIie (joetia ofSolomon. the'l(j11tJ 136.
rrIie Seventg-erwo Spirits of the Brass o/esseL 144.
(joetia 9{ufers of the Quarters 181.
J?Lngefs of theSchemhamephorash. 183.
J?Lppenai't 1. (joetia Spirits !R.f.ctifieti. 192.
5!Lppenai't2. Chart antiMagic.a{J?L{phabet 193.
!iI.ppenai;(3. Magic.a{'Iemple !Furniture ana'Equipment 195.
!iI.ppenai;( 4. 'Documentary 'E'thibits --.9lfmaaef Sefiemfiamephorash
Ms.[acsimiie, !/{esearefi Paper:
1(abEarah anaMeaieva{Magic.( 204.
5!Lppenai',\.5. Stucfy (juiae anatJ3i6{iograpfty 222.
COWT prates: r:l!ie !Four 5!Lrefiangefs prec.etiirrgpage O.
'Ihe Master Manaara fo«Owing page 232.
O.
Pronouncement
IN THE YEAR 1969 I went through a near-death experience that
brought on an altered state of consciousness during which I rediscov-
ered a lost secret of Western Ritual Magick. I learned how to summon
the seventy-two spirits of King Solomon's legendary Brass Vessel to
visible appearance in the Dark Mirror on the Triangle of Art. This
book, and our accompanying video, THE MAGICK OF SOLOMON,
demonstrate and properly teach this secret method for the first time.
Inspired by the rediscovery of this GOETIC method of practice, I was
further enabled to recover the technique of Angelic Crystal Invocation
from the ancient book ALMADEL. I was then led to rectify this essen-
tial LEMEGETON sub-system with the seventy-two Angels of the
SHEMHAMEPHORASH and link them to their seventy-two demonic
counterparts in the GOETIA. This produced a spiritually balanced, the-
oretically elegant and astrologically coordinated scheme of practice
that was compatible with modem theories of Jungian psychology.
Students who have struggled for years to visualize these entities and to
make sense of the confused and even contradictory instructions in the
LEMEGETON will be delighted to finally discover operative methods
that really work within a theoretical framework that emulates the
impeccable celestial models of the Renaissance magi. Newcomers,
starting with our system, may very well wonder what was so difficult
about all of this in the first place ?
If this is so, then I have succeeded in my task. ..
And So Mote it Be!
Magister Thabion
1
Was notSoiomon calleda wise andeven WizardXjng?
Who didconfine noo-and-seoentu re6e[[ious spirits
In the o/esseCofBrass; metalof tlie Spliere :Jv{ercuria[
Witfi masterg ofBrazen. sfiieCtf anaSuordof Iron -
Viafie not carrthem toappear in the rrriangfe ofhis Jl.rt?
Lea6y thefirst of their number, Lord-Cfoutf-!RjaeTj
Wliereafter Solomon. aia6uiUl a'Iemple to fJ3a'ats Consort,
rffze !fair .9lstarte. . .
from Curt of the Sangrea[6y 'Ihabion.
Introduction:
T
HIS IS A THEORETICAL AND PRACTICAL handbook of
Ceremonial Magick that is different from any you've ever
read. The magick this book teaches was reconstructed and
rectified from authentic ancient sources, re-interpreted in modem psy-
chological terms and brought to life by powerful hypnotic techniques.
This system was developed by and for imaginative people who are not
natural psychics. I have written The Book of Solomon ~ Magick for
those special individuals in the broader Neo-Romantic Community
who seek the ultimate spiritual-intellectual adventure. If you have ever
yearned to be a wizard or an enchantress in the grand old
medieval/Renaissance tradition, but were put-off by the bric-a-brac of
"Victorian Occultism" while finding yourself underwhelmed by the
2
current Neo-Pagan and New Age alternatives, then this is the book for
you. I.
This book - and our accompanying video, The Magick of
Solomon - will show you how to invoke Holy Angels and then sum-
mon ancient Goddesses, Gods, Fallen Angels and even hell-bound
demons to visible appearance. You will be in direct communication
with these mighty beings. The methods I will teach you are absolute-
ly authentic and remarkably effective.
Before we go any further I want to make two things very clear:
first, I am not going insult your intelligence by providing you with an
over-simplified "cook book" filled with nothing but training exercises,
skrying techniques and warmed-over rituals culled from 19th century
sources. Certainly the training exercises for our special invocation &
evocation methods, the rituals, the practical information and the ref-
erences you will need are all here - but I am also giving you the his-
tory, the philosophy and the theory behind this powerful system.
There are some forms of shamanism where the practitioner is
permitted to be, or even expected to be, illiterate. Our tradition is
quite the opposite. AWestern magus or, if this term seems too mascu-
line for female readers, an enchantress, is expected to be a person of
knowledge (to paraphrase Carlos Castenada), at least in his or her own
field. Remember that our mythological avatar, King Solomon, was
noted for his wisdom.
With that in mind I sincerely hope that you will find the back-
ground material I've presented on Carl Jung's theories, Hermetic phi-
losophy, Kabbalah, hypnosis and yoga to be too condensed and obvi-
ously introductory. You are expected to consult the works I have rec-
ommended in the study guide. Don't let anyone tell you that you don't
need this knowledge to be a Western magician. You do!
You may also contact me directly. In fact if you are going to
seriously pursue this system, I definitely want to hear from you.
3
Now that we are clear on that there is one other thing I must
warn you about before you begin. If you successfully complete this
program you will not be the same person you were when you started.
Once you have experienced these wonders you may return to the medi-
ocrity of everyday life but your mind and soul will range in realms
beyond. You will be transformed forever into one of The Far-seeing
People. 2. You may never be able to share what you know with those
you love and you may not even wish to. Solomon's Magick opens a
door into the starry gulfs of eternity. Once you have passed through
that door, and it closes behind you, there is no going back. We might
say that the ordinary person knows only the short span from birth to
death while the Magus understands that this life adds one more skull
to a necklace that must eventually be valued like a jeweler would
appraise a string of pearls.
There are very few people who would be willing to pay the price
I paid to learn these ancient, secret methods. In 1969 I nearly lost my
life and my sanity discovering and perfecting these techniques. I am
one of a handful of practicing and teaching magicians in the Western
world. Certainly there are those in our select fraternity who are more
erudite than I am, more qualified in kabbalistic, astrological and
alchemical studies - but the power to summon the spirits to visible
appearance is the mark of the Thaumaturgist . That is the portion of the
Sacred Art which Divine Providence has assigned me to expound and
no one can teach you more about that aspect of Solomon's Magick
than I can.
In recent years this mission has taken on a special urgency
because the ancient secret of conjuration to visible appearance in
Goetic evocation that I rediscovered in 1969 (the Dark Mirror facial-
reflection-distortion phenomenon) has since been pirated, over-sim-
plified, mass-marketed and finally popularized to the level of a OuiJa®
board session. As with the OuiJa board (which was also based on the
rediscovery of an ancient magical secret) commercialization can lead
to frivolous misuse. Without proper training and a knowledge of what
4
you are doing, the use of the powerful Dark Mirror facial reflection-
distortion technique to summon spirits can seem as capricious and
apparently trivial as Mr. Fuld's talking board. Ouija has been called
"The Most Dangerous Game" but that may have to be corrected; liken-
ing the perils of the Talking Board to those of the Dark Mirror is like
comparing a trip to the zoo with a hunting safari in Africa - or fire
crackers with dynamite.
Besides the obvious psychological dangers in popularizing
Goetia there is a deeper spiritual peril involved which the mass mar-
keteers have totally overlooked. Granted, all Goetia spirits are not bad
- some are even good natured - but there are a certain number who
qualify as genuine hell-raking demons and one who is considered to be
the very Devil Himself.
In the Middle Ages and in the Renaissance magicians never used
the Goetia without the strongest spiritual safeguards. They depended
on their faith in God and His Holy Names to protect them when deal-
ing with the rebellious spirits. Today we don't have that vital reservoir
of faith to draw from so we must re-establish our link with the divine
and re-empower our Spiritual Guardians in order to give us a truly bal-
anced magical system. This is why the Angelic Almadel must be
worked in direct conjunction with the Goetia. For this reason I have
gone to considerable lengths to rectify and unify these two basically
complimentary Lemegeton systems.
When you combine the secret of The Dark Mirror with The Lost
Art of Angelic invocation into The Crystal Shewstone, you have
empowered the Magick of Solomon to yield the full measure of its
ancient promise.
Even if you are steeped in the lore of Western occultism and still
have not attained your goal of becoming a magus or enchantress
(because you were not born clairvoyant) this is the book that will
make those dreams come true. Certainly you'll have to work and study,
but if this is the right path for you, the work will be rewarding and the
study will be nourishment for your mind and your soul.
5
I assure you is that there are no drugs, drastic fasting regimens
or dangerous yoga practices involved in this system. Providing you
are in good mental and physical health, are at least eighteen years of
age, and able to understand the concepts and the instructions, you
should have nothing to fear from this program other than the profound
transformation of which you have already been warned.
You will need to master self-hypnosis and develop the ability of
fixed concentration (the yoga of tratakam). Once you have properly
trained yourself, you will be able to perform one of these Grand
Operations of Solomon's Magick in less than an hour's time by your-
self or with friends who have undergone the same training. You will be
able to instruct others and start your own Lodge of Magicians - or
remain a solitary master or mistress of this ancient art. You might even
wish to affiliate with our brothers and sisters of the Ordo Templi
Astartes - America's oldest continually operating ritual magick
lodge - and learn what lies beyond Solomon's Art of Kings. The
choice is entirely yours because I have provided everything you need
to start you off in this book and in our documentary video, The Magick
of Solomon.
But before we begin, let's make sure that we agree on what High
Magick (or Art Magick, to use Max Theon's term) really is and what
sort of people wizards and sorceresses are - or should want to be.
This is very important. First let us state what Magick is not (or should
not) be:--
High Magick does not (or should not) grant the power to domi-
nate and/or exploit others. In spite of its Arabian Nights' glamour we
cannot claim that it will help you win lotteries, sweepstakes or make
big money in the commodities market. Magick should not be thought
of as a push-button technology that directs impersonal energies, nei-
ther should it be used as a personal empowerment system to help one
climb a corporate ladder and dazzle the opposite sex. If conscientious-
ly pursued, the Art should actually achieve the opposite effect by lead-
6
ing you to what you really need rather than giving you what you think
you want.
So what is Solomon's Magick?
The magician Dion Fortune gave us a concise definition of mag-
ick as "The art ofcausing changes in consciousness to occur in accor-
dance with the will." This presupposes that you understand the mean-
ing of the term "art" - because High Magick is first, last and always
an Art!
Magick is an artform. If we need to get technical about it we
could call it a composite artform similar to grand opera. Consider the
artistic elements in a Magical operation: we have the stage set; our
temple (or our outdoor henge). We have the costuming: our robes,
lamens, etc. There are the props: the circle, altar, crystal ball, triangle,
dark mirror, swords, wands and pentacles. We create a theatrical
atmosphere; candle light flickers through tendrils of exotic incense, a
gong reverberates, bells chime, drums throb while the slow-motion
dream dance around the circle is accompanied by a droning chant. . .
followed by conjurations in Shakespearean style delivered in hypnot-
ic tones.
Of course Solomon's Magick is more than just good theater -
but good theater is its starting point. It uses that sense of fascinated
detachment you experience at a well staged theatrical production or at
an impressive church service as a gateway into an altered state of con-
sciousness in which your waking mind and your deep mind are in com-
munication. This is our unique Western shamanic experience. If you
think about it this way, these theatrical aspects of magical operations
will seem quite appropriate. Remember, the so-called primitive
shamans use all the musical-dramatic-artistic elements of their own
native cultures, so why shouldn't we?
If you are not comfortable with this Romantic-Shamanic aspect
of Solomon's Magick then it is obviously not Your Path. When I say
"Romantic" I mean it in the philosophical-artistic sense of the term.
7
Magicians are the ultimate romantics. To us the human spirit is divine
and unbounded in its potential. Aleister Crowley - a modem magi-
cian and a romantic in his own fashion - held that the greatest sin was
restriction, but to my mind an even greater sin is mediocrity. My
favorite Romantic maxim is the credo of Quo Vadis~ Nero: "Let
it be wonderful or let it be terrible so long as it is uncommon!"
Which brings us to another important point: Solomon's Magick
is not a get-rich-quick scheme but it will jump-start and supercharge
your creative processes. If you are willing to seriously study the books
I've recommended, in a few years you will have acquired an educa-
tion comparable to a liberal arts degree from a university. You may be
inspired to undertake formal studies in psychology, anthropology,
physics, genetics or biochemistry. You may excel in any of the creative
arts ... or become a spiritual leader. Magick will open these doors for
you and show you the way. This is the real power and promise of King
Solomon's Art - for Solomon, as you recall, was mainly noted for his
wisdom. Although this type of Magick is a Royal Art it is not restrict-
ed to the elite; Solomon sMagick creates the elite!
The magical vision is primarily an ecstatic and transformative
experience that may be enhanced by a group performance but is essen-
tially subjective in its effect. In other words, this method of magick
produces a controllable dreamstate wherein the practitioner summons
the spirits to visible appearance and communicates with them. No
other system of magick, not the Golden Dawn, Tibetan Tantra, Voodoo
or Wicca offers such an authentic, spontaneous experience. Only
Solomon's Magick fulfills the whispered promise of the old grimoires.
The Master or Mistress of this Art shares power with the Archangels,
commands the demons and walks with the Gods.
If this is your desire read on and enter the Treasure Cave of the
Arabian Nights where the mighty Jinn of Old King Solomon are at
your command. The first challenge on your quest will be to roll a huge
8
stone away from the entrance to your own Magical Cavern. That stone
has been built up over a lifetime out of thousands of verbalized encrus-
tations such as, "Its just your imagination!"
Introduction/Notes:
1. I am very much aware of the tremendous debt we owe to Dr
W. Wynn Westcott, MacGregor Mathers and their compa-
triots. They gave us the most complete and useful synthesis
of Western esoteric lore since Heinrich Cornelius Agrippa in
1531 c. e. It is safe to say that there would be no modem
revival of Western Magick without their efforts and virtually
all of today's magicians, including this author, use their cor-
respondences. They were, however, restricted by the mind-
set of their era and the lack of practical techniques that
would not emerge from the Orient, and re-emerge from the
history of our own tradition, until the 20th century. Modem
Golden Dawn adepts are now revitalizing their tradition with
methods very similar to those described in this book. I like
to think that our O.T.A. rediscoveries have made some con-
tribution in this regard.
2. In Chapter Nine of his recent book Angel Magic
(Llewellyn, 1995) my friend and colleague, Geoffrey
James presents a somewhat fictionalized account of an
O.T.A. magical operation conducted here in our
Montsalvat Temple. He describes his host (your author)
as "The Angel Magus" who was "... friendly but reserved
with a certain distance in his eyes that seemed to say,
I have seen strange things . . ."
9
Memorg througli the .9lges spans
'To Olden 'l(jngs with 6foody hands
.9Lndyet witli birth. the visionfries. . .
tBegond'1Jie 'l/ei{- but never dies
'1Jie portaecracR§ ahairin dreams
'Ihe wliistCing WindofZuvranscreams:
Hou: far wouldyou dare to Me. . .
Iftlie Secret 'Door were openedwide ?
from'1Jie %aUlings ofiJ(ful Xfiia60 6y 'Ihabion.
Chapter One: J{yprwsis anti90ga
After familiarizing myself with the operation of the Chevreul
Pendulum I began to ask my subconscious mind questions of a very
personal nature. It did not always give me the answers I wanted or
even expected, lending an air ofcredibility to the process. When I was
totally convinced of the validity of the technique, I asked the ultimate
question: "Do you remember past lives?"
The answer was strong and unmistakable. "Yes!" it told me.
From the author sMagical Record of 1969
O
NE OF THE GREATEST DISCOVERIES I made in the course
of my illness was a realization of the awesome depth and
range of knowledge available to the subconscious mind.
Even though I count myself an imaginative, articulate writer, mere
words cannot describe the experience of such a revelation. When I say
you are going to become one of "The Far-Seeing People" I mean more
by that than you can possibly grasp before you begin your training.
10
Because of the crucial importance of a "Long Track", multi-life-
time perspective in your dedication to Magick, you must begin your
program with these consciousness expanding and knowledge extend-
ing exercises. Although your religious and folkloric heritage is impor-
tant, Magick will teach you that your beliefs are actually tools and
weapons. You are at the center ofyour reflection of the Universe. You
can believe anything you choose and the Universe will give it to you.
Let me give you an example:
A secret ritual, transmitted to me orally by my Tibetan guru, per-
mitted me entrance to a sensual astral paradise populated by volup-
tuous, insatiable dakinis. After an orgy that seemed to last for days,
during which I realized every sexual fantasy I'd ever entertained, I
finally descended, like the ancient Romans, into decadence and ulti-
mately into satiated voyeurism. The dakinis were very accommodat-
ing, doing whatever I could think of to entertain me... Finally I'd had
enough. I tried to escape from them but they were everywhere, smil-
ing, giggling, flirting, posing and purring like kittens.
At last I wormed my way through the wiggling hoard of naked,
velvet-skinned, perfumed houris to a lake in the center of The City of
the Damsels. In the middle of this pond floated a small boat. In the boat
sat a long bearded man holding a fishing pole. I dived into the water
and swam out to him. Fortunately the dakinis couldn't (or wouldn't)
swim, so I was free of them at last. I clambered into the boat and intro-
duced myself. "How long have you been here?" I asked him.
"I lost count after the first thousand years," he said.
"Are there any fish in this lake?"
"I've never had a bite," he said with a faint smile.
"Then why do you fish?"
"It passes the time," he whispered.
Fortunately for me, I was only visiting The City. I had not cho-
sen it as my Heaven or perhaps my Bodhisavatta vows had come to my
rescue - at least in this astral adventure. And yet Vajrayogini was not
so easily dismissed. She then physically manifested Herself in beauti-
11
ful human form (disembodied spirits have a penchant for doing this).
I took her with me on an expedition to the ruins of lost Lemuria (Nan
Modal) - and upon that hangs another tale...
Ibn Saba, The Old Man of the Mountain, who had promised his
followers a similar sensual paradise, once said: "Nothing is true.
Everything is permitted." This is essentially correct but what Saba,
Grand Master of the Assassins, did not mention was the price. 1.
Another medieval Arabian sage placed the age of our human
race at forty-four thousand years. Only in the past century did science
confirm this. Considering the age of us all and the special effort you
have made to obtain this book I will wager that you have walked this
path before. If so, you will understand the essence of the teachings
revealed in the next paragraph.
During magical operations a camera will not record Angels fly-
ing down through shimmering clouds or demons crawling up through
smoking cracks in the earth - but these Mighty Beings are nonethe-
less real and very powerful. They exist beyond the limits of your per-
sonal imagination and yet they are seen through your prism in the
multi-faceted lens of The Great Universal Mind. They can be super-
human, sub-human or non-human. They rise up from the vast, dark
depths of The Collective Unconscious and swim into the shallow
lagoons of our individual subconscious minds. According to our Neo-
Romantic Philosophy, this Universal Ocean ofthe Deep Mind extends
beyond the furthest limits of Interstellar Space, penetrates the small-
est sub-atomic particles and is connected with the Primordial Imprint
of DNA. It is mirrored in the Anti-Matter Universe that exists side-by-
side with our mundane dimension. We think, therefore we are - and
are not! The "Idea" of a thing and the energy that flows into its cre-
ation are greater realities than the static physical result. We can imag-
ine nothing as great or greater than God's conceptions, therefore our
God-given ideas of soul transmigration, reincarnation and magick
must exist for those of us who believe in such concepts because ifsuch
were not true it would mean that humankind had conceived a master
12
plan of spiritual evolution beyond God's power to grant. Given the
awesome age, size, cohesion, symmetry, synchronicity and ultimate
mystery of the Universe this would seem to be the one and only true
impossibility. These precepts are the foundation of our modem
Magical Field Theory. Beyond these conceptions lies the inevitable
truth that ALL sentient beings are merely dittering reflections of your-
selt If you understand and embrace these principles you will soon
grasp the importance of self-hypnosis and Raja Yoga as basic access
techniques and prerequisite skills to mastering The Magical Art.
In 1969, as mentioned in the introduction, I discovered, or more
properly, rediscovered, the essential secret key to Solomonic magical
evocation. I found out how to summon spirits to visible appearance
and converse with them without depending on special psychic talent
- but first I had to learn self-hypnosis, and so will you. Granted you
can get the facial reflection-distortion method to work without learn-
ing hypnosis and yoga. Children have been scaring themselves with
the phenomenon for as long there have been mirrors - but then you
can't control it any more than they can. Unlike children, you are not
going to scream and run --even though it might be better if you did!
Without the perception of one who understands and controls his own
trance you are operating in an unfamiliar state of mind and dabbling
with something beyond your conscious comprehension.
Because self-hypnosis was so important in my development, let
me tell you briefly how I got into it and how it led me to discovering
the secret of the mirror-in-the-triangle and its full significance.
You've already read my biographic sketch so you know my
qualifications but they do not tell the real story. In truth, I had learned
the methods and the philosophy I'm now sharing before I ever
attained the credentials cited in my resume. The remarkable discovery
of Solomon's hypnotic secrets actually propelled me through seven
years of anthropology, thirty-nine degrees of Freemasonry and a year
of intensive Tibetan Tantric training under the finest magicians to
come out of that mysterious land. Now I want to share these original
13
concepts and techniques so that they may open similar gateways for
others who choose this path.
In 1969 I was a former Green Beret and an avid scuba-diver
eking out a living as a pulp-fiction writer. I had two paperback novels
and a series of underwater adventure stories in ARGOSY magazine to
my credit. Any impression I might have had at that time about ancient
sorcery would have come from the fantasies of H. P. Lovecraft or
Robert E. Howard. I liked science fiction and I had a good imagination
- but, before my illness set in, I never dreamed that reviving the lost
art of Solomon's Magick would become the major creative effort of
my life.
Like so many writers in those days I was a chain-smoker and a
perpetual coffee drinker. I assumed that these bad habits were respon-
sible for my frequent bouts with indigestion. This condition became
chronic and finally unbearable. I went to a doctor and was diagnosed
as having an ulcer. At that time stomach ulcers were thought to be
entirely psychosomatic. A 'sissy' disease for a macho type. I wasn't
about to give up beer, coffee, cigarettes and steak dinners to go on a
milktoast diet. I reasoned that if ulcers were caused by anxiety, I'd con-
quer my inner fears through self-hypnosis and heal myself in the
process.
In desperation I learned the theory and mastered the techniques
quickly. My text was Leslie M. Lef.ron's, Self Hypnotism, The
Technique and Use in Daily Living. (This book has since gone through
several editions and is now considered a classic.) I was soon able to
suppress the pain ... but then it would always return, often worse than
before. I must have taken myself as deep into trance as anyone has ever
managed through self-induction, but I could not cure the ulcer because
- as the doctors eventually discovered when I was almost dead - I
was carrying within me a gallbladder that had turned into a mass of
solid rock!
In the later stage of my illness I was in an altered state of mind
that I now realize was a toxic psychosis. Subconsciously I must have
14
known that I was dying. This morbid condition drove me to stranger
and more esoteric experiments in self-hypnosis. I began my occult
studies with Tantric yoga - but, when I discovered our own culture's
magical counterpart to that Eastern system, something clicked. I knew
with absolute certainty that Western Ceremonial Magick was my path
and I would discover its lost secret.
From my studies and my first experiments I had leamed that a
hypnotic effect could be achieved through a fixed gaze on a reflective
surface such as a crystal ball, or a dark mirror - and I knew that these
devices had often been used by the old magicians - but were they the
actual spiritus locii, the place where angels and spirits could be con-
jured to visible appearance? I could put myself into a hypnoidal state
staring at them but I did not see a face appear or sense a genuine pres-
ence - and yet I was convinced that hypnosis was necessary and that
some sort of window into the other dimension, like the crystal or the
dark mirror, had to be employed.
But, if this was true, then why did Golden Dawn magician
Aleister Crowley, and his mentor, Alan Bennett, waste so much time
and effort unsuccessfully trying to evoke a Goetia spirit out of the
smoke from an incense burner? Why did the Golden Dawn oath-bind
its members not to undergo hypnosis - and why did they virtually
eschew those traditional conjuration devices of medieval and
Renaissance magicians?
On one level we can answer these questions by recalling that in
their time the hypnotic trance was equated with spiritualism and mag-
netizing quackery. In parlor room seances crystal balls were as com-
mon as OuiJa boards and even dark mirrors were sometimes used.
Slaying on these devices was assumed to be humbug because of its
widespread popularity. The burlesque image of the Gypsy fortune
teller with her crystal ball is a cultural icon left over from that era.
But, at a deeper level a more subtle and insidious mental attitude
had infected the intelligentsia at the end of the Renaissance and would
cheat later generations of Western magicians out of their heritage.
15
The philosopher (1595-1650) Rene Descartes - the father of
Rational Philosophy - had been inadvertently responsible for what
the military calls "collateral damage" to spiritual development in the
Western World. In the service of fledgling science he had declared that
there was a total separation between mind and matter; between men-
tal conception and its physical manifestation.
Although this is an over simplified statement of his theory it is
a deadly accurate assessment of its effect. Although his construct
allowed for advances in engineering, the divinely inspired human
imagination - the greatest creative force in the universe - had been
relegated to the importance of childhood day-dreaming!
Once you grasp the significance of this outrage against your per-
sonal divinity you are just starting to move that giant Stone away from
the entrance to your Treasure Cavern. When you return to Plato and
realize that the original idea of something is more dynamically real
than its eventual static, physical manifestation, you can hear and feel
that huge boulder start to move. It makes a skreeking sound of protest
because you have recovered one of the great suppressed secrets of
magick: the creative power of the human mind. But simply recogniz-
ing this power will not unleash its potential.
Along with The Stone we have another enemy within our-
selves:The Chattering Monkey of the conscious mind. As we heave
against the rock, the Monkey dances around us distracting our atten-
tion and belittling our efforts. Finally we become so frustrated and dis-
couraged that we give up and return to "reality" - and immediately
our nasty little Monkey disappears.
Unfortunately he will return whenever we try to quiet our minds
and resume our spiritual work - so we have to get rid of the Monkey.
Then we have to train ourselves to use this mental power in much the
same way that an athlete trains to perfect his or her sporting skills. If
you don't think this is necessary, if you don't believe that you need to
master self-hypnosis and the tratakam yoga technique to practice
Solomon's Magick, I'll challenge you to test yourself.
16
Take a few deep breaths and then stare at your wrist watch with
a fixed, unmoving gaze for three minutes. During that time you may
breathe normally but you must not blink, you must not think ofanything
and you must not change your visual focus. If you perform this test
correctly you will find yourself in an Alpha (hypnoidal) state when the
exercise is completed.
Why do I say, you must not blink?
Because the unblinking stare ( tratakam ) is totally committed to
its object - and it is the hallmark of the true magician.
However, if you pass this test you will still want to study this
chapter carefully to understand the unique hypnotic characteristics of
the magical trance state. You will also need to go through the exercis-
es so that you can teach them to others.
Do not assume that because you've gone through a Golden
Dawn style program that you can skip this part of your training.
Remember, the Golden Dawn avoided any form of hypnosis and was
not preparing its members to use Solomonic magical equipment.
Relying on the Golden Dawn's indirect mental conditioning proce-
dures as preparation for Solomonic work would be analogous to sub-
stituting basic (soft) Tai Chi training for the rigorous preparation nec-
essary to compete in a full-contact Karate match. Granted a Tai Chi
master (or in our case, a Golden Dawn adept) could certainly hold his
own, but only after years of training.
Solomon's magick is the Art of evoking spirits to visible appear-
ance and invoking knowledge of, and conversation with, Holy Angels
- whereas much of Golden Dawn magick is of the "Do-the-ritual-to-
imprint-the-astral-and-then-see-what-happens-later" variety. 2. Be
sure you realize the difference.
There is also a shade of difference between most yoga trances
and the hypnotic state as we know it here in the West. This is best illus-
trated by another anecdote from my Tibetan training: early in the pro-
gram I was trying to master a ritual in which I was to assume the form
of Vajrayogini and perform various symbolic actions in Her persona.
17
Knowing that mudras (hand and finger positions) are sometimes done
while visualizing, I asked Lama Luding Khen Rimpoche if I was to
emulate any of the actual gestures of the deity as pictured in Her tanka
(icon). After a good natured chuckle at my expense he patiently
explained that this was all done in the mind while sitting inert and
physically anesthetized in the lotus asana - somewhat like a Western
pathworking.
Most Tibetan magick is done from the inert, seated asana posi-
tion whereas much of Solomon's magick is performed standing up and
even moving. Our hypnotic trance allows us a unique mobility and a
remarkable capacity to operate in the subconscious and conscious
mind simultaneously. This enables the operator to ask the receiver,
"Do you have a presence?" or "Would you like it stronger?" without
disrupting the trance state. In a solo working the operator can question
his own spirit manifestation directly, going back and forth between his
own rational mind and the manifestation from his subconscious as nor-
mally as he would carry on a conversation with another person. The
reason for this is implicit in the dialog nature of hypnotic induction -
and especially the self-directed dialog developed in self-hypnosis
training. 3.
Although the tratakam (fixed gaze) yoga technique is an
Eastern derivation, it is the most directly hypnotic of the yoga prac-
tices and integrates perfectly with other aspects of Western style hyp-
notic induction. As a pre-requisite to tratakam and hypnosis general-
ly, pranayama (controlled breathing) training is also necessary. The
magical student does not need to carry this any further than and 8-8-8
count but he or she should be comfortable with at least a 6-6-6 cycle
(no pun intended).
It is not my intention to write complete treatises on self-hypno-
sis and Raja Yoga in this book. You are expected to consult the practi-
cal manuals we recommend on these subjects and follow their instruc-
tions. I was fortunate enough to discover two of the finest training
guides on each of these fields back when I started my practice of mag-
18
ick twenty-five years ago. These two books have remained constantly
in print ever since. For self-hypnosis, see Leslie M. LeCron's Self-
Hypnotisim, The Technique and Use in Daily Living, and for Raja
Yoga, Dr Rammutri Mishra's Fundamentals of Yoga.
Many people have already experienced hypnosis induced by
someone else but the magician must master the technique of self-
induction. The reason for this is that magick operates through the will
ofthe operator and yet the operator must be in trance when he or she
operates. This sounds like a paradox. Isn't the hypnotic trance a pas-
sive state? Not necessarily. The hypnotic state is really a condition of
total, one-pointed concentration. It can be passive or active - but, if
it is to be active, then the operator needs to get himself into it or par-
ticipate in a preliminary meditation wherein the whole circle becomes
entranced. In the Orient, hypnotists always put themselves into trance
before they attempt to hypnotize others.
Even if you have been subjected to the hypnotic state by some-
one else, you are going to find self-hypnosis a remarkable experience.
Perfecting this technique can be one of the major transforming ele-
ments in your life. For the very first time, you are in total control of
you! And, as discussed at the beginning of this chapter, you can then
access your memories back to the dawn of our race. When a true adept
says that one should not practice magick without initiation, this is the
experience he is referring to, not to some pageant performed in a lodge
room.
Once you have crossed this threshold in your development you
have empowered yourself to practice Solomon's magick. The hypnot-
ic state is total concentration and total involvement of both levels of
your mind. If you operate only from a conscious level you are inton-
ing words and going through motions while wearing an astral blindfold
and ear muffs. As we have noted, this is a form of magick but it is not
the Thaumaturgic Art of Solomon.
Although you will be combining elements of tratakam yoga and
hypnosis, you need to know the subtle difference between the two sys-
19
terns: Tratakam yoga (empty-minded, undistracted fixed gaze on an
inert object) will induce the hypnodial states called yoganindra (phys-
ical anesthesia) and then samadhi (space-time suspension) as side
effects but it is not a true hypnotic induction because there is no direc-
tion involved beyond strict maintenance of a passive mental attitude.
Tratakam is more properly a form of meditation. It is essential train-
ingfor our Solomonic mirror and crystal skrying because it conditions
us to see something without "looking at it", to contemplate our reflec-
tion in a dark mirror, or the angelic aura surrounding a crystal ball,
without analyzing the optical phenomena as they occur. It is easily
mastered with regular daily practice. If you get discouraged just
remember that John Dee and Cagliostro would have given their for-
tunes and have devoted years to practice and to master these tech-
niques if they had only known they were available.
Practical'Exercises:
There are a number of ways to practice tratakam. Dr. Mishra
lists nasal and frontal gaze exercises which are uncomfortable and
alien to Western practitioners. We recommend an easily constructed
variation of one of his techniques involving a blue light bulb behind a
12" dia. round carboard shield with a 1112" dia. filtered hole cut in the
center. In the center of the frosted filter, place a 112" dia. black dot. This
device is suspended from the ceiling. We call it a "Samadhi Lamp."
To use the samadhi lamp, do your stretching exercises, take your
asana, do a few minutes pranayama and then lie flat on your back and
fix your gaze on the illuminated hole, with its central black dot, for ten
to fifteen minutes. Do not explore the lamp with your eyes, just look
at its glowing center. Try not to think about the optical phenomenon as
they occur. Try not to think about the relaxation and numbness coming
over you or the hypnotic state you are drifting into... Try not to think
at all ...
20
Along with your tratakam training you will be regularly improv-
ing your skills in self-hypnosis. The first key to mastering self-hypno-
sis is physical/mental relaxation. You'll notice I've joined the two
words together because they go together.
Physical relaxation is best achieved by first stretching the mus-
cles of the body and then compressing them. For stretching do the clas-
sic yoga "Sun Salute", then for compression, point out and stiffen
each leg in tum, curling your toes. Hold the leg rigid for ten seconds.
Thrust each arm out straight and make a hard fist. Hold it for ten sec-
onds. Relax. Roll your head in a circle. Open your mouth and work
your jaw muscles. Tighten the muscles of your face. Take several long,
deep breaths through your nose. Hold the air in your chest at least as
long as it took you to inspire it - then blow it out through your mouth.
Having achieved relaxation you must learn to empty your mind.
To empty the mind and to develop the ability to shift the center
of consciousness to other parts of the body take a comfortable asana
position with your back straight. Close your eyes and focus them
upward without strain. While maintaining this position and gaze per-
form at least four cycles of simple pranayama (without hand manipu-
lations) on a four count inhale, four count hold, four count exhale, four
count hold-on-the-void. With your breathing finished keep your closed
eyes focused upwards while you quietly imagine that your body is
growing larger and larger until it is nearly fifty feet tall. Your skull is
a great, dim-lit hollow vault half filled with deep, dark, still water. You
(your consciousness point) are in the form of a small pearl floating
half-submerged in the water. The water is comfortable, safe and pro-
tective. Above you are the random thoughts that flit across your mind.
You see them in the form of luminous fireflies darting back and forth
to no purpose. They buzz and chitter without meaning.
You allow yourself to sink just below the surface. Now you can
neither hear nor see those distracting thoughts. You are at peace with-
21
in yourself. You sink: down to the level of your throat . . . and then
down into your chest...
After three minutes you may re-surface, realizing that you are
now the master of your mind. These unwanted thoughts that have
plagued you for so long are no more bothersome than gnats on sum-
mer day.
Now you are ready to hypnotize yourself or, if you have been
leading a group in these exercises, you are all ready to enter the hyp-
notic state.
Here follows one of our ritual hypnotic inductions you may
modify and practice with. . . This one is adapted from our advanced
pathworking system but it gives the general idea. (The Soul Door
referred to is a floor-to-ceiling dark mirror set in an ancient Egyptian
style door frame. You can see it veiled in the video.) Note that we
make the inert, seated physical body huge and keep the enlivened spir-
itual body within - into which we project our consciousness - very
small. Once you have perfected your basic hypnotic and yoga tech-
niques, you may use this secret Tibetan method of Inner Plane projec-
tion with full effectiveness...
As we stare at the planetary symbol of , our
physical eyelids are becoming very heavy. Our bodies are totally inert.
We sit like great stone statues surrounding our double cube altar -
which has become a huge, tall building . . .Our Spirit bodies within us
are now as small as a finger on the hand of our huge sleeping physi-
cal forms. These tiny Spiritual Bodies are now the radiant centers of
our consciousness. We arefilled with living energy and eager to be off
on our journey. We look to Westward and see the distant star of our
destination, the Sephira of ' as it beckons to us far away
in the night sky beyond the great pylons of The Soul Door Gate.
Now we allow our physical eyelids to finally close. We project
our Spiritual Bodies out the Third Eye Chakra toward the Soul Door
22
Gate and through the great pylons into the vast night sky of the endless
universe! Ahead of us gleams the star of ' leading us
onward. We are passing over the dimly lighted landscape a thousand
feet below . . . ( here you will insert the description of the Ot; Chiim
Path over which you are flying. )
This is also the method of choice for projecting into and through
Enochian pyramids. It is likewise a vital skill necessary for exploring
the powerful psychic centers or chakras within your body. With self-
hypnosis and Raja Yoga training you can master even advanced tech-
niques such as this in months instead of years.
It is said that a picture is worth a thousand words. I hope that the
mental imagery evoked by the above passage will serve to convince
you of the importance of hypnosis and yoga as basic foundation skills
for this Art.
Do not neglect your mental training.
Chapter One/iJ,{ptes:
1. To understand the mystery of the false paradise, students of Solomon's
Magick should read Burton's original version of The City ofBrass in
Alf Layah wa Layah, THE ARABIAN NIGHTS.
2. This statement may disturb some of my senior G. D. colleagues
who have become genuine shamanic wizards in spite of the Golden
Dawn's non-hypnotic methods. This is not to say that the creative
visualizations in the Pentagram and Middle Pillar rituals are not very
valuable and even essential in their own right -but they are project-
ed onto the astral, not received from it. The G.D.'s Tattwa skrying
exercises were taken directly from an Eastern source.
3. Those who have popularized our evocation technique have stated that
solo operations are quite difficult, possibly dangerous, and should be
avoided. This demonstrates their lack of understanding of the impor-
tance of self-hypnotic training in Solomonic magick. A solo operation
(for an entity of the same sex as the operator) is usually less difficult
due to the reduction of the personal variables involved.
23
1(nowtfiat the. Jinn wfiicft migfitg Solomon
Didconjure in the. TriaT1!Jfe of.9Lrt
Were formedin the. rejfection ofhisface
For tfieg were aspects ofhissour
'Eacfi agreeiT1!J unto a Quadrant}
.9L Planet anda metaltliereof
Wfiicft wfien burnishediidreffect
Euen. as a ;Mirror
.9Lndwfien tfiou holdest tfie Bgfitedtapers
In thineown fiands
.9Lndtfiou dostgaze deep intothine own eges
1(nowtfiat tfiou dost perform fJ1ie .9Lrt
In tfie very manner in wfiicft it was trufy done
from'Ihe Book; of.9Lstarte 6y !Frater .9l.feyin (11ia6ion)
Chapter 'Iuio: fJJie Secret of%e 'lJar/(Mirror
Y ILLNESS AND MY QUIXOTIC attempt to cure it through
hypnosis, had driven me into the shamanic tradition of my
ancestors - and, as the saying goes, "When the student
is ready, the teacher appears". In this case the teacher came in the
form of a book. My first introduction to Western Magick still stands as
the best survey work written on the practical aspects of the subject:
The Black Arts by Richard Cavendish, published in 1968. Using
Cavendish's excellent bibliography, I quickly acquired Waite's The
Book of BlackMagic and of Pacts along with the Mathers-Crowley
Goetia , Mathers' The Key of Solomon the King, and Francis Barrett's
The Magus.
24
The medieval Key ofSolomon provided an authentic handbook
for making magical regalia, implements and talismans but it was the
more notorious Goetia of the Lemegeton, the so-called Lesser Key af
Soloman, that was the real wizard's Liber Spiritum. The Goetia (pro-
nounced, Go-ey--sha ) catalogued and described 72 rebellious spirits
that, according to a Talmudic legend, old King Solomon had impris-
oned in an enchanted Brass Vessel submerged in a lake in Babylon.
This read like a fabulous tale from the Arabian Nights but in my irra-
tional state I was convinced that there was a hidden truth behind the
fantastic story. Like Aladdin's wonderful lamp or Ali Baba's "Open
Sesame" there was a Secret Key to calling up those mighty Princes of
the Jinn that Solomon had imprisoned so long ago - and I was deter-
mined to find it.
Years later, when I was doing graduate studies in cultural
anthropology I realized that back in 1969 I had crossed over into a
realm of divine madness that few Anglo-Americans had ever experi-
enced. I had gone through the true shamanic initiation, that mortal ill-
ness and vision quest that brings the shaman in touch with his gods and
gives him the power to practice his craft....
It was during that season of my madness, when agony alternat-
ed with ecstasy, that I had discovered, or more properly, re-discov-
ered, the lost secret of the Magical Art and I wrote The Book ofAstarte
from which the key passage that heads this chapter is drawn. 1.
I had studied the writings of the ancient and modem magicians.
They had filled their books with the most detailed instructions on how
to build, inscribe and decorate all the necessary equipment, all the sig-
natures of the spirits and even the hours during which to summon them
- but the most important element, that method by which one could
make the spirit physically appear, was always missing in the old gri-
moires and not explained in the recent texts.
I knew that over a dozen ancient and modem writers on Magick
could not be involved in one big, long-standing conspiracy to suppress
this [mal secret, so it seemed obvious that at some time after the 17th
25
century and before the middle of the 19th century the practical keys to
the Magical evocation and invocation processes had been lost.
This turned out to be true. The ancient writers had hidden the
secrets in plain sight - as you will see when we examine the old texts
- but the Victorian age magicians of the Golden Dawn school, with
their phobia against hypnosis and their commendable distrust of pas-
sive spiritualist mediumship, had de-emphasized the actual methods of
Renaissance evocation and invocation in favor of a Westernized Tantra
in which images were carefully built up in the imagination and then
allowed to provide psychic feed-back. Instead of the traditional crys-
tals and dark mirrors for visionary work, they prefered to use abstract
colored symbols to stimulate the imagination. These methods are dif-
ferent in conception and technique from the shamanic calling down or
summoning up of spontaneous visions from that great storehouse of
images Renaissance magicians knew as the "World Soul" and we now
refer to as "The Collective Unconscious."
If I hadn't been touched with divine madness at the time I prob-
ably would have accepted the Victorian reconstruction of Magick and
put aside my yearning to actually conjure spirits to visible appearance
in Solomon's Triangle of Art. I would have agreed with critics like
Professor Eliza Butler that those who had practiced out of the old gri-
moires were credulous and self-deluded. However Arthur Edward
Waite, who was also a ruthless critic of the Art Magical, had conceded
that they achieved results. In the introduction to his 1898 Book of
Black Magic and of Pacts he wrote: -
"It would, however, be unsafe to affirm that all persons
making use of the ceremonies in the rituals would fail
to obtain results. Perhaps in the majority of cases
most of such experiments made in the past were
attended with results of a kind. To enter the path of
hallucination is likely to insure hallucination, and
in the presence of hypnotic and clairvoyant facts it
26
would be absurd to suppose that the seering
processes of ancient magic - which were many -
did not produce seership, or that the auto-hypnotic
state which much magical ritual would obviously
tend to occasion in predisposed persons did not
frequently induce it, and not always only in the
predisposed. To this extent some of the processes
are practical, and to this extent they are dangerous."
(emphases mine)
This paragraph was one of the clues that set me on the trail to
discovering the secret of Solomon's Triangle. It should be noted that I
had first read all of the available 16th and 17th century material before
I got into Regardie and the Golden Dawn. Therefore my original per-
spective was, and still remains, that of a Renaissance magician rather
than a Victorian occultist (even though I will be the first to concede our
tremendous debt to the Golden Dawn). I think it is important to men-
tion this because there is a natural tendency for people to be heavily
influenced by their first impressions in any field of endeavor.
This was especially true in my case given my near-terminal ill-
ness and altered state of consciousness. I literally devoured the books
listed above with the obsession of a religious fanatic. But, even in the
grip of a toxic psychosis, I hadn't lost my intellect. Madness is known
to stimulate genius. I was on the verge of discovering, or re-discover-
ing, an extraordinary secret hidden in these quaint, and apparently
whimsical, books of forgotten lore.
I knew there had to be a way to make Solomon's traditional
operations actually work without resorting to drugs, fasting or endless
conjurations to produce hallucinations through hysteria and exhaus-
tion.
A century ago Aleister Crowley had tried to conjure one of the
Lemegeton's Goetia demons out of incense smoke. He had very little
success after a great deal of effort. As a self-taught hypnotist this did
27
not surprise me. Trying to form an image, or commanding a spirit to
produce an image, out of curling, twisting smoke was more of an
experiment in telekinesis than a skrying process. Crowley obviously
did not know the technique but he certainly understood the philosophy.
He stated it clearly in his 1904 edition of the Goetia: -
"But can any of the effects described in this our
book Goetia be obtained, and if so, can you give a
rational explanation of the circumstances ? Say you
so?
I can, and will.
The spirits of the Goetia are portions of the human
brain. Their seals therefore represent (Mr. Spencer's
projected cube) methods of stimulating or regulating
those particular spots (through the eye).
The names of God are vibrations calculated to
establish:
(a) General control of the brain. (Establish-
ment of functions relative to the subtle world.)
(b) Control over the brain in detail. (Rank or
type of the Spirit.)
(c) Control of one special portion. (Name of
the Spirit.)
The perfumes aid this through smell. Usually
the perfume will only tend to control a large area; but
there is an attribution of perfumes to letters of the
alphabet enabling one, by a Qabalistic formula, to
spell out the Spirit's name.
I need not enter into more particular discussion
of these points; the intelligent reader can easily fill in
what is lacking. If, then, I say, with Solomon: "The
Spirit Cimieries teaches logic," what I mean is:" Those
portions of my brain which subserve the logical facul-
ty may be stimulated and developed by following out
the processes called "The Invocation of Cimieries."
28
I have quoted the above passage at some length because it made
such a strong impression on me when I first read it. It is certainly not
romantic or artistic; in fact it is downright analytical - like wiring a
ballet dancer with electronic sensors so we can get a scientific read-out
on Swan Lake - but it serves an absolutely necessary purpose.
Crowley's statement places Solomon's Magick squarely within the
parameters of a psychological system.
"Solomon sSpirits are portions of the human brain. "
- But the human brain is only the hardware for the greatest
computer system ever designed: The Human Mind. A modem hacker-
magus would say we run our Solomonic Magick program on an oper-
ating system designed by Carl lung using a language called "Agrippa
777."
For those of you who are not yet magical cybernauts that needs
some explaining: Crowley's conceptions of Magick pre-dated Carl
lung's Archetypes in the Collective Unconscious theory. Crowley
knew that magical manifestations involved altered states of conscious-
ness and could produce psychosomatic effects but he may not have
been aware that entire pantheons of ancient Gods and Goddesses,
choirs of Angels and hordes of demons might exist in the deepest
reaches of everyone's mind.
Actually this theory was not very modem. Around 200 A.D.
Hermes Trismegistus, the mysterious founder of Hermetic Philosophy,
had written in his Asclepius that: "The Gods of the Zodiac are eternal
but man himself creates his own lesser gods." The implications of this
statement were awesome. If we create gods, then we control them!
And if we can control them, are we not Gods ourselves? ( In Your
Temple You are One with the Gods! ) This is why the late Warburg
Institute scholar Francis Yates called the Asclepius "The charge of
dynamite behind Renaissance Neoplatonism."
Echoes of that explosion reverberate in the words of Heinrich
Cornelius Agrippa written in 1527: "... Such things are delivered and
writ by great and grave philosophers, whose traditions who dare say
29
are false? Nay, it were impious to think them lies: only there is anoth-
er meaning than what is writ with the bare letters. We must not look for
the principle of these grand operations without ourselves; it is that
internal spirit within us which can very well perform whatsoever the
monstrous Mathematicians, the prodigious Magicians, the wonderful
Alchymists and the bewitching Necromancers can effect."
In the 1920's lung declared that beneath and beyond the per-
sonal subconscious mind there flowed a vast deep sea of dream images
and forgotten lore he refered to as "The Collective Unconscious".
This mysterious psychic ocean was not the exclusive property of any
individual human being. It was a dimension shared by us all! Here one
might discover the great Archetypes of mythology: the heroes, the
beautiful courtesans, the martyred saints and monstrous villains of our
past. Here were the mysterious man-created gods which Hermes
Trismegistus had written about so long ago. Here was the World Soul
of the Renaissance magicians. Here were the demons of Solomon's
Brass Vessel.
When lung discussed his theory with his famous colleague,
Sigmund Freud, Freud was horrified. "Carll" he whispered. "If you
reveal this to the public you will release a black flood of occultism!"
However it would take more than just a theory to release the
flood of occultism Freud feared. Theories by themselves do not pro-
duce results. For results the magician still depends today as he did
thousands of years ago on methods and techniques.
Since time immemorial magicians have placed themselves and
others into states of trance during which visions and oracles were
received. We now know that this process was hypnotic and that all the
phenomena we have come to associate with modern hypnosis were in
fact known and practiced by ancient sorcerers under the guise of 'fas-
cination', 'spell-casting' and 'enchantment' ...
The powerful hypnotic effect achieved through a fixed gaze on
a reflective surface is the reason why the crystal ball, or shewstone,
30
and the dark mirror, or speculum, were used by the wizards of olden
times as their spiritus locii, the actual place where angels and spirits
could be conjured to visible appearance. This was and still is a hyp-
notic process. . . . However the final secret of how to use these magi-
cal aides was always missing. With all the philosophy, the atmosphere,
the paraphernalia, the powerful conjurations and the hypnotic tech-
niques, such spontaneous visions in a crystal or in a dark mirror, still
depended upon some special psychic talent. To make it really work
one had to be a natural medium - so, with all my hypnotic experi-
ments and my toxic fever dreams, I had certainly become a mystic ...
but not a clairvoyant.
This is a very important point. Mediums, psychics and clairvoy-
ants have dominated the mystic arts for centuries because most of us
have assumed that they are the only ones gifted with the abilities to see
and hear the spirits. This situation was so pervasive that even great
magicians like Abramelin the Mage, Dr. John Dee,2. Count Cagliostro
and the later Frederick Hockley thought they had to employ specially
talented skryers or gifted children to do the actual receiving for them.
If I had been in a fully rational state at the time I probably would have
accepted this historically established handicap - but obsessed genius
knows no bounds.
I was convinced there had to be a way, a method by which any-
one with the desire and the determination could summon spirits to vis-
ible appearance and converse with them. This was what Solomon had
promised and - like the indefatigable amateur archaeologist,
Heinrich Schlieman who had actually discovered ancient Troy right
where Homer said it was - I was sure that the medieval 'Solomon'
was telling the truth.
I could place a crystal ball into the triangle but then if I stood back
inside the magick circle, as the operator was supposed to do according
to the ancient texts, even a 60mm crystal ball would appear the size of
a door knob -- but I knew something had to be placed in that triangle:
something fascinating, something hypnotic and something large
31
enough to provide a viewing surface. . . Obviously the speculum: the
Dark Mirror . . . And what better entrance into that realm the mystic
poet Coleridge had called, "Caverns measureless to man. "
It had to be the dark mirror! - but how to use it? How to make
it actually work, I asked myself - then something I had read the year
before jogged my memory - something I had read somewhere about
the use of dark mirrors in the Far East...?
That final all-important clue had been sitting right there on my
book shelf! The secret was in a work called Tantra, the Yoga ofSex by
Omar Garrison published in 1964. In this book the author explained an
ancient Oriental method for conjuring up images of previous incarna-
tions from the reflection of one s own face . . . in a dark mirror . . .
flanked by candles !
As I re-read this passage in Garrison's book I felt a shiver of
excitement. I was experiencing the same tingling exhilaration that an
archaeologist must feel when he brushes the sand away and looks
down at the unbroken seal of an ancient royal tomb! I tried Garrison's
experiment and found that it worked with remarkable effectiveness. If
a person in a darkened room stares for several minutes into a mirror
flanked by candles, a strange phenomenon will almost always happen:
The familiar reflection will fade out and disappear. The mirror will go
black and, when the image returns, it will be the face of someone or
something else!
This experience is usually accompanied by a profound sense ofan
other-worldly presence. . . It was obvious that this phenomenon must
have been discovered a long time before any concept of reincarnation.
It probably went back as far as the paleolithic when stone-age people
stared fascinated at their reflections in dark, still pools of water, seeing
the strange transformation occur - and being convinced they were in
the presence of their Gods!
I suspected that in a ritual setting, using traditional conjurations
and symbols, specific spirits and even ancient Gods and Goddesses
might be summoned from the 'Other Side' ... This might well be the
32
ancient secret behind that strange passage in the Bible that reads:
"Godfashioned Man in His own image"
It was certainly the reason why Solomon has us command the spir-
it, often described as a monstrous hybrid, to "Appear in fair and
human form and speak unto us in a clear, intelligible voice in our
mother tongue. "
After this discovery the use of the magick mirror in an elevated tri-
angle seemed obvious. Our 17th Century Lemegeton manuscript,
Sloane 2731 clearly shows a large black-filled circle in the center of
Solomon's Triangle. (See figure 1. )
Figure 1.-- Detailfrom British Library Sloane MS. 2731 showing
and describing the Triangle to be used in Goetia workings.
Note that the instructions written around the triangle say: "Two
foot off from the Circle and three foot over." - not "Three foot
across," as the published version has it. The triangle was intended to
be raised up to eye-level. ..
33
This is clearly shown in a drawing from a 17th Century Manuscript
by the mysterious "Dr. Thomas Rudd", which depicts a mirror on a
stand with Solomon's Secret Seal from the Goetia of the Lemegeton
clearly rendered on the reverse side... ( See figure 2. )
Figure 2. -- The back of a Magick Mirror showing the Secret Seal of
Solomonfrom the Goetia, drawn by Peter Smart 1699.
We know that polished obsidian mirrors were used in the neolithic
Middle-Eastern city of Katal Hyuck as far back as nine thousand years
ago - before The Great Flood. And later, in the time of Solomon, the
Egyptians and the Canaanites made mirrors of polished copper and of
silver, metals attributed to the planet Venus and the Moon ...
. . . Let your mind travel back to those ancient times and imagine
what might have happened when a Priestess sitting before her mirror,
putting on her make-up in the dim light, saw her face change and
become The Goddess! Perhaps she would call the High Priest to wit-
ness the transformation. They would both be familiar with possessions
and trance states and would be quick to see the possibilities...
Now I am certain that some of my magical colleagues will cluck
in their beards and say: "Well Runyon developed an effective system
34
- but it's modern." They will cite the fact, already mentioned, that
Cagliostro, Dee, Hockley and others had to employ skryers to do their
visioning. If those worthies didn't know the reflection secret, then who
had known?
My answer is that the medieval Arabian magicians probably knew
it as these quotes from C.J.S. Thompson indicate: "According to Arab
tradition, magic or 'sihr', which means 'to produce illusion before the
eyes' was revealed by two angels in Babel, named Harut and Marut,
who instructed mankind in this art . . . When a miracle was deemed a
, sihr' it was regarded as an optical illusion or due to an illicit dealing
with demons ... The use of the magic mirror - which was made of
metal or glass with a polished surface -for seeing spirits, was known
to the Arabs at an early period. The image was said to appear in a
cloud or vapor floating between the medium used and the
, "
gazer s eye. . .
Ceco d' Ascoli, Dr. Thomas Rudd and others may very well have
known but kept it secret. The method was so simple that there was no
need to write it down. It could have been passed from mouth-to-ear
(and yet the hints in the Sloane 2731 Goetia are almost too obvious).
We should recall that the Goetia was not a system magicians felt com-
fortable writing about back in the days of the Inquisition.
And they did not need Carl Jung's subjective psychological the-
ories to justify using their own reflection as a focal point. There was a
haunting Orphic myth about Dyonisus being entranced by his reflec-
tion in a mirror, caught by the Titians and tom to pieces, his parts res-
cued by Zeus and given to Apollo to plant in the earth - from which
he rose reconstituted and revived.
Here we have the modem psychological concepts of fragmenta-
tion, reintegration and individuation of the personality, we also have
our seventy-two all-encompassing spirits let out and then put back into
The Brass Vessel. The ancients did not create such fables for idle
amusement.
35
But my most telling argument sits in every grammar school
class in the country. Along with playing hopscotch on The Tree of Life,
children have a game called "Bloody Mary" (Clive Barker's
"Candyman") which they have been scaring each other with as long
as there have been mirrors to look into. Any modem magician who
thinks his predecessors didn't discover this same phenomenon ages
ago and make use of it doesn't hold them in very high regard - but to
those who still insist that this method of magical evocation is modem,
I will be most happy to accept credit for it. 2.
In the week following my remarkable discovery (or re-discov-
ery) my illness overcame me to such a degree that my doctor was com-
pelled to conduct a more thorough examination. At that point he dis-
covered the truth and advised me that only an operation could save my
life - but that I was too debilitated and inflamed to undergo the
surgery. I asked the Archangel Raphael to heal me and Prince Ba'al to
give me strength - then (because the Gods help those who help them-
selves) I went out and found another doctor. When I recovered from
my surgical operation, health and sanity quickly returned - but I
remembered what I had learned during my sabbatical in Tartarus and,
to my surprise, I discovered that Solomon S Magick was still as effec-
tive - and even more so when contrasted with my otherwise rational
state of mind.
To my even greater surprise, I found that this ancient system
would work for any sincere person who could concentrate on a fixed
point long enough to achieve a light hypnotic trance.
I extended my experiments to include others and I soon discov-
ered that the process was just as effective if I - as the magician -
stood behind a passive 'receiver' who would only need to hold the can-
dlesticks and concentrate on the mirror.
At that time I was a bachelor in my thirties, living in a beachside
Southern California apartment and riding a motorcycle. This put me
in a position to recruit young women willing to transform into the
36
Goddess Astarte. These experiments, harmless as they were, made me
notorious.
According to a published account one of my Astartes disap-
peared off the face of the Earth - and yet I saw her socially in the
week following the operation.
It did appear that women made the best, or perhaps the most
enthusiastic, receivers but for the most part my female volunteers were
not clairvoyant. Those few who were natural psychics would receive
their vision "off-face" after the mirror blacked out. Non-psychic
receivers (most of us) will see a different face replace our familiar
reflection. However, it is important to note that this transformation
process for non-psychics is, if anything, a more intense and con-
sciousness altering experience than the more familiar visioning
process the psychic undergoes.
So I had the secret. Like Dr. Frankenstein, I had learned how to
do it - but, even though I may have been just as obsessed as the fic-
tional Victor Frankenstein, I didn't want to make his mistake. Before I
opened the Brass Vessel and released these spirits into the world again,
I wanted to understand the philosophy and the spiritual significance
behind a process that been kept such a closely guarded secret for thou-
sands of years. I had to ask myself, was it possible there were slum-
bering demons from our past that - as the late Howard Phillips
Lovecraft had suggested - might better be left unawakened? How
and why had the beautiful Goddess Astarte and her handsome consort,
Prince Ba' al, the Thunder God, become demons in the forbidden books
of medieval black magick? . . . I found some of the answers to these
questions in the long-lost Biblical Book of Enoch. . .
Chapter 'Izuo NPtes onfo«Owing page. . .
37
Chapter fJ'wolg..{ptes:
1. This passage may be familiar to some occult students outside
of the a.T.A. The Book ofAstarte has been pirated and circu-
lated in the occult underground since 1979 even though it was
copyrighted under my pseudonym by a major university in
1976.
2. In actual fact, since its rediscovery in 1969, the method has
become so popular that one of my former students privately
claimed credit for it and started three mini-lodges of his own.
Another a.T.A. defector offered a typescript expose of the
mirror-reflection Goetia technique in 1979 - Then, in 1988
a popularizer of magick admittedly drew on that earlier
expose for a chapter on Goetia evocation in a book issued by
a major publisher. He and his publisher followed this up with
a simplistic, mass-marketed pamphlet on the Goetia Dark
Mirror method in 1994. This finally prompted us to go into
production on The Magick of Solomon video and The Book
of Solomon ~ Magick to present the real story behind modem
Goetia/Almadel Magick and teach the proper methods of
practice.
38
Concerning these Jinn ofWiseXinge Solomon.
%.ou shouids: k:Jww agreat truth
Jlnaso approach. tfiy zaork; with prudence
9"'ea even reverence
For tfiey benot a[[mean anaeoi!
Yls the uninitiatedscribes fiave recorded
Some are the very (jocfs of1(fiem
OfPhoenicia anaChaldea
rrfze Queen of:Heaven anathe$u[[of theSun
Jlre among their number
!for a[[may be caffet[ through rrfze 'lJarl( wincfow
Into tfiy sour
fromrrfze $001( ofYlstarte by !Frater !iUeyin {CJ1iabion}
Chapter 'Ihree: !Far!en 5tngefslPagan (jois
T
HE ANCIENT AND MODERN HISTORY of the Book of Enoch
unfolds like an Indiana Jones adventure. It is a truly ancient
Biblical book that belonged in the Pentateuch between
Genesis and Exodus. It disappeared, along with the Ark of the
Covenant, sometime after Solomon's death. A copy was known to be
in the possession of the Pagan star-magicians of Harran in Syria and
another was rumored to be hidden in a remote, secret monastery in
Ethiopia. In 1773 the Scottish explorer, James Bruce, risked his life to
smuggle two Ethiopian copies out of that ancient, legendary kingdom
of "Prester John".
39
The importance of the Book of Enoch to Western Magick can-
not be overstated. I. In the time of the Arabian Nights' Caliph, Harun
Al-Raschid, the medieval Sabian wizards of Harran, when compelled
by the Muslims to present their Holy Books, had brought forth the
Book of Enoch and the Hermetic corpus. Magicians have venerated
these works ever since.
In mythical, prehistoric times before The Great Flood, the Book
ofEnoch tells of a War in Heaven in which God and his loyal host of
angels, led by the Archangel Michael, were arrayed against a horde of
rebellious angels who had lusted after the daughters of men and had
descended to earth, where they were breeding a race of giants and were
teaching humans the forbidden secrets of sorcery and magick. The
Arabian legend of the fallen angels Harut and Marut, quoted earlier,
is only one of many mythological offshoots of this original theme.
The Book of Enoch goes on to relate that the four Great
Archangels, Michael, Raphael, Gabriel and Auriel (Phaniel) came
down and imprisoned these Fallen Angels at the Four Comers of the
Earth where they became known as "The Watchers. "
Jewish, Christian and Islamic theologies retained the tradition-
al, loyal Angels of Heaven - especially those four Great Beings who
rule the Quarters of the Universe, Raphael, Michael, Gabriel and
Auriel - but they had no place for the Gods and Goddesses of the
ancient Pagan religions they had conquered. The Rabbis, Priests and
Imams practiced a slight-of-hand trick and reclassified the homeless,
but not forgotten, Pagan deities as those same "Fallen Angels" who
were already chained in deep pits at the ends of the earth.
The 17th century English Christian poet John Milton summa-
rized this militant transformation process in his Paradise Lost:
"First Moloch, horrid king besmeared with blood
Of Human sacrifice and parent's tears ...
. . . Of Solomon he led by fraud to build
His temple right against the temple of God . . .
40
· .. To do him wanton rites, which cost them woe. . .
Till good Josiah drove them thence to hell.
With these came they, who from the bord' ring flood
Of old Euphrates to the brook that parts
Egypt from Syria ground, had general names
Of Baalim and Ashtaroth, those male,
These feminine. For Spirits when they please
Can either sex assume... " 2.
Thus their greatest rival, the Canaanite thunder god, Prince
Ba 'al became the demon Bael, first among the ranks of the fallen,
who was said to appear as a cat, a toad or a man - or all three at once
- and to grant the power of invisibility (See figure 3.)
Figure 3. The Spirit Baelfrom Collin de Planey's DICTIONNAIRE
INFERNAL.
Prince Ba'al's beautiful consort, the Goddess Astarte, Queen of
Heaven and mistress of the Temple of Love was transformed into the
demon Astaroth, described as a hurtful angel with bad breath but who,
41
when summoned, would reveal the true history of the Fallen Angels.
. . As indeed She has!
Although John Milton may have been wrong about "Moloch",
which could be a scribe's misinterpretation of "Malak = King", he was
otherwise quite correct. Among those Fallen Angels, transformed
from the God and Goddess of ancient Canaan, you will also find the
ancient Egyptian Gods, Amon-Ra (Amon) and Horus (Flauros) along
with some very real demons (Belial and Asmodeus). You may dare to
contact Ose, the mysterious titular spirit of shape-shifters, werewolves
and leopardmen. (See The Evocation of Nithael .)
This myth of The Fallen Angels laid the foundation for a Middle
Eastern legend (recounted in the Talmud) about the Biblical King
Solomon, who was said to have been the greatest magician of ancient
times. According to our legend, Solomon, armed with the power of
God's Holy Angels, bound and sealed those 72 rebellious spirits, or
Genii, into the "Brass Vessel" - from which he called them forth to
do his biding, even to assist him in building the Great and Holy Temple
at Jerusalem. . .
Whether or not you take these ancient myths and stories literal-
ly or you consider them to be symbolic, the legend of "The Fallen
Angels" - who became the horde of Genii in Solomon's brass bottle
- forms the secret tradition and the wellspring of power behind the
fabulous wizardry of the Arabian Nights and even the medieval sor-
cery of Dr. Faustus.
But can our fantastic legend have any truth behind it? Are we
really seeing these ancient Gods and Goddesses, who became "Fallen
Angels", in the dark mirror on our magic triangle? Do the strange
voices that speak through our lips during the magical channeling
process actually come from these deities and demons of the dim past?
Have we have really opened "That lost Portal Between Worlds" -
and, if so, can these powerful Genii now be commanded to reveal
secret knowledge and accomplish wonderful things?
42
Thefinal proof is in the doing! I invite you to follow in my foot-
steps and find out for yourself! - but, I warn you, unless you take
Solomon's Magick very seriously, you should have nothing to do with
these experiments! This ancient art is not a party game or a Halloween
prank. There is no place for the dabbler or the thrill-seeker in the
Magick Circle. All aspects of this system, from the spiritual to the psy-
chological, must be thoroughly understood before any experimentation
takes place.
Like the knights of olden times, the magician must be trained,
armed and armored before he or she goes forth to do battle... First you
should understand that The Magick Circle is the philosophical fortress
that protects you when you open the gate between the worlds (see
Appendix 3.). It represents the perfect circle of the vast universe and
the unbroken boundary and spiritual integrity of your own being -
which are one-in-the-same when you practice Solomon's Art. As
above, so below; as within, so without.
Let me share my personal Magick Circle formula with you. This
was derived from an Archangelic invocation of Gabriel. She said that
"The Four Archangels are positioned at the Four Compass Quarters
because they represent the structure of the Universe. They are four of
the Mighty and Eternal Seven". In later meditation I learned that the
other three of The Seven, in our personal microcosm, are Metatron
Above, Sandalphon Below and the Spirit of God within us (our Holy
Guardian Angel) in our Heart Center. Using this visualization as a cir-
cle-casting formula provides complete protection because you are pro-
jecting an impregnable sphere all around you linked to and empower-
ing a Heavenly force within you.
This is why we invoke (draw down) Angels and higher spirits
into the Magick Circle and evoke (call up) lesser spirits into a locus
spiritus outside the Circle. 3.
You should know that even back in ancient times the Triangle
represented the philosophical first plane of manifestation. It acts as a
cage, containing and restraining the spirits you evoke. As a hypotheti-
43
cal example let us imagine that we are participating in the original Act
of Creation, back at the Dawn of Time and out in the vast reaches of
cosmic space.
First we will create just one point. . . Next we (or God) will
establish a second point and connect it to the first so that we have a
line - then, when we plot our third point we have our triangle; the
first, flat surface... Now, when we create Point Four, we have the first
solid. We have created a thing. . . and, as long as we refrain from
establishing point five, setting our thing in motion, we will constrain
our creation to remain in its position. We will keep our spirit within the
Triangle.
From a Kabbalistic standpoint we can say that the Triangle rep-
resents the Tetragrammaton in the Process of Creation: Air (Aleph),
Water (Mem), Fire (Shin) combining to create Earth (Omega). 4. You
should understand this symbolic geometry thoroughly before you open
Solomon s Brass Vessel and release the genii . Visualize the process
several times in your mind until you have made it yours. Repeat the
Tetragrammaton formula as you visualize (Ah Mah Sha Oh or Sha
MahAh Tah.) 4.
Traditionally the Name of the Archangel Michael, the Angel of
Power, was separated into three syllables; Mi- Cha - el and written in
the comers of the Triangle to add a visual emphases to the symbolic
geometry that bound the spirit (see Appendix 3. ).
Michael is the Archangel of Power but the other three; Raphael,
Gabriel and Auriel are equally important - for what good is Power
without Truth, Love and Beauty?
So how do we invoke these great Archangels?
9{{Jtes ojjoffowing page. . .
44
Chapter %reeI9l[ptes:
1. Beginning students should be advised that Dr Dee and Edward Kelley's
16th Century "Enochian" system, and its subsequent Golden Dawn
variation, is not based on the original Biblical Book of Enoch. There is
no corollary between the Fallen Angels listed in Biblical Enoch and the
entities that Dee and Kelley had converse with. We should also mention
that Kelley employed a dark mirror for his skrying -- but he was a
natural clairvoyant and did not use his own facial reflection as a focal
point.
2. This selection from Milton's epic has been edited and condensed to get
the point across without interrupting the flow of our chapter. I apologize
to students of English literature and I encourage readers to read the
original.
3. Once you evoke an ancient Goddess or God, who was transformed into
a 'demon' in the Goetia, you may then invoke them, whenever appropri-
ate, and/or continue to use the evocation process with emphasis on the
Apology.
4. These are Hermetic Tetragrammaton formulas we derived from the
Sepher Yetzirah, See Note 3., in Chapter Five for a description. Later
you may wish to visualize these Phoenician letters of creation in their
Atziluthic (King Scale) colors -(see Phoenician Alphabet Appendix ).
45
-
If/=
.f"" '1"
, ,j p.:J 1" ':'JJ'"J"JJJJ
At -}1: ,IU 1'/'; JJ'''''''ph>.l,ft"; VjJl
"1'1'4; :'l"""l 1...
t
r.l>!' iJU ., 6w"".IUl."J., .,In'
!J . Q"JJ (ftVl:''J.J ."
Facsimile of a page from an ancient Hebrew Greater Key of Solomon showing a
circle divided into quadrants, with Solomon's Triangle of Art tangent to
the sigil of one of the four Great Archangels of the quarters (Michael according
to Peter de Abano or Raphael according to Tycho Brahe). -- From The Sepher
Maphteah Shelomo courtesy of G.H. Frater Sabazius Xc.
46
.9bufyet 1(jng'Daviasang tfie mysterg ofWanaanacup
.9LnaHiram. Priest-1(jng ofPagan Tgre
»ufie not rejoice in tfie &ui1t£ing of tfie fJ'empfe ofSolomon. ?
In tfie [ustg embrace oftfie Cherubim.
Sun yoUsy:mbo[ofMiglitg 'Emanations
'Begetting Prina anaPrinassupon
'Ifze Motfier of tfie Sea
Loris of !Fire anaWater - .9Lir ana'Eartli
'Ifze verg 'Ietragrammaton
fromCurt of tfie Sangrea[by 'Ihabiott
Chapter Four: rIfLe Secret of the j-[ofg 'Ia6fe
I
T MATTERS NOT WHETHER YOU ARE a Christian, a Jew, a
Muslim or a Pagan. The Four Great Archangels are very much a
part of our Western Tradition. They represent the positive forces
that drive the engine of the universe and the love that holds it all
together. From a practical point of view, they are The
Tetragrammaton. They represent the Four Philosophical Elements of
Creation. In the Order of the Temple ofAstarte we conceive and visu-
alize them as complimentary male and female beings, in keeping with
the nature of their functions - for Angels can appear in any form they
wish, or any suitable form that your imagination can provide for them.
You are free to enlarge and use the icons I have created for the
D.T.A. in your personal temple (See Color Plate) or you may wish to
develop your own original designs.
47
The Archangels activate your Magick Circle of protection.
Casting your circle with a traditional Pentagram Ritual before each
operation is certainly important but that alone is not enough. The Great
Archangels must live in your mind and in your heart - You must have
them inside as well as outside. ready to help you control the rebel-
lious spirits - otherwise opening the "Brass Vessel" would be like
opening Pandora ~ Box, which, according to the ancient Greek myth,
released evil into the world and could not then be re-closed.
Therefore we must first master the art of Angelic Invocation
before we proceed to its darker counterpart: the evocation of
Solomon's 72 spirits.
Along with the secret of the mirror-in-the-triangle, the other cru-
cially important element missing from the Goetia is the fact that the
72 spirits of the Brass Vessel have 72 direct counterparts in the Holy
Angels ofthe Shemhamephorash. These derived, or "suffix" angels are
not as personified as the Four Archangels of the Quarters or the Seven
Archangels of the Planetary Spheres, but they do act as specific and
very effective channels of power through which those Great
Archangels control each and every rebellious spirit.
If this concept is not fully understood and integrated into your
Goetic evocation operations, you are on spiritually dangerous ground.
The careful operator should use both Goetia and Shemhamephorasb
sigils and conjurations in evocational operations.
Like the Goetia spirits these Shemhamephorash angels have
their own special signatures and there is a short traditional invocation
for each one of them. We credit these invocations to the 17th century
magus, Dr Thomas Rudd. The sigils themselves come from
MacGregor and Moina Mathers of the Golden Dawn who claimed to
have found them in an old French magical MS. Even if this story was
a veil of glamour to enhance their creation, they were certainly mas-
ter magicians and their sigils are effective. 1.
Before anyone in The Order ofthe Temple ofAstarte is allowed
to participate in Goetic operations, we insist that they experience a
48
series offour Archangelic invocations - so that the Great Archangels
of the Quarters, those personifications of the Tetragrammaton, which
bound the original Fallen Angels, will thereafter in-dwell and empow-
er the student so he or she may then open the Brass Vessel and con-
template the dark mirror from a psychic center point of spiritual bal-
ance and strength.
Now that you understand the general theory, let's get down to
practical methods. How do we go about this Angelic invocation
process?
There is another book in the Lemegeton compendium that prob-
ably should have been published with the Goetia. It is called The
Almadel of Solomon and gives us a very effective method for invok-
ing - and by that I mean: calling down _. the angels. (See Figure 4.)
Figure 4. -- Diagram of the waxen Almadel from British
Library Sloane MS 2731, THE LEMEGETON.
The original Almadel was a table-top device made entirely of
wax. This was an ingenious design. The square slab of wax had holes
at each comer through which the four candles were inserted, leaving
49
enough length below to raise the little platform high enough so that a
small incense burner could be placed beneath it . . . from where the
incense fumes could rise, through another set of holes, to envelop the
crystal shewstone in mysterious tendrils of fragrant smoke - thus
adding to the hypnotic effect. 2.
As with the Goetia, the secrets of the Almadel were not clearly
explained in the Lemegeton. I had to use equal measures of scholar-
ship and inspiration to reconstruct and [me-tune the system... but the
effort was certainly worth the trouble because the Almadel Angels con-
trol the Goetia spirits!
I know that statement may be surprising to some magical schol-
ars who never look beyond (to quote Cornelius Agrippa again) "what
is writ in the bare letters." The Almadel's Angels are not arranged in
an ascending hierarchy, they are attributed to the Four Quarters and the
twelve signs of the zodiac, with each. of the four Quarters governing
the three astrological signs particular to its nature - in other words,
the Cardinal Signs ofAir, Fire, Water and Earth, which we know are
governed by the Four Great Archangels of the Quarters, Raphael,
Michael, Gabriel and Auriel.
Realizing this we can simply disregard the late 17th century
hodgepodge of garbled angelic names the Lemegeton' s scribe 3. has
attributed to these "altitudes" and thus restore the Almadel system to
its full power and purpose as delineated in our Master Mandala (see
Color Plate).
Each of the four Great Archangels of the Quarters empower
three sets of six Shemhamephorash Angels, who in tum control three
sets of six counterpart Goetia Spirits - which are distributed, two to
each of the 36 dekans, or ten degree divisions of an astrological Sign.
This occurs in similar order all around the zodiac (see the Master
Mandala).
Correcting these errors and rectifying the system intellectually
was certainly necessary but of equal importance was the secret of the
50
actual technique. Once again I had encountered the phenomenon of a
missing key.
Even during the excitement of my Dark Mirror discovery, I still
realized that these Great Beings of Light had to be invoked first to sta-
bilize the evocation process - otherwise the legendary symbolism of
the Brass Vessel would be lost. I was convinced the Almadel was the
proper Invocation System simply because it, like the Goetia, was one
of the five books that made up the Lemegeton.
I constructed several different versions of the Almadel device,
using the crystal, the candles and the incense burner, until I finally dis-
covered the way to maximize the effect - and share it with others.
The skryers sit, totally isolated, on low stools in semi-darkness
looking up at the crystal, placed on a high table and surrounded by
shielded candles (an excellent theatrical lighting effect) while spec-
trally illuminated smoke curls upward. With this set-up the practition-
ers are more than halfway into dreamtime before the invocation starts.
When I first developed this technique we found the effect was
so powerful and the experience so profound, we soon realized - even
before my research confrrmed it - that we had opened the Gates of
Heaven. We had called down those glorious Beings of Light whose
sweet voices then whispered in our minds as we sat in reverent awe
about The Holy Table of Art.
But, wait a minute! Have I said anything about anybody actu-
ally seeing anything in the crystal ball? No, I have not - and for a
very good reason. Unless you are clairvoyant you will probably not
see anything specific. However, if you have mastered self-hypnosis
and the yoga of tratakam (see Chapter 1), you will witness an electric
blue astral aura shot through with rays of golden light, the crystal will
radiate with power and you will sense a profound change in the space-
time-continuum. You will know that you are "On Holy Ground" and
that the Angel has arrived. This is very similar to "The Burning Bush"
experience described in the Bible. If you think of the Biblical Burning
Bush as an ordinary shrub seen sillouetted on the crest of a dark ridge-
51
line just as the sun rises behind it, you will understand the mechanics
of a miracle. . .
Is this a modern, subjective approach?
For the answer to that question let us go back three hundred and
fifty years and consult the venerable Dr Thomas Rudd on the subject:
"If good Angels or Elemental powers of light or otherwise dig-
nified Spirits of benevolent or symbolizing nature with celestial pow-
ers, and allied to the welfare and preservation of mankind, are moved
and called forth to visible appearance in a Crystal Stone or Glass
Receiver, as one usual way or customary form is among the learned
Magicians, then the sign of their appearance most seemeth like a veil
or curtain or some beautiful color hanging in and about the stone or
glass as a bright cloud or other pretty kind of Hierogylphical show,
both strange and very delightful to behold. "
So once again we were following in the footsteps of our Ancient
Masters. Unlike the dark mirror, it is not necessary to see anything spe-
cific in the shewstone. You can have a tremendously powerful contact
and even become a channel through which the Angel may deliver an
oracle. Further on in your magical development you might undergo a
life-transforming experience with this method- such as "Knowledge
and Conversation with your Holy Guardian Angel" - and never at
any time 'see' anything like a face or a recognizable symbol in the
crystal. 4.
If you are wondering why Angels are less visible than Spirits
and Pagan God-Goddess forms, the answer is not far to seek; Angels
are agents and messengers of the Supreme Power whereas Spirits and
Godforms are personifications of Nature. God is a Crystal and Nature
is a Mirror; God radiates and Nature reflects.
Like the secret of your reflection in the Dark Mirror for evoca-
tion, this knowledge frees you from dependence on psychics and clair-
voyants in your Angelic invocations. You have gone beyond the limi-
52
tations that handicapped John Dee, Count Cagliostro and Frederick
Hockley. You are in direct communication while they could only act as
scribes.
Our modem O.T.A. Alamadel is combined with the traditional
double-cube altar (see Equipment Appendix). We have shielded can-
dles at the four 'homed' comers and an incense chamber below, with
slots cut around the central compass rose to allow the rising smoke to
surround our crystal shewstone - which is placed on our Master
Mandala that unifies the Goetia and Almadel systems in one all-
encompassing design.
This modem innovation of mine turned out to be just as effec-
tive, in its own way, as the ancient Almadel, with the important advan-
tage of being ideal for group workings. We place low stools around
the foot of the altar so that four or more people may sit and gaze up at
the smoke-shrouded crystal, haloed in spectral light, with nothing else
in their field of vision.
The operator sits in the East and serves incense through a hinged
round door which replicates the Alchemical Spirit symbol. The other
participants gaze at the illuminated, smoke-shrouded crystal from a
low angle that automatically induces a hypnotic alpha state. Beginning
in the East and passing deosil, these invocations (to be found in prac-
tical section of this book) are articulated by each person in tum while
the rest continue to softly chant the Archangel's name in unison. This
'round-robin' continues until all have invoked. After this the chant-
ing is intensified until the operator in the East sees a "Glory on the
Altar" and senses a presence. He or she then welcomes the Archangel
and the oracular phase of the operation proceeds.
Remember, you are invoking these angels, not evoking them.
Invoking is similar to praying. You're calling them down and inviting
them to visit you. You are asking them to help you - so you should
not order them around in commanding tones and you certainly should
not banish them when the operation is over. You thank them, you ask
them to come again, and then you bid them "Hail and Farewell."
53
Now that you have been introduced to the Evocation of spirits
and the Invocation of angels, the time has come to explore the geog-
raphy and study the architecture of their realm.
Chapter !Fourl9{ptes:
1. These sigils were copied by Mathers from French
Arsenal MS. 2495 attributed to the magician Blaise
Viginaire. We are indebted to Pat Zalewski for provid-
ing us with direct reproductions of the Mathers' origi-
nals. These sigils resemble those in Mathers' version of
The Grimoire ofArmadel.
2. The ancient Almadel was probably placed on a waist
high table at which a single operator sat during the
entire invocation. The candle-illuminated wax has a sub-
tle, translucent quality that enhances the crystal. This
effect is difficult to describe and cannot be fully repli-
cated on video tape. Actually making an Almadel and
experimenting with it would be very worthwhile, espe-
cially for the solitary practitioner. See the complete
transcript of The Art Almadel of Solomon included in
this book.
3. This slap-dash, cook-book style of transcription was
typical according to Professor Eliza Butler in her book,
Ritual Magic. She pointed out that the burgeoning
market for hand-copied magical manuscripts in the 17th
and 18th centuries encouraged scores of inept and even
fictitious renderings. We should also remember that the
great magicians of the Renaissance were philosophers
whereas those who venerated them were sometimes (to
use Rabbi Kramer's expression) "eductated beyond their
intelligence".
t).{ptes continued ~ page:
54
Chapter Four :A[ptes continued:
4, Do not confuse this with the projection technique we use in
exploring Enochian Ayres. In that method we stare at the
crystal (or black obsidian ball) and chant until "The Gate
Opens". Then we close our eyes and project onto the Inner
Planes. This is very similar to the Pathworking process.
55
In the 'Beginning there was WfrirHng'lJark;rtess
qfze Motfzer oj!J{jgfit andqfze 'lJragon ojChaos
.9l.rufqfze 'lJragon embracedfJ!ie !Jvfotfier oj9{jgfit
Wfiogavebirtfi to 'Two Sons: 'Ihe Ligfit,
Wfio sfionejortfi to'Ensoui fJ!ie Worlds,
.9l.nd'Time WfiogaveMeaning to 'Eternity.
from 'Ihe Teacfiings ofx..fia 1(fria60 by'Ihabion
Chapter !Five: fJ1ie !l(a66afaft ofWizart{ry
R
EMEMBER, AS ABOVE, SO BELOW - As Within, So
Without. At this point you might be wondering how can we,
as mere mortals, presume to Invoke Archangels and Evoke
ancient Gods, Goddesses and Demon Kings. Even though we have the
essential operative secrets: hypnosis, the mirror reflection phenome-
non and the aura producing crystal, where do we get the special knowl-
edge, the philosophy and the empowerment to use these methods in
magical operations?
The philosophy behind Solomon's Magick is Kabbalah. In
Magick the Kabbalistic mind-set is as important as the hypnotic oper-
ating technique. If hypnosis is the tactic of the wizard then Kabbalah
is his strategy. About this there is comforting news and challenging
news:
56
The challenging news is you that you cannot escape learning the
basics of kabbalah. The comforting news is that you don't need to read
Hebrew any better than some Tibetan lamas can read Sanskrit (and
they are still excellent magicians). Please understand I don't propose
to teach you kabbalah in this book. This short chapter merely sets forth
the special characteristics of our version of kabbalah. You can famil-
iarize yourself with the grand old system in the works I've recom-
mended in the study guide.
With this in mind let's look briefly at what I call "The Kabbalah
of Wizardry." It was developed in the late middle ages and early
renaissance by nominally Christian magicians and is usually refered to
as "The Hermetic Kabbalah". How does it differ from Rabbinical
Kabbalah and just how "Pagan", how "Gnostic" or how "Judeao-
Christian" is it?
These questions may not seem important at this point but they
will loom large as you begin a serious study of the subject, so I will
do my best to answer them as briefly and as simply as I can right at the
outset of your training.
Let us begin by attempting a one sentence definition of
Kabbalah.
Kabbalah is a philosophical-mathematicaL-geometric system
that describes the creation and operation of the universe throughfour
dimensions by employing a schematic design containing ten spheres
of descending emanation connected by twenty-two paths attributed to
letters of the alphabet and their numerical equivalents.
This is a starting point but not much better than giving weight,
height and color as the defmition for an elephant. Essential to under-
standing kabbalah is the concept of Ain Soph, "The Limitless Nothing"
that contracts into itself and produces the Ain Soph Aur, "The Limitless
Light", which then expands to produce The Universe and continues to
enliven and to ensoul it. This conception predates modem physics'
"Big Bang Theory" by a thousand years. It also puts Kabbalistc phi-
losophy in a very controversial position in relation to orthodox Jewish
57
and Christian religion. At the highest level the kabbalist can conceive,
God is not judgmental or in any way dissatisfied with His Creation. He
simply Is and continues to Be. A contemporary popular analogy
would be "The Force" in the Lucas STAR WARS films.
The Universe is therefore operated by lesser, more differentiat-
ed personifications such as Angels, Gods, Goddesses and Elemental
Spirits. This idea was originally Neoplatonic (the philosophical high
water mark of Classical Paganism) and can be explored further in the
writings of the philosopher Plotinus and his followers.
We attribute all these lesser powers to the various Spheres and
Paths of the Tree of Life structure described in our one sentence defi-
nition. We can then access them for knowledge or for help.
Thinking of it in a more subjective way, we might say that kab-
balah is a spiritual-magical computer program for your mind. It inter-
faces the left and right hemispheres of the brain (a modem physiolog-
ical reality originally theorized by the kabbalist, Issac Luria in the
16th century) and allows you to go on-line with "The Great Main-
frame". In other words, the Microcosm (you) accesses the Macrocosm
(God).
Since its emergence in medieval southern France and Spain to
the present era, kabbalah (especially magical kabbalah) has been stud-
ied and practiced by as many Gentiles as Jews.
In fifteenth century Europe a philosophical marriage took place
that established the lineage of The Western Esoteric Tradition. Hebrew
Kabbalah was united with Classical Paganism (Hermeticism).
Hermetic philosophy had arisen in the second century of the Christian
era as an attempt to preserve the ancient wisdom from the anti-intel-
lectual onslaught of Christian zealots. It combined elements of
Neoplatonic, Gnostic and Orphic teachings. When the Hermetic writ-
ings were rediscovered by Renaissance Europeans, magick was liter-
ally reborn. Hebrew Kabbalah, which shared many of the same origi-
nal roots, was soon iritegrated into the Hermetic scheme to give it a
necessary structure.
58
Humanist "Hermetic" philosophers enriched their magical art
by including the Pagan Orphic Hymns to the Gods and drawing on the
exotic Arabian-Sabian 1. planetary magical system (having origins in
ancient Canaan and Babylon) to create an elegant synthesis. The Earth
was declared a Goddess (the Anima Mundi ). The deified Sun, Moon
and planets were evoked both in the human body and in the heavens
beyond. This obviously Pagan, capricious and amoral pantheon was
balanced and regulated by Angelic counterparts retained from the
Biblical system. However, in the Hermetic Kabbalah these Angels
were thought of as the sentient messengers or special power-givers not
of a "Biblical Jehovah" but of an omnipresent, omnipotent and non-
judgmental "Force" that flowed throughout the universe. The famous
Renaissance philosopher magician, Giordano Bruno, who was suppos-
edly burned at the stake for supporting Copernicus's heliocentric the-
ory, was actually executed by the Inquisition not because he publicly
declared that "Yes, the earth does revolve around the Sun" - but
because he then insisted that"the Sun is a God!"
Kabbalah, in its earliest form, was probably derived from a syn-
thesis of Pythagorean mathematical/geometric philosophy and
Simonian (Samaritan) Gnosticism in first century Palestine and
Alexandria. Its Palestinian roots are shrouded in myth but we can
make an argument for a Pagan Samaritan origin. 2.
In its later Hermetic form the practical (magical) kabbalah is
similar to Tibetan Tantric Buddhism in that elaborate visualizations of
frankly Pagan godforms, angels and elemental spirits are encouraged.
Judaic and Muslim religious tradition forbids this imagery, thus
severely handicapping their forms of kabbalah. 3. There is, however,
one major difference between our Hermetic system and that of the
tantrics: they contend that everything is ultimately illusion whereas
we say that everything is ultimately reality. For this reason we place
great emphasis on developing and balancing the four philosophical
"Elements": Fire, Air, Water and Earth (animated by "The Force"
which we call "Spirit'i.)
59
In Hermetic-kabbalistic terms, these Four Elements are the man-
ifestation of The Tetragrammaton, the four-fold Name of God. They
are further personified by the Four Archangels of the Quarters with
which you are already familiar.
The importance of these Four Magical Elements (which are also
the Grail Hallows and the Tarot suits) cannot be overemphasized. I
need not press my argument further than to refer the student to one of
our major beginning texts, Initiation into Hermetics by Franz Bardon.
This entire work is devoted to the mastery of these four principles.
Hermetic kabbalah also employs Angelic balancing forces as
invoking and evoking formulas to call down and summon up its other-
wise Pagan entities. There should be no disrespect or irreverence
toward ancient deities in this process. It is the traditional source of the
magician's power. The Arts of Theurgy and Thaumaturgy 4. allow you
to explore vast dream realms and discover lost treasures of spirit. One
might say that the worshiping mystic waits on the whim of his god
while the magician sets out to climb Mount Olympus. If you are a
spiritual adventurer the respectful manipulation of these forces will be
the appropriate method for you.
You now have a beginning idea of what Hermetic kabbalah is
about but you may still wonder how it differs from traditional Jewish
kabbalah.
It differs in three ways. First: Jewish kabbalah is primarily con-
cerned with decoding the first five books of the Bible via the process
of Gematria (each Hebrew letter has a number value; hence any other
word adding up to the same value has a mystic relation or could be a
coded substitution). Second: Jewish kabbalah (of the most esoteric
Lurianic school) does postulate a non-judgmental god-force at the
highest level but becomes highly moralistic in descending levels -
and, Third: Jewish Kabbalah has nothing to do with the Tarot or any
Pagan godforms on The Tree of Life.
By the eighteenth century the Jewish intellectual establishment
had generally abandoned kabbalah as a "baleful influence" on their
60
culture - although, in recent years there has been a revival of interest
in the subject in the Jewish community (especially in the in the nin-
teen sixties and seventies when the rabbis discovered that some of their
brightest young people were attracted to esoteric Buddhism). This his-
torical background is mentioned so that the reader will be aware that
there are distinctly different conceptions and philosophies of kabbal-
ah. There is no "Official Kabbalah", there is only the kabbalah that is
right for you.
We should also mention that our particular O.T.A. version of the
Hermetic kabbalah uses Phoenician Letters instead of Hebrew (see
Figure 5. and Phoenician Alphabet Appendix) and that we use a non-
Judaic Tetragrammaton in lieu of YHVH. 5.
Where does Jesus fit into all of this? Was there ever any such
thing as a "Christian Kabbalah"?
There were some attempts at this during Renaissance but
Christianity's Doctrine of Faith is fundamentally opposed to the kab-
balah's Doctrine of Knowledge (Gnosis) and Christianity's triune
structure will not fit into the ten spheres of the Otz Chiim (Tree of
Life). If you are eclectic you can place Jesus in Tiphareth (along with
Ba'al and Osiris) but you should be aware that this is not an elegant
assignment because there are no other deities in any "Christian pan-
theon" whom you can then place in the other Sephiroth. The Apostles
won't fit and the Saints aren't appropriate.
(Conversely, ancient Semitic Pagan deities fit so perfectly on
The Tree that one might think that the kabbalah was secretly designed
for their eventual return! Modem archaeological research by Prof.
Simo Parpola, presented in his article The Assyrian Tree of Life from
The Journal ofNear Eastern Studies (1994), supports this view, estab-
lishing that the original ten sphere "Tree" was attributed to the Gods
and Goddesses of ancient Mesopotamia -- which were nearly cognate
with our Canaanite pantheon -- and which were imported into ancient
Israel after the Assyrian conquest with the forced resettlement of the
Samaritans. See Note 2. and see Figure 5 on the following page... )
61
tI!ie pfwenician 1(a66afafi
of the
Ordo Templi .9lstartes
..-
,/ ..........
/ "-
/ \
I \
{Asshia I
t /
\ /
\ /
<,
........... //
......... --
----
Figure 5. -- The Ot: Chiim (Tree of Life) with the Phoenician alphabet
and Godforms attributed to Paths and Spheres.
62
I feel that a person's relationship with Jesus should be a person-
al and private matter. We do not invoke Christ in our rituals because
He does not fit into the Hermetic system. He would not be comfortable
having to share importance with our ancient Gods and Goddesses or
even the Angels that empower the Four Elements. If you consider
Jesus to have been the chosen representative of God among Men, you
should let Him stand alone.
At this juncture we need to explain how the kabbalah relates to
our Goetia and Almadel systems. The best way to understand these
relationships is to study the Tree of Life diagram (Figure 5.) and try to
visualize the conceptions.
The Tree of Life (Otz Chiim) is a philosophical schematic of the
universe as it was created and as it continues to function. The Tree has
ten Spheres because we have ten fingers and our mathematics is based
on the number ten. We separate The Tree into four descending Olams
or dimensions. (In an over-simplified way these dimensions can be
thought of as levels of vibration or frequency, like UHF, VHF, etc.) At
the top we have Atziluth, the World of Origins, which creates and con-
tains the single Sephera of Kether. At this exalted level God is nei-
ther male or female and certainly not judgmental. This is "The Force"
which empowers the mighty two-stroke engine of the next dimension,
Olam Briah, the World of Archetypes and Archangels, where the Yin-
Yang (the Sephiroth of Chockmah and Binah, male/positive-
female/negative) revolves with impersonal, cyclical detachment, gen-
erating the myriad pre-forms of the Olam Yetzirah, the Olam of
Formation, the so-called "Astral Plane". (This derives from Plato,
who originated the idea of "The Original Idea"; the concept that there
has to be an "ideal archetype" preceding every physical manifestation.
The Neoplatonists then made these ideal forms dynamic through the
theory of emantions.) These "pre-forms" become physically manifest-
ed in the [mal Olam, Asshia, which contains the single Sephera of
Malkuth.
63
The Yetziratic dimension, wherein the magician does most of
his or her work, comprises the Sephirotb from Chesed down to Yesod.
Here we find the anthropomorphic and zoomorphic images of mythol-
ogy. This is the Realm of the Gods that Carl Jung called "The
Collective Unconscious" and here we will find the Genii of King
Solomon's Brass Vessel. ..
. . . Well, not exactly... The truth is that all of King Solomon's
Spirits are found in the lowest Sephera of the Astral, the lunar sphere
of Yesod. This is the case even though they are attributed to all the
planets from Mercury (Hod) on up to Saturn (Binah).
We have what appears to be a paradox as a result of trying to
explain Kabbalah in one short chapter. The Tree of Life design serves
different functions. In the description above (and on Fig. 5) we use the
Four Olam Division on one single Tree to show the process of cre-
ation. Be aware, however, that each of the Four Dimensions operate
throughout the whole Tree and each Sephera contains its own com-
plete Tree. We find all of Solomon's Genii in the various planetary
spheres of Yesod because Yesod is gateway to the Astral, the sphere of
memory and the sphere of The Dark Mirror.
If this sounds confusing, try to visualize it this way: The Moon
is the planetary sphere closest to the Earth (in kabbalistic terms, Yesod
is the sephira closest to Malkuth). The outer planets and the sun are
reflected down through it. Coming up from below, it is our port of
entry into the subconscious emotional Astral Plane (Olam Yetzirah).
Thus the lunar 'mirror and memory aspects' of Yesod are very appro-
priate because the Goetia spirits are, in a psychological sense, all
reflections of different aspects of yourself extended out in a flat circle
on this primal, emotional level.
"Observe the Moon in all thy workings" the Lemegeton
declares.
Given the above, your next question should be which
Archangels control these Goetia Spirits? Obviously Gabriel rules
Yesod and should be invoked in a Greater (lunar-planetary)
64
Septagram Ritual preceding every Goetic operation. Remember, the
72 Spirits of the Brass Vessel are not an ascending hierarchy and nei-
ther are the four Archangels of the Quarters and the 72 Angels of the
Shemhamephorash 6. who control the 72 Goetic spirits. They are all
in a flat circular pattern following the signs of the zodiac (see the
Master Mandala).
You may note another apparent paradox with the four
Archangels of the Quarters and the Elements also doubling as four of
the seven planetary Archangels. Kabbalistc hair-splitters will tell you
they are actually different beings with the same names. You may find
it necessary, at a certain stage of your development, to go along with
this. Eventually you will internalize the Archangels as principles (e. g.,
Raphael personifies the illuminating Sun in the Eastern Quadrant and
the life-giving properties of the Air). Recall my Metatron-H.G.A.-
Sandalphon angelic Totem Pole. These angels are not attributed to the
planets in any context.
Once you have raised such ancient deities as Ba' al, Astarte,
Amon- Ra or Horus through their Goetia forms via the Lunar Gate, you
may certainly seek them in their higher spheres under their original
titles in proper planetary operations. (The Picatrix provides an excel-
lent resource for such advanced workings.) Remember, the ancient
Gods and Goddesses are capricious, like the forces of nature they rep-
resent. Balance your work carefully.
Considering the above the thoughtful student might ask if
Hermetic-kabbalistic magick is an amoral system?
It is not possible to give a quick and simple "No" answer to this
question. One reason is that there is nothing quick and simple about
kabbalah. Another reason is that without certain philosophical princi-
ples such as reincarnation, the Law of Karma and the belief that spir-
itual evolvement requires one to transcend personal ego and find com-
passion for all humankind, Hermetic kabbalah could be seriously mis-
used.
65
For this reason we follow the example of Hermes Trismegistus
and keep the teachings as a prize to be won by seekers after wisdom,
not a gospel to be preached to multitudes. (So, if you find this chap-
ter a little difficult to understand, without parallel reading, you should
realize that we are following that principle - and you will be encour-
aged to study the recommended texts.)
If this brief theoretical explanation raises as many questions as
it answers, we are at least off to a good start... Now let's take a quick
look at the practical kabbalistic aspects of a Goetic operation: -
After opening the Lunar Gate (Yesod) with a Planetary
Septagram Ritual, during which you will internally expand The Tree
of Life in Yesod (located in the genital chakra) to displace and overlay
the other psychic centers in your body (see Chapter Nine, Figure 7.),
you will then circumambulate your magick circle deosil as many turns
as the number of the Sephira you are working (e. g., seven times for
the Sphere of Netzach). Likewise, in a Yesod-Netsach operation you
would use green candles and bum sandlewood incense. The Names of
Power that you plug into your standard conjuration are drawn from
The Master Mandala and the 777 references to the Sphere of your
working. You will also use the proper planetary metal (or an affordable
facsimile) for the spirit's lamen worn by the receiver.
As you can see, there is psycho-technical structure to Solomon's
Magick that is definitely kabbalistic. This does not mean that you have
to master all the theoretical principles and practical methods of this
venerable philosophy before you venture into wizardry. The fact is you
will never master it all. One of the more important things you will
learn from the study of kabbalah and the practice of magick is the vast
extent of what you really do not know. The more you study and prac-
tice the greater, deeper and further this unknowing extends. Remember
this when someone tries to tell you how much they 'know' or how
much 'you do not know' about kabbalah. 7.
66
Chapter !Fivel9{ptes:
1. This little-known Pagan Sabian connection is vitally important
in the history of Western Magick. The Harranian scheme of
planetary correspondences reached the European magi through
the medieval Arabic grimoire, Picatrix, which has not yet
been completely translated in English. In the O.T.A. we use a
private translation of the Sabian Planetary Prayers made by the
Master of our East Coast Temple, Frater Sabezius, who has
specialized in this ancient Pagan school of magick.
2. The possibility of a Samaritan origin for the Kabbalah has been
carefully side-stepped by Jewish writers. The Samaritans were
Babylonian Pagans who were resettled in Israel by the
Assyrians after their conquest of Palestine in 721 B.C. From
that time on through to the Christian era they practiced a mix-
ture of Pagan and Jewish religious traditions that was more
magical than orthodox Judaism. They may have originated the
concept of Gematria (see Wallis Budge's AMULETS AND TAL-
ISMANS). One of the great progenitors of our Hermetic tradi-
tion, the Gnostic magician Simon Magus, was a Samaritan.
The Samaritan 22 letter alphabet is directly analogous to
Hebrew and, like the earlier Phoenician characters, is a good
choice for Hermetic Pagan magicians who prefer not to use
Hebrew.
3. Muslim kabbalah is called Abjad after the first five letters of
the Arabic alphabet.
4. As Issac Bonewitz pointed out during our 1974 presentation on
NBC's Tom Snyder Show, Theurgy means "Divine Working"
whereas Thaumaturgy translates as "Miracle Working". From
this we can deduce that the expression "Goetic Theurgy" is
actually a contradiction in terms.
5. YHVH means "I Am What I Am". It is an anagram for some
thing unknown like V.FO. or Y.I.P. Regardless of this ambig-
uous symbolism it has very strong religious connotations. If
you are Jewish or an Old Testament oriented Christian, you
should probably continue to use it. Modem Hermetic Pagans
may find AMShO - derived from the Three Mother Letters
of the Sepher Yetzirah, plus Omega - less "Biblical" in the
negative sense (even Hebrew kabbalists conceded that their
alphabet needed another letter). However, if you don't want to
add another letter to the Phoenician or Samaritan alphabet for
the Earth Element, you might also consider my ShMAT
9{ptes continuedon next page. . .
67
Chapter :Fivel9{ptes continued:
(Sha Mah Ah Tah ) formula, Shin (Fire!Atziluth) Mem
(WaterlBriah) Aleph (YetzirahlAir) Tau (Satum-Earth-
Malkuth). These three Tetragrammaton arrangements should be
studied in relation to the Sepher Yetzirab in any case. Even if
you do not agree with the new Hermetic forms you are sure to
profit from a serious study in preparation to challenge them.
6. The Shemhamephorash (extended name of God) that is used
in our Master Mandalla is the version derived from the 72
word verses in Exodus, not from the permutation of YHVH
via the Tetrakis referred to in my kabbalah research paper
included in Appendix 4.
7. A venerable kabbalist once said that: "God is ineffable and
everything else is man's cleverness". Another equally venera-
ble sage commented that: "Women have babies and men have
kabbalah !"
68
%e number is 'Ien. -fortfiefi11tJers
Of.9lJ£am ~ a ' m o n . . .
OnEg because tfie jirst :Man counted thus
Ylni made it so!
It reduces to notfri11tJ- ani expands
'To infinity
Without tfi:g calculations.
from The 'BookofYLstarte by'Ihabion.
Chapter S i ~ 'Ihe f4.rcfiitecture of our MagicafSystem
I
OFFER ANAPOLOGY for some of the complexities we must deal
with in this chapter. Please bear with me and look closely as we
lift the veil to examine the inner workings of our magical system.
It is important that you understand these concepts because I have made
some radical innovations to rectify and improve traditional forms. You
need to understand these modifications and the reasons for them
because our system differs from several others that you may become
familiar with as you learn more about magick.
In line with the above, one of the major shortcomings in mod-
em occultism is a remarkable lack of original thinking on any intellec-
tuallevel above a practical understanding of the mechanics of 16th to
19th century rituals - which are endlessly re-hashed until, in some
69
cases, an actual degenerative process sets in. An example in point is
the present large-scale misuse of Regardie's Watchtower Opening. For
many years Francis Regardie had let it be known that he had developed
a ritual to open the four Enochian Elemental Tablets and the Tablet of
Union for Temple working. He finally got a chance to publish the rite
in 1980 but the publisher suggested that, for marketing purposes, the
book should be presented as introductory. Of course it was anything
but introductory.
In order to make the procedure accessible to beginning students,
Regardie suggested they might use the sigils on the tops of the Tablets
rather than put off performing the rite until they had a full set of boards
constructed - even though they were certainly expected to visualize
The Tablets as being "in place." After Regardie's death his simplified
substitution was inappropriately reduced to the use of generic elemen-
tal symbols (e.g., L1 = Fire) at the quarters. We ended up with an
exclusively Enochian procedure to open Enochian Watchtowers
which were neither present nor even understood to be activated on the
astral. This ritual is now being offered by its proponents as a "Basic
Temple Opening" for all Hermetic operations. This is acceptable only
under the agreed upon condition that the ultimate architecture of the
Spiritual Universe is Enochian. Of course it can be if the student
chooses to accept it but he or she deserves the opportunity to make
that choice at a point in the curriculum where the philosophical impli-
cations are understood. This is especially true for practitioners who are
not Thelemites (followers of Aleister Crowley) or advanced students
of the Golden Dawn. As the French have learned, it is not prudent to
serve wine to children."
I have dealt with this Enochian issue at some length above in
order to make a point: the AlmadellGoetia system is not Enochian.
Granted that Thomas Rudd, and later Aleister Crowley, both made
attempts to integrate the two systems - but they did not succeed. I
would strongly advise students not to mix AlmadellGoetia with
Enochian until you feel you are ready to pick up where Rudd and
70
Crowley left off, realizing that you would be undertaking a project that
daunted two of the most brilliant magical scholars of the last 300 years.
With the Enochian question thus temporarily put by, let us pro-
ceed to the basic architecture of the Almadel and Goetia systems as
they have come down to us and as they have been interpreted in mod-
em times. First, the Almadel: -
The Almadel Angels are not arranged in a descending hierarchy
but rather attributed to the four elemental signs ofthe zodiac - which
represent the true quarters (or Watchtowers if you will) of The
Universe. The original Almadel attributes five Angels to each
"Altitude" (i.e., three signs of the same element). The number five in
this case is either erroneous, arbitrary or based on Agrippa's
numerology, and the names of the Angels are hopelessly garbled. One
literally has to dismantle and reconstruct the system to make it work
the way I believe it was originally intended to function.
Instead of five Angels per "Altitude", we fall back on the
Traditional DirectionallElemental Guardians of the Four Quarters:
Raphael, Michael, Gabriel and Auriel. Each of these Great Heads
then direct three sets of six Shemhamephorash Angels - the 72 direct
counterparts of the Goetia Spirits who are, appropriately enough, gov-
erned by Four Kings attributed to the same Four Quarters. The fmal
proof of the system's validity is in its elegance. If the Almadel was not
originally conceived this way, it certainly should have been.
Now to the Goetia: - The first thing we have to deal with in
considering where and how to arrange our 72 Spirits is the Art/Science
of Astrology. Here we basically have two choices, Tropical or Sidereal.
We can start our series off at 0
0
Aries (as we and most others have
done with the Goetia 2.) and forget any precise celestial positioning, or
we can anchor our circle of Spirits at 0
0
Leo, following the Golden
Dawn system, forever fixing them in the heavens. This is what the
Golden Dawn did with its version of the Shemhamephorash Angels.
71
Either system is valid. You can also have it both ways if you
feel, as one of my respected colleagues does, that adherence to Golden
Dawn and Thelemic traditions demand the astrological compromise -
just so long as you understand what that compromise involves...3.
If your Spirits start at 0
0
Aries and your Shemhamephorash
Angels start at 0
0
Leo, they simply will not match up. The Angels are
fixed and the Spirits are sliding backwards. The reason why the
Golden Dawn left us with this unresolved problem was simply that
they considered the Shemhamephorash Angels as part of their official
(Sidereal) system but consigned the Goetia Spirits to an unofficial sub-
system which they did not incorporate. This is why the Goetia
Demons are left in their Tropical sequence. It is also the reason why
the G.D., and later Crowley, never corrected the cumbersome and
poorly justified "Day and Night Demon" arrangement listed in 777.
This scheme treats each 10
0
Decan as a 24 hour period (?) in an
attempt to untangle the ponderous and garbled instructions in the
Goetia. These directions seem to derive from Planetary Hours, the
Mansions of the Moon and Agrippa's numerological superstitions
about "good and bad numbers". If the logic behind all this escapes you,
you are not alone. Nobody else has been able to figure it out. 4. Just
remember this: because all Goetia Spirits are "Fallen Angels", they
reside in the lower astral or Lunar Sphere (Yesod). They are one ring
of an onion with the Shemhamephorash in another ring beyond them.
It is best to summon them during a waxing moon because of the
moon's influence on emotions (remember the astral plane is also the
emotional plane), otherwise you can contact anyone them any time
you wish.
In line with the above I have taken the liberty to start our
Shemhamephorash Angels off at 0
0
Aries, linking them directly with
our Goetia Spirits - But we also use MacGregor Mathers' sigils
which the G.D. employed in their Sidereal sequence. How do we jus-
tify this ? Very easily: Mathers claimed that he got the sigils from "The
Great Magician, Blaise Viginaire." Now if anybody could prove that
72
Blaise Viginaire started his Shemhamephorash off at 0
0
Leo we might
have a problem - but, like the traditional Goetia, the chances are
overwhelming that they were originally fixed on 0
0
Aries.
We have made one switch in the Sloane 2731 Goetia Spirit num-
ber sequence. Astaroth # 29 (Astarte) has changed places with Stolas #
36. This has been done for symbolic and philosophical reasons which
should be become apparent when looking at our Master Mandala. You
will note that this assignment puts The Queen of Heaven (Astarte) at
The Autumn Equinox Point directly opposite The Prince of Earth
(Ba' al) at Vernal Equinox and places Her under the aegis of Auriel, in
the Sign of Virgo, The Harvest Maiden (Zodiacal Icon of The
Goddess) and also locates Her in the Decan of ~ (Venus).
Along with this you may also note that Ba' al (Bael) heads the
list at 0° Y(Aries), a fire sign under King Goap, whereas the Goetia
calls him "a King ruling in The East", thus placing him under
Amaymon. In the video I conjured him under Amaymon because the
sequence was a re-creation of my first operation. Actually he comes
through stronger in the Southern Quarter under Michael and Goap in
the Decan of cf (Mars).
At this point a perceptive Golden Dawn student will realize that
our main reason for keeping the system in its tropical form rather than
rectifying in the sidereal mode is this frankly religious seasonal
equinox factor mentioned above. If you understand everything we
have discussed in this chapter and you feel you would rather have a
mandala with all spirits and angels anchored on 0
0
Q(Leo), please be
encouraged to construct one - as one of my G.D. colleagues is
already in the process of doing at this writing.
From a philosophical point of view the preceding technical dis-
sertation serves mainly to prove the implicit converse of the Hermetic
axiom, As Above, So Below. It is true that the Western magician -
who considers everything, imagined or envisioned to be real - needs
a fully integrated magical universe that extends infInitely in all direc-
73
tions (the Tree of Life and the Cube of Space), whereas my Tibetan
teachers, who considered everything to be illusion, could handle
several technically contradictory systems so long as they were philo-
sophically harmonious.
So, am I imposing an Eastern perspective onto Western magick
with the unique synthesis of the Master Mandala?
In one sense I am and in another I am not. When faced with the
problem of standing an egg on end, the anecdotal Columbus did not
declare the egg to be an illusion that could be imagined in any position
desired, he just picked the egg up and cracked the end so it would
stand up by itself. This is basically what I have done with the
GoetialAlmadel and some other barnacle encrusted aspects of our
Western Tradition.
To present another example, wouldn't it be nice if we had a real
Western psychic center (chakra) system? Straighten out the Lightning
Flash (Flaming Sword) on the Tree ofLife and you have one! (See The
Hermetic Caduceus and our Septagram Ritual in this book and also
my demonstration in the video.)
Tibetans and the Rosicrucians are both right! Everything is real
and nothing is true - and every combination of this sentence is valid
and not valid. E.g., Nothing is real and everything is true or everything
is true and nothing is real. The only real (or true) difference between
Tibetans and Western magicians is that we play our game on a much
bigger chess board and often fmd ourselves checkmated behind our
own pieces before we ever reach the end-game stage. This handicap is
most often caused by our superstitious reluctance to sweep out the
errors and contradictions accumulated over the centuries and repro-
gram our universal sending and receiving apparatus according to basic
Hermetic philosophical principles.
Therefore, if we need to be formal about it, let us call The
Master Mandala an example of a Subjective Radial Spiritus Theory
based on the following argument: The human mind inherits a variety
of internal regulating systems subject to external influences, e.g., the
74
biological clock, the lunar menstrual cycle and the innate structure for
language grammar.
Exterior operative systems may also be imposed upon it much
like the computer programming process, e.g., musical, linguistic,
artistic, athletic and mathematical disciplines. Such new systems are
acceptable to the mind because they are themselves mental constructs
that can be understood and implemented by other minds. There is and
must always be a structuralism involved in this process. The mind gen-
erates structures and systems, such as hierarchies, emanations, pro-
gressions and permutations because it (the mind) emulates the greater
universe which it continually observes and even creates.
Chaos is inevitable but the mind and the universe will always
revert to structure, seeking out the simplest, most efficient and elegant
operative procedure for perception and cognition even if such con-
structs are arbitrably perceived and imposed. Abumble bee cannot fly
and the internal combustion engine should not work as well as it does
- but both function excellently because the Greater Universe and the
Human Mind desire that they do.
You are at the Center of your Magical Universe. Envision The
Master Mandala as a compass card floating in the binnacle of your
skull (The BrassVessel! ). Remember, the spirits of the Lunar Sphere
(Yesod) surround your personal horizon. You are the Navigator of the
Inner Planes.
Before Rene Decarte's separation of subjective and objective
perceptions became dogma Hermetic magi artfully constructed new
spiritual models of the cosmos that could be accepted and operated
through the mental structuring process described above. Given the "As
Above, So Below" maxim, such constructs, if philosophically consis-
tent, were entirely functional. An example of such an operative mag-
ical universe would be the Enochian system of Dr Dee and Edward
Kelley. Enochian magick, like Athena, sprang full-armed from the
brow of Zeus, whereas the older, and to this day more widely used,
75
Goetia system was recopied by inept scribes, bowdlerized and distort-
ed until it became a hodgepodge of contradictory instructions and arbi-
trary assignments.
But I could not help thinking that the Goetia was once as ele-
gantly and philosopically constructed as Dee and Kelley's system.
With that in mind, and my awareness of the sadly disorganized
entourage that has come down to us, I did what any Renaissance
magus worth his salt would have done: I consulted the Demon Kings
of the Quadrants themselves -- King Goap, of the Southern Fire
Quadrant, cut the Gordian knot straight away: "... A magician should
rearrange the order of his spirits so that those with the same or simi-
lar elemental characteristics come under the rulership of the signs
appropriate to their nature. "
Well, what could be simpler than that?
He went on to explain that this was what was actually meant by
sealing the rebellious spirits in the Vessel of Brass.
This operation opened a floodgate of understanding. I went
quickly to Bardon's INITIATION INTO HERMETICS and reviewed the
classical characteristics of Hermetic Elements, and then I returned to
THE GOETIA armed with a clear vision of what was needed. In a sur-
prisingly short time I had all 72 sorted out into four sets of 18 spirits,
each attributed to one of the four primal elements, astrological triplic-
ities and directional quadrants. I continued the process and assigned
each spirit to a specific astrological sign. Taking the final step, I then
matched, and in some cases changed, the planetary ranks (Marquis =
ce) to agree with the planets ruling the decans. Following the plane-
tary attributes of the decans, this produced a balanced system of six
solar spirits, six lunar spirits and twelve spirits for each of the five
planets, all corresponding exactly to traditional astrology.
What has re-emerged here is the system as I believe it was orig-
inally constructed. However, because this was an intensely personal
process and because it required so many radical changes in what has
76
become a traditional order, I have listed my rectified arrangement only
to the extent of the four elemental attributes (see Appendix 1.).
You may wish to go through this rectification process and devel-
op your own special order. Goap and I both believe that this should be
the work of each individual GoetialAlmadel magician. Thus we are
leaving the Master Mandala in its first stage of rectification but be
aware that as such it is a "rough ashlar" that obviously needs perfect-
ing. When you have taken your Mandala to the third stage of rectifica-
tion, you may call yourself a GoetialAlmadel Master. So now you have
your work cut out for you. Good Magick!
In the spirit of Renaissance Hermeticism we have thus rectified
the Goetia, integrated it with an equally rectified Almadel and
Shemhamephorash, to produce a complete and balanced system of
practice. As long as you understand that the Angels and the Spirits
communicate with you through your mind, you will have no difficul-
ty making contact with them, and they will find it easier to get through
to you, using this system.
Chapter Si?(j9{ptes:
1. Before accepting the Enochian system as the architecture of
one's personal magical universe I would suggest reading and
thoughtfully meditating upon Don Tyson's article, THE
ENOCHIAN APOCALYPSE in the Summer 1996 issue of GNOSIS.
I do not agree with Tyson that working Enochian could in any
way precipitate The Apocalypse on a macrocosmic scale but
an obsession with Enochian might be likened to the opening of
Pinhead's Puzzle Box in your own microcosmic universe.
2. In their 1975 book The Sword and the Serpent, Melita
Denning and Osborne Phillips published four pages of hand
written notes purporting to be a Goetia arrangement. This
sequence starts in the first odd numbered quinance (5° division
or one half of a decan) of Leo (as per the Golden Dawn Sid-
ereal system) and continues through the Spirit list in odd num-
bered slots, then starts over again with the even numbered se-
quence but in Aries rather than Leo! If you find this confus-
ing you are in good company. However, in examing the Arum
Notes continued on next page. . .
77
Chapter Sit(f9{ptes continued. . .
Solis tables one gets the impression that this was an attempt to
develop something that never quite came off and should have
remained unpublished.
3. In this case I'm refering to THE TAROT OF CEREMONIAL MAG-
ICK by Lon & Constance DuQuette (from U.S. Games) along
with its accompanying book by Lon DuQuette (from Samuel
Weiser). This is a very valuable package and highly recom-
mended as the authoritative (Thelemic & G.D.) traditional
alternative to my radical innovations. The DuQuettes do not
use our optical mirror/facial distortion method in Goetia opera-
tions but they have considerable respect for it. If you are going
to be a Goetia/Almadel magician you should certainly study
their work along with Frater Hymenaeus Beta's excellent 2nd
edition of Crowley's 1904 GOETIA (also from Weiser).
3. Ours is not the first published rectification of the Goetia on a
straight quinance sequence. In 1988 Llewellyn offered a
Goetia "divination" card deck, and accompanying book, both
created by Priscilla Schwei. In spite of its obvious attempt to
trivialize and commercialize a ceremonial system the Schwei
book and card set represents a genuine effort to reconstruct the
Goetia along astrological lines. She properly rejected the 777
day and night demon arrangement in favor of a straight pro-
gression and then correctly divided the 72 Spirits into astrolog-
ical quatrinaries. However, she did not attribute her Quarter
divisions to the traditional Kings and Archangels but rather to
the Heavenly Orders from which some of the spirits claimed to
have fallen. Only four out of the 15 citing such a heavenly ori-
gin matched up in her arrangement. This idea was philosophi-
cally flawed in any case and resulted in a moral discrepancy.
Because of the heavenly origin of all these "Fallen Angels"
(whom she had earlier stated were of ancient Egyptian origin),
they were supposed to be able to police themselves and would
not permit the operator to engage in black magick. If Schwei
had published the traditional descriptions of the spirits (espe-
cially those who cause running sores crawling with worms) I
doubt that anyone could have taken this idea seriously.
4. Trying to find some logical order in the descriptions of the
Goetia spirits from MS 2731 can be an exhaustive and exasper-
ating task. No matter how one arranges the existing sequence,
the ones who are supposed to appear in Sagittarius do not and
one who is supposed to be under Amaymon cannot be shifted
to that quarter without displacing two of his minions who are
9{ptes continuedon 1W(j: page ...
78
Chapter SiJ(! NPtes continued:
already there. The spirits cannot be aligned by the planetary
attributes of the decans because different planetary ranks
(e.g., Dukes = S2 ) are not equally distributed among them.
And yet there is a definite intimation of an original order -
based (as Goap and I theorized and then reconstructed) on the
planetary attributes of the astrological signs, i.e. all Dukes
(Venusian spirits) would be attributed to Earth and Air Signs.
There is plenty of room for more research and rectification.
Those who wish to dig into this further might also get in touch
with "Artemidorus" and request his interesting paper on the
subject. - P.O. Box 14941, Long Beach, CA 90814
79
'Bg theJ7lJcfzemg ofCaldnation,
'Darktzess, :Fear ani'Woe 'Begone !
'We Light this :Fire ofPurifiattion
In tfie :MgstU: 9f...ame ofSot-Om-On. !
from 'Ihe Ordo 'Iempli .9Lstartes'
Summer Solstice 2?jtuaf 5g 'Ihabioti
%is Chapter is aneditedversion ofaneditorialfrom
'lFte Seventfi 9(ag, 0/0[. II, 9f...um6er 4, ('WfioCe number 8)
WinterSolstice, 1973.
Chapter Seven: fJ1ie 'Ba'.af-.5t5tarte Mgtfws
W
HETHER OR NOT KING SOLOMON ever studied and prac-
ticed the Art of Ceremonial Magick is not a crucial ques-
tion. Of greater importance are the philosophical-psycho-
logical principles behind the legend of the Monarch-Magus who bound
the 'Two-and-Seventy Rebellious Spirits" in the Vessel of Brass. The
multi-level implications of this Arabian folk-tale (with its Biblical ori-
gins) - which was a major operative cosmology behind medieval cer-
emonial magick before the rise (or descent) of the perverted 'Faustian
School'- should be fascinating to Jungian and even Freudian psy-
chologists. From a kabbalistic standpoint, the seventy-two spirits of
the traditional Goetia are a significant corollary to the seventy-two let-
ters of the extended Name of God, the SHEMHAMEPHORASH, from
which the names of seventy-two Angels can be derived, implying an
inseparable duality of 'good' and 'evil' throughout the entire celestial-
infernal pantheon.
80
Considering this in light of the micro-macrocosm dogma, we are
presented with the concept of seventy-two greater and lesser bipolar
archetypes functioning in the collective and personal unconscious. The
Brass Vessel - aside from its obvious 'yoni' symbolism- then rep-
resents the receptacle of the controlled and organized psyche. The
rebellious spirits are summoned to appear by the power of
Tetragrammaton 1. (the ultimate cathexis ), required to render service
in accordance with their particular capabilities and then consigned to
bondage in the 'Brass Vessel' where they can cause no harm and from
whence they can be readily called upon when needed. The psy-
chotherapeutic analogy in the above is inescapable. (We will discuss
the philosophical symbolism of the Triangle of Art wherein such enti-
ties are commanded to appear in The Documentary Appendix .)
This then is the crux of the Solomonic system of magick: pride,
passion, greed and hatred cannot be divorced from their intrinsic coun-
terparts, humility, purity, charity and love. They can only be organized
and controlled as essential factors of the balanced personality - a
sophisticated internalized concept that seems paradoxical with the
popular image of the robed and hooded demonologist intoning his
"infernal conjurations".
But why did the Arab Doctors attribute this system to Solomon
and why do we, the foremost modem practitioners of it, call ourselves
the Order ofthe Temple Astarte? The answer to both questions can be
found in the Bible. In 1st Kings, Chapter 11, we read that Solomon
followed Ashtoreth (the Goddess Astarte), "the abomination of the
Sidonians."
If we put the Biblical account in a broader perspective, we
realize that the patriarchal Levite sect of Yahweh was in constant, bit-
ter conflict with the Ba' al-Astarte cult of Canaan. Now it should be
understood that the Religion of Moses was a sect derived from the
same mythos as its rival. .
Abraham, a Babylonian ofUr, had been blessed by Melchizedek
the Canaanite King of Jerusalem and a priest of EL, "The Most High
God (Genesis, Chapter 14 ) This same EL was the father of Ba' al and
81
Astarte. In Babylon EL was called AND and was the father of Ishtar.
Space does not permit us speculation on all the factors that aided the
growth of the austere Religion of Yahweh but the hard, nomadic, eth-
nocentric life of the Hebrews was certainly one of the foremost. When
this wandering branch of the Amorite people returned 'home' to
Canaan they began the transition from pastoral tribesmen to agricul-
turalists and urbanites. Before the time of Saul and David, the religious
battle lines were drawn. Joshua's attempted genocide of the Canaanites
had not been successful and they still "abounded in the land".
The new farmers were naturally attracted to the nature-oriented
intensification rituals of Ba' al, and their newly urbanized brethren
were fascinated with the sensual glamour of Astarte's saturnalian rites.
It was probably at this point that the first puritanical "blue laws" of
orthodox Judaism appeared.
.During the Empire of Solomon, the socioeconomic transition
was complete but the religious conflict had not resulted in a synthesis.
Instead we look back on two spiritually unbalanced cults fighting for
supremacy. The transvestite priest of Astarte finding final exaltation in
publicly castrating himself is hardly more odious than the Levite priest
demanding a young woman be stoned to death for adultery or exacting
a ruinous judgment from a poor farmer struggling to save his precious
harvest by working on the Sabbath.
Was Solomon attempting, by his catholic example, to bring
about a mellow fusion of these separate cults of EL's progeny into a
pansemitic polymorphous monotheism similar to the Hindu religion of
India? He may well have built the magnificent Temple at Jerusalem
not only for the Levite Yahweh but for the universal overgod of all the
Semites. 2. Why else would Hiram of Tyre, a Pagan Phoenician (as had
been Melchizedek), "rejoice" and say "Blessed be the Lord" before
assisting Solomon so readily? (lst Kings, Chap. 5.) Why is Solomon's
greatest literary work, The Song of Solomon so pregnant with the
symbols of The Goddess - and why did he construct conspicuous
Temples to Her? Even the Levities conceded to the 'Wisdom of
Solomon' but if the above conjecture is true, they hardly understood
82
how wise he really was... For in the Celestial Marriage of Ba'al and
Astarte, ritually enacted by priest and priestess, we see a direct analo-
gy to the Shiva-Shakti congrex of the Tantric adepts, a Magical for-
mula of considerable power even in this faithless modem age (see
Chapter Ten ). How much more awesome it must have been in times
when the sanctified celebrants and their congregation believed utterly
in the truth. of Divine
Possession?
One need only compare
the Great Rite in its full ancient
significance to the Transfor-
mation Miracle of the Paulian
Mass (an indirect and passive
assumption of god-form) to
realize why the Art of Magick
has been feared and suppressed
for so many centuries in the
West. A solar cult that castrates
its god and transforms his bride
into a "Virgin Mother" cannot
compete magically with a virile
and fertile 501-Terra mythos.
Even though the Paulians
adapted Pagan festivals,
embraced anthropomorphism
and deified a vast pantheon of
saints, their system has no
direct, creative link with the
deepest and most basic forces
that energize Humans and
Nature. Like the Levities, theirs
is a religion of "Thou shalt
not"- and high on the list of
'Thou shalt nots' is the practice
of Magick.
83
We should perhaps digress to caution the casual reader against
assuming from the above that the Ordo Templi Astartes is anti-
Christian. We have the deepest respect for the teachings of the Master
Jesus and we are only critical of Paul's interpretation of them. The
knowledgeable may choose to renounce Jesus as a creation of Paul but
the wise do not. Not only would such a renunciation be injurious to
the personal egragore, it is historically unjustified; Jesus never claimed
he was God and should not be blamed for the acts of those who posthu-
mously deify him. A study of elementary Kabbalah will quickly
resolve any difficulties in understanding this Rosicrucian view and
lead the student to a full grasp of the significance of what the Master
did say: "I am the son of Man." Further study and meditation may even
lead to a revelation of the link between Jesus and Melchizedek- But
to return to our subject ... A convincing argument for the actual exis-
tence of a Solomonic proto Magical tradition such as we have
described above, can be found in The Song of Solomon itself, where-
in the mysterious "Shulamite" thrice declares: "I charge you, oh
daughters of Jerusalem, stir not up nor awake my love, until he
please." This Psalm may well be a hymn to the Queen of Heaven.
Perhaps it is the culture-memory of that Magical Religion
Solomon tried to create that comes down to us in the ancient systems
of thaumatergy and theurgy the Arabians attributed to him? The essen-
tial polymorphism of Magick with its rich pantheon of Phoenician,
Babylonian and Egyptian entities as personalized male and female
aspects of the Tetragrammaton - an all-pervading, transsexual life-
force, moral only in its impersonal harmony - is a far more 'EL' ish
conception than the paternal and patriarchal God of Moses.
It might be considered a cosmic joke that the great EL survived
only as one of the many names attributed to His nomadic step-son and
that His daughter, The Fair Astarte, was transformed into Astaroth , a
male demon with bad breath! In the words of Khayyam (out of con-
text) "Many a cup of this forbidden wine will drown the memory of
that insolence."- and Solomon's Magick is indeed a forbidden wine.
The Judeao-Paulian equation Sex = Evil = Sex was inculcated in
84
scripture not from the dread of a distant hell (the Hebrews did not even
have a concept of hell) but from fear of the Cult of Astarte and the lure
of its courtesans. As Wilhelm Reich theorized and the later Soviet
social experiments proved, the power of authoritarianism depends
largely on its ability to channel the sexual drives of its subjects. The
ancient Pagan establishment maintained such control by sanctifying
the sex act with its official priestesses, while the Hebrews, later the
Paulians and frnally the Communists decided to make a 'sin' out of it.
Needless to say, both extremes are insults to freedom and dignity.
As a corollary to this sexual negation, the Hebrew (and later
Muslim) prohibition against graven images, especially anthropomor-
phic ones, was not imposed from any desire to promote a concept of
pure monotheism - as is usually supposed - but rather to restrict the
practice of Magick which depends on such visual links to function
effectively. As a pragmatic compromise, the Paulians dangled the
anthropomorphic carrots of angelic and saintly icons before their
Pagan converts For this dubious reason, the so-called Christian
Kabbalah was more Magical than its non-visual Hebrew antecedent
- explaining its evolution into the 'Neo-Solomonic' system we prac-
tice today.
Romantically, we may speculate that this ancient religion of
Solomon's may well have evolved in a manner that the sage old
monarch intended. If he was the first Magus, he may have envisioned
a secret tradition, sought only by the wise, which would perpetuate the
truth he had discovered: that the spirit of Divine Providence within us
has many faces: good and evil, male and female - all reflected in the
multifaceted Jewel of the Microcosm, while in the Macrocosm they are
ALL ONE. Perhaps he even understood the Arcanum of the Celestial
Marriage with its ultimate formula: In Your Temple You are One with
The Gods!
Chapter Seven, :NPtes nextpage ...
85
Chapter Seven: 9{ptes-
1. We have adopted a more intrinsic universal Tetragram-
maton, Ah Mah Sha Oh (n OW I':) ~ =1141), which derives from
the three Mother Letters of the ancient Semitic alphabet with Omega
as the final 'Earth' character. Hebrew kabbalists were always aware
that there was a "missing letter" in their alphabet (see Gershom
Scholem's ONTHE KABBALAH & ITS SYMBOLISM). This formula
and its more conventional 22 letter alternative, ShMAT ( n ~ D W
= 741) (see Sepher Sephiroth in The Equinox. Crowley lists the
formula but not in the most elegant arrangement ) are discussed
elsewhere in this volume.
2. The Bible history of this period was written by the Levities
to favor Yahweh as The One and Only True God. Actually he was
their one-and-only tribal god, whom they, like all bedouin tribes of
that era, had carried with them in a sacred box. Idris Shah recounts
that there were 360 of these "tribal gods" set up in a great circle
inside The Kabba at Mecca in the days before Mohammed chucked
them all out and dedicated the Temple to Allah (EL =Aleph Lamed,
a prototype of Allah). We should also note that the ancient Semitic
nobility dedicated themselves to higher divinities than the common
people, thus Hiram of Tyre and Solomon could both have been
devotees of EL - leading to cooperation in building a great central
Temple that would have spiritually united their peoples. In line with
this we should also recall that the ten northern ("Lost") tribes of Israel
preferred "EL" over YHVH as their Most High God even after the
conquest of Canaan. In this custom they were following the tradition
of Melchizedek in the times before Moses. Christians should ponder
the Bible passage in Hebrews: Ch. 6, v. 20 and ask themselves whose
"God" they are worshiping?
86
Is it nat true that rrfzeurgic. Masters
!fromfar Jfarran
Jfeirs of those wholiaapassedtlie (jofem Secret
7'0 oenerable !fatfzer .9I.bram,
'Ihose whoget worsfiippea
rrfze Seven Wanaerers of tlie StaTT!f o/aultj
Sabian Wizara-Lords ofZodiac anaMagic./(j
wfio were Sages to tfze Cafiplis of Islam,
Didhonor Hermes 'Itismeqistus asPropliet
.9I.ncfpreserve Jfis teadiings witfi theirown.9I.rcanum
.9I.t tfze Courts ofMoorisfi Spain
In tfze gears oftfze JfoEg 1(afJfJafafi
'13g tfze uiotdofslie who '13facRf-ns. . .
from cult of tfze Sangrea[ fJg 'Ihabiott
'Ihis Chapter is aneditedversion ofaneditotialtfiat appearedin'Ihe Seventfi
2(ag, 0/0[, 0/1, :J{umfJer2, (Whofe number 19) Winter Solstice, 1977
Chapter 'Eight: 5trabian Origins ofMagic/( anaWitefurajt
A
LEISTER CROWLEY BEGAN his preface to Mathers' transla-
tion of The Goetia with a tantalizing reference to The Arabian
Nights, setting it on a par with The Bible as a source of eso-
teric lore, but he offered no explanation for the comparison. In a sub-
liminal sense we accept the Arabian Magician as the archetypal
paragon of our Occult Tradition but if we were asked to name one his-
torical example, few of us could. If asked to cite even one Arabian
magical text, most of us, except the credulous believers in the fictitious
"Necronomicon", would have to beg off. And yet the vision of the
87
Arabian Mage commanding the Jinn enslaved by King Solomon, per-
sists undimmed in our mind's eye.
The historical reality behind this romantic image is an example
of suppressed truth reasserting itself in legend and folklore. The fact is
that much of European magick and witchcraft was developed from
Arabian sources emanating from Moorish Spain before 1492 c.e. For
a millennium clouds of smoke have been stirred up to obscure this
essential truth by rabbis who did not want the origins of medieval kab-
balah too closely examined, by imams and even Sufis who did not
want the medieval Pagan cults of Harran and Morocco revived. A
mixed bag of Christians, Theosophists and self-styled authorities on
Nazi occultism continue to insist that Western magick is essentially a
survival of Manichaean Gnosticism.
A fresh wind of genuine scholarship, emanating from the
University of London, has recently blown away this long-standing
smoke screen. Frances Yates' (1964) inquiry into the origins of
Renaissance Neoplatonism has pointed to the Hispano-Moorish
Picatrix as a major source for the astrological Magick of the 15th cen-
tury Magus, Marsilio Ficino. This revelation, along with J.B. Segal's
(1963) study on the Sabian Planetary Cult of Harran, directed our
attention back to Lynn Thorndike's (1923) monumental, History of
Magic and Experimental Science wherein we discovered a wealth of
information on Arabian Magical lore.
In the Terminal Essay following his translation of AlfLayah Wa
Laylah, Burton describes 9th century Baghdad as the richest and
noblest city in the world. Cinematic Sinbad fantasies hardly exagger-
ate its luxury and power. These were the times of the Great Caliphs and
their fabulous Court Magicians. Mightiest of the Wizards of Old
Baghdad was Thebit ibn Korat, the Sabian from Harran.
The Sabians were a mysterious race of celestial magicians who
had lived in their ancestral city of Harran since before the time of
Abraham. There they had perpetuated the astro-magical rituals of
ancient Sumer and Akkad. To this arcanum they had added the Book
of Enoch and the writings of Hermes Trismegistus. In the Koran, the
Prophet had cited them as exempt from forced conversion to Islam and
88
so they were allowed to profess their Pagan philosophy while serving
the Sultans as court astrologers and wizards. This is why the magick
described in the Arabian Nights has such an obviously Pagan charac-
ter.
The practice of attributing
specific metals, perfumes, col-
ors, jewels and geometric forms
to the planets in magical rituals
can be traced back to the
Sabians. Although there was
some interest among medieval
Jews in astrology, the astrologi-
cal planetary aspects of magick
(and of the Practical Kabbalah)
are Sabian.
Besides the great Sabian
influence we should also consid-
er the writings of the 9th century
Islamic sage, Alkindi who
authored a treatise called, The
Theory of Magick Art or Stellar
Rays which was the precursor of
Ficino's "Spiritus" concept.
The idea of man acting in syn-
chronicity with the celestial pulse of a living universe goes back to
Alkindi. The works of Albumasar, Costa ben Luca and Rasis should
also be cited as major sources from which European magicians drew
their inspirations.
Inthe area of sexual magick we should consider the Beni Udhra
cult of sexual arousal without consummation: intended to raise enthu-
siasm which would be redirected into poetic inspiration. This practice
spread from Baghdad to Spain and influenced the medieval European
"Courts of Love" according to Walker (1970) .
In the Kabbalistic perspective there is the question of language
itself. Hebrew Kabbalistic gematria is based on a number-letter analog
89
which certainly triggers subconscious associations but Arabic
Kabbalah (Abjad) is based on root word analogs which are more direct
in their deep structure associations. As an example, Shah cites the con-
sonantal root, KHLD in the Arabic word for "mole" as synonymous
with six other words of philosophical significance. This is an intrinsic,
unilateral system whereas Hebrew 1. depends on a bilateral relation-
ship with mathematics (his math analog is profoundly important in its
own right but the mathematical relationship also obtains in Arabic as
well; e.g., the "Barbarous Names" of the grimoires are of Arabic or
Gnostic origin and are actually number formulas in letter form) .
Semitic Paganism manifesting in
Moorish Spain also seems to have been a
major source of what became European
Witchcraft: a theory that Gerald Gardner
himself lent support to in his novel, High
Magic's Aid (1949) . Idries Shah (1964)
suggests that Witchcraft grew out of the
cult and totem of the Aniza tribe, the
word for goat (Anz ) being cognate with
Aniza. He also cites the use of an "AI-
dhame" knife, meaning "blood-letter".
The Witches' cross-quarterly festivals are
noted as being identical with those in the
Arabian calendar. The use of a datura-
based flying ointment - also cited by Michael Harner (1973) as cen-
tral to European Witch-cult practice - is corroborated by Shah's lin-
guistic reconstructions. Arkon Daraul (1962) likewise attributes a
Moorish-Spanish origin to European Witchcraft but he links it to a
Moroccan Cult of the Double-Homed" ( Which might be an outgrowth
of the Aniza cult cited by Shah ) . Daraul also mentions an "Al-dhame"
knife for self-sacrifice. Most importantly he credits the Homed Cult
with a concept of reincarnation back into the same coven which is
strikingly similar to Gardnerian eschatology. Widdershins circumam-
bulation is shown to be originally Muslim and the worship of
90
C ~ . S •• tee ,
"EI Aswad", the Black Man, is traced to the Moorish Horned Cult.
Our space is too brief to permit a full exegesis of this material. Readers
who fmd this Witchcraft theory disturbing are urged to read the sources
before forming an opinion.
Finally, we should re-
member that the Goetia of the
Lemegeton calls forth the Jinn
from the Brass Vessel of King
Solomon in accord with Arabian
legends of magick.v Solomon's
Secret Seal, with which he stop-
pered the Jinn inside the vessel
according to the Goetia, was the
ancient Carthaginian Tanitrum,
the Double-Homed Glyph of the
North African Moon Goddess.
This symbol surmounted by the
Sabian Planetary Septagram is
the Insignia of the Ordo Templi
Astartes and should serve as a
continual reminder of our rich legacy from the Wizards of Old
Baghdad and the Sorcerers of Morocco.
Chapter 'Eiglit/NPtes:
1. The Hebrew of today, although derived from ancient roots,
was reconstructed in medieval Spain on an Arabic gram-
mar. Arabic was itself a reconstructed form of ancient
Aramaic with six new letters added to match the Man-
sions of the Moon. Of the three major Western kabbalistic
systems, Hebrew, Arabic and Greek, the latter is probably
the oldest.
NPtes" continuedonnext page. . .
91
Chapter Tigfitl9{otes continued. ..
2. The version of the Brass Vessel legend recounted in the
Lemegeton comes from the Talmud, however the
Talmudic source is quite possibly Arabian as this fascinat-
ing quote from Burton suggests: "... "Baktanu/s" is the
lord of three Moslem troops of the wandering Jinns which
number a total of twelve bands and extendfrom Sind to
Europe. The Jinns, Divs, Peris ( "fanes") and other pre-
Adamite creatures were governed by seventy-two Sultans
all know as Sulayman ... When he refused to bow before
Adam he and his chiefs were eternally imprisoned. "
(Burton, Vol. ill, p. 225 f.n.) Elsewhere in the Arabian
Nights there are many references to Solomon sealing the
Jinn in "brass bottles" with his "magick ring" and then
casting them into the sea.
92
· .. Conjunction is the SuEfime Culmination of
%e l)'earEg Ylfcfiemica{CycCe
%efurther Operations of;JL/diemy -
From. CoaguCation to Projection
Jl.re to De Perjectedin tfie :Microcosm
Of tfie :Magician IiimseEf
from the Pastopfwris Initiation
ofCrata !R.g.poa Dy 'Ihabion.
Chapter 9{jne: tIfie Hermetic Caduceus
The original version of this monograph was published in THE SEV-
ENTH RAy issue number 19, Winter Solstice, 1977. It has been revised
and expanded for inclusion in THE BOOK OF SOLOMON'S MAGICK.
This paper is an outline of a system that is more advanced than the
AlmadellGoetia material but it is an integral part ofAU our opera-
tions and should therefore be introduced to beginning students. Ifyou
have trouble understanding it, consult Motoyama ~ THEORIES OFTHE
CHAKRAS and Ponce ~ KABBALAH.
O
N THE SECOND OF DECEMBER, 1975 I had the kind of
experience a Gnostic might have described as a revelation
from "Higher Powers", although I prefer to think that my
subconscious had tapped into that 'Intellect' of the Collective
Unconscious which we call the Sephira of Hod. After months of spec-
ulative meditation on how to form the True Body of Light, I suddenly
realized that the building of the Microcosmic Tree within the body was
93
Figure 6.-- The Planets Within.
Region;
t:::. in the Hurl
"V in Ifw Liver
9 in lilt Lung
6 in lhf Bladdcl
Elemental
of lhe Fife
of tilt W41tf
of lhfEmh
of lhfAir
more than a mere philosophical analogy. The inspiration came literal-
ly 'in a flash', the symbolic "Lightning Flash" that descends through
the sephiroth of The Tree in numerical sequence from Kether down to
Malkuth. (See Figure 8. )
With a mystical certainty I knew that the Sephira of Tiphareth
was identical with the Chakra of Anahata in the Raja Yoga system.
This was the key to bringing the Eastern and Western microcosmic
mandalas together.
Even though I was the catalyst, I must credit Sor. Psyche (Lady
Mara) with opening my chakras via the 5S technique during Sor.
Artemis' and my initiation into The Order of 1734 on the 4th of
October, 1975. Fra. Dejuiti (Joe Wilson) deserves subsequent credit for
rectifying the Names of Power of the classic Goetia conjuration in line
with the Caduceus sequence (see the Planetary Septegram Ritual) -
and we should not forget the historical precedent: the 17th century
Hermetic philosopher, Johann
Gitchel, who produced a mysterious
drawing (see Figure 6.) showing the
planets roughly in line with the
chakra positions in kabbalistic order
(Hall, 1916: 1xxv).
Here again, as with our Goetia
method, we may be experiencing a
recovery as well as a new develop-
ment. But the ultimate proof of the
validity of the Hermetic Caduceus
has been its successful use in-Lodge
for twenty years. It may be a more
profound contribution to the Western
Occult Revival than our notable
reconstruction of Goetia evocation. It
was necessary to keep the secret only
until the system proved itself - now
it may be shared with other builders
of The Temple Within.
94
It has been suggested that Yoga was originated in the West by
Pythagoras and then imported into India by Alexander (Iskandar) sev-
eral hundred years before Patanjali wrote down the precepts in
Sanskrit. The ancient Hermetic Caduceus represents the snake-like pri-
mary Nadis of the Ida and the Pingala, intertwined about the central
channel of the Sushumna and crowned by the winged essence of lib-
erated consciousness at Sahasraram. This striking similarity has been
noted and pondered upon as long as Yoga has been known in the West
(Woodroffe, 1919:21) .
There have been numerous attempts to align the sepheroth of
the Otz Chiim (Tree of Life) with the chakras of the Yoga system.
These efforts have always failed because their authors refused to con-
sider the problem from a logical perspective, prefering instead to base
their interpretations on literal readings of the Hindu and kabbalistic
texts. In the traditional relation of the Otz Chiim to the Adam Kadmon
(spiritual body) the sepheroth are arranged on three pillars instead of
one, as on the Sushumna of the chakras. In medieval and renaissance
iconography this led to the placement of the sepheroth on the shoul-
ders, hips, etc. Occultists, respecting "tradition" above all else, have
tended to perpetuate this naive conception even though all but the most
credulous among them are aware that the Otz Chiim is not a structur-
al diagram but rather a philosophical schematic.
Conibining the three Pillars of The Tree into one central
"Sushumna" was too simple and drastic for them to consider - even
with The Lightning Flash or Sword of Wisdom staring them right in
the face. In fairness to those G. D. adepts (mainly Regardie) who con-
ceived "The Middle Pillar" exercise, no raising of the Kundalini was
ever intended. Theirs was not an attempt to develop a Tantric Yoga of
the West but rather a meditation on the Tree of Life in relation to the
human body. It seems the 13th century kabbalist, Abraham Abulafia
actually went further in our direction, combining breathing exercises,
the chanting of Holy Names, the musical scale and color visualizations
in his meditation practice (Scholem, 1974: 180)
In developing - or if one prefers, recovering - the Psychic
Centers of the West, certain priorities had to be met: first, the physical
95
points employed in the Raja system had to be matched along the
spinal cord as a logical concession to centuries of successful practice
in the East. In this respect the physiological control relationships as
stated by Dr Mishra (1959:73-80) would be retained intact.
Second, the Heart Chakra, Anahata, had to correspond to
Tiphareth, the strongest link between the two systems. And finally,
most important of all, the Western system had to be philosophically
consistent with the Holy Kabbalah. This was a tall order but the solu-
tion - as mentioned above - came 'In a flash'; in point of fact, the
"Lightning Flash" diagram that the G.D. used to show the descent of
the Spirit down through each Sephira. The natural numerical sequence
of The Tree solved the problem.
If Tiphareth (number 6) is anchored at Anahata in the chest,
then Geburah (number 5) is at Vishudda in the throat, Chesed (num-
ber 4) is then at Anja, behind the Third Eye, and this places Da' ath, the
boundary of the Yetziran Astral dimension and gateway to the Abyss,
in the center of the skull vault with Binah , the Supernal Mother con-
noting "Understanding", (number 3) in the right cerebral hemisphere
and Chockmah, the Supernal Father connoting "Wisdom", (number 2)
in the left half of the cerebellum where kabbalists had located them
hundreds years before modem medical science confirmed their vision.
The ineffable originating source of Light and Power is Kether
(number 1). Kether sends its Light down through the Tibetan-Tantric
"Aperture of Brahman" (Evans-Wentz, 1935-267) depression in the
top of the skull where the soul leaves the body. (One can easily locate
this spot with the fingers.) Above this natural gateway lies Kether in
the highest essentially Macrocosmic dimension of Atziluth, which
may be compared to the thousand petalled lotus of Sahasraram in the
Hindu system.
In descending order, Netsach (number 7) is at Manipura in the
solar-plexus, Hod (number 8) is at Svadlstana below the navel, and
Yesod (number 9) in the genitalia. Here we have another gateway
between the Olams (dimensions), with the physical world of Asshia
with its one Sephira, Malkuth, being linked to Yesod in the Yetzirah
by the contact proximity of the asana position. Together, these two
96
* SI!u.z:>oM "lSl!fP
Figure 7. -- Author srendering of The Ordo Templi Astartes'
kabbalstic Psychic Center System.
Considering the above arrangement, it will be immediately
obvious to the advanced student of kabbalah and yoga that certain cor-
respondences of the Hindu chakras with the kabbalistic sepheroth,
such as colors and elemental attributes are not always going to
97
match-and to this we say, 'vive La difference'! This is a Western
System. These are Psychic Centers, not Chakras. They are to be envi-
sioned as Jewels within the Mystic Rose rather than the Lotus and they
are opened by our traditional God Names in Atziluth on the seven-
note scale rather than by Sanskrit mantras. We frankly admit to a con-
siderable degree of syncretism with Raja and Tantric Yoga; in fact we
use their techniques whenever possible - but the determining sym-
bolism and philosophy of the system is Western.
The Ida, the Pingala and the Sushumna are ours via the snakes
and staff of Hermes' Caduceus, but what of the twenty-two paths con-
necting the sepheroth ? Should they be considered the secondary
Nadis? The answer to that must be no. It should be realized that the
Paths of the Tree are subjective and arbitrary as to their placement in
any pre-existing etheric sense. In the construction of the Body of Light
Within they should be considered tasks to be accomplished, or astral
initiations, via our preliminary pathworking system rather than incre-
ments of a completed system to be established inside the body.
Two other questions must be answered before we accept this
system for practice. First, are the kabbalistic attributes of the sephiroth
compatible with the characteristics of the Hindu chakras and does it
matter if they are not? And, second, is the kabbalistic color scheme
applicable to them? To answer the former we must say that the kab-
balistic centers are remarkably similar but not identical. If this is a
problem then consider that there are different chakra systems for every
Tibetan deity and the Dervish orders, according to Idries Shah, con-
sider the .actual physical location of the Lataif (Sufic psychic centers)
to be "theoretical" (Shah, 1964:332).
Secondly, Hindu symbolic colors applied to the chakras do not
always match the colors skryed on the etheric plane by adepts. Of
course our kabbalistc colors do not match either but this is to be
expected. We are practicing magick, not passively observing psychic
phenomenon. Symbolic color is what we apply to the center to activate
our effect, not the actual color the center itself. If this is understood
there should be no problem in working the system and reaping the
tremendous benefits it affords. Now all the powerful subjective tantric
98
and even taoist techniques are open to us within the symbolic frame-
work of our own system.
This building of the Body of Light, once perfected, will grant
the third and crowning Power of the Magician: that of Soul Travel,
both within and beyond the microcosm, and ultimately, consciousness
survival on the Taoist principle of building a vehicle for the Soul. It is
the true beginning of The Great Work.
Figure 8. -- The Lightning Flash or "Flaming Sword" that comes down
through the Sephiroth of the Tree of Life (and through the Psychic
Centers of the Hermetic Caduceus). The Archangels are Sandalphon
and Metatron. From an Isis-Osiris Golden Dawn Temple Scroll ren-
dered by the author.
99
Ba'al: With tfiis (joUfen (jift I toedIhee,
With this Iraug/it I plant mg sparl(j
9{urture deep theDeu: ofsunfire. . .
In rzFi:g o/ast ani o/italt])arl(j
5llstarte: With tfiisSiever Cup ofMysterg
:From beyoni the 'llei{of 9fjg/it
Come I to taRg. the !l{ainbow
In mg Shrine ofHidden. Lig/it!
9{uptiae
J
o/ernal 1Q.te by 'Ihabion.
Chapter Ten: Solomon's
A
NUDE WOMAN LIES IN THE CENTER of the magick circle.
The dim candle light casts a soft, glistening glow over her
oiled body. Her head rests in the center of Solomon's Triangle
while she stares upward into the depths of a great, dark mirror sus-
pended from the ceiling. Her eyes are wide open and unblinking. She
is in deep trance. Sitting close around her on both sides are darkly
robed and hooded figures. Only their hands can be seen, the fingertips
moving slowly up and down her body as they hum a droning overtone
chant.
At her shoulder sits the Magus. While the others continue their
rhythmic massage, in sync with the rising and falling hum of their
voices, he delivers the conjuration: H ••• We call Thee in the Name of
All-Father Ool and in the Name of Thy Supernal Mother, Asherat-of-
100
the-Sea and in the Name of Thy Royal Consort, Prince Ba'al the
Thunderer- Come: be with us in this fair and humanform. Come,oh
Great Goddess Astarte ! "
The woman arches her naked body and languorously stretches
like a waking cat. The blank stare in her eyes is replaced by an expres-
sion of dawning awareness which quickly becomes a look of omnipo-
tent intelligence. She laughs and then speaks in voice not her own:
"I am here, my children. Why have you called me?"
The operation I have just
described is an advanced technique
which we call Assumption of
Goddess-form. It is actually
more of a sensual magick
operation than one of
sex magick-
but our Hieros
Gamos
(Divine Congrex) uses this same tactile, Mesmeristic 1. technique as
a starting point so we will begin at the beginning.
First you should be aware that straight Assumption of Goddess
(or God) form operations do not, or should not, involve direct sexual
stimulation. The technique is more Mesmeristic than hypnotic and
depends on directing energy flows up and down the body. If one of the
massagers lets his or her fingers stray onto (or into) the receiver's
erogenous zones, you will short-circuit the current. I vividly recall
101
having a grim, hand-clenching battle with a former student during an
assumption operation to keep him from taking liberties with one of our
lodge sisters who was deep in trance. Make certain that you all agree
on the rules of conduct before you undertake this type of operation.
It is absolutely essential for your receiver to have successfully
evoked the entity in a previous Goetia Contact Operation. The opera-
tor and the receiver should establish a comfortable rapport with the
entity and request its safe cooperation before performing an assump-
tion operation. Needless to say, certain entities should be absolutely
avoided in this regard.
I can only recommend Astarte and Ba' al for this sort of work
and even with these friendly beings I urge caution. (No one under eigh-
teen years of age should be allowed to engage in any Goetia type oper-
ations, especially assumptions.)
You can use your Earth Pantacle mirror as an overhead specu-
lum if you put three or four rings around the rim to hang it from. If you
have a full sized temple, I would suggest a larger mirror. (y.Ie use a
convex 21" diameter dark mirror mounted on a circular wooden frame
which also works well for pathworkings and astral time travel.) Place
the spirit's sigil on the mirror as you would in a regular Goetia opera-
tion. Be sure to have the receiver wear the spirit's lamen. Place three
candles at the corners of the Triangle, acquire a bottle of scented mas-
sage oil (warm it to blood temperature) and you are ready to operate.
In other respects, straight assumption operations are similar to
Goetia contacts. You must alter the conjuration to say: "Within this
Circle and upon this Triangle... Speak to us through our receiver;
bless her and harm her not!"
The receiver should not allow herself or himself to become fully
possessed. When receiving in this type of working take an observer's
seat somewhere in your mind and monitor the entity you are channel-
ing. For the receiver an assumption should be the spiritual equivalent
of a "method" actor's performance. Invite the entity in and allow your-
self to "play the role" but always remember that this is Magick, not
Voodoo. You are not a horse for the gods to ride, you are a host enter-
taining an honored guest. Don't let it go further than that. A compe-
tent magister will make sure that such operations are carefully planned
102
and properly performed with consenting, emotionally stable adults
who know exactly what they are doing.
As we stated above, straight assumption operations are sensual
but not sexual - and yet they are the starting point for the Hieros
Gamos or what our Wiccan friends refer to as "The Great Rite".
The Hieros Gamos is a Sacred Marriage, not an orgy. It is a very
private and Holy Rite. It involves, or should involve, one man and one
woman who have already established a deeply meaningful sexual rela-
tionship. Here again, do not use these methods for seduction because
they are too complex, intense and subjective for people who don't
already know and respect each other in the most intimate sense.
Before we get into operational details a brief review of western
sex magick theory might be in order: - You remember Plato's idea of
the original idea? Plotinus took it out of the abstract and hooked up an
energy flow (the Star Wars "Force") to "the idea", giving us what is
known in occult terminology as "an astral pre-form". In other words
.all physical forms and events must be preceded by a pre-form in the
Yetzirah (astral) dimension.
The entire active aspect of Magick involves creating and pro-
graming these astral pre-forms. There are several methods for doing
this: creative visualization, ritual, talisman creation, etc. - but one of
the most dynamic and effective techniques is to sexually create a mag-
ical child and program it to accomplish your desire. This method
works on the old kabbalistic doctrine that every sex act, even mastur-
bation, creates some sort of pre-form entity on the astral. Congrex
between a man and a woman will therefore result in a magical off-
spring if no physical conception is accomplished. (This very ancient
belief is one of the reasons behind the religious prohibition against
having sex for fun. God creates and so do you - and the clergy
doesn't want you to know it!) Therefore, if you and your partner decide
you want to create a magical child, you fITst make a talisman to repre-
sent it and the purpose it's going to accomplish, then you have sex and
impregnate the talisman with your combined effluvium. Nine days
later you go through the same procedure again and re-impregnate the
talisman. You then seal it up, forget it and let it perform its task.
103
I can relate from personal experience that this is one of the most pow-
erful techniques in magick. It virtually has to work, even if you don't
believe in it!
As described it is a simple, mechanical technique that will suc-
ceed to some degree no matter how basically you perform it - back
before W.W. I, male German O.T.O. members often carried out the rite
without their wives even being aware of it -- however, if you want to
get the most out of the method, you will want to ritualize it the way the
ancients did. In other words, you will enact the Hieros Gamos, or
Sacred Marriage.
This Great Rite was usually performed by a high priest and high
priestess or a king and queen at the beginning of the year to ensure
prosperity for the land and the people. We symbolize it in our Nuptiae
pageant at Vernal Equinox. The lines of poetry heading this chapter are
from that rite and may be used as the only spoken words the manifest-
ed God and Goddess need recite to each other when coming together
for their congrex. The sacramental mead is poured from Ba'al's
Golden Flagon into Astarte's Silver Goblet and then shared as a sym-
bolic gesture of the physical consummation about to take place.
However, you may wish to add the following statement of purpose: -
Astarte:
Ba'al:
What task shall the Child of our Union
perform, oh my Lord?
Verily He shall ( here state the task)
In Good Time and Full Measure!
In ancient Babylon the Hieros Gamos was enacted on top of a
ziggurat whereas in Canaan it was performed on a hilltop or in the
inner "Holy of Holies" chamber of the Temple. Here again the proce-
dure is straight forward and simple. The priestess invokes the God into
the priest and then the God invokes His Goddess consort into the
priestess. In modem practice you may carry out the invocations under
the suspended mirror, in the same manner as in an Assumption opera-
tion, or you may enact the procedure standing up while facing a full
104
Figure 1. Reverse side should show symbolism
specific to the Magical Child and its
intended purpose.
length mirror (we use the Lunar Soul-Door in the Western Quadrant-
see the Egyptian arch shown veiled in our video).
Appropriate makeup, costuming and jewelry will aid in the
transformation and a cot mattress covered with black cloth should be
placed in the Magick Circle. Sandlewood incense, roses and soft back-
ground music on an exotic theme would help to create a proper atmos-
phere. When both have assumed their godforms, the Great Rite is for-
mally consummated and the mighty talisman of the working is charged
(see Figure 1. below).
Aside from its tremendous magical potency this is a profoundly
beautiful experience that can deeply enrich and re-empower a monog-
amous relationship.
If you and your part-
ner are beginning to
find your sexual
relations getting just
a little boring, invite
Ba' al and Astarte
into your lives and
let them rekindle the
fires of romantic
love.
In closing let
me again caution
you against any friv-
olous, irresponsible
use of these power-
ful techniques or any
degenerate perver-
sion of their worthwhile purposes. Honor and respect these methods
and they will serve you well. Show reverance to The Goddess and to
Her Prince Consort and you will surely prosper.
Chapter Ten. :J{ptes onjoflowit1£J page. . .
105
Chapter TenlfJ\[ptes:
1. Mesmerism, the first popular form of trance induction to be introd-
uced to the western world, was developed by Dr Franz Anton Mesmer
in the late 18th century. The technique depended more on an influx or
exchange of magnetic energy, directed by the Mesmerist, than on the
hypnotic induction routines we are familiar with today. A Mesmerist
would not say: "You are very relaxed, you are feeling sleepy, etc.",
he'd simply put a hand on your shoulder, look into your eyes and com-
mand you to "Sleep!" ... and you would. In spite of many attempts to
discredit the old system, it still works. Mesmerism is not hypnosis but
the two methods overlap. Whenever hypnosis is combined with physical
contact or eye contact, Mesmerism comes into play. The famous
American hypnotist, Milton Erickson, was said to have "a hypnotic
touch". Even his friends were reluctant to shake hands with him. This
was pure Mesmerism... For a broader discussion of hypnosis,
Mesmerism and magick see the author's Magick and Hypnosis from
C.H.S., Inc.
106
Man/ evenas (jof£ writeswith tlie Wand
ftl.1uf emhlazons witli tIie Sword;
LettersandSymbofs in aSpectrum of!fire.
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(jiving them substancefromHerPentacfe: -
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Hence a[{tools of71ie WordsliouUf6e thine. . .
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Curt of'IheSa11£frea[6y 'Ihabiott
Chapter 'Eleaen: Pentagram andSeptagram !J?jtuafs
T
HIS CHAPTER DEALS WITH TWO vitally important rituals that
you will use throughout your entire magical career. The
Pentagram ritual casts your Magick Circle of protection and
establishes your Guardians at the Four Quarters of the Universe. The
Planetary Septagram Rite draws down The God Power, activates your
inner psychic centers, selects the Sphere of your working and Opens
the Gateway between the Worlds. You should practice these rites daily
and make your visualizations more and more vivid. Study the
Archangel icons we have provided. If you are artistic, draw and color
your own versions... Explore your own inner dimensions. OUI
Magick will work with a minimum of effort -- but no magician should
ever be satisfied with anything less than perfection! Work!
107
%e Pentagram !J?jtua[
T
HIS RITUAL, WITH ITS VARIATIONS, is one of the most impor-
tant rites you will commit to memory in your magical career.
You should employ it every day for inspiration, protection and
personal centering. You can perform it without a sword or gestures as an
internal projection of your imagination at any time you need protection.
In its full dress, formal application it is the required "circle casting" or
"quarters rite" preceding every ritual in nearly all Western magical tra-
ditions and variations of it are even used by Wiccans. The Golden Dawn
used it primarily in the banishing form to cleanse a temple before work-
ing. We use it in the invoking form to consecrate our magick circle and
set "The Wards of Power" at the compass quarters. These Wards are tra-
ditionally the four Archangels of the Tetragrammaton. We employ the
banishing form at the end of the rite to close and seal the circle of our
working.
Background: - The Pentagram Ritual is a legacy from The Order
of the Golden Dawn. The invoking and banishing Pentagram forms
were found in the original Cypher Manuscript but the concept of the
ritual itself must be credited to W. Wynn Westcott. Before this elegant
rite was conceived each magician had his or her own way of casting a
circle, often involving the actual tracing of the circle on the floor or
ground.
Figure 1.
sv-Banishing
Structure: - The Pentagram Ritual is still reffered to as "The Lesser
Pentagram Ritual" in The Golden Dawn papers because it utilized only
the final form attributed to the Earth Element. The term "Lesser
108
Pentagram Ritual" is used because the so-called "Greater Pentagram
Ritual" used to open Enochian Tablets was later incorporated into the
Enochian "Watchtower Opening."
In our video we use only the Earth Element Pentagramform as
a minimum opening and closing requirement -- but the experienced
operator can certainly use the other elemental forms as an additional
Quadrant opening similar to the Enochian Watchtower concept. (If this
confuses you at this point, don't worry about it. Our mandatory
Planetary Septagram Rite will cover the Quadrants as well.)
In activating these Pentagram forms on the astral you invoke
toward the point of the Element and banish from that point. Earth is on
the lower left point, hence we are invoking Spirit into and banishing it
from the Element of Earth. This is an appropriate opening and closing
for all magical operations because it brings Spirit into and then releas-
es it from the physical plane or material basis of the work ( for a more
detailed discussion of this concept see The Lesser Ritual of the
Pentagram by Fra. Perseus and Sor. Kalla in T-7R no. 7 ).
Because these are Earth Pentagrams they must be visualized in
bright, neon green! 1. The words and Names of Power must be vibrat-
ed and projected.
Here follows a step-by-step description of the rite with variations:-
Lesser Pentagramfor 'Iemple Opening & Cfosing
Face East. Touch right hand (with sword) to forehead and say:
"Ateh" ( aa-tah ). Touch sword pommel to chest and say: "Malkuth"
( Mal-koot ). Touch right shoulder and say: "Veh-Geburah", then left
shoulder and say: "Veh-Gedulah." Extend sword outward with both
hands and say: "Le-Olam!" Bring the sword back to the chest saying:
"ADM." (This is the Kabbalistic Cross. Translated it means: "Thine
is the Kingdom, The Power and the Glory Forever, Amen!" )
Trace the first Earth Pentagram in the East with the point of your
sword (invoking to begin the rite; banishing to close). Thrust the point
through the center vibrating: "AMShO" (Ah Mah Sha Oh) or the 22
109
letter Alphabet form, "ShMAT" (Sha Mah Ah Tah). 2. Keeping the
sword point extended do a right facing movement and trace another
Pentagram in the South. Thrust through the center while vibrating:
"ADONAI!" (Ah-doh-nye). Swing the point to the West and trace
another Pentagram, thrusting through with: "EHEIEH!" (Ah-hey-yah).
Complete the circle in the North with the final Pentagram saying:
"AGLA!" (Ah-gay-Iah - or, if you prefer, Ateh Gibor Le-Olam
Adonai! Thine is the Power forever my Lord!)
Again face East and extend your arms in the form of a cross, say-
ing: "Before me, Raphael!" (Ra-phy-el). Visualize the Archangel tow-
ering above the clouds at sunrise with his sword and censer. Still fac-
Figure 3.
King Scale: Dark Olive Green Crimson Blue Bright Yellow
ing East, vibrate: "Behind me, Gabriel!" (Gab-ree-el). Behind your
back visualize the Archangel holding Her silver chalice with the Moon
and the ocean behind her. Then say: "At my right hand Michael!"
(Mee-ky-el). In the south (to your right) visualize the Archangel in
armor towering above a fiery volcano with his flaming lance. Next say:
"At my left hand, Auriel!" (Au-ree-el), To your left visualize the
Archangel, with the green hills behind Her, holding a Pantacle heaped
high with the fruits of the Earth.
Then say: "Around me flame the Pentagrams!" Again visualize the
green pentagrams at each quarter (East, South, West and North). Next
vibrate: "Above me shines the Six-Rayed Star!" Visualize above your
head a unicursal hexagram in bright yellow gold.
Figure 2.
Again perform the Kabbalistic Cross to complete the rite.
110
f£l(tensions and'Variasions of the Pentagram !Ritua{
The first variation is the daily personal empowerment version
(which is always done in invoking mode). It is the same as above
except that when the Archangels are called and visualized, the follow-
ing petitions are added: "Raphael grant me perfect health and wis-
dom... Michael grant me creative force and energy ... Gabriel grant me
unlimited love and sensitivity... Auriel grant me boundless wealth and
prosperity" ....Then we add the visualization of the Tetragrammaton
overhead in colored Phoenician letters starting from right to left, Ah
Mah Sha Oh, (or Sha Ma Ah Ta) while saying: "Great Lord of the
Universe, grant me freedom and spiritual enlightenment."
The second variation is the protection version. It is usually done
in the invoking mode but can be done as a banishing in conjunction
with other rites. It is the same as the basic form except that the
Archangels are visualized as facing outward in a shielding mode. The
following petitions are made: "Raphael, protect me (us)from the per-
ils of wind and plague . . Michael, protect me (us)from the dangers
offire andfury. ..Gabriel, protect me (us) from the threat offlood
and storm. . . Auriel, protect me (us) and what is mine (ours) from
theft, injury, accident or destruction." Again visualize AMShO
(ShMAT) above and say: "Ah Mah Sha Oh" protect me (us) from
above and below and within and without. "
This last petition is the most important - especially if you are
defending against magical attack. Black magick uses your own weak-
ness against you.
There is another variation to be mentioned. This is really not a
regular Pentagram ritual but it is a four-quarters rite. It is more of a
New Age NeoPagan form suited for an outdoor setting. It is especial-
ly good to use with non-initiates present.
This rite is an invocation and extension of Universal Love to
unite yourself with Nature and Humankind. It should be done in con-
junction with the practice of the O.T.A.'s Personal Transformation
Mantra: -
Through me flows a river of unlimited love!
111
Facing East and say: "Above me Sun-Father, beneath me, Earth
Mother; empowered by one, 1 serve the other. Air-Earth-Fire-Water-
Father-Mother-Son-Daughter - AUM!"
Raising your hands in the receiving mode ( palms up ) repeat the
Transformation Mantra twenty-two times, then look off as far to the
East as you can see and vibrate: "I project Love to the limits of the East
...and receive in return a vision of beauty!"
Wait to absorb the vision, then face South and repeat the formula.
The same to the other quarters in a deosil round. Close with the open-
ing salutation.
The basic Pentagram ritual should be thoroughly memorized before
any of the variations are attempted. The Transformation Mantra can be
used at any time. It is the subject of a separate paper and is only men-
tioned here in conjunction with the last Pentagram variation. The
Phoenician Tetragrammatons, Aleph Mem Shin Omega (AMShQ) and
Shin Mem Aleph Tau (ShMAT) are discussed in Note 1., Chapter
Seven.
Pentagram 2?jtua{/:A[ptes:
1. This is bound to confuse and upset some "authorities"
and their students who insist that Earth Pentagrams should be
visualized in an astral electric blue color. If you have already
established this visualization then I don't insist that you abandon
it -- but, if you have not set it in concrete, you should conform
to the basic principle of magical color projection. The G.D. color
scales are NOT what we see on the astral, they are what we
project and impose in order to accomplish our purpose. You are
creating an Earth Pentagram, not skrying one that's already there --
so, don't make 'blue' water Pentagrams for the Earth Quadrant.
Make 'urn green.
2. Readers who are either Jewish or Old Testament oriented
Christians should use YHVH (Yod He Vau He) as their Tetragram-
maton. Pagans should certainly respect YHVH -- but they don't have
to use it.
112
pfanetarg Septagram !Rjtua{
T
ms RITUAL FOLLOWS THE Pentagram rite. Whereas the
Pentagram "Casts the Circle" and establishes the Guardians at
the Quarters, the Septagram Ritual then "Opens the Gate" spe-
cific to the working. The Planetary Septagram graphic shown below is
an ancient traditional design used by virtually all orders in the Western
Tradition. (As in the Pentagram, we invoke toward the point of our
working and banish with a reverse motion.) Although the Planetary
Septagram design is traditional, our method of drawing down, inter-
nalizing and localizing the Spirit in the Sphere of the working is orig-
inal with the O.T.A. - Remember, in Goetia all operations take place
in the Sphere of Yesod. Therefore when this rite is performed to open
a Goetia operation, only the Yesod form is used. The Planetary Sphere
within Yesod will then be evoked by the Magus during the conjuration.
Banish ----..
Trace with
wand
~ - - - - - I n v o k e
The Planetary Septagram for Yesod
Face West, holding the Wand in the right hand before your chest
(point upwards). Tilt your head back, look up overhead, close your
eyes and take a moment to imagine yourself as a fifty foot tall giant,
then visualize a distant, brilliant flash of LIGHT (Kether) high above
you. Vibrate the Name: EHEHE! Bring the LIGHT down through the
113
Aperture ofBrahman in the top of your skull (Tibetan Hoc Phut spot)
and illuminate the left side of your brain (Chocmah) as you vibrate:
YAR! Visualize this as a swirling, luminous gray cloud. Let the
LIGHT flow over to the right hemisphere and vibrate: AHMASHAO
ELOHIM ! Visualize a black triangle (Binah) . Move the LIGHT to a
point just above and between your eyes. Vibrate: OOL! (EL) and visu-
alize a bright blue square (point upward like a diamond) (Chesed).
Still looking up with your eyes closed, now imagine your giant
form extending above you, thus enabling you to lower your con-
sciousness point into your body as the LIGHT descends. Bring the
LIGHT down into your throat and vibrate: ELOHIM GmOR while visu-
alizing a red pentagram (Geburah). Drawn the LIGHT down into your
chest, vibrating: AHMASHAO ALOAR VA DA' ATH while visualizing a
golden unicursal hexagram (Tipareth). Descend to the solar plexus
and vibrate: AHMASHAO TZABEOTH and create an emerald septa-
gram (Netsach). Move the LIGHT below your navel and vibrate: ELO-
HIM TZABEOTH. Imagine a bright orange octagon (one square super-
imposed over another)(Hod). Drop to the genital region and vibrate:
SHADDAI EL CHAI, visualizing an amethystine eneagram (three
superimposed triangles) (Yesod). Finally drop to the perineum and
vibrate: ADONAI HA ARETZ. Create the crystalline decagram (by
superimposing two pentagrams) (Malkuth). You have now opened all
your psychic centers in the highest (Atziluthic) dimension.
You will now start up from the bottom using the Briatic scale
of formulas. Holding the decagram visualization, vibrate: SAN-
DALPHON. Move back up to the eneagram, See it now as a pale yel-
low design traced on a violet background and vibrate: GABRIEL.
Open your eyes and look Westward. Trace a Lunar invoking
planetary septagram with your wand. Trace a lunar crescent in its cen-
ter and vibrate: ARARITA SHADDAI ELCHAI. Repeat this at each quar-
ter, moving deosil, until you return to the West - then hold your arms
out in the form of a cross and say: "In the Name of the Archangel
GABRIEL I declare the Gateway to the Sphere of Yesod Hermetically
unsealed and the Portal Between Worlds hereby opened."! Bring the
wand back to your chest, holding it with both hands, and complete the
rite by intoning: AUM !
114
To close the Yesod Gate at the conclusion of the operation
(before the final banishing Pentagram), you merely repeat the rite,
again starting in the West, using the same intonations but tracing the
Septagram in banishing mode. You do not need to do any internal visu-
alizations. Conclude back in the West by declaring the Yesod Gate to
be "Hermetically sealed and the portal between Worlds hereby
closed- AUM!" (Note: - For non-Goetic planetary operations you
should begin your Septagram rite in the appropriate Quadrant, e.g.,
Venus in the North.)
fJl.{pte onSeptagram !Kjte:
1. I cannot overemphasize the importance of this "Opening and
Closing of the Gates" declaration. It should be used in all magical
operations, most especially evocations and pathworkings. Your
subconscious mind needs to be told that "The door is now open"
because it understands other dimensions in the most literal form,
as "other dimensions". If it is not informed that the way is now
open it may struggle blindly through the whole operation against a
barrier you could have removed with a few words in the beginning.
115
wfio stands before the Lunar (jate?
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Chapter Tuieloe: Invocation antiEoocatiott !.l(jtuafs
A
N ANGELIC INVOCATION of one of the four Great
Archangels should begin with an Invoking Pentagram, fol-
lowed by a Planetary Septagram (the internal visualizations
accompanying each rite are to be practiced by all attending). We locate
Raphael in Tiphareth, Michael in Hod, Gabriel in Yesod and Auriel in
Malkuth (along with Sandalphon). The opening and closing Septagram
rites should be arranged accordingly (see previous chapter). We then
enter the Circle and stand close around the double-cube altar, upon
which have been placed the Master Mandala and the crystal orb.
The Operator then lights the incense burner, serves appropriate
incense (Tiphareth: frankincense, Hod: storax, Yesod: jasmine and
Malkuth: Dittany of Crete), elevates it and salutes The Lord of The
116
Universe. He then removes the silken cloth covering the crystal and
rings the bell over it to symbolize the descent of the Holy Spirit.
Following this he places the incense burner into its chamber and all
take seats on the low stools around the altar.
The Magus recites the Invocation and then the recitation passes
around deosil as the others begin a soft overtone chant of the
Archangel's name. After everyone has invoked in tum, the chant con-
tinues to grow in power and intensity until the Glory comes upon the
altar and the Magus makes the sign of adoration and welcomes the
Archangel. He may then make a petition or channel an oracle; follow-
ing this he will ask the person on his left: "Does the Angel speak
through you?" If the answer is "Not at this time," the Magus will ask
the question of the next person on his left and so on until all have had
a chance to vocalize the "knowings" which have entered their enchant-
ed minds ... Finally the Magus will stand (cueing all to rise) and thank
the Archangel for coming, bidding Him or Her "To remain ever
stronger in our hearts and to return to us when reverently called by the
rites of Holy Magick. Hail and Farewell!" He then covers the ball with
silk. The Planetary and Elemental banishing rites are then performed
to conclude the operation. (Note: even though we ran these invocations
together in the video, only one Archangel should be invoked per oper-
tational session.)
.9Lrcliangefic Invocations 1.
We call Thee, Great Archangel RAPHAEL in the name of
Tetragrammaton - Ah Mah Sha Oh! Come to us, oh Guardian of
the Eastern Quadrant, Master teacher, Loving healer, Wielder of the
Sword of Truth and Lord of the Ariel Realm! Come, we beseech thy
presence here upon this Holy Table ... Shine forth from this pellucid
crystaL . . Grant us a glimpse of thy glory and a whisper of thy wis-
dom.. . (overtone chant by all in unison) ...
Ra-pha-el! Ra-pha-el! Ra-pha-el!
117
We call Thee Great Archangel, MICHAEL, in the name of
Tetragrammaton, Ah Mah Sha Oh! Come to us, oh Guardian of the
Southern Quadrant, Master of the Sacred Lance, Warrior and
Defender! Lord of the Realm of Fire! Come, grant us a measure of
Thy Power and a warning of any dangers that might lie before us...
Mi-cha-el! Mi-cha-el! Mi-cha-el!
We call Thee, Great Archangel GABRIEL, in the Name of
Tetragrammaton: Ah Mah Sha Oh! Come to us, oh Guardian of the
Western Quadrant, Lady of the Waters and Mistress of the Holy Grail!
Quicken within us the faculties of sympathy and of intuition. Grant us
a glimpse of thy mystic Grace and an oracle from thy vast, dark ocean
of Understanding... Gab-ri-el! Gab-ri-el! Gab-ri-el!
We call Thee, Great Archangel ADRIEL, in the Name of
Tetragrammaton, Ah Mah Sha Oh! Guardian of the Northern
Quadrant, Lady of the Earth and Mistress of the Holy Pantacle of Art!
Bring us in Harmony with nature's cycle and make fertile all our just
desires! Bestow upon us thy Love and lead us unto thy treasures -in
the Name of Adonai ha-Aretz ... Au-ri-el! Au-ri-el! Au-ri-el!
Remember: you must complete all four Archangelic Invocations
before you proceed to the Evocation of Spirits. These Archangelic
operations consecrate and empower your Master Mandala.
(joetic 'Evocation Operations:
When I first began my Goetia experiments in 1969 I used all
three conjurations and The Curse of Chains (I still have the metal box
with which I tormented the spirits by heating their sigils over the thuri-
ble) but after the first year of O.T.A. group workings, using our hyp-
notic dark mirror method, I realized that for our purposes the complete
medieval armamentarium was unnecessary. The first conjuration
118
(especially the rectified version below) has all the Names of Power and
correspondences you need to bring up a manifestation. Whether it is
wise to intimidate elements of the subconsciousness mind is a debat-
able point in any method of evocation, but I think it should be espe-
cially avoided when keying off your own, or your receiver's, reflec-
tion. You may need to repeat the first conjuration two or even three
times in a stronger tone of voice to bring the spirit in - but any more
than this should not be necessary. 2.
CIRCUMAMBULATION
With a full complement (Operator, Receiver, Server and
Acolyte) this can be a very impressive phase of the ritual. It is always
marched deosil (clockwise) with the East as a starting point. The
Operator beats the drum and leads the sonorous overtone vowel chant
(Ah _. Aae - Eee - Oh - 000) ,the receiver wears the lamen of
the spirit and has no task except to spiral into the vortex by concen-
trating on, and pivoting around, the pentacle of the sphere (within
Yesod) placed in the center of the circle. The server gently swings the
lighted censer, burning the appropriate incense. The Acolyte rings the
bell each time he passes the East, marking the circumambulations. As
the circumambulation proceeds, the pace, the chant and the drumbeat
gradually increase in speed, volume and intensity. After the last ring
and final drumbeat, the Magus and receiver enter the circle while the
others quickly and carefully move the equipment into position. This
stage business is covered by the ...
PRELIMINARY INVOCATION
This is an edited version of The ancient "Bornless Ritual". It
should be read by one of the operator's assistants, or recited from
memory by the Magus, to cover the setting-up phase directly after the
circumambulation has been completed. This recitation maintains the
magical mood while the Triangle is moved into position, the work
table is brought into the Circle, the receiver is given the candle sticks
to hold , the incense server takes his position, the Magus puts on his
119
ring and lights the skryer's candles...
Thee I invoke, The Bornless One!
Thee that didst create the earth and the heavens!
Thee that didst create the darkness and the light!
Thou art Osiris-onofris, Osiris the Beautiful ...
Whom no one hath seen at any time!
Thou hast distinguished between the just and
The unjust!
Thou didst make the female and the male
Thou didst produce the seed and the fruit
Thou didst form us to love one another and to hate
One another!
Thou didst produce the moist and the dry and that
Which nourisheth all created life!
I invoke Thee, the Terrible and Invisible God who
Dwelleth in the Void Place of the Spirit!
I am He! The Bornless Spirit! Having sight in the feet:
Strong, and the Immortal Fire!
I am He! The Truth!
I am He who hates that evil should be wrought
In the World!
I am He that brings the lightning and the thunder!
I am He who showereth life upon the earth!
I am He whose mouth ever flameth!
I am He, the begetter and manifester unto the Light!
I am He, the Grace of the World:
The Heart Girt with the Serpent is My Name!
Come Thou forth, and follow me and make all spirits
Subject unto me so that every spirit of the firmament
And of the aether, upon the earth and under the earth;
120
On dry land or in the water; of whirling air or of rushing fITe
- And every spell and scourge of God may be
Obedient unto me!
Note: - Just before beginning the actual conjuration, be sure to
invoke the particular angel of the SHEMHAMEPHORASH which corre-
sponds to the spirit being evoked. (See ANGELS OF THE
SHEMHAMEPHORASH.) The Magus should open the Brass Vessel, take
out the sigil of the spirit, show it to the receiver and then turn it to show
the reverse side, with the sigil of the Angel, while he recites the Latin
versicle - e.g., Domini dilexi decorum domus tuae et locem habita-
tiones gloriae tuae: Man - ah - del! (for Astaroth-Astarte).
This done, the Operator raises his or her wand and begins the
conjuration. During the recitation of the Names of Power he or she
will trace the "Jewels of Artargatis" down the receiver's spine while
projecting a visualization of the psychic centers through the receiver's
back. (See THE HERMETIC CADUCEUS.)
EVOCATION OF GOETIA SPIRITS
THE CONJURATION
I evoke and conjure thee, Spirit , strengthened by
Almighty God and I command thee by: BARALAMENSIS, BAL-
DACHIENSIS, PAUMACHIA, APOLOROSEDES, and by the princes
GENIO and LIACHADI, ministers of the Seat of Tartarus and Chief
Princes of the Throne of Apologia in the Ninth Region!
I command thee by Him who spake it and it was done! By the Holy
and glorious Names: EHEHE, YAH, AMASHAO 3. ELOHIM, OOL, ELO-
HIM GmOR, AMASHAO ALOAH VA-DA' ATH, AMASHAO ZABEAOTH,
ELOHIM ZABEAOTH, SHADAI EL CHAI, ADONAI HA ARETZ ...
Sandalphon, Gabriel, Michael, Haniel, Raphael, Kamael, Tzadkhiel. 4.
121
Come! Appear before this Circle, within that Triangle, in fair
and human form without horror or deformity and without delay. Come
to us from whatever part of the world thou art and answer our ques-
tions. Come presently, come visibly, come affably and manifest that
which we desire; being commanded by the eternal and living God,
HELIORUM!
I command thee also in the narne of the particular King to whom
thou owest thine obedience, the Mighty , and by the Holy
Narne of the Great Archangel , who rules the _
Quadrant.
I conjure thee by the Ineffable Name to which all creatures are
obedient; the Mighty Tetragrammaton: AH-MAH-SHA-OH! by which
the elements are overthrown: the air is sundered, the fire is generated,
the sea rolls back, the earth moves, and all the host of things celestial,
of things terestrial, of things infernal do tremble and are confounded
together!
Come! Appear before us visibly, and speak unto us affably in a
clear, intelligible voice in our mother tongue, free from ambiguity and
guile. Come in the Narne of the Archangel . Come, why
dost thou tarry? ADONAI SHADDAI, King of Kings, commands thee!
WELCOME TO THE SPIRIT
We welcome thee, most noble (Rank) . We thank thee
for heeding our summons. We give thee sweet incense and good enter-
tainment and, by the Power of God, we charge thee to remain affably
and visibly here before our Circle, within our Triangle, giving us true
answers and faithful service until we shall license thee to depart.
122
LICENSE TO DEPART
Spirit , because thou hast diligently heeded the rites of
Magick and complied with our demands, we do hereby license thee to
depart without giving injury to any person, beast or thing. Depart I
say but be ever ready to return when duly summoned by the sacred
rites of Magick. Withdraw quickly and quietly and may the peace of
God continue between us and thee. Depart, depart, depart I say, and
be gone!
(Having said this the operator should ask the receiver if the spir-
it is really gone. If so, the Magus snuffs out the receiver's candles,
turns the lamen, to display the pentagram on the reverse side, and then
covers the mirror with the green silk cloth. If not, then the lamen
should be turned over, the candles left lighted and the license to depart
repeated again in a stronger tone. In a very rare instance where the
above procedure is not sufficient, the classic exorcism can be used:
EXORCISM
The operator turns the receiver around to face him or her, looks
the receiver directly in the eyes and firmly declares: "Behold in me the
person of the exorcist who is known as OCTINOMOS, armed by God
and fearless in the midst of the exorcism! Behold the Pentacle of
Solomon which I bring into your presence to your confusion!" (Direct
the receiver's attention to the hem of your robe. You may also call
attention to the Pentagram on the reverse side of the lamen). "I com-
mand thee, in the Name of the Archangel , to withdraw
from this place quickly and quietly giving no harm to any person or
thing! Depart, depart, depart I say and BE GONE!"
EVOCATION OF THE KINGS OFTHE QUARTERS 5.
I evoke and conjure Thee, Mighty King Amaymon, Lord of the
Eastern Quadrant and Master of the Spirits of the Air and of all their
123
Legions! I command Thee in the name of the Holy Archangel,
Raphael, Guardian of the Gate of Sunrise ( SoutheNoontide,
West=Sunset, North=Eventide ) and Bearer of the First (Second, Third,
Fourth) Letter of the Holy Name - Tetragrammaton: AH MAH SHA
OH! (trace and visualize letters in color with wand) By which the Air
is sundered, the Sea rolls back, the Fire is generated, the Earth moves
and all things Celestial, Terrestrial and Infernal are confounded togeth-
er! I command Thee by the Holy and Glorious Name that rules the
Sphere of Yesod: SHADDAI EL CHAI and by the Name that rules Thy
Sphere within this realm: AHMASHAOH ALOAH VA-DA' ATH. Come,
appear before this circle; within this Triangle in fair and human form
without horror or deformity and without delay. Come, speak unto us in
our mother tongue in a fair and human voice, free from ambiguity and
guile. Come; why dost Thou tarry? ADONAI SHADDAI, King of Kings
commands Thee!
(The welcome and license to depart are the same as they would be for
any Goetia entity with the sensible addition of "Great and Mighty
King" as an honorary prefix. A flaming libation of liquor would be an
appropriate sacrifice - but, if you use 151% rum straight from the
bottle into the thurible you could blow yourself up. Always decant any
dangerous flamables into very small bottles before you operate.)
EVOCATION OFCANAANITE GOD FORMS
THECONmRATION
I evoke and conjure thee, Spirit , I supplicate Thee
great (Rank) , strengthened by almighty God, and I
command Thee by Him who spake it and it was done! By the Holy and
glorious Names: EHEHE, YAH, AHMASHAOH ELOHIM, OOL, ELO-
HIM GIBOR, AHMASHAOH ALOAH VA-DA' ATH, AHMASHAOH
ZABEAOTH, ELOHIM ZABEAOTH, SHADAI EL CHAI, ADONAI HA
ARETZ ... Sandalphon, Gabriel, Michael, Haniel, Raphael, Kamael,
Tzadkhiel.
124
Come! Appear before this Circle, within that Triangle, in fair and
human form without horror or deformity and without delay. Come to
us from whatever part of the world thou art and answer our questions.
Come presently, come visibly, come affably and manifest that which
we desire; being commanded by the eternal and living God, HELIO-
RUM!
I summon Thee also in the Name of Father EL (001) and Mother
ASHERAT OF THE SEA and by the particular King of the Quarter to
whom thou owest thine obedience, the Mighty , and by the
Holy Name of the Great Archangel , who rules the
____Quadrant.
I conjure thee by the Ineffable Name, to which all creatures are obedi-
ent; the Mighty Tetragrammaton: AH-MAH-SHA-OH! by which the
elements are overthrown; the air is sundered, the fire is generated, the
sea rolls back, the earth moves, and all the host of things celestial, of
things terestrial, of things infernal do tremble and are confounded
together!
Come! Appear before us visibly, and speak unto us affably in a clear,
intelligible voice in our mother tongue, free from ambiguity and guile.
Come in the Name of the Archangel . Come, why dost thou
tarry? ADONAI SHADDAI, King of Kings, commands thee!
ApOLOGY TO THE GODDESS OR GOD 6.
We welcome Thee, great (God/Goddess) ! We apologize
for summoning Thee with such strong incantations, but we hasten to
declare that we command only that aspect of thee that dwells within
ourselves; Thy higher presence and universal essence we hold in true
reverence and serve in all humility.
125
LICENSE TO DEPART
Great (Rank) , we thank Thee for attending our rites
and for granting our requests. We hope that your inspiration will
remain and grow ever stronger within us even as your Greater
Presence departs from our Circle. Return now to your wondrous realm
but be ever ready to appear again when called by the Sacred Rites of
Magick. Hail and Farewell!
9{ptes: Chapter Twefve
1. These Archangelic Invocations are the original creations of the
author and protected by his Copyright. They may be used in
private ceremonies by individuals or groups but may not be repro-
duced for publication or used for public performance in any medium.
2. During the circumambulation the receiver should be wearing
the Spirit's Lamen. The metal (or finish) of the lamen is determined
by the spirit's rank (e.g. Dukes, ~ =copper) and has Solomon's
banishing pentagram on the reverse side. The spirit's sigil apprears
three times: on the lamen, on parchment in the Brass Vessel, and on
the skrying mirror traced with a black china marker (note: we used a
yellow marker in the video only for better camera visibility). Usually
the receiver stands before the mirror. Fra. Ake Phalos (Jim Nobles)
prefers to seat his receivers so that they can be more relaxed. (In this
case a stool is recommended because a chair might interfere with
psychic center energies and also has a seance connotation.)
3. This is our Pagan Tetragrammaton, which we have explained
earlier. Operators who are Jewish or Old Testament oriented
Christians should substitute Yod He Vau He for Ah Mah Sha Oh.
4. You should bring the LightJPower all the way down and ground
it in the Malkuth center. This is the Atziluthic descending
empowerment. Then bring it up, via the Briah dimension, to the
Sphere of the working (remembering that this is all within Yesod)
e.g., Ashtaroth =Venus =Netsach ="Hanie!".
5. For the unique O.T.A. sigils of the Goetia Rulers and the sigils
of the Four Great Archangels who directly control them, see
THE 72 SPIRITS OF THE BRASS VESSEL.
6. This very important element was originally suggested and first
written into our ritual by Soror Ariel (Ms Jo Carson) in 1970.
126
· .. .9LruflJ1iou! 'Beneatfi its infruence born --
Thou worm! wfwmI obey witfi scorn -
Forcedby aPower (wfiUh is not thine,
.9Lruf rent thee but to m a ~ thee mine)
:Jor thisbriefmoment to descend,
Where these weakSpiritsroundthee bend
.9Lndparfey with a tfiing a ~ thee -
Wliat zoouid'st thou, Chiftf ofcray! with mei
fromManfredby Lord'Byron
Chapter Thirteen: %e 'Evocation of9{jtfiae[
The popular writers on magical evocation will tell you that
there is nothing dangerous about this practice while experienced
Magicians fill their books with precise instructions giving the impres-
sion that everything is always under control . . . But what happens
when the Dark Side comes through unexpectedly and with over-
whelming power? What do you do then?
I
T WAS THE LAST NIGHT OF THE FULL MOON in September at
the secluded, tree-shrouded Montsalvat Hermitage-Temple in
Pasadena. Frater Prometheus, an actor and aspiring screen writer,
suggested we perform another Bardonian evocation. It would be our
third this month. Prometheus had just discovered Franz Bardon's sec-
ond volume and was fascinated by its multitude of empowering spir-
its. I sympathized. I had had a similar romance with the same book
127
many years ago when I was beginning my study and practice of mag-
ick. Even then I had thought Bardon somewhat mad. However,
Bardon's was a Holy Madness, not unlike my own in those days, to
which I felt a strong kinship ... Yes, we would do another operation
from Bardon. Magical enthusiasm should be ridden hard while it lasts
- like heavy surf following a storm. And, if we needed a rationale, it
was in line with our Second Degree training.
I had been supervising Prometheus and his lady, Soror
Rhiannon, in the summoning of Goetia spirits during the waxing moon
periods for the last several months. I always start off new Second
Degree people with Astarte (Ashteroth) and Ba' al (Bael) from the tra-
ditional Goetia of the Lemegeton to introduce them to the patron
Goddess and God of our Temple - and then to such benign lesser enti-
ties as Vassago to train them in the hypnotic conjuration-to-visible-
appearance technique that has been the Ordo Templi Astartes' main-
stay for the past twenty-six years.
Franz Bardon's Magical Evocation is closely related to this
system 1. but does require a zodiacal circle. Our nine-foot Solomonic
hard circle is elemental on one side and celestial on the reverse, so any
one of Bardon's carefully calibrated entourage of spirits can be easily
located and the pentagram pointed precisely in his/her direction. Our
standing triangle, dark speculum, planetary lamens, evocation can-
dles and other standard Goetia equipment can then serve without mod-
ification.
As it turned out Soror Rhiannon wanted to operate and I was
asked to receive. As Magister I don't often get the chance to be the
receiver in evocation operations. Full moon time is at a premium and
the new people need the experience. However, this was not a regular
meeting and Prometheus had just received the Bardonian spirit, Pigios
(15
0
n )the night before. Both initiates had been staying with me at
the Hermitage during that time.
I should have been looking forward to the operation but I was
not. From a mundane perspective it had been a hectic week. I was tired
and would rather have gone to bed with a novel or even watched t.v.
128
I took a nap after dinner when I should have been researching for the
operation. At eight p.m. I awoke, heaved up off the couch, fumbled
for Bardon's second volume and grunted: "Okay, I'll find something
Mercurial that's good for writers. Maybe it'll help us both corne up
with something saleable."
I had just mixed up a batch a very pungent storax incense the
night before so Mercury (Hod) seemed a good idea. I found the
Mercurial spirits in Bardon - all seventy-two of them but the signifi-
cance of that venerable number did not register with me at the time. I
selected Nithael (number 54 at 26-30
0
I). He was described as " ...
a great friend of all artists, writers and orators, & etc." - Everything
positive, up-beat, constructive; one of 'the good guys'. I even
instructed Soror Rhiannon to drop the Goetia "Barbarous Names"
from the conjuration so we wouldn't contaminate the transcendental-
ism of Bardon with anything demonic. What could go wrong?
I liked the sigil too; it wasn't Bardon's typical automatic writ-
ing in his Liber Spiritum. This one had captions in a strange language
and a wavy symmetry in its design.
I copied it onto the dark mirror with a black grease pencil and
then duplicated it on a blank brass lamen I would wear around my
neck. I was ready ...
We sat down around a small, low table on which a single can-
dle burned. We would preform a preliminary meditation in the dark-
ened common room before processing through the veil into the
Temple.c Before beginning pranayama I assigned tasks: Rhiannon
would ring the quarters in circumambulation, Prometheus would han-
dle the censer and serve incense. He would also read The Bomless
Invocation while we were setting up to operate. With assignments
made we settled down in asanas, did our breathing exercises and then
closed our eyes. I brought down power through the Chakras with the
aid of an electronic synthesizer to play the descending scale. We
opened our eyes to the candle flame. Prometheus directed us in breath-
ing in the rays and charging the psychic center of Hod. We took hands,
129
synchronized power and carried it with us, intoning an overtone chant,
into the Temple.
After the traditional lighting of the lodge, invocation to The
Goddess and the Invoking Pentagram Ritual we proceeded to the oper-
ation itself. After declaring that we would succeed in summoning the
spirit "Because we will it!", the circumambulation commenced.
With our eyes locked on the pentacle of Mercury placed in the
pentagram, we slowly paced the circle eight times deosil. With the
muffled drumbeat, the smoking censer swinging, the vibrant chant-
ing and the bell ringing the quarters this traditional circumambulation
was a journey into dreamtime. It has always been one of the most dra-
matic elements of the Magical Art. As the receiver, I emptied my
mind so that I could spiral backward through the distant Ages and out-
ward through the dark reaches of the Universe as we revolved around
the twelve spoked wheel of space and time.
With the last ring of the bell we positioned the Triangle and
entered the Circle. Prometheus intoned The Bornless Invocation while
I took my position facing the mirror with a candlestick in each hand.
His trained actor's voice was thick and rich with power:
"Thee I invoke, The Bornless One! Thee that didst create the
earth and the heavens. Thee that didst create the night and the day -
the darkness and the light! Thou hast distinguished between the just
and the unjust!"
I wondered if there was any of our alchemical fluid condenser
still active behind the mirror but quickly put this thought out of my
mind. The only thing I needed to do now was to get the lighting right
on my hooded face and then commence the passive, unblinking stare
at my reflection that brings on the blackout...
"I summon thee, Spirit Nithael, strengthened by Almighty God!
And I command thee by the Holy and glorious Names. . . " From
behind me Rhiannon intoned the descending God Names in Atziluth,
ending with Elohim Tzabaotn commanding the Sephiroth of Hod. . .
"I command thee by Him who spake it and it was done! By the mighty
Tetragrammaton . . . "
130
I wasn't experiencing any sense of distortion yet ... but my face
was fading out ...
H ••• By which the air is sundered, the sea rolls back, the fire is
generated, the earth moves and all the host of things celestial, of
things terrestrial, of things infernal do tremble and are confounded
together! "
Blackout! ... Something coming from far away ... Only two
points of flame in a cloud of darkness . . .The candles . . . Something
is closer now...
H ••• Appear before this Circle, within that Triangle in fair and
human form without horror or deformity and without delay!"
I was looking into the glowing eyes of a black panther!
'No', I told myself, 'It's just the two candles ... ' But then the
panther's head became visible and the voice came out of my mouth in
a soft, deep-purring whisper:
HI am a cat; a black cat", it said. H... And I am a spirit of the
dark side."
Rhiannon welcomed the spirit, somewhat hesitantly, and asked
for an oracle...
"I am not an evil spirit," the entity purred, "-But I am a spir-
it of evil! "
At this point the part of me that was still 'Me' was entrenching
itself into a defensive position where reason and sanity could prevail.
We had a very strong contact going here; one of the strongest I had
ever experienced!
For me it was more independently visual than any evocation I
could remember from twenty-seven years of practice. I usually receive
"on-face" - that is after black-out my own reflection reappears as
someone else along with that undeniable sense of alien presence that
confirms the contact - but this was different.
What I was seeing and experiencing was not some dimly
remembered archetype from Jung's Collective Unconscious but rather
a transpersonal, un-human presence that seemed to come from the far
reaches of outer space. One might say it was almost 'Lovecraftian'.
131
As I continued to stare deep into the dark mirror the panther
metamorphosed into a deformed, fungoid face that glowed in fluo-
rescent mauve. "I can teach you things that would shock even your
jaded minds," his voice intoned seductively through my lips, "-But
I warn you that you should balance my teachings with the bright side
of Mercury. "
The power and intensity of the contact was actually increasing.
My emotional psyche was fascinated, intrigued, seduced - but the
rational part of my mind was becoming increasingly critical. This
wasn't what Franz Bardon had described. This was not what we had
set out to summon. This is not the way the system was supposed to
work. ...
But wasn't Magick supposed to be an adventure into the
unknown?
"Look - I will open a dark portal for you and take you on a far
journey. . ." the spirit whispered and his monster face melted into a
swirling vortex, pulling at my astral form to suck me into a black hole
far out in the universe... I knew I could go through it! I wanted to go
through it!
"Banish this thing!" I muttered to Rhiannon who stood close
behind me.
She sounded relieved as she recited the banishing: "Because you
have diligently answered our demands, I do license thee to depart,
giving harm to no living creature. . . and may the peace of God con-
tinue between me and thee! Depart and begone. . . but be ever-ready
to return when summoned by the sacred rites of Magick!"
The mirror clouded and cleared. The presence was gone. I sup-
pressed a shudder as Rhiannon turned the lamen on my chest, and
snuffed out the candles.
I did a banishing pentagram ritual and we closed the Temple.
Back inside the Hermitage the usual after-operation critique ses-
sion and log entry was conducted. We always do this directly after the
operation because magical visions "are very much like dreams. If you
132
don't write them down immediately you'll forget important details. As
receiver I was first to transcribe my impressions in the log book.
Frater Prometheus had been seated in the server's position, feed-
ing incense into the thurible during the summoning. He had wanted to
ask questions but it was all over too soon. Soror Rhiannon, who was
not an experienced operator, was surprised that the manifestation came
so quickly and was so powerful. Also, " ... It could not give us the
blessings needed," she wrote.
Neither faulted me for bailing out when I did. We all knew
something had gone wrong. In his book Bardon clearly stated that he
had excluded demons from his list and, to make matters even stranger,
"Nithael" was actually one of the seventy-two angels of the
Shemhamephorash; the extended Name of God! These celestial
angels are supposed to be the direct and benign counterparts of the
Goetia's seventy-two demons.
I went to my library and came back to the conference table with
an arm load of books. Davidson's Dictionary ofAngels gave Nithael
Shemhamephorash status citing Barrett's Magus but also listed an
obscure French reference that claimed he was "Afallen angel" who
resides in Hell, "... And governs emperors, kings and civil and eccle-
siastical personages of the highest rank." Knowing Barrett to be a lift
from Agrippa I checked the with venerable Henry Cornelius himself
and he concurred on the Heavenly status of Nithael. Bardon had put
him in slot 54 at 26
0-300
./ - right where Agrippa had him if you
start from 0
0
Y (However, Golden Dawners should remember that
Mathers started his Shemhamephorash off at 0
0
Q ).
At this point Frater Prometheus remembered that he had opened
the operation with a banishing rather than an invoking pentagram rit-
ual. In our method of working we use an invoking pentagram ritual to
call down the Guardian Angels of the Quarters and a banishing to clear
out the Temple after completion. We had had no Quarter Guards ...
I was beginning to understand what had happened.
I went to the Goetia and checked number 54. In Crowley's ver-
sion (B.M. MS. Sloane 2731) the position was occupied by Murmur, a
133
Duke (Venusian spirit) who appears as "A warrior on a gryphon",
teaches philosophy and assists in necromancy. I dimly remembered
summoning Murmur years ago. He didn't seem to have been the enti-
ty we had contacted. Then, on impulse, I picked up Dr. Rudd's
Treatise on Angel Magic (circa 1699). We use his short invocations to
the Shemhamephorash Angels as a preliminary counter-balancing
safety factor in Goetia operations.
Nithael was there in position 54 - but Rudd had also included
his own list of Goetia and other spirits. As I recalled, they were not in
the same order as in Sloane Ms. 2731 which had been Mathers and
Crowley's source.
I turned to Rudd's list, counted out to 54 and felt the hairs rise
on the back of my neck rise as I read: "Ose is a great President
( Mercurial spirit) and comethforth like a leopard and counterfeiting
to be a man. I checked this with the oldest list of Goetia spirits we
have, Reginald Scot's 1584 Discovery of Witchcraft, and found Ose in
slot 55 with an almost identical description ... except that Scot had
added a warning: "... (H}e (Ose) transformeth a man's shape, and
bringeth a man to that madness, that he thinketh himself to be that
which he is not . . . "
I then recalled that Mercury is the only planet in the solar sys-
tem that does not revolve. Its dark side is always dark. Perhaps this is
why the Faustian shadow of Prometheus remains so demonic even as
humankind progresses?
With the next full moon we might have answers to that and other
questions -- but we would be better prepared and take proper precau-
tions. 3.
:N9tes on'Ihe 'Evocation of:A{jtfzael:
1. Bardon's system is based on the medieval "onion ring" concept
of the celestial spheres. His hierarchy starts with 360 Spirits of the
Earth Sphere as the nearest ring. Above these are the 28 Spirits of
:N9tes continuedonnext page ...
134
'Evocation of9{jtliaef, 9{ptes continued:
the Lunar Mansions and above them are the 72 Spirits of Mercury
(the Shernhamephorash). When we consider that our Goetia Spirits
are all circled around the lowest level of the Lunar Sphere (Fallen
Angels controlled by the Moon), we see that Bardon's arrangement
actually places the Shemhamephorash in an immediately superior
position not unlike The Master Mandala.
2. fA preliminary meditation period in an outer chamber (we call it "the
common room") before entering the Temple is a very sound practice.
It gets everyone into a mild trance state so that the Temple remains a
sacred precinct. In The Book of Solomon's Magick, I have not empha-
sized this because it largely depends on the individual skill of the
operator and a deep knowledge of our psychic center system. We sit
in asanas around circular table upon which is placed one candle. We do
pranayama on a four-four-four count, staring at the candle flame, until
everyone is relaxed -- then the leader has the group close their eyes and
visualize The Drawing Down of The Light as in the Septagram Ritual.
(I use an electronic synthesizer on a descending harmonic scale.) The
psychic center of the working is thus activated. We all join hands and
energy is transmitted deosil around the circle. We slowly raise our
joined hands until they are extended overhead, then we break the circle,
seal the energy and process into the Temple humming an overtone chant
in unison.
3. Next month we carried out a direct evocation of Ose with another
receiver who agreed to undertake the operation without reading my
previous log entry. This action was monitored and reported by a
prominent academic authority on the occult, not a member of the
O.T.A. Our receiver confirmed the "Red eat's eyes", said that Ose
was "A hunting God" and represented "Fiery aspects of the Tree".
"Ose is the Spirit of Maya -- the images of this world. Reflections
of the divine." When asked if he (Ose) had been summoned in the
correct position, he replied: "More or less, but I am fluid, like
Mercury." Soror Astrea, a clairvoyant, saw a great swishing eat's
tail behind our receiver. Our academic observer agreed that this
was something beyond a Jungian Archetype.
135
T
HESE BE THE 72 MIGHTY Kings and Princes which King
Solomon Commanded into a Vessel of Brass, together with their
Legions. Of whom BELIAL, BILETH, ASMODAY, and GAAP,
were Chief. And it is to be noted that Solomon did this because of their
pride, for he never declared other reason why he thus bound them. And
when he had thus bound them up and sealed the Vessel, he by Divine
Power did chase them all into a deep Lake or Hole in Babylon. And
they of Babylon, wondering to see such a thing, they did then go whol-
ly into the Lake, to break the Vessel open, expecting to find great store
of Treasure therein. But when they had broken it open, out flew the
Chief Spirits immediately, with their Legions following them; and they
were all restored to their former places except BELIAL, who entered
into a certain Image, and thence gave answers unto those who did offer
Sacrifices unto him, and did worship the Image as their God, etc.
OBSERVATIONS
FIRST, thou shalt know and observe the Moon's Age for thy working.
The best days be when the Moon Luna is 2,4,6, 8, 10, 12, or 14 days
old, as Solomon saith; and no other days be profitable. The Seals of the
72 Kings are to be made in Metals. The Chief Kings' in Sol (Gold);
Marquises' in Luna (Silver); Dukes' in Venus (Copper); Prelacies' in
Jupiter (Tin); Knights' in Saturn (Lead); Presidents' in Mercury
. (Mercury); Earls' in Venus (Copper), and Luna (Silver), alike equal,
etc.
THESE 72 Kings be under the Power of AMAYMON, CORSON, ZIMI-
MAYor ZIMINIAR, and G6AP, who are the Four Great Kings ruling in
the Four Quarters, or Cardinal Points, viz.: East, West, North, and
South, and are not to be called forth except it be upon Great Occasions;
but are to be Invocated and Commanded to send such or such a Spirit
that is under their Power and Rule, as is shown in the following
Invocations and Conjurations. And the Chief Kings may be bound
from 9 till 12 o'clock at Noon, and from 3 till sunset; Marquises may
be bound from 3 in the afternoon till 9 at Night, and from 9 at Night
136
till Sunrise; Dukes may be bound from Sunrise till Noonday in Clear
Weather; Prelates may be bound any hour of the Day; Knights may
from Dawning of Day till Sunrise, or from 4 o'clock till Sunset;
Presidents may be bound at any time, excepting Twilight, at Night,
unless the King whom they are under be Invocated; and Counties or
Earls any hour of the Day, so it be in Woods, or in any other places
whither men resort not, or where no noise is, etc. 1.
LIST OF THE 72 CHIEF SPIRITS OF
THE GOETIA, ACCORDING TO RESPECTIVE RANK. 2.
(Seal in Gold.) KINGS: (1.) Bael; (9.) Paimon; (13.) Beleth; (20.)
Purson; (32.) Asmoday; (45.) Vine; (51.) Balam; (61.) Zagan; (68.)
Belial.
(Seal in Copper.) DUKES.-(2.) Agares; (6.) Valefor; (8.)
Barbatos; (11.) Gusion; (15.) Eligos; (16.) Zepar; (18.) Bathin; (19.)
Sallos; (23.) Aim; (26.) Bune; (28.) Berith; (29.) Astaroth; (41.)
Focalor; (42.) Vepar; (47.) Vual; (49.) Crocell; (52.) Alloces; (54.)
Murmur; (56.) Gremory; (60.) Vapula; (64.) Haures; (67.) Amdusias;
(71.) Dantalion.
(Seal in Tin) PRINCES and PRELATES.-(3.) Vassago; (12.)
Sitri; (22.) Ipos; (33.) Gaap; (36.) Stolas; (55.) Orobas; (70.) Seere.
(Seal in Silver.) MARQUISES.-(4.) Samigina; (7.) Amon; (14.)
Leraje; (24.) Naberius; (27.) Ronove; (30.) Fomeus; (35.) March-
osias; (37.) Phenex; (43.) Sabnock ; (44.) Shax; (59.) arias; (63.)
Andras; (65.) Andrealphus; (66) Cimeies; (69.) Decarabia. (Seal in
Mercury.)
PRESIDENTS.-(5.) Marbas; (10.) Buer; (17.) Botis; (21.)
Marax; (25.) Glasya-Labolas; (31.) Foras; (33.) Gaap; (39.) Malphas;
(48.) Haagenti; (53.) Cairn; (57.) Ose; (58.) Amy; (61.) Zagan; (62.)
Valac.
(Seal in Copper and Silver alike equal.) EARLS, or COUNTS.-
(17.) Botis; (21.) Marax; (25.) Glasya-Labolas; (27.) Renove: (34.)
Furfur; (38.) Halphas; (40.) Raum; (45.) Vine'; (46.) Bifrons; (72.)
Andromalius.
(Seal in Lead.) KNIGHTS.-(50.) Furcas.
137
THE MAGICAL CIRCLE*
A figure of the Circle of Solomon that he made to preserve
himself from the malice of those Evil Spirits, & etc.
This Circle is to be made 9 foot over & these names round it in
one line beginning at EHEIE (inner circle) & so on to this "F" marke,
then come in at (outer circle) Jehovah Elohim, & from there to hod: &
Benelohim (sic) & then to Levanah: & <C & etc.
*
The circle shown here is from the Sloane 2731 manuscript. Crowley
shows a different version in his Goetia. Also see the O.T.A. 's
Rectified GoetialAlmadel Magick Circle in Appendix 3. -- Thabion
138
THE HEXAGRAM OF SOLOMON
THIS is the form of the
Hexagram of Solomon, the figure
'. whereof is to be made on parch-
,ment of a calf's skin, and worn at
the skirt of thy white vestment,
and covered with a cloth of fine
linen white and pure, the which is
~ Y - - - ~ = ~ ~ - ~ - J ~ C to be shown unto the Spirits when
they do appear, so that they will be
compelled to take human shape
upon them and be obedient.
THE PENTAGRAM OF SOLOMON
THIS is the Form of the
Pentagram of Solomon, the figure
whereof is to be made in Solar
Luna (Gold or Silver*) and worn
upon thy breast; having the Seal of
the Spirit required upon the other
side thereof. It is to preserve thee
from danger, and also to command .
the Spirits by.
* More correctly upon the metal appro-
priate to the Spirit's Rank. The Penta-
gram may be then be drawn on parch-
ment and glued to the back of the
Spirit's lamen -- Thabion
139
SOLOMON'S MAGICALL RING
This is the Form of the Magic Ring of Solomon, to be made in
<C (silver) or 0 (gold). It is to be held before the face of the exorcist
to preserve him from the stinking sulphurous fumes and flaming breath
of the Evil Spirits. *
* Outer ring reads: "MICHAEL. ANEPHENETON."
Silver is more approriate than gold. We also place an amethyst
in the center (see The Magick of Solomon video). -- Thabion
THE SECRET SEAL OF SOLOMON.3.
This is the Form of the Secret Seal of Solomon, wherewith he
did bind and seal up the aforesaid Spirits with their legions in the
Vessel of Brass. This seal is to be made by one that is clean both
inwardly and outwardly, and that
hath not defiled himself by any
woman ** in the space of a
month, but hath in prayer and
fasting desired of God to forgive
him all his sins, etc. It is to be
made on the day of Mars or
Saturn (Tuesday or Saturday) at
** Nowadays we would be more
apt to do the exact opposite and conse-
crate it with the effluvium. -- Thabion
140
night at 12 o'clock, and written upon virgin parchment with the blood
of a black cock that never trode hen. Note that on this night the moon
must be increasing in light (i.e. going from new to full) and in the
Zodiacal Sign of Virgo. And when the seal is so made thou shalt per-
fume it with alum, raisins dried in the sun, dates, cedar, and lignum
aloes.
Also by this seal King Solomon did command all the aforesaid
Spirits into the Vessel of Brass, and did seal it up with this same seal.
He by it gained the love of all manner of persons, and overcame in bat-
tle, for neither weapons, nor fire, nor water could hurt him. And this
privy seal was made to cover the vessel at the top withal, etc.
THE VESSEL OF BRASS.4.
The Form of the Brazen Vessel that Solomon shut up the Spirits
in. The Spirit's Seals (sic) Aforesaid was made in brass; to cover this
vessel with at top & etc.
141
THEOTHER MAGICAL REQUISITES
The other magical requisites are: a sceptre, a sword, a mitre, a cap, a
long white robe of linen, * and other garments for the purpose; also
a girdle of lion's skin three inches broad, with all the names written
about it which be round the outmost part of the Magical Circle. Also
perfumes, and a chafing-dish of charcoal kindled to put the fumes on,
to smoke or perfume the place appointed for action; also anointing oil
to anoint thy temples and thine eyes with; and fair water to wash thy-
self in. And in so doing, thou shalt say as David said:
THE ADORATION AT THE BATH.
"Thou shalt purge me with hyssop, 0 Lord! and I shall
be clean: Thou shalt wash me, and I shall be whiter than snow."
And at the putting on of thy garments thou shalt say:
THEADORATION AT THE INDUING OF THE VESTMENTS.
"By the figurative mystery of these holy vestures (or of this holy
vestment) I will clothe me with the armour of salvation in the strength
of the Most High, ANCOR; AMACOR; AMIDES; THEODONIAS; ANI-
TOR; that my desired end may be effected through Thy strength, 0
ADONAI ! unto Whom the praise and glory will for ever and ever
belong! Amen !"
After thou hast so done, make prayers unto God according
unto thy work, as Solomon hath commanded.
*
A black or midnight blue robe with a
matching hood is better for group work
because it does not reflect light. -- Thabion.
.9l.daitiona[g..{ptes onfoUowing page . . .
142
9{ptes on (joetia Instructions:
1. The instructions in the preceding paragraph are unecessary and are not
even heeded by modem magicians who follow the day-and-night progres-
sion. Remember, the moon should be waxing or full. This is the only
really important time constraint. -- Thabion.
2. Crowley's note:- "It will be remarked that several among the above
Spirits possess two titles of different ranks: e.g. (45.) Vine is both King
and Earl; (25.) Glasya-Labolas is both President and Earl, etc. "Prince"
and "Prelate" are apparently used as interchangeable terms. Probably the
Seals of Earls should be made in Iron, and those of Presidents in mixture
either of Copper and Silver, or of Silver and Mercury; as otherwise the
Metal of one Planet, Mars, is excluded from the List; the Metals attrib-
uted to the Seven Planets being: to Saturn, Lead; to Jupiter, Tin; to Mars,
Iron; to the Sun, Gold; to Venus, Copper; to Mercury, Mercury and mix
tures of Metals, and to Luna, Silver." -- A.C.
2a. To the preceding we should add that these "Ranks" and lamen metals
are what determine the kabbalistic sphere (within Yesod) wherein the
Spirit resides. In a fully rectified Goetia where the Spirits are directly
attributed to the Planetary rulers of the Decans (see Documentary
Appendix ) there would be six solar spirits, six lunar spirits and twelve
spirits for each planet. I believe this was what was originally intended
when the system was first conceived; but after a thousand years of
bootleg copying and re-copying, what has come down to us is a hodge-
podge. -- Thabion.
3. This is the Magick Circle from the original Sloane MS. See Crowley's
GOETIA for the "Coiled Serpent" version and our Appendix 3 for the
G.T. A. version. -- Thabion.
4. The Vessel of Brass, in various forms, was sometimes used as a
conjuration device. There are a number of ways this could have been
done: it could have been highly polished as a form of speculum; it
could be opened to form a polished or painted skrying bowl, perhaps
filled with water or ink. It might even have been used as a smudge pot.
In hypnotic dark mirror Goetia, we use it to contain 72 parchment sigils
of the spirits with the Secret Seal facing downward under the lid (see
video).The Hebrew (More correctly Phoenician) letters surrounding our
rectified Vessel are (reading from right to left):--
*;;r,),m
(=Solomon * [Biblical spelling] AL Tetragrammaton Raphael Michael
Gabriel Auriel. ) Before inscribing your Brass Vessel, convert the
Hebrew letters to Phoenician. In this case all letters can be either red,
black or engraved.
143
rJJie Seuentu-tnuo Spirits of tlie 'Brass o/esse{
(1.) BAEL.-The First Principal Spirit
is a King ruling in the East, called Bael. B ~ I
He maketh thee to go Invisible. He fI " c
ruleth over 66 Legions of Infernal Jz ~
Spirits.He appeareth in divers shapes,
sometimes like a Cat, sometimes like a
Toad, and sometimes like a Man, and
sometimes all these forms at once. He speaketh hoarsely. This
is his character which is used to be worn as a Lamen before
him who calleth him forth, or else he will not do thee homage.
Sign: Y, 0°_ 4°, Mar 21 - 25. Decan.Y d'. Rank: King = 0, Ruler: Goap, Shem:
Vehuiah, Arch: Michael, Orig: - Ba'al (Canaanite) Thunder God, Consort of # 36
AstarothlAstarte. In this position Ba'al presides over the Vernal Equinox Nuptiae Rites
of the ancient CanaanitelPhoenician Hieros Gamos (Sacred marriage) to His Consort,
the Goddess Astarte.
. . J ~ H R.'J
J ~ t ' t f
(2.) AGARES. - The Second Spirit is a
Duke called Agreas, or Agares. He is
under the Power of the East, and cometh
up in the form of an old fair Man, riding
upon a Crocodile, carrying a Goshawk
upon his fist, and yet mild in appearance.
He maketh them to run that stand still,
and bringeth back runaways. He teaches
all Languages or Tongues presently. He hath power also to
destroy Dignities both Spiritual and Temporal, and causeth
Earthquakes. He was of the Order of Virtues. He hath under
144
his government 31 Legions of Spirits. And this is his Seal or
Character which thou shalt wear as a Lamen before thee.
Sign: Y, 5°- 9°, Mar 25 - 29. Decan: Y cJ. Rank: Duke = ~ , Ruler: Goap, Shem:
Ieliel, Arch: Michael, Orig: Fallen Angel; Order of Virtues.
(3.) VASSAGO.-The Third Spirit All._
is a Mighty being of the same (J(J!JJ'"a~
nature as Agares. He is called J (
Vassago. This Spirit is of a Good, ~ ( 1 .
Nature, and his office is to declare things Past and to Come, and to
discover all things Hid or Lost. And he governeth 26 Legions of
Spirits, and this is his Seal.
Sign: Y, 10°· 14°, Mar 30 • ApI 3. Decan: Q 0. Rank:Prince= 2\., Ruler: Goap,
Shem: Sitael, Arch: Michael, Orig: Probably same as Agares.
(4.) SAMIGINA, or GAMIGIN.-The
Fourth Spirit is Samigina, a Great
Marquis. He appeareth in the form
of a little Horse or Ass, and then
into Human shape doth he change
himself at the request of the Master. He speaketh with a hoarse
voice. He ruleth over 30 Legions of Inferiors. He teaches all Liberal
Sciences, and giveth account of Dead Souls that died in sin. And his
Seal is this, which is to be worn before the Magician when he is
Invocator, etc.
Sign: Y, 15°· 19°, Apl 4 . 8. Decan: Q 0. Rank: Marquis = ce,
Ruler: Goap, Shem: Elemiah, Arch: Michael, Orig:?
145
(5.) MARBAS.-The fifth Spirit is ~ . ~ ~
Marbas. He is a Great President, and j J/(1t/tJt8~ l t . ~
appeareth at first in the form of a .. 8 ~ c1.1 ~ cr... ._...
Great Lion, but afterwards, at the e·. ..:
request of the Master, he putteth on Human Shape. He answereth
truly of things Hidden or Secret. He causeth Diseases and cureth
them. Again, he giveth great Wisdom and Knowledge in Mech-
anical Arts; and can change men into other shapes. He governeth 36
Legions of Spirits. And his Seal is this, which is to be worn as
aforesaid.
Sign: y, 20°· 24°, ApI 9 - 14. Decan: I 21.. Rank: President =~ ,
Ruler: Goap, Shem: Mehasiah, Arch: Michael, Orig: - Kusor
wa-Hasis (Canaanite), Tubal Cain (Biblical), Vulcan (Classical).
Mercurial Blacksmith-Craftsman God.
(6.) VALEFOR.-The Sixth Spirit is
Valefor. He is a mighty Duke, and
appeareth in the shape of a Lion with
an Ass's Head, bellowing. He is a good
Familiar, but tempteth them he is a
familiar of to steal. He governeth 10 Legions of Spirits. His Seal
is this, which is to be worn, whether thou wilt have him for a
Familiar, or not.
Sign: y, 25°· 29°, Api 15 - 19. Decan: I 21.. Rank: Duke =~ ,
Ruler: Goap, Shem: Lelahel, Arch: Michael, Orig: ?
(7.) AMON.-The Seventh Spirit is) • J.'
Amon. He is a Marquis great in 'tit era n.4I/
power, and most stem. He c 8 ~ .
appeareth like a Wolf with a
Serpent's tail; vomiting out of his mouth flames of fire; but at the
command of the Magician he putteth on the shape of a Man with
146
Dog's teeth beset in a head like a Raven; or else like a Man with a
Raven's head (simply). He telleth all things Past and to Come.
He procureth feuds and reconcileth controversies between friends.
He govemeth 40 Legions of Spirits. His Seal is this which is to be
worn as aforesaid, etc.
Sign: 't5, 0°_ 4°, ApI 20 - 24. Decan: 't5 ':2. Rank: Marquis =CC,
Ruler: Ziminiar, Shem: Akaiah, Arch: Auriel, Orig:- Amon
(Egyptian) "The Hidden God", later combined with Ra to become
Amon-Ra.
(8.) BARBATOS.-The Eighth Spirit is
Barbatos. He is a Great Duke, and
appeareth when the Sun is in Sagit-
tary, with four noble Kings and their
companies of great troops. He giveth
understanding of the Singing of Birds, and of the Voices of other
creatures, such as the barking of Dogs. He breaketh the Hidden
Treasures open that have been laid by the Enchantments of
Magicians. He is of the Order of Virtues, of which some part he
retaineth still; and he knoweth all things Past, and to come, and
conciliateth Friends and those that be in Power. He ruleth over 30
Legions of Spirits. His Seal of Obedience is this, the which wear
before thee as aforesaid.
Sign: 't5, 5°· 9°, ApI 25 - 29. Decan: 't5 ':2. Rank: Duke =':2,
Ruler: Ziminiar, Shem: Cahethel, Arch: Auriel, Orig: Fallen
Angel; Order of Virtues. A good spirit.
(9) PAIMON.-The Ninth Spirit in
this Order is Paimon, a Great King,
and very obedient unto LUCIFER. He
appeareth in the form of a Man .:i '
sitting upon a Dromedary with a '"
Crown most glorious upon his head.
147
There goeth before him also an Host of Spirits, like Men with
Trumpets and well sounding Cymbals, and all other sorts of Musical
Instruments. He hath a great Voice, and roareth at his first coming,
and his speech is such that the Magician cannot well understand
unless he can compel him. This Spirit can teach all Arts and
Sciences, and other secret things. He can discover unto thee what
the Earth is, and what holdeth it up in the Waters; and what Mind is,
and where it is; or any other thing thou mayest desire to know. He
giveth Dignity, and confmneth the same. He bindeth or maketh any
man subject unto the Magician if he so desire it. He giveth good
Familiars, and such as can teach all Arts. He is to be observed
towards the West. He is of the Order of Dominations. He hath under
him 200 Legions of Spirits, and part of them are (were) of the Order
of Angels, and the other part of Potentates. Now if thou callest this
Spirit Paimon alone, thou must make him some offering; and
there will attend him two Kings, called LABAL and ABALIM, and
also other Spirits who be of the Order of Potentates in his Host, and
25 Legions. And those Spirits which be subject unto them are not
always with them unless the Magician do compel them. His Charac-
ter is this which must be worn as a Lamen before thee, etc.
Sign: 't5, 10
0
- 14
0
, ApI 30 - May 4. Decan: 1tP ~ , Rank: King
(Queen) =0, Ruler: Ziminiar, Shem: Haziel, Arch: Auriel,
Orig: Fallen Angel of the Order of Dominions but probably a
Middle Eastern Pagan Goddess. Paimon (pron."Paymon") means
a "tinkling sound", as made by the sistrum of Isis. Some accounts
show the Spirit appearing as a young woman riding a camel.
(10.) BUER.-The Tenth Spirit is Buer,
a Great President. He appeareth in
Sagittary, and that is his shape when the
Sun is there. He teaches Philosophy,
both Moral and Natural, and the Logic
Art, and also the Virtues of all Herbs and Plants. He healeth all dis-
tempers in man, and giveth good Familiars. He governeth 50
148
Legions of Spirits, and his Character of obedience is this, which thou
must wear when thou callest him forth unto appearance.
Sign:b', 15° - 19°, May 5 - 9, Decan: TtP ~ , R a n k : President = ~ ,
Ruler: Ziminiar, Shem: Aladiah, Arch: Auriel, Orig:?
(11.) GUSION.-The Eleventh Spirit in
order is a great and strong Duke,
called Gusion. He appeareth like a
Xenophilus. He telleth all things, Past,
Present, and to Come, and showeth the
meanings and resolution of all questions thou mayest ask. He concili-
ateth and reconcileth friendships, and giveth Honour and Dignity
unto any. He ruleth over 40 Legions of Spirits. His Seal is this, the
which wear thou as aforesaid.
Sign: b', 20°- 24°, May 10 - 14, Decan: R511, Rank: Duke = ~ ,
Ruler: Ziminiar, Shem: Lauiah, Arch: Auriel, Orig:?
(12.) SITRI.-The Twelfth Spirit is Sitri.
He is a Great Prince and appeareth at first
with a Leopard's head and the Wings of a
Gryphon, but after the command of the
Master of the Exorcism he putteth on
Human shape, and that very beautiful. He enflameth men with
Women's love, and Women with Men's love; and causeth them also
to show themselves naked if it be desired. He govemeth 60 Legions
of Spirits. His Seal is this, to bewom as a Lamen before thee, etc.
Sign: b', 25°- 29°, May 15 - 19, Decan: R511, Rank: Prince = 2l.,
Ruler: Ziminiar, Shem: Hahaiah, Arch: Auriel, Orig:?
149
(13.) BELETH.-The Thirteenth Spirit ,J /l L ,·IJ .... 1
is called Beleth (or Bileth, or Bilet). 11100 -':>Czu.. "
He is a mighty King and terrible. He
rideth on a pale horse with trumpets
and other kinds of musical instru-
ments playing before him. He is very
furious at his first appearance, that is,
while the Exorcist layeth his courage; for to do this he must hold a
Hazel Wand in his hand, striking it out towards the South and East
Quarters, make a triangle, .1, without the Circle, and then command
him into it by the Bonds and Charges of Spirits as hereafter fol-
loweth. And if he doth not enter into the triangle, .1, at your threats,
rehearse the Bonds and Charms before him, and then he will yield
Obedience and come into it, and do what he is commanded by
the Exorcist. Yet he must receive him courteously because he is a
Great King, and do homage unto him, as the Kings and Princes do
that attend upon him. And thou must have always a Silver Ring
on the middle finger of the left hand held against thy face, as they do
yet before AMAYMON. This Great King Beleth causeth all the love
that may be, both of Men and of Women, until the Master Exorcist
hath had his desire fulfilled. He is of the Order of Powers, and he
govemeth 85 Legions of Spirits. His Noble Seal is this, which is
to be worn before thee at working.
Sign: n, 0° - 4°, May 21 - 25, Decan: Il Rank: King = 0,
Ruler: Amaymon, Shem: Ieazel, Arch: Raphael, Orig: Fallen
Angel; Order of Powers but probably derived from Beltiya,
"My Lady", generic term for Babylonian Goddesses - also
possibly the later Roman Bellona who was a Goddess of war.
(14.) LERAJE', or LERAIKHA.-The
Fourteenth Spirit is called Leraje
(or Leraie). He is a Marquis Great in
Power, showing himself in the likeness
of an Archer clad in green, and carrying
150
14
./'.
a Bow and Quiver. He causeth all great Battles and Contests; and
maketh wounds to putrefy that are made with Arrows by Archers.
This belongeth unto Sagittary. He govemeth 30 Legions of Spirits,
and this is his Seal, etc.
Sign: II. SO - 9°, May 26 - 31, Decan: n~ , Rank: Marquis =ce,
Ruler: Amaymon, Shem: Mebahel, Arch: Raphael, Orig: ?
(15.) ELIGOS.-The Fifteenth Spirit in
Order is Eligos (or Eligor), a Great Duke,
and appeareth in the form of a goodly
Knight, carrying a Lance, an Ensign, and a
Serpent. He discovereth hidden things, and
knoweth things to come; and of Wars, and ~ ~ . . ~ -.: ': .
how the Soldiers will or shall meet. He fto\4K, :l..(;'?1! ~ ~
causeth the Love of Lords and Great
Persons. He govemeth 60 Legions of Spirits. His Seal is this, etc.
Sign: n, 10°· 14°, June 1 . S, Decan: ~ 2, Rank: Duke =2,
Ruler: Amaymon, Shem: Hariel, Arch: Raphael, Orig: ?
(16.) ZEPAR.-The Sixteenth Spirit is .__ .' ..._ .
Zepar. He is Great Duke, and appeareth ~ ' P 8 . r : .... ~ .
in Red Apparel and Armour, like a htS Seal", .
Soldier. His office is to cause Women to _.
love Men, and to bring them together in
love. He also maketh them barren. He govemeth 26 Legions of
Inferior Spirits, and his Seal is this, which he obeyeth when he
seeth it.
Sign: n, 15°· 19°, June 6 - 10, Decan: ~ 2, Rank: Duke =2,
Ruler: Amaymon, Shem: Hakamiah, Arch: Raphael, Orig: ?
151
(17.) BOTIS.-The Seventeenth Spirit is - ,
Botis, a Great President, and an Earl. He - BoJ.i.8 .
appeareth at the first show in the form of - nu Seal .
an ugly Viper, then at the command of . . "
the Magician he putteth on a Human shape with Great Teeth, and two
Horns, carrying a bright and sharp Sword in his hand. He telleth all
things Past, and to Come, and reconcileth Friends and Foes. He ruleth
over 60 Legions of Spirits, and this is his Seal, etc.
Sign: n, 20°- 24°, June 11 - 15, Decan: z::::; 11., Rank: President
& Earl =(C Ruler: Arnayrnon, Shern: Leviah, Arch: Raphael,
Orig: ?
(18.) BATHIN.-The Eighteenth Spirit is B u» t
Bathin. He is a Mighty and Strong - 4rrult lUI ei1
)
Duke, and appeareth like a Strong Man .
with the tail of a Serpent, sitting Upon a..
Pale-Coloured Horse. He knoweth the
Virtues of Herbs and Precious Stones,
and can transport men suddenly from one country to another. He
ruleth over 30 Legions of Spirits. His Seal is this which is to be worn
as aforesaid.
Sign: n, 25°- 29°, June 16-21, Decan: z::::; 11., Rank: Duke =
Ruler: Arnayrnon, Shern: Caliel, Arch: Raphael, Orig: ? Excellent
for long range consciousness projection.
(19.) SALLOS.-The Nineteenth Spirit is I (
Sallos (or Saleos). He is a Great and
Mighty Duke, and appeareth in the form - .
of a gallant Soldier riding on a Croco-
dile, with a Ducal Crown on his head,
152
but peaceably. He causeth the Love of Women to Men, and of Men to
Women; and govemeth 30 Legions of Spirits. His Seal is this, etc.
Sign: 129, 0°_ 4°, June 22 - 26, Decan: 129 cr, Rank: Duke =S?,
Ruler: Corson, Shem: Leuuiah, Arch: Gabriel, Orig: ?
(20.) PURSON.-The Twentieth Spirit is 1') D
Purson, a Great King. His appearance is r"'''''tnt. h41 8f.J,
comely, like a Man with a Lion's face,
carrying a cruel Viper in his hand, and ...
~ - \
riding upon a Bear. Going before him are It. ---'__
many Trumpets sounding. He knoweth ~ ' - \ ; J ~ ~ "
all things hidden, and can discover Treasure, and tell all things Past,
Present, and to Come. He can take a Body either Human or Aerial,
and answereth truly of all Earthly things both Secret and Divine, and
of the Creation of the World. He bringeth forth good Familiars, and
under his Government there be 22 Legions of Spirits, partly of the
Order of Virtues and partly of the Order of Thrones. His Mark, Seal,
or Character is this, unto the which he oweth obedience, and which
thou shalt wear in time of action, etc.
Sign: §, 5°_ 9°, June 27 - July 1, Decan: § cr, Rank: King = 0,
Ruler: Corson, Shem: Pahaliah, Arch: Gabriel, Orig: Fallen
Angel; Virtues (5) and Thrones (3) (Heavenly Levels according
to Pseudo-Dionysius),
(21.) MARAX. - The Twenty-first
Spirit is Marax. He is a Great Earl and
President. He appeareth like a great Bull
with a Man's face. His office is to make·
Men very knowing in Astronomy, and
all other Liberal Sciences; also he can give good Familiars, and wise,
knowing the virtues of Herbs and Stones which be precious. He
153
governeth 30 Legions of Spirits, and his Seal is this, which must be
made and worn as aforesaid, etc.
Sign: §, 10°- 14°, July 2 - 7, Decan: Tll..d', Rank: Earl & President=
d' Ruler: Corson, Shem: Nelkael, Arch: Gabriel, Orig: ?
(22.) IPOS.-The Twenty-second Spirit is
Ipos. He is an Earl, and a Mighty Prince,
and appeareth in the form of an Angel
with a Lion's Head, and a Goose's
Foot, and Hares Tail. He knoweth all
things Past, Present, and to Come. He
maketh men witty and bold. He govemeth 36 Legions of Spirits. His
Seal is this, which thou shalt wear, etc.
Sign: §, 15°- 19°, July 8 - 12, Decan:Tll..d', Rank: Prince & Earl =
2td', Ruler: Corson, Shem: Ieiaiel, Arch: Gabriel, Orig: ?
(23.) AIM.-The Twenty-third Spirit is ' (
LA_' AoI'lA. (' ... '"" J f) •
Aim. He is a Great Strong Duke. He fl.......,
appeareth in the form of a very hand-
some Man in body, but with three
Heads; the rust, like a Serpent, the
second like a Man having two Stars on
his Forehead, the third like a Calf. He rideth on a Viper, carrying a
Firebrand in his Hand, wherewith he setteth cities, castles, and great
Places, on fire. He maketh thee witty in all manner of ways, and
giveth true answers unto private matters. He governeth 26 Legions of
Inferior Spirits; and his Seal is this, which wear thou as aforesaid,
etc.
Sign: §, 20°- 24°, July 13 - 17, Decan: X 2t, Rank: Duke =S?,
Ruler: Corson, Shem: Melahael, Arch: Gabriel, Orig:?
154
(24.) NABERIUS.-The Twenty-fourth '. ~ . f). - t
Spirit is Naberius. He is a most }ltl ~ V \ d 1'4 Sf, a ,3!
valiant Marquis, and showeth in the' ~
form of a Black Crane, fluttering ~ . . . .
about the Circle, and when he .. •.. .
speaketh it is with a hoarse voice. He'1-. :- ....
maketh men cunning in all Arts and Sciences, but especially in the
Art of Rhetoric. He restoreth lost Dignities and Honours. He gover-
neth 19 Legions of Spirits. His Seal is this, which is to be worn, etc.
Sign: §, 25°- 29°, July 18 - 22, Decan:X 2j., Rank: Marquis = ct,
Ruler: Corson, Shem: Chahuiah, Arch: Gabriel, Orig: ?
(25.) GLASYA-LABOLAS -The
Twenty-fifth Spirit is Glasya-
Labolas. He is a Mighty President
and Earl, and showeth himself in
the form of a Dog with Wings .
like a Gryphon. He teacheth all Arts and Sciences in an instant, and
is an Author of Bloodshed and Manslaughter. He teacheth all things
Past, and to Come. If desired he causeth the love both of Friends and
of Foes. He can make a Man to go Invisible. And he hath under
his command 36 Legions of Spirits. His Seal is this, to be, etc.
Sign: Q, 0°_ 4°, July 23 - 27, Decan: Q 0, Rank: President & Earl =~ cJ,
Ruler: Goap, Shem: Nithhaiah, Arch: Michael, Orig:?
155
(26.) BUNE, or BIMB.-The Twenty-
,
sixth Spirit is Bune (or Bime). He is a
Strong, Great and Mighty Duke. He
appeareth in the form of a Dragon with
three heads, one like a Dog, one like a
Gryphon, and one like a Man. He
speaketh with a high and comely
Voice. He changeth the Place of the
Dead, and causeth the Spirits which be
under him to gather together upon
your Sepulchres. He giveth Riches unto a Man, and maketh
him Wise and Eloquent. He giveth true Answers unto Demands. And
he govemeth 30 Legions of Spirits. His Seal is this, unto the which
he oweth Obedience. He hath another Seal but the first is the best.
Sign: Q, 5
0
_ 9°, July 28 - Aug 1, Decan: Q 0, Rank: Duke= S?,
Ruler: Goap, Shem: Haaiah, Arch: Michael, Orig: Unknown
but might be related to the ancient Egyptian Goddess Buto. (This
entity always delivers on money requests but not in the most
pleasant manner.)
(27.) RONOvE-The Twenty-seventh: I I ..R l Zl
Spirit is Ronove. He appeareth in the 't.01ttJln>.,..., "elt · ~
Form of a Monster. He teacheth the ~ . .
Art of Rhetoric very well and giveth .
Good Servants, Knowledge of ~ . , .. _.: _
Tongues, and Favours with Friends or Foes. He is a Marquis and
Great Earl; and there be under his command 19 Legions of Spirits.
His Seal is this, etc.
Sign: Q, 10°_ 14°, Aug 2 - 7, Decan: I 2l-, Rank: Marquis &
Earl =<Cd', Ruler: Goap, Shem: Ierathel, Arch: Michael,
Orig: ?
156
(28.) BERITH -The Twenty-eighth
Spirit in Order, as Solomon bound
them, is named Berith. He is a
Mighty, Great, and Terrible Duke.
He hath two other Names given
unto him by men of later times,
viz.: BEALE or BEAL, and BOFRY
or BOLFRY. He appeareth in the Form of a Soldier with Red
Clothing, riding upon a Red Horse, and having a Crown of Gold
upon his head. He giveth true answers, Past, Present, and to Come.
Thou must make use of a Ring in calling him forth, as is before spo-
ken of regarding Beleth. He can tum all metals into Gold. He can
give Dignities, and can confirm them unto Man. He speaketh with a
very clear and subtle Voice. He govemeth 26 Legions of Spirits. His
Seal is this, etc.
Sign: Q, 15°- 19°, Aug 8 - 12, Decan: I 2/., Rank: Duke =S?,
Ruler: Goap, Shem: Seehiah, Arch: Michael, Orig:?
(29.
36
-) * STOLAS, or STOLOS.-The
Twenty-ninth (36th) Spirit is Stolas, or
Stolos. He is a Great and Powerful Prince,
appearing in the Shape of a Mighty Raven
at first before the Exorcist; but after he
taketh the image of a Man. He teacheth
the Art of Astronomy, and the Virtues of Herbs and Precious Stones.
He govemeth 26 Legions of Spirits; and his Seal is this, which is,
etc.
Sign: Q, 20°- 24°, Aug 13 - 17, Decan:Y C), Rank: Prince =2/.,
Ruler: Goap, Shem: Reiiel, Arch: Michael, Orig: ?
* In our system Stolas (#36) has changed places with Astaroth (#29).
157
, -..
(30.) FORNEUS.-The Thirtieth
Spirit is Fomeus. He is a Mighty and
Great Marquis, and appeareth in the
Form of a Great Sea-Monster. He
teacheth, and maketh men wonder-
fully knowing in the Art of Rhetoric.
He causeth men to have a Good Name, and to have the knowledge
and understanding of Tongues. He maketh one to be beloved of his
Foes as well as of his Friends. He govemeth 29 Legions of Spirits,
partly of the Order of Thrones, and partly of that of Angels. His Seal
is this, which wear thou, etc.
Sign: Q, 25°- 29°, Aug 18 - 22, Decan:Yd', Rank: Marquis =«;,
Ruler: Goap, Shem: Omael, Arch: Michael, Orig: Fallen Angel;
of Thrones (3) and Angels (9) (Heavenly Levels according to
Psuedo-Dionysius).
(31.) FORAS or FORCAS -The Thirty-
first Spirit is Foras. He is a Mighty
President, and appeareth in the Form of a
Strong Man in Human Shape. He can
give the understanding to Men how they
may know the Virtues of all Herbs and ..-_.- ...
Precious Stones. He teacheth the Arts of
Logic and Ethics in all their parts. If desired he maketh men invisi-
ble, (could be "invincible". See Crowley's note in his 1904 edition)
and to live long, and to be eloquent. He can discover Treasures and
recover things Lost. He ruleth over 29 Legions of Spirits, and his
Seal is this, which wear thou, etc.
Sign: TIP, 0°_ 4°, Aug 23 - 27, Decan: TIP ~ , R a n k : President = ~ ,
Ruler: Ziminiar, Shem: Lecabel, Arch: Auriel, Orig: A Fallen Angel
of unknown rank.
158
(32.) ASMODAY.-The Thirty-second
Spirit is Asmoday, or Asmodai
(Asmodeus). He is a Great King, Strong,
and Powerful. He appeareth with Three
Heads, whereof the first is like a Bull, the ...
second like a Man, and the third like a
Ram; he hath also the tail of a Serpent,
and from his mouth issue Flames of Fire.
His Feet are webbed like those of a Goose. He sitteth upon an
Infernal Dragon, and beareth in his hand a Lance with a Banner. He
is first and choicest under the Power of AMAYMON, he goeth before
all other. When the Exorcist hath a mind to call him, let it be abroad,
and let him stand on his feet all the time of action, with his Cap or
Headdress off; for if it be on, AMAYMON will deceive him and call
all his actions to be bewrayed. But as soon as the Exorcist seeth
Asmoday in the shape aforesaid, he shall call him by his Name, say-
ing: "Art thou Asmoday?" and he will not deny it, and by-and-by he
will bow down unto the ground. He giveth the Ring of Virtues; he
teacheth the Arts of Arithmetic, Astronomy, Geometry, and all
handicrafts absolutely. He giveth true and full answers unto thy
demands. He maketh one Invincible. He showeth the place where
Treasures lie, and guardeth it. He, amongst the Legions of AMAY-
MON, governeth 72 Legions of Spirits Inferior. His Seal is this which
thou must wear as a Lamen upon thy breast, etc.
Sign: TIP, 5
0
_ 9
0
, Aug 28 - Sept 1, Decan: n:P ~ , Rank: King = 0,
Ruler: Zirniniar, Shem: Vasariah, Arch: Auriel, Orig: Ancient
Persian demon adopted by the Hebrews. Said to be the incest-
uous offspring of Tubal-Cain and his sister, Naamah. Several of the
legends of King Solomon's magick involve Asmodeus ... Because of
his math skills I once evoked him to help me in a statistics course. I
got an 'A: on the mid-term but flunked the final. (Asmoday is also "the
demon of confusion.. .") Our first High Priestess wanted me to evoke
him for her but he refused to appear in the mirror. It was one of my
first operations and I did not banish as well as I should have. Four hours
later she woke up with a start, seeing him on the ceiling over her bed.
A hasty exorcism solved the problem and we learned a valuable lesson:
Don't ever assume a spirit hasn'tarrived just because you can't see it.
159
(33.) GAAP.-The Thirty-third Spirit is r Lti .
Gaap. He is a Great President and a U asp; 4/1 · ~ ~ l J
Mighty Prince. He appeareth when the •
Sun is in some of the Southern Signs,
in a Human Shape, going before Four
Great and Mighty Kings, as if he were
a Guide to conduct them along on
their way. His office is to make men
Insensible or Ignorant; as also in Philosophy to make them Knowing,
and in all the Liberal Sciences. He can cause Love or Hatred, also he
can teach thee to consecrate those things that belong to the Dominion
of AMAYMON his King. He can deliver Familiars out of the Custody
of other Magicians, and answereth truly and perfectly of things Past,
Present, and to Come. He can carry and re-carry men very speedily
from one Kingdom to another, at the Will and Pleasure of the
Exorcist. He ruleth over 66 Legions of Spirits, and he was of the
Order of Potentates. His Seal is this to be made and to be worn as
aforesaid, etc.
Sign: np, 10°_ 14°, Sept 2 - 7, Decan: f31l, Rank: President &
Prince =~ 2j., Ruler: Ziminiar, Shem: Iechuiah, Arch: Auriel,
Orig: Fallen Angel, Order of Potentates (Powers). Heavenly
Level 6.
(34.) FuRFUR.-The Thirty-fourth I e .
Spirit is Furfur. He is a Great and FurJurhiI Sq.u
Mighty Earl, appearing in the Form of
an Hart with a Fiery Tail. He never
speaketh truth unless he be compelled,
or brought up within a triangle, d.
Being therein, he will take upon him-
self the Form of an Angel. Being bid-
den, he speaketh with a hoarse voice. Also he will wittingly urge
Love between Man and Woman. He can raise Lightnings and
160
Thunders, Blasts, and Great Tempestuous Storms. And he giveth True
Answers both of Things Secret and Divine, if commanded. He ruleth
over 26 Legions of Spirits. And his Seal is this, etc.
Sign: TtP, 15°- 19°, Sept 8 - 12, Decan: roX, Rank: Earl =0',
Ruler: Ziminiar, Shem: Lehachiah, Arch: Auriel, Orig: ?
(35.) MARCHOSIAS.- The ThirtY-fifthL . .
Spirit is He.is a Great J&..I:
MIghty Marquis, appeanng at first In :
the Form of a Wolf having Gryphon's
Wings, and a Serpent's Tail, and
Vomiting Fire out of his mouth. But
after a time, at the command of the
Exorcist, he putteth on the Shape of a
(Restoredfrom the original)
Man. And he is a strong fighter. He ... _ _ ._.
was of the Order of Dominations. He governeth 30 Legions of
Spirits. He told his Chief, who was Solomon, that after I, 200 years
he had hopes to return unto the Seventh Throne. And his Seal, is this,
to be made and worn as a Lamen, etc.
Sign: TtP, 20
0
- 24°, Sept 13 - 17, Decan: Rank: Marquis =<C,
Ruler: Ziminiar, Shem: Kavakiah, Arch: Auriel, Orig: Fallen
Angel, from Order of Dominations. (This spirit may have been
counting Heavenly Thrones up from the bottom, in which case,
according to S1. Ambrose's hierarchy, Dominations (3) would be
the Seventh Level.)
(36.) ASTAROTH. *-The Thirty-sixth Spirit is As-
taroth. He is a Mighty, Strong Duke, and appeareth in
the Form of an hurtful Angel riding on an Infernal
Beast like a Dragon, and carrying in his right hand a
Viper. Thou must in no wise let him approach too near
unto thee, lest he do thee damage by his Noisome Breath.
Wherefore the Magician must hold the Magical Ring
161
..
near his face, and that will defend him. He giveth true answers of
things Past, Present, and to Come, and can discover all Secrets. He
will declare wittingly how the Spirits . jJtJ..roli--iiI S sl. '
fell, if desired, and the reason of His ' e .
own fall. He can make men wonderful-
ly knowing in all Liberal Sciences. He ,. _.
ruleth 40 Legions of Spirits. His Seal is fI--
this, which wear thou as a Lamen ' " ~ . , . _ ............,
before thee, or else he will not appear "--
nor yet obey thee, etc.
Sign: TIP, 25°· 29°, Sept 18 • 22, Decan: 'd ~ , Rank: Duke =~ ,
Ruler: Ziminiar, Shem: Monadel, Arch: Auriel, Orig: Canaanite
and Phoenician Goddess Astarte, consort of Ba'al (Bael # 1.).
She is placed in slot #36 presiding over the Autumnal Equinox
in the sign of Virgo, Harvest Goddess of the Earth. In ancient
times Astarte descended from Heaven down to the Underworld
to ressurrect the dead Prince Ba'al at Autumn Equinox in The
Festival of Seven Gates. This was the original "Dance ofthe
Seven Veils" later attributed to Princess Salome in the Bible.
(37.) PHENEX.-The Thirty-Seventh Spirit is Phenex (or Pheynix).
He is a great Marquis, and appeareth like the Bird Phoenix, having
the Voice of a Child. He singeth many sweet notes before the
Exorcist, which he must not regard, but 'Ph .r' ._
by-and-by he must bid him put on t : & n . ~ IJ ~ ~ Je'l/ '
Human Shape. Then he will speak mar-:-. . . ,
vellously of all wonderful Sciences if
required. He is a Poet, good and excel-
lent. And he will be willing to perform
thy requests. He hath hopes also to return to the Seventh Throne
after 1, 200 years more, as he said unto Solomon. He governeth 20
Legions of Spirits. And his Seal is this, which wear thou, etc.
Sign: ""'", 0°· 4°, Sept 23 - 27, Decan: £::= ~ , Rank: Marquis =<C,
Ruler: Amaymon, Shem: Aniel, Arch: Raphael, Orig: Ancient
Egyptian Benu bird (phoenix). Also a Fallen Angel, probably
from the Order of Dominations as was Marchosias.
162
(38.) HALPHAS, or MALTHUS.-The
Thirty-eighth Spirit is Halphas, or
Malthous (or Malthas). He is a Great
Earl, and appeareth in the form of a
Stock-Dove. He speaketh with a hoarse
Voice. His Office is to build up Towers,
and to furnish them with Ammunition and Weapons, and to send
Men-of-War to places appointed. He ruleth over 26 Legions of
Spirits, and his Seal is this, etc.
Sign: 5°_ 9°, Sept 28 - Oct 2, Decan: S?, Rank: Earl =d,
Ruler: Amaymon, Shem: Chaamiah, Arch: Raphael, Orig: ?
(39.) MALPHAS.-The Thirty-ninth Spirit Il
is Malphas. He appeareth at first like a Ii'
Crow, but after he will put on Human 11 ,seal.:
Shape at the request of the Exorcist, and
speak with a hoarse Voice. He is a
Mighty President and Powerful. He can
build Houses and High Towers, and can
bring to thy Knowledge Enemies' Desires
and Thoughts, and that which they have done. He giveth Good
Familiars. If thou makest a Sacrifice unto him he will receive it kind-
ly and willingly, but he will deceive him that doth it. He governeth
40 Legions of Spirits, and his Seal is this, etc.
Sign: ,10°- 14°, Oct 3 - 7, Decan: Rank: President =
Ruler: Amaymon, Shem: Rehael, Arch: Raphael, Orig:?
(40.) RAUM.-The Fortieth Spirit is
Raum. He is a Great Earl; and appeareth
at first in the Form of a Crow, but after the
Command of the Exorcist he putteth
on Human Shape. His office is to steal
163
Rn.um JeSI. :
, ,
Treasures out of King's Houses, and to carry it whither
he is commanded, and to destroy Cities and Dignities
of Men, and to tell all things, Past, and What Is, and what
Will Be; and to cause Love between Friends and Foes.
He was of the Order of Thrones. He governeth 30 Legions
of Spirits; and his Seal is this, which wear thou as aforesaid.
Sign: ~ , 15°- 19°, Oct 8 - 12, Decan: ~ "ft, Rank: Earl = d.
Ruler: Amaymon, Shem: lhiazel, Arch: Raphael, Orig: Fallen Angel;
Order of Thrones.
(41.) FOCALOR.-The Forty-first Spirit is Focalor, or
Forcalor, or Furcalor. He is a Mighty Duke and Strong.
He appeareth in the Form of a
Man with Gryphon's Wmgs. Fo('a{;r1tt8Se"t
His office is to slay Men, and
to drown them in the Waters,
and to overthrow Ships of War,
for he hath Power over both
Winds and Seas; but he will not
hurt any man or thing if he be commanded to the con-
trary by the Exorcist. He also hath hopes to return to
the Seventh Throne after 1,000 years. He governeth
30 Legions of Spirits, and his Seal is this, etc.
Sign: ~ . 20°- 24°, Oct 13 - 17, Decan: ~ ~ . Rank: Duke = ~ .
Ruler: Amaymon, Shem: Hahahel, Arch: Raphael, Orig:
Fallen Angel; Order of Thrones.
(42) VEPAR.-The Forty-second Spirit is Vepar, or
Vephar. He is a Duke Great and Strong and appeareth
like a Mermaid. His office is to govern the Waters, and
to guide Ships laden with Arms, Armour, and Ammuni-
164
tion, etc., thereon. And at the
request of the Exorcist he can cause
the seas to be right stormy and to
appear full of ships. Also he maketh
men to die in Three Days by
Putrefying Wounds or Sores, and
causing Worms to breed in them. He
govemeth
29 Legions of Spirits, and his Seal is
this, etc.
(Partially restored/rom original)
Sign:::::, 25°- 29°, Oct 18 - 22, Decan: :::: ~ , Rank: Duke = Sj?,
Ruler: Amaymon, Shem: Mikael, Arch: Raphael, Orig: ?
(43.) SABNOCK.-The Forty-third Spirit, as King
Solomon commanded them into the Vessel of Brass, is
called Sabnock, or Savnok.
He is a Marquis, Mighty, 8alltRe/( hil cff.lll.
Great and Strong, appearing
in the Form of an Armed
Soldier with a Lion's Head,
riding on a pale-coloured
horse. His office is to build high Towers, Castles and
Cities, and to furnish them with Armour, etc. Also he
can afflict Men for many days with Wounds and
with Sores rotten and full of Worms. He giveth Good
Familiars at the request of the Exorcist. He comman-
deth 50 Legions of Spirits; and his Seal is this, etc.
Sign: TIL. 0° - 4°, Oct 24 - 27, Decan: TIL. d' Rank: Marquis = <C,
Ruler: Corson, Shem: Vevaliah, Arch: Gabriel, Orig: May derive
from the "Reporbated Angel Saboac", one of Seven High Angels
desanctified by the Roman Church in 745 A.D. (along with Uriel
or Auriel, our traditional guardian of the Northern Quadrant).
165
(44.) SHAX.-The Forty-fourth Spirit is Shax, or Shaz
(or Shass). He is a Great Marquis and appeareth in the
Form of a Stock-Dove, speaking with a voice hoarse, but
yet subtle. His Office is to S/tntV' hi!
take away the Sight, "v..
Hearing,
or Understanding of any
Man or Woman at the com-
mand of the Exorcist; and to steal money out of the houses of Kings,
and to carry it again in 1,200 years. If commanded he will fetch
Horses at the request of the Exorcist, or any other thing.
But he must first be commanded into a Triangle, d, or else
he will deceive him, and tell him many Lies. He can
discover all things that are Hidden, and not kept by Wicked
Spirits. He giveth good Familiars, somtimes. He govemeth
30 Legions of Spirits, and his Seal is this, etc.
Sign: m. 5° - 9°, Oct 28 - Nov I, Decan: TIl. d, Rank: Marquis =<C,
Ruler: Corson, Shem: Ielahiah, Arch: Gabriel, Orig: ?
(45.) VINE-The Forty-fifth Spirit is Iii Selll.1!
Vine or Vinea. He is a Great King, and
an Earl; and appeareth in the Form of a
Lion, riding upon a Black Horse, and
bearing a Viper in his hand. His Office
is to discover Things Hidden, Witches, Wizards, and Things Present,
Past, and to Come. He, at the com-mand of the Exorcist will build
Towers, overthrow Great Stone Walls, and make the Waters rough
with Storms. He govemeth 36 Legions of Spirits. And his Seal is
this, which wear thou, as aforesaid, etc.
Sign: m. 10° - 14°, Nov 2 - 6, Decan: TIl. 2j.., Rank: King =0,
Ruler: Corson, Shem: Sealiah, Arch: Gabriel, Orig: ?
166
(46.) BIFRONS.-The Forty-sixth Spirit is called Bifrons,
or Bifrous, or Bifrovs. He is an Earl, and appeareth in the
Form of a.Monster; but Bijn>-lIlliieQI (
after a while, at the Com- . ~
mand of the Exorcist, he ~
putteth on the shape of a .
Man. His Office is to make
one knowing in Astrology,
Geometry, and other Arts and Sciences. He teacheth the
Virtues of Precious Stones and Woods. He changeth Dead
Bodies, and putteth them in another place; also he lighteth
seeming Candles upon the Graves of the Dead. He hath
under his Command 6(0) Legions of Spirits. His Seal is
this, which he will own and submit unto, etc.
Sign: TTL 15° - 19°, Nov 7 -12, Decan: T T L ~ , Rank: Earl =d,
Ruler: Corson, Shem: Ariel, Arch: Gabriel, Orig: ?
(47.) UVALL, VUAL, or VOVAL.-The Forty-seventh
Spirit Uvall, or Vual, or Voval. He is a Duke, Great,
Mighty, and Strong; and appeareth in the Form of a
Mighty Dromedary at the first, but after a while at the
Command of the Exorcist he putteth on Human Shape,
and speaketh the Egyptian Tongue, but not perfectly.
His Office is to procure the Love of Woman, and to tell
Things Past, Present, and to Come. He also procureth
Friendship between Friends and Foes. He was of the Order
of Potestates or Powers. He 1,ua1 kL1 J aL
governneth 37 Legions of Spirits, . .f. 4-J
and his Seal is this, to be made and
worn before thee, etc.
Sign: TTL 20° - 24°, Nov 13 - 17, Decan: m.CC, Rank: Duke = 2,
Ruler: Corson, Shem: Asaliah, Arch: Gabriel, Orig: Fallen Angel,
Order of Powers. (Crowley reported that Uvall conversed in Coptic.)
167
(48.) HAAGENTI.-The Forty-eighth Spirit is Haagenti.
He is a President, appearing in the Form of a Mighty
Bull with Gryphon's Wings. H I: 1-' S 1
This i fi b ft th Sta1J eu« '" ea
s IS at irst, ut a er, at e
Command of the Exorcist he
putteth on Human Shape. His
Office is to make Men wise,
and to instruct them in divers things; also to Transmute
all Metals into Gold; and to change Wine into Water, and
Water into Wine. He govemeth 33 Legions of Spirits,
and his Seal is this, etc.
Sign: TIl. 25° - 29°, Nov 18 - 22, Decan: m.ce, Rank: President = ~ ,
Ruler: Corson, Shem: Mihael, Arch: Gabriel, Orig: ?
(49.) CROCELL.-The Forty-ninth Spirit is Crocell, or
Crokel. (PROCEL in Sloane 2731.) He appeareth in the
Form of an Angel. He is a . ! '
Duke Great and Strong, l'Y1Jetl u Seal.
speaking something Mys-
tically of Hidden Things.
He teacheth the Art of
Geometry and the Liberal
Sciences. He, at the
Command of the Exorcist, will produce Great Noises like
the Rushings of many Waters, although there be none. He
warmeth Waters, and discovereth Baths. He was of the
Order of Potestates, or Powers, before his fall, as he de-
claredunto the King Solomon. He govemeth 48 Legions of
Spirits. His Seal is this, the which wear thou as aforesaid.
Sign: .j', 0° - 4°, Nov 24 - 27, Decan: .j' 2)., Rank: Duke =Q,
Ruler: Goap, Shem: Vehuel, Arch: Michael, Orig: Fallen Angel;
Order of Powers.
168
(50.) FuRCAS.-The Fiftieth Spirit is Furcas. He is
a Knight, and appeareth in the Form of a Cruel Old Man
with a long Beard and a hoary
Head, riding upon a pale-
coloured Horse, with a Sharp
Weapon in his hand. His
Office is to teach the Arts of
Philosophy, Astrology, Rhetoric, Logic, Cheiromancy,
and Pyromancy, in all their parts, and perfectly. He hath
under his Power 20 Legions of Spirits. His Seal, or Mark,
is thus made, etc.
Sign: l', 5° - 9°, Nov 28 - Dec 2, Decan: l' 2+, Rank: Knight =1'l,
Ruler: Goap, Shem: Daniel, Arch: Michael, Orig: The only Saturnian
Spirit in the Brass Vessel. Furcas has attributes of the Greek
and Phoenician God, Kronos. (In the fully rectified Goetia there
would be 12 Saturnian attributions.)
(51.) BALAM. - The Fifty-first Spirit is Balam or
Balaam. He is a Terrible, Great, and Powerful King.
He appeareth with three Heads:
the first is like that of a Bull; t Balctm. h;"'secll.
the second is like that of a .. ~
Man; the third is like that of a
Ram. He hath the Tail of a
Serpent, and Flaming Eyes.
He rideth upon a furious Bear, and carrieth a Boshawk
upon his Fist. He speaketh in a hoarse Voice, Giving True
Answers of Things Past, Present and to Come. He maketh
men to go invisible, and also to be Witty. He govemeth
40 Legions of Spirits. His Seal is this, etc.
Sign: l', 10° - 14°, Dec 3 - 7, Decan: l' d, Rank: King =0,
Ruler: Goap, Shem: Hachasiah, Arch: Michael, Orig: Biblical.
Canaanite sorcerer from the Old Testament.
169
(52. ) ALLOCES.-The Fifty-second Spirit is Alloces,
Alocas or Allocer. He is a Duke, Great, Mighty, and Strong,
appearing in the Form of a Soldier Il' / I '. J,._I
.eli G H . ..I'" L.(TCt fU4 ( ill •
n ng upon a reat orse. HIS
Face is like that of a Lion, very
Red, and having Flaming Eyes.
He speaketh in a very big, hoarse
voice. His Office is to teach the
Art of Astronomy, and all the
Liberal Sciences. He bringeth unto thee Good Familiars; also
he ruleth over 36 Legions of Spirits. His Seal is this, which, etc.
Sign: ../', 15° - 19°, Dec 8 - 11, Decan: ../' d, Rank: Duke =~ ,
Ruler: Goap, Shem: Imamiah, Arch: Michael, Orig: ?
(53.) CAMIO or CAIM.-The Fifty-third Spirit is
Camio, or Cairn. He is a Great President, and appeareth
in the Form of the Bird called a Thrush at first, but
afterwards he putteth on the Shape of a Man carrying
in his Hand a Sharp Sword. He C I
seerneth to answer in Burning cl im h.:"Jeal,
Ashes, or in Coals of Fire. He
is a Good Disputer. His Office
is to give unto Men the Under-
standing of all Birds, Lowing
of Bullocks, Barking of Dogs,
and other Creatures; and also of the Voice of the Waters.
He giveth True Answers of Things to Come. He was
of the Order of Angels, but now ruleth over 30 Legions
of Spirits Infernal. His Seal is this, which wear thou, etc.
Sign: ../', 20° - 24°, Dec 12- 16, Decan: ../' 0, Rank: President =~ ,
Ruler: Goap, Shem: Nanael, Arch: Michael, Orig: Fallen Angel; Order
of Angels (9 =Yesod).
170
(54.) MURMUR, or MURMUS.-The Fifty-fourth Spirit
is called Murmur, or Murmus, or Murmux. He is a Great
Duke, and an Earl; and , 1;
appeareth in the Form of a IJ.& !ecJ.....
Warrior riding upon a Gryp-; I •
hon, with a Ducal Crown
upon his Head. There do go
before him those his Min- I
! ...
isters with great Trumpets sounding. His Office is to
teach Philosophy perfectly, and to constrain Souls Deceased
to come before the Exorcist to answer those questions which
he may wish to put to them, if desired. He was partly of the
Order of Thrones, and partly of that of Angels. He now
ruleth 30 Legions of Spirits. And his Seal is this, etc.
Sign: I, 25
0
- 29°, Dec 17 - 21, Decan: I 0, Rank: Duke =2,
Ruler: Goap, Shem: Nithael, Arch: Michael, Orig: Fallen Angel;
partly of Thrones (3 =Chesed) and Angels (9 =Yesod). The Patron
Demon of Necromancers.
(55.) OROBAS.-The Fifty-fifth Spirit is Orobas. He is a great
and Mighty Prince, appearing at first like a Horse; but after the
command of the Exorcist he putteth on the Image of a Man. His
Office is to discover all things .0 S his
Past, Present, and to Come; also flJ as .."
to give Dignities, and Prelacies,
and the Favour of Friends and of
Foes. He giveth True Answers
of Divinity, and of the Creation
of the World. He is very faithful unto the Exorcist, and will not
suffer him to be tempted of any Spirit. He govemeth 20 Legions
of Spirits.His Seal is this, etc.
Sign: ;0, 0° - 4°, Dec 22 - 26, Decan: ;0 11., Rank: Prince =2).,
Ruler: Ziminiar, Shem: Mebahiah, Arch: Auriel, Orig:?
171
(56.) GREMORY, or GAMORI.-The Fifty-sixth Spirit
is Gremory, or Gamori. He is a Duke Strong and Pow-
erful, and appeareth in the r' - ..,.,. If -{
Form of a Beautiful Woman, U
with a Duchess's Crown tied
about her waist, and riding (
on a Great Camel. His Office is
to tell of all Things Past, Pres- . ____ _ _
ent, and to Come; and of Treasures Hid, and what they
lie in; and to procure the Love of Women both Young
and Old. He govemeth 26 Legions of Spirits, and his Seal
is this, etc.
Sign: ;0, 5° - 9°, Dec 27 - 31, Decan: ;0 11, Rank: Duke = Q,
Ruler: Zirniniar, Shem: Poiel, Arch: Auriel, Orig: unknown
but obviously of a female nature.
(57.) OSE, or YOSO.-The Fifty-seventh Spirit is Oso, Ose,
or Voso. He is a Great President, and appeareth like a Leopard
the first, but after a little 11\se his-.stal,
time he putteth on the II - .
Shape of a Man. His Of- .........
fice is to make one cun-
ning in the Liberal Sci-
ences, and to give True .
Answers of Divine and Secret Things; also to change a Man
into any Shape that the Exorcist pleaseth, so that he that is so
changed will not think any other thing than that he is in verity
that Creature or Thing he is changed into. He govemeth
30 Legions of Spirits, and this is his Seal, etc.
Sign:;o, 10° - 14°, Jan 1 - 5, Decan: ;0 Rank: President = Ruler: Zirniniar,
Shem: Nemamiah, Arch: Auriel, Orig: unknown. The Patron Demon of shape-shifters,
werewolves and leopard men. An older Goetia codex (Scot's The Discoverie of Witchcraft )
warns that Ose brings on madness in the form of delusions of grandure. During an operation
172
where I acted as receiver, Ose told me that he was "Not an evil spirit but rather
a spirit of evil."(See The Evocation ofNithael. ) In our fully rectified arrangement Ose '
would be a Mercurial Air Sign. (In this case the 777 assignment falls in the correct
triplicity whereas the straight progression does not -- but then exceptions prove
the rule.) No matter what slot you put Ose in this entity should not be contacted
by inexperienced operators and receivers.
(58.) AMY, or AVNAS.-The Fifty-eighth Spirit is Amy,
or Avnas. He is a Great President, and appeareth
a ~ first in the Form.of a Flaming . A .hl;g ' ~ e a J t
FIre; but after a while he putteth t/fmy ~ .... II(
on the Shape of a Man. His '_ .. ' /' .
office is to make one Wonder-
ful(1y) Knowing in Astrology ~
and all the Liberal Sciences. He
giveth Good Familiars, and can betray (as per 81. 2731) Treasure
that is kept by Spirits. He is partly of the Order of Angels and
partly of Potentates (Powers). He hopes to return to the Seventh
Throne in 1200 years. He governeth 36 Legions of Spirits,
and his Seal is this, etc.
Sign: R), ISO - 19°, Jan 6 - 10, Decan: R) ¥, Rank: President = ~ ,
Ruler: Zirniniar, Shem: leialel, Arch: Auriel, Orig: Fallen Angel;
Order of Angels and of Powers.
(59.) ORIAX, or ORIAS.-The Fifty-ninth Spirit is
Oriax, or Orias. He is a Great Marquis, and appeareth
in the Form of a Lion, riding 'It' S l
upon a Horse Mighty and Strong, O'tUll r.8 e
4
· ~
with a Serpent's Tail; and he'
holdeth in his Right Hand two
Great Serpents hissing. His
Office is to teach the Virtues of
the Stars, and to know the Mansions of the Planets, and how
173
to understand their VIrtues. He also transformeth Men, and
he giveth Dignities, Prelacies, and Confirmation thereof; also
Favour with Friends and with Foes. He doth govern 30 Legions
of Spirits; and his Seal is this, etc.
Sign: ro, 20°- 24°, Jan 11 - 15, Decan: ;0 ?i, Rank: Marquis =<C,
Ruler: Ziminiar, Shem: Harachel, Arch: Auriel, Orig: unknown.
Has a relation to Mitriatic symbolism. Might also be one of the
Phoenician Seven Spirits of Creation.
(60.) VAPULA, or NAPHULA.-The Sixtieth Spirit is
Vapula, or Naphula. He is a Duke Great, Mighty, and
Strong; appearing in the Form .- . .J-,'
. . .,.a,Ut:" AI! esu.
of a LIOn WIth Gryphon's. ,. I
Wings. His Office is to make (71".

Men Knowing in all Hand-
crafts and Professions, also in
Philosophy, and other Sciences. He governeth 36 Legions
of Spirits, and his Seal or Character is thus made, and
thou shalt wear it as aforesaid, etc.
Sign: ro, 25°- 29°, Jan 16 - 19, Decan: ro ?i, Rank: Duke =
Ruler: Ziminiar, Shem: Mizrael, Arch: Auriel, Orig: ?
(61.) ZAGAN.-The Sixty-first Spirit is Zagan. He
is a Great King and President, appearing at first in the
Form of a Bull with Gryphon's Wings; but after a while
he putteth on Human Shape.:, . .':
He maketh Men Witty. He ' %48
a
nAU g"ill.·
can tum Wine into Water,
and Blood into Wine, also
Water into Wine. He can
tum all Metals into Coin
174
of the Dominion that Metal is of. He can even make
Fools wise. He govemeth 33 Legions of Spirits, and his
Seal is this, etc.
Signt zz, 0° - 4°, Jan 20 - 24, Decan: :::::z"ft, Rank: King =0,
Ruler: Amaymon, Shem: Umabel, Arch: Raphael, Orig: ?
(62.) VOLAC, or VALAK, or VALAU, or UALAC.-The
Sixty-second Spirit is Volac, or Valak, or Valu. He is a
President Mighty and Great, ~ L ,. " -,
and appeareth like a Child with, .. 1. ac h . ~ Jtal.'
Angel's Wings, riding on a
Two-headed Dragon. His Office
is to give True Answers of J.. "
Hidden Treasures, and to tell where Serpents may be
seen. The which he will bring unto the Exorciser without
any Force or Strength being by him employed. He govemeth
38 Legions of Spirits, and his Seal is thus.
Sigru zz, 5° - 9°, Jan 25 - 29, Decan: :::::z "ft, Rank: President =~ ,
Ruler: Amaymon, Shem: Iahhel, Arch: Raphael, Orig:?
(63.) ANDRAS.-The Sixty-third Spirit is Andras. He is a Great
Marquis, appearing in the Form of an Angel with a Head like
a Black Night Raven, riding upon a strong ilnd.t\ Se 1.1
Black Wolf, and having a Sharp and Bright ' h 1 J ' ~ ; '" ., f
Sword flourished aloft in his hand. His
Office is to sow Discords. If the Exorcist
have not a care, he will slay both him and
his fellows. He govemeth 30 Legions of
Spirits, and this is his Seal, etc.
Sign. zz, 10° - 14°, Jan 30 - Feb 3, Decan: :::::z ~ , Rank: Marquis: <C,
Ruler: Amaymon, Shem: Annauel, Arch: Raphael, Orig: ?
175
(64.) HAURES, or HAURAS, or HAVRES or FLAUROS.-
The Sixty-fourth Spirit is Haures, or Hauras, or Havres,
or Flauros. He is a Great
Duke, and appeareth at
first like a Leopard,
Mighty, Terrible, and
Strong, but after while,
at the Command of the
Exorcist, he putteth on
Human Shape with Eyes
Flaming and Fiery, and a
most Terrible Countenance. He giveth True Answers
of all things, Present, Past, and to Come. But if he be
not commanded into a Triangle, ~ , he will Lie in all
these Things, and deceive and beguile the Exorcist in
these things, or in such and such business. He will,
lastly, talk of the Creation of the World, and of Divinity,
and of how he and other Spirits fell. He destroyeth
and burneth up those who be the Enemies of the Exor-
cist should he so desire it; also he will not suffer him
to be tempted by any other Spirit or otherwise. He
governeth 36 Legions of Spirits, and His Seal is this,
to be worn as a Lamen, etc.
Sign: z:z, 15° - 19°, Feb 4 - 8, Decan: z:z ~ , R a n k : Duke =S?,
Ruler: Amaymon, Shem: Mecheiel, Arch: Raphael, Orig:
a Fallen Angel who will not reveal his former rank. He might
be related to the Egyptian God, HOROS not so much from the
discription but rather the similarity of his name and the bird
like nature of his sigil.
(65.) ANDREALPHIS.-The Sixty-fifth Spirit is Andre-
alphus. He is a Mighty Marquis, appearing at first in
the form of a Peacock, with great Noises. But after a
time he putteth on Human shape. He can teach
176
Geometry perfectly. He maketh
Men very subtle therein; and in
all Things pertaining unto Men-
suration or Astronomy. He can
transform a Man into the Like-
ness of a Bird. He governeth
30 Legions of Infernal Spirits, and his Seal is this, etc.
Sign:::::::::::, 20° - 24°, Feb 9 - 13, Decan::::::::::: S?, Rank: Marquis = (C,
Ruler: Amaymon, Shem: Damabiah, Arch: Raphael, Orig: ?
(66.) CIMEJES, or CIMEIES, or KIMARIs.-The Sixty-
sixth Spirit is Cimejes, or Cimeies, or Kimaris. He is a
Marquis, Mighty, Great, - - -,'l
Strong and Powerful, Ct'truifi. 'hi! Sealf.
appearing like a Valiant
Warrior riding upon a
goodly Black Horse. He
ruleth over all Spirits in the parts of Africa. His Office is
to teach perfectly Grammar, Logic, Rhetoric, and to
discover things Lost or Hidden, and Treasures. He gover-
neth 20 Legions of Infemals; and his Seal is this,etc.
Sign. zz, 25° - 29°, Feb 14 - 18, Decan: :::::::::: S?, Rank: Marquis =(C,
Ruler: Amaymon, Shem: Menkiel, Arch: Raphael, Orig: unknown
but probably from Morocco.
(67.) AMDUSIAS, or AMDUKIAS.-The Sixty-seventh
Spirit is Amdusias, or Amdukias (Anduscias in Sloane
2731). He is a Duke Great and 'etAl./ err uJ
Strong, appearing at first like " Jeat. !-'1
a Unicorn, but at the request .....
of the Exorcist he standeth
before him in Human Shape,
177
causing Trumpets, and all manner of Musical
Instruments to be heard, but not soon or immiediately.
Also he can cause Trees to bend and incline according
to the Exorcist's Will. He giveth Excellent Familiars.
He governeth 29 Legions of Spirits. And his Seal is
this, etc.
Sign: X, 0° - 4°, Feb 19 - 23, Decan: X 2/., Rank: Duke =~ ,
Ruler: Corson, Shem: Eiael, Arch: Gabriel, Orig: ?
(68.) BELIAL.-The Sixty-eighth Spirit is Belial. He
is a Mighty and a Powerful King, and was created next
after LUCIFER. He appeareth in the Form of Two Beau-
tiful Angels sitting in a Chariot of ~ I' 1~ t j 1
Fire. He speaketh with a Comely e (A f1 (a 1-
Voice, and declareth that he fell
[rrst from among the worthier sort,
that were before Michael, and
other Heavenly Angels. His Office
is to distribute Presentations and Senatorships, etc.; and to
cause favour of Friends and of Foes. He giveth excellent
Familiars, and governeth 50 Legions of Spirits. Note well that
this King Belial must have Offerings, Sacrifices and
Gifts presented unto him by the Exorcist, or else he will
not give True Answers unto his Demands. But then he
tarrieth not one hour in the Truth, unless he be con-
strained by Divine Power. And his Seal is this, which is
to be worn as aforesaid, etc.
Sign: X, 5° - 9°, Feb 24 -29, Decan: X 2/., Rank: King =0, Ruler: Corson,
Shem: Chabuiah, Arch: Gabriel, Orig: a Fallen Angel formerly of high rank.
Order of Virtues (5 =Geburah). Considered synonymous with Satan in the DEAD
SEA SCROLLS. Possibly the most dangerous spirit in the Goetia. Sacrifices and
offerings are required. If you must experiment with this entity use powdered bull's
blood (blood meal fertilizer) and a flamming libation of brandy (as the late Vincent
Price suggested: "Good brandy, please.").
178
(69.) DECARABIA.-The Sixty-ninth Spirit is Decarabia. He appeareth
in the Form of a Star in a Pentacle at first; but after, at the command
of the Exorcist, he putteth on the image c t'a J<al ,
of a Man. His Office is to discover the ". . • ,.,
Virtues of Birds and Precious Stones, .-
and to make the Similitude of all kinds
of Birds to fly before theExorcist,
singing and drinking as natural Birds do. He governeth 30 Legions of
Spirits, being himself a Great Marquis. And this is his Seal, which is
to be worn, etc.
Sign: X, 10° - 14°, Mar 1 - 5, Decan: X <C, Rank: Marquis =<C,
Ruler: Corson, Shem: Raehel, Arch: Gabriel, Orig:?
(70.) SEERE, SEAR, or SEIR.-The Seventieth Spirit is Seere,
Sear, or Seir. He is a Mighty Prince, and Powerful, under
AMAYMON, King of the East. He appeareth in the Form of a
Beautiful Man, riding upon a SeeN hil'-' ScaL .
Winged Horse. His Office is to go
and come; and to bring abundance
of things to pass on a sudden, and
to carry or re-carry anything
whither thou wouldest have it to
go, or whence thou wouldest have it from. He can pass over the
whole Earth in the twinkling of an Eye. He giveth a True relation
of all sorts of Theft, and of Treasure hid, and of many other things.
He is of an indifferent Good Nature, and is willing to do anything
which the Exorcist desireth. He governeth 26 Legions of Spirits.
And this his Seal is to be worn, etc
Sign: X, 15° - 19°, Mar 6 - 10, Decan: X <C, Rank: Prince =2/.,
Ruler: Corson, Shem: Iibamiah, Arch: Gabriel, Orig: possibly Persian.
Excellent for long range consciousness projection.
179
(71.) DANTALION.-The Seventy-first Spirit is Dan-
talion. He is a Duke Great and Mighty, appearing in
the Form of a Man with many 71
Countenances, all Men's and SEAL
Women's Faces; and he hath a
Book in his right hand. His 0 . 0
Office is to teach all Arts and :.-
Sciences unto any; and to .
declare the Secret Counsel of anyone; for he knoweth
the Thoughts of all Men and Women, and can change
them at his Will. He can cause Love, and show the Simil-
itude of any person, and show the same by a Vision, let
them be in what part of the World they Will. He govemeth
36 Legions of Spirits; and this is his Seal, which wear
thou, etc.
Sign: X, 20° - 24°, Mar 11 - 15, Decan: X d, Rank: Duke = S2,
Ruler: Corson, Shem: Haiaiel, Arch: Gabriel, Orig:?
(72.) ANDROMALIDS - The Seventy-second Spirit in Order is
named Andromalius. He is an Earl, Great and Mighty, appearing
in the Form of a Man holding a
Great Serpent in his Hand. His
Office is to bring back both a
Thief, and the Goods which be
stolen; and to discover all
Wickedness, and Underhand
Dealing; and to punish all Thieves and other
Wicked People and also to discover Treasures that be Hid. He
ruleth over 36 Legions of Spirits. His Seal is this, the which
wear thou as aforesaid, etc.
Sign: X, 25° - 29°, March 16 - 20, Decan: X d, Rank: Earl = d,
Ruler: Corson, Shem: Mumiah, Arch: Gabriel, Orig: ?
180
GOETIA RULERS OF THE QUARTERS
This is the first time that the sigils of the Goetia Rulers of the
Quadrants have ever been seen outside of the inner sanctum. These
signatures were obtained from the Rulers themselves during evoca-
tions undertaken by the author. You are free to use them in your pri-
vate workings but they may not be republished without our written
permission. I refer to them not as "Kings" but as "Rulers" because
Corson, Ruler of the West had a definate female aspect while
Amaymon, Goap and Ziminiar were definately masculine in nature.
Amaymon rules the ariel spirits of the arts and sciences in the
East, Goap controls the fiery spirits of wrath and dominiation in the
South, Corson oversees the spirits of prophecy and divination in the
West, while Ziminiar commands the forces that ensure prosperity and
material accomplishment.
Considering that our rectified Goetia is to be reorganized in
accordance with the four philosophical elements, I wanted to know the
difference between these Rulers and the traditional Elemental Kings
and Queens. Ziminiar answered: "Ghob, (the Gnome King) is ruler of
the Spirits of the Rocks, whereas I am the ruler of the Spirits of the
Inner Earth. "
Amaymon Goap Ziminiar Corson


Every serious practitioner of this system should evoke these
great rulers at the outset of the cycle of working. Remember that they
are directly controlled by the Four Great Archangels of the Quarters.
181
The sigils of the great Archangles of the Quarters should therefore be
drawn on the reverse of the sigils of the Goetia Quadrant Rulers. The
signatures of Michael, Raphael and Gabriel were traditional but there
was no sigil for Auriel. To create one I used the method described by
Geoffrey James in his book ANGEL MAGIC ( the 9th Chapter of which
recounts an G.T.A. invocation operation) of translating the Phoenician
letters in Her name into an Arabic magical alphabet and then running
them together to form a continious design.
~ = = ~ Raphael -- Traditional
Michael -- Traditional
Gabriel -- Traditional
Auriel - O. T. A.
182
fJ1ie Schemhamephorasti
T
HE SCHEMHAMEPHORASH are seventy two Angels that form
the extended Name of God. This formula actually preceeded
the the use of Tetragrammaton in historical Kabbalah. The
names of the angels are derived from three verses in the book of
Exodus (vs. 19-21, Exodus xiv.) and are not permutations of YHVH,
although such a scheme was used to create a later version of the 72
Holy Names. The Angelic Names we use are taken from Agrippa. The
sequence and spelling does not always agree with Mathers' version of
Blaise Viginaire's sigils or with the angelic names accompanying
Thomas Rudd's Latin versicles -- so we were required to create a com-
posite of these three lists 1. making sure that the sigil matches the name
regardless of position.
Golden Dawn magicians will point out that these sigils start at
0° Q (Leo) in their system but I would be very surprised if "The Great
Magician, Blaise Viginaire" intended to use them in a sidereal pro-
gression. (See Documentary Appendix. )
These sigils and verses are to be drawn and written on the back
of the parchment sigil of your Goetia spirit. Before beginning the con-
juration, the sigil should be taken from the Brass Vessel, both sides
should be shown to the receiver and then the Latin verse is read by the
Magus to invoke the power of the Angel. (See video.)
1. Tu Domine susceptor meus es
gloria mea et exaltans Caput
meum: - Vehuiah
2.
3.
Et tu Domine ne elongaveris ~ . .. .. . B. 1.
auxilium tuum a me, ad
defensionem meam conspice:
- Ieliel
Dicam Domino susceptor meus 9 P
es tu, el refugium meum Deus ~ ii;-0
meus sperabo in sum: - Sitael
183
4.
5.
6.
Convertere Domino, et eripe
animam meam, salvum me fac
propter misericordiam tuam :
-Elemiah
Ex qui sive Dominum et
exaudivit me, et ex omnibus
tribulationibus eripuit me:
-" Mahasiah
Psalite Domino qui habitat in
Sion annunciate inter gentes-
studia eius: - Lelahel
Vivit Dominus et benedictus Deus
meus et exaltetur Deus salutis meae:
-Lauiah
7.
8.
9.
10.
11.
12.
13.
Miserator et misericors
Dominus, longanimus et
multum misericors:
-Akaiah
Venite, adoremus, et procidamus
ante Dominum qui ferit nos:
- Cahethel
Reminiscere miserationum tuarum
Domine et miserationum tuarum
quae a saeculo sunt: - Haziel
Fiat misercordia tua super nos,
quemadmodu speravimus in te:
- Aladiah
Ut quid Domine recessisti longe
despiris in opportunitatibus in
tribulatione :- Hahaiah
Jubilate Domino omnis Terra,
Cantate, et exultate, et Psallite:
-Ieazel
184
o:g

goA ,=-*:1



14.
15.
Et factuts est Dominus refugium,
et Deus meus in adjutorium spei meae:
-Mebahel
Et factus est mihi Dominus in refugium
et Deus meus in adjutorium spei meae:
- Hariel
16. Domine Deus salutis meae in
die clamavi et nocte coramte:
-Hakamiah
17.
18.
19.
Domine Dominus noster quam
admirabile est nomen tuum in
universa terra: - Leviah
Iudica me Domine secundum
misericordiam et iustitiam tuam
Domine Deus meus et non
supergaudeant mihi: - Caliel
Expectans expectavi Dominum
et intendit mihi: -Luuviah
- + ~
-t£ial
20.
21.
22.
Et nomen Domini invocabo 0 Domine
libera animam meam:- Pahaliah
Xeo autem in te speravi Domine dixi
Deus meus es tu:- Nelkael
Dominus custodit te, Dominus protectio
tua super manum dextram tuam:
- Iaiaiel
23. Dominus custodit introitum tuum et
exitum tuum ex nunc et usque in
saeculum :- Melahel
185
24.
25.
Beneplacitum est Domino super
timentes eum, et in iis qui sperant
super misercordiam eius:
-Chahuiah
Confitebor tibi Domine in lote corde
mea narrabo omnia mirabilia tua:
-Nithhaiah

'_9
26.
27.
28.
29.
Clamavi in toto corde meo, exaudi 41
me Domine, iustificationes meas "(9"'"
requiram: - Haaiah
Eripe me Domine ab homine malo
a viro iniquo eripe me: -Ierathel '-'I .r!J ..L G
Deus ne elongeris a me Deus meus in (C)\
auxilium meum respice: - Seehiah c:::/
Ecce Deus adiuvat me et Dominus -u...r .Co' "rri'\
susceptor est animae meae:- Reiiel - g 1 L. '..::::/
30.
31.
32.
33.
Quoniarn tu es potentia mea Domine.
Domine spes mea a iuventute mea:
-Omael
Introibo in potentia Domini, Deus
meus memorabor iustitiae tuae solius:
-Lecabel
Quia rectum est verbum Domini et
omnia opera eius in fide:- Vasariah
Dominus scit cogitationes hominum
quoniam vana sunt: - Iechuiah
186
Domine Deus virtutum converte nos
et ostende faciem tuam et salvi erimus:
-Aniel
34.
35.
36.
37.
Speret Israel in Domino ex hoc nunc
et usque in saeculum: - Lehachiah
Dilexi quoniam exaudi Dominus
vocem orationis meae : - Kavakiah
Domini dilexi decorum domus tuae
et locem habitationis gloriae tuae:
- Monadel (see video)
Lfllj-,:Ai 5\"
38.
Quoniam tu es Domine spes mea ", . & l' eT'\C?).:
altissimum profuisti refugium tuum:
-Chaamiah
39. Audivit Dominus et misertus est mihi
Dominus factus est adiutor meus:
-Rehael
40.
41.
Ut quid Domine repellis
animam meam, avertis faciem
tuam a me: -Ihiazel
Domine libera animam meam a
labiis iniquis et a lingua dolosa:
- Hahahel
"1Ho
42.
43.
Domine custodit te ab omni malo et
custodiet animam tuam:- Mikael
Et Ego ad te Domine clamavit, et mane
oratio meae praeveniet te: - Vevaliah
187
10(
..
V- ,v
44.
45.
46.
Voluntaria eris mei beneplacita
fac Domine et Judicia tua doce:
-Ielahiah
Si dicebam motus est pes meus
misericordia tua Domine, adiuvabit
me: - Sealiah
Suavis Dominus universis et
miserationes super omnia opera
eius: - Ariel

'i' ... __ ;=
47.
48.
49.
Quam magnificata sunt opera tua
Domine, nimis profundae factae .' • '. of-
sunt cogitationes tuae: - Asaliah . -'
Notum fecit Dominus salutare tuum
in conspectu gentium, revelabit ....----$\ '.
justitiam suam: - Mihael ..L - 0 cN¥,V'0
Magnus Dominus et laudabilis et _"1ST G'J..: P
magnitudinis eius non est finis: f./ .
-Vehuel
50. Miserator et misericors Dominus,
patiens et multum misericors:
-Daniel
51. Sit gloria Dominus in
saeculullaetabitur Dominus
in operibus suis :
-Hachasiah
52. Confitebor Domino
sacundum justitiam eius
et PsaUam nomini Domini
altissimi: - Imamiah
53. Cognovi Domine quia aequitas
judicia tua et in veritate tua
humiliasti me: - Nanael
188
";).e

54.
55.
56.
Dominus in Caelo paravit sedem
suam et Regnum suum omnibus
dominabitur: - Nithael
Tu autem Domine in aetemum
permanes et memoriale tuum in
generationem et generationem:
-Mebahiah
Allevat Dominus omnes qui
corruunt, et erigit omnes elisos:
-Poliel
... .. -, -. .

57. Qui timent Dominum speraverunt
in Domino, adiutor eorum et
protector eorum est :- Nemamiah
s-0 I
58. Et anima mea turbata est valde sed
tu Domine usque quo: --Ieialel
59.
60.
61.
Ab ortu Solis usque ad
occasum laudabile nomen
Domini: - Harachel
Iustus Dominus in omnibus
viis suis et sanctus in omnibus
operibus eius: - Mizrael
Sit nomen Domini benedictum
ex hoc nunc et usque in
saeculum:- Umabel
, r\'lf\?l <po If' .*
- -d>
62.
63.
Vide quoniam mandata tua Domine
dilexi secundum misericordiam . •.
vivificam: - Iahhel ..I..
Servite Domino in Laetitia, introite _. . _.' -L .' '. . a:
in conspectu eius in exultatione: V tb -Y
-Annauel
189
64.
65.
Ecce oculi Domini super metuentes
eum et in eis qui sperant super
misericordiam eius : - Mecheiel
Convertere Domine usque quo et
deprecabilis esto super servos
eius: - Damabiah
Confitemini Domino quoniam bonus,
quoniam in aetemam misericordia eius:
- Chabuiah
66.
67.
68.
69.
70.
71.
Ne dere1inquas me Domine Deus
meus ne discesseris a me: - Menkiel
Delectare in Domino et dabit tibi
petitiones cordis tui :- Eiael
Dominus pars haereditatis meae et
calicis meae tu es qui restitues
haereditatem meam mihi: - Raehel
In principio creavit Deus Caelum et
Terram: - Iibamiah
Confitebor Domino nimis in ore meo,
et in medio multorum laudabo eum:
- Haiaiel

0-1


::I : J:: o!n rn

72. Convertere anima mea in requiem
tuam quoniam Dominus
benefaciet tibi: - Mumiah
. e-., \:J .'
e--l--t.' 0. Q de· - L..Le
. - lfl6lf-1- . .}
Here Ends The Schemhamephorash
9{ptes on !fo{[owi:ng Page. . .
190
9{ptes onScfiemfzamepfwras/i: -
1. The sigil designs used in this section are scanned directly from a photo
copy of MacGregor Mathers' copy of Arsenal MS. 2495 "Characters
or Seals of the 72 Schemahamphorasch (sic)" courtesy of Pat Zalewski.
Those interested in the Golden Dawn version of this sequence should
consult Zalewski's The Kabbalah of the Golden Dawn, 1993. (See
Documentary Appendix for an exhibit of the title folio of the Mathers'
MS.)
2. The Latin verses used to invoke these Angels are taken from British
Library Harley MS. 6482 as published by Adam McLean in A Treatise
on Angel Magic, 1982. We have changed Dr Rudd's spelling of the
Angelic names to agree with those on our Master Mandala which is
derived from Agrippa. The translations of these scriptural verses into
English that McLean includes are possibly proprietory, therefore the
interested reader should consult the McLean edition directly. The work
would make an excellent addition to any magician's library and is now
available in an inexpensive paperback edition.
Additional Note: -- I am again including the sigils of the Four Great
Archangels for easy reference. In our system they are directly related to
the Angels of the Shemehamphorash.
~ ~ = 3 J 1 < Raphael, Traditional
Michael, Traditional
Gabriel, Traditional
Auriel, O.T.A. form
(derived from ancient
Arabic magical alphabet.
See James' Angel Magic.)
191
. 9 l . p p e n a ~ 1.
(joetia Spirits 9{ectifieti to the Four
Hermetic 'Elements anaQuatirants
This listing rearranges the 72 Spirits into four Elemental groupings
by their characteristics and certain clues in their descriptions (e.g.,
"Appears in Sagittarius", etc.). Their order of placement in these
divisions has no significance beyond their sequential occurance in
the original Sloane 2731 list.
Ariel Spirits Fiery Spirits Watery Spirits Earthy Spirits
Under Amaymon Under Goap Under Corson Under Ziminiar
5. Marbas 1. Bael 3. Vassago 2. Agares
24. Naberius 8. Barbatos 4. Samigina 6. Valefor
27. Ronove 10. Buer 7. Amon 12. Sitri
32. Asmoday 14. Leraje 9. Paimon 13. Beleth
33. Gaap 23. Aim 11. Gusion 16. Zepar
36. Stol as 25. Glasya- 15. Eligos 18. Bathin
(#29. in our
Labolas 17. Botis 19. Sallos
sequence)
28. Berith 22. Ipos 20. Purson
37. Phenex
34. Fufur 30. Forneus 21. Marax
39. Malphas
35. Marcho- 41. Focalor 26. Bune
44. Shax
sias 42. Vepar 29. Astaroth
50. Furcas
38. Halphas 45. Vine (#36 in our
53. Carnio
40. Raum 47. Uvall
sequence)
57. Ose
43. Sabnock 49. Crocell
31. Foras
59. Oriax
52. Alloces 54. Murmur
46. Biforns
60. Vapula
58. Amy 55. Orbas
48. Haagenti
65. Andre-
63. Andras 56. Gremory
51. Balam
alphus
64. Haures 7l. Dantallion
61. Zagan
67. Amdusias
68. Belial
62. Volac
69. Decar-
72. Andro-
66. Cimejes
abia
malius
70. Seere
192
.9lppendii'(2.
e erence Chart or oetia/J1LEnuufe{0 erations:
Sephiroth Color (King Scale) Planet Incense
1. Kether
2. Chokmah
3. Binah
4. Chesed
5. Geburah
6. Tiphareth
7. Netsach
8. Hod
9. Yesod
10. Malkuth
White
Grey
'Black
Blue
Red
Yellow
Green
Orange
Violet
Citrine, olive,
russett & Black
Infinity
Zodiac
Saturn
Jupiter
Mars
Sun
Venus
Mercury
Moon
Earth
Ambergris
Musk
Myrh
Cedar
Dragon's Blood
Frankincense
Sandalwood
Storax
Jasmine
Dittany of Crete
Goetia Spirits
(By Rank)
Descending Formula (Atziluth) Ascending Formula
(Briah)*
1.
2.
3. Knights
4. Princes
5. Earls
6. Kings
7. Dukes
8. Presidents
9. Marquises
10.
Eh heh yah
Yah
AhMahShaOh Elohim
EI (001)
Elohim Gibor
AhMahShaOh Aloah Va-Da'ath
AhMahShaOh Tzabaoth
Elohim Tzabaoth
Shaddi EI Chai
Adonai Ha Aretz
Metatron
Ratziel
Tzaphkiel
Tzadkiel
Kamael
Raphael
Haniel
Michael
Gabriel
Sandal phon
* Note: The ascending formula is also the list of Archangels attributed to the
Tree of Life and the planetary spheres.
193
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!Jl.ppendil(3.
Magic.a[Tempie Furniture & 'Equipment
H
ERE IS WHERE WE COME to one of the most satisfying --
and for some people perhaps the most frustrating -- aspects of
the art magical: building your temple equipment. Right at the
outset let me explain that I have not provided fully scaled and dimen-
sioned three view plans because some of you may not want to operate
in a full size (18' x 18') temple setting. Our double cube altar is 42"
high and just manages to go through a standard door frame. The out-
side diameter of our Circle is, according to Solomon, nine feet -- which
means that, along with pillars in the north and south and room to cir-
cumambulate, the 18' x 18' floor space is a minimum. Most spare bed-
rooms aren't that big. You'll need a two car garage and then you'll
have to panel and insulate it or freeze in the winter time. Hypnotic
magick doesn't work very well when people's teeth are chattering, so
you may have a lot of remodeling to do just to make the temple com-
fortable-- and don't forget ventilation; you can't bum charcoal and
incense in a completely sealed area. All considered, it might be better
to scale down and settle for the spare bedroom when you are first get-
ting started.
Even so you may want to paint and carpet the area. Avoid black
for two reasons: first it will not give you the deep, endless darkness
that midnight blue will provide (black actually reflects light whereas
blue totally absorbs it as any camera buff will tell you) -- and, second-
195
ly, if any profane invades your magical inner sanctum (and sooner or
later this is certain to happen) black will convince him that you are a
satanist. .. Real midnight blue paint has to be specially mixed at a
paint store, but it should last a lifetime and is worth the trouble. Next
get a dark blue indoor-outdoor carpet so that you have a completely
blue chamber (see video). You may accent with burgundy drapes, vio-
let veils, etc., but the basic color should always be dark blue.
Now let's move to the frrst item you'll need to construct: the
Magick Circle. The Circle can be made out of cloth or plywood. We've
never used cloth so I can't give any experienced advice on that. I opted
for plywood backed with fiberboard (but I must confess that I spent-a
year designing and building props for Ringling Brother's Circus, so I
tend to build things that can be stepped on by elephants!).
E
w
If you decide to use a fiberboard backing to keep the plywood
from warping, then be sure to use plenty of carpenter's wood glue and
finishing brads. If you are wondering how to cut this monster out, this
is the trick: drive a rod into the ground and tie a 4
1
/
2
' cord to it. Put
your pencil through a loop on the far end and score an arc on the ply-
wood. Drop back 14" and score an inside arc. Use a carpenter's square
to bring your beam compass line out at right angles to mark off the
radius at each end of your circle section. Cut this section out and use
196
it as a pattern for the next three sections. What could be simpler than
that? For a lighter weight circle you might try laminating a top layer
of masonite rather than fiberboard. It's also a better painting surface.
After you've cut out the four sections, sand them, prime coat
them and paint them black with a one inch white border along the out-
side and inside edge. Now you are ready to decorate. Even if you are
not intending to use u.v. sensitive fluorescent paint 1. you will still
have to undercoat all your decorations with white. All lettering and
symbols in the East are in bright yellow, in the South, flaming scarlet,
in the West, bright blue and in the North, bright green. (See the
PhoenicianlHebrew alphabet.) You may also add the signs of the zodi-
ac and their ruling planets around each of the elemental symbols.
Now to the Double-cube altar which will be placed in the center
of the Circle for Angelic invocations and other transcendental opera-
tions.
The double cube should be exactly that; a double cube. The bot-
tom half is painted black and the top half, white. Ours is made out of
1/4" plywood on a 2"x 2" frame with a top lid frame made from l"x 10"
lumber. Our altar is so heavy we need a handtruck to move it back and
forth from the temple to our outdoor henge. If you don't have to do
four offsite ceremonies a year I believe masonite for the four side pan-
els and 1/4" plywood for the top lid frame would be a better choice.
Stay with the 2" x 2" frame, however, and make sure the top and
incense chamber floor are both 1/4" plywood.
You'll notice in the video that we have four alchemical symbols
in bas-relief around the sides of the upper cube. The Spirit Wheel sym-
bol in the East swings out on a hinge as the door to the incense cham-
ber. The other symbols are ~ sulphur in the South, ~ mercury in the
West and Q salt in the North. You can jig them out of plywood with a
scroll saw, then glue and tack them on.
The altar top is also an area that can lend itself to further deco-
ration. Look carefully at the video and see how we have painted the
four quadrant colors (no fluorescents here) on the altar top and then
applied a jigged-out, gold leafed compass rose with the Tetragram-
maton letters at each directional point. Unless you apply several coats
of clear liquid plastic varnish over the altar top it will quickly become
197
Top lid plate
Smoke slots -- - - . ! ~ .....~
Miter all corners
Top lid frame
2"x 2" frame
Incense serving
port - - - - - l l l . l ~
198
Incense
floor
Vent holes
Cardboard backing
(same dia.)
I
I
I
r/;-
marred, stained and chipped with all the charcoal, oils, incenses and
candle drippings you are going to use on it. Build your altar to last.
Solomon's Triangle has no standard dimensions but the white
inner triangle must be equilateral. You may have noticed that our
outer triangle (the black border surrounding the white inner surface) is
two inches higher at the peak. This adds an aspect of dynamic distor-
tion to an an otherwise static design. It gives the Triangle an element
mystery it deserves as a portal between the worlds.
Screw eye
(4 places typical)
\ Screw hook
@
I
I
---
Metal or
plastic bezel
Smoked or
painted glass
(13 1/
2"
dia.)
%" plywood round
(same dia.)
Triangle outer dim.= bottom: 37
1
/
2
" , sides: 42" ea. Inner dim.= 31
1
/
2
" all sides. Baseline
3" up from bottom edge. Inner Circle =13" dia. Colors = outer border: black, outer letter-
ing: scarlet, inner triangle: white, inner circle: forest green. Phoenician letters (see
Alphabet).
199
As for constructing your mirror, you have a number of choices:
you might be able to fmd an antiqued smoked glass panel, of the type
used by interior decorators, that appeals to you. I know this sounds
like a mundane option but some of these designs are frankly more
evocative than what you might be able to create -- in any case you must
have your glass professionally cut for you at a glass shop. This is not
expensive. It will save you frustration and possibly serious injury.
Also ask the glass shop to grind off the sharp edges for you so you
won't cut yourself handling the plate.
Buy three cans of spray lacquer; one silver (luna), one copper
(venus) and one gloss black. Clean your glass with alcohol or carbon
tetrachloride, then mist the inner surface with the metallic spray paints.
I use an inward spiraling circular pattern evocative of a vortex far out
in the depths of outer space. Make sure you keep this pattern subtle
and delicate. After your metallic mist effect has completely dried,
place the glass plate over a piece of black poster board to see how it
will look when you seal it over with the black paint. If you like the
effect of the metallic mist on the black background, then spray it with
three layers of black, letting each layer dry fully before applying the
next coat. However, if you don't like the effect (sometimes it is diffi-
cult to get it right the first time) just wipe off all the metallic paints
with thinner and start over again. Don't settle for anything less than the
best you can achieve.
The place for your alchemical "fluid condenser", if you choose
to employ one, is on your cardboard backing. 2. I suggest that you
leave it off your first mirror or at least delay applying it until after you
have successfully performed operations without it. The reason is this:
your subconscious mind is more superstitious than your rational mind
is and it will believe that the condenser is an essential part of the
process if you start off using it at the beginning of your operations. It
is much better to prove to yourself that you can make the magick hap-
pen through the power of your mind than to depend on a rabbit's foot
or a mojo bag. If you want to add the condenser later, then do so. We
have even experimented by charging our rock crystal Almadel ball
with a 250,000 volt Vandergraff lightning machine -- but this was only
after we knew we didn't need to.
200
Your mirror should be anchored to the corrugated cardboard
backing with several swatches of industrial grade double-sticky tape.
(We have found double-sticky tape to be an essential item for practical
magick.) The carboard backing is glued to the plywood round. Finally
a plastic or metal bezel band is wrapped, glued and screwed in around
the edge, holding everything together. (Be sure to drill start holes
through the band and into the plywood. No hammering!) Four brass
screw eyes must also be attached around the edge (you only need one
if you don't intend to suspend your mirror from overhead).
The reason why you don't want to permanently mount your mir-
ror in your Triangle is that your mirror is also your Pentacle ofArt. It
is the fourth traditional implement of the Magus, the platter or shield
of the Grail Hallows. You will use it for other magical functions
besides Goetia skrying. For the reverse side ( the plywood back) you
might use the traditional Golden Dawn Earth Pentacle design -- or, if
you are more of a Pagan, we suggest the ten-pointed double penta-
gram for the Sphere of Malkuth as shown and described below: --
O.TA Magick Mirror -- Reverse side. Earth Pentacle. Colors =Border
band: gold, upright pentagram: gold, downward pentagram: silver.
Quadrants colors: citrine, olive, russet and black.
201
You will notice that our pentacle differs from the Golden Dawn
version only in the selection of the central design. We use the double
pentagram to form a ten-pointed "Malkuth-Asshia" decagram appro-
priate to the element, the sphere and the dimension. You should also
acquire a 3' x 3' square of green silk to wrap up the mirror-pantacle
when not in use, or to cover it, as with a veil, before an operation. You
may also hang the mirror on the Triangle with the pentacle side out-
ward when the equipment is not in use -- but this should only be a tem-
porary expedient.
The Circle, Altar, Mirror and Triangle are the major items of
equipment you will need to construct in order to practice the O.T.A.'s
Goetia/Almadel system. However, you should not neglect the four
Archangels of the Quarters. I suggest that you have the color plates of
the Angels enlarged and then mounted on icon frames -- such as the
ones shown in the video -- with shelves for candles. (They don't have
to be as elaborate as ours. Just a board with a shelf at the bottom will
do quite well.) Hang them on the four walls of your temple. You can
then ceremonially light the Four Quarters as a form of temple opening.
If you want to add full size pillars to your temple you will need
to find a salvage yard and then spend several days patching, caulking
and sanding your forlorn aquisitions -- but eventually Jochin and Boa:
will emerge (with the help of black and white enamel, gold and silver
leaf and coats of plastic varnish.) Smaller pillars can be created from
p.v.c. pipe or even heavy cardboard tubes.
The early O.T.A. had its own distinctive magick wand that was
derived from a design by Eliphas Levi. We constructed it out of a two
foot long decorative wooden spindle of the type used for railings. One
half was painted white and the other black. Each end of the spindle was
fitted with a cast iron quatrefoil point of the type used to cap wrought
iron fences and gates. The white end was pointed forward for invoking
and the black end forward for banishing. This allowed the operator to
do some artful wand twirling. The iron points could be wire wrapped
with cotton waste, which when soaked with naptha and ignited, pro-
vided a spectacular display -- especially when the operator was able to
clench the flaming point with his bare hand to extinguish the fire. (We
202
will not be responsible for any injuries incured by anyone attempting
to replicate this feat!)
Many old time a.T.A. members and numerous students of the
various irregular a.T.A. groups still use this style of wand. As an oper-
ator I came to find it cumbersome in working the psychic center sys-
tem from directly behind the receiver. We now use this original two
foot wooden version only for seasonal ceremonies in its capacity as a
"fire wand".
!J{ptes on Furniture and'Equipment:
1. We started using u.v. lighting in our temple back in 1970. We use
it only for the Holy Names around the Magick Circle and on our
planetary septagram design. For this limited purpose it is very
effective because it keeps the wards of power and the correspon-
dences of the working always visually charged and constantly
seen even out of the comer of the eye. The ultraviolet light also
lends an otherworldly atmosphere to the temple. It is, in fact,
very much like the electric blue of the astral plane. Of course
we have been criticized by magicians with far less operative ex-
perience who believe that only olive oil lamps and candle light are
acceptable to their spirits -- but our spirits seem to enjoy the
higher frequencies. We have also experimented with a Vandegraff
static generator to charge our Almadel rock crystal ball. "The
Orb" absorbs energy at such a rate that it actually doubles the
usual spark gap, creating two foot long lightning bolts. (Such
experiments are more common in European lodges than in
America.)
2. Fluid condensers are alchemical compounds (either liquid or dry)
that attract astral "fluids" and hence are used by magicians of the
Franz Bardon school to charge their magic(k) mirrors. However,
Bardon does not emphisize optical mirrors. He prefers a non-
reflective black surface for tantric style visualization. With these
non-optic mirrors the condenser is sprinkled directly on the view-
ing surface. With O.T.A. style optic mirrors the fluid condenser
is sometimes placed behind the mirror as an added reinforcement.
I can't say that it does any particular good in our case, but, as
long as you don't depend on it, it can be considered an alchem-
ical enhancement (See Initiation into Hermetics by F. Bardon.)
203
4
Documentatu f£l(fii6its
1. rIfie.9l.rt f4f11UUfe[ ofSolomon
(tIJirect transcription. from '13.L. Ms. 2731 witli[acsimiie
of (r.9LrmareP' arawingfromSeplier :Mapliteafi Shelomo,
courtesg of (j.Jf. :Frater Sabaeius XJ.)
2. rIfie Cfiaracters or Sears of tfie 72 Schemahamphorasch.
(:Facsimi{e offirst page of54.rsena[:Ms. 2495 copied bgS. L.
:Mac(jregor :Matft.ers, courtesg ofPat Zafews/(j.)
3. Pytfiagorean Influence ontfie Sepher and
its Subsequent .9l.pp[ication inMetfieva[Magic/(
(kaaemic paper inJewisli :Mgsticism, catifomia State Universitg,
9fprtliriige,1975- witli up-aate!footnotes.)
204
I
N TIDS FIRST SECTION of the Documentary Appendix we are
presenting a complete, literal transcription of The Art Almadel of
Solomon from Sloane 2731, The Lemegeton. We are also show-
ing a drawing of an earlier Almadel type device called "The Armarel"
or "Almarel" from one of the oldest surviving Key of Solomon manu-
scripts, The Sepher Maphteah Shelema, (Hermann Gollancz, 1914 edi-
tion) courtesy of Fra. Sabazius X". (See page 49 for MS. 2731 Almadel
facsimile. )
Readers may wish to recreate their own waxen Almadel. (See
our reconstruction and demonstration in the video). You may even
decide to experiment with the original system. Please be encouraged to
do so. Because the Almadel from the Lemegeton does not match up
with the Goetia Spirits (thus prompting our radical rectification), this
does not mean that the old Almadel (or Almarel) system itself is essen-
tially flawed. Although somewhat garbled in its Angelic nomenclature,
it works well in its own right and the visual effects are spectacular. One
pinch of incense lasts for the entire operation -- (When making your
Almadel, dish out a concave depression in the bottom side of the wax
plate to channel the smoke up through the holes, and then be sure to
keep your incense burner well below the wax when you are operating.)
rrfte .9Lrt .9L6mu[e[of Solomon
Here beginneth the Fourth Part of this Book (Lemegeton) which
is called the Art Almadel of Solomon. By this art Solomon attained
great wisdom from the chief angels that govern the four Altitudes of
the World: for you must observe that there are four Altitudes which
represent the four Altitudes of the West, East, North and South: the
which is divided into 12 parts; that is, every part 3. And the Angels of
every (one) of these parts hath their particular virtues and powers, as
shall be showed in the following matter:-
Make this (Eastern) Almadel of pure white wax; but the others
must be coloured suitable to the Altitudes. It is to be 4 inches square,
and 6 inches over every way, and in every comer a hole, and write
205
betwixt and every hole with a new pen those words and names of God
following. But this is to be done in the day and hour of Sol (the Sun).
Write upon the first part towards the East, ADONAD, HELOMI,
PINE. And upon the second towards the South part HELION, HELOI,
HELL And upon the West part JOD, HOD, AGLA. And (on) the
Fourth part which is North write TETRAGRAMMATON, SHADAI,
JAR.
And betwixt the first and the other parts make the pentacle of
Solomon thus: '* and betwixt the first quarter write this word
ANABONA, and in the middle of the Almadel make a Sexangle fig-
ure, and in the middle of it a triangle, wherein must be written these
names of God HELL, HELION, ADONAIJ, and this last have round
about the six-angled figure, as here it is made for an example (see
Lemegeton Almadel MS. facsimile folio page 49.)
And of the same wax there must be made four candles. And they
must be of the same colour as the Almadel is of. Divide your wax into
three parts: one to make the Almadel of, and the other two parts to
make the candles of. And let there come forth from every one of them
a foot made of the same wax to support the Almadel. (See facsimile
folio of the "Almarel" from Sepher Maphteah Shelomo.)
This being done, in the next place you are to make a seal of pure
gold or silver (but gold is best) whereon must be engraved those three
names HELION, HELLUION, ADONAIJ.
And note that the First Altitude is called Chora Orientis, or the
East Altitude. And to make an experiment in this Chora it is to be done
in the day and hour of the Sun. And the power and office of those
angels is to make all things fruitful, and increase both animals and veg-
etables in creation and generation, advancing the birth of children, and
making barren women fruitful.
And their names are these, viz: ALIMIEL, GABRIEL,
BARACHIEL, LEBES, HELISON.
And note you must not pray for any angel but those that belong
to the Altitude you have a desire to call forth.
And when you operate set the four candles upon four candle-
sticks, but be careful you do not light them before you begin to oper-
ate. Then lay the Almadel between the four candles upon a waxen foot
206
that comes from the candles, and lay the golden seal upon the Almadel,
and having the invocation ready written upon virgin parchment, light
the candles and read the invocation.
And when he appeareth, he appeareth in the form of an angel-
carrying in his hand a banner or flag having the picture of a white cross
upon it, his body being wrapped round with a fair cloud, and his face
very fair and bright, and a crown of rose flowers upon his head.
He ascends first upon the superscription on the Almadel, as it
were a mist or fog.
Then must the exorcist have ready a vessel or earth of the same
colour as the Almadel is of, and the other of his furniture, it being in
the form of a basin, and put thereinto a few hot ashes or coals, but not
too much lest it should melt the wax of the Almadel.
And put therein three little grains of mastick in powder so that
it may fume and the smell go upwards through the holes of the
Almadel when it is under it.
And as soon as the Angel smelleth it he beginneth to speak with
a low voice, asking what your desire is, and what you have called the
princes and governors of this Altitude for.
Then you must answer him, saying:
"I desire that all my requests may be granted and what I pray
for may be accomplished: for your office maketh it appear and
declareth that such is to be fulfilled by you, if it please God."-
Adding further the particulars of your· request, praying with
humility for what is lawful and just: and that thou shall obtain from
him. But if he do not appear presently, then you must obtain the gold-
en seal, and make with it three or four marks upon the candles, by
which means the Angel will presently appear as aforesaid.
And when the Angel departeth he will fill the whole place with
a sweet and pleasant smell, which will be smelled for a long time.
And note. the golden seal will serve and is used in all the opera-
tions of all four Altitudes.
The colour of the Altitude belonging to the first Altitude, or
Chora, is lily-white; the second Chora a perfect red rose colour; the
207
third Chora is to be a green mixed with a white silver colour; the fourth
Chora is to be black mixed with a little green or a sad colour.
Of tfie Secant!Chota or.9l1titutfe
Note that the other three Altitudes, with their Signs and Princes
(have) power over goods and riches, and Can make any man rich or
poor.
And as the first Chora gives increase and maketh fruitful, so
these give decrease and barrenness. And if any have a desire to oper-
ate in any of these three following Choras or Altitudes, they must do it
in die Solis (Sunday) in the manner above showed.
But do not pray for anything that is against God and His laws,
but what God giveth according to the custom or course of nature: that
you may desire and obtain...
All the furniture to be used is to be of the same colour the
Almadel is of...
And the princes of the second Chora are named, viz: APHI-
RIZA, GENON, GERON, ARMON, GEREIMON.
And when you operate kneel before the Almadel, with clothes of
the same colour, in a closet hung with the same colours also; for the
holy apparition will be of the same colours.
And when he appeareth, put an earthen vessel under the Almadel,
with fire or hot ashes and three grains of mastick to perfume as afore-
said. And when the Angel smelleth it he tumeth his face towards you,
asking the exorcist with a low voice why he hath called the princes of
this Chora or Altitude. Then you must answer as before:
"I desire that my requests may be granted, and the contents
thereof may be accomplished: for your office maketh appear and
declareth that such is to be done by you, if it please God."
And you must not be fearful, but speak humbly, saying:
"I recommend myself wholly to your office, and I pray unto you,
Prince of this alItitude, that I may enjoy and obtain all things accord-
ing to my wishes and desires."
208
And you may further express your mind in all particulars in your
prayer, and do the like in the two other Choras following.
The Angels(sic) of the second Altitude appeareth in the form of
a young child with clothes of a satin, and of a red rose colour, having
a crown of red gilly flowers upon his head. His face looketh upwards
to heaven and is of a red colour, and is compassed round about with a
bright splendour as the beams of the sun. Before he departeth he
speaketh unto the exorcist saying, "I am your friend and brother."
And illuminateth the air round about with his splendour, and
leaveth a pleasant smell which will last a long time upon their heads.
Ofthe %iraChota or~ t i t u c f e
In this Chora you must do in all things as you was before direct-
ed in the other two. The angels in this Altitude are named, viz:
ELIPHANIASAI, GELOMIROS, GEDOBONAI, TARANAVA &
ELOMINA.
They appear in the form of little children or little women dressed
in green and silver colours very delightful to behold, and a crown of
baye leaf with white and colours upon their heads. And they seem to
look a little downwards with their faces. And they speak as the others
do to the exorcist, and leave a mighty sweet perfume behind them.
Of the :Fourth Chota or.9lftituae
In this Chora you must do as before in the others, and the Angels
in this Chora are called BARCAHIEL, GEDIEL, DELIEL and CAPI-
TIEL. They appear in the form of little men or boys, with clothes of a
black colour mixed with a dark green; and in their hands they hold a
bird which is naked; and their heads compassed round about with a
bright shining of divers colours.
They leave a sweet smell behind them, but differ from the oth-
ers something.
209
Note that there is (sic) twelve Princes, beside those in the four
Altitudes: and they distribute their offices amongst themselves, every
one ruling thirty days every year.
Now it will be in vain to call any of the Angels unless it be those
that govern them. For every Chora or altitude hath its limited time,
according to the twelve signs of the Zodiac; and in that Sign the Sun is
in that or those Angels that belong to that Sign hath the government.
As, for example: suppose that I would call the 2 fITst or the 5 that
belong to the first Chora.
Then choose the first Sunday in March, after the Sun hath entered
Aries: and then I make an experiment. And so do the like, if you will,
the next Sunday after again.
And if you will call the two second that belong to the first
Chora,that Sunday after the Sun enters Taurus in April. But if you will
call the last of the 5, then you must take those Sundays that are in May
after the Sun has entered Gemini, to make your experiment in.
Do the like in the other Altitudes, for they have all one way of
working. But the Altitudes have names formed severally in the sub-
stance of the heavens, even a character. For when the Angels hear the
names of God that is attributed to them, they hear it by virtue of that
character.
Therefore it is in vain to call any angel or spirit unless he knows
what name to call him by. Therefore observe the form of this conjura-
tion or invocation following:
'Ihe Invocation
"0 thou great, blessed and glorious Angel of God (N), who
rulest and is the chief governing Angel in the first (2nd, 3rd or 4th)
Chora or Altitude. I am the servant of the Highest, the same your God
Adonaij, Helomi, and Pine, whom you do obey, and is your distributor
and disposer of all things both in heaven earth and hell, do invocate,
conjure and entreat you (N) that thou forthwith appear in the virtue and
power of the same God, Adonaij, Helomi and Pine; and I do command
thee by him whom ye do obey, and is set over you as King in the divine
210
power of God, that you forthwith descend from thy orders or place of
abode to come unto me, and show thyself visibly here before me in this
crystal stone, in thy own proper shape and glory, speaking with a voice
intelligible to my understanding.
o thou mighty and powerful Angel (N), who art by the power of
God ordained to govern all animals, vegetables and minerals, and to
cause them and all creatures of God to spring increase and bring forth
according to their kinds and natures: I, the servant of the Most High
God whom you obey, do entreat and humbly beseech thee to come
from your celestial mansion, and shew unto me all things I shall desire
of you, so far as in office you mayor can or is capable to perform, if
God permit to the same.
"0 thou servant of mercy (N), I do humbly entreat and beseech
thee by these holy and blessed names of your God ADONAIJ, HEL-
LOMI, PINE;
"And I do also constrain you in and by this powerful name
ANABONA, that you forthwith appear visibly and plainly in your own
proper shape and glory in and through this crystal stone, that I may vis-
ibly see you, and audibly hear you speak unto me, and that I may have
thy blessed and glorious angelic assistance, familiar friendship and
constant society, community and instruction, both now and at all times,
to inform and rightly instruct me in my ignorance and depraved intel-
lect, judgement and understanding, and to assist me both herein and in
all other truths also, through the Almighty Adonaij, King of Kings, the
giver of all good gifts that his bountiful and fatherly mercy be gra-
ciously pleased to bestowupon me.
"Therefore, 0 thou blessed Angel (N), be friendly unto me, so
far as God shall give you power and presence, to appear, that I may
sing with his holy Angels.
"0 Mappa Laman, Hallelujah. Amen." #
When he appears, give him or them kind entertainment; and
then ask what is just and lawful, and that which is proper and suitable
to his office. And you shall obtain it.
So t£ndetfi the 4tfi fJ3001( (of'Ihe .Lemegeton)
called the 7I1maaef ofSofomon fJJie Xing
211
The "Armrl" (Armarel or Almarel) of Solomon from The Sepher
Maphteah Shelomo partially translated and published in facsimile by
Herman Gollancz, M.A., D. Lit., Oxford Univ. Press, 1914 -- Courtesy
of G.H. Frater Sabazius XO.
~ . ~ ..•'
~
- r -
4 ~ .$.,5-'
"
Note:-- This early version of The Greater Key of Solomon also
contains a Magick Circle diagram that shows a Triangle of Art
positioned just outside of its perimeter.
212
Facsimile of the first page of The Characters or Seals of the 72
Schemahamphorasch as copied from Paris Arsenal MS. 2495 by
Samuel Liddell MacGregor Mathers courtesy of Pat Zalewski.
_ ..
. . ..... .-:......... .... .." '. ;"-."-- ' ..
.. :..... ..• "':;' ...._;- ..

,/ .
213
Carroll R. Runyon
RS 480 Jewish Mysticism
Rabbi W. Kramer
California State University
at Northridge
First draft, 20 March, 1975
Revised and expanded, 8 April, 1975
Author's 1996 Note:
2,268 words
I have decided to present this paper in its original form and reserve
my current editing for the footnotes. This serves three purposes: first,
it documents my research and experimentation in Goetia up to the
time of submission, secondly, it presents the system in a more tradi-
tional kabbalistic context and last (and by ALL means least) it shows
that I learned the rules before I broke them.
Pgtliagorean Influence on the Sepher f]etzirafi anaits
Subsequent .9l.ppfication inMedieva[Magic
P
ROPOSING THE TETRACTYS of the Pythagoreans as a philo-
sophical inspiration for the concept of "the Three Mother
Letters" CA, M, Sh ) in the Sepher Yetzirab is neither a very orig-
inal nor controversial thesis, especially in light of Gershom Scholem's
cursory comment, "We can only be sure that it ( the Sepher Yetziran )
was written by a Jewish Neo-Pythagorean some time between the third
and the sixth century."l. In his English translation of the work, Rabbi
Kalisch writes, in a commentary footnote to Chapter One,
214
Section Three, "Like Pythagoras, who taught that the digits inclusive
number ten (sic) which are typified in Tetractys, namely: 1 plus 2 plus
3 plus 4 equal 10, and which comprise the whole arithmetic system of
nature, etc." 2.
Although a case can also be made for the Tetractys relating
to the Tetragrammaton, e.g. Y, YH, YHV, YHVH, and this when
extended produces the Shemhameforash or 72 letter Name. 3.
This seems to be independent of the Sepher Yetziran which
does not deal with the Tetragrammaton concept. Whether this is a
later derivation from the same source ( the Tetractys ) or a 'deep
structure' synchronism, might be debated but direct Pythagorean
influence on the Yetzirah seems fairly obvious. 4.
However comfortable it might be to concede that the Aleph, Mem
and Shin generative trilogy in the Sepher Yetziran derived from the
Pythagorean-Platonic 'Point' (1.) 'Line' (2.) 'Triangular Plane' (3.)
'Primordial solid'(4.) ( tetrahedron) creation concept, 5. when we
carry this into the realm of the "Practical Kabbalah" we find ourselves
faced with what may well be a disturbing reassessment. It appears that
we have uncovered one of the secrets of "Solomon's Triangle of Art"
as delineated in the Goetia of the Lemegeton. 6. - and if so, we might
have to concede that some medieval ceremonial magicians were not
such ignorant louts and bumpkins as Arthur Edward Waite would have
us believe. 7.
What I am suggesting is that the medieval "Triangle of Art" was
a philosophical-mystical spiritus locus par excellence, not simply in
its triangular configuration but in its entire design. Before considering
the ramifications, let us reflect on the compelling elegance of the tetra-
hedron in relation to Ceremonial Magic. Aleph, Mem and Shin (the
triangular plane) generate a hypothetical fourth point, which trans-
forms the triangle into a solid (this single point in the Sepher Yetzirali
alphabet system would translate directly to the Seven Double Letters
as they relate to the six dimensions plus the center point of space.)
What better model could we possibly construct to symbolize the cre-
ative process (from Atzilutb to Briah ), leaving the manipulation of
Yetziran forms to the magician ?
215
On studying Solomon's triangle further, we note that the focal
disc in the center is "green" (an Earth attribute) and that the
English or Latin letters Mi , Ch, Ael (Michael) surround it at the
three angles. Michael, greatest of the Archangels, forerunner of
the Shekinali and the Angel of the Burning Bush certainly relates to
Shin, which, with its three seriphs, was used as a code glyph to repre-
sent the Supernal Triad of the Otz Chiim in later Zoharic notation. 10.
This transmutation of symbols is certainly allowable by the 17th
Century but it is my contention that if we could uncover the original
Spanish-Hebrew Lemegeton that Weirus and later scholars date to the
13th Century, we would probably discover the Letters Aleph (yellow),
Mem (blue) and Shin (red) surrounding and 'generating' the green
disc in the center. 11.
In further considering the significance of the 'green disc', we
should not avoid a reconstruction of how the Triangle Of Art must
have been employed in actual practice - but because the prevailing
opinion of medieval magicians is so universally low, no scholar has
bothered to consider it beyond a general assumption that it was an area
over which hallucinations were supposed to occur (induced by fasting,
hysterical conjurations, toxic fumes, etc.)
It is interesting to note that in Crowley's published version of
the Goetia, the Triangle is described or 'quoted' as being positioned,
"Two feet distant from the Magical Circle and it is three feet across."12.
A. E. Waite's version, however, is almost correct: "Two feet outside
this circle and three feet over it." 13. The actual quotation from Sloane
MS. 2731 reads: "Two foot off from the Circle and three foot over,"
Neither Waite nor Crowley seem to have been aware of what to
do with the Triangle even though Waite's rendering was correct. (It
should be noted, however, that Mathers, and later Crowley, were work-
ing from a Latin MS. in the British Museum and not the English
Sloane 2731 as was Waite.) In Waite's case, he apparently did not care
and in Crowley's case he obviously did not know. 14.
I make bold to suggest that the medieval magicians who devel-
oped and practiced this system were perhaps more mature and sophis-
ticated in their approach to the a c ~ a l method than Crowley was even
216
though his psychological forward to his version of the Goetia is the
very antithesis of credulity, Crowley's operational methods are totally
romantic - but this is perhaps consistent on some abstract level of
Simonian Gnostic (Thelemic) paradox that we benighted 'monists' are
not privileged to understand. 15.
Rejecting the 'smoke' method and taking a more pragmatic
approach to the problem, we will erect our triangle "Two feet out and
three feet over", as specified, and then place one of "the seven plane-
tary metal mirrors" cited by E. Wallis Budge, 16. on our 'green disc'
and then, holding a pair of, candles, we stare at our own reflection in
the manner Tantric adepts employ to evoke visions of previous incar-
nations, 17. while our Magus stands behind us, intoning the conjura-
tion, and we have a method that works. 18.
Before we declare this method a modem synthetic (which is the
opinion of Francis Regardie 19.) we should perhaps consider that if our
medieval magicians were philosophical enough to adopt the
Pythagorean-Yetziratic Triangle symbolism, if they believed in the
microcosm-macrocosm analogy, if they held that God created man in
His own image, and if their Triangle was elevated rather than flat, it
would seem probable that something like my suggested method was
employed. The Seventy-two Spirits of the Brass Vessel might then
have constituted a microcosmic (internalized) counterpoint to the
Seventy-two Angels of the Shemhameforash. Considering the Gnostic
influence on the Sepher Yettirali and on the later Kabbalah, we should
perhaps consider the following Mandaean passage cited by Hans
Jonas: --
"Abathur (one of the Uthras plotting the creation of
the world) goes into that world (of darkness) ...
He sees his face in the black water." This son is
Ptahil-Uthra, the actual demiurge of this world. This
example from an area so far removed from the intellec-
tual environment in which Plotinus met his Gnostics
shows how persistently the act of mirroring is conceived
in Gnostic literature as the production of an alter ego,
and at the same time how closely this is connected with
cosmogony.- Hans Jonas. The Gnostic Religion, 1958.
217
And for a broader perspective we may tum to Frazer's Golden
Bough where we read, "As some peoples believe a man's soul to be in
his shadow, so other (or the same) peoples believe it to be in water or
in a mirror." 20. Carrying this theme into the realm of Jewish folklore,
we find the following in Trachtenberg; "If a woman at the commence-
ment of her period stares fixedly into a bright metal mirror she will
behold in it a drop of blood, for the demon that is in her glance creates
an evil influence in the air which adheres to the mirror..." 21.
We should note that our 'green disc' and the Magick Mirror we
place upon it - which is the Pantacle ofArt, attributed to Earth -
represents a direct theoretical parallel to the original visionary Golem
operation. This may be our best argument for a Jewish over an
Arabian origin of the Lemegeton. 22.
Whether or not the system I have described was used in
medieval and renaissance ceremonial magick is of little consequence
to its modem effectiveness, which, from a Jungian psychological
viewpoint, is startling.
I and my associates have not thought it wise to broadly exploit
this method due to the danger that might be incurred through its mis-
use by the immature and the impressionable - especially in conjunc-
tion with psychoactive drugs (which we do not employ in our opera-
tions). I have presented the above for your private consideration in
your professional capacity and I trust that these matters will remain
in confidence. 23·
9{{Jtes on1(a66aCali 5lppenab(;
1. Gershom Scholem, The Kabbalah and its Symbolism
( New York: Schocken Books, 1965) p. 167.
2. Isidor Kalish, Sepher Yetzirah. ( Hollywood, CA: Signs
& Symbols, 1973, reprint of orig. edit., 1877 ) p. 11, n.7.
:J{ptes continuedonnextpage...
218
1(a&&afaft 9{ptes continued. ..
3. Charles Ponce, Kabbalah ( San Francisco: Straight
Arrow Books, 1973) p.175.
4. The triangular Tetractys generating the 72 letter
Shemhameforash does have a very interesting relation to
the Lemegeton, which uses a triangle in which 72 spirits are
conjured. ( 1995 note: - OTAuses the version of the Shem-
hameforasb derived from the Book of Exodus, not the YHVH
permutation. )
5. Walter Burkert, Lore and Science in Ancient Pythagor-
eanism ( Cambridge & Harvard Univ. Press, 1972 ) p. 72;
See also, H. P.D. Lee, Plato; Timeaus and Critias
( Baltimore, Md., Penguin Books, 1965 ) Chap. 22.
6. British Museum, London, Sloane MS 2731.
7. A.E. Waite is only the most vehement of those who hold
this view. Having been a practicing occultist, his lofty
contempt for Magick is rather suspect. A more
accomplished recent proponent is Frances A. Yates,
Giordano Bruno and the Hermetic Tradition, 1964, who
holds that medieval magic had been forced by the Church
"... into dark holes and comers." But she is not referring
to Moorish Spain where the Lemegeton probably originated.
8. Isidor Kalish, Sepher Yetzirah, Chap. 4, Sec. 4.
9. Gustav Davidson, A Dictionary ofAngels (New York:
The Free Press, 1967 ) p. 193.
10. Charles Ponce, Kabbalah, p. 111.
11. I realize that these four colors are Alchemistic
rather than Kabbalistic and may indicate a Hermetic
influence, perhaps via Picatrix if a 13th Century
Moorish-Spanish origin is correct - but the important
element here is that there is a color scale relating to a
central focal point, i.e. the green disc.
12. Aleister Crowley, the Goetia (Chicago, DeLaurence
Scott & Co., 1916) p.49.
13. Arthur Edward Waite, The Book of Ceremonial Magic
(New York, Citadel, 1970; original edit., 1898) p. 222.
219
!l(a66afah 'J\f9tes continued. ..
Ns;tes continuedn e ~ page . . .
14. This is confirmed by Crowley's description of a primitive
and ponderous attempt, that he and an associate made to work
the system conjuring in smoke from a censer placed on a flat tri-
angle outside the Circle. After several hours they had only a faint
suggestion of success; Aleister Crowley, Magick Without Tears
(St. Paul, MN: Llewellyn, 1973, p.359.)
15. In all due respect to Gershom Scholem, there was more to
Crowley than "colorful humbug". Perhaps if Scholem
had considered Crowley as a Simonian Gnostic rather
than a pseudo-Jew, he might have seen "The Great Beast"
in a more academic, dispassionate perspective. Scholem also
wrote that Crowley had "an infinitesimal knowledge of kabbalah"
-- but, conversely, Scholem had an infinitesimal knowledge of
Crowley! (1995 note: Since this writing I have done more
research on Simon Magus. Crowley certainly was a libertine
Gnostic and he did borrow the Scarlet Woman motif from Simon,
but we cannot properly term Crowley a neo-Simonian because
Simon Magus truly venerated and exalted the Divine
Feminine according to G.R.S. Mead in his monograph,
Simon Magus, The Gnostic Magician, pp. 40, 41.)
16. E. A. Wallis Budge, Amulets and Talismans (New York:
University Books, 1968) p. 490. Unfortunately Budge does
not give his source on this.
17. Omar V. Garrison, Tantra, The Yoga of Sex (New York,
Julian Press, 1964) p. 201.
18. Hans Holzer, The New Pagans (New York: Doubleday,
1972) p. 141.
19. (1995 note: When I first told Regardie about my
rediscovery of this method in 1970 he barked back at
me: "They didn't do it that way, they did it in smoke!"
Based on his authoritative assertion I had harbored a
nagging doubt about the antiquity of the mirror method
until 1985 (the year Regardie died) when I found Adam
MacLean's 1982 published version of B.M. Harley MS
6482, A Treatise on Angel Magic, showing a drawing of a
magic mirror on a stand with Solomon's Secret Seal from
the Goetia of the Lemegeton on the back (see Fig. 2., p. 34).
20. James G. Frazer, The Golden Bough (New York:
MacMillan, 1942) p. 192.
220
1(ab6afafi notes continued. . .
21. Joshua Trachtenberg, Jewish Magic and Superstition
(New York Behrman's Jewish Book House, 1939) p. 185.
22. (1995 note:) the Lemegeton is actually a later, possibly
17th century, compendium of five books on magick. The
Goetia and the Almadel are probably the oldest and could
date back to the 13th century. Both systems as we have
them are probably of Spanish origin but, in the case of
the Goetia, the Arabian influence is very strong (see C.J.S.
Thompson's The Mysteries and Secrets ofMagic p. 89) and
there is early Christian influence in the references to
former angelic orders such as "Dominions", Thrones",
"Virtues", etc. which were accepted by the Hermetic
Kabbalists according to Frances Yates. (see Giordano
Bruno and the Hermetic Tradition, Chap. VI.)
23. In 1974 on NBC's Tomorrow Show, hosted by Tom Snyder,
we showed a film clip of a Goetia operation in progress.
The upright triangle, supporting the dark mirror, was
briefly displayed. The receiver, holding the evocation
candles, was visible with myself, as operator, standing
behind her. The method would have been obvious to any
one with a knowledge of magick but not to the general
public. We were neither exploiting the dark mirror tech-
nique, nor making a secret of it.
The bibliography for this paper ran to 19 items. It is
included in the general bibliography for this book.
221
5tppenail( 5
Stuay quiae & tBi6[iograpfiy
A
s STATED IN THE INTRODUCTION, ours is a literate tradition
(sometimes it seems too literate!) and no one can teach you all
about Solomon's magick in one book. However, what I can
and will do is provide you with a list of the best books for practical
exercises, study and reference. I will also suggest what to avoid in
order to keep you ON THE PATH. First I'm going to layout a short
"crash course" for those who want to get started quickly:
Read my Magick and Hypnosis and Negative vs. Positive
Gnosis then go directly to the. practical manuals: for self-hypnosis,
Leslie M. LeCron's Self Hypnotism: The Technique and its Use in
Daily Living. For Raja Yoga (pranayama, tratakam, etc.) Dr
Rammutri Mishra's Fundamentals of Yoga. These books are modem
classics and usually in print or otherwise available. If you can't locate
them, a professional book search service will quickly find them for
you.
For a concise practical survey of Western Magick The Black
Arts by Richard Cavendish is still the best. It is has been through sev-
eral editions and is back in print at this writing.
As for Grimoires, the only three you really need at the outset are
the Mathers/Crowley Goetia (the new 2nd edition from Samuel
Weiser is recommended) and the Mathers' Key of Solomon the King
(also from Weiser). The latter is essential for talismans and equipment
222
decoration, etc., and Francis Barrett's The Magus. This book has a bad
reputation among scholars because the author lifted so much material
from earlier sources but it is still the best compendium of arcane lore
for the beginning magician. (Later you may want to collect separate
editions of Barrett's source works such as Agrippa's Three Books of
Occult Philosophy, etc.)
For Kabbalah there are two books that I consider essential.
Fortunately they are both short, concise and as clearly written as pos-
sible considering the complexity of the subject: Kabbalah by Charles
Ponce and A Garden of Pomegranates by Francis Israel Regardie.
For an operational reference handbook you will need some ver-
sion of Crowley's 777. (Contrary to popular myth, the main corres-
pondences have not been Thelemized. It is still basically the Golden
Dawn system.)
The above listed monographs and books form the "bare-bones
basic library" to back up the Solomonic system taught in this book.
Of course you are going to be interested in further reading and
research. Let me caution you about two major traps you may
encounter: the first is the "Eastern Masters" or "Great White
Brotherhood" theme. Back in the 1880's Helena Blavatsky promoted
her unique version of Sikh Sant and Buddhist religion under the guise
of a super-ancient Tibetan system (she was apparently protecting her
Sikh sponsors in Kashmir. In the late 1800's the British and the
Russians were fighting a "Cold War" on the Indian frontier.) If you
become glamorized by this modem myth you will be seduced away
from a straight course toward Western adeptship.
The extensive influence of Theosophy in occultism also presents
a continuous veracity problem for the Western magical student who
needs to explore and understand both Eastern and Western magical
systems. Several of the books we recommend are actually published by
the Theosophical Society (Quest Books). The best rule is too under-
stand the principles of your own tradition and those of the Eastern sys-
tems from the purest source material you can find -- then you, your-
self, can decide where they differ and where they agree.
The second pitfall you should avoid is a headlong rush into the
Enochian system. Because Enochian is presently so popular, and
223
because both the Golden Dawn and the Thelemic (O.T.O.) systems
use it, there is a tendency to include Enochian conjurations,
Watchtower Opening procedures, etc. in beginning texts on magick
without any qualification as to the special nature of the Enochian sys-
tem. Donald Michael Kraig's Modem Magick is an example of this
trend but he is not alone. Avoid a commitment to Enochian until you
have a good idea of what Western Magick is all about - then decide
whether or not you want to experiment with it. (I have studied and
practiced Enochian magick for many years. 1 made my own set of
Watchtower Tablets and have even channeled some original Enochian
material. The O.T.A. operation that Geoffrey James recounts in
Chapter Nine of his Angel Magic was Enochian - but I am very
much aware that Enochian is not the only Western system. It is not nec-
essarily 'bad' or especially dangerous but when beginning students
ask me about it, 1 usually tell them that "There are no warm fuzzies in
Enochian". Enochian entities don't love you. In many case they don't
even like you. Therefore beginning students should not be maneuvered
or tricked into practicing the system before they are ready to make
their own knowledgeable commitments.)
The same rule applies in some respects to the Golden Dawn sys-
tem itself. Westcott and Mathers gave us the greatest synthesis of
Western esoteric lore since Agrippa in the mid-1500s. We use their cor-
respondences and color scales in the O.T.A. but this does not mean that
we, or anyone for that matter, has to be bound by the Victorian-age
restrictions that hobbled their magick. (We should mention that sever-
al modem Golden Dawn adepts are very much aware of these
Victorian handicaps and now support a return to Renaissance meth-
ods. The Ciceros use dark mirrors and Pat Zalewski employs an obsid-
ian orb in his Enochian operations.) You should certainly get
Regardie's The Golden Dawn (the 6th edition has an index) and use it
as a reference tool at the very least. Going through the grades of the
Golden Dawn is not unlike earning a degree from a university.
Dedicated magicians should certainly consider the advantages.
No serious discussion of the art magical would be complete
without considering the contributions and the impact of Aleister
Crowley. On the good side he brought magick into the twentieth cen-
224
tury as a vital artistic and intellectual force rather than a quaint
anachronism. He was a freedom loving romantic out to liberate the
long-repressed Faustian-Promethean shadow underlying the Western
psyche. Unlike Westcott, Mathers and even Blavatsky, he did not hide
behind smoke screens of ancient mythology. He boldy created his own
religion, declared himself its prophet and set out to conquer the world
with a declaration that discovering and pursuing one's "True Will"
should be the most important single factor in human life. This philos-
ophy is especially attractive to magicians and the word "Magick"
(using the Renaissance spelling) became almost synonomous with
Crowley himself.
On the down-side, he was extravagantly amoral and suffered
from multiple substance addiction. In the 1970's, cult-worship of
Crowley, especially the glorification of his faults and weaknesses over
his virtues, continued to distort the true purpose of his teachings. For a
quarter of a century following his 1947 demise, Crowley's lurid pub-
lic image tainted his legacy. However, by the time of this writing his
Ordo Templi Orientis has matured into the elite and respected magi-
cal sodality it was originally intended to be. Crowley's Book of The
Law may now be accepted as a subjective declaration of personal
freedom rather than a manifesto for social anarchy. No student of mod-
em Magick should consider his or her education complete without at
least reading Crowley's Magick in Theory and Practice.
Finally we come to the Bardonian system. You were introduced
to it in The Evocation ofNithael. Franz Bardon was a European magus
who flourished in the years directly before and after WW II. He was a
professional stage hypnotist, a devotee of Rudolph Steiner and a prac-
titioner of both Raja and Tantric yoga. Like Julius Evola, he forged
links between the Hermetic and Eastern systems. Bardon's books suf-
fer from stilted translation. One of my late colleagues would read pas-
sages from Bardon aloud in a thick German accent for a humorous
effect - but regardless of Bardon's quaint style and dogmatically
superstitious approach, he had a profound practical and theoretical
knowledge of magick and his is still the best training program for the
solitary practitioner who wishes to devote his or her life to the magi-
cal art. Bardon demands a major long-term commitment in which the
225
student, through a series of intense concentration exercises, will
literally transform himself into a magical adept as powerful and
(hopefully) as enlightened as any Tibetan Lama.
Franz Bardon's road is not an easy one. He tells the stu-
dent exactly what must be accomplished in mastering each of
his steps but often he does not explain how to do it. Bardon's
first book, Initiation into Hermetics, is actually more of an out-
line for a course of study than a complete program. It requires
the additional mastery of self-hypnosis along with Raja and
Tantric Yoga. The O.T.A. Solomonic program is an excellent
prerequisite to Bardon, providing one realizes that Bardon
demands evocation from a non-reflective "mirror". When you
get to this stage you can no longer fall back on the optical phe-
nomenon of facial reflection/distortion in the mirror or the auric
halo around the crystal that make our O.T.A. operations so easy
in the beginning. Bardon's magick is for the advanced student
who, having completed our GoetialAlmadel program, is ready
to accept a long term regime of personal magical development.
Bardon's first and second volumes are excellent.
However, his Key to the True Quabbalah (3) and Frabato (4)
are perhaps too divergent from the British-American magical
point of view. Look to Bardon for method and technique but for
system architecture and magical philosophy you might be better
advised to explore Classical and Renaissance Hermetism and
Neoplatonism, starting with the works of the late Frances Yates,
such as Giordano Bruno and the Hermetic Tradition.
For the most concise and accessible selection of Carl
Jung's own work I suggest Modern Man in Search ofa Soul and
for a true perspective on ancient Middle-Eastern Paganism
underlying the kabbalah I recommend The Hebrew Goddess by
Raphael Patai.
226
'Bi6[iograpli!J:
Note: Those books we consider important for you to read, study and/or
have available for reference are listed in bold typeface. The rest are cited
for purposes of documentation.
1. Agrippa,
Henry Cornelius
2. Bardon, Franz
3.
4. Barrett, Francis
5. Budge, E.A. Wallis,
6. Burkert, Walter,
7. Burton, Richard
8. Butler, Eliza
9. Cavendish, Richard
Three Books of Occult Philosophy (1651)
Trans. by James Freake. 1993 edition
edited by Don Tyson. Llewellyn Publications,
St. Paul, MN
Initiation into Hermetics
Osiris-Verlag. Kettig Uber Koblenz, 1962
W. Germany
The Practice ofMagical Evocation
Rudolf Pravica, Graz-Puntigam,
Austria, 1967
The Magus (1801)
University Books, New Hyde Park, N.Y. 1967
Amulets and Talismans,
University Books, New Hyde Park, N.Y, 1968.
Lore and Science in Ancient
Pythagoreanism, translated by
Edwin L. Minar Jr., Harvard
University Press, Cambridge, Mass., 1972.
Alf Lahyah wa Lahyah (1885)
(The Arabian Nights) 16 Volumes
Reprint by The Burton Club, n.d,
Ritual Magic
Cambridge Univ. Press, 1949
The Black Arts
G. P. Putnam's Sons, N.Y. 1967
227
10. Crowley, Aleister
11.
12.
13. Daraul, Arkon
14. Davidson, Gustav,
15. DuQuette, Lon Milo
16. Evans -Wentz, W.Y
17. Frazer, James G.
18. Garrison, Omar V.
19. Gardner, Gerald
20. Hall, Manly P.
21. Holzer, Hans,
22. James, Geoffrey
The Goetia, The Lesser Key of Solomon the
King (1904) -- 2nd Edition. Samuel Weiser,
York Beach, ME, 1995
777 and Other Qabalistic Writings of
Aleister Crowley, Samuel Weiser, N.Y. 1973
Magick (new expanded version of Magick in
Theory and Practice. Edited by Hymenaeus
Beta, Samuel Weiser, York Beach, ME, 1995
(Includes 777 and Liber Al )
A History ofSecret Societies
Citadel Press, N.¥., 1962
Dictionary of Angels,
The Free Press, New York, N.¥., 1967.
The Tarot of Ceremonial Magick
Samuel Weiser, York Beach, ME 1995
Tibetan Yoga and Secret Doctrines
Oxford Univ. Press, 1935
The Golden Bough, (1890)
Gramercy, Avenel, N.J., 1981
Tantra, The Yoga of Sex,
Julian Press, New York, N.¥., 1964.
High Magic's Aid
Michael Houghton, London, 1949
The Secret Teachings ofAll Ages (1916)
Philosophical Research Society, Los Angeles,
1962
The New Pagans, Doubleday & Co.,
Garden City, N.Y., 1972.
Angel Magic,
Llewellyn Publications, St. Paul, MN 1995
228
23. Jonas, Hans,
24. Jung, Carl Gustav
25. Kalisch, Isidor,
26. Laurence, Richard
(translator)
27. Lee, H.P.D.
28. Mathers,
S. L. MacGregor
29. McLean, Adam
30. Mead, G. R. S.
31. Mishra, Rammurti
32. Motoyama, Hiroshi
33. Patai, Raphael
34. Ponce, Charles
35. Regardie,
Francis Israel
The Gnostic Religion, Beacon Press,
Boston, MA, 1963.
Modern Man in Search of a Soul (1933)
Harvest Books, New York, n.d,
Sepher Yetziran (1877)
Symbols & Signs, North Hollywood, CA., 1973
The Book ofEnoch (Ethiopian Enoch)
(1883) Wizard's Bookshelf, Minneapolis, 1976
Plato, Timaeus and Critias ,
Penguin Books, Baltimore, Md., 1965.
The Key of Solomon the King (1888)
Routledge & Kegan Paul, London, 1972
(also available from Samuel Weiser)
A Treatise on Angel Magic,
Magnum Opus Hermetic Source
Works, Edinburgh, U.K., 1982
Simon Magus, The Gnostic Magician,
(1992 reprint) The Alexandrian
Press, WA
Fundamentals of Yoga
The Julian Press, New York, 1959
Theories of the Chakras
Quest Books, Wheaton, IL 1981
The Hebrew Goddess
KTAVPublishing House, Inc.,
New York, 1967
Kabbalah
Quest Books, Wheaton IL, 1973
A Garden of Pomegranates
Llewellyn Publications, St. Paul, MN 1970
229
36.
37. Runyon, Carroll R.
38.
39. Scot, Reginald
40. Segal, J. B.
41. Shah, Idries
42. Scholem, Gershom
43.
44. Thompson, C.J.S.
45. Thorndike, Lynn
46. Trachtenberg, Joshua
The Golden Dawn (6th edition)
Llewellyn Publications, St. Paul, MN 1989
Negative vs. Posititve Gnosis
Gnostica, vol. 5, no. 4, whole no. 40,
Llewellyn Publications, 1976 (Reprint
by C.H.S., Inc., 1996.)
Magiek and Hypnosis
Gnostica, vol. 5, no. 9, whole no. 45,
Llewellyn Publications, 1978
(Reprint by C.H.S., Inc., 1996.)
The Discoverie of Witchcraft (1584-1930)
Dover Publications, New York, 1972
The Sabian Mysteries
from: Vanished Civilizations, McGraw-Hill,
New York, 1963
The Sufis
Doubleday, New York, 1964
Kabbalah
Meridian Books, New York, 1978
On the Kabbalah and its Symbolism
Schocken Books, New York 1969
The Mysteries and Secrets ofMagic (1927)
Barnes & Noble, New York, 1993
A History of Magic and Experimental Science,
8 vols. Columbia Univ. Press, N.Y. 1923
Jewish Magic and Superstition,
Behrman's Jewish Book House,
New York, N.Y., 1939.
230
47. Waite, Arthur Edward
48. Walker, Benjamin
49. Woodroffe, John
(Arthur Avalon)
50. Yates, Frances
51. Zalewski, Pat
Manuscripts:
British Library,
Private Collection,
Private Collection,
Other Media:
The Book of Ceremonial Magic (originally titled
The Book of Black Magic and of Pacts)
The Citadel Press, New York, N.Y, 1970.
Sex and the Supernatural
Harrow Books, New York, 1970
The Serpent Power
Dover Publications, New York, 1974
Giordano Bruno and the Hermetic Tradition
University of Chicago Press, Chicago 1991
The Kabbalah of the Golden Dawn
Llewellyn Publications, St. Paul, MN, 1993
The Lemegeton, Sloane MS 2731,
London, 1683.
The Characters and Seals of the
Schemahamphorasch from Ar. MS 2495
-- copy by S.L. MacGregor Mathers--
courtesy of Pat"Zalewski.
The Sepher Maphteah Shelomo, Herman
Gollancz, M.A., D. Lit., Oxford Univ. Press,
1914 -- courtesy of G.H. Fra. Sabazius XO
The Magick of Solomon, Carroll "Poke"
Runyon, M.A., VHS videotape documentary,
(ISBN 0-9654881-0-1) from C.H.S., Inc.,
Silverado, CA, 1996
-- 0--
231
:J7e d\19.Mtn- d\19....~ ~ ....1....
©1996 by C. R. Runyon
This is the Key to the integration of the Lemegeton
Invocation and Evocation systems. It provides a spiritually con-
tolled and psychologically balanced method of practice. It also
represents the psychic structure of the Magical Universe in the
lower Yetzirah or astral plane.
The sequence of both the 72 Goetia Spirits of the Brass
Vessel and the higher 72 Angels of the Schemhamephorash both
start in the first quinance (five degree segment) of the first decan
of Aires. The two linked sets (Angels and Spirits) continue their
matched progression together through the signs in harmony with
the general scheme of tropical astrology. The dates when each
particular Spirit is exalted are listed in the notes following the
Spirit's description in the text.
For Almadel Invocation operations, the Master Mandala
should be mounted in the center of the top of the double-cube
incense altar. The first Spirit, Bae1 (Ba' al), should be facing due
East, with Astaroth (Astarte) due West. (This can also be "mag-
ical" East and West if your temple is not so aligned.)
A crystal orb on an openwork stand is placed in the cen-
ter of the Mandala as the visual focal point for the operation.
The crystal is to be covered with a white silken cloth when not
In use.
The proper incense for each summoning is determined by
the fourth ring from the center of the Mandala, the planetary
attributes of the Spirits. This symbol also determines the Spirit's
kabbalistic sephira (within Yesod), e.g. Bael (Ba' al) a "King" =
Sun (8) = frankincense. This attribute likewise determines the
number of circumambulations. In our example: "Six turns deosil
in the Sphere of Tiphareth of Yesod."
The Master Mandala is not used directly in Goetia
Evocation operations but the corropondances are followed, e.g.
Michael, Vehuiah, Goap, Bael (Ba'al). In this sequence the
Triangle is placed outside the Southern Quadrant.
232
Jfe dVt9~ s t ' t \ · JVt9~ ~ ~ ~ , ~
©1996 by C. R. Runyon

.9l.6out the .9!uthor:
Carroll "Poke" Runyon describes himself as "A Gentleman of The Old School" which he defines as, "One who recites classical poetry to heartless beauties while wrestling alligators." He has lived out his Neo-Romantic philosophy as a Captain in the Green Berets, a student of Ninjutsu, a blue-water sailor, a scuba-diver, an internationally published novelist and author of adventure stories in the legendary ARGOSY magazine. For more than thirty years he has been a leading figure in the revival of ceremonial magick as Western civilization's spiritual counterpart to Eastern mysticism and native American shamanism. His background in occult study and practice is extensive: in 1970 he became the founder-magister of the Ordo Templi Astartes, which is now America's oldest continually operating ritual magick lodge. In 1980 Runyon received his Master's Degree in cultural anthropology from California State University at Northridge, specializing in magick. After graduate school he took all the degrees of Freemasonry in both the Scottish and York Rites. He then undertook an intense series of Tibetan tantric initiations and training sessions under the direction of H.E. Luding Khen Rinpoche of the Sakya Order, mastering the Vajra Yogini (Goddess of the Sorcerers) system. Runyon later received the Kalachakra initiation from H.H. The Dalai Lama. His articles on Magick and the Western Tradition have appeared in Gnostica magazine and his Church's journal, The Seventh Ray. Runyon's most noted contribution to the post W.W. IT occult revival has been his rediscovery and subsequent development of the facial reflection/distortion dark mirror skrying method for magical evocation. In 1974 he appeared as a guest on the Tom Snyder t.v. show, narrating film footage of O.T.A. magical operations. Through his Church (The Church of the Hermetic Sciences, Inc.), Runyon has written, produced and narrated a video entitled: The Magick of Solomon that dramatically demonstrates the unique and powerful spiritual development system described in The Book of Solomon's Magick. Most recently he has produced a video documentary of an actual Goetic magical operation, Dark Mirror of Magick, with remarkable prophetic results in our troubled times.

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a{'Iemple !Furniture ana 'Equipment !iI.bbafah of Wizarary Chapter Sit(. 192. 'Documentary 'E'thibits --.( 5!Lppenai'.5. [acsimiie.ppenai.52l. 93. 87.ppenai.(~jerence Chart antiMagic.9lfmaaef te~/ Sefiemfiamephorash Ms.q'a6fe ofContents Pronouncement Introduction.etiirrg page O. 8O.f. 39. 5!Lnge!sIPagan (jodS Chapter !Four: :die Secret of tfze JioEg eraEfe Chapter !Five: :die 1(jl. Caduceus Chapter Ten: Solomon's S~MagitK: PartTwo: rIfie 1. Chapter 'Ihree: Faiien. 56. fo«Owing page 232. Stucfy (juiae ana tJ3i6{iograpfty COWT prates: r:l!ie !Four 5!Lrefiangefs 'Ihe Master Manaara 136. :die !iI.47.(3. J?Lppenai't 1. QUic. Magic. 69.refiitecture ofOur Magica{System Chapter Seven: /Ihe Ba'a!-. 204. 116. !/{esearefi Paper: 1(abEarah ana Meaieva{ Magic.\. the 'l(j11tJ rrIie Seventg-erwo Spirits of the Brass o/esseL (joetia 9{ufers ofthe Quarters J?Lngefs of the Schemhamephorash. . 100. 5!Lppenai't2. prec.k anaWitcfu:raft Chapter :J{jne: The Hermetic. Part One: rIfie Jiistory ana'Ifieory ofSolomon/s Magide Chapter One: Jiypnosis ana90ga Chapter 'Iuio: 'Ihe Secret of the 'DarkMirror.starte Mytfws Chapter 'Eight: !iI. O. 222. 181. Chapter 'Eieuen: Pentagram aniSeptagram 2?jtuafs Chapter 'Itaeiue: Invocation anti'Evocation 2?jtuafs Chapter 'Thirteen: 'Ihe 'Evocation of 9{ft!iaeL rrIie (joetia ofSolomon.ctifieti.a{J?L{phabet !iI. 24.( 4. 193. 2. 10.rabian Origins ofMagic. 12 7. . (joetia Spirits !R. 183. Practice ofSolomon's Magic( l07. 144. 195.

I was further enabled to recover the technique of Angelic Crystal Invocation from the ancient book ALMADEL. THE MAGICK OF SOLOMON. This produced a spiritually balanced.. starting with our system. then I have succeeded in my task. demonstrate and properly teach this secret method for the first time. I was then led to rectify this essential LEMEGETON sub-system with the seventy-two Angels of the SHEMHAMEPHORASH and link them to their seventy-two demonic counterparts in the GOETIA.Pronouncement IN THE YEAR 1969 I went through a near-death experience that brought on an altered state of consciousness during which I rediscovered a lost secret of Western Ritual Magick. Students who have struggled for years to visualize these entities and to make sense of the confused and even contradictory instructions in the LEMEGETON will be delighted to finally discover operative methods that really work within a theoretical framework that emulates the impeccable celestial models of the Renaissance magi. This book. Inspired by the rediscovery of this GOETIC method of practice. and our accompanying video. theoretically elegant and astrologically coordinated scheme of practice that was compatible with modem theories of Jungian psychology. . And So Mote it Be! Magister Thabion 1 . may very well wonder what was so difficult about all of this in the first place ? If this is so. Newcomers. I learned how to summon the seventy-two spirits of King Solomon's legendary Brass Vessel to visible appearance in the Dark Mirror on the Triangle of Art.

rffze !fair . re-interpreted in modem psychological terms and brought to life by powerful hypnotic techniques.Was notSoiomon called a wise andeven WizardXjng? Who didconfine noo-and-seoentu re6e[[ious spirits In the o/esseCofBrass. The magick this book teaches was reconstructed and rectified from authentic ancient sources. . sfiieCtfanaSuord of Iron Via fie not carrthem to appear in the rrriangfe of his Jl. . I have written The Book of Solomon ~ Magick for those special individuals in the broader Neo-Romantic Community who seek the ultimate spiritual-intellectual adventure.rt? Lea 6y the first oftheir number. from Curt of the Sangrea[6y 'Ihabion. Lord-Cfoutf-!RjaeTj Wliereafter Solomon. metaloftlie Spliere :Jv{ercuria[ Witfi masterg ofBrazen. aia6uiUl a 'Iemple to fJ3a'ats Consort. This system was developed by and for imaginative people who are not natural psychics. If you have ever yearned to be a wizard or an enchantress in the grand old medieval/Renaissance tradition.9lstarte. but were put-off by the bric-a-brac of "Victorian Occultism" while finding yourself underwhelmed by the 2 T HIS IS A THEORETICAL AND PRACTICAL handbook of . Introduction: Ceremonial Magick that is different from any you've ever read.

is expected to be a person of knowledge (to paraphrase Carlos Castenada). hypnosis and yoga to be too condensed and obviously introductory. Hermetic philosophy. if this term seems too masculine for female readers. In fact if you are going to seriously pursue this system. A Western magus or. illiterate. 3 .will show you how to invoke Holy Angels and then summon ancient Goddesses. I am not going insult your intelligence by providing you with an over-simplified "cook book" filled with nothing but training exercises. the rituals. or even expected to be. Certainly the training exercises for our special invocation & evocation methods.current Neo-Pagan and New Age alternatives. an enchantress. There are some forms of shamanism where the practitioner is permitted to be. Fallen Angels and even hell-bound demons to visible appearance. Gods. skrying techniques and warmed-over rituals culled from 19th century sources. Remember that our mythological avatar. You will be in direct communication with these mighty beings. I definitely want to hear from you.and our accompanying video. the practical information and the references you will need are all here . the philosophy and the theory behind this powerful system. then this is the book for you. The methods I will teach you are absolutely authentic and remarkably effective. Kabbalah. was noted for his wisdom. The Magick of Solomon . King Solomon. Our tradition is quite the opposite. With that in mind I sincerely hope that you will find the background material I've presented on Carl Jung's theories. This book . You do! You may also contact me directly. at least in his or her own field. I. Before we go any further I want to make two things very clear: first.but I am also giving you the history. Don't let anyone tell you that you don't need this knowledge to be a Western magician. You are expected to consult the works I have recommended in the study guide.

more qualified in kabbalistic.but the power to summon the spirits to visible appearance is the mark of the Thaumaturgist . In 1969 I nearly lost my life and my sanity discovering and perfecting these techniques. and it closes behind you. Once you have experienced these wonders you may return to the mediocrity of everyday life but your mind and soul will range in realms beyond. Once you have passed through that door. Certainly there are those in our select fraternity who are more erudite than I am. You may never be able to share what you know with those you love and you may not even wish to. There are very few people who would be willing to pay the price I paid to learn these ancient. That is the portion of the Sacred Art which Divine Providence has assigned me to expound and no one can teach you more about that aspect of Solomon's Magick than I can. astrological and alchemical studies . In recent years this mission has taken on a special urgency because the ancient secret of conjuration to visible appearance in Goetic evocation that I rediscovered in 1969 (the Dark Mirror facialreflection-distortion phenomenon) has since been pirated. there is no going back. You will be transformed forever into one of The Far-seeing People. over-simplified. I am one of a handful of practicing and teaching magicians in the Western world. If you successfully complete this program you will not be the same person you were when you started. We might say that the ordinary person knows only the short span from birth to death while the Magus understands that this life adds one more skull to a necklace that must eventually be valued like a jeweler would appraise a string of pearls. Without proper training and a knowledge of what 4 . mass-marketed and finally popularized to the level of a OuiJa® board session. Solomon's Magick opens a door into the starry gulfs of eternity. As with the OuiJa board (which was also based on the rediscovery of an ancient magical secret) commercialization can lead to frivolous misuse.Now that we are clear on that there is one other thing I must warn you about before you begin. 2. secret methods.

Today we don't have that vital reservoir of faith to draw from so we must re-establish our link with the divine and re-empower our Spiritual Guardians in order to give us a truly balanced magical system. Ouija has been called "The Most Dangerous Game" but that may have to be corrected. In the Middle Ages and in the Renaissance magicians never used the Goetia without the strongest spiritual safeguards. Even if you are steeped in the lore of Western occultism and still have not attained your goal of becoming a magus or enchantress (because you were not born clairvoyant) this is the book that will make those dreams come true. When you combine the secret of The Dark Mirror with The Lost Art of Angelic invocation into The Crystal Shewstone. the work will be rewarding and the study will be nourishment for your mind and your soul. Certainly you'll have to work and study.but there are a certain number who qualify as genuine hell-raking demons and one who is considered to be the very Devil Himself. the use of the powerful Dark Mirror facial reflectiondistortion technique to summon spirits can seem as capricious and apparently trivial as Mr.you are doing.or fire crackers with dynamite. Granted. Fuld's talking board. They depended on their faith in God and His Holy Names to protect them when dealing with the rebellious spirits. likening the perils of the Talking Board to those of the Dark Mirror is like comparing a trip to the zoo with a hunting safari in Africa . Besides the obvious psychological dangers in popularizing Goetia there is a deeper spiritual peril involved which the mass marketeers have totally overlooked.some are even good natured . 5 . This is why the Angelic Almadel must be worked in direct conjunction with the Goetia. you have empowered the Magick of Solomon to yield the full measure of its ancient promise. but if this is the right path for you. all Goetia spirits are not bad . For this reason I have gone to considerable lengths to rectify and unify these two basically complimentary Lemegeton systems.

Providing you are in good mental and physical health. Once you have properly trained yourself. If conscientiously pursued.or should want to be. neither should it be used as a personal empowerment system to help one climb a corporate ladder and dazzle the opposite sex. Magick should not be thought of as a push-button technology that directs impersonal energies. The Magick of Solomon. you should have nothing to fear from this program other than the profound transformation of which you have already been warned. You might even wish to affiliate with our brothers and sisters of the Ordo Templi Astartes . First let us state what Magick is not (or should not) be:-High Magick does not (or should not) grant the power to dominate and/or exploit others. drastic fasting regimens or dangerous yoga practices involved in this system. sweepstakes or make big money in the commodities market. But before we begin.or remain a solitary master or mistress of this ancient art. In spite of its Arabian Nights' glamour we cannot claim that it will help you win lotteries. the Art should actually achieve the opposite effect by lead- 6 . are at least eighteen years of age. and able to understand the concepts and the instructions. You will be able to instruct others and start your own Lodge of Magicians . to use Max Theon's term) really is and what sort of people wizards and sorceresses are . This is very important.I assure you is that there are no drugs.America's oldest continually operating ritual magick lodge and learn what lies beyond Solomon's Art of Kings. let's make sure that we agree on what High Magick (or Art Magick. you will be able to perform one of these Grand Operations of Solomon's Magick in less than an hour's time by yourself or with friends who have undergone the same training. The choice is entirely yours because I have provided everything you need to start you off in this book and in our documentary video. You will need to master self-hypnosis and develop the ability of fixed concentration (the yoga of tratakam).

followed by conjurations in Shakespearean style delivered in hypnotic tones. It uses that sense of fascinated detachment you experience at a well staged theatrical production or at an impressive church service as a gateway into an altered state of consciousness in which your waking mind and your deep mind are in communication. candle light flickers through tendrils of exotic incense. the so-called primitive shamans use all the musical-dramatic-artistic elements of their own native cultures. lamens. swords." This presupposes that you understand the meaning of the term "art" . Remember. so why shouldn't we? If you are not comfortable with this Romantic-Shamanic aspect of Solomon's Magick then it is obviously not Your Path. drums throb while the slow-motion dream dance around the circle is accompanied by a droning chant. dark mirror. We create a theatrical atmosphere. a gong reverberates.ing you to what you really need rather than giving you what you think you want. our temple (or our outdoor henge). last and always an Art! Magick is an artform. these theatrical aspects of magical operations will seem quite appropriate. So what is Solomon's Magick? The magician Dion Fortune gave us a concise definition of magick as "The art ofcausing changes in consciousness to occur in accordance with the will. 7 .because High Magick is first. This is our unique Western shamanic experience. altar. crystal ball. Of course Solomon's Magick is more than just good theater but good theater is its starting point. Consider the artistic elements in a Magical operation: we have the stage set. triangle. There are the props: the circle. . etc. We have the costuming: our robes. If we need to get technical about it we could call it a composite artform similar to grand opera. If you think about it this way. bells chime. . wands and pentacles. When I say "Romantic" I mean it in the philosophical-artistic sense of the term.

The Master or Mistress of this Art shares power with the Archangels. No other system of magick. Only Solomon's Magick fulfills the whispered promise of the old grimoires. as you recall. not the Golden Dawn.for Solomon. Solomon s Magick creates the elite! The magical vision is primarily an ecstatic and transformative experience that may be enhanced by a group performance but is essentially subjective in its effect. Magick will open these doors for you and show you the way. My favorite Romantic maxim is the credo of Quo Vadis ~ Nero: "Let it be wonderful or let it be terrible so long as it is uncommon!" Which brings us to another important point: Solomon's Magick is not a get-rich-quick scheme but it will jump-start and supercharge your creative processes.held that the greatest sin was restriction. The first challenge on your quest will be to roll a huge 8 .a modem magician and a romantic in his own fashion . spontaneous experience. Although this type of Magick is a Royal Art it is not restricted to the elite. but to my mind an even greater sin is mediocrity. Aleister Crowley . Tibetan Tantra. genetics or biochemistry. was mainly noted for his wisdom. In other words. If you are willing to seriously study the books I've recommended. To us the human spirit is divine and unbounded in its potential. This is the real power and promise of King Solomon's Art . If this is your desire read on and enter the Treasure Cave of the Arabian Nights where the mighty Jinn of Old King Solomon are at your command.. in a few years you will have acquired an education comparable to a liberal arts degree from a university. You may excel in any of the creative arts . commands the demons and walks with the Gods. You may be inspired to undertake formal studies in psychology. this method of magick produces a controllable dreamstate wherein the practitioner summons the spirits to visible appearance and communicates with them. or become a spiritual leader. anthropology.Magicians are the ultimate romantics. physics. Voodoo or Wicca offers such an authentic..

. 9 . Wynn Westcott. Modem Golden Dawn adepts are now revitalizing their tradition with methods very similar to those described in this book. including this author. rediscoveries have made some contribution in this regard. He describes his host (your author) as "The Angel Magus" who was ". and re-emerge from the history of our own tradition. "Its just your imagination!" Introduction/Notes: 1. restricted by the mindset of their era and the lack of practical techniques that would not emerge from the Orient. until the 20th century. e. . They were. It is safe to say that there would be no modem revival of Western Magick without their efforts and virtually all of today's magicians.A." 2. however. I am very much aware of the tremendous debt we owe to Dr W. 1995) my friend and colleague. use their correspondences.. In Chapter Nine of his recent book Angel Magic (Llewellyn. That stone has been built up over a lifetime out of thousands of verbalized encrustations such as. I have seen strange things . They gave us the most complete and useful synthesis of Western esoteric lore since Heinrich Cornelius Agrippa in 1531 c.stone away from the entrance to your own Magical Cavern.T.T. MacGregor Mathers and their compatriots. magical operation conducted here in our Montsalvat Temple. Geoffrey James presents a somewhat fictionalized account of an O. I like to think that our O. friendly but reserved with a certain distance in his eyes that seemed to say.A. .

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articulate writer. 10 .but never dies '1Jie portaecracR§ a hairin dreams 'Ihe wliistCing Wind ofZuvranscreams: Hou: far wouldyou dare to Me. lending an air ofcredibility to the process. . mere words cannot describe the experience of such a revelation.9lges spans 'To Olden 'l(jngs with 6foody hands . When I was totally convinced of the validity of the technique. . . When I say you are going to become one of "The Far-Seeing People" I mean more by that than you can possibly grasp before you begin your training. It did not always give me the answers I wanted or even expected. From the author s Magical Record of 1969 O NE OF THE GREATEST DISCOVERIES I made in the course of my illness was a realization of the awesome depth and range of knowledge available to the subconscious mind.9Lndyet witli birth. tBegond'1Jie 'l/ei{. . the visionfries. "Yes!" it told me. I asked the ultimate question: "Do you remember past lives?" The answer was strong and unmistakable.Memorg througli the . Chapter One: J{yprwsis anti90ga After familiarizing myself with the operation of the Chevreul Pendulum I began to ask my subconscious mind questions of a very personal nature. Even though I count myself an imaginative. If tlie Secret 'Door were openedwide ? from '1Jie %aUlings of iJ(ful Xfiia60 6y 'Ihabion.

. velvet-skinned. "Are there any fish in this lake?" "I've never had a bite." he said. I finally descended. I had not chosen it as my Heaven or perhaps my Bodhisavatta vows had come to my rescue . permitted me entrance to a sensual astral paradise populated by voluptuous. giggling. I tried to escape from them but they were everywhere.at least in this astral adventure. so I was free of them at last. You are at the center ofyour reflection of the Universe. perfumed houris to a lake in the center of The City of the Damsels. during which I realized every sexual fantasy I'd ever entertained. like the ancient Romans. transmitted to me orally by my Tibetan guru. I clambered into the boat and introduced myself. flirting. She then physically manifested Herself in beauti11 . Let me give you an example: A secret ritual. The dakinis were very accommodating. I was only visiting The City. multi-lifetime perspective in your dedication to Magick. And yet Vajrayogini was not so easily dismissed. smiling. Fortunately for me. you must begin your program with these consciousness expanding and knowledge extending exercises. You can believe anything you choose and the Universe will give it to you. insatiable dakinis. "I lost count after the first thousand years. "Then why do you fish?" "It passes the time. Fortunately the dakinis couldn't (or wouldn't) swim. In the boat sat a long bearded man holding a fishing pole.Because of the crucial importance of a "Long Track".. Although your religious and folkloric heritage is important. In the middle of this pond floated a small boat. Finally I'd had enough." he whispered. "How long have you been here?" I asked him." he said with a faint smile. posing and purring like kittens. Magick will teach you that your beliefs are actually tools and weapons. After an orgy that seemed to last for days. doing whatever I could think of to entertain me. I dived into the water and swam out to him. At last I wormed my way through the wiggling hoard of naked. into decadence and ultimately into satiated voyeurism.

During magical operations a camera will not record Angels flying down through shimmering clouds or demons crawling up through smoking cracks in the earth . Ibn Saba. therefore our God-given ideas of soul transmigration. The Old Man of the Mountain. Another medieval Arabian sage placed the age of our human race at forty-four thousand years. According to our NeoRomantic Philosophy.. They rise up from the vast. They exist beyond the limits of your personal imagination and yet they are seen through your prism in the multi-faceted lens of The Great Universal Mind. reincarnation and magick must exist for those of us who believe in such concepts because ifsuch were not true it would mean that humankind had conceived a master 12 . 1. penetrates the smallest sub-atomic particles and is connected with the Primordial Imprint of DNA. did not mention was the price. once said: "Nothing is true. Everything is permitted.ful human form (disembodied spirits have a penchant for doing this). you will understand the essence of the teachings revealed in the next paragraph." This is essentially correct but what Saba.and are not! The "Idea" of a thing and the energy that flows into its creation are greater realities than the static physical result. therefore we are .and upon that hangs another tale. who had promised his followers a similar sensual paradise. this Universal Ocean ofthe Deep Mind extends beyond the furthest limits of Interstellar Space. We think. I took her with me on an expedition to the ruins of lost Lemuria (Nan Modal) . Only in the past century did science confirm this. If so. Considering the age of us all and the special effort you have made to obtain this book I will wager that you have walked this path before. We can imagine nothing as great or greater than God's conceptions.but these Mighty Beings are nonetheless real and very powerful. Grand Master of the Assassins.. It is mirrored in the Anti-Matter Universe that exists side-byside with our mundane dimension. They can be superhuman. dark depths of The Collective Unconscious and swim into the shallow lagoons of our individual subconscious minds. sub-human or non-human.

as mentioned in the introduction. synchronicity and ultimate mystery of the Universe this would seem to be the one and only true impossibility. Granted you can get the facial reflection-distortion method to work without learning hypnosis and yoga.but then you can't control it any more than they can. let me tell you briefly how I got into it and how it led me to discovering the secret of the mirror-in-the-triangle and its full significance. thirty-nine degrees of Freemasonry and a year of intensive Tibetan Tantric training under the finest magicians to come out of that mysterious land. Given the awesome age. Now I want to share these original 13 . or more properly. Because self-hypnosis was so important in my development. rediscovered. and so will you. Children have been scaring themselves with the phenomenon for as long there have been mirrors . Beyond these conceptions lies the inevitable truth that ALL sentient beings are merely dittering reflections of yourselt If you understand and embrace these principles you will soon grasp the importance of self-hypnosis and Raja Yoga as basic access techniques and prerequisite skills to mastering The Magical Art. cohesion.but first I had to learn self-hypnosis. the essential secret key to Solomonic magical evocation. I had learned the methods and the philosophy I'm now sharing before I ever attained the credentials cited in my resume. I discovered. symmetry. You've already read my biographic sketch so you know my qualifications but they do not tell the real story. In 1969. size. Unlike children. In truth.plan of spiritual evolution beyond God's power to grant. you are not going to scream and run --even though it might be better if you did! Without the perception of one who understands and controls his own trance you are operating in an unfamiliar state of mind and dabbling with something beyond your conscious comprehension. I found out how to summon spirits to visible appearance and converse with them without depending on special psychic talent . The remarkable discovery of Solomon's hypnotic secrets actually propelled me through seven years of anthropology. These precepts are the foundation of our modem Magical Field Theory.

This condition became chronic and finally unbearable. Lovecraft or Robert E. often worse than before..concepts and techniques so that they may open similar gateways for others who choose this path. before my illness set in. I must have taken myself as deep into trance as anyone has ever managed through self-induction. I reasoned that if ulcers were caused by anxiety. Self Hypnotism.ron's.as the doctors eventually discovered when I was almost dead . The Technique and Use in Daily Living. I never dreamed that reviving the lost art of Solomon's Magick would become the major creative effort of my life. cigarettes and steak dinners to go on a milktoast diet. Like so many writers in those days I was a chain-smoker and a perpetual coffee drinker. but I could not cure the ulcer because . I wasn't about to give up beer. I'd conquer my inner fears through self-hypnosis and heal myself in the process.) I was soon able to suppress the pain . Howard. (This book has since gone through several editions and is now considered a classic. Subconsciously I must have 14 .I was carrying within me a gallbladder that had turned into a mass of solid rock! In the later stage of my illness I was in an altered state of mind that I now realize was a toxic psychosis. Any impression I might have had at that time about ancient sorcery would have come from the fantasies of H. but then it would always return. A 'sissy' disease for a macho type. My text was Leslie M. coffee. I liked science fiction and I had a good imagination . I went to a doctor and was diagnosed as having an ulcer. At that time stomach ulcers were thought to be entirely psychosomatic. I assumed that these bad habits were responsible for my frequent bouts with indigestion. I had two paperback novels and a series of underwater adventure stories in ARGOSY magazine to my credit.but. Lef. P. In 1969 I was a former Green Beret and an avid scuba-diver eking out a living as a pulp-fiction writer.. In desperation I learned the theory and mastered the techniques quickly.

But. This morbid condition drove me to stranger and more esoteric experiments in self-hypnosis.and I knew that these devices had often been used by the old magicians . But.but.and yet I was convinced that hypnosis was necessary and that some sort of window into the other dimension. I knew with absolute certainty that Western Ceremonial Magick was my path and I would discover its lost secret. at a deeper level a more subtle and insidious mental attitude had infected the intelligentsia at the end of the Renaissance and would cheat later generations of Western magicians out of their heritage. I began my occult studies with Tantric yoga . waste so much time and effort unsuccessfully trying to evoke a Goetia spirit out of the smoke from an incense burner? Why did the Golden Dawn oath-bind its members not to undergo hypnosis . when I discovered our own culture's magical counterpart to that Eastern system. like the crystal or the dark mirror. Alan Bennett. Slaying on these devices was assumed to be humbug because of its widespread popularity. From my studies and my first experiments I had leamed that a hypnotic effect could be achieved through a fixed gaze on a reflective surface such as a crystal ball. had to be employed. then why did Golden Dawn magician Aleister Crowley.and why did they virtually eschew those traditional conjuration devices of medieval and Renaissance magicians? On one level we can answer these questions by recalling that in their time the hypnotic trance was equated with spiritualism and magnetizing quackery.known that I was dying.but were they the actual spiritus locii. In parlor room seances crystal balls were as common as OuiJa boards and even dark mirrors were sometimes used. the place where angels and spirits could be conjured to visible appearance? I could put myself into a hypnoidal state staring at them but I did not see a face appear or sense a genuine presence . something clicked. The burlesque image of the Gypsy fortune teller with her crystal ball is a cultural icon left over from that era. if this was true. 15 . and his mentor. or a dark mirror .

As we heave against the rock. the divinely inspired human imagination . Then we have to train ourselves to use this mental power in much the same way that an athlete trains to perfect his or her sporting skills. you can hear and feel that huge boulder start to move. if you don't believe that you need to master self-hypnosis and the tratakam yoga technique to practice Solomon's Magick. physical manifestation. I'll challenge you to test yourself. It makes a skreeking sound of protest because you have recovered one of the great suppressed secrets of magick: the creative power of the human mind.so we have to get rid of the Monkey.and immediately our nasty little Monkey disappears. Although his construct allowed for advances in engineering. But simply recognizing this power will not unleash its potential.The philosopher (1595-1650) Rene Descartes . If you don't think this is necessary.the father of Rational Philosophy . the Monkey dances around us distracting our attention and belittling our efforts.had been relegated to the importance of childhood day-dreaming! Once you grasp the significance of this outrage against your personal divinity you are just starting to move that giant Stone away from the entrance to your Treasure Cavern. Along with The Stone we have another enemy within ourselves:The Chattering Monkey of the conscious mind. between mental conception and its physical manifestation. Although this is an over simplified statement of his theory it is a deadly accurate assessment of its effect.the greatest creative force in the universe . In the service of fledgling science he had declared that there was a total separation between mind and matter.had been inadvertently responsible for what the military calls "collateral damage" to spiritual development in the Western World. Finally we become so frustrated and discouraged that we give up and return to "reality" . When you return to Plato and realize that the original idea of something is more dynamically real than its eventual static. 16 . Unfortunately he will return whenever we try to quiet our minds and resume our spiritual work .

you must not think ofanything and you must not change your visual focus. Remember. There is also a shade of difference between most yoga trances and the hypnotic state as we know it here in the West. 2. and conversation with. This is best illustrated by another anecdote from my Tibetan training: early in the program I was trying to master a ritual in which I was to assume the form of Vajrayogini and perform various symbolic actions in Her persona.Take a few deep breaths and then stare at your wrist watch with a fixed. Relying on the Golden Dawn's indirect mental conditioning procedures as preparation for Solomonic work would be analogous to substituting basic (soft) Tai Chi training for the rigorous preparation necessary to compete in a full-contact Karate match. Holy Angels . but only after years of training. 17 . However. Be sure you realize the difference. You will also need to go through the exercises so that you can teach them to others. you must not blink? Because the unblinking stare ( tratakam ) is totally committed to its object .and it is the hallmark of the true magician. During that time you may breathe normally but you must not blink. unmoving gaze for three minutes. If you perform this test correctly you will find yourself in an Alpha (hypnoidal) state when the exercise is completed. the Golden Dawn avoided any form of hypnosis and was not preparing its members to use Solomonic magical equipment. Granted a Tai Chi master (or in our case. if you pass this test you will still want to study this chapter carefully to understand the unique hypnotic characteristics of the magical trance state. a Golden Dawn adept) could certainly hold his own. Why do I say. Do not assume that because you've gone through a Golden Dawn style program that you can skip this part of your training.whereas much of Golden Dawn magick is of the "Do-the-ritual-toimprint-the-astral-and-then-see-what-happens-later" variety. Solomon's magick is the Art of evoking spirits to visible appearance and invoking knowledge of.

It is not my intention to write complete treatises on self-hypnosis and Raja Yoga in this book. Although the tratakam (fixed gaze) yoga technique is an Eastern derivation.somewhat like a Western pathworking. Most Tibetan magick is done from the inert. The reason for this is implicit in the dialog nature of hypnotic induction and especially the self-directed dialog developed in self-hypnosis training. After a good natured chuckle at my expense he patiently explained that this was all done in the mind while sitting inert and physically anesthetized in the lotus asana . I was fortunate enough to discover two of the finest training guides on each of these fields back when I started my practice of mag18 . 3. Our hypnotic trance allows us a unique mobility and a remarkable capacity to operate in the subconscious and conscious mind simultaneously. seated asana position whereas much of Solomon's magick is performed standing up and even moving. going back and forth between his own rational mind and the manifestation from his subconscious as normally as he would carry on a conversation with another person.Knowing that mudras (hand and finger positions) are sometimes done while visualizing. pranayama (controlled breathing) training is also necessary. This enables the operator to ask the receiver. In a solo working the operator can question his own spirit manifestation directly. As a pre-requisite to tratakam and hypnosis generally. it is the most directly hypnotic of the yoga practices and integrates perfectly with other aspects of Western style hypnotic induction. The magical student does not need to carry this any further than and 8-8-8 count but he or she should be comfortable with at least a 6-6-6 cycle (no pun intended). "Do you have a presence?" or "Would you like it stronger?" without disrupting the trance state. You are expected to consult the practical manuals we recommend on these subjects and follow their instructions. I asked Lama Luding Khen Rimpoche if I was to emulate any of the actual gestures of the deity as pictured in Her tanka (icon).

this is the experience he is referring to. The hypnotic state is total concentration and total involvement of both levels of your mind. This sounds like a paradox. Dr Rammutri Mishra's Fundamentals of Yoga. see Leslie M.ick twenty-five years ago. hypnotists always put themselves into trance before they attempt to hypnotize others. The hypnotic state is really a condition of total. as discussed at the beginning of this chapter. Isn't the hypnotic trance a passive state? Not necessarily. The reason for this is that magick operates through the will ofthe operator and yet the operator must be in trance when he or she operates. Once you have crossed this threshold in your development you have empowered yourself to practice Solomon's magick. you need to know the subtle difference between the two sys19 . Many people have already experienced hypnosis induced by someone else but the magician must master the technique of selfinduction. you are going to find self-hypnosis a remarkable experience. If you operate only from a conscious level you are intoning words and going through motions while wearing an astral blindfold and ear muffs. Even if you have been subjected to the hypnotic state by someone else. In the Orient. you can then access your memories back to the dawn of our race. The Technique and Use in Daily Living. not to some pageant performed in a lodge room. Perfecting this technique can be one of the major transforming elements in your life. For self-hypnosis. then the operator needs to get himself into it or participate in a preliminary meditation wherein the whole circle becomes entranced. if it is to be active. you are in total control of you! And. one-pointed concentration.but. this is a form of magick but it is not the Thaumaturgic Art of Solomon. LeCron's SelfHypnotisim. For the very first time. These two books have remained constantly in print ever since. Although you will be combining elements of tratakam yoga and hypnosis. When a true adept says that one should not practice magick without initiation. It can be passive or active . As we have noted. and for Raja Yoga.

to contemplate our reflection in a dark mirror. for ten to fifteen minutes. just look at its glowing center. It is easily mastered with regular daily practice. without analyzing the optical phenomena as they occur.terns: Tratakam yoga (empty-minded." To use the samadhi lamp. If you get discouraged just remember that John Dee and Cagliostro would have given their fortunes and have devoted years to practice and to master these techniques if they had only known they were available. We call it a "Samadhi Lamp. Try not to think at all . take your asana. Tratakam is more properly a form of meditation. 20 . or the angelic aura surrounding a crystal ball. filtered hole cut in the center.. do your stretching exercises. black dot. round carboard shield with a 1112" dia. Mishra lists nasal and frontal gaze exercises which are uncomfortable and alien to Western practitioners. It is essential training for our Solomonic mirror and crystal skrying because it conditions us to see something without "looking at it". Do not explore the lamp with your eyes. do a few minutes pranayama and then lie flat on your back and fix your gaze on the illuminated hole. In the center of the frosted filter. This device is suspended from the ceiling. undistracted fixed gaze on an inert object) will induce the hypnodial states called yoganindra (physical anesthesia) and then samadhi (space-time suspension) as side effects but it is not a true hypnotic induction because there is no direction involved beyond strict maintenance of a passive mental attitude. Try not to think about the relaxation and numbness coming over you or the hypnotic state you are drifting into. with its central black dot. place a 112" dia.. We recommend an easily constructed variation of one of his techniques involving a blue light bulb behind a 12" dia. Dr. Practical 'Exercises: There are a number of ways to practice tratakam. Try not to think about the optical phenomenon as they occur...

dark. four count exhale. Hold the air in your chest at least as long as it took you to inspire it . You (your consciousness point) are in the form of a small pearl floating half-submerged in the water. Physical relaxation is best achieved by first stretching the muscles of the body and then compressing them. Hold the leg rigid for ten seconds. Take several long. Now you can neither hear nor see those distracting thoughts. Having achieved relaxation you must learn to empty your mind. still water. Above you are the random thoughts that flit across your mind. They buzz and chitter without meaning. curling your toes. You see them in the form of luminous fireflies darting back and forth to no purpose. Thrust each arm out straight and make a hard fist. Your skull is a great. safe and protective. While maintaining this position and gaze perform at least four cycles of simple pranayama (without hand manipulations) on a four count inhale. For stretching do the classic yoga "Sun Salute". Open your mouth and work your jaw muscles. Roll your head in a circle. You'll notice I've joined the two words together because they go together. Relax.Along with your tratakam training you will be regularly improving your skills in self-hypnosis. With your breathing finished keep your closed eyes focused upwards while you quietly imagine that your body is growing larger and larger until it is nearly fifty feet tall. then for compression. The first key to mastering self-hypnosis is physical/mental relaxation. Tighten the muscles of your face. Close your eyes and focus them upward without strain. You allow yourself to sink just below the surface. You are at peace with- 21 . four count hold-on-the-void. deep breaths through your nose. To empty the mind and to develop the ability to shift the center of consciousness to other parts of the body take a comfortable asana position with your back straight.then blow it out through your mouth. The water is comfortable. point out and stiffen each leg in tum. four count hold. dim-lit hollow vault half filled with deep. Hold it for ten seconds.

. . As we stare at the planetary symbol of . if you have been leading a group in these exercises. the Sephira of ' as it beckons to us far away in the night sky beyond the great pylons of The Soul Door Gate. Now we allow our physical eyelids to finally close. Now you are ready to hypnotize yourself or.very small. . tall building . After three minutes you may re-surface. Our bodies are totally inert. (The Soul Door referred to is a floor-to-ceiling dark mirror set in an ancient Egyptian style door frame. This one is adapted from our advanced pathworking system but it gives the general idea. seated physical body huge and keep the enlivened spiritual body within ..into which we project our consciousness .. We sit like great stone statues surrounding our double cube altar which has become a huge.Our Spirit bodies within us are now as small as a finger on the hand of our huge sleeping physical forms.. you may use this secret Tibetan method of Inner Plane projection with full effectiveness . . These tiny Spiritual Bodies are now the radiant centers of our consciousness. We are filled with living energy and eager to be off on our journey. We project our Spiritual Bodies out the Third Eye Chakra toward the Soul Door 22 . . and then down into your chest. Here follows one of our ritual hypnotic inductions you may modify and practice with. . Once you have perfected your basic hypnotic and yoga techniques. You can see it veiled in the video. our physical eyelids are becoming very heavy.) Note that we make the inert. realizing that you are now the master of your mind. you are all ready to enter the hypnotic state. We look to Westward and see the distant star of our destination.in yourself. . You sink: down to the level of your throat . These unwanted thoughts that have plagued you for so long are no more bothersome than gnats on summer day.

colleagues who have become genuine shamanic wizards in spite of the Golden Dawn's non-hypnotic methods. not received from it. 3. This statement may disturb some of my senior G. To understand the mystery of the false paradise. With selfhypnosis and Raja Yoga training you can master even advanced techniques such as this in months instead of years. possibly dangerous.Gate and through the great pylons into the vast night sky of the endless universe! Ahead of us gleams the star of ' leading us onward. ( here you will insert the description of the Ot. Chiim Path over which you are flying. We are passing over the dimly lighted landscape a thousand feet below . A solo operation (for an entity of the same sex as the operator) is usually less difficult due to the reduction of the personal variables involved. D.D. THE ARABIAN NIGHTS. This is not to say that the creative visualizations in the Pentagram and Middle Pillar rituals are not very valuable and even essential in their own right -but they are projected onto the astral. students of Solomon's Magick should read Burton's original version of The City ofBrass in Alf Layah wa Layah. This demonstrates their lack of understanding of the importance of self-hypnotic training in Solomonic magick. I hope that the mental imagery evoked by the above passage will serve to convince you of the importance of hypnosis and yoga as basic foundation skills for this Art. and should be avoided. It is likewise a vital skill necessary for exploring the powerful psychic centers or chakras within your body.{ptes: 1. . The G. Do not neglect your mental training. It is said that a picture is worth a thousand words. 23 . 2.'s Tattwa skrying exercises were taken directly from an Eastern source. Those who have popularized our evocation technique have stated that solo operations are quite difficult. . ) This is also the method of choice for projecting into and through Enochian pyramids. Chapter One/iJ.

1(nowtfiat the. Jinn wfiicft migfitg Solomon Didconjure in the. TriaT1!Jfe of.9Lrt Were formed in the. rejfection of hisface For tfieg were aspects of his sour 'Eacfi agreeiT1!J unto a Quadrant} .9L Planet and a metaltliereof Wfiicft wfien burnishediid reffect Euen. as a ;Mirror .9Lndwfien tfiou holdest tfie Bgfited tapers In thineown fiands .9Lnd tfiou dostgaze deep into thine own eges 1(nowtfiat tfiou dost perform fJ1ie .9Lrt In tfie very manner in wfiicft it was trufy done from 'Ihe Book; of.9Lstarte 6y !Frater .9l.feyin (11ia6ion)

Chapter 'Iuio:

fJJie

Secret of%e 'lJar/(Mirror

Y ILLNESS AND MY QUIXOTIC attempt to cure it through

hypnosis, had driven me into the shamanic tradition of my ancestors - and, as the saying goes, "When the student is ready, the teacher appears". In this case the teacher came in the form of a book. My first introduction to Western Magick still stands as the best survey work written on the practical aspects of the subject: The Black Arts by Richard Cavendish, published in 1968. Using Cavendish's excellent bibliography, I quickly acquired Waite's The Book of BlackMagic and of Pacts along with the Mathers-Crowley Goetia , Mathers' The Key of Solomon the King, and Francis Barrett's The Magus.
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The medieval Key of Solomon provided an authentic handbook for making magical regalia, implements and talismans but it was the more notorious Goetia of the Lemegeton, the so-called Lesser Key af Soloman, that was the real wizard's Liber Spiritum. The Goetia (pronounced, Go-ey--sha ) catalogued and described 72 rebellious spirits that, according to a Talmudic legend, old King Solomon had imprisoned in an enchanted Brass Vessel submerged in a lake in Babylon. This read like a fabulous tale from the Arabian Nights but in my irrational state I was convinced that there was a hidden truth behind the fantastic story. Like Aladdin's wonderful lamp or Ali Baba's "Open Sesame" there was a Secret Key to calling up those mighty Princes of the Jinn that Solomon had imprisoned so long ago - and I was determined to find it. Years later, when I was doing graduate studies in cultural anthropology I realized that back in 1969 I had crossed over into a realm of divine madness that few Anglo-Americans had ever experienced. I had gone through the true shamanic initiation, that mortal illness and vision quest that brings the shaman in touch with his gods and gives him the power to practice his craft.... It was during that season of my madness, when agony alternated with ecstasy, that I had discovered, or more properly, re-discovered, the lost secret of the Magical Art and I wrote The Book ofAstarte from which the key passage that heads this chapter is drawn. 1. I had studied the writings of the ancient and modem magicians. They had filled their books with the most detailed instructions on how to build, inscribe and decorate all the necessary equipment, all the signatures of the spirits and even the hours during which to summon them - but the most important element, that method by which one could make the spirit physically appear, was always missing in the old grimoires and not explained in the recent texts. I knew that over a dozen ancient and modem writers on Magick could not be involved in one big, long-standing conspiracy to suppress this [mal secret, so it seemed obvious that at some time after the 17th
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century and before the middle of the 19th century the practical keys to the Magical evocation and invocation processes had been lost. This turned out to be true. The ancient writers had hidden the secrets in plain sight - as you will see when we examine the old texts - but the Victorian age magicians of the Golden Dawn school, with their phobia against hypnosis and their commendable distrust of passive spiritualist mediumship, had de-emphasized the actual methods of Renaissance evocation and invocation in favor of a Westernized Tantra in which images were carefully built up in the imagination and then allowed to provide psychic feed-back. Instead of the traditional crystals and dark mirrors for visionary work, they prefered to use abstract colored symbols to stimulate the imagination. These methods are different in conception and technique from the shamanic calling down or summoning up of spontaneous visions from that great storehouse of images Renaissance magicians knew as the "World Soul" and we now refer to as "The Collective Unconscious." If I hadn't been touched with divine madness at the time I probably would have accepted the Victorian reconstruction of Magick and put aside my yearning to actually conjure spirits to visible appearance in Solomon's Triangle of Art. I would have agreed with critics like Professor Eliza Butler that those who had practiced out of the old grimoires were credulous and self-deluded. However Arthur Edward Waite, who was also a ruthless critic of the Art Magical, had conceded that they achieved results. In the introduction to his 1898 Book of Black Magic and of Pacts he wrote: "It would, however, be unsafe to affirm that all persons making use of the ceremonies in the rituals would fail to obtain results. Perhaps in the majority of cases most of such experiments made in the past were attended with results of a kind. To enter the path of hallucination is likely to insure hallucination, and in the presence of hypnotic and clairvoyant facts it
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would be absurd to suppose that the seering processes of ancient magic - which were many did not produce seership, or that the auto-hypnotic state which much magical ritual would obviously tend to occasion in predisposed persons did not frequently induce it, and not always only in the predisposed. To this extent some of the processes are practical, and to this extent they are dangerous." (emphases mine) This paragraph was one of the clues that set me on the trail to discovering the secret of Solomon's Triangle. It should be noted that I had first read all of the available 16th and 17th century material before I got into Regardie and the Golden Dawn. Therefore my original perspective was, and still remains, that of a Renaissance magician rather than a Victorian occultist (even though I will be the first to concede our tremendous debt to the Golden Dawn). I think it is important to mention this because there is a natural tendency for people to be heavily influenced by their first impressions in any field of endeavor. This was especially true in my case given my near-terminal illness and altered state of consciousness. I literally devoured the books listed above with the obsession of a religious fanatic. But, even in the grip of a toxic psychosis, I hadn't lost my intellect. Madness is known to stimulate genius. I was on the verge of discovering, or re-discovering, an extraordinary secret hidden in these quaint, and apparently whimsical, books of forgotten lore. I knew there had to be a way to make Solomon's traditional operations actually work without resorting to drugs, fasting or endless conjurations to produce hallucinations through hysteria and exhaustion. A century ago Aleister Crowley had tried to conjure one of the Lemegeton's Goetia demons out of incense smoke. He had very little success after a great deal of effort. As a self-taught hypnotist this did
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Spencer's projected cube) methods of stimulating or regulating those particular spots (through the eye)." what I mean is:" Those portions of my brain which subserve the logical faculty may be stimulated and developed by following out the processes called "The Invocation of Cimieries. and will.) (b) Control over the brain in detail. to spell out the Spirit's name. He stated it clearly in his 1904 edition of the Goetia: "B ut can any of the effects described in this our book Goetia be obtained. can you give a rational explanation of the circumstances ? Say you so? I can. Their seals therefore represent (Mr. (Name of the Spirit. If. out of curling. then." 28 . The spirits of the Goetia are portions of the human brain. (Rank or type of the Spirit. Trying to form an image. The names of God are vibrations calculated to establish: (a) General control of the brain.not surprise me. Crowley obviously did not know the technique but he certainly understood the philosophy. by a Qabalistic formula.) The perfumes aid this through smell. I say. the intelligent reader can easily fill in what is lacking. twisting smoke was more of an experiment in telekinesis than a skrying process. and if so. (Establishment of functions relative to the subtle world. or commanding a spirit to produce an image. Usually the perfume will only tend to control a large area. with Solomon: "The Spirit Cimieries teaches logic. I need not enter into more particular discussion of these points. but there is an attribution of perfumes to letters of the alphabet enabling one.) (c) Control of one special portion.

" For those of you who are not yet magical cybernauts that needs some explaining: Crowley's conceptions of Magick pre-dated Carl lung's Archetypes in the Collective Unconscious theory. " . whose traditions who dare say 29 ." Echoes of that explosion reverberate in the words of Heinrich Cornelius Agrippa written in 1527: ".But the human brain is only the hardware for the greatest computer system ever designed: The Human Mind. "Solomon s Spirits are portions of the human brain. If we create gods. the mysterious founder of Hermetic Philosophy.." The implications of this statement were awesome. It is certainly not romantic or artistic. Crowley knew that magical manifestations involved altered states of consciousness and could produce psychosomatic effects but he may not have been aware that entire pantheons of ancient Gods and Goddesses. in fact it is downright analytical .D.like wiring a ballet dancer with electronic sensors so we can get a scientific read-out on Swan Lake but it serves an absolutely necessary purpose. Hermes Trismegistus.. Crowley's statement places Solomon's Magick squarely within the parameters of a psychological system.I have quoted the above passage at some length because it made such a strong impression on me when I first read it. are we not Gods ourselves? ( In Your Temple You are One with the Gods! ) This is why the late Warburg Institute scholar Francis Yates called the Asclepius "The charge of dynamite behind Renaissance Neoplatonism. Such things are delivered and writ by great and grave philosophers. choirs of Angels and hordes of demons might exist in the deepest reaches of everyone's mind. A modem hackermagus would say we run our Solomonic Magick program on an operating system designed by Carl lung using a language called "Agrippa 777. Actually this theory was not very modem. Around 200 A. then we control them! And if we can control them. had written in his Asclepius that: "The Gods of the Zodiac are eternal but man himself creates his own lesser gods.

it were impious to think them lies: only there is another meaning than what is writ with the bare letters. "Carll" he whispered." In the 1920's lung declared that beneath and beyond the personal subconscious mind there flowed a vast deep sea of dream images and forgotten lore he refered to as "The Collective Unconscious". Here were the mysterious man-created gods which Hermes Trismegistus had written about so long ago. We now know that this process was hypnotic and that all the phenomena we have come to associate with modern hypnosis were in fact known and practiced by ancient sorcerers under the guise of 'fascination'. the wonderful Alchymists and the bewitching Necromancers can effect.are false? Nay. 30 . the prodigious Magicians. or shewstone. Since time immemorial magicians have placed themselves and others into states of trance during which visions and oracles were received. Sigmund Freud. Here were the demons of Solomon's Brass Vessel. It was a dimension shared by us all! Here one might discover the great Archetypes of mythology: the heroes. Theories by themselves do not produce results. 'spell-casting' and 'enchantment' . This mysterious psychic ocean was not the exclusive property of any individual human being. For results the magician still depends today as he did thousands of years ago on methods and techniques. The powerful hypnotic effect achieved through a fixed gaze on a reflective surface is the reason why the crystal ball. the beautiful courtesans. When lung discussed his theory with his famous colleague.. it is that internal spirit within us which can very well perform whatsoever the monstrous Mathematicians. "If you reveal this to the public you will release a black flood of occultism!" However it would take more than just a theory to release the flood of occultism Freud feared. We must not look for the principle of these grand operations without ourselves. the martyred saints and monstrous villains of our past. Freud was horrified.. Here was the World Soul of the Renaissance magicians.

such spontaneous visions in a crystal or in a dark mirror. I had certainly become a mystic . a method by which anyone with the desire and the determination could summon spirits to visible appearance and converse with them. This is a very important point. I could place a crystal ball into the triangle but then if I stood back inside the magick circle. ... the atmosphere. This was and still is a hypnotic process. I was convinced there had to be a way. were used by the wizards of olden times as their spiritus locii. psychics and clairvoyants have dominated the mystic arts for centuries because most of us have assumed that they are the only ones gifted with the abilities to see and hear the spirits. . with all my hypnotic experiments and my toxic fever dreams. With all the philosophy. still depended upon some special psychic talent.I was sure that the medieval 'Solomon' was telling the truth. If I had been in a fully rational state at the time I probably would have accepted this historically established handicap . as the operator was supposed to do according to the ancient texts. even a 60mm crystal ball would appear the size of a door knob -. the powerful conjurations and the hypnotic techniques.like the indefatigable amateur archaeologist.so. This situation was so pervasive that even great magicians like Abramelin the Mage.but I knew something had to be placed in that triangle: something fascinating. However the final secret of how to use these magical aides was always missing. or speculum. To make it really work one had to be a natural medium . Count Cagliostro and the later Frederick Hockley thought they had to employ specially talented skryers or gifted children to do the actual receiving for them.2.and the dark mirror. . Dr. the actual place where angels and spirits could be conjured to visible appearance. but not a clairvoyant. the paraphernalia. This was what Solomon had promised and . Heinrich Schlieman who had actually discovered ancient Troy right where Homer said it was . something hypnotic and something large 31 .but obsessed genius knows no bounds. John Dee. Mediums.

. . . ..enough to provide a viewing surface. The mirror will go black and. I asked myself . . "Caverns measureless to man. . And what better entrance into that realm the mystic poet Coleridge had called. in a dark mirror . It was obvious that this phenomenon must have been discovered a long time before any concept of reincarnation.but how to use it? How to make it actually work. using traditional conjurations and symbols. . . This might well be the 32 . the Yoga ofSex by Omar Garrison published in 1964. " It had to be the dark mirror! . . . a strange phenomenon will almost always happen: The familiar reflection will fade out and disappear. specific spirits and even ancient Gods and Goddesses might be summoned from the 'Other Side' ..something I had read somewhere about the use of dark mirrors in the Far East. . It probably went back as far as the paleolithic when stone-age people stared fascinated at their reflections in dark. I was experiencing the same tingling exhilaration that an archaeologist must feel when he brushes the sand away and looks down at the unbroken seal of an ancient royal tomb! I tried Garrison's experiment and found that it worked with remarkable effectiveness. seeing the strange transformation occur .then something I had read the year before jogged my memory .? That final all-important clue had been sitting right there on my book shelf! The secret was in a work called Tantra. it will be the face of someone or something else! This experience is usually accompanied by a profound sense ofan other-worldly presence. when the image returns. flanked by candles ! As I re-read this passage in Garrison's book I felt a shiver of excitement. In this book the author explained an ancient Oriental method for conjuring up images of previous incarnations from the reflection of one s own face .. If a person in a darkened room stares for several minutes into a mirror flanked by candles.and being convinced they were in the presence of their Gods! I suspected that in a ritual setting. still pools of water. Obviously the speculum: the Dark Mirror .

" .-.not "Three foot across. " After this discovery the use of the magick mirror in an elevated triangle seemed obvious. intelligible voice in our mother tongue. 2731 showing and describing the Triangle to be used in Goetia workings. Our 17th Century Lemegeton manuscript. often described as a monstrous hybrid. Sloane 2731 clearly shows a large black-filled circle in the center of Solomon's Triangle. The triangle was intended to be raised up to eye-level." as the published version has it. to "Appear in fair and human form and speak unto us in a clear. ) Figure 1. 33 . (See figure 1..Detailfrom British Library Sloane MS.ancient secret behind that strange passage in the Bible that reads: "Godfashioned Man in His own image" It was certainly the reason why Solomon has us command the spirit. . Note that the instructions written around the triangle say: "Two foot off from the Circle and three foot over.

And later. the Egyptians and the Canaanites made mirrors of polished copper and of silver.The back of a Magick Mirror showing the Secret Seal of Solomonfrom the Goetia. ) Figure 2.. saw her face change and become The Goddess! Perhaps she would call the High Priest to witness the transformation. metals attributed to the planet Venus and the Moon . We know that polished obsidian mirrors were used in the neolithic Middle-Eastern city of Katal Hyuck as far back as nine thousand years ago ... .. putting on her make-up in the dim light. .. in the time of Solomon. Let your mind travel back to those ancient times and imagine what might have happened when a Priestess sitting before her mirror. . Thomas Rudd".This is clearly shown in a drawing from a 17th Century Manuscript by the mysterious "Dr.. which depicts a mirror on a stand with Solomon's Secret Seal from the Goetia of the Lemegeton clearly rendered on the reverse side.before The Great Flood. drawn by Peter Smart 1699. Now I am certain that some of my magical colleagues will cluck in their beards and say: "Well Runyon developed an effective system 34 . They would both be familiar with possessions and trance states and would be quick to see the possibilities . -. ( See figure 2.

that Cagliostro.J. was known to the Arabs at an early period. We should recall that the Goetia was not a system magicians felt comfortable writing about back in the days of the Inquisition.s eye. If those worthies didn't know the reflection secret. caught by the Titians and tom to pieces. then who had known? My answer is that the medieval Arabian magicians probably knew it as these quotes from C. Dr. . 35 .. . we also have our seventy-two all-encompassing spirits let out and then put back into The Brass Vessel. When a miracle was deemed a . magic or 'sihr'." They will cite the fact. There was a haunting Orphic myth about Dyonisus being entranced by his reflection in a mirror. . It could have been passed from mouth-to-ear (and yet the hints in the Sloane 2731 Goetia are almost too obvious). The use of the magic mirror .S.. his parts rescued by Zeus and given to Apollo to plant in the earth . Thomas Rudd and others may very well have known but kept it secret..from which he rose reconstituted and revived. The image was said to appear in a cloud or vapor floating between the medium used and the gazer . named Harut and Marut. " Ceco d' Ascoli.which was made of metal or glass with a polished surface -for seeing spirits. . The ancients did not create such fables for idle amusement. And they did not need Carl Jung's subjective psychological theories to justify using their own reflection as a focal point. which means 'to produce illusion before the eyes' was revealed by two angels in Babel.but it's modern. sihr' it was regarded as an optical illusion or due to an illicit dealing with demons . already mentioned. The method was so simple that there was no need to write it down. Here we have the modem psychological concepts of fragmentation. Dee. reintegration and individuation of the personality. who instructed mankind in this art . Hockley and others had to employ skryers to do their visioning. Thompson indicate: "According to Arab tradition.

At that point he discovered the truth and advised me that only an operation could save my life but that I was too debilitated and inflamed to undergo the surgery. This put me in a position to recruit young women willing to transform into the 36 . I extended my experiments to include others and I soon discovered that the process was just as effective if I . I asked the Archangel Raphael to heal me and Prince Ba'al to give me strength . At that time I was a bachelor in my thirties. Any modem magician who thinks his predecessors didn't discover this same phenomenon ages ago and make use of it doesn't hold them in very high regard . To my even greater surprise. When I recovered from my surgical operation.then (because the Gods help those who help themselves) I went out and found another doctor. I found that this ancient system would work for any sincere person who could concentrate on a fixed point long enough to achieve a light hypnotic trance.and even more so when contrasted with my otherwise rational state of mind. living in a beachside Southern California apartment and riding a motorcycle.but I remembered what I had learned during my sabbatical in Tartarus and. 2.as the magician stood behind a passive 'receiver' who would only need to hold the candlesticks and concentrate on the mirror. health and sanity quickly returned . children have a game called "Bloody Mary" (Clive Barker's "Candyman") which they have been scaring each other with as long as there have been mirrors to look into.But my most telling argument sits in every grammar school class in the country. I discovered that Solomon S Magick was still as effective .but to those who still insist that this method of magical evocation is modem. Along with playing hopscotch on The Tree of Life. to my surprise. In the week following my remarkable discovery (or re-discovery) my illness overcame me to such a degree that my doctor was compelled to conduct a more thorough examination. I will be most happy to accept credit for it.

. if anything. . Before I opened the Brass Vessel and released these spirits into the world again. I found some of the answers to these questions in the long-lost Biblical Book of Enoch . 37 . I wanted to understand the philosophy and the spiritual significance behind a process that been kept such a closely guarded secret for thousands of years. receivers but for the most part my female volunteers were not clairvoyant.but. However. I had learned how to do it . It did appear that women made the best. the Thunder God.might better be left unawakened? How and why had the beautiful Goddess Astarte and her handsome consort. These experiments. I didn't want to make his mistake. So I had the secret. harmless as they were. a more intense and consciousness altering experience than the more familiar visioning process the psychic undergoes. . Frankenstein. was it possible there were slumbering demons from our past that . it is important to note that this transformation process for non-psychics is. .as the late Howard Phillips Lovecraft had suggested . made me notorious. or perhaps the most enthusiastic. . become demons in the forbidden books of medieval black magick? . Chapter 'Izuo NPtes onfo«Owing page. . Like Dr.Goddess Astarte. Non-psychic receivers (most of us) will see a different face replace our familiar reflection. Those few who were natural psychics would receive their vision "off-face" after the mirror blacked out. Prince Ba'al. even though I may have been just as obsessed as the fictional Victor Frankenstein.and yet I saw her socially in the week following the operation. According to a published account one of my Astartes disappeared off the face of the Earth . I had to ask myself.

.Chapter fJ'wolg. defector offered a typescript expose of the mirror-reflection Goetia technique in 1979 .A. 2. In actual fact. This passage may be familiar to some occult students outside of the a. in 1988 a popularizer of magick admittedly drew on that earlier expose for a chapter on Goetia evocation in a book issued by a major publisher.T.{ptes: 1. This finally prompted us to go into production on The Magick of Solomon video and The Book of Solomon ~ Magick to present the real story behind modem Goetia/Almadel Magick and teach the proper methods of practice.A. 38 . He and his publisher followed this up with a simplistic. the method has become so popular that one of my former students privately claimed credit for it and started three mini-lodges of his own.T. mass-marketed pamphlet on the Goetia Dark Mirror method in 1994. Another a. since its rediscovery in 1969. The Book ofAstarte has been pirated and circulated in the occult underground since 1979 even though it was copyrighted under my pseudonym by a major university in 1976.Then.

James Bruce. It is a truly ancient Biblical book that belonged in the Pentateuch between Genesis and Exodus. It disappeared. In 1773 the Scottish explorer. 39 T HE ANCIENT AND MODERN HISTORY of the Book of Enoch . %. A copy was known to be in the possession of the Pagan star-magicians of Harran in Syria and another was rumored to be hidden in a remote. along with the Ark of the Covenant. with prudence 9"'ea even reverence For tfiey be not a[[mean anaeoi! Yls the uninitiatedscribes fiave recorded Some are the very (jocfs of 1(fiem OfPhoenicia ana Chaldea rrfze Queen of:Heaven ana the $u[[oftheSun Jlre among their number !for a[[may be caffet[ through rrfze 'lJarl( wincfow Into tfiy sour from rrfze $001( ofYlstarte by !Frater !iUeyin {CJ1iabion} Chapter 'Ihree: !Far!en 5tngefslPagan (jois unfolds like an Indiana Jones adventure. sometime after Solomon's death.ou shouids: k:Jww agreat truth Jlnaso approach. tfiy zaork. secret monastery in Ethiopia. legendary kingdom of "Prester John".Concerning these Jinn of Wise Xinge Solomon. risked his life to smuggle two Ethiopian copies out of that ancient.

Magicians have venerated these works ever since. where they were breeding a race of giants and were teaching humans the forbidden secrets of sorcery and magick. The Arabian legend of the fallen angels Harut and Marut. loyal Angels of Heaven .. Harun Al-Raschid. 40 . The 17th century English Christian poet John Milton summarized this militant transformation process in his Paradise Lost: "First Moloch. is only one of many mythological offshoots of this original theme. Priests and Imams practiced a slight-of-hand trick and reclassified the homeless. Raphael. Of Solomon he led by fraud to build His temple right against the temple of God .especially those four Great Beings who rule the Quarters of the Universe. Raphael. horrid king besmeared with blood Of Human sacrifice and parent's tears .but they had no place for the Gods and Goddesses of the ancient Pagan religions they had conquered. . Pagan deities as those same "Fallen Angels" who were already chained in deep pits at the ends of the earth. The Book of Enoch goes on to relate that the four Great Archangels. In the time of the Arabian Nights' Caliph. . . had brought forth the Book of Enoch and the Hermetic corpus. Michael. the Book ofEnoch tells of a War in Heaven in which God and his loyal host of angels. led by the Archangel Michael. The Rabbis. . Gabriel and Auriel . when compelled by the Muslims to present their Holy Books.. Gabriel and Auriel (Phaniel) came down and imprisoned these Fallen Angels at the Four Comers of the Earth where they became known as "The Watchers. Michael. the medieval Sabian wizards of Harran. In mythical. I. were arrayed against a horde of rebellious angels who had lusted after the daughters of men and had descended to earth. " Jewish. Christian and Islamic theologies retained the traditional. .The importance of the Book of Enoch to Western Magick cannot be overstated. but not forgotten. prehistoric times before The Great Flood. quoted earlier.

and to grant the power of invisibility (See figure 3. These feminine. For Spirits when they please Can either sex assume . " 2. first among the ranks of the fallen. Prince Ba 'al became the demon Bael.) Figure 3. . a toad or a man . who from the bord' ring flood Of old Euphrates to the brook that parts Egypt from Syria ground. had general names Of Baalim and Ashtaroth. Prince Ba'al's beautiful consort.. the Canaanite thunder god. described as a hurtful angel with bad breath but who. Till good Josiah drove them thence to hell. Thus their greatest rival. 41 .or all three at once .. those male. . The Spirit Baelfrom Collin de Planey's DICTIONNAIRE INFERNAL. Queen of Heaven and mistress of the Temple of Love was transformed into the demon Astaroth. the Goddess Astarte.· . which cost them woe.. With these came they. To do him wanton rites. who was said to appear as a cat.

who was said to have been the greatest magician of ancient times. You may dare to contact Ose. he was otherwise quite correct. But can our fantastic legend have any truth behind it? Are we really seeing these ancient Gods and Goddesses. . (See The Evocation ofNithael . even to assist him in building the Great and Holy Temple at Jerusalem.forms the secret tradition and the wellspring of power behind the fabulous wizardry of the Arabian Nights and even the medieval sorcery of Dr. transformed from the God and Goddess of ancient Canaan. which could be a scribe's misinterpretation of "Malak = King". the legend of "The Fallen Angels" . in the dark mirror on our magic triangle? Do the strange voices that speak through our lips during the magical channeling process actually come from these deities and demons of the dim past? Have we have really opened "That lost Portal Between Worlds" and. bound and sealed those 72 rebellious spirits.when summoned. . who became "Fallen Angels". would reveal the true history of the Fallen Angels. werewolves and leopardmen. Among those Fallen Angels. Faustus. can these powerful Genii now be commanded to reveal secret knowledge and accomplish wonderful things? 42 . armed with the power of God's Holy Angels. you will also find the ancient Egyptian Gods. . . the mysterious titular spirit of shape-shifters. if so. into the "Brass Vessel" . As indeed She has! Although John Milton may have been wrong about "Moloch". or Genii.) This myth of The Fallen Angels laid the foundation for a Middle Eastern legend (recounted in the Talmud) about the Biblical King Solomon.from which he called them forth to do his biding. According to our legend. Amon-Ra (Amon) and Horus (Flauros) along with some very real demons (Belial and Asmodeus). Solomon.who became the horde of Genii in Solomon's brass bottle . Whether or not you take these ancient myths and stories literally or you consider them to be symbolic.

as within. containing and restraining the spirits you evoke. Like the knights of olden times. unless you take Solomon's Magick very seriously. the magician must be trained. As a hypotheti43 . so below.but. armed and armored before he or she goes forth to do battle. I warn you. She said that "The Four Archangels are positioned at the Four Compass Quarters because they represent the structure of the Universe..). are Metatron Above. First you should understand that The Magick Circle is the philosophical fortress that protects you when you open the gate between the worlds (see Appendix 3. You should know that even back in ancient times the Triangle represented the philosophical first plane of manifestation. Let me share my personal Magick Circle formula with you. It acts as a cage. 3. As above. All aspects of this system. Using this visualization as a circle-casting formula provides complete protection because you are projecting an impregnable sphere all around you linked to and empowering a Heavenly force within you. This was derived from an Archangelic invocation of Gabriel. In later meditation I learned that the other three of The Seven. This is why we invoke (draw down) Angels and higher spirits into the Magick Circle and evoke (call up) lesser spirits into a locus spiritus outside the Circle. It represents the perfect circle of the vast universe and the unbroken boundary and spiritual integrity of your own being which are one-in-the-same when you practice Solomon's Art. must be thoroughly understood before any experimentation takes place. you should have nothing to do with these experiments! This ancient art is not a party game or a Halloween prank.. in our personal microcosm. They are four of the Mighty and Eternal Seven". from the spiritual to the psychological. Sandalphon Below and the Spirit of God within us (our Holy Guardian Angel) in our Heart Center.The final proof is in the doing! I invite you to follow in my footsteps and find out for yourself! . so without. There is no place for the dabbler or the thrill-seeker in the Magick Circle.

. and. Raphael. We have created a thing. setting our thing in motion. . when we plot our third point we have our triangle. Repeat the Tetragrammaton formula as you visualize (Ah Mah Sha Oh or Sha MahAh Tah. Water (Mem). back at the Dawn of Time and out in the vast reaches of cosmic space.el and written in the comers of the Triangle to add a visual emphases to the symbolic geometry that bound the spirit (see Appendix 3. ). when we create Point Four.then. 4. You should understand this symbolic geometry thoroughly before you open Solomon s Brass Vessel and release the genii . Visualize the process several times in your mind until you have made it yours. .Cha . Next we (or God) will establish a second point and connect it to the first so that we have a line . . Traditionally the Name of the Archangel Michael. flat surface. the first. .) 4. From a Kabbalistic standpoint we can say that the Triangle represents the Tetragrammaton in the Process of Creation: Air (Aleph). Fire (Shin) combining to create Earth (Omega). we will constrain our creation to remain in its position. First we will create just one point.for what good is Power without Truth. Now.cal example let us imagine that we are participating in the original Act of Creation. . We will keep our spirit within the Triangle. we have the first solid. Mi. . Gabriel and Auriel are equally important . 44 . the Angel of Power.. as long as we refrain from establishing point five. was separated into three syllables. Love and Beauty? So how do we invoke these great Archangels? 9{{Jtes ojjoffowing page. Michael is the Archangel of Power but the other three.

is not based on the original Biblical Book of Enoch. These are Hermetic Tetragrammaton formulas we derived from the Sepher Yetzirah.. whenever appropriate. Once you evoke an ancient Goddess or God. and/or continue to use the evocation process with emphasis on the Apology. 3. I apologize to students of English literature and I encourage readers to read the original. See Note 3.but he was a natural clairvoyant and did not use his own facial reflection as a focal point. 45 .Chapter %reeI9l[ptes: 1. There is no corollary between the Fallen Angels listed in Biblical Enoch and the entities that Dee and Kelley had converse with. We should also mention that Kelley employed a dark mirror for his skrying -. in Chapter Five for a description. Later you may wish to visualize these Phoenician letters of creation in their Atziluthic (King Scale) colors -(see Phoenician Alphabet Appendix ). you may then invoke them. 2. This selection from Milton's epic has been edited and condensed to get the point across without interrupting the flow of our chapter. Beginning students should be advised that Dr Dee and Edward Kelley's 16th Century "Enochian" system. and its subsequent Golden Dawn variation. 4. who was transformed into a 'demon' in the Goetia.

. 46 . Frater Sabazius Xc.H. : 'l"""l 1.J .~ ."J.~ ~A~ . VjJl _~ "1'1'4.. ~ ~'Jj Q"JJ (ftVl:''J.. JJ'''''''ph>.IU 1'/'.l.IUl.ft".. 6w"". 111~"" ~1U~'.f"" '1" .t r. ." ".:J ~.From The Sepher Maphteah Shelomo courtesy of G...j p. 1" ':'JJ'" '~n ~ If/= J"JJJJ At -}1: . with Solomon's Triangle of Art tangent to the sigil of one of the four Great Archangels of the quarters (Michael according to Peter de Abano or Raphael according to Tycho Brahe).l>!' iJU . -.~J ~u" Facsimile of a page from an ancient Hebrew Greater Key of Solomon showing a magi~~ circle divided into quadrants..In' !J .

A. in keeping with the nature of their functions .T. a Jew.9LnaHiram. They represent the Four Philosophical Elements of Creation. Priest-1(jng ofPagan Tgre »u fie not rejoice in tfie &ui1t£ing oftfie fJ'empfe of Solomon.9Lir ana'Eartli 'Ifze verg 'Ietragrammaton from Curt oftfie Sangrea[ by 'Ihabiott Chapter Four: rIfLe Secret of the j-[ofg 'Ia6fe I T MATTERS NOT WHETHER YOU ARE a Christian. ? In tfie [ustg embrace oftfie Cherubim. a Muslim or a Pagan. or any suitable form that your imagination can provide for them. in your personal temple (See Color Plate) or you may wish to develop your own original designs.for Angels can appear in any form they wish. In the Order of the Temple ofAstarte we conceive and visualize them as complimentary male and female beings. The Four Great Archangels are very much a part of our Western Tradition.. They represent the positive forces that drive the engine of the universe and the love that holds it all together. Sun yoUsy:mbo[ofMiglitg 'Emanations 'Begetting Prina anaPrinass upon 'Ifze Motfier oftfie Sea Loris of !Fire anaWater .. 47 . From a practical point of view. You are free to enlarge and use the icons I have created for the D. they are The Tetragrammaton.9bufyet 1(jng 'Daviasang tfie mysterg ofWana anacup .

We credit these invocations to the 17th century magus. Therefore we must first master the art of Angelic Invocation before we proceed to its darker counterpart: the evocation of Solomon's 72 spirits. but they do act as specific and very effective channels of power through which those Great Archangels control each and every rebellious spirit. they were certainly master magicians and their sigils are effective. according to the ancient Greek myth. Casting your circle with a traditional Pentagram Ritual before each operation is certainly important but that alone is not enough. The careful operator should use both Goetia and Shemhamephorasb sigils and conjurations in evocational operations. Before anyone in The Order ofthe Temple ofAstarte is allowed to participate in Goetic operations. you are on spiritually dangerous ground. The Great Archangels must live in your mind and in your heart .You must have them inside as well as outside. 1. These derived. Even if this story was a veil of glamour to enhance their creation. or "suffix" angels are not as personified as the Four Archangels of the Quarters or the Seven Archangels of the Planetary Spheres. which. Like the Goetia spirits these Shemhamephorash angels have their own special signatures and there is a short traditional invocation for each one of them. Along with the secret of the mirror-in-the-triangle. Dr Thomas Rudd.The Archangels activate your Magick Circle of protection. The sigils themselves come from MacGregor and Moina Mathers of the Golden Dawn who claimed to have found them in an old French magical MS.otherwise opening the "Brass Vessel" would be like opening Pandora ~ Box. released evil into the world and could not then be re-closed. If this concept is not fully understood and integrated into your Goetic evocation operations. ready to help you control the rebellious spirits . the other crucially important element missing from the Goetia is the fact that the 72 spirits of the Brass Vessel have 72 direct counterparts in the Holy Angels ofthe Shemhamephorash. we insist that they experience a 48 .

so that the Great Archangels of the Quarters. The original Almadel was a table-top device made entirely of wax. It is called The Almadel of Solomon and gives us a very effective method for invoking . (See Figure 4. which bound the original Fallen Angels.Diagram of the waxen Almadel from British Library Sloane MS 2731. let's get down to practical methods. -.and by that I mean: calling down _. THE LEMEGETON. those personifications of the Tetragrammaton. How do we go about this Angelic invocation process? There is another book in the Lemegeton compendium that probably should have been published with the Goetia. Now that you understand the general theory.series offour Archangelic invocations . the angels. will thereafter in-dwell and empower the student so he or she may then open the Brass Vessel and contemplate the dark mirror from a psychic center point of spiritual balance and strength. leaving 49 . This was an ingenious design. The square slab of wax had holes at each comer through which the four candles were inserted.) Figure 4.

enough length below to raise the little platform high enough so that a small incense burner could be placed beneath it . of the four Quarters governing the three astrological signs particular to its nature . I had to use equal measures of scholarship and inspiration to reconstruct and [me-tune the system..which are distributed. This occurs in similar order all around the zodiac (see the Master Mandala). but the effort was certainly worth the trouble because the Almadel Angels control the Goetia spirits! I know that statement may be surprising to some magical scholars who never look beyond (to quote Cornelius Agrippa again) "what is writ in the bare letters. Gabriel and Auriel. 2. the secrets of the Almadel were not clearly explained in the Lemegeton. or ten degree divisions of an astrological Sign. Each of the four Great Archangels of the Quarters empower three sets of six Shemhamephorash Angels. . two to each of the 36 dekans. who in tum control three sets of six counterpart Goetia Spirits . As with the Goetia." The Almadel's Angels are not arranged in an ascending hierarchy. Correcting these errors and rectifying the system intellectually was certainly necessary but of equal importance was the secret of the 50 . from where the incense fumes could rise. Fire. has attributed to these "altitudes" and thus restore the Almadel system to its full power and purpose as delineated in our Master Mandala (see Color Plate). .thus adding to the hypnotic effect. the Cardinal Signs ofAir. through another set of holes. Water and Earth.. Realizing this we can simply disregard the late 17th century hodgepodge of garbled angelic names the Lemegeton's scribe 3. they are attributed to the Four Quarters and the twelve signs of the zodiac.in other words. with each. Raphael. Michael. which we know are governed by the Four Great Archangels of the Quarters. to envelop the crystal shewstone in mysterious tendrils of fragrant smoke .

When I first developed this technique we found the effect was so powerful and the experience so profound. I was convinced the Almadel was the proper Invocation System simply because it. We had called down those glorious Beings of Light whose sweet voices then whispered in our minds as we sat in reverent awe about The Holy Table of Art.actual technique.otherwise the legendary symbolism of the Brass Vessel would be lost. I still realized that these Great Beings of Light had to be invoked first to stabilize the evocation process . Even during the excitement of my Dark Mirror discovery. until I finally discovered the way to maximize the effect . the crystal will radiate with power and you will sense a profound change in the spacetime-continuum. like the Goetia. Unless you are clairvoyant you will probably not see anything specific. on low stools in semi-darkness looking up at the crystal. was one of the five books that made up the Lemegeton. If you think of the Biblical Burning Bush as an ordinary shrub seen sillouetted on the crest of a dark ridge51 . The skryers sit. the candles and the incense burner.even before my research confrrmed it . But. we soon realized . placed on a high table and surrounded by shielded candles (an excellent theatrical lighting effect) while spectrally illuminated smoke curls upward. Once again I had encountered the phenomenon ofa missing key. using the crystal. I constructed several different versions of the Almadel device. You will know that you are "On Holy Ground" and that the Angel has arrived.and for a very good reason.that we had opened the Gates of Heaven. This is very similar to "The Burning Bush" experience described in the Bible. if you have mastered self-hypnosis and the yoga of tratakam (see Chapter 1). you will witness an electric blue astral aura shot through with rays of golden light. With this set-up the practitioners are more than halfway into dreamtime before the invocation starts. wait a minute! Have I said anything about anybody actually seeing anything in the crystal ball? No. I have not . totally isolated.and share it with others. However.

are moved and called forth to visible appearance in a Crystal Stone or Glass Receiver. Angels are agents and messengers of the Supreme Power whereas Spirits and Godforms are personifications of Nature. Like the secret of your reflection in the Dark Mirror for evocation. If you are wondering why Angels are less visible than Spirits and Pagan God-Goddess forms. this knowledge frees you from dependence on psychics and clairvoyants in your Angelic invocations. . then the sign of their appearance most seemeth like a veil or curtain or some beautiful color hanging in and about the stone or glass as a bright cloud or other pretty kind of Hierogylphical show. both strange and very delightful to behold. God radiates and Nature reflects. Is this a modern. the answer is not far to seek. Unlike the dark mirror. Further on in your magical development you might undergo a life-transforming experience with this method. 4.and never at any time 'see' anything like a face or a recognizable symbol in the crystal. . and allied to the welfare and preservation of mankind.such as "Knowledge and Conversation with your Holy Guardian Angel" .line just as the sun rises behind it. subjective approach? For the answer to that question let us go back three hundred and fifty years and consult the venerable Dr Thomas Rudd on the subject: "If good Angels or Elemental powers of light or otherwise dignified Spirits of benevolent or symbolizing nature with celestial powers. You can have a tremendously powerful contact and even become a channel through which the Angel may deliver an oracle. you will understand the mechanics of a miracle. You have gone beyond the limi52 . " So once again we were following in the footsteps of our Ancient Masters. as one usual way or customary form is among the learned Magicians. it is not necessary to see anything specific in the shewstone. God is a Crystal and Nature is a Mirror.

with slots cut around the central compass rose to allow the rising smoke to surround our crystal shewstone . smoke-shrouded crystal from a low angle that automatically induces a hypnotic alpha state. You thank them." 53 . This modem innovation of mine turned out to be just as effective. Alamadel is combined with the traditional double-cube altar (see Equipment Appendix). We place low stools around the foot of the altar so that four or more people may sit and gaze up at the smoke-shrouded crystal. and then you bid them "Hail and Farewell. in its own way. haloed in spectral light. He or she then welcomes the Archangel and the oracular phase of the operation proceeds. Remember. The other participants gaze at the illuminated.T. Our modem O. You are in direct communication while they could only act as scribes. with nothing else in their field of vision. You are asking them to help you . as the ancient Almadel. Beginning in the East and passing deosil. you ask them to come again.so you should not order them around in commanding tones and you certainly should not banish them when the operation is over.tations that handicapped John Dee. you are invoking these angels. The operator sits in the East and serves incense through a hinged round door which replicates the Alchemical Spirit symbol.which is placed on our Master Mandala that unifies the Goetia and Almadel systems in one allencompassing design. We have shielded candles at the four 'homed' comers and an incense chamber below. not evoking them. You're calling them down and inviting them to visit you. Count Cagliostro and Frederick Hockley.A. Invoking is similar to praying. After this the chanting is intensified until the operator in the East sees a "Glory on the Altar" and senses a presence. This 'round-robin' continues until all have invoked. these invocations (to be found in practical section of this book) are articulated by each person in tum while the rest continue to softly chant the Archangel's name in unison. with the important advantage of being ideal for group workings.

Ritual Magic. The ancient Almadel was probably placed on a waist high table at which a single operator sat during the entire invocation.{ptes continued ~ page: 54 . We should also remember that the great magicians of the Renaissance were philosophers whereas those who venerated them were sometimes (to use Rabbi Kramer's expression) "eductated beyond their intelligence". These sigils were copied by Mathers from French Arsenal MS. translucent quality that enhances the crystal. See the complete transcript of The Art Almadel of Solomon included in this book. 2.Now that you have been introduced to the Evocation of spirits and the Invocation of angels. 2495 attributed to the magician Blaise Viginaire. t). This effect is difficult to describe and cannot be fully replicated on video tape. These sigils resemble those in Mathers' version of The Grimoire ofArmadel. cook-book style of transcription was typical according to Professor Eliza Butler in her book. Chapter !Fourl9{ptes: 1. We are indebted to Pat Zalewski for providing us with direct reproductions of the Mathers' originals. She pointed out that the burgeoning market for hand-copied magical manuscripts in the 17th and 18th centuries encouraged scores of inept and even fictitious renderings. especially for the solitary practitioner. Actually making an Almadel and experimenting with it would be very worthwhile. The candle-illuminated wax has a subtle. 3. This slap-dash. the time has come to explore the geography and study the architecture of their realm.

Do not confuse this with the projection technique we use in exploring Enochian Ayres. Then we close our eyes and project onto the Inner Planes. 55 . In that method we stare at the crystal (or black obsidian ball) and chant until "The Gate Opens". This is very similar to the Pathworking process.Chapter Four :A[ptes continued: 4.

SO BELOW 56 .rtess qfze Motfzer oj!J{jgfit andqfze 'lJragon oj Chaos .nd'Time Wfio gave Meaning to 'Eternity. the philosophy and the empowerment to use these methods in magical operations? The philosophy behind Solomon's Magick is Kabbalah. If hypnosis is the tactic of the wizard then Kabbalah is his strategy. At this point you might be wondering how can we. from 'Ihe Teacfiings of x. where do we get the special knowledge. the mirror reflection phenomenon and the aura producing crystal. .9l. presume to Invoke Archangels and Evoke ancient Gods.9l..In the 'Beginning there was WfrirHng'lJark. AS ABOVE.fia 1(fria60 by'Ihabion Chapter !Five: fJ1ie !l(a66afaft of Wizart{ry R As Within. About this there is comforting news and challenging news: EMEMBER. So Without. Wfio sfionejortfi to 'Ensoui fJ!ie Worlds. Even though we have the essential operative secrets: hypnosis. In Magick the Kabbalistic mind-set is as important as the hypnotic operating technique. as mere mortals.ruf qfze 'lJragon embraced fJ!ie !Jvfotfier oj9{jgfit Wfiogave birtfi to 'Two Sons: 'Ihe Ligfit. Goddesses and Demon Kings.

how "Gnostic" or how "JudeaoChristian" is it? These questions may not seem important at this point but they will loom large as you begin a serious study of the subject. This is a starting point but not much better than giving weight. "The Limitless Nothing" that contracts into itself and produces the Ain Soph Aur. so I will do my best to answer them as briefly and as simply as I can right at the outset of your training." It was developed in the late middle ages and early renaissance by nominally Christian magicians and is usually refered to as "The Hermetic Kabbalah". which then expands to produce The Universe and continues to enliven and to ensoul it. This short chapter merely sets forth the special characteristics of our version of kabbalah. You can familiarize yourself with the grand old system in the works I've recommended in the study guide. This conception predates modem physics' "Big Bang Theory" by a thousand years. With this in mind let's look briefly at what I call "The Kabbalah of Wizardry. It also puts Kabbalistc philosophy in a very controversial position in relation to orthodox Jewish 57 . Let us begin by attempting a one sentence definition of Kabbalah.The challenging news is you that you cannot escape learning the basics of kabbalah. Please understand I don't propose to teach you kabbalah in this book. Essential to understanding kabbalah is the concept of Ain Soph. height and color as the defmition for an elephant. How does it differ from Rabbinical Kabbalah and just how "Pagan". Kabbalah is a philosophical-mathematicaL-geometric system that describes the creation and operation of the universe through four dimensions by employing a schematic design containing ten spheres of descending emanation connected by twenty-two paths attributed to letters of the alphabet and their numerical equivalents. "The Limitless Light". The comforting news is that you don't need to read Hebrew any better than some Tibetan lamas can read Sanskrit (and they are still excellent magicians).

magick was literally reborn. When the Hermetic writings were rediscovered by Renaissance Europeans. A contemporary popular analogy would be "The Force" in the Lucas STAR WARS films. Hermetic philosophy had arisen in the second century of the Christian era as an attempt to preserve the ancient wisdom from the anti-intellectual onslaught of Christian zealots. Issac Luria in the 16th century) and allows you to go on-line with "The Great Mainframe". Gnostic and Orphic teachings. It combined elements of Neoplatonic. the Microcosm (you) accesses the Macrocosm (God). was soon iritegrated into the Hermetic scheme to give it a necessary structure. Gods. more differentiated personifications such as Angels. The Universe is therefore operated by lesser. God is not judgmental or in any way dissatisfied with His Creation. Goddesses and Elemental Spirits. Hebrew Kabbalah was united with Classical Paganism (Hermeticism). It interfaces the left and right hemispheres of the brain (a modem physiological reality originally theorized by the kabbalist.and Christian religion. He simply Is and continues to Be. We can then access them for knowledge or for help. At the highest level the kabbalist can conceive. kabbalah (especially magical kabbalah) has been studied and practiced by as many Gentiles as Jews. In other words. 58 . Hebrew Kabbalah. We attribute all these lesser powers to the various Spheres and Paths of the Tree of Life structure described in our one sentence definition. Since its emergence in medieval southern France and Spain to the present era. This idea was originally Neoplatonic (the philosophical high water mark of Classical Paganism) and can be explored further in the writings of the philosopher Plotinus and his followers. which shared many of the same original roots. In fifteenth century Europe a philosophical marriage took place that established the lineage of The Western Esoteric Tradition. Thinking of it in a more subjective way. we might say that kabbalah is a spiritual-magical computer program for your mind.

the earth does revolve around the Sun" . Giordano Bruno.but because he then insisted that" the Sun is a God!" Kabbalah. The Earth was declared a Goddess (the Anima Mundi ). planetary magical system (having origins in ancient Canaan and Babylon) to create an elegant synthesis. Water and Earth (animated by "The Force" which we call "Spirit'i. For this reason we place great emphasis on developing and balancing the four philosophical "Elements": Fire. 2. This obviously Pagan. omnipotent and nonjudgmental "Force" that flowed throughout the universe.) 59 . however. 3. The famous Renaissance philosopher magician. Its Palestinian roots are shrouded in myth but we can make an argument for a Pagan Samaritan origin. There is. was actually executed by the Inquisition not because he publicly declared that "Yes. In its later Hermetic form the practical (magical) kabbalah is similar to Tibetan Tantric Buddhism in that elaborate visualizations of frankly Pagan godforms. who was supposedly burned at the stake for supporting Copernicus's heliocentric theory. one major difference between our Hermetic system and that of the tantrics: they contend that everything is ultimately illusion whereas we say that everything is ultimately reality. in the Hermetic Kabbalah these Angels were thought of as the sentient messengers or special power-givers not of a "Biblical Jehovah" but of an omnipresent. capricious and amoral pantheon was balanced and regulated by Angelic counterparts retained from the Biblical system. thus severely handicapping their forms of kabbalah.Humanist "Hermetic" philosophers enriched their magical art by including the Pagan Orphic Hymns to the Gods and drawing on the exotic Arabian-Sabian 1. Air. in its earliest form. angels and elemental spirits are encouraged. The deified Sun. Judaic and Muslim religious tradition forbids this imagery. Moon and planets were evoked both in the human body and in the heavens beyond. However. was probably derived from a synthesis of Pythagorean mathematical/geometric philosophy and Simonian (Samaritan) Gnosticism in first century Palestine and Alexandria.

Initiation into Hermetics by Franz Bardon. It differs in three ways. They are further personified by the Four Archangels of the Quarters with which you are already familiar. the four-fold Name of God. The Arts of Theurgy and Thaumaturgy 4. If you are a spiritual adventurer the respectful manipulation of these forces will be the appropriate method for you. You now have a beginning idea of what Hermetic kabbalah is about but you may still wonder how it differs from traditional Jewish kabbalah. hence any other word adding up to the same value has a mystic relation or could be a coded substitution). Hermetic kabbalah also employs Angelic balancing forces as invoking and evoking formulas to call down and summon up its otherwise Pagan entities. One might say that the worshiping mystic waits on the whim of his god while the magician sets out to climb Mount Olympus. By the eighteenth century the Jewish intellectual establishment had generally abandoned kabbalah as a "baleful influence" on their 60 . This entire work is devoted to the mastery of these four principles. allow you to explore vast dream realms and discover lost treasures of spirit.In Hermetic-kabbalistic terms. It is the traditional source of the magician's power. these Four Elements are the manifestation of The Tetragrammaton. Third: Jewish Kabbalah has nothing to do with the Tarot or any Pagan godforms on The Tree of Life. I need not press my argument further than to refer the student to one of our major beginning texts. The importance of these Four Magical Elements (which are also the Grail Hallows and the Tarot suits) cannot be overemphasized. There should be no disrespect or irreverence toward ancient deities in this process. Second: Jewish kabbalah (of the most esoteric Lurianic school) does postulate a non-judgmental god-force at the highest level but becomes highly moralistic in descending levels and. First: Jewish kabbalah is primarily concerned with decoding the first five books of the Bible via the process of Gematria (each Hebrew letter has a number value.

) 61 .. and see Figure 5 on the following page. 5.which were nearly cognate with our Canaanite pantheon -. This historical background is mentioned so that the reader will be aware that there are distinctly different conceptions and philosophies of kabbalah.A. There is no "Official Kabbalah". (Conversely. Where does Jesus fit into all of this? Was there ever any such thing as a "Christian Kabbalah"? There were some attempts at this during Renaissance but Christianity's Doctrine of Faith is fundamentally opposed to the kabbalah's Doctrine of Knowledge (Gnosis) and Christianity's triune structure will not fit into the ten spheres of the Otz Chiim (Tree of Life). If you are eclectic you can place Jesus in Tiphareth (along with Ba'al and Osiris) but you should be aware that this is not an elegant assignment because there are no other deities in any "Christian pantheon" whom you can then place in the other Sephiroth. establishing that the original ten sphere "Tree" was attributed to the Gods and Goddesses of ancient Mesopotamia -. in recent years there has been a revival of interest in the subject in the Jewish community (especially in the in the ninteen sixties and seventies when the rabbis discovered that some of their brightest young people were attracted to esoteric Buddhism). supports this view.although.culture . We should also mention that our particular O.and which were imported into ancient Israel after the Assyrian conquest with the forced resettlement of the Samaritans. Simo Parpola. See Note 2.T. and Phoenician Alphabet Appendix) and that we use a nonJudaic Tetragrammaton in lieu of YHVH. ancient Semitic Pagan deities fit so perfectly on The Tree that one might think that the kabbalah was secretly designed for their eventual return! Modem archaeological research by Prof. there is only the kabbalah that is right for you.. version of the Hermetic kabbalah uses Phoenician Letters instead of Hebrew (see Figure 5. presented in his article The Assyrian Tree of Life from The Journal ofNear Eastern Studies (1994). The Apostles won't fit and the Saints aren't appropriate.

---. -.. . ...-62 / // Figure 5...... I / / "-\ / \ {Asshia I t \ \ <......The Ot: Chiim (Tree of Life) with the Phoenician alphabet and Godforms attributed to Paths and Spheres....9lstartes ..tI!ie pfwenician 1(a66afafi of the Ordo Templi ../ ......... / ....

you should let Him stand alone. The Tree of Life (Otz Chiim) is a philosophical schematic of the universe as it was created and as it continues to function. 63 .I feel that a person's relationship with Jesus should be a personal and private matter. The Tree has ten Spheres because we have ten fingers and our mathematics is based on the number ten.) These "pre-forms" become physically manifested in the [mal Olam. Olam Briah. We do not invoke Christ in our rituals because He does not fit into the Hermetic system. which creates and contains the single Sephera of Kether. the Olam of Formation. At this juncture we need to explain how the kabbalah relates to our Goetia and Almadel systems. The best way to understand these relationships is to study the Tree of Life diagram (Figure 5. the World of Origins. cyclical detachment. the concept that there has to be an "ideal archetype" preceding every physical manifestation. the World of Archetypes and Archangels. At this exalted level God is neither male or female and certainly not judgmental. like UHF. the so-called "Astral Plane". male/positivefemale/negative) revolves with impersonal. where the YinYang (the Sephiroth of Chockmah and Binah. which contains the single Sephera of Malkuth. (This derives from Plato. We separate The Tree into four descending Olams or dimensions. (In an over-simplified way these dimensions can be thought of as levels of vibration or frequency. who originated the idea of "The Original Idea". If you consider Jesus to have been the chosen representative of God among Men. generating the myriad pre-forms of the Olam Yetzirah. This is "The Force" which empowers the mighty two-stroke engine of the next dimension. VHF.) and try to visualize the conceptions. etc. Asshia. He would not be comfortable having to share importance with our ancient Gods and Goddesses or even the Angels that empower the Four Elements.) At the top we have Atziluth. The Neoplatonists then made these ideal forms dynamic through the theory of emantions.

Coming up from below. .. Here we find the anthropomorphic and zoomorphic images of mythology. The truth is that all of King Solomon's Spirits are found in the lowest Sephera of the Astral. the sphere of memory and the sphere of The Dark Mirror. "Observe the Moon in all thy workings" the Lemegeton declares. 5) we use the Four Olam Division on one single Tree to show the process of creation. This is the case even though they are attributed to all the planets from Mercury (Hod) on up to Saturn (Binah). not exactly. try to visualize it this way: The Moon is the planetary sphere closest to the Earth (in kabbalistic terms. that each of the Four Dimensions operate throughout the whole Tree and each Sephera contains its own complete Tree. all reflections of different aspects of yourself extended out in a flat circle on this primal. The outer planets and the sun are reflected down through it. . If this sounds confusing. in a psychological sense. In the description above (and on Fig. wherein the magician does most of his or her work. This is the Realm of the Gods that Carl Jung called "The Collective Unconscious" and here we will find the Genii of King Solomon's Brass Vessel. Given the above. however. Be aware. Thus the lunar 'mirror and memory aspects' of Yesod are very appropriate because the Goetia spirits are.. Well. the lunar sphere of Yesod. it is our port of entry into the subconscious emotional Astral Plane (Olam Yetzirah). We find all of Solomon's Genii in the various planetary spheres of Yesod because Yesod is gateway to the Astral.. .The Yetziratic dimension. The Tree of Life design serves different functions. comprises the Sephirotb from Chesed down to Yesod. your next question should be which Archangels control these Goetia Spirits? Obviously Gabriel rules Yesod and should be invoked in a Greater (lunar-planetary) 64 . We have what appears to be a paradox as a result of trying to explain Kabbalah in one short chapter. Yesod is the sephira closest to Malkuth). emotional level. .

These angels are not attributed to the planets in any context. They are all in a flat circular pattern following the signs of the zodiac (see the Master Mandala). Raphael personifies the illuminating Sun in the Eastern Quadrant and the life-giving properties of the Air). 65 . Recall my Metatron-H. Eventually you will internalize the Archangels as principles (e.Ra or Horus through their Goetia forms via the Lunar Gate. Another reason is that without certain philosophical principles such as reincarnation.Septagram Ritual preceding every Goetic operation. to go along with this. you may certainly seek them in their higher spheres under their original titles in proper planetary operations. Remember. the 72 Spirits of the Brass Vessel are not an ascending hierarchy and neither are the four Archangels of the Quarters and the 72 Angels of the Shemhamephorash 6. Amon. Once you have raised such ancient deities as Ba' al. g. One reason is that there is nothing quick and simple about kabbalah. Balance your work carefully. the ancient Gods and Goddesses are capricious.) Remember. who control the 72 Goetic spirits. You may note another apparent paradox with the four Archangels of the Quarters and the Elements also doubling as four of the seven planetary Archangels. You may find it necessary. Astarte. (The Picatrix provides an excellent resource for such advanced workings. like the forces of nature they represent. the Law of Karma and the belief that spiritual evolvement requires one to transcend personal ego and find compassion for all humankind.Sandalphon angelic Totem Pole. Hermetic kabbalah could be seriously misused.A. at a certain stage of your development. Kabbalistc hair-splitters will tell you they are actually different beings with the same names.G.. Considering the above the thoughtful student might ask if Hermetic-kabbalistic magick is an amoral system? It is not possible to give a quick and simple "No" answer to this question.

Figure 7. we are at least off to a good start. The more you study and practice the greater. This does not mean that you have to master all the theoretical principles and practical methods of this venerable philosophy before you venture into wizardry.) If this brief theoretical explanation raises as many questions as it answers. 66 . without parallel reading. deeper and further this unknowing extends. during which you will internally expand The Tree ofLife in Yesod (located in the genital chakra) to displace and overlay the other psychic centers in your body (see Chapter Nine.. you should realize that we are following that principle . Remember this when someone tries to tell you how much they 'know' or how much 'you do not know' about kabbalah. Likewise. in a Yesod-Netsach operation you would use green candles and bum sandlewood incense. seven times for the Sphere of Netzach). The fact is you will never master it all.. not a gospel to be preached to multitudes. if you find this chapter a little difficult to understand. One of the more important things you will learn from the study of kabbalah and the practice of magick is the vast extent of what you really do not know. Now let's take a quick look at the practical kabbalistic aspects of a Goetic operation: After opening the Lunar Gate (Yesod) with a Planetary Septagram Ritual.and you will be encouraged to study the recommended texts. you will then circumambulate your magick circle deosil as many turns as the number of the Sephira you are working (e. (So. g. You will also use the proper planetary metal (or an affordable facsimile) for the spirit's lamen worn by the receiver.. 7. there is psycho-technical structure to Solomon's Magick that is definitely kabbalistic. As you can see.).For this reason we follow the example of Hermes Trismegistus and keep the teachings as a prize to be won by seekers after wisdom. The Names of Power that you plug into your standard conjuration are drawn from The Master Mandala and the 777 references to the Sphere of your working.

From that time on through to the Christian era they practiced a mixture of Pagan and Jewish religious traditions that was more magical than orthodox Judaism. The Samaritans were Babylonian Pagans who were resettled in Israel by the Assyrians after their conquest of Palestine in 721 B. The Harranian scheme of planetary correspondences reached the European magi through the medieval Arabic grimoire.I. was a Samaritan. is a good choice for Hermetic Pagan magicians who prefer not to use Hebrew. plus Omega .A. 4. you should probably continue to use it. which has not yet been completely translated in English. or Y.derived from the Three Mother Letters of the Sepher Yetzirah. This little-known Pagan Sabian connection is vitally important in the history of Western Magick. YHVH means "I Am What I Am". It is an anagram for some thing unknown like V. we use a private translation of the Sabian Planetary Prayers made by the Master of our East Coast Temple. Theurgy means "Divine Working" whereas Thaumaturgy translates as "Miracle Working".FO. They may have originated the concept of Gematria (see Wallis Budge's AMULETS AND TALISMANS). One of the great progenitors of our Hermetic tradition. Frater Sabezius. Regardless of this ambiguous symbolism it has very strong religious connotations. In the O.T. . As Issac Bonewitz pointed out during our 1974 presentation on NBC's Tom Snyder Show. 67 . . who has specialized in this ancient Pagan school of magick.P. The possibility of a Samaritan origin for the Kabbalah has been carefully side-stepped by Jewish writers. Modem Hermetic Pagans may find AMShO . Picatrix.less "Biblical" in the negative sense (even Hebrew kabbalists conceded that their alphabet needed another letter). Muslim kabbalah is called Abjad after the first five letters of the Arabic alphabet. The Samaritan 22 letter alphabet is directly analogous to Hebrew and. you might also consider my ShMAT 2. like the earlier Phoenician characters. 3. the Gnostic magician Simon Magus. if you don't want to add another letter to the Phoenician or Samaritan alphabet for the Earth Element.Chapter !Fivel9{ptes: 1.C. 5. If you are Jewish or an Old Testament oriented Christian. However. From this we can deduce that the expression "Goetic Theurgy" is actually a contradiction in terms. 9{ptes continued on next page.

68 . The Shemhamephorash (extended name of God) that is used in our Master Mandalla is the version derived from the 72 word verses in Exodus. Even if you do not agree with the new Hermetic forms you are sure to profit from a serious study in preparation to challenge them.Chapter :Fivel9{ptes continued: (Sha Mah Ah Tah ) formula. 6. A venerable kabbalist once said that: "God is ineffable and everything else is man's cleverness". not from the permutation of YHVH via the Tetrakis referred to in my kabbalah research paper included in Appendix 4. These three Tetragrammaton arrangements should be studied in relation to the Sepher Yetzirab in any case. Shin (Fire!Atziluth) Mem (WaterlBriah) Aleph (YetzirahlAir) Tau (Satum-EarthMalkuth). Another equally venerable sage commented that: "Women have babies and men have kabbalah !" 7.

-for tfie fi11tJers Of. Please bear with me and look closely as we lift the veil to examine the inner workings of our magical system. Chapter Si~ 'Ihe f4. It is important that you understand these concepts because I have made some radical innovations to rectify and improve traditional forms.rcfiitecture of our MagicafSystem I OFFER AN APOLOGY for some of the complexities we must deal with in this chapter. You need to understand these modifications and the reasons for them because our system differs from several others that you may become familiar with as you learn more about magick. in some 69 . one of the major shortcomings in modem occultism is a remarkable lack of original thinking on any intellectuallevel above a practical understanding of the mechanics of 16th to 19th century rituals . . OnEg because tfie jirst :Man counted thus Ylni made it so! It reduces to notfri11tJ. In line with the above. . from The 'Book ofYLstarte by'Ihabion.%e number is 'Ien.which are endlessly re-hashed until.9lJ£am ~a'mon .aniexpands 'To infinity Without tfi:g calculations.

the book should be presented as introductory. This ritual is now being offered by its proponents as a "Basic Temple Opening" for all Hermetic operations. Regardie suggested they might use the sigils on the tops of the Tablets rather than put off performing the rite until they had a full set of boards constructed . I would strongly advise students not to mix AlmadellGoetia with Enochian until you feel you are ready to pick up where Rudd and 70 . An example in point is the present large-scale misuse of Regardie's Watchtower Opening.. an actual degenerative process sets in.but they did not succeed. This is especially true for practitioners who are not Thelemites (followers of Aleister Crowley) or advanced students of the Golden Dawn. both made attempts to integrate the two systems . Of course it was anything but introductory.even though they were certainly expected to visualize The Tablets as being "in place. In order to make the procedure accessible to beginning students. L1 = Fire) at the quarters. Of course it can be if the student chooses to accept it but he or she deserves the opportunity to make that choice at a point in the curriculum where the philosophical implications are understood. We ended up with an exclusively Enochian procedure to open Enochian Watchtowers which were neither present nor even understood to be activated on the astral. for marketing purposes. For many years Francis Regardie had let it be known that he had developed a ritual to open the four Enochian Elemental Tablets and the Tablet of Union for Temple working.cases. He finally got a chance to publish the rite in 1980 but the publisher suggested that. it is not prudent to serve wine to children. and later Aleister Crowley.g. This is acceptable only under the agreed upon condition that the ultimate architecture of the Spiritual Universe is Enochian. As the French have learned." After Regardie's death his simplified substitution was inappropriately reduced to the use of generic elemental symbols (e. Granted that Thomas Rudd." I have dealt with this Enochian issue at some length above in order to make a point: the AlmadellGoetia system is not Enochian.

If the Almadel was not originally conceived this way. following the Golden Dawn system. appropriately enough. Michael. governed by Four Kings attributed to the same Four Quarters. and the names of the Angels are hopelessly garbled. arbitrary or based on Agrippa's numerology.which represent the true quarters (or Watchtowers if you will) of The Universe. Here we basically have two choices. Now to the Goetia: . 71 . This is what the Golden Dawn did with its version of the Shemhamephorash Angels. The fmal proof of the system's validity is in its elegance. let us proceed to the basic architecture of the Almadel and Goetia systems as they have come down to us and as they have been interpreted in modem times.e. three signs of the same element). the Almadel: The Almadel Angels are not arranged in a descending hierarchy but rather attributed to the four elemental signs ofthe zodiac . Instead of five Angels per "Altitude". Tropical or Sidereal. Each of these Great Heads then direct three sets of six Shemhamephorash Angels . forever fixing them in the heavens.the 72 direct counterparts of the Goetia Spirits who are. With the Enochian question thus temporarily put by. realizing that you would be undertaking a project that daunted two of the most brilliant magical scholars of the last 300 years.) and forget any precise celestial positioning.The first thing we have to deal with in considering where and how to arrange our 72 Spirits is the Art/Science of Astrology. we fall back on the Traditional DirectionallElemental Guardians of the Four Quarters: Raphael. One literally has to dismantle and reconstruct the system to make it work the way I believe it was originally intended to function. or we can anchor our circle of Spirits at 00 Leo. it certainly should have been. The number five in this case is either erroneous.Crowley left off. The original Almadel attributes five Angels to each "Altitude" (i.. First. Gabriel and Auriel. We can start our series off at 00 Aries (as we and most others have done with the Goetia 2.

. You can also have it both ways if you feel. These directions seem to derive from Planetary Hours. If your Spirits start at 00 Aries and your Shemhamephorash Angels start at 00 Leo. the Mansions of the Moon and Agrippa's numerological superstitions about "good and bad numbers". as one of my respected colleagues does.D.. It is also the reason why the G.Either system is valid. that adherence to Golden Dawn and Thelemic traditions demand the astrological compromise just so long as you understand what that compromise involves. They are one ring of an onion with the Shemhamephorash in another ring beyond them. It is best to summon them during a waxing moon because of the moon's influence on emotions (remember the astral plane is also the emotional plane). This scheme treats each 100 Decan as a 24 hour period (?) in an attempt to untangle the ponderous and garbled instructions in the Goetia. you are not alone." Now if anybody could prove that 72 .D. they reside in the lower astral or Lunar Sphere (Yesod). never corrected the cumbersome and poorly justified "Day and Night Demon" arrangement listed in 777. Blaise Viginaire. If the logic behind all this escapes you. and later Crowley.But we also use MacGregor Mathers' sigils which the G. How do we justify this ? Very easily: Mathers claimed that he got the sigils from "The Great Magician. employed in their Sidereal sequence. 4.. This is why the Goetia Demons are left in their Tropical sequence. Just remember this: because all Goetia Spirits are "Fallen Angels". The reason why the Golden Dawn left us with this unresolved problem was simply that they considered the Shemhamephorash Angels as part of their official (Sidereal) system but consigned the Goetia Spirits to an unofficial subsystem which they did not incorporate. they simply will not match up. otherwise you can contact anyone them any time you wish. linking them directly with our Goetia Spirits . 3. In line with the above I have taken the liberty to start our Shemhamephorash Angels off at 0 0 Aries. Nobody else has been able to figure it out. The Angels are fixed and the Spirits are sliding backwards.

thus placing him under Amaymon. please be encouraged to construct one . a fire sign under King Goap. From a philosophical point of view the preceding technical dissertation serves mainly to prove the implicit converse of the Hermetic axiom.D. like the traditional Goetia. Actually he comes through stronger in the Southern Quarter under Michael and Goap in the Decan of cf (Mars). imagined or envisioned to be real . This has been done for symbolic and philosophical reasons which should be become apparent when looking at our Master Mandala. The Harvest Maiden (Zodiacal Icon of The Goddess) and also locates Her in the Decan of ~ (Venus). It is true that the Western magician who considers everything. Astaroth # 29 (Astarte) has changed places with Stolas # 36. the chances are overwhelming that they were originally fixed on 0 0 Aries. At this point a perceptive Golden Dawn student will realize that our main reason for keeping the system in its tropical form rather than rectifying in the sidereal mode is this frankly religious seasonal equinox factor mentioned above.as one of my G. So Below. whereas the Goetia calls him "a King ruling in The East". In the video I conjured him under Amaymon because the sequence was a re-creation of my first operation. If you understand everything we have discussed in this chapter and you feel you would rather have a mandala with all spirits and angels anchored on 00 Q (Leo). As Above. colleagues is already in the process of doing at this writing. Along with this you may also note that Ba'al (Bael) heads the list at 0° Y(Aries).but. in the Sign of Virgo. You will note that this assignment puts The Queen of Heaven (Astarte) at The Autumn Equinox Point directly opposite The Prince of Earth (Ba' al) at Vernal Equinox and places Her under the aegis of Auriel.needs a fully integrated magical universe that extends infInitely in all direc73 . We have made one switch in the Sloane 2731 Goetia Spirit number sequence.Blaise Viginaire started his Shemhamephorash off at 0 0 Leo we might have a problem .

and every combination of this sentence is valid and not valid. Nothing is real and everything is true or everything is true and nothing is real. who considered everything to be illusion. wouldn't it be nice if we had a real Western psychic center (chakra) system? Straighten out the Lightning Flash (Flaming Sword) on the Tree ofLife and you have one! (See The Hermetic Caduceus and our Septagram Ritual in this book and also my demonstration in the video. Therefore. if we need to be formal about it. This is basically what I have done with the GoetialAlmadel and some other barnacle encrusted aspects of our Western Tradition. the anecdotal Columbus did not declare the egg to be an illusion that could be imagined in any position desired. whereas my Tibetan teachers. E. This handicap is most often caused by our superstitious reluctance to sweep out the errors and contradictions accumulated over the centuries and reprogram our universal sending and receiving apparatus according to basic Hermetic philosophical principles. could handle several technically contradictory systems so long as they were philosophically harmonious.g.tions (the Tree of Life and the Cube of Space). To present another example.g. So. When faced with the problem of standing an egg on end. am I imposing an Eastern perspective onto Western magick with the unique synthesis of the Master Mandala? In one sense I am and in another I am not. The only real (or true) difference between Tibetans and Western magicians is that we play our game on a much bigger chess board and often fmd ourselves checkmated behind our own pieces before we ever reach the end-game stage.. e.. he just picked the egg up and cracked the end so it would stand up by itself. let us call The Master Mandala an example of a Subjective Radial Spiritus Theory based on the following argument: The human mind inherits a variety of internal regulating systems subject to external influences.) Tibetans and the Rosicrucians are both right! Everything is real and nothing is true . the 74 .

most efficient and elegant operative procedure for perception and cognition even if such constructs are arbitrably perceived and imposed. whereas the older. artistic. Remember. Exterior operative systems may also be imposed upon it much like the computer programming process. seeking out the simplest. the spirits of the Lunar Sphere (Yesod) surround your personal horizon. 75 . Before Rene Decarte's separation of subjective and objective perceptions became dogma Hermetic magi artfully constructed new spiritual models of the cosmos that could be accepted and operated through the mental structuring process described above. if philosophically consistent. were entirely functional. Enochian magick. such as hierarchies. You are the Navigator of the Inner Planes.biological clock. the lunar menstrual cycle and the innate structure for language grammar. sprang full-armed from the brow of Zeus. athletic and mathematical disciplines. emanations. like Athena. The mind generates structures and systems.. such constructs. Given the "As Above. Such new systems are acceptable to the mind because they are themselves mental constructs that can be understood and implemented by other minds. You are at the Center of your Magical Universe. e. An example of such an operative magical universe would be the Enochian system of Dr Dee and Edward Kelley. So Below" maxim. Envision The Master Mandala as a compass card floating in the binnacle of your skull (The BrassVessel! ). musical. Chaos is inevitable but the mind and the universe will always revert to structure. progressions and permutations because it (the mind) emulates the greater universe which it continually observes and even creates.g. A bumble bee cannot fly and the internal combustion engine should not work as well as it does . linguistic.but both function excellently because the Greater Universe and the Human Mind desire that they do. and to this day more widely used. There is and must always be a structuralism involved in this process.

astrological triplicities and directional quadrants. bowdlerized and distorted until it became a hodgepodge of contradictory instructions and arbitrary assignments. cut the Gordian knot straight away: ". Taking the final step. I continued the process and assigned each spirit to a specific astrological sign. " Well. six lunar spirits and twelve spirits for each of the five planets. of the Southern Fire Quadrant. A magician should rearrange the order of his spirits so that those with the same or similar elemental characteristics come under the rulership of the signs appropriate to their nature. and then I returned to THE GOETIA armed with a clear vision of what was needed. the planetary ranks (Marquis = to agree with the planets ruling the decans.King Goap. and in some cases changed. all corresponding exactly to traditional astrology. what could be simpler than that? He went on to explain that this was what was actually meant by sealing the rebellious spirits in the Vessel of Brass.. because this was an intensely personal process and because it required so many radical changes in what has ce) 76 . I went quickly to Bardon's INITIATION INTO HERMETICS and reviewed the classical characteristics of Hermetic Elements. and my awareness of the sadly disorganized entourage that has come down to us. I did what any Renaissance magus worth his salt would have done: I consulted the Demon Kings of the Quadrants themselves -. each attributed to one of the four primal elements. Following the planetary attributes of the decans. this produced a balanced system of six solar spirits. With that in mind.Goetia system was recopied by inept scribes. But I could not help thinking that the Goetia was once as elegantly and philosopically constructed as Dee and Kelley's system. What has re-emerged here is the system as I believe it was originally constructed. I then matched. In a surprisingly short time I had all 72 sorted out into four sets of 18 spirits.. This operation opened a floodgate of understanding. However.

then starts over again with the even numbered sequence but in Aries rather than Leo! If you find this confusing you are in good company. Thus we are leaving the Master Mandala in its first stage of rectification but be aware that as such it is a "rough ashlar" that obviously needs perfecting. you may call yourself a GoetialAlmadel Master. This sequence starts in the first odd numbered quinance (5° division or one half of a decan) of Leo (as per the Golden Dawn Sidereal system) and continues through the Spirit list in odd numbered slots. . in examing the Arum Notes continued on next page. I do not agree with Tyson that working Enochian could in any way precipitate The Apocalypse on a macrocosmic scale but an obsession with Enochian might be likened to the opening of Pinhead's Puzzle Box in your own microcosmic universe. However. When you have taken your Mandala to the third stage of rectification.become a traditional order. to produce a complete and balanced system of practice. I have listed my rectified arrangement only to the extent of the four elemental attributes (see Appendix 1. 2. 77 . Goap and I both believe that this should be the work of each individual GoetialAlmadel magician. So now you have your work cut out for you. As long as you understand that the Angels and the Spirits communicate with you through your mind. Good Magick! In the spirit of Renaissance Hermeticism we have thus rectified the Goetia. In their 1975 book The Sword and the Serpent. You may wish to go through this rectification process and develop your own special order. using this system. Melita Denning and Osborne Phillips published four pages of hand written notes purporting to be a Goetia arrangement. you will have no difficulty making contact with them. and they will find it easier to get through to you. integrated it with an equally rectified Almadel and Shemhamephorash. Before accepting the Enochian system as the architecture of one's personal magical universe I would suggest reading and thoughtfully meditating upon Don Tyson's article. THE ENOCHIAN APOCALYPSE in the Summer 1996 issue of GNOSIS.). . Chapter Si?(j9{ptes: 1.

. and accompanying book. This is a very valuable package and highly recommended as the authoritative (Thelemic & G. she did not attribute her Quarter divisions to the traditional Kings and Archangels but rather to the Heavenly Orders from which some of the spirits claimed to have fallen.S. the ones who are supposed to appear in Sagittarius do not and one who is supposed to be under Amaymon cannot be shifted to that quarter without displacing two of his minions who are 3. The DuQuettes do not use our optical mirror/facial distortion method in Goetia operations but they have considerable respect for it. Trying to find some logical order in the descriptions of the Goetia spirits from MS 2731 can be an exhaustive and exasperating task. both created by Priscilla Schwei. Ours is not the first published rectification of the Goetia on a straight quinance sequence. If you are going to be a Goetia/Almadel magician you should certainly study their work along with Frater Hymenaeus Beta's excellent 2nd edition of Crowley's 1904 GOETIA (also from Weiser). 3. This idea was philosophically flawed in any case and resulted in a moral discrepancy. 78 . In spite of its obvious attempt to trivialize and commercialize a ceremonial system the Schwei book and card set represents a genuine effort to reconstruct the Goetia along astrological lines. Solis tables one gets the impression that this was an attempt to develop something that never quite came off and should have remained unpublished. Because of the heavenly origin of all these "Fallen Angels" (whom she had earlier stated were of ancient Egyptian origin). If Schwei had published the traditional descriptions of the spirits (especially those who cause running sores crawling with worms) I doubt that anyone could have taken this idea seriously. However. 4. No matter how one arranges the existing sequence. .D. Games) along with its accompanying book by Lon DuQuette (from Samuel Weiser). In 1988 Llewellyn offered a Goetia "divination" card deck.) traditional alternative to my radical innovations.. 9{ptes continuedon 1W(j: page . Only four out of the 15 citing such a heavenly origin matched up in her arrangement.. In this case I'm refering to THE TAROT OF CEREMONIAL MAGICK by Lon & Constance DuQuette (from U. they were supposed to be able to police themselves and would not permit the operator to engage in black magick.Chapter Sit(f9{ptes continued . She properly rejected the 777 day and night demon arrangement in favor of a straight progression and then correctly divided the 72 Spirits into astrological quatrinaries.

P. Those who wish to dig into this further might also get in touch with "Artemidorus" and request his interesting paper on the subject.. The spirits cannot be aligned by the planetary attributes of the decans because different planetary ranks (e. all Dukes (Venusian spirits) would be attributed to Earth and Air Signs. Dukes = S2 ) are not equally distributed among them.e.Chapter SiJ(! NPtes continued: already there. i.O. Box 14941. And yet there is a definite intimation of an original order based (as Goap and I theorized and then reconstructed) on the planetary attributes of the astrological signs.g. CA 90814 79 . There is plenty of room for more research and rectification. . Long Beach.

implying an inseparable duality of 'good' and 'evil' throughout the entire celestialinfernal pantheon.5t5tarte Mgtfws tion.. :Fear ani'Woe 'Begone ! 'We Light this :Fire ofPurifiattion In tfie :MgstU: 9f.should be fascinating to Jungian and even Freudian psychologists. from which the names of seventy-two Angels can be derived. 80 W HETHER OR NOT KING SOLOMON ever studied and practiced the Art of Ceremonial Magick is not a crucial ques- . the seventy-two spirits of the traditional Goetia are a significant corollary to the seventy-two letters of the extended Name of God. 1973. Chapter Seven: fJ1ie 'Ba'.which was a major operative cosmology behind medieval ceremonial magick before the rise (or descent) of the perverted 'Faustian School'. From a kabbalistic standpoint. 9f.. 'Darktzess. Of greater importance are the philosophical-psychological principles behind the legend of the Monarch-Magus who bound the 'Two-and-Seventy Rebellious Spirits" in the Vessel of Brass.af-.ame ofSot-Om-On. the SHEMHAMEPHORASH. ('WfioCe number 8) WinterSolstice.'Bg the J7lJcfzemg ofCaldnation..9Lstartes' Summer Solstice 2?jtuaf 5g 'Ihabioti %is Chapter is an editedversion ofan editorialfrom 'lFte Seventfi 9(ag. II. ! from 'Ihe Ordo 'Iempli .um6er 4. The multi-level implications of this Arabian folk-tale (with its Biblical origins) . 0/0[..

"the abomination of the Sidonians. had been blessed by Melchizedek the Canaanite King of Jerusalem and a priest of EL. The psychotherapeutic analogy in the above is inescapable. we realize that the patriarchal Levite sect of Yahweh was in constant. greed and hatred cannot be divorced from their intrinsic counterparts. Chapter 11. required to render service in accordance with their particular capabilities and then consigned to bondage in the 'Brass Vessel' where they can cause no harm and from whence they can be readily called upon when needed. (We will discuss the philosophical symbolism of the Triangle of Art wherein such entities are commanded to appear in The Documentary Appendix . (the ultimate cathexis ). charity and love.) This then is the crux of the Solomonic system of magick: pride. Now it should be understood that the Religion of Moses was a sect derived from the same mythos as its rival.then represents the receptacle of the controlled and organized psyche. Abraham. the foremost modem practitioners of it. we are presented with the concept of seventy-two greater and lesser bipolar archetypes functioning in the collective and personal unconscious. In 1st Kings.Considering this in light of the micro-macrocosm dogma. Chapter 14 ) This same EL was the father of Ba' al and 81 . But why did the Arab Doctors attribute this system to Solomon and why do we. passion. The Brass Vessel . They can only be organized and controlled as essential factors of the balanced personality . "The Most High God (Genesis. we read that Solomon followed Ashtoreth (the Goddess Astarte). a Babylonian ofUr. . humility.a sophisticated internalized concept that seems paradoxical with the popular image of the robed and hooded demonologist intoning his "infernal conjurations". bitter conflict with the Ba' al-Astarte cult of Canaan. call ourselves the Order ofthe Temple Astarte? The answer to both questions can be found in the Bible." If we put the Biblical account in a broader perspective.aside from its obvious 'yoni' symbolism. purity. The rebellious spirits are summoned to appear by the power of Tetragrammaton 1.

5. Before the time of Saul and David. nomadic. Why else would Hiram of Tyre. a Pagan Phoenician (as had been Melchizedek). ethnocentric life of the Hebrews was certainly one of the foremost.During the Empire of Solomon. to bring about a mellow fusion of these separate cults of EL's progeny into a pansemitic polymorphous monotheism similar to the Hindu religion of India? He may well have built the magnificent Temple at Jerusalem not only for the Levite Yahweh but for the universal overgod of all the Semites. Space does not permit us speculation on all the factors that aided the growth of the austere Religion of Yahweh but the hard. Was Solomon attempting.Astarte.and why did he construct conspicuous Temples to Her? Even the Levities conceded to the 'Wisdom of Solomon' but if the above conjecture is true. It was probably at this point that the first puritanical "blue laws" of orthodox Judaism appeared.) Why is Solomon's greatest literary work. When this wandering branch of the Amorite people returned 'home' to Canaan they began the transition from pastoral tribesmen to agriculturalists and urbanites. In Babylon EL was called AND and was the father of Ishtar. Instead we look back on two spiritually unbalanced cults fighting for supremacy. the religious battle lines were drawn. 2. the socioeconomic transition was complete but the religious conflict had not resulted in a synthesis. The Song of Solomon so pregnant with the symbols of The Goddess . The new farmers were naturally attracted to the nature-oriented intensification rituals of Ba' al. . by his catholic example. Chap. Joshua's attempted genocide of the Canaanites had not been successful and they still "abounded in the land". "rejoice" and say "Blessed be the Lord" before assisting Solomon so readily? (lst Kings. they hardly understood 82 . and their newly urbanized brethren were fascinated with the sensual glamour of Astarte's saturnalian rites. The transvestite priest of Astarte finding final exaltation in publicly castrating himself is hardly more odious than the Levite priest demanding a young woman be stoned to death for adultery or exacting a ruinous judgment from a poor farmer struggling to save his precious harvest by working on the Sabbath.

Even though the Paulians adapted Pagan festivals. creative link with the deepest and most basic forces that energize Humans and Nature. Like the Levities. How much more awesome it must have been in times when the sanctified celebrants and their congregation believed utterly in the truth. A solar cult that castrates its god and transforms his bride into a "Virgin Mother" cannot compete magically with a virile and fertile 501-Terra mythos.how wise he really was. For in the Celestial Marriage of Ba'al and Astarte. a Magical formula of considerable power even in this faithless modem age (see Chapter Ten ). we see a direct analogy to the Shiva-Shakti congrex of the Tantric adepts.. theirs is a religion of "Thou shalt not". ritually enacted by priest and priestess. 83 .. of Divine Possession? One need only compare the Great Rite in its full ancient significance to the Transformation Miracle of the Paulian Mass (an indirect and passive assumption of god-form) to realize why the Art of Magick has been feared and suppressed for so many centuries in the West.and high on the list of 'Thou shalt nots' is the practice of Magick. their system has no direct. embraced anthropomorphism and deified a vast pantheon of saints.

" Further study and meditation may even lead to a revelation of the link between Jesus and Melchizedek.and Solomon's Magick is indeed a forbidden wine.. wherein the mysterious "Shulamite" thrice declares: "I charge you.is a far more 'EL' ish conception than the paternal and patriarchal God of Moses. a male demon with bad breath! In the words of Khayyam (out of context) "Many a cup of this forbidden wine will drown the memory of that insolence. moral only in its impersonal harmony . A convincing argument for the actual existence of a Solomonic proto Magical tradition such as we have described above. Babylonian and Egyptian entities as personalized male and female aspects of the Tetragrammaton . it is historically unjustified. The Fair Astarte. can be found in The Song of Solomon itself..But to return to our subject .". The knowledgeable may choose to renounce Jesus as a creation of Paul but the wise do not. Perhaps it is the culture-memory of that Magical Religion Solomon tried to create that comes down to us in the ancient systems of thaumatergy and theurgy the Arabians attributed to him? The essential polymorphism of Magick with its rich pantheon of Phoenician. stir not up nor awake my love.We should perhaps digress to caution the casual reader against assuming from the above that the Ordo Templi Astartes is antiChristian. We have the deepest respect for the teachings of the Master Jesus and we are only critical of Paul's interpretation of them. A study of elementary Kabbalah will quickly resolve any difficulties in understanding this Rosicrucian view and lead the student to a full grasp of the significance of what the Master did say: "I am the son of Man. until he please. The Judeao-Paulian equation Sex = Evil = Sex was inculcated in 84 . was transformed into Astaroth . oh daughters of Jerusalem. Not only would such a renunciation be injurious to the personal egragore. transsexual lifeforce. Jesus never claimed he was God and should not be blamed for the acts of those who posthumously deify him.an all-pervading. It might be considered a cosmic joke that the great EL survived only as one of the many names attributed to His nomadic step-son and that His daughter." This Psalm may well be a hymn to the Queen of Heaven.

the Paulians dangled the anthropomorphic carrots of angelic and saintly icons before their Pagan converts For this dubious reason. especially anthropomorphic ones.scripture not from the dread of a distant hell (the Hebrews did not even have a concept of hell) but from fear of the Cult of Astarte and the lure of its courtesans. which would perpetuate the truth he had discovered: that the spirit of Divine Providence within us has many faces: good and evil.as is usually supposed . later the Paulians and frnally the Communists decided to make a 'sin' out of it. the so-called Christian Kabbalah was more Magical than its non-visual Hebrew antecedent . Romantically. If he was the first Magus. As a pragmatic compromise. both extremes are insults to freedom and dignity.explaining its evolution into the 'Neo-Solomonic' system we practice today. while the Hebrews. As Wilhelm Reich theorized and the later Soviet social experiments proved. male and female . Perhaps he even understood the Arcanum of the Celestial Marriage with its ultimate formula: In Your Temple You are One with The Gods! Chapter Seven.but rather to restrict the practice of Magick which depends on such visual links to function effectively. Needless to say.all reflected in the multifaceted Jewel of the Microcosm. while in the Macrocosm they are ALL ONE. the Hebrew (and later Muslim) prohibition against graven images. As a corollary to this sexual negation. he may have envisioned a secret tradition.. the power of authoritarianism depends largely on its ability to channel the sexual drives of its subjects. The ancient Pagan establishment maintained such control by sanctifying the sex act with its official priestesses. 85 .. sought only by the wise. we may speculate that this ancient religion of Solomon's may well have evolved in a manner that the sage old monarch intended. was not imposed from any desire to promote a concept of pure monotheism . :NPtes nextpage .

In this custom they were following the tradition of Melchizedek in the times before Moses.leading to cooperation in building a great central Temple that would have spiritually united their peoples. We should also note that the ancient Semitic nobility dedicated themselves to higher divinities than the common people. In line with this we should also recall that the ten northern ("Lost") tribes of Israel preferred "EL" over YHVH as their Most High God even after the conquest of Canaan. whom they. ShMAT (n~DW = 741) (see Sepher Sephiroth in The Equinox. We have adopted a more intrinsic universal Tetragrammaton. The Bible history of this period was written by the Levities to favor Yahweh as The One and Only True God. had carried with them in a sacred box. Actually he was their one-and-only tribal god. thus Hiram of Tyre and Solomon could both have been devotees of EL . Hebrew kabbalists were always aware that there was a "missing letter" in their alphabet (see Gershom Scholem's ON THE KABBALAH & ITS SYMBOLISM). Christians should ponder the Bible passage in Hebrews: Ch. like all bedouin tribes of that era. Crowley lists the formula but not in the most elegant arrangement ) are discussed elsewhere in this volume. 6. 20 and ask themselves whose "God" they are worshiping? 2.Chapter Seven: 9{ptes1. This formula and its more conventional 22 letter alternative. Ah Mah Sha Oh (n OW I':) ~ = 1141). which derives from the three Mother Letters of the ancient Semitic alphabet with Omega as the final 'Earth' character. 86 . Idris Shah recounts that there were 360 of these "tribal gods" set up in a great circle inside The Kabba at Mecca in the days before Mohammed chucked them all out and dedicated the Temple to Allah (EL =Aleph Lamed. a prototype of Allah). v.

:J{umfJer 2.9I. except the credulous believers in the fictitious "Necronomicon". If asked to cite even one Arabian magical text. would have to beg off. 0/1.rcanum .t tfze Courts ofMoorisfi Spain In tfze gears oftfze JfoEg 1(afJfJafafi '13g tfze uiotdofslie who '13facRf-ns. . (Whofe number 19) Winter Solstice. most of us./(j wfio were Sages to tfze Cafiplis of Islam. setting it on a par with The Bible as a source of eso- teric lore.Is it nat true that rrfzeurgic. from cult oftfze Sangrea[ fJg 'Ihabiott 'Ihis Chapter is an editedversion ofan editotialtfiat appearedin 'Ihe Seventfi 2(ag. And yet the vision of the 87 . but he offered no explanation for the comparison. Masters !fromfar Jfarran Jfeirs ofthose who liaapassedtlie (jofem Secret 7'0 oenerable !fatfzer .9I. 1977 Chapter 'Eight: 5trabian Origins of Magic/( anaWitefurajt A LEISTER CROWLEY BEGAN his preface to Mathers' translation of The Goetia with a tantalizing reference to The Arabian Nights. 0/0[. In a subliminal sense we accept the Arabian Magician as the archetypal paragon of our Occult Tradition but if we were asked to name one historical example. Didhonor Hermes 'Itismeqistus as Propliet . 'Ihose whoget worsfiippea rrfze Seven Wanaerers oftlie StaTT!f o/aultj Sabian Wizara-Lords ofZodiac ana Magic.bram.9I. .9I. few of us could.ncfpreserve Jfis teadiings witfi theirown .

Theosophists and self-styled authorities on Nazi occultism continue to insist that Western magick is essentially a survival of Manichaean Gnosticism.B. For a millennium clouds of smoke have been stirred up to obscure this essential truth by rabbis who did not want the origins of medieval kabbalah too closely examined. has recently blown away this long-standing smoke screen. Segal's (1963) study on the Sabian Planetary Cult of Harran. by imams and even Sufis who did not want the medieval Pagan cults of Harran and Morocco revived. persists undimmed in our mind's eye. The fact is that much of European magick and witchcraft was developed from Arabian sources emanating from Moorish Spain before 1492 c. To this arcanum they had added the Book of Enoch and the writings of Hermes Trismegistus.e. Mightiest of the Wizards of Old Baghdad was Thebit ibn Korat. the Prophet had cited them as exempt from forced conversion to Islam and 88 .Arabian Mage commanding the Jinn enslaved by King Solomon. Burton describes 9th century Baghdad as the richest and noblest city in the world. A mixed bag of Christians. Cinematic Sinbad fantasies hardly exaggerate its luxury and power. The Sabians were a mysterious race of celestial magicians who had lived in their ancestral city of Harran since before the time of Abraham. The historical reality behind this romantic image is an example of suppressed truth reasserting itself in legend and folklore. In the Koran. directed our attention back to Lynn Thorndike's (1923) monumental. There they had perpetuated the astro-magical rituals of ancient Sumer and Akkad. History of Magic and Experimental Science wherein we discovered a wealth of information on Arabian Magical lore. along with J. This revelation. the Sabian from Harran. Marsilio Ficino. These were the times of the Great Caliphs and their fabulous Court Magicians. A fresh wind of genuine scholarship. In the Terminal Essay following his translation of AlfLayah Wa Laylah. emanating from the University of London. Frances Yates' (1964) inquiry into the origins of Renaissance Neoplatonism has pointed to the Hispano-Moorish Picatrix as a major source for the astrological Magick of the 15th century Magus.

Besides the great Sabian influence we should also consider the writings of the 9th century who Islamic sage.so they were allowed to profess their Pagan philosophy while serving the Sultans as court astrologers and wizards. Costa ben Luca and Rasis should also be cited as major sources from which European magicians drew their inspirations. In the Kabbalistic perspective there is the question of language itself. colors. The practice of attributing specific metals. This is why the magick described in the Arabian Nights has such an obviously Pagan character. The idea of man acting in synchronicity with the celestial pulse of a living universe goes back to Alkindi. Although there was some interest among medieval Jews in astrology. This practice spread from Baghdad to Spain and influenced the medieval European "Courts of Love" according to Walker (1970) . jewels and geometric forms to the planets in magical rituals can be traced back to the Sabians. perfumes. The works of Albumasar. In the area of sexual magick we should consider the Beni Udhra cult of sexual arousal without consummation: intended to raise enthusiasm which would be redirected into poetic inspiration. Alkindi authored a treatise called. the astrological planetary aspects of magick (and of the Practical Kabbalah) are Sabian. The Theory of Magick Art or Stellar Rays which was the precursor of Ficino's "Spiritus" concept. Hebrew Kabbalistic gematria is based on a number-letter analog 89 .

g. Widdershins circumambulation is shown to be originally Muslim and the worship of 90 . High Magic's Aid (1949) .also cited by Michael Harner (1973) as central to European Witch-cult practice . Shah cites the consonantal root. The use of a daturabased flying ointment . He also cites the use of an "AIdhame" knife. The Witches' cross-quarterly festivals are noted as being identical with those in the Arabian calendar. unilateral system whereas Hebrew 1. KHLD in the Arabic word for "mole" as synonymous with six other words of philosophical significance. meaning "blood-letter".is corroborated by Shah's linguistic reconstructions. Daraul also mentions an "Al-dhame" knife for self-sacrifice. depends on a bilateral relationship with mathematics (his math analog is profoundly important in its own right but the mathematical relationship also obtains in Arabic as well. Arkon Daraul (1962) likewise attributes a Moorish-Spanish origin to European Witchcraft but he links it to a Moroccan Cult of the Double-Homed" ( Which might be an outgrowth of the Aniza cult cited by Shah ) .which certainly triggers subconscious associations but Arabic Kabbalah (Abjad) is based on root word analogs which are more direct in their deep structure associations. Idries Shah (1964) suggests that Witchcraft grew out of the cult and totem of the Aniza tribe. Most importantly he credits the Homed Cult with a concept of reincarnation back into the same coven which is strikingly similar to Gardnerian eschatology.. This is an intrinsic. Semitic Paganism manifesting in Moorish Spain also seems to have been a major source of what became European Witchcraft: a theory that Gerald Gardner himself lent support to in his novel. the word for goat (Anz ) being cognate with Aniza. As an example. e. the "Barbarous Names" of the grimoires are of Arabic or Gnostic origin and are actually number formulas in letter form) .

Our space is too brief to permit a full exegesis of this material. The Hebrew of today. Of the three major Western kabbalistic systems. Hebrew. Arabic and Greek. This symbol surmounted by the Sabian Planetary Septagram is the Insignia of the Ordo Templi Astartes and should serve as a continual reminder of our rich legacy from the Wizards of Old Baghdad and the Sorcerers of Morocco. was the ancient Carthaginian Tanitrum."EI Aswad". Finally. . the Double-Homed Glyph of the North African Moon Goddess. Readers who fmd this Witchcraft theory disturbing are urged to read the sources before forming an opinion.v Solomon's Secret Seal. is traced to the Moorish Horned Cult. although derived from ancient roots. Chapter 'Eiglit/NPtes: 1. we should remember that the Goetia of the Lemegeton calls forth the Jinn from the Brass Vessel of King Solomon in accord with Arabian legends of magick. C~. with which he stoppered the Jinn inside the vessel according to the Goetia. the latter is probably the oldest. 91 . . was reconstructed in medieval Spain on an Arabic grammar. Arabic was itself a reconstructed form of ancient Aramaic with six new letters added to match the Mansions of the Moon.S •• tee . NPtes" continued on next page. the Black Man.

Divs. ill. 2.Chapter Tigfitl9{otes continued. The Jinns. When he refused to bow before Adam he and his chiefs were eternally imprisoned. 225 f. . however the Talmudic source is quite possibly Arabian as this fascinating quote from Burton suggests: ".n.. Peris ( "fanes") and other preAdamite creatures were governed by seventy-two Sultans all know as Sulayman .. The version of the Brass Vessel legend recounted in the Lemegeton comes from the Talmud. p. Vol... "Baktanu/s" is the lord of three Moslem troops of the wandering Jinns which number a total of twelve bands and extend from Sind to Europe.) Elsewhere in the Arabian Nights there are many references to Solomon sealing the Jinn in "brass bottles" with his "magick ring" and then casting them into the sea. 92 .. " (Burton.

g. 1977. CoaguCation to Projection Jl. This paper is an outline of a system that is more advanced than the AlmadellGoetia material but it is an integral part ofAU our operations and should therefore be introduced to beginning students.· . although I prefer to think that my subconscious had tapped into that 'Intellect' of the Collective Unconscious which we call the Sephira of Hod. consult Motoyama ~ THEORIES OF THE CHAKRAS and Ponce ~ KABBALAH. I suddenly realized that the building of the Microcosmic Tree within the body was 93 . Conjunction is the SuEfime Culmination of %e l)'earEg Ylfcfiemica{CycCe %e further Operations of. O N THE SECOND OF DECEMBER. If you have trouble understanding it. After months of speculative meditation on how to form the True Body of Light. 1975 I had the kind of experience a Gnostic might have described as a revelation from "Higher Powers".. Winter Solstice.JL/diemy From. It has been revised and expanded for inclusion in THE BOOK OF SOLOMON'S MAGICK. Chapter 9{jne: tIfie Hermetic Caduceus The original version of this monograph was published in THE SEVENTH RAy issue number 19.re to De Perjected in tfie :Microcosm Of tfie :Magician IiimseEf from the Pastopfwris Initiation ofCrata !R.poa Dy 'Ihabion.

Dejuiti (Joe Wilson) deserves subsequent credit for rectifying the Names of Power of the classic Goetia conjuration in line with the Caduceus sequence (see the Planetary Septegram Ritual) and we should not forget the historical precedent: the 17th century Hermetic philosopher. we may be experiencing a recovery as well as a new development. It may be a more Elemental t:::. Johann Gitchel. But the ultimate proof of the validity of the Hermetic Caduceus has been its successful use in-Lodge Region. for twenty years. the symbolic "Lightning Flash" that descends through the sephiroth of The Tree in numerical sequence from Kether down to Malkuth. who produced a mysterious drawing (see Figure 6. ) With a mystical certainty I knew that the Sephira of Tiphareth was identical with the Chakra of Anahata in the Raja Yoga system. Artemis' and my initiation into The Order of 1734 on the 4th of October. (See Figure 8. in the Hurl of lhe Fife profound contribution to the Western of tilt W41tf "V in Ifw Liver Occult Revival than our notable of lhfEmh 9 in lilt Lung 6 in lhf Bladdcl reconstruction of Goetia evocation.more than a mere philosophical analogy. 94 .-. Here again. This was the key to bringing the Eastern and Western microcosmic mandalas together. Even though I was the catalyst.now it may be shared with other builders of The Temple Within.) showing the planets roughly in line with the chakra positions in kabbalistic order (Hall. 1916: 1xxv). Psyche (Lady Mara) with opening my chakras via the 5S technique during Sor. I must credit Sor. The inspiration came literally 'in a flash'. as with our Goetia method. 1975. Figure 6. Fra.The Planets Within. It of lhfAir was necessary to keep the secret only until the system proved itself .

Abraham Abulafia actually went further in our direction.even with The Lightning Flash or Sword of Wisdom staring them right in the face. respecting "tradition" above all else. combining breathing exercises. certain priorities had to be met: first. adepts (mainly Regardie) who conceived "The Middle Pillar" exercise. the chanting of Holy Names. 1974:180) In developing . etc. the musical scale and color visualizations in his meditation practice (Scholem. hips. prefering instead to base their interpretations on literal readings of the Hindu and kabbalistic texts. recovering . 1919:21) . as on the Sushumna of the chakras. no raising of the Kundalini was ever intended. These efforts have always failed because their authors refused to consider the problem from a logical perspective. intertwined about the central channel of the Sushumna and crowned by the winged essence of liberated consciousness at Sahasraram.It has been suggested that Yoga was originated in the West by Pythagoras and then imported into India by Alexander (Iskandar) several hundred years before Patanjali wrote down the precepts in Sanskrit. It seems the 13th century kabbalist. have tended to perpetuate this naive conception even though all but the most credulous among them are aware that the Otz Chiim is not a structural diagram but rather a philosophical schematic. In fairness to those G. D. Conibining the three Pillars of The Tree into one central "Sushumna" was too simple and drastic for them to consider . The ancient Hermetic Caduceus represents the snake-like primary Nadis of the Ida and the Pingala. This striking similarity has been noted and pondered upon as long as Yoga has been known in the West (Woodroffe. Theirs was not an attempt to develop a Tantric Yoga of the West but rather a meditation on the Tree of Life in relation to the human body.the Psychic Centers of the West. In medieval and renaissance iconography this led to the placement of the sepheroth on the shoulders. the physical 95 . There have been numerous attempts to align the sepheroth of the Otz Chiim (Tree of Life) with the chakras of the Yoga system. In the traditional relation of the Otz Chiim to the Adam Kadmon (spiritual body) the sepheroth are arranged on three pillars instead of one. Occultists.or if one prefers.

Chesed (number 4) is then at Anja. which may be compared to the thousand petalled lotus of Sahasraram in the Hindu system. then Geburah (number 5) is at Vishudda in the throat.) Above this natural gateway lies Kether in the highest essentially Macrocosmic dimension of Atziluth. and Yesod (number 9) in the genitalia. (number 2) in the left half of the cerebellum where kabbalists had located them hundreds years before modem medical science confirmed their vision. and this places Da' ath. Malkuth. (One can easily locate this spot with the fingers. behind the Third Eye. Kether sends its Light down through the Tibetan-Tantric "Aperture of Brahman" (Evans-Wentz. 1935-267) depression in the top of the skull where the soul leaves the body. the strongest link between the two systems. The ineffable originating source of Light and Power is Kether (number 1). the Supernal Mother connoting "Understanding".as mentioned above . And finally. the Supernal Father connoting "Wisdom". the Heart Chakra. If Tiphareth (number 6) is anchored at Anahata in the chest. Here we have another gateway between the Olams (dimensions). Second. Together. most important of all. Netsach (number 7) is at Manipura in the solar-plexus. In descending order. The natural numerical sequence of The Tree solved the problem. Hod (number 8) is at Svadlstana below the navel. (number 3) in the right cerebral hemisphere and Chockmah. This was a tall order but the solution . in the center of the skull vault with Binah . the boundary of the Yetziran Astral dimension and gateway to the Abyss. the "Lightning Flash" diagram that the G. in point of fact.came 'In a flash'. being linked to Yesod in the Yetzirah by the contact proximity of the asana position. In this respect the physiological control relationships as stated by Dr Mishra (1959:73-80) would be retained intact.points employed in the Raja system had to be matched along the spinal cord as a logical concession to centuries of successful practice in the East. used to show the descent of the Spirit down through each Sephira. with the physical world of Asshia with its one Sephira. had to correspond to Tiphareth.D. these two 96 . Anahata. the Western system had to be philosophically consistent with the Holy Kabbalah.

Figure 7.Author s rendering of The Ordo Templi Astartes' kabbalstic Psychic Center System. -. such as colors and elemental attributes are not always going to 97 .z:>oM "lSl!fP Considering the above arrangement. * SI!u. it will be immediately obvious to the advanced student of kabbalah and yoga that certain correspondences of the Hindu chakras with the kabbalistic sepheroth.

via our preliminary pathworking system rather than increments of a completed system to be established inside the body. is the kabbalistic color scheme applicable to them? To answer the former we must say that the kabbalistic centers are remarkably similar but not identical. not passively observing psychic phenomenon. 'vive La difference'! This is a Western System.match-and to this we say. Secondly. Now all the powerful subjective tantric 98 . 1964:332). second. The Ida. in fact we use their techniques whenever possible . They are to be envisioned as Jewels within the Mystic Rose rather than the Lotus and they are opened by our traditional God Names in Atziluth on the sevennote scale rather than by Sanskrit mantras. In the construction of the Body of Light Within they should be considered tasks to be accomplished. These are Psychic Centers. We frankly admit to a considerable degree of syncretism with Raja and Tantric Yoga. according to Idries Shah. or astral initiations. are the kabbalistic attributes of the sephiroth compatible with the characteristics of the Hindu chakras and does it matter if they are not? And. consider the .actual physical location of the Lataif (Sufic psychic centers) to be "theoretical" (Shah. not the actual color the center itself.but the determining symbolism and philosophy of the system is Western. If this is understood there should be no problem in working the system and reaping the tremendous benefits it affords. but what of the twenty-two paths connecting the sepheroth ? Should they be considered the secondary Nadis? The answer to that must be no. It should be realized that the Paths of the Tree are subjective and arbitrary as to their placement in any pre-existing etheric sense. Symbolic color is what we apply to the center to activate our effect. not Chakras. Hindu symbolic colors applied to the chakras do not always match the colors skryed on the etheric plane by adepts. Two other questions must be answered before we accept this system for practice. We are practicing magick. First. If this is a problem then consider that there are different chakra systems for every Tibetan deity and the Dervish orders. the Pingala and the Sushumna are ours via the snakes and staff of Hermes' Caduceus. Of course our kabbalistc colors do not match either but this is to be expected.

Figure 8. -. It is the true beginning of The Great Work.and even taoist techniques are open to us within the symbolic framework of our own system. From an Isis-Osiris Golden Dawn Temple Scroll rendered by the author. and ultimately. both within and beyond the microcosm. consciousness survival on the Taoist principle of building a vehicle for the Soul. The Archangels are Sandalphon and Metatron.The Lightning Flash or "Flaming Sword" that comes down through the Sephiroth of the Tree of Life (and through the Psychic Centers of the Hermetic Caduceus). will grant the third and crowning Power of the Magician: that of Soul Travel. 99 . once perfected. This building of the Body of Light.

With this Iraug/it I plant mg sparl(j 9{urture deep the Deu: ofsunfire. the !l{ainbow In mg Shrine ofHidden. While the others continue their rhythmic massage. 100 .te by 'Ihabion. Her head rests in the center of Solomon's Triangle while she stares upward into the depths of a great. in sync with the rising and falling hum of their voices. Only their hands can be seen. he delivers the conjuration: We call Thee in the Name of All-Father Ool and in the Name of Thy Supernal Mother. Lig/it! 9{uptiae o/ernal t£quino~ 1Q. Asherat-ofH ••• A NUDE WOMAN LIES IN THE CENTER of the magick circle. . glistening glow over her oiled body. She is in deep trance. . the fingertips moving slowly up and down her body as they hum a droning overtone chant. dark mirror suspended from the ceiling. In rzFi:g o/ast ani o/italt])arl(j 5llstarte: With tfiis Siever Cup ofMysterg :From beyoni the 'llei{ of 9fjg/it Come I to taRg.Ba'al: With tfiis (joUfen (jift I toed Ihee. Sitting close around her on both sides are darkly robed and hooded figures. At her shoulder sits the Magus. J Chapter Ten: Solomon's Se~Magicf( The dim candle light casts a soft. Her eyes are wide open and unblinking.

The blank stare in her eyes is replaced by an expression of dawning awareness which quickly becomes a look of omnipotent intelligence. I vividly recall 101 . First you should be aware that straight Assumption of Goddess (or God) form operations do not. If one of the massagers lets his or her fingers stray onto (or into) the receiver's erogenous zones. Come. She laughs and then speaks in voice not her own: "I am here. my children.oh Great Goddess Astarte ! " The woman arches her naked body and languorously stretches like a waking cat.Come: be with us in this fair and humanform. involve direct sexual stimulation.the-Sea and in the Name of Thy Royal Consort. Mesmeristic 1. Prince Ba'al the Thunderer. or should not. The technique is more Mesmeristic than hypnotic and depends on directing energy flows up and down the body. you will short-circuit the current. Why have you called me?" The operation I have just described is an advanced technique which we call Assumption of Goddess-form. technique as a starting point so we will begin at the beginning. It is actually more of a sensual magick operation than one of sex magickbut our Hieros Gamos (Divine Congrex) uses this same tactile.

having a grim, hand-clenching battle with a former student during an assumption operation to keep him from taking liberties with one of our lodge sisters who was deep in trance. Make certain that you all agree on the rules of conduct before you undertake this type of operation. It is absolutely essential for your receiver to have successfully evoked the entity in a previous Goetia Contact Operation. The operator and the receiver should establish a comfortable rapport with the entity and request its safe cooperation before performing an assumption operation. Needless to say, certain entities should be absolutely avoided in this regard. I can only recommend Astarte and Ba' al for this sort of work and even with these friendly beings I urge caution. (No one under eighteen years of age should be allowed to engage in any Goetia type operations, especially assumptions.) You can use your Earth Pantacle mirror as an overhead speculum if you put three or four rings around the rim to hang it from. If you have a full sized temple, I would suggest a larger mirror. (y.Ie use a convex 21" diameter dark mirror mounted on a circular wooden frame which also works well for pathworkings and astral time travel.) Place the spirit's sigil on the mirror as you would in a regular Goetia operation. Be sure to have the receiver wear the spirit's lamen. Place three candles at the corners of the Triangle, acquire a bottle of scented massage oil (warm it to blood temperature) and you are ready to operate. In other respects, straight assumption operations are similar to Goetia contacts. You must alter the conjuration to say: "Within this Circle and upon this Triangle... Speak to us through our receiver; bless her and harm her not!" The receiver should not allow herself or himself to become fully possessed. When receiving in this type of working take an observer's seat somewhere in your mind and monitor the entity you are channeling. For the receiver an assumption should be the spiritual equivalent of a "method" actor's performance. Invite the entity in and allow yourself to "play the role" but always remember that this is Magick, not Voodoo. You are not a horse for the gods to ride, you are a host entertaining an honored guest. Don't let it go further than that. A competent magister will make sure that such operations are carefully planned
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and properly performed with consenting, emotionally stable adults who know exactly what they are doing. As we stated above, straight assumption operations are sensual but not sexual - and yet they are the starting point for the Hieros Gamos or what our Wiccan friends refer to as "The Great Rite". The Hieros Gamos is a Sacred Marriage, not an orgy. It is a very private and Holy Rite. It involves, or should involve, one man and one woman who have already established a deeply meaningful sexual relationship. Here again, do not use these methods for seduction because they are too complex, intense and subjective for people who don't already know and respect each other in the most intimate sense. Before we get into operational details a brief review of western sex magick theory might be in order: - You remember Plato's idea of the original idea? Plotinus took it out of the abstract and hooked up an energy flow (the Star Wars "Force") to "the idea", giving us what is known in occult terminology as "an astral pre-form". In other words .all physical forms and events must be preceded by a pre-form in the Yetzirah (astral) dimension. The entire active aspect of Magick involves creating and programing these astral pre-forms. There are several methods for doing this: creative visualization, ritual, talisman creation, etc. - but one of the most dynamic and effective techniques is to sexually create a magical child and program it to accomplish your desire. This method works on the old kabbalistic doctrine that every sex act, even masturbation, creates some sort of pre-form entity on the astral. Congrex between a man and a woman will therefore result in a magical offspring if no physical conception is accomplished. (This very ancient belief is one of the reasons behind the religious prohibition against having sex for fun. God creates and so do you - and the clergy doesn't want you to know it!) Therefore, if you and your partner decide you want to create a magical child, you fITst make a talisman to represent it and the purpose it's going to accomplish, then you have sex and impregnate the talisman with your combined effluvium. Nine days later you go through the same procedure again and re-impregnate the talisman. You then seal it up, forget it and let it perform its task.

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I can relate from personal experience that this is one of the most powerful techniques in magick. It virtually has to work, even if you don't believe in it! As described it is a simple, mechanical technique that will succeed to some degree no matter how basically you perform it - back before W.W. I, male German O. T.O. members often carried out the rite without their wives even being aware of it -- however, if you want to get the most out of the method, you will want to ritualize it the way the ancients did. In other words, you will enact the Hieros Gamos, or Sacred Marriage. This Great Rite was usually performed by a high priest and high priestess or a king and queen at the beginning of the year to ensure prosperity for the land and the people. We symbolize it in our Nuptiae pageant at Vernal Equinox. The lines of poetry heading this chapter are from that rite and may be used as the only spoken words the manifested God and Goddess need recite to each other when coming together for their congrex. The sacramental mead is poured from Ba'al's Golden Flagon into Astarte's Silver Goblet and then shared as a symbolic gesture of the physical consummation about to take place. However, you may wish to add the following statement of purpose: Astarte: What task shall the Child of our Union perform, oh my Lord? Verily He shall ( here state the task) In Good Time and Full Measure!

Ba'al:

In ancient Babylon the Hieros Gamos was enacted on top of a ziggurat whereas in Canaan it was performed on a hilltop or in the inner "Holy of Holies" chamber of the Temple. Here again the procedure is straight forward and simple. The priestess invokes the God into the priest and then the God invokes His Goddess consort into the priestess. In modem practice you may carry out the invocations under the suspended mirror, in the same manner as in an Assumption operation, or you may enact the procedure standing up while facing a full

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length mirror (we use the Lunar Soul-Door in the Western Quadrantsee the Egyptian arch shown veiled in our video). Appropriate makeup, costuming and jewelry will aid in the transformation and a cot mattress covered with black cloth should be placed in the Magick Circle. Sandlewood incense, roses and soft background music on an exotic theme would help to create a proper atmosphere. When both have assumed their godforms, the Great Rite is formally consummated and the mighty talisman of the working is charged (see Figure 1. below). Aside from its tremendous magical potency this is a profoundly beautiful experience that can deeply enrich and re-empower a monogamous relationship. If you and your partner are beginning to find your sexual relations getting just a little boring, invite Ba' al and Astarte into your lives and let them rekindle the fires of romantic love. In closing let me again caution you against any frivolous, irresponsible Figure 1. Reverse side should show symbolism use of these powerspecific to the Magical Child and its ful techniques or any intended purpose. degenerate perversion of their worthwhile purposes. Honor and respect these methods and they will serve you well. Show reverance to The Goddess and to Her Prince Consort and you will surely prosper.

Chapter Ten. :J{ptes onjoflowit1£J page. . .
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Mesmerism and magick see the author's Magick and Hypnosis from C. This was pure Mesmerism.. 106 . was said to have "a hypnotic touch". you are feeling sleepy. Mesmerism is not hypnosis but the two methods overlap.. Mesmerism. Milton Erickson. than on the hypnotic induction routines we are familiar with today. and you would.H. Even his friends were reluctant to shake hands with him. etc. Mesmerism comes into play. A Mesmerist would not say: "You are very relaxed. In spite of many attempts to discredit the old system.Chapter TenlfJ\[ptes: 1. the first popular form of trance induction to be introduced to the western world. look into your eyes and command you to "Sleep!" . it still works. For a broader discussion of hypnosis.. The famous American hypnotist...S. The technique depended more on an influx or exchange of magnetic energy.". Inc. Whenever hypnosis is combined with physical contact or eye contact. was developed by Dr Franz Anton Mesmer in the late 18th century. he'd simply put a hand on your shoulder. directed by the Mesmerist.

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The Planetary Septagram Rite draws down The God Power. The Pentagram ritual casts your Magick Circle of protection and establishes your Guardians at the Four Quarters of the Universe. Study the Archangel icons we have provided.s In HerCup. Curt of 'Ihe Sa11£frea[ 6y 'Ihabiott Chapter 'Eleaen: Pentagram andSeptagram !J?jtuafs you will use throughout your entire magical career. . unto (joddess. draw and color your own versions. nurtures the (jfgpli. If you are artistic. You should practice these rites daily and make your visualizations more and more vivid.h.but no magician should ever be satisfied with anything less than perfection! Work! 107 T HIS CHAPTER DEALS WITH TWO vitally important rituals that . . . activates your inner psychic centers. selects the Sphere of your working and Opens the Gateway between the Worlds. Letters and Symbofs in a Spectrum of!fire. . In tas~ of'Ilie . .Man/ even as (jof£ writeswith tlie Wand ftl. Explore your own inner dimensions.9tnd!Jet there is tliat in Man wliic. . . .1uf emhlazons witli tIie Sword. . OUI Magick will work with a minimum of effort -.9trt.9tndtliat in Woman wliicli is Manfg Hence a[{ tools of71ie WordsliouUf6e thine. Woman/ uf<:!. is Womantg. . (jiving them substancefrom HerPentacfe: 'IIie Ineffibfe rcJowefs.

You should employ it every day for inspiration. formal application it is the required "circle casting" or "quarters rite" preceding every ritual in nearly all Western magical traditions and variations of it are even used by Wiccans. is one of the most impor- sv- Banishing Structure: . WITH ITS VARIATIONS. Before this elegant rite was conceived each magician had his or her own way of casting a circle. You can perform it without a sword or gestures as an internal projection of your imagination at any time you need protection. The Golden Dawn used it primarily in the banishing form to cleanse a temple before working. Background: . Figure 1.The Pentagram Ritual is still reffered to as "The Lesser Pentagram Ritual" in The Golden Dawn papers because it utilized only the final form attributed to the Earth Element.The Pentagram Ritual is a legacy from The Order of the Golden Dawn. The term "Lesser 108 . The invoking and banishing Pentagram forms were found in the original Cypher Manuscript but the concept of the ritual itself must be credited to W. T HIS RITUAL. protection and personal centering. In its full dress. We employ the banishing form at the end of the rite to close and seal the circle of our working.%e Pentagram !J?jtua[ tant rites you will commit to memory in your magical career. often involving the actual tracing of the circle on the floor or ground. These Wards are traditionally the four Archangels of the Tetragrammaton. We use it in the invoking form to consecrate our magick circle and set "The Wards of Power" at the compass quarters. Wynn Westcott.

(If this confuses you at this point. Touch right shoulder and say: "Veh-Geburah". don't worry about it. 7 ). This is an appropriate opening and closing for all magical operations because it brings Spirit into and then releases it from the physical plane or material basis of the work ( for a more detailed discussion of this concept see The Lesser Ritual of the Pentagram by Fra.Pentagram Ritual" is used because the so-called "Greater Pentagram Ritual" used to open Enochian Tablets was later incorporated into the Enochian "Watchtower Opening. Our mandatory Planetary Septagram Rite will cover the Quadrants as well." In our video we use only the Earth Element Pentagram form as a minimum opening and closing requirement -. Amen!" ) Trace the first Earth Pentagram in the East with the point of your sword (invoking to begin the rite. The Power and the Glory Forever. Here follows a step-by-step description of the rite with variations:- Lesser Pentagramfor 'Iemple Opening & Cfosing Face East. Translated it means: "Thine is the Kingdom. Kalla in T-7R no. Because these are Earth Pentagrams they must be visualized in bright. neon green! 1. Touch right hand (with sword) to forehead and say: "Ateh" ( aa-tah ). hence we are invoking Spirit into and banishing it from the Element of Earth.but the experienced operator can certainly use the other elemental forms as an additional Quadrant opening similar to the Enochian Watchtower concept.) In activating these Pentagram forms on the astral you invoke toward the point of the Element and banish from that point. Touch sword pommel to chest and say: "Malkuth" ( Mal-koot ). banishing to close). Thrust the point through the center vibrating: "AMShO" (Ah Mah Sha Oh) or the 22 109 ." Extend sword outward with both hands and say: "Le-Olam!" Bring the sword back to the chest saying: "ADM." (This is the Kabbalistic Cross. Perseus and Sor. The words and Names of Power must be vibrated and projected. Earth is on the lower left point. then left shoulder and say: "Veh-Gedulah.

In the south (to your right) visualize the Archangel in armor towering above a fiery volcano with his flaming lance. South. Gabriel!" (Gab-ree-el). 2. West and North). Then say: "Around me flame the Pentagrams!" Again visualize the green pentagrams at each quarter (East. Thrust through the center while vibrating: "ADONAI!" (Ah-doh-nye). Keeping the sword point extended do a right facing movement and trace another Pentagram in the South. Figure 2. if you prefer.or. Complete the circle in the North with the final Pentagram saying: "AGLA!" (Ah-gay-Iah . "ShMAT" (Sha Mah Ah Tah). Still facFigure 3. vibrate: "Behind me. holding a Pantacle heaped high with the fruits of the Earth.letter Alphabet form. Next vibrate: "Above me shines the Six-Rayed Star!" Visualize above your head a unicursal hexagram in bright yellow gold. with the green hills behind Her. Again perform the Kabbalistic Cross to complete the rite. Behind your back visualize the Archangel holding Her silver chalice with the Moon and the ocean behind her. 110 . To your left visualize the Archangel. Next say: "At my left hand. Then say: "At my right hand Michael!" (Mee-ky-el). thrusting through with: "EHEIEH!" (Ah-hey-yah). Auriel!" (Au-ree-el). Swing the point to the West and trace another Pentagram. Raphael!" (Ra-phy-el). Ateh Gibor Le-Olam Adonai! Thine is the Power forever my Lord!) Again face East and extend your arms in the form of a cross. Visualize the Archangel towering above the clouds at sunrise with his sword and censer. saying: "Before me. King Scale: Dark Olive Green Crimson Blue Bright Yellow ing East.

It is more of a New Age NeoPagan form suited for an outdoor setting.T.. It is the same as above except that when the Archangels are called and visualized.A. Ah Mah Sha Oh.Gabriel... protect me (us) from the threat offlood and storm. This is really not a regular Pentagram ritual but it is a four-quarters rite. . grant me freedom and spiritual enlightenment. There is another variation to be mentioned.. . Auriel grant me boundless wealth and prosperity" .. . protect me (us) and what is mine (ours) from theft." Again visualize AMShO (ShMAT) above and say: "Ah Mah Sha Oh" protect me (us) from above and below and within and without. It is usually done in the invoking mode but can be done as a banishing in conjunction with other rites. Michael grant me creative force and energy . protect me (us)from the perils of wind and plague . accident or destruction. injury. This rite is an invocation and extension of Universal Love to unite yourself with Nature and Humankind..Then we add the visualization of the Tetragrammaton overhead in colored Phoenician letters starting from right to left. (or Sha Ma Ah Ta) while saying: "Great Lord of the Universe.. Gabriel grant me unlimited love and sensitivity.. " This last petition is the most important . The following petitions are made: "Raphael. the following petitions are added: "Raphael grant me perfect health and wisdom . It should be done in conjunction with the practice of the O..'s Personal Transformation Mantra: Through me flows a river of unlimited love! 111 .." The second variation is the protection version. It is the same as the basic form except that the Archangels are visualized as facing outward in a shielding mode. Black magick uses your own weakness against you. It is especially good to use with non-initiates present. . protect me (us)from the dangers offire and fury.f£l(tensions and 'Variasions of the Pentagram !Ritua{ The first variation is the daily personal empowerment version (which is always done in invoking mode). Michael. Auriel.especially if you are defending against magical attack.

Facing East and say: "Above me Sun-Father, beneath me, Earth Mother; empowered by one, 1 serve the other. Air-Earth-Fire-WaterFather-Mother-Son-Daughter - AUM!" Raising your hands in the receiving mode ( palms up ) repeat the Transformation Mantra twenty-two times, then look off as far to the East as you can see and vibrate: "I project Love to the limits of the East ...and receive in return a vision of beauty!" Wait to absorb the vision, then face South and repeat the formula. The same to the other quarters in a deosil round. Close with the opening salutation. The basic Pentagram ritual should be thoroughly memorized before any of the variations are attempted. The Transformation Mantra can be used at any time. It is the subject of a separate paper and is only mentioned here in conjunction with the last Pentagram variation. The Phoenician Tetragrammatons, Aleph Mem Shin Omega (AMShQ) and Shin Mem Aleph Tau (ShMAT) are discussed in Note 1., Chapter Seven.

Pentagram 2?jtua{/:A[ptes:
1. This is bound to confuse and upset some "authorities" and their students who insist that Earth Pentagrams should be visualized in an astral electric blue color. If you have already established this visualization then I don't insist that you abandon it -- but, if you have not set it in concrete, you should conform to the basic principle of magical color projection. The G.D. color scales are NOT what we see on the astral, they are what we project and impose in order to accomplish our purpose. You are creating an Earth Pentagram, not skrying one that's already there -so, don't make 'blue' water Pentagrams for the Earth Quadrant. Make 'urn green. Readers who are either Jewish or Old Testament oriented Christians should use YHVH (Yod He Vau He) as their Tetragrammaton. Pagans should certainly respect YHVH -- but they don't have to use it.

2.

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pfanetarg Septagram !Rjtua{
Pentagram rite. Whereas the Pentagram "Casts the Circle" and establishes the Guardians at the Quarters, the Septagram Ritual then "Opens the Gate" specific to the working. The Planetary Septagram graphic shown below is an ancient traditional design used by virtually all orders in the Western Tradition. (As in the Pentagram, we invoke toward the point of our working and banish with a reverse motion.) Although the Planetary Septagram design is traditional, our method of drawing down, internalizing and localizing the Spirit in the Sphere of the working is original with the O.T.A. - Remember, in Goetia all operations take place in the Sphere of Yesod. Therefore when this rite is performed to open a Goetia operation, only the Yesod form is used. The Planetary Sphere within Yesod will then be evoked by the Magus during the conjuration.

T

ms RITUAL FOLLOWS THE

Banish - - - - . .

Trace with wand

~-----Invoke

The Planetary Septagram for Yesod

Face West, holding the Wand in the right hand before your chest (point upwards). Tilt your head back, look up overhead, close your eyes and take a moment to imagine yourself as a fifty foot tall giant, then visualize a distant, brilliant flash of LIGHT (Kether) high above you. Vibrate the Name: EHEHE! Bring the LIGHT down through the
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Aperture ofBrahman in the top of your skull (Tibetan Hoc Phut spot) and illuminate the left side of your brain (Chocmah) as you vibrate: YAR! Visualize this as a swirling, luminous gray cloud. Let the LIGHT flow over to the right hemisphere and vibrate: AHMASHAO ELOHIM ! Visualize a black triangle (Binah) . Move the LIGHT to a point just above and between your eyes. Vibrate: OOL! (EL) and visualize a bright blue square (point upward like a diamond) (Chesed). Still looking up with your eyes closed, now imagine your giant form extending above you, thus enabling you to lower your consciousness point into your body as the LIGHT descends. Bring the LIGHT down into your throat and vibrate: ELOHIM GmOR while visualizing a red pentagram (Geburah). Drawn the LIGHT down into your chest, vibrating: AHMASHAO ALOAR VA DA'ATH while visualizing a golden unicursal hexagram (Tipareth). Descend to the solar plexus and vibrate: AHMASHAO TZABEOTH and create an emerald septagram (Netsach). Move the LIGHT below your navel and vibrate: ELOHIM TZABEOTH. Imagine a bright orange octagon (one square superimposed over another)(Hod). Drop to the genital region and vibrate: SHADDAI EL CHAI, visualizing an amethystine eneagram (three superimposed triangles) (Yesod). Finally drop to the perineum and vibrate: ADONAI HA ARETZ. Create the crystalline decagram (by superimposing two pentagrams) (Malkuth). You have now opened all your psychic centers in the highest (Atziluthic) dimension. You will now start up from the bottom using the Briatic scale of formulas. Holding the decagram visualization, vibrate: SANDALPHON. Move back up to the eneagram, See it now as a pale yellow design traced on a violet background and vibrate: GABRIEL. Open your eyes and look Westward. Trace a Lunar invoking planetary septagram with your wand. Trace a lunar crescent in its center and vibrate: ARARITA SHADDAI EL CHAI. Repeat this at each quarter, moving deosil, until you return to the West - then hold your arms out in the form of a cross and say: "In the Name of the Archangel GABRIEL I declare the Gateway to the Sphere of Yesod Hermetically unsealed and the Portal Between Worlds hereby opened."! Bring the wand back to your chest, holding it with both hands, and complete the rite by intoning: AUM !
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To close the Yesod Gate at the conclusion of the operation (before the final banishing Pentagram), you merely repeat the rite, again starting in the West, using the same intonations but tracing the Septagram in banishing mode. You do not need to do any internal visualizations. Conclude back in the West by declaring the Yesod Gate to be "Hermetically sealed and the portal between Worlds hereby closed- AUM!" (Note: - For non-Goetic planetary operations you should begin your Septagram rite in the appropriate Quadrant, e.g., Venus in the North.)
fJl.{pte onSeptagram !Kjte:

1.

I cannot overemphasize the importance of this "Opening and Closing of the Gates" declaration. It should be used in all magical operations, most especially evocations and pathworkings. Your subconscious mind needs to be told that "The door is now open" because it understands other dimensions in the most literal form, as "other dimensions". If it is not informed that the way is now open it may struggle blindly through the whole operation against a barrier you could have removed with a few words in the beginning.

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. . The Operator then lights the incense burner.ncfwliatpayment wi[t tfiou yieft[? fJ3efiofj[ .shtart of. The opening and closing Septagram rites should be arranged accordingly (see previous chapter). We then enter the Circle and stand close around the double-cube altar.9l.rmageaaon! Sliaaaai 1£[ cliai slia[[dear the way. Michael in Hod. Hod: storax.l(jtuafs A of the four Great Archangels should begin with an Invoking Pentagram. . upon which have been placed the Master Mandala and the crystal orb. We locate Raphael in Tiphareth. followed by a Planetary Septagram (the internal visualizations accompanying each rite are to be practiced by all attending). I amon My Father'. .9l. elevates it and salutes The Lord of The 116 N ANGELIC INVOCATION of one . Chapter Tuieloe: Invocation antiEoocatiott !.s service.wfio stands before the Lunar (jate? Wliat Power dost tfiou uiield? Wliat Lord did send thee hither. serves appropriate incense (Tiphareth: frankincense.9l. from %e !Jestiva[ofSeven (jates 6y 'Ihabion. .9l. Yesod: jasmine and Malkuth: Dittany of Crete). . Gabriel in Yesod and Auriel in Malkuth (along with Sandalphon).ncfthe o/ei[of'Dreams slia[[ I pay.

Universe. He then removes the silken cloth covering the crystal and rings the bell over it to symbolize the descent of the Holy Spirit. Following this he places the incense burner into its chamber and all take seats on the low stools around the altar. The Magus recites the Invocation and then the recitation passes around deosil as the others begin a soft overtone chant of the Archangel's name. After everyone has invoked in tum, the chant continues to grow in power and intensity until the Glory comes upon the altar and the Magus makes the sign of adoration and welcomes the Archangel. He may then make a petition or channel an oracle; following this he will ask the person on his left: "Does the Angel speak through you?" If the answer is "Not at this time," the Magus will ask the question of the next person on his left and so on until all have had a chance to vocalize the "knowings" which have entered their enchanted minds ... Finally the Magus will stand (cueing all to rise) and thank the Archangel for coming, bidding Him or Her "To remain ever stronger in our hearts and to return to us when reverently called by the rites of Holy Magick. Hail and Farewell!" He then covers the ball with silk. The Planetary and Elemental banishing rites are then performed to conclude the operation. (Note: even though we ran these invocations together in the video, only one Archangel should be invoked per opertational session.)

.9Lrcliangefic Invocations 1.
We call Thee, Great Archangel RAPHAEL in the name of Tetragrammaton - Ah Mah Sha Oh! Come to us, oh Guardian of the Eastern Quadrant, Master teacher, Loving healer, Wielder of the Sword of Truth and Lord of the Ariel Realm! Come, we beseech thy presence here upon this Holy Table ... Shine forth from this pellucid crystaL . . Grant us a glimpse of thy glory and a whisper of thy wisdom.. . (overtone chant by all in unison) ... Ra-pha-el! Ra-pha-el! Ra-pha-el!

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We call Thee Great Archangel, MICHAEL, in the name of Tetragrammaton, Ah Mah Sha Oh! Come to us, oh Guardian of the Southern Quadrant, Master of the Sacred Lance, Warrior and Defender! Lord of the Realm of Fire! Come, grant us a measure of Thy Power and a warning of any dangers that might lie before us... Mi-cha-el! Mi-cha-el! Mi-cha-el! We call Thee, Great Archangel GABRIEL, in the Name of Tetragrammaton: Ah Mah Sha Oh! Come to us, oh Guardian of the Western Quadrant, Lady of the Waters and Mistress of the Holy Grail! Quicken within us the faculties of sympathy and of intuition. Grant us a glimpse of thy mystic Grace and an oracle from thy vast, dark ocean of Understanding... Gab-ri-el! Gab-ri-el! Gab-ri-el! We call Thee, Great Archangel ADRIEL, in the Name of Tetragrammaton, Ah Mah Sha Oh! Guardian of the Northern Quadrant, Lady of the Earth and Mistress of the Holy Pantacle of Art! Bring us in Harmony with nature's cycle and make fertile all our just desires! Bestow upon us thy Love and lead us unto thy treasures -in the Name of Adonai ha-Aretz ... Au-ri-el! Au-ri-el! Au-ri-el!

Remember: you must complete all four Archangelic Invocations before you proceed to the Evocation of Spirits. These Archangelic operations consecrate and empower your Master Mandala.

(joetic 'Evocation Operations:
When I first began my Goetia experiments in 1969 I used all three conjurations and The Curse of Chains (I still have the metal box with which I tormented the spirits by heating their sigils over the thurible) but after the first year of O.T.A. group workings, using our hypnotic dark mirror method, I realized that for our purposes the complete medieval armamentarium was unnecessary. The first conjuration
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(especially the rectified version below) has all the Names of Power and correspondences you need to bring up a manifestation. Whether it is wise to intimidate elements of the subconsciousness mind is a debatable point in any method of evocation, but I think it should be especially avoided when keying off your own, or your receiver's, reflection. You may need to repeat the first conjuration two or even three times in a stronger tone of voice to bring the spirit in - but any more than this should not be necessary. 2.

CIRCUMAMBULATION

With a full complement (Operator, Receiver, Server and Acolyte) this can be a very impressive phase of the ritual. It is always marched deosil (clockwise) with the East as a starting point. The Operator beats the drum and leads the sonorous overtone vowel chant (Ah _. Aae - Eee - Oh - 000) ,the receiver wears the lamen of the spirit and has no task except to spiral into the vortex by concentrating on, and pivoting around, the pentacle of the sphere (within Yesod) placed in the center of the circle. The server gently swings the lighted censer, burning the appropriate incense. The Acolyte rings the bell each time he passes the East, marking the circumambulations. As the circumambulation proceeds, the pace, the chant and the drumbeat gradually increase in speed, volume and intensity. After the last ring and final drumbeat, the Magus and receiver enter the circle while the others quickly and carefully move the equipment into position. This stage business is covered by the ...
PRELIMINARY INVOCATION

This is an edited version of The ancient "Bornless Ritual". It should be read by one of the operator's assistants, or recited from memory by the Magus, to cover the setting-up phase directly after the circumambulation has been completed. This recitation maintains the magical mood while the Triangle is moved into position, the work table is brought into the Circle, the receiver is given the candle sticks to hold , the incense server takes his position, the Magus puts on his
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ring and lights the skryer's candles... Thee I invoke, The Bornless One! Thee that didst create the earth and the heavens! Thee that didst create the darkness and the light! Thou art Osiris-onofris, Osiris the Beautiful ... Whom no one hath seen at any time! Thou hast distinguished between the just and The unjust! Thou didst make the female and the male Thou didst produce the seed and the fruit Thou didst form us to love one another and to hate One another! Thou didst produce the moist and the dry and that Which nourisheth all created life! I invoke Thee, the Terrible and Invisible God who Dwelleth in the Void Place of the Spirit! I am He! The Bornless Spirit! Having sight in the feet: Strong, and the Immortal Fire! I am He! The Truth! I am He who hates that evil should be wrought In the World! I am He that brings the lightning and the thunder! I am He who showereth life upon the earth! I am He whose mouth ever flameth! I am He, the begetter and manifester unto the Light! I am He, the Grace of the World: The Heart Girt with the Serpent is My Name! Come Thou forth, and follow me and make all spirits Subject unto me so that every spirit of the firmament And of the aether, upon the earth and under the earth;
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AMASHAO ZABEAOTH. Gabriel. of whirling air or of rushing fITe . Tzadkhiel. PAUMACHIA. Haniel.. with the sigil of the Angel. strengthened by Almighty God and I command thee by: BARALAMENSIS. APOLOROSEDES.e. 4. take out the sigil of the spirit. the Operator raises his or her wand and begins the conjuration. while he recites the Latin versicle . ADONAI HA ARETZ . AMASHAO 3. SHEMHAMEPHORASH. ELOHIM ZABEAOTH. Raphael.Just before beginning the actual conjuration. ELOHIM GmOR.And every spell and scourge of God may be Obedient unto me! Note: . ministers of the Seat of Tartarus and Chief Princes of the Throne of Apologia in the Ninth Region! I command thee by Him who spake it and it was done! By the Holy and glorious Names: EHEHE. BALDACHIENSIS.) EVOCATION OF GOETIA SPIRITS THE CONJURATION I evoke and conjure thee.g.On dry land or in the water. Kamael.) The Magus should open the Brass Vessel.. This done. be sure to invoke the particular angel of the SHEMHAMEPHORASH which corre(See ANGELS OF THE sponds to the spirit being evoked. Sandalphon.ah . ELOHIM. AMASHAO ALOAH VA-DA' ATH. 121 . SHADAI EL CHAI. OOL. (See THE HERMETIC CADUCEUS. Spirit . Michael. During the recitation of the Names of Power he or she will trace the "Jewels of Artargatis" down the receiver's spine while projecting a visualization of the psychic centers through the receiver's back. and by the princes GENIO and LIACHADI. YAH. show it to the receiver and then turn it to show the reverse side.. Domini dilexi decorum domus tuae et locem habitationes gloriae tuae: Man .del! (for Astaroth-Astarte).

of things terestrial. HELIORUM! I command thee also in the narne of the particular King to whom thou owest thine obedience. Come in the Narne of the Archangel . who rules the _ Quadrant. the fire is generated. most noble (Rank) . come affably and manifest that which we desire. intelligible voice in our mother tongue. of things infernal do tremble and are confounded together! Come! Appear before us visibly. in fair and human form without horror or deformity and without delay. Come to us from whatever part of the world thou art and answer our questions. 122 .Come! Appear before this Circle. we charge thee to remain affably and visibly here before our Circle. the Mighty Tetragrammaton: AH-MAH-SHA-OH! by which the elements are overthrown: the air is sundered. within that Triangle. come visibly. We give thee sweet incense and good entertainment and. and all the host of things celestial. the Mighty . being commanded by the eternal and living God. Come. and by the Holy Narne of the Great Archangel . We thank thee for heeding our summons. King of Kings. why dost thou tarry? ADONAI SHADDAI. commands thee! WELCOME TO THE SPIRIT We welcome thee. the earth moves. Come presently. the sea rolls back. by the Power of God. I conjure thee by the Ineffable Name to which all creatures are obedient. and speak unto us affably in a clear. within our Triangle. free from ambiguity and guile. giving us true answers and faithful service until we shall license thee to depart.

I evoke and conjure Thee. we do hereby license thee to depart without giving injury to any person. because thou hast diligently heeded the rites of Magick and complied with our demands. depart I say. depart. You may also call attention to the Pentagram on the reverse side of the lamen). to withdraw from this place quickly and quietly giving no harm to any person or thing! Depart. and then covers the mirror with the green silk cloth. looks the receiver directly in the eyes and firmly declares: "Behold in me the person of the exorcist who is known as OCTINOMOS. depart. beast or thing. then the lamen should be turned over. the candles left lighted and the license to depart repeated again in a stronger tone. depart I say and BE GONE!" EVOCATION OF THE KINGS OFTHE QUARTERS 5. If so. to display the pentagram on the reverse side. armed by God and fearless in the midst of the exorcism! Behold the Pentacle of Solomon which I bring into your presence to your confusion!" (Direct the receiver's attention to the hem of your robe. the Magus snuffs out the receiver's candles. "I command thee. Withdraw quickly and quietly and may the peace of God continue between us and thee. turns the lamen.LICENSE TO DEPART Spirit . If not. and be gone! (Having said this the operator should ask the receiver if the spirit is really gone. Depart. in the Name of the Archangel . Lord of the Eastern Quadrant and Master of the Spirits of the Air and of all their 123 . In a very rare instance where the above procedure is not sufficient. Depart I say but be ever ready to return when duly summoned by the sacred rites of Magick. Mighty King Amaymon. the classic exorcism can be used: EXORCISM The operator turns the receiver around to face him or her.

Always decant any dangerous flamables into very small bottles before you operate. Spirit . Sandalphon. strengthened by almighty God. why dost Thou tarry? ADONAI SHADDAI. Raphael. if you use 151% rum straight from the bottle into the thurible you could blow yourself up. West=Sunset. AHMASHAOH ZABEAOTH. and I command Thee by Him who spake it and it was done! By the Holy and glorious Names: EHEHE. ADONAI HA ARETZ . Come. YAH. the Sea rolls back. I supplicate Thee great (Rank) . speak unto us in our mother tongue in a fair and human voice. the Earth moves and all things Celestial. OOL. free from ambiguity and guile. Gabriel. Michael. Fourth) Letter of the Holy Name . Come. the Fire is generated.but. AHMASHAOH ALOAH VA-DA' ATH. within this Triangle in fair and human form without horror or deformity and without delay. 124 .. SHADAI EL CHAI.Legions! I command Thee in the name of the Holy Archangel. Kamael. Come. AHMASHAOH ELOHIM. Raphael.Tetragrammaton: AH MAH SHA OH! (trace and visualize letters in color with wand) By which the Air is sundered. Haniel. ELOHIM ZABEAOTH. King of Kings commands Thee! (The welcome and license to depart are the same as they would be for any Goetia entity with the sensible addition of "Great and Mighty King" as an honorary prefix. Guardian of the Gate of Sunrise ( SoutheNoontide.) EVOCATION OF CANAANITE GOD FORMS THE CONmRATION I evoke and conjure thee. appear before this circle.. Tzadkhiel. Terrestrial and Infernal are confounded together! I command Thee by the Holy and Glorious Name that rules the Sphere of Yesod: SHADDAI EL CHAI and by the Name that rules Thy Sphere within this realm: AHMASHAOH ALOAH VA-DA'ATH. Third. A flaming libation of liquor would be an appropriate sacrifice . ELOHIM GIBOR. North=Eventide ) and Bearer of the First (Second.

the earth moves. and speak unto us affably in a clear. of things terestrial. being commanded by the eternal and living God. free from ambiguity and guile. come affably and manifest that which we desire. of things infernal do tremble and are confounded together! Come! Appear before us visibly. to which all creatures are obedient. within that Triangle. Come. come visibly. Thy higher presence and universal essence we hold in true reverence and serve in all humility.Come! Appear before this Circle. the sea rolls back. 125 . King of Kings. HELIORUM! I summon Thee also in the Name of Father EL (001) and Mother ASHERAT OF THE SEA and by the particular King of the Quarter to whom thou owest thine obedience. commands thee! ApOLOGY TO THE GODDESS OR GOD 6. who rules the _ _ _ _ Quadrant. and by the Holy Name of the Great Archangel . in fair and human form without horror or deformity and without delay. why dost thou tarry? ADONAI SHADDAI. Come in the Name of the Archangel . intelligible voice in our mother tongue. and all the host of things celestial. Come presently. the Mighty Tetragrammaton: AH-MAH-SHA-OH! by which the elements are overthrown. the air is sundered. I conjure thee by the Ineffable Name. but we hasten to declare that we command only that aspect of thee that dwells within ourselves. Come to us from whatever part of the world thou art and answer our questions. We welcome Thee. the Mighty . great (God/Goddess) ! We apologize for summoning Thee with such strong incantations. the fire is generated.

g. see THE 72 SPIRITS OF THE BRASS VESSEL. which we have explained earlier.g. This is the Atziluthic descending empowerment. sigils of the Goetia Rulers and the sigils of the Four Great Archangels who directly control them. For the unique O. Usually the receiver stands before the mirror. 6. 3. Operators who are Jewish or Old Testament oriented Christians should substitute Yod He Vau He for Ah Mah Sha Oh. 2. (In this case a stool is recommended because a chair might interfere with psychic center energies and also has a seance connotation. You should bring the LightJPower all the way down and ground it in the Malkuth center. we thank Thee for attending our rites and for granting our requests. 126 . The spirit's sigil apprears three times: on the lamen. They may be used in private ceremonies by individuals or groups but may not be reproduced for publication or used for public performance in any medium. Fra. and on the skrying mirror traced with a black china marker (note: we used a yellow marker in the video only for better camera visibility). 5. Ake Phalos (Jim Nobles) prefers to seat his receivers so that they can be more relaxed.T.A.) This is our Pagan Tetragrammaton. During the circumambulation the receiver should be wearing the Spirit's Lamen. We hope that your inspiration will remain and grow ever stronger within us even as your Greater Presence departs from our Circle. on parchment in the Brass Vessel. These Archangelic Invocations are the original creations of the author and protected by his Copyright. via the Briah dimension. Hail and Farewell! 9{ptes: Chapter Twefve 1. Return now to your wondrous realm but be ever ready to appear again when called by the Sacred Rites of Magick. to the Sphere of the working (remembering that this is all within Yesod) e. ~ = copper) and has Solomon's banishing pentagram on the reverse side. 4. Dukes. Ashtaroth =Venus = Netsach = "Hanie!". Then bring it up.. The metal (or finish) of the lamen is determined by the spirit's rank (e.LICENSE TO DEPART Great (Rank) . This very important element was originally suggested and first written into our ritual by Soror Ariel (Ms Jo Carson) in 1970.

tree-shrouded Montsalvat Hermitage-Temple in Pasadena. .9LruflJ1iou! 'Beneatfi its infruence born -Thou worm! wfwm I obey witfi scorn Forced by a Power (wfiUh is not thine.· . suggested we perform another Bardonian evocation. I sympathized. Where these weakSpirits round thee bend . I had had a similar romance with the same book 127 .9Lndparfey with a tfiing a~ thee Wliat zoouid'st thou.9Lrufrent thee but to ma~ thee mine) :Jor this briefmoment to descend. Chiftfofcray! with mei from Manfred by Lord'Byron Chapter Thirteen: %e 'Evocation of9{jtfiae[ The popular writers on magical evocation will tell you that there is nothing dangerous about this practice while experienced Magicians fill their books with precise instructions giving the impression that everything is always under control . But what happens when the Dark Side comes through unexpectedly and with overwhelming power? What do you do then? I T WAS THE LAST NIGHT OF THE FULL MOON in September at the secluded. . an actor and aspiring screen writer. . It would be our third this month. Frater Prometheus. . Prometheus had just discovered Franz Bardon's second volume and was fascinated by its multitude of empowering spirits..

And. this was not a regular meeting and Prometheus had just received the Bardonian spirit. However. planetary lamens. Pigios (15 0 the night before. Soror Rhiannon. Bardon's was a Holy Madness. n) 128 . Magical enthusiasm should be ridden hard while it lasts . Yes. I should have been looking forward to the operation but I was not. I always start off new Second Degree people with Astarte (Ashteroth) and Ba' al (Bael) from the traditional Goetia of the Lemegeton to introduce them to the patron Goddess and God of our Temple . I was tired and would rather have gone to bed with a novel or even watched t. As Magister I don't often get the chance to be the receiver in evocation operations. to which I felt a strong kinship . we would do another operation from Bardon. Full moon time is at a premium and the new people need the experience.many years ago when I was beginning my study and practice of magick. Even then I had thought Bardon somewhat mad. evocation candles and other standard Goetia equipment can then serve without modification. As it turned out Soror Rhiannon wanted to operate and I was asked to receive.. I had been supervising Prometheus and his lady. Both initiates had been staying with me at the Hermitage during that time. if we needed a rationale. so any one of Bardon's carefully calibrated entourage of spirits can be easily located and the pentagram pointed precisely in his/her direction.v. but does require a zodiacal circle. From a mundane perspective it had been a hectic week. Our nine-foot Solomonic hard circle is elemental on one side and celestial on the reverse. Franz Bardon's Magical Evocation is closely related to this system 1.like heavy surf following a storm.and then to such benign lesser entities as Vassago to train them in the hypnotic conjuration-to-visibleappearance technique that has been the Ordo Templi Astartes' mainstay for the past twenty-six years. in the summoning of Goetia spirits during the waxing moon periods for the last several months. However. dark speculum. not unlike my own in those days.. it was in line with our Second Degree training. Our standing triangle.

Everything positive. Prometheus would handle the censer and serve incense. At eight p. I brought down power through the Chakras with the aid of an electronic synthesizer to play the descending scale. We would preform a preliminary meditation in the darkened common room before processing through the veil into the Temple. up-beat. He was described as " . I even instructed Soror Rhiannon to drop the Goetia "Barbarous Names" from the conjuration so we wouldn't contaminate the transcendentalism of Bardon with anything demonic. writers and orators. it wasn't Bardon's typical automatic writing in his Liber Spiritum. Prometheus directed us in breathing in the rays and charging the psychic center of Hod. I copied it onto the dark mirror with a black grease pencil and then duplicated it on a blank brass lamen I would wear around my neck." .c Before beginning pranayama I assigned tasks: Rhiannon would ring the quarters in circumambulation. Maybe it'll help us both corne up with something saleable. I'll find something Mercurial that's good for writers. He would also read The Bomless Invocation while we were setting up to operate. I was ready ... What could go wrong? I liked the sigil too. I found the Mercurial spirits in Bardon . & etc. heaved up off the couch." I had just mixed up a batch a very pungent storax incense the night before so Mercury (Hod) seemed a good idea. I awoke. a great friend of all artists. one of 'the good guys'. We opened our eyes to the candle flame.m.I took a nap after dinner when I should have been researching for the operation. With assignments made we settled down in asanas.. We took hands. We sat down around a small. 129 .all seventy-two of them but the significance of that venerable number did not register with me at the time. I selected Nithael (number 54 at 26-30 0 I). did our breathing exercises and then closed our eyes. fumbled for Bardon's second volume and grunted: "Okay.. constructive. This one had captions in a strange language and a wavy symmetry in its design. low table on which a single candle burned.

" From behind me Rhiannon intoned the descending God Names in Atziluth. With our eyes locked on the pentacle of Mercury placed in the pentagram. The Bornless One! Thee that didst create the earth and the heavens. After declaring that we would succeed in summoning the spirit "Because we will it!". Thee that didst create the night and the day the darkness and the light! Thou hast distinguished between the just and the unjust!" I wondered if there was any of our alchemical fluid condenser still active behind the mirror but quickly put this thought out of my mind. With the last ring of the bell we positioned the Triangle and entered the Circle. "I summon thee. With the muffled drumbeat.. . the vibrant chanting and the bell ringing the quarters this traditional circumambulation was a journey into dreamtime. unblinking stare at my reflection that brings on the blackout. " 130 . . . . intoning an overtone chant. As the receiver.. the smoking censer swinging. The only thing I needed to do now was to get the lighting right on my hooded face and then commence the passive. After the traditional lighting of the lodge. the circumambulation commenced. strengthened by Almighty God! And I command thee by the Holy and glorious Names. It has always been one of the most dramatic elements of the Magical Art. into the Temple. "I command thee by Him who spake it and it was done! By the mighty Tetragrammaton .synchronized power and carried it with us. . I emptied my mind so that I could spiral backward through the distant Ages and outward through the dark reaches of the Universe as we revolved around the twelve spoked wheel of space and time. . ending with Elohim Tzabaotn commanding the Sephiroth of Hod . invocation to The Goddess and the Invoking Pentagram Ritual we proceeded to the operation itself. we slowly paced the circle eight times deosil. Spirit Nithael. Prometheus intoned The Bornless Invocation while I took my position facing the mirror with a candlestick in each hand. His trained actor's voice was thick and rich with power: "Thee I invoke.

but my face was fading out ....I wasn't experiencing any sense of distortion yet .that is after black-out my own reflection reappears as someone else along with that undeniable sense of alien presence that confirms the contact ... 'It's just the two candles . . of things infernal do tremble and are confounded together! " Blackout! .. it said. . By which the air is sundered. . What I was seeing and experiencing was not some dimly remembered archetype from Jung's Collective Unconscious but rather a transpersonal. deep-purring whisper: HI am a cat.. H. one of the strongest I had ever experienced! For me it was more independently visual than any evocation I could remember from twenty-seven years of practice. the fire is generated. One might say it was almost 'Lovecraftian'. of things terrestrial... somewhat hesitantly. ." Rhiannon welcomed the spirit.. " ." the entity purred.. Something is closer now. I usually receive "on-face" . un-human presence that seemed to come from the far reaches of outer space. We had a very strong contact going here. And I am a spirit of the dark side. H ••• H ••• 131 . a black cat".. the sea rolls back.but this was different. and asked for an oracle..The candles . Something coming from far away . Only two points of flame in a cloud of darkness . the earth moves and all the host of things celestial. ' But then the panther's head became visible and the voice came out of my mouth in a soft. "I am not an evil spirit. Appear before this Circle. within that Triangle in fair and human form without horror or deformity and without delay!" I was looking into the glowing eyes of a black panther! 'No'...But I am a spirit of evil! " At this point the part of me that was still 'Me' was entrenching itself into a defensive position where reason and sanity could prevail. I told myself..

. and may the peace of God continue between me and thee! Depart and begone.But I warn you that you should balance my teachings with the bright side ofMercury. . This was not what we had set out to summon.As I continued to stare deep into the dark mirror the panther metamorphosed into a deformed. I do license thee to depart. " The power and intensity of the contact was actually increasing. I did a banishing pentagram ritual and we closed the Temple. "I can teach you things that would shock even your jaded minds. I suppressed a shudder as Rhiannon turned the lamen on my chest. This is not the way the system was supposed to work.but the rational part of my mind was becoming increasingly critical. . My emotional psyche was fascinated. . But wasn't Magick supposed to be an adventure into the unknown? "Look . but be ever-ready to return when summoned by the sacred rites ofMagick!" The mirror clouded and cleared. She sounded relieved as she recited the banishing: "Because you have diligently answered our demands. seduced .. . intrigued.. pulling at my astral form to suck me into a black hole far out in the universe. giving harm to no living creature. If you 132 ." his voice intoned seductively through my lips. . " . The presence was gone. Back inside the Hermitage the usual after-operation critique session and log entry was conducted. fungoid face that glowed in fluorescent mauve. and snuffed out the candles. .I will open a dark portal for you and take you on a far journey. This wasn't what Franz Bardon had described.. We always do this directly after the operation because magical visions "are very much like dreams. . I knew I could go through it! I wanted to go through it! "Banish this thing!" I muttered to Rhiannon who stood close behind me." the spirit whispered and his monster face melted into a swirling vortex.

I was beginning to understand what had happened. He had wanted to ask questions but it was all over too soon. I went to my library and came back to the conference table with an arm load of books. And governs emperors. who was not an experienced operator. MS.. Davidson's Dictionary ofAngels gave Nithael Shemhamephorash status citing Barrett's Magus but also listed an obscure French reference that claimed he was "Afallen angel" who resides in Hell. a 133 . Neither faulted me for bailing out when I did. In his book Bardon clearly stated that he had excluded demons from his list and. feeding incense into the thurible during the summoning./ .." she wrote. kings and civil and ecclesiastical personages of the highest rank. In our method of working we use an invoking pentagram ritual to call down the Guardian Angels of the Quarters and a banishing to clear out the Temple after completion. Soror Rhiannon.right where Agrippa had him if you start from 00 Y (However.don't write them down immediately you'll forget important details. We had had no Quarter Guards .M... to make matters even stranger. Also. the extended Name of God! These celestial angels are supposed to be the direct and benign counterparts of the Goetia's seventy-two demons.. I went to the Goetia and checked number 54. Frater Prometheus had been seated in the server's position. In Crowley's version (B. As receiver I was first to transcribe my impressions in the log book. We all knew something had gone wrong." Knowing Barrett to be a lift from Agrippa I checked the with venerable Henry Cornelius himself and he concurred on the Heavenly status of Nithael.. Sloane 2731) the position was occupied by Murmur. It could not give us the blessings needed. "Nithael" was actually one of the seventy-two angels of the Shemhamephorash. ". Bardon had put him in slot 54 at 26 0-300 . was surprised that the manifestation came so quickly and was so powerful. At this point Frater Prometheus remembered that he had opened the operation with a banishing rather than an invoking pentagram ritual. Golden Dawners should remember that Mathers started his Shemhamephorash off at 00 Q ). " .

they were not in the same order as in Sloane Ms. on impulse. " I then recalled that Mercury is the only planet in the solar system that does not revolve. 134 . Nithael was there in position 54 . He didn't seem to have been the entity we had contacted. Reginald Scot's 1584 Discovery of Witchcraft. Its dark side is always dark. except that Scot had added a warning: ". 3. Bardon's system is based on the medieval "onion ring" concept of the celestial spheres.. I picked up Dr.but we would be better prepared and take proper precautions. that he thinketh himself to be that which he is not .. Above these are the 28 Spirits of :N9tes continued on next page .but Rudd had also included his own list of Goetia and other spirits. I turned to Rudd's list. and found Ose in slot 55 with an almost identical description . :N9tes on 'Ihe 'Evocation of :A{jtfzael: 1.. I dimly remembered summoning Murmur years ago...Duke (Venusian spirit) who appears as "A warrior on a gryphon". (H}e (Ose) transformeth a man's shape. Rudd's Treatise on Angel Magic (circa 1699). I checked this with the oldest list of Goetia spirits we have. 2731 which had been Mathers and Crowley's source.. We use his short invocations to the Shemhamephorash Angels as a preliminary counter-balancing safety factor in Goetia operations. . Then. and bringeth a man to that madness. Perhaps this is why the Faustian shadow of Prometheus remains so demonic even as humankind progresses? With the next full moon we might have answers to that and other questions -. . counted out to 54 and felt the hairs rise on the back of my neck rise as I read: "Ose is a great President ( Mercurial spirit) and comethforth like a leopard and counterfeiting to be a man. His hierarchy starts with 360 Spirits of the Earth Sphere as the nearest ring. As I recalled. teaches philosophy and assists in necromancy.

fA preliminary meditation period in an outer chamber (we call it "the common room") before entering the Temple is a very sound practice. we see that Bardon's arrangement actually places the Shemhamephorash in an immediately superior position not unlike The Master Mandala. not a member of the O. 3." Soror Astrea. This action was monitored and reported by a prominent academic authority on the occult. Reflections of the divine. Our academic observer agreed that this was something beyond a Jungian Archetype.then the leader has the group close their eyes and visualize The Drawing Down of The Light as in the Septagram Ritual. 135 . (I use an electronic synthesizer on a descending harmonic scale. seal the energy and process into the Temple humming an overtone chant in unison. Next month we carried out a direct evocation of Ose with another receiver who agreed to undertake the operation without reading my previous log entry. Our receiver confirmed the "Red eat's eyes". When we consider that our Goetia Spirits are all circled around the lowest level of the Lunar Sphere (Fallen Angels controlled by the Moon). like Mercury. We do pranayama on a four-four-four count." When asked if he (Ose) had been summoned in the correct position.A. said that Ose was "A hunting God" and represented "Fiery aspects of the Tree". I have not emphasized this because it largely depends on the individual skill of the operator and a deep knowledge of our psychic center system.'Evocation of9{jtliaef. 2. 9{ptes continued: the Lunar Mansions and above them are the 72 Spirits of Mercury (the Shernhamephorash).the images of this world.) The psychic center of the working is thus activated. until everyone is relaxed -.T. he replied: "More or less. saw a great swishing eat's tail behind our receiver. In The Book of Solomon's Magick. but I am fluid. We slowly raise our joined hands until they are extended overhead. a clairvoyant. staring at the candle flame. then we break the circle. It gets everyone into a mild trance state so that the Temple remains a sacred precinct. "Ose is the Spirit of Maya -. We all join hands and energy is transmitted deosil around the circle. We sit in asanas around circular table upon which is placed one candle.

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with their Legions following them. expecting to find great store of Treasure therein. The best days be when the Moon Luna is 2. The Seals of the 72 Kings are to be made in Metals. or Cardinal Points. to break the Vessel open. Of whom BELIAL. but are to be Invocated and Commanded to send such or such a Spirit that is under their Power and Rule. Marquises' in Luna (Silver). BILETH. and Luna (Silver). And when he had thus bound them up and sealed the Vessel. And the Chief Kings may be bound from 9 till 12 o'clock at Noon. West. thou shalt know and observe the Moon's Age for thy working. and thence gave answers unto those who did offer Sacrifices unto him. The Chief Kings' in Sol (Gold). together with their Legions. ASMODAY. and GAAP. they did then go wholly into the Lake. and from 3 till sunset. But when they had broken it open. ZIMIMAYor ZIMINIAR. and are not to be called forth except it be upon Great Occasions. Marquises may be bound from 3 in the afternoon till 9 at Night. OBSERVATIONS FIRST.: East. (Mercury). And they of Babylon. 10. as is shown in the following Invocations and Conjurations. Prelacies' in Jupiter (Tin). alike equal.Solomon Commanded into a Vessel of Brass. who entered into a certain Image. Presidents' in Mercury . Knights' in Saturn (Lead).4. and they were all restored to their former places except BELIAL. THESE 72 Kings be under the Power of AMAYMON. 8. who are the Four Great Kings ruling in the Four Quarters. 12. and G6AP. viz. for he never declared other reason why he thus bound them. Dukes' in Venus (Copper).6. he by Divine Power did chase them all into a deep Lake or Hole in Babylon. wondering to see such a thing. and South. or 14 days old. as Solomon saith. and from 9 at Night 136 T HESE BE THE 72 MIGHTY Kings and Princes which King . Earls' in Venus (Copper). out flew the Chief Spirits immediately. North. were Chief. and did worship the Image as their God. And it is to be noted that Solomon did this because of their pride. etc. and no other days be profitable. CORSON. etc.

) Sabnock . (52. (15. (25.) Vine.) KINGS: (1. (30. (54. (18.) Malphas.) Botis.) Amon. (23.) Renove: (34. (49. unless the King whom they are under be Invocated. (38. Presidents may be bound at any time. (29.) Ipos.) Paimon. Knights may from Dawning of Day till Sunrise.) Fomeus. (Seal in Mercury.) Beleth.) Ronove. (24. etc.) Dantalion. (Seal in Gold. 2. (71. (72. (44. (21. (Seal in Lead. (8.) Samigina.) Asmoday.) Andras. so it be in Woods.) Vual. (17.) Phenex. ACCORDING TO RESPECTIVE RANK.) Vassago. excepting Twilight. (39. (10.) Buer.) Balam.) Astaroth. (11. (12. (27.) Gusion.) Cairn.) Haures.) KNIGHTS. (51. (36.) Barbatos.) arias. Prelates may be bound any hour of the Day.) Murmur.) Shax.) Stolas.) Furfur. (55. 1. (40. (66) Cimeies. (14. (Seal in Copper and Silver alike equal.) Foras. (21.) Vine'.) Marchosias. (35.) Amy.) Valac.) Glasya-Labolas.) Ose.-(2.) Aim.) Leraje.) EARLS.) DUKES. (45.) Sallos. (57. (48.) Zagan. LIST OF THE 72 CHIEF SPIRITS OF THE GOETIA. Dukes may be bound from Sunrise till Noonday in Clear Weather.) Orobas.) Gremory.) Naberius.) Gaap. (65.) Alloces. 137 . (59. at Night.) Focalor. (31. (22.) Marax. (45.) Botis.) Andromalius. (42.) Bathin.) Decarabia. (19. (60. (26.) Berith.) Seere. (Seal in Tin) PRINCES and PRELATES.) Furcas.) Purson.) Vapula. (32. (46. (9.) Eligos. (63.) Zepar. (62. (33. (6. (61. (70.) Halphas. and Counties or Earls any hour of the Day.) Gaap.) Belial. (69.) Bael. (64.) Vepar.) Raum.) Haagenti.) Amdusias. (13. or in any other places whither men resort not.-(50. (58.) PRESIDENTS. (43.) Glasya-Labolas.) MARQUISES. (7.) Agares.) Bune. (25.) Bifrons. (Seal in Copper. (53. (67. (56. (68. or COUNTS.-(5. (47.) Valefor.till Sunrise. (16.(17. (20.-(4. (Seal in Silver.) Crocell.) Andrealphus.) Marbas. (28. (27. (37. (41. (61.) Zagan. (33.) Sitri. or from 4 o'clock till Sunset.-(3. or where no noise is.) Marax.

then come in at (outer circle) Jehovah Elohim. & etc.A. * The circle shown here is from the Sloane 2731 manuscript. Crowley shows a different version in his Goetia.THE MAGICAL CIRCLE* A figure of the Circle of Solomon that he made to preserve himself from the malice of those Evil Spirits.T.Thabion 138 . -. This Circle is to be made 9 foot over & these names round it in one line beginning at EHEIE (inner circle) & so on to this "F" marke. Also see the O. 's Rectified GoetialAlmadel Magick Circle in Appendix 3. & from there to hod: & Benelohim (sic) & then to Levanah: & <C & etc.

the figure '. THIS THE PENTAGRAM OF SOLOMON THIS is the Form of the Pentagram of Solomon. The Pentagram may be then be drawn on parchment and glued to the back of the Spirit's lamen -. the which is ~Y---~=~~-~-J~ C to be shown unto the Spirits when they do appear. and also to command .Thabion 139 . so that they will be compelled to take human shape upon them and be obedient.THE HEXAGRAM OF SOLOMON is the form of the Hexagram of Solomon. * More correctly upon the metal appropriate to the Spirit's Rank. the figure whereof is to be made in Solar Luna (Gold or Silver*) and worn upon thy breast. and covered with a cloth of fine linen white and pure. whereof is to be made on parch. the Spirits by. and worn at the skirt of thy white vestment. having the Seal of the Spirit required upon the other side thereof. It is to preserve thee from danger.ment of a calf's skin.

-. etc.3. This is the Form of the Secret Seal of Solomon. to be made in <C (silver) or 0 (gold). wherewith he did bind and seal up the aforesaid Spirits with their legions in the Vessel of Brass. but hath in prayer and fasting desired of God to forgive him all his sins.SOLOMON'S MAGICALL RING This is the Form of the Magic Ring of Solomon. * * Outer ring reads: "MICHAEL. -. and that hath not defiled himself by any woman ** in the space of a month. It is to be made on the day of Mars or Saturn (Tuesday or Saturday) at ** Nowadays we would be more apt to do the exact opposite and consecrate it with the effluvium." Silver is more approriate than gold. It is to be held before the face of the exorcist to preserve him from the stinking sulphurous fumes and flaming breath of the Evil Spirits.Thabion THE SECRET SEAL OF SOLOMON. ANEPHENETON. This seal is to be made by one that is clean both inwardly and outwardly. We also place an amethyst in the center (see The Magick of Solomon video).Thabion 140 .

for neither weapons. Note that on this night the moon must be increasing in light (i. 141 . THE VESSEL OF BRASS. He by it gained the love of all manner of persons. and written upon virgin parchment with the blood of a black cock that never trode hen. Also by this seal King Solomon did command all the aforesaid Spirits into the Vessel of Brass. The Form of the Brazen Vessel that Solomon shut up the Spirits in. raisins dried in the sun. And this privy seal was made to cover the vessel at the top withal.e. etc. cedar. dates. nor water could hurt him. and lignum aloes. going from new to full) and in the Zodiacal Sign of Virgo.night at 12 o'clock. to cover this vessel with at top & etc. And when the seal is so made thou shalt perfume it with alum.4. and overcame in battle. nor fire. The Spirit's Seals (sic) Aforesaid was made in brass. and did seal it up with this same seal.

" And at the putting on of thy garments thou shalt say: THE ADORATION AT THE INDUING OF THE VESTMENTS. . "Thou shalt purge me with hyssop. 142 .9l. a long white robe of linen. .THE OTHER MAGICAL REQUISITES The other magical requisites are: a sceptre. with all the names written about it which be round the outmost part of the Magical Circle. 0 Lord! and I shall be clean: Thou shalt wash me.{ptes onfoUowing page .. . -. 0 ADONAI ! unto Whom the praise and glory will for ever and ever belong! Amen !" After thou hast so done.Thabion . also a girdle of lion's skin three inches broad. AMIDES. a cap. * and other garments for the purpose.daitiona[ g. a sword. ANITOR. make prayers unto God according unto thy work. AMACOR. THEODONIAS. "By the figurative mystery of these holy vestures (or of this holy vestment) I will clothe me with the armour of salvation in the strength of the Most High. thou shalt say as David said: THE ADORATION AT THE BATH. and fair water to wash thyself in. * A black or midnight blue robe with a matching hood is better for group work because it does not reflect light. and I shall be whiter than snow. Also perfumes. And in so doing. as Solomon hath commanded. that my desired end may be effected through Thy strength. ANCOR. and a chafing-dish of charcoal kindled to put the fumes on. also anointing oil to anoint thy temples and thine eyes with. a mitre. to smoke or perfume the place appointed for action.

Thabion. See Crowley's GOETIA for the "Coiled Serpent" version and our Appendix 3 for the G. To the preceding we should add that these "Ranks" and lamen metals are what determine the kabbalistic sphere (within Yesod) wherein the Spirit resides.9{ptes on (joetia Instructions: 1. Iron.m (=Solomon * [Biblical spelling] AL Tetragrammaton Raphael Michael Gabriel Auriel. This is the Magick Circle from the original Sloane MS. ) Before inscribing your Brass Vessel. six lunar spirits and twelve spirits for each planet. (45. In this case all letters can be either red. -.). version. Mars. to Jupiter. is excluded from the List. 3.T. The instructions in the preceding paragraph are unecessary and are not even heeded by modem magicians who follow the day-and-night progression.. . It might even have been used as a smudge pot. was sometimes used as a conjuration device. to Mars.C.~ '~"":L) . perhaps filled with water or ink. convert the Hebrew letters to Phoenician. the Metals attributed to the Seven Planets being: to Saturn. to Venus. we use it to contain 72 parchment sigils of the spirits with the Secret Seal facing downward under the lid (see video).) Vine is both King and Earl.The Hebrew (More correctly Phoenician) letters surrounding our rectified Vessel are (reading from right to left):-- 2. "Prince" and "Prelate" are apparently used as interchangeable terms.g. as otherwise the Metal of one Planet. -.~:a"'n '~D' n~nm .Thabion.) Glasya-Labolas is both President and Earl. -. it could be opened to form a polished or painted skrying bowl."It will be remarked that several among the above Spirits possess two titles of different ranks: e.r. what has come down to us is a hodgepodge. but after a thousand years of bootleg copying and re-copying.A. Gold.Thabion. the moon should be waxing or full. to Mercury. in various forms. A. Tin. Probably the Seals of Earls should be made in Iron. There are a number of ways this could have been done: it could have been highly polished as a form of speculum. In a fully rectified Goetia where the Spirits are directly attributed to the Planetary rulers of the Decans (see Documentary Appendix ) there would be six solar spirits. Lead. (25. The Vessel of Brass. black or engraved. or of Silver and Mercury. Mercury and mix tures of Metals. Copper. etc. I believe this was what was originally intended when the system was first conceived. Crowley's note:.~ *. Silver.~""." -. to the Sun. 2a. This is the only really important time constraint. and to Luna. 4. 143 . In hypnotic dark mirror Goetia. and those of Presidents in mixture either of Copper and Silver. Remember.

Sign: Y. B (2.Y d'.. He fI " c ruleth over 66 Legions of Infernal Jz ~ Spirits.He appeareth in divers shapes.The Second Spirit is a Duke called Agreas. He maketh them to run that stand still. the Goddess Astarte. called Bael. and sometimes all these forms at once. carrying a Goshawk upon his fist. sometimes like a Cat. . Ruler: Goap. Shem: Vehuiah. riding J~t'tf upon a Crocodile. and causeth Earthquakes. or Agares. He maketh thee to go Invisible. He teaches all Languages or Tongues presently. Consort of # 36 AstarothlAstarte. In this position Ba'al presides over the Vernal Equinox Nuptiae Rites of the ancient CanaanitelPhoenician Hieros Gamos (Sacred marriage) to His Consort. Arch: Michael. This is his character which is used to be worn as a Lamen before him who calleth him forth. Mar 21 . Orig: .) AGARES.Ba'al (Canaanite) Thunder God. He hath under 144 . Decan. He hath power also to destroy Dignities both Spiritual and Temporal. He was of the Order of Virtues.) BAEL. He is under the Power of the East. and yet mild in appearance.25. and bringeth back runaways.J~H R. and cometh up in the form of an old fair Man. 0°_ 4°. or else he will not do thee homage.-The First Principal Spirit ~I is a King ruling in the East. He speaketh hoarsely.rJJie Seuentu-tnuo Spirits of tlie 'Brass o/esse{ (1. and sometimes like a Man. sometimes like a Toad. Rank: King = 0.'J .

J a ( Sign: Y.-The Third Spirit All. and giveth account of Dead Souls that died in sin. Arch: Michael. He teaches all Liberal Sciences. Order of Virtues. He is called Vassago. Shem: Ieliel. 15°· 19°. Orig:? ce. Shem: Elemiah. etc. 5°. Arch: Michael.his government 31 Legions of Spirits. (3. and his office is to declare things Past and to Come. And he governeth 26 Legions of Spirits. 10°· 14°. He ruleth over 30 Legions of Inferiors. or GAMIGIN. Decan: Q 0.9°. Ruler: Goap. Ruler: Goap. Apl 4 .. Orig: Fallen Angel. Rank: Duke = ~. Decan: Y cJ. Sign: Y. And his Seal is this. and this is his Seal. Orig: Probably same as Agares. Arch: Michael. and then into Human shape doth he change himself at the request of the Master. ~(1. and to discover all things Hid or Lost.-The Fourth Spirit is Samigina. a Great Marquis. And this is his Seal or Character which thou shalt wear as a Lamen before thee. Mar 25 . (4. Rank: Marquis = Ruler: Goap._ is a Mighty being of the same (J(J!JJ'" ~ nature as Agares. Sign: Y.) VASSAGO. Shem: Sitael. 145 . 8. Decan: Q 0. He speaketh with a hoarse voice. This Spirit is of a G o o d . Rank:Prince= 2\. He appeareth in the form of a little Horse or Ass. Nature. which is to be worn before the Magician when he is Invocator. Mar 30 • ApI 3.29.) SAMIGINA.

Rank: President = ~. he giveth great Wisdom and Knowledge in Mechanical Arts. (5. . Orig: ? (7. . He is a Marquis great in 'tit era n. (6.. He c8~ appeareth like a Wolf with a Serpent's tail. He is a mighty Duke.4I/ power. Decan: I 21.) VALEFOR. He is a good Familiar. whether thou wilt have him for a Familiar.19. Tubal Cain (Biblical).. Mercurial Blacksmith-Craftsman God.. Rank: Duke = ~. And his Seal is this. he putteth on Human Shape.) MARBAS. ApI 9 . Arch: Michael. Ruler: Goap.' Amon. but at the command of the Magician he putteth on the shape of a Man with . 8~ c1.-The Seventh Spirit i s ) • J. His Seal is this. Shem: Lelahel.. Again. 146 . 25°· 29°. and can change men into other shapes.Marbas. Api 15 . vomiting out of his mouth flames of fire. Decan: I 21. He is a Great President..-The Sixth Spirit is Valefor. Vulcan (Classical). He governeth 36 Legions of Spirits.1 ~ Great Lion. Arch: Michael.: request of the Master.~~ Sign: y. but tempteth them he is a familiar of to steal. He governeth 10 Legions of Spirits.~ appeareth at first in the form of a .-The fifth Spirit is ~ J/(1 cr. . which is to be worn. and most stem. He causeth Diseases and cureth them. He answereth truly of things Hidden or Secret. 20°· 24°.Kusor wa-Hasis (Canaanite). or not.. Shem: Mehasiah. Sign: y.) AMON.14. which is to be worn as aforesaid. and j t/tJt8 ~l t. but afterwards. and appeareth in the shape of a Lion with an Ass's Head. Ruler: Goap. at the e·._. Orig: . bellowing.

A good spirit. and of the Voices of other creatures. He is of the Order of Virtues. Order of Virtues. Decan: 't5 ':2. He is a Great Duke. 5°· 9°. etc. with four noble Kings and their companies of great troops. Sign: 't5.) BARBATOS. Shem: Cahethel.29. and conciliateth Friends and those that be in Power. Decan: 't5 ':2. His Seal of Obedience is this. Rank: Duke = ':2. He procureth feuds and reconcileth controversies between friends. He breaketh the Hidden Treasures open that have been laid by the Enchantments of Magicians. i' 147 .24. Sign: 't5. ApI 20 . and he knoweth all things Past.-The Eighth Spirit is Barbatos. He giveth understanding of the Singing of Birds.Amon (Egyptian) "The Hidden God". and appeareth when the Sun is in Sagittary. 0°_ 4°. or else like a Man with a Raven's head (simply). (8. (9) PAIMON. ApI 25 .-The Ninth Spirit in this Order is Paimon. He . He telleth all things Past and to Come. His Seal is this which is to be worn as aforesaid. a Great King. the which wear before thee as aforesaid.Dog's teeth beset in a head like a Raven. Orig:. later combined with Ra to become Amon-Ra. He govemeth 40 Legions of Spirits. Rank: Marquis = CC. and to come. Ruler: Ziminiar. and very obedient unto LUCIFER. such as the barking of Dogs. Ruler: Ziminiar. Arch: Auriel. Shem: Akaiah. of which some part he retaineth still. Arch: Auriel.: appeareth in the form of a Man sitting upon a Dromedary with a '" Crown most glorious upon his head. Orig: Fallen Angel. He ruleth over 30 Legions of Spirits.

and other secret things. He healeth all distempers in man. and confmneth the same. Rank: King (Queen) = 0. Orig: Fallen Angel of the Order of Dominions but probably a Middle Eastern Pagan Goddess. thou must make him some offering. and what holdeth it up in the Waters. and the other part of Potentates. as made by the sistrum of Isis. both Moral and Natural. He appeareth in Sagittary. He giveth Dignity. This Spirit can teach all Arts and Sciences.) BUER. and what Mind is.May 4. and that is his shape when the Sun is there. and all other sorts of Musical Instruments. and where it is. and such as can teach all Arts. and giveth good Familiars. and also the Virtues of all Herbs and Plants.There goeth before him also an Host of Spirits. Sign: 't5. like Men with Trumpets and well sounding Cymbals. Shem: Haziel."Paymon") means a "tinkling sound". He teaches Philosophy. He giveth good Familiars.140 . He can discover unto thee what the Earth is. Paimon (pron. He bindeth or maketh any man subject unto the Magician if he so desire it. etc. and 25 Legions.-The Tenth Spirit is Buer. He governeth 50 148 . His Character is this which must be worn as a Lamen before thee. He is to be observed towards the West. Now if thou callest this Spirit Paimon alone. or any other thing thou mayest desire to know. Ruler: Ziminiar. Decan: 1tP ~. He is of the Order of Dominations. and the Logic Art. and his speech is such that the Magician cannot well understand unless he can compel him. Some accounts show the Spirit appearing as a young woman riding a camel. 100 . and roareth at his first coming. and part of them are (were) of the Order of Angels. and there will attend him two Kings. And those Spirits which be subject unto them are not always with them unless the Magician do compel them. Arch: Auriel. He hath a great Voice. a Great President. (10. called LABAL and ABALIM. ApI 30 . and also other Spirits who be of the Order of Potentates in his Host. He hath under him 200 Legions of Spirits.

Arch: Auriel. Decan: TtP ~.29°. and that very beautiful. Orig:? (12. Rank: Prince = 2l. 15° .) SITRI. May 5 . Shem: Hahaiah. Sign:b'. 25°. Rank: Duke = ~. He enflameth men with Women's love.Legions of Spirits. and showeth the meanings and resolution of all questions thou mayest ask. He govemeth 60 Legions of Spirits. Ruler: Ziminiar.. Decan: R511.19°. He conciliateth and reconcileth friendships. Sign: b'.-The Twelfth Spirit is Sitri.19. He ruleth over 40 Legions of Spirits.Rank: President = ~. His Seal is this. Shem: Lauiah. He telleth all things. Ruler: Ziminiar. and causeth them also to show themselves naked if it be desired. 20°. Past. Present. His Seal is this. and to Come. Sign: b'. Ruler: Ziminiar. May 15 . Decan: R511. and giveth Honour and Dignity unto any. which thou must wear when thou callest him forth unto appearance. Shem: Aladiah. etc.14. but after the command of the Master of the Exorcism he putteth on Human shape. called Gusion.-The Eleventh Spirit in order is a great and strong Duke.) GUS ION . May 10 . Arch: Auriel. and his Character of obedience is this. He is a Great Prince and appeareth at first with a Leopard's head and the Wings of a Gryphon. Orig:? 149 . the which wear thou as aforesaid.9. and Women with Men's love. He appeareth like a Xenophilus. Orig:? (11.24°. to bewom as a Lamen before thee. Arch: Auriel.

. Orig: Fallen Angel.also possibly the later Roman Bellona who was a Goddess of war. Order of Powers but probably derived from Beltiya. 0° . . that is. and then command him into it by the Bonds and Charges of Spirits as hereafter followeth. and carrying 150 ..-The Fourteenth Spirit is called Leraje (or Leraie).. as they do yet before AMAYMON. as the Kings and Princes do that attend upon him. or LERAIKHA. 14 . both of Men and of Women. He is very furious at his first appearance. generic term for Babylonian Goddesses .. He is a Marquis Great in Power. This Great King Beleth causeth all the love that may be.J /l L . (14. for to do this he must hold a Hazel Wand in his hand. " He is a mighty King and terrible.(13. striking it out towards the South and East Quarters./'.-The Thirteenth Spirit ~ . And thou must have always a Silver Ring on the middle finger of the left hand held against thy face.4°. showing himself in the likeness h~ of an Archer clad in green. And if he doth not enter into the triangle.) BELETH. at your threats. or Bilet). His Noble Seal is this. Decan: Il ~. "My Lady". and he govemeth 85 Legions of Spirits. and do what he is commanded by the Exorcist.1. and do homage unto him.25. Yet he must receive him courteously because he is a Great King.·IJ .~ . Arch: Raphael. Shem: Ieazel.) LERAJE'. 1 is called Beleth (or Bileth. DeL~tfl 11100 -':>Czu. Sign: n. until the Master Exorcist hath had his desire fulfilled.1. which is to be worn before thee at working. He rideth on a pale horse with trumpets and other kinds of musical instruments playing before him. He is of the Order of Powers. Ruler: Amaymon. rehearse the Bonds and Charms before him. and then he will yield Obedience and come into it. while the Exorcist layeth his courage. without the Circle. May 21 . Rank: King = 0. . make a triangle.

He govemeth 30 Legions of Spirits. This belongeth unto Sagittary. Shem: Mebahel. ~. He govemeth 60 Legions of Spirits. in Red Apparel and Armour. SO .: ': . and maketh wounds to putrefy that are made with Arrows by Archers. etc. Sign: II. etc. and ~. Shem: Hariel. Zepar. Orig: ? n._ .-The Sixteenth Spirit is . .'?1! ~~ causeth the Love of Lords and Great Persons.r:.10. (16. Arch: Raphael. Rank: Duke = 2. His office is to cause Women to _. May 26 .' . Arch: Raphael. and appeareth ~'P8. Ruler: Amaymon.(. Decan: ~ 2. S. He discovereth hidden things. love Men. and this is his Seal.. He fto\4K. and his Seal is this. carrying a Lance. and ~ how the Soldiers will or shall meet. Rank: Marquis Ruler: Amaymon. which he obeyeth when he seeth it.. 151 . Decan: ~ 2.__ . Orig: ? n = ce. Soldier. Decan: ~. Shem: Hakamiah. Sign: 10°· 14°. June 6 . Orig: ? n. June 1 . (15. Ruler: Amaymon.a Bow and Quiver. and a Serpent.9°. Sign: 15°· 19°. a Great Duke. and of Wars. He govemeth 26 Legions of Inferior Spirits. He causeth all great Battles and Contests. knoweth things to come. an Ensign. ~ -.) ZEPAR. His Seal is this. . He also maketh them barren. like a htS Seal".) ELIGOS. and to bring them together in love.. Rank: Duke = 2.-The Fifteenth Spirit in Order is Eligos (or Eligor). :l.31.. He is Great Duke. and appeareth in the form of a goodly Knight. Arch: Raphael.

then at the command of ..) BATHIN.24°. Pale-Coloured Horse. He is a Mighty and Strong 4rrult lUI ei1 ) Duke. June 16-21. 152 . He knoweth the Virtues of Herbs and Precious Stones. and this is his Seal.~~. 11.~'s$ell"'. and to Come. and appeareth like a Strong Man . He is a Great and ~tte~ j. etc. Ruler: Arnayrnon.15. and an Earl.(17."" Mighty Duke. Bathin. a Great President. Sign: n.-The Nineteenth Spirit is I ( Sallos (or Saleos). He ruleth over 30 Legions of Spirits.i.-The Eighteenth Spirit is t . " the Magician he putteth on a Human shape with Great Teeth. sitting Upon a . B u» (19. He appeareth at the first show in the form of Seal . Ruler: Arnayrnon.-The Seventeenth Spirit is .8 .. He ruleth over 60 Legions of Spirits. Sign: n. Arch: Raphael.) SALLOS. an ugly Viper.. June 11 .. 20°. and reconcileth Friends and Foes. He telleth all things Past. Orig: ? (18. 25°. Shern: Caliel. and two Horns. His Seal is this which is to be worn as aforesaid. nu BoJ. Orig: ? Excellent for long range consciousness projection. with a Ducal Crown on his head. 11. Shern: Leviah. Decan: z::::.. and can transport men suddenly from one country to another./. carrying a bright and sharp Sword in his hand. with the tail of a Serpent. Rank: Duke = ~. Arch: Raphael.29°. ~ Botis. Decan: z::::. Rank: President & Earl = (C ~.) BOTIS. and appeareth in the form . of a gallant Soldier riding on a Crocodile.

carrying a cruel Viper in his hand. His appearance is h41 8f. Arch: Gabriel. Decan: 129 Rank: Duke Ruler: Corson. He is a Great Earl and President. Sign: §. r"'''''tnt.The Twenty-first Spirit is Marax. knowing the virtues of Herbs and Stones which be precious. He knoweth ~'-\. and all other Liberal Sciences. His Mark. unto the which he oweth obedience.July 1. He can take a Body either Human or Aerial. (21. Shem: Pahaliah. Orig: Fallen Angel. Ruler: Corson. many Trumpets sounding. and to Come. and . Decan: § Rank: King = 0. comely.) MARAX. cr. He 153 . a Great King. His office is to make· Men very knowing in Astronomy. Seal. and tell all things Past. Orig: ? cr. He appeareth like a great Bull with a Man's face. . like a Man with a Lion's face. Arch: Gabriel. Shem: Leuuiah.J~~" all things hidden. or Character is this. He causeth the Love of Women to Men. etc. and answereth truly of all Earthly things both Secret and Divine. and wise. 5°_ 9°. and under his Government there be 22 Legions of Spirits.-The Twentieth Spirit is 1') D Purson. partly of the Order of Virtues and partly of the Order of Thrones. and which thou shalt wear in time of action.) PURSON. and of Men to Women. He bringeth forth good Familiars. June 22 . also he can give good Familiars.26.but peaceably. etc. Going before him are It. ~-\---'__ riding upon a Bear. Present. 0°_ 4°. (20. Sign: 129. June 27 .J. His Seal is this. = S?. Virtues (5) and Thrones (3) (Heavenly Levels according to Pseudo-Dionysius). and can discover Treasure.. and govemeth 30 Legions of Spirits. and of the Creation of the World.

12. He . He is a Great Strong Duke. He is an Earl.. like a Serpent. July 8 . Arch: Gabriel. 20°. Decan:Tll. etc.19°. Arch: Gabriel. Shem: Ieiaiel. Sign: §. 10°. Ruler: Corson.. and to Come. which thou shalt wear.. f) • Sign: §..17.) AIM. Rank: Prince & Earl = 2t d'. the rust. Orig:? 154 .In:r~w appeareth in the form of a very handsome Man in body. and giveth true answers unto private matters. Shem: Melahael. Ruler: Corson. castles. wherewith he setteth cities.. etc. and appeareth in the form of an Angel with a Lion's Head. He govemeth 36 Legions of Spirits. Shem: Nelkael.. which wear thou as aforesaid.d'. carrying a Firebrand in his Hand.24°. Orig: ? (22. J ~. He knoweth all things Past. Orig: ? (23. He governeth 26 Legions of Inferior Spirits. Rank: Earl & President= d' ~. Sign: §. fl. Rank: Duke = S?. but with three Heads.) IPOS.d'. He maketh thee witty in all manner of ways.. and Hares Tail. Decan: X 2t. He rideth on a Viper." ( ' . Decan: Tll.14°.-The Twenty-third Spirit is ' ( LA_' AoI'lA. the third like a Calf. He maketh men witty and bold. the second like a Man having two Stars on his Forehead. and great Places. July 13 . His Seal is this.. and his Seal is this.-The Twenty-second Spirit is Ipos..7. Ruler: Corson. etc. July 2 .. on fire. and a Goose's Foot. 15°. '"" I~ Aim. Present. and his Seal is this. which must be made and worn as aforesaid..governeth 30 Legions of Spirits. Arch: Gabriel. and a Mighty Prince.

Decan:X 2j. Rank: Marquis = ct. He teacheth all things Past. Arch: Gabriel. to be. Shem: Chahuiah.29°. :. July 23 . Sign: §. And he hath under his command 36 Legions of Spirits.. If desired he causeth the love both of Friends and of Foes. Ruler: Corson. He is a Mighty President and Earl. . but especially in the Art of Rhetoric. fluttering ~. He teacheth all Arts and Sciences in an instant. Sign: Q. and to Come. Decan: Q 0. and showeth in the' ~ form of a Black Crane. a valiant Marquis. 155 .. about the Circle. He restoreth lost Dignities and Honours. His Seal is this. ~ . etc. the form of a Dog with Wings like a Gryphon. He can make a Man to go Invisible. 25°.22. •.) NABERIUS.. and showeth himself in .. which is to be worn.3! (25. He is a most }ltl ~V\d 1'4 Sf. maketh men cunning in all Arts and Sciences. .) GLASYA-LABOLAS -The Twenty-fifth Spirit is GlasyaLabolas. His Seal is this... Arch: Michael. etc. Rank: President & Earl Ruler: Goap. July 18 .-The Twenty-fourth '. Shem: Nithhaiah. .27. f). He governeth 19 Legions of Spirits. Orig:? = ~ cJ. and when he .. Spirit is Naberius. Orig: ? t . H e ' 1 . speaketh it is with a hoarse voice. and is an Author of Bloodshed and Manslaughter.. . 0°_ 4°.(24.

Orig: ? 156 .-The Twentysixth Spirit is Bune (or Bime). Sign: Q. He teacheth the ~. l Sign: Q. Shem: Haaiah.. . He changeth the Place of the Dead. unto the which he oweth Obedience. Shem: Ierathel.Aug 1.) RONOvE-The Twenty-seventh: I I . _. one like a Gryphon. He is a Marquis and Great Earl.R Zl Spirit is Ronove. Good Servants.. (This entity always delivers on money requests but not in the most pleasant manner. Ruler: Goap. Arch: Michael.7. He appeareth in the form of a Dragon with three heads.. Aug 2 . 10°_ 14°. Arch: Michael. Rank: Marquis & Earl = <C d'. . one like a Dog..) BUNE. and causeth the Spirits which be under him to gather together upon your Sepulchres. His Seal is this. (27. or BIMB... July 28 . Decan: Q 0. Knowledge of ~. Decan: I 2l-. His Seal is this. and there be under his command 19 Legions of Spirits. He is a Strong.. 5 0 _ 9°.: _ Tongues. 't.) . He giveth Riches unto a Man. And he govemeth 30 Legions of Spirits.(26. Art of Rhetoric very well and giveth . He speaketh with a high and comely Voice. Orig: Unknown but might be related to the ancient Egyptian Goddess Buto. etc. He hath another Seal but the first is the best. and Favours with Friends or Foes. He giveth true Answers unto Demands. and one like a Man. He appeareth in the "elt · ~ Form of a Monster. and maketh him Wise and Eloquent. . Ruler: Goap. Great and Mighty Duke. Rank: Duke= S?.01ttJln>.

and can confirm them unto Man. * In our system Stolas (#36) has changed places with Astaroth (#29). He hath two other Names given unto him by men of later times. He govemeth 26 Legions of Spirits. which is. is named Berith.: BEALE or BEAL.24°. He speaketh with a very clear and subtle Voice. Sign: Q. He is a Mighty. He govemeth 26 Legions of Spirits. and having a Crown of Gold upon his head. appearing in the Shape of a Mighty Raven at first before the Exorcist. riding upon a Red Horse. etc. He is a Great and Powerful Prince. but after he taketh the image of a Man. Orig: ? = 2/. Present. Arch: Michael. etc. and his Seal is this. Thou must make use of a Ring in calling him forth. 15°. and Terrible Duke. He can tum all metals into Gold. and the Virtues of Herbs and Precious Stones. Shem: Reiiel. Past. and BOFRY or BOLFRY. Decan: I 2/. or Stolos. He teacheth the Art of Astronomy.) BERITH -The Twenty-eighth Spirit in Order.12. Rank: Duke = S?. Orig:? (29. Aug 8 . viz. as Solomon bound them. Decan:Y C). Ruler: Goap.(28. He appeareth in the Form of a Soldier with Red Clothing. 157 . Rank: Prince Ruler: Goap.17.. as is before spoken of regarding Beleth. Shem: Seehiah.19°.. and to Come. He can give Dignities. Aug 13 . Arch: Michael. He giveth true answers. or STOLOS. His Seal is this.-The Twenty-ninth (36th) Spirit is Stolas. 36 -) * STOLAS. Sign: Q. 20°. Great.

He teacheth the Arts of Logic and Ethics in all their parts.) FORAS or FORCAS -The Thirtyfirst Spirit is Foras. and maketh men wonderfully knowing in the Art of Rhetoric.. . etc._. which wear thou. (31. See Crowley's note in his 1904 edition) and to live long. -. etc. Shem: Lecabel. Decan:Yd'.. of Thrones (3) and Angels (9) (Heavenly Levels according to Psuedo-Dionysius). Arch: Michael.27. and to be eloquent. 158 . which wear thou..22. Aug 23 . He causeth men to have a Good Name.. He is a Mighty President. Decan: TIP ~. He ruleth over 29 Legions of Spirits. Orig: Fallen Angel. 25°. and appeareth in the Form of a Strong Man in Human Shape.. Ruler: Ziminiar. He can discover Treasures and recover things Lost. Ruler: Goap. Aug 18 . and to have the knowledge and understanding of Tongues. Sign: TIP. He govemeth 29 Legions of Spirits. Arch: Auriel. He maketh one to be beloved of his Foes as well as of his Friends. partly of the Order of Thrones.) FORNEUS. He is a Mighty and Great Marquis. Orig: A Fallen Angel of unknown rank.29°. and his Seal is this. and appeareth in the Form of a Great Sea-Monster.. His Seal is this. He teacheth. Shem: Omael.. Precious Stones. If desired he maketh men invisible. Sign: Q. Rank: Marquis = «. (could be "invincible". 0°_ 4°. and partly of that of Angels.Rank: President =~..(30.-The Thirtieth Spirit is Fomeus. He can give the understanding to Men how they may know the Virtues of all Herbs and .

and all handicrafts absolutely. He appeareth with Three Heads. Several of the legends of King Solomon's magick involve Asmodeus . His Feet are webbed like those of a Goose. A hasty exorcism solved the problem and we learned a valuable lesson: Don't ever assume a spirit hasn'tarrived just because you can't see it. Decan: n:P ~. he teacheth the Arts of Arithmetic. He giveth true and full answers unto thy demands. He giveth the Ring of Virtues. Naamah. (Asmoday is also "the demon of confusion. He showeth the place where Treasures lie.") Our first High Priestess wanted me to evoke him for her but he refused to appear in the mirror. Strong.(32. Geometry. But as soon as the Exorcist seeth Asmoday in the shape aforesaid. he goeth before all other. Aug 28 .. Because of his math skills I once evoked him to help me in a statistics course. He. whereof the first is like a Bull. He is first and choicest under the Power of AMAYMON.Sept 1. with his Cap or Headdress off. let it be abroad.. Ruler: Zirniniar. and the third like a Ram. He maketh one Invincible.. 5 0 _ 9 0 . Four hours later she woke up with a start. 159 . he hath also the tail of a Serpent. for if it be on. Orig: Ancient Persian demon adopted by the Hebrews. saying: "Art thou Asmoday?" and he will not deny it. Sign: TIP. It was one of my first operations and I did not banish as well as I should have. the . He is a Great King. second like a Man. and beareth in his hand a Lance with a Banner. he shall call him by his Name.. Astronomy. seeing him on the ceiling over her bed. amongst the Legions of AMAYMON. or Asmodai (Asmodeus). and by-and-by he will bow down unto the ground. governeth 72 Legions of Spirits Inferior. AMAYMON will deceive him and call all his actions to be bewrayed.) ASMODAY. Rank: King = 0. Said to be the incestuous offspring of Tubal-Cain and his sister. Shem: Vasariah. Arch: Auriel. and Powerful.-The Thirty-second Spirit is Asmoday. and let him stand on his feet all the time of action. He sitteth upon an Infernal Dragon. His Seal is this which thou must wear as a Lamen upon thy breast. and guardeth it.. When the Exorcist hath a mind to call him. . etc. I got an 'A: on the mid-term but flunked the final. and from his mouth issue Flames of Fire.

) GAAP. he speaketh with a hoarse voice.7. He appeareth when the • Sun is in some of the Southern Signs. or brought up within a triangle.) FuRFUR. Also he will wittingly urge Love between Man and Woman. and in all the Liberal Sciences. Rank: President & Prince = ~ 2j.-The Thirty-third Spirit is L Gaap. Orig: Fallen Angel. also he can teach thee to consecrate those things that belong to the Dominion of AMAYMON his King. Ruler: Ziminiar. He can raise Lightnings and FurJur hiI q. Spirit is Furfur. Being therein. appearing in the Form of an Hart with a Fiery Tail. as also in Philosophy to make them Knowing. Arch: Auriel. Present. and he was of the Order of Potentates. and answereth truly and perfectly of things Past. He can carry and re-carry men very speedily from one Kingdom to another. he will take upon himself the Form of an Angel. His Seal is this to be made and to be worn as aforesaid. (34. He can cause Love or Hatred. Order of Potentates (Powers). r ti . going before Four Great and Mighty Kings. He is a Great President and a U asp. He ruleth over 66 Legions of Spirits.u 160 . and to Come. 4/1 ·~~lJ Mighty Prince. as if he were a Guide to conduct them along on their way. at the Will and Pleasure of the Exorcist. His office is to make men Insensible or Ignorant. d. Being bidden. Heavenly Level 6. 10°_ 14°.-The Thirty-fourth I e. He is a Great and S Mighty Earl. Shem: Iechuiah. Sign: np. Sept 2 .(33.. He can deliver Familiars out of the Custody of other Magicians. Decan: f31l. He never speaketh truth unless he be compelled. etc. in a Human Shape.

Wherefore the Magician must hold the Magical Ring 161 . Orig: Fallen Angel. Decan: 'd~.) MARCHOSIAS. Strong Duke.. etc. Ruler: Ziminiar. Spirit is Marc~osias. (This spirit may have been counting Heavenly Thrones up from the bottom. Blasts. *-The Thirty-sixth Spirit is Astaroth. and Vomiting Fire out of his mouth. Ambrose's hierarchy..I: MIghty Marquis.. Sign: TtP.17. lest he do thee damage by his Noisome Breath.19°. Thou must in no wise let him approach too near unto thee.Thunders. Rank: Earl Ruler: Ziminiar. Shem: Kavakiah. And his Seal is this. and appeareth in the Form of an hurtful Angel riding on an Infernal Beast like a Dragon. from Order of Dominations. (35. Rank: Marquis = <C. in which case. and Great Tempestuous Storms. Sept 8 . is this. that after I. Decan: roX. He.) (36. he putteth on the Shape of a (Restoredfrom the original) Man. And his Seal.is a Great ~d!JIfU~JlaIAib J&. Sign: TtP. who was Solomon. 200 years he had hopes to return unto the Seventh Throne. . He is a Mighty. He ruleth over 26 Legions of Spirits.24°. And he giveth True Answers both of Things Secret and Divine. And he is a strong fighter.12. etc. Sept 13 . Arch: Auriel. at the command of the Exorcist. He governeth 30 Legions of Spirits. according to S1. Arch: Auriel. if commanded. Shem: Lehachiah. He .. 15°.The ThirtY-fifthL . was of the Order of Dominations. Dominations (3) would be the Seventh Level._ _ . He told his Chief.) ASTAROTH. and carrying in his right hand a Viper. Orig: ? = 0'. to be made and worn as a Lamen._. appeanng at first In : the Form of a Wolf having Gryphon's Wings. 20 0 . and a Serpent's Tail. But after a time.

Sign: TIP. but by-and-by he must bid him put on t:&n... or else he will not appear "-nor yet obey thee. 25°· 29°. He will declare wittingly how the Spirits . which wear thou. He hath hopes also to return to the Seventh Throne after 1.near his face. .. Decan: £::= ~. Orig: Canaanite and Phoenician Goddess Astarte. His Seal is fI-this. He giveth true answers of things Past. He can make men wonderfully knowing in all Liberal Sciences. vellously of all wonderful Sciences if required. and that will defend him. He . And his Seal is this. Ruler: Ziminiar. This was the original "Dance ofthe Seven Veils" later attributed to Princess Salome in the Bible. ' . Arch: Auriel. Shem: Aniel. Orig: Ancient Egyptian Benu bird (phoenix). probably from the Order of Dominations as was Marchosias. 'Ph . And he will be willing to perform thy requests. own fall.. S fell. (37. ruleth 40 Legions of Spirits. and the reason of His ' e . . Also a Fallen Angel. . He singeth many sweet notes before the r' . J Sign: ""'". and appeareth like the Bird Phoenix. _. In ancient times Astarte descended from Heaven down to the Underworld to ressurrect the dead Prince Ba'al at Autumn Equinox in The Festival of Seven Gates. Harvest Goddess of the Earth.roli--iiI sl... Sept 18 • 22. good and excellent. Then he will speak mar-:-. which he must not regard.. as he said unto Solomon. etc.). = <C. having the Voice of a Child. Arch: Raphael. 0°· 4°..~ IJ ~~ e'l/ ' Human Shape._ . jJtJ. He is a great Marquis.. Present. etc.-The Thirty-Seventh Spirit is Phenex (or Pheynix). Sept 23 . She is placed in slot #36 presiding over the Autumnal Equinox in the sign of Virgo.27.. Shem: Monadel. 162 .. 200 years more. Decan: 'd ~.. which wear thou as a Lamen ' " ~. Rank: Marquis Ruler: Amaymon.. Rank: Duke = ~. and to Come._ Exorcist.. if desired.) PHENEX. consort of Ba'al (Bael # 1.. and can discover all Secrets.. He is a Poet.. He governeth 20 Legions of Spirits. before thee.

His Office is to build up Towers. He giveth Good Familiars. and speak with a hoarse Voice. Orig: ? (39.-The Thirty-eighth Spirit is Halphas. and to send Men-of-War to places appointed. or Malthous (or Malthas).: Il (40. or MALTHUS.seal. 5°_ 9°. but he will deceive him that doth it.Oct 2. He speaketh with a hoarse Voice. and to furnish them with Ammunition and Weapons. but after he will put on Human Shape at the request of the Exorcist.) HALPHAS. Arch: Raphael. Sign: ~. He ruleth over 26 Legions of Spirits. Shem: Chaamiah. but after the Command of the Exorcist he putteth on Human Shape.-The Fortieth Spirit is Raum. Ruler: Amaymon.um h~ JeSI. He governeth 40 Legions of Spirits.10°.. Rank: Earl = d. and his Seal is this. Decan: ~ S?.(38. and his Seal is this. Arch: Raphael. His office is to steal 163 Rn. and appeareth at first in the Form of a Crow. . Oct 3 . Orig:? 11 lIL~ts'~ . : .) MALPHAS. Shem: Rehael.7. Sept 28 . Decan: ~11. etc. Sign: ~ . . and that which they have done. He can build Houses and High Towers. and can bring to thy Knowledge Enemies' Desires and Thoughts. He is a Mighty President and Powerful.-The Thirty-ninth Spirit is Malphas. He is a Great Earl. etc. He is a Great Earl.14°. He appeareth at first like a Ii' Crow. If thou makest a Sacrifice unto him he will receive it kindly and willingly. and appeareth in the form of a Stock-Dove.) RAUM. Rank: President = ~. Ruler: Amaymon.

(42) VEPAR. He appeareth in the Form of a Man with Gryphon's Wmgs. S His office is to slay Men.24°.17. and Ammuni164 .000 years. and to tell all things. and to drown them in the Waters.-The Forty-first Spirit is Focalor. Ruler: Amaymon. and to overthrow Ships of War. Decan: ~ "ft. Arch: Raphael. He is a Duke Great and Strong and appeareth like a Mermaid. Order of Thrones. for he hath Power over both Winds and Seas. and to guide Ships laden with Arms. and to destroy Cities and Dignities of Men. 15°. and his Seal is this. Rank: Earl = d. Fo('a{.) FOCALOR. but he will not hurt any man or thing if he be commanded to the contrary by the Exorcist. Armour. Rank: Duke = ~. Ruler: Amaymon.-The Forty-second Spirit is Vepar.12. Orig: Fallen Angel. or Forcalor. Past. He is a Mighty Duke and Strong. Shem: lhiazel. and his Seal is this. Shem: Hahahel. Oct 8 . He governeth 30 Legions of Spirits. He was of the Order of Thrones. etc. Decan: ~ ~. Orig: Fallen Angel. His office is to govern the Waters. and what Will Be. and to cause Love between Friends and Foes.19°. He also hath hopes to return to the Seventh Throne after 1. Arch: Raphael. He governeth 30 Legions of Spirits. or Furcalor. Oct 13 . 20°. Sign: ~. and What Is. which wear thou as aforesaid. and to carry it whither he is commanded.r1tt8 e"t Sign: ~.Treasures out of King's Houses. or Vephar. Order of Thrones. (41.

as King Solomon commanded them into the Vessel of Brass. our traditional guardian of the Northern Quadrant). 8alltRe/( cf He is a Marquis. 0° . Orig: May derive from the "Reporbated Angel Saboac". etc. etc. Shem: Mikael.D.22. and to furnish them with Armour.27. d' Rank: Marquis = <C. His office is to build high Towers. is called Sabnock. (along with Uriel or Auriel. Decan: TIL. or Savnok. 25°. Ruler: Corson. Arch: Raphael. appearing in the Form of an Armed Soldier with a Lion's Head. etc. etc. thereon. Oct 24 . He giveth Good Familiars at the request of the Exorcist. Sign: TIL. And at the request of the Exorcist he can cause the seas to be right stormy and to appear full of ships. Great and Strong. and his Seal is this. riding on a pale-coloured horse. 165 . Rank: Duke = Sj?. Also he can afflict Men for many days with Wounds and with Sores rotten and full of Worms.tion. He commandeth 50 Legions of Spirits. Shem: Vevaliah. Also he maketh men to die in Three Days by Putrefying Wounds or Sores. Orig: ? (43. hil f. Mighty. Sign:::::. Oct 18 . He govemeth (Partially restored/rom original) 29 Legions of Spirits.) SABNOCK. Ruler: Amaymon. Decan: :::: ~. one of Seven High Angels desanctified by the Roman Church in 745 A.lll. and his Seal is this. Arch: Gabriel.. and causing Worms to breed in them. Castles and Cities.-The Forty-third Spirit.4°.29°.

Decan: TIl. And his Seal is this. He govemeth 36 Legions of Spirits. He is a Great King. somtimes.. Hearing. Shem: Sealiah. and tell him many Lies. overthrow Great Stone Walls. Past. His Office is to discover Things Hidden.) SHAX. Arch: Gabriel. Sign: m. and to steal money out of the houses of Kings. and his Seal is this. Arch: Gabriel. or Shaz (or Shass). and appeareth in the Form of a Lion. and Things Present.14°.6.. His Office is to S/tntV' J~Ql. and make the Waters rough with Storms. and an Earl. etc. He is a Great Marquis and appeareth in the Form of a Stock-Dove. 10° . but yet subtle. etc. and bearing a Viper in his hand. Ruler: Corson. Sign: m. Orig: ? Iii Selll. Rank: King = 0. If commanded he will fetch Horses at the request of the Exorcist. But he must first be commanded into a Triangle. riding upon a Black Horse. He can discover all things that are Hidden. or else he will deceive him.) VINE-The Forty-fifth Spirit is ~'UU Vine or Vinea. "v. speaking with a voice hoarse. Witches. Oct 28 . He. which wear thou. as aforesaid. !!:::~~ or Understanding of any Man or Woman at the command of the Exorcist. or any other thing. He giveth good Familiars.. d.Nov I. Shem: Ielahiah. at the com-mand of the Exorcist will build Towers.200 years. and to Come. take away the Sight. and not kept by Wicked Spirits. and to carry it again in 1.-The Forty-fourth Spirit is Shax. Wizards.1! 166 . Rank: Marquis Ruler: Corson.(44.9°. (45. He govemeth 30 Legions of Spirits. Orig: ? hi! = <C. Nov 2 . Decan: TIl. d. 5° . 2j.

He also procureth Friendship between Friends and Foes. (47. to be made and worn before thee. He hath under his Command 6(0) Legions of Spirits. and to Come. Shem: Asaliah. He is a Duke.) 167 .) BIFRONS.) UVALL. Mighty. VUAL. Bijn>-lIlli Sign: TTL 15° . Order of Powers. etc. Orig: ? = d. His Seal is this. at the Com. Arch: Gabriel.24°. etc.f. Nov 7 -12. He changeth Dead Bodies. Arch: Gabriel. also he lighteth seeming Candles upon the Graves of the Dead. and Strong. and putteth them in another place. 1.19°.~ mand of the Exorcist. Nov 13 . or VOVAL. Ruler: Corson. He is an Earl.-The Forty-seventh Spirit Uvall. or Vual. Present. but not perfectly.CC. He teacheth the Virtues of Precious Stones and Woods. . and appeareth in the ieQI ( Form of a. Geometry. or Voval.17. Rank: Earl Ruler: Corson. Orig: Fallen Angel. but after a while. He governneth 37 Legions of Spirits. Shem: Ariel.(46. and speaketh the Egyptian Tongue. He was of the Order of Potestates or Powers. but after a while at the Command of the Exorcist he putteth on Human Shape. His Office is to procure the Love of Woman. His Office is to make one knowing in Astrology. 4-J and his Seal is this.ua1 kL1 J aL Sign: TTL 20° . Rank: Duke = 2. or Bifrous. Man. . (Crowley reported that Uvall conversed in Coptic. or Bifrovs. Decan: TTL~. and other Arts and Sciences. he ~ putteth on the shape of a .-The Forty-sixth Spirit is called Bifrons. Great. Decan: m. and to tell Things Past. and appeareth in the Form of a Mighty Dromedary at the first.Monster. which he will own and submit unto.

and Water into Wine. Nov 18 .) CROCELL. and his Seal is this. Arch: Gabriel. Ruler: Corson. although there be none. H 1 Sign: TIl. the which wear thou as aforesaid. He govemeth 48 Legions of Spirits. Form of an Angel. appearing in the Form of a Mighty Bull with Gryphon's Wings. but after. 25° . (49. Ruler: Goap.. (PROCEL in Sloane 2731. at the Sta1J eu« '" ea s IS Command of the Exorcist he putteth on Human Shape. will produce Great Noises like the Rushings of many Waters.4°.-The Forty-eighth Spirit is Haagenti. Order of Powers. Shem: Mihael.29°. Orig: ? m. and to change Wine into Water. speaking something Mystically of Hidden Things.ce. or Crokel.-The Forty-ninth Spirit is Crocell. and discovereth Baths. Rank: Duke = Q. Orig: Fallen Angel.j'. etc. 0° . Decan: Rank: President = ~. or Powers. before his fall. u Seal. He warmeth Waters. He was of the Order of Potestates. He teacheth the Art of Geometry and the Liberal Sciences.) He appeareth in the .22. and to instruct them in divers things. He is a Duke Great and Strong. He is a President. Arch: Michael. Shem: Vehuel. I: 1-' S This i at fiirst. 168 . His Office is to make Men wise.j' 2). l'Y1Jetl !' Sign: . at the Command of the Exorcist.) HAAGENTI. He. also to Transmute all Metals into Gold. Nov 24 . as he declared unto the King Solomon. Decan: .27.(48. His Seal is this. He govemeth 33 Legions of Spirits.

Orig: The only Saturnian Spirit in the Brass Vessel."'secll.) FuRCAS. Sign: l'. His Office is to teach the Arts of Philosophy. and carrieth a Boshawk upon his Fist. Orig: Biblical. He maketh men to go invisible. 5° . and Flaming Eyes. Shem: Daniel. Ruler: Goap.The Fifty-first Spirit is Balam or Balaam. Decan: l' 2+. Nov 28 . and Pyromancy. He appeareth with three Heads: the first is like that of a Bull. etc. He rideth upon a furious Bear.Dec 2. Rank: Knight = 1'l. 10° . Shem: Hachasiah. . He is a Knight. and appeareth in the Form of a Cruel Old Man with a long Beard and a hoary Head.(50. Furcas has attributes of the Greek and Phoenician God. riding upon a palecoloured Horse. and Powerful King.-The Fiftieth Spirit is Furcas.7.9°. Dec 3 . Decan: l' d.. His Seal. h. with a Sharp Weapon in his hand. ~ Man.) BALAM. Astrology. His Seal is this. etc. (In the fully rectified Goetia there would be 12 Saturnian attributions. He govemeth 40 Legions of Spirits. Kronos.14°. Arch: Michael. and also to be Witty. Giving True Answers of Things Past. He is a Terrible. or Mark. t Balctm. He hath the Tail of a Serpent. Arch: Michael. Rank: King = 0. in all their parts.) (51. Ruler: Goap. is thus made. the third is like that of a Ram. Logic. He speaketh in a hoarse Voice. Sign: l'. and perfectly. the second is like that of a . Present and to Come. Rhetoric. He hath under his Power 20 Legions of Spirits. 169 . Canaanite sorcerer from the Old Testament. Cheiromancy. Great.

/'. and appeareth in the Form of the Bird called a Thrush at first..) CAMIO or CAIM./' d. 170 . C J al. appearing in the Form of a Soldier Il' / I '. Dec 12 .I'" L.:" e Ashes. etc...-The Fifty-third Spirit is Camio. also he ruleth over 36 Legions of Spirits. Arch: Michael. Lowing of Bullocks. Sign: . Sign: . He is a Great President.24°.. He was of the Order of Angels. His Office is to give unto Men the Understanding of all Birds./'.. . Barking of Dogs.-The Fifty-second Spirit is Alloces. Shem: Imamiah. His Seal is this. Order of Angels (9 =Yesod).eling upon a Great H orse. J./' 0. and Strong. very Red. Arch: Michael. Ruler: Goap. 20° . and other Creatures. and all the Liberal Sciences. ) ALLOCES. His Office is to teach the Art of Astronomy.19°._I • . Decan: . etc.(TCt fU4 ( ill n Face is like that of a Lion. His Seal is this.(52.. Rank: Duke = ~.16. Mighty. Ruler: Goap. and also of the Voice of the Waters. but now ruleth over 30 Legions of Spirits Infernal. He giveth True Answers of Things to Come. Dec 8 . but afterwards he putteth on the Shape of a Man carrying in his Hand a Sharp Sword. hoarse voice. or Cairn. which wear thou. or in Coals of Fire. He bringeth unto thee Good Familiars. 15° . Great. Shem: Nanael. Decan: . Alocas or Allocer. and having Flaming Eyes. He is a Good Disputer. Orig: Fallen Angel. HIS . He speaketh in a very big. He I seerneth to answer in Burning cl im h. which.11. Rank: President = ~. Orig: ? (53. He is a Duke.

. or MURMUS. Dec 17 . with a Ducal Crown upon his Head.. and partly of that of Angels. He giveth True Answers of Divinity.. etc.29°.0. Ruler: Goap. Past. The Patron Demon of Necromancers. His Office is to discover all things .21. Dec 22 . Arch: Auriel. There do go before him those his MinI ! . He was partly of the Order of Thrones. and ~"-"-'. hon. and to Come. ~. if desired. Rank: Prince Ruler: Ziminiar.. Orig:? = 2). appearing at first like a Horse. and to constrain Souls Deceased to come before the Exorcist to answer those questions which he may wish to put to them. Warrior riding upon a Gryp-. (55. as . etc.& !ecJ. He is a great and Mighty Prince. His Office is to teach Philosophy perfectly. 1. and the Favour of Friends and of Foes.-The Fifty-fifth Spirit is Orobas. Present. He govemeth 20 Legions of Spirits. and of the Creation of the World. I • Sign: I. also flJ to give Dignities.-The Fifty-fourth Spirit is called Murmur. appeareth in the Form of a tlrm..His Seal is this. or Murmus. partly of Thrones (3 = Chesed) and Angels (9 =Yesod). or Murmux. Shem: Mebahiah. 0° ...0 11. Rank: Duke = 2." Sign: . Shem: Nithael. Decan: . Orig: Fallen Angel.) MURMUR. 171 .0 S his cS~iaJ.. He now ruleth 30 Legions of Spirits. 250 .26.4°. isters with great Trumpets sounding.(54. and will not suffer him to be tempted of any Spirit. and Prelacies.) OROBAS. but after the command of the Exorcist he putteth on the Image of a Man. He is a Great Duke. and an Earl. And his Seal is this.. He is very faithful unto the Exorcist. Decan: I 0. Arch: Michael.~ IJ..

Jan 1 ..-The Fifty-seventh Spirit is Oso. Decan: .. and of Treasures Hid. Ue".odt_'!Itl. werewolves and leopard men. Orig: unknown but obviously of a female nature. Dec 27 ..0. or Gamori. He govemeth 30 Legions of Spirits.31. se his-. Shape of a Man... Arch: Auriel. so that he that is so changed will not think any other thing than that he is in verity that Creature or Thing he is changed into. and to procure the Love of Women both Young and Old.-The Fifty-sixth Spirit is Gremory. Rank: President = ~. He is a Duke Strong and Powr' . and riding ( on a Great Camel. and his Seal is this. also to change a Man into any Shape that the Exorcist pleaseth.) OSE.14°.5. and to give True .) GREMORY. or GAMORI. fice is to make one cunning in the Liberal Sciences. His Of~. Shem: Nemamiah. The Patron Demon of shape-shifters. but after a little 11\ time he putteth on the II -.o.... Rank: Duke = Q.~elll. Sign: . or Voso. with a Duchess's Crown tied about her waist. His Office is to tell of all Things Past.9°.stal. Answers of Divine and Secret Things.(56. etc.. 10° . Pres.. Ose. and this is his Seal. (57. and appeareth in the Form of a Beautiful Woman. 5° . He govemeth 26 Legions of Spirits.. An older Goetia codex (Scot's The Discoverie of Witchcraft ) warns that Ose brings on madness in the form of delusions of grandure. Arch: Auriel. Ruler: Zirniniar. Orig: unknown. ~ If -{ erful. and what they lie in. Decan: . He is a Great President. or YOSO. etc. Sign:..0 11. and appeareth like a Leopard ~t the first.0 ~. Shem: Poiel. ____ _ _ ent.. and to Come. During an operation 172 .. Ruler: Zirniniar...

or AVNAS. (58. He giveth Good Familiars. Orig: Fallen Angel. but after a while he putteth t/fmy ~ . and h e ' holdeth in his Right Hand two Great Serpents hissing.19°. ISO . ' /' . He is a Great Marquis. Ruler: Zirniniar.. Jan 6 . Order of Angels and of Powers. He is partly of the Order of Angels and partly of Potentates (Powers). His '_ . Sign: R). He hopes to return to the Seventh Throne in 1200 years. or Avnas. and his Seal is this.) AMY.hl.10. r. 2731) Treasure that is kept by Spirits.8 e4 · ~ with a Serpent's Tail. Rank: President = ~.) ORIAX. Shem: leialel. and how O'tUll S l 173 .) No matter what slot you put Ose in this entity should not be contacted by inexperienced operators and receivers. Decan: R) ¥. and to know the Mansions of the Planets. or Orias. A . and can betray (as per 81.but then exceptions prove the rule. He governeth 36 Legions of Spirits.-The Fifty-ninth Spirit is Oriax. riding 'It' upon a Horse Mighty and Strong. Ose told me that he was "Not an evil spirit but rather a spirit of evil.. (In this case the 777 assignment falls in the correct triplicity whereas the straight progression does not -.of a Flaming ."(See The Evocation ofNithael... II( on the Shape of a Man. office is to make one Wonderful(1y) Knowing in Astrology ~ and all the Liberal Sciences. ) In our fully rectified arrangement Ose ' would be a Mercurial Air Sign. Arch: Auriel. or ORIAS.g '~eaJt FIre.-The Fifty-eighth Spirit is Amy. (59. etc. He is a Great President. and appeareth in the Form of a Lion.where I acted as receiver. His Office is to teach the Virtues of the Stars. and appeareth a~ first in the Form .

Orig: ? ro.-The Sixtieth Spirit is Vapula. also Water into Wine. ro (61.0 ?i. Decan: ?i. and he giveth Dignities.:. etc. etc. Orig: unknown.. and his Seal is this. = <C.· can tum Wine into Water. He ' %48 an AU g"ill..15. Shem: Mizrael.to understand their VIrtues. Jan 11 . He also transformeth Men. also in Philosophy. and Blood into Wine. .. and his Seal or Character is thus made.Ut:" . of a LIOn WIth Gryphon's. Arch: Auriel. He maketh Men Witty. but after a while . AI! esu. (60. Has a relation to Mitriatic symbolism. Wings. and other Sciences. Shem: Harachel. ro. and Strong. Jan 16 .24°. appearing in the Form t~-_··:T. Might also be one of the Phoenician Seven Spirits of Creation. He is a Great King and President.) VAPULA.29°. or Naphula. and thou shalt wear it as aforesaid..': he putteth on Human Shape. . Decan: . Rank: Duke = ~.·····_-·· . He can tum all Metals into Coin 174 ..) ZAGAN.' J-~ . and Confirmation thereof. Ruler: Ziminiar. His Office is to make Men Knowing in all Handcrafts and Professions.19. Sign: 20°. ~ I Sign: 25°. (71". appearing at first in the Form of a Bull with Gryphon's Wings.a. Rank: Marquis Ruler: Ziminiar. Prelacies. Mighty. He governeth 36 Legions of Spirits. Arch: Auriel.J-. or NAPHULA. also Favour with Friends and with Foes. He is a Duke Great. He doth govern 30 Legions of Spirits. .-The Sixty-first Spirit is Zagan. .

and appeareth like a Child with. or VALAU. " -. Orig: ? (62. zz. etc.t\ f Sign.Feb 3. or VALAK. His Office is to sow Discords. and this is his Seal. ac h. . He govemeth 38 Legions of Spirits.4°. 175 . He can even make Fools wise. Arch: Raphael. Sword flourished aloft in his hand.1 a Black Night Raven. '" .) VOLAC. The which he will bring unto the Exorciser without any Force or Strength being by him employed. Jan 25 .29.~ Jtal. Orig:? = ~.. Orig: ? <C.9°. . and to tell where Serpents may be seen. etc. Arch: Raphael.of the Dominion that Metal is of.-The Sixty-second Spirit is Volac. 0° . If the Exorcist have not a care. ~ L . Ruler: Amaymon. or UALAC.. His Office is to give True Answers of J. ilnd. he will slay both him and his fellows. and his Seal is this. or Valak. He govemeth 33 Legions of Spirits.. Decan: :::::z "ft.24. or Valu. riding on a Two-headed Dragon. Decan: :::::z ~. and his Seal is thus. 10° . Shem: Umabel. " Hidden Treasures. Sigru zz. He is a President Mighty and Great. Shem: Annauel. Rank: King = 0. Jan 30 .) ANDRAS. riding upon a strong Black Wolf. Signt zz.-The Sixty-third Spirit is Andras. Arch: Raphael. appearing in the Form of an Angel with a Head like Se 1. Rank: President Ruler: Amaymon.. (63. and having a Sharp and Bright 'h1J'~.14°. Decan: :::::z"ft. Jan 20 . He govemeth 30 Legions of Spirits. Rank: Marquis: Ruler: Amaymon. He is a Great Marquis.' 1 Angel's Wings. 5° . Shem: Iahhel.

19°. Decan: z:z ~. Present. talk of the Creation of the World. at the Command of the Exorcist. ~.8. or HAVRES or FLAUROS. He governeth 36 Legions of Spirits. and to Come. and His Seal is this.Rank: Duke = S?. or Hauras. he will Lie in all these Things. or HAURAS. and of how he and other Spirits fell. He will. but after while. Ruler: Amaymon. HOROS not so much from the discription but rather the similarity of his name and the bird like nature of his sigil. appearing at first in the form of a Peacock. or in such and such business. Past. But after a time he putteth on Human shape. He destroyeth and burneth up those who be the Enemies of the Exorcist should he so desire it. He is a Great Duke. He can teach 176 . and appeareth at first like a Leopard. He is a Mighty Marquis. and Strong. Shem: Mecheiel. and of Divinity. Terrible.-The Sixty-fifth Spirit is Andrealphus.The Sixty-fourth Spirit is Haures. Arch: Raphael. 15° . Orig: a Fallen Angel who will not reveal his former rank. with great Noises.(64. etc. also he will not suffer him to be tempted by any other Spirit or otherwise.) ANDREALPHIS. lastly. he putteth on Human Shape with Eyes Flaming and Fiery. Sign: z:z. (65. and a most Terrible Countenance.) HAURES. and deceive and beguile the Exorcist in these things. He giveth True Answers of all things. or Havres. But if he be not commanded into a Triangle. He might be related to the Egyptian God. Mighty. Feb 4 . to be worn as a Lamen. or Flauros.

. and his Seal is this.M.. He governeth 20 Legions of Infemals. or AMDUKIAS.-The Sixty-seventh Spirit is Amdusias. appearing like a Valiant Warrior riding upon a goodly Black Horse. Rank: Marquis = (C. Rhetoric. Mighty... . Ct'truifi. etc. Arch: Raphael. and his Seal is this. and in all Things pertaining unto Mensuration or Astronomy. a Unicorn. Shem: Menkiel. Feb 9 . zz. and to discover things Lost or Hidden. of the Exorcist he standeth before him in Human Shape. He is a Marquis. and Treasures.) AMDUSIAS. Rank: Marquis = (C. He maketh J".. or KIMARIs. He ~ ruleth over all Spirits in the parts of Africa. 'hi! Sealf.It~/qJe~< Men very subtle therein. Decan: :::::::::: S?. His Office is to teach perfectly Grammar. Orig: ? (66. 20° . Great. 25° .etc. (67.t n~ Jeat. 177 !-'1 . Shem: Damabiah../ err {!1~.Geometry perfectly.29°. Sign. Orig: unknown but probably from Morocco. or CIMEIES.'l Strong and Powerful. Arch: Raphael. He can transform a Man into the Likeness of a Bird.tI(la.-The Sixtysixth Spirit is Cimejes. but at the request .-. Decan::::::::::: S?. Feb 14 . or Kimaris. Sign:::::::::::. Ruler: Amaymon..18. He is a Duke Great and 'etAl.) CIMEJES. appearing at first like " ~cl~. or Amdukias (Anduscias in Sloane 2731).~'1(1t*l uJ Strong. Ruler: Amaymon. or Cimeies.24°. He governeth 30 Legions of Infernal Spirits. Logic.tlN.13.

0° . Orig: ? = ~. unless he be constrained by Divine Power. and declareth that he fell [rrst from among the worthier sort. But then he tarrieth not one hour in the Truth. and other Heavenly Angels. Sign: X. and to cause favour of Friends and of Foes. and governeth 50 Legions of Spirits. He governeth 29 Legions of Spirits. He speaketh with a Comely e (A f1 (a Voice. Decan: X 2/.) BELIAL. and was created next after LUCIFER..-The Sixty-eighth Spirit is Belial. Possibly the most dangerous spirit in the Goetia.. Arch: Gabriel. etc. which is to be worn as aforesaid. (68. Rank: King = 0. etc. Sacrifices and Gifts presented unto him by the Exorcist. Decan: X 2/. If you must experiment with this entity use powdered bull's blood (blood meal fertilizer) and a flamming libation of brandy (as the late Vincent Price suggested: "Good brandy. He appeareth in the Form of Two Beautiful Angels sitting in a Chariot of ~ I' 1~ t j 1 Fire. Sacrifices and offerings are required.4°. Feb 19 . Ruler: Corson. He is a Mighty and a Powerful King. Also he can cause Trees to bend and incline according to the Exorcist's Will. 1- Sign: X. Arch: Gabriel. Note well that this King Belial must have Offerings. Order of Virtues (5 = Geburah). Shem: Chabuiah. And his Seal is this. but not soon or immiediately. or else he will not give True Answers unto his Demands. He giveth Excellent Familiars. Rank: Duke Ruler: Corson. Feb 24 -29. His Office is to distribute Presentations and Senatorships..9°. please. And his Seal is this. Orig: a Fallen Angel formerly of high rank.23. 5° .").causing Trumpets. and all manner of Musical Instruments to be heard. Shem: Eiael. He giveth excellent Familiars. Considered synonymous with Satan in the DEAD SEA SCROLLS. 178 . that were before Michael. etc.

Virtues of Birds and Precious Stones.. And this his Seal is to be worn. SEAR. He can pass over the whole Earth in the twinkling of an Eye.(69. and is willing to do anything which the Exorcist desireth.-The Sixty-ninth Spirit is Decarabia.19°. His Office is to discover the ". Arch: Gabriel. Orig: possibly Persian. And this is his Seal. He giveth a True relation of all sorts of Theft. etc.) DECARABIA. Ruler: Corson. 10° . He governeth 30 Legions of Spirits. and of many other things. he putteth on the image 1>~ c lll't1~ t'a h.) SEERE. etc hil'-' Sign: X. and to bring abundance of things to pass on a sudden. Excellent for long range consciousness projection. Arch: Gabriel. King of the East. Shem: Raehel. at the command of the Exorcist. Decan: X <C.~ J<al . and Powerful. He is of an indifferent Good Nature. He governeth 26 Legions of Spirits. of a Man. 15° . Sear. Orig:? (70. which is to be worn. He is a Mighty Prince. Mar 1 . ~ ~ .and to make the Similitude of all kinds ~:-r-'. He appeareth in the Form of a Star in a Pentacle at first. of Birds to fly before theExorcist. Mar 6 .. ~. Sign: X. and to carry or re-carry anything whither thou wouldest have it to go. riding upon a Winged Horse. or Seir. Shem: Iibamiah.-The Seventieth Spirit is Seere.14°.10. Ruler: Corson.. Rank: Prince 2/. . being himself a Great Marquis.5. Decan: X <C.» singing and drinking as natural Birds do. and of Treasure hid. His Office is to go and come. or SEIR. • . under AMAYMON. He appeareth in the Form of a SeeN Sc aL . or whence thou wouldest have it from. but after. Beautiful Man. Rank: Marquis = <C. = 179 .

and can change them at his Will. 25° .) DANTALION. March 16 . Decan: X d. His 0 . His Seal is this.Sciences unto any.29°.. Orig:? S2. Orig: ? 180 . Arch: Gabriel. He is a Duke Great and Mighty. let them be in what part of the World they Will.20. Mar 11 . etc. the which wear thou as aforesaid. and show the same by a Vision. Sign: X. Rank: Earl = d. (72. Great and Mighty. appearing in the Form of a Man holding a Great Serpent in his Hand.-The Seventy-first Spirit is Dantalion. and to . and this is his Seal. Decan: X d.(71. Ruler: Corson. Rank: Duke = Ruler: Corson. He govemeth 36 Legions of Spirits. He can cause Love.0 Office is to teach all Arts and :. and to discover all Wickedness. which wear thou. all Men's and t>~n/C1I. His Office is to bring back both a Thief. etc. Shem: Mumiah. and to punish all Thieves and other Wicked People and also to discover Treasures that be Hid. and Underhand Dealing.\O'X--1JJ SEAL Women's Faces.The Seventy-second Spirit in Order is named Andromalius. Sign: X. He ruleth over 36 Legions of Spirits. Shem: Haiaiel.15. and show the Similitude of any person. He is an Earl. Arch: Gabriel. appearing in the Form of a Man with many 71 Countenances. 20° . and he hath a ~o Book in his right hand. declare the Secret Counsel of anyone. and the Goods which be stolen.) ANDROMALIDS . for he knoweth the Thoughts of all Men and Women.24°.

Ziminiar answered: "Ghob. I wanted to know the difference between these Rulers and the traditional Elemental Kings and Queens. while Ziminiar commands the forces that ensure prosperity and material accomplishment. I refer to them not as "Kings" but as "Rulers" because Corson. Goap controls the fiery spirits of wrath and dominiation in the South. " Amaymon Goap Ziminiar Corson e::t~Y~Z ~\tJ~O)' ~~f"C~ Every serious practitioner of this system should evoke these great rulers at the outset of the cycle of working. 181 . Corson oversees the spirits of prophecy and divination in the West. Goap and Ziminiar were definately masculine in nature. Considering that our rectified Goetia is to be reorganized in accordance with the four philosophical elements. Remember that they are directly controlled by the Four Great Archangels of the Quarters. You are free to use them in your private workings but they may not be republished without our written permission. These signatures were obtained from the Rulers themselves during evocations undertaken by the author. Ruler of the West had a definate female aspect while Amaymon.GOETIA RULERS OF THE QUARTERS This is the first time that the sigils of the Goetia Rulers of the Quadrants have ever been seen outside of the inner sanctum. (the Gnome King) is ruler of the Spirits of the Rocks. Amaymon rules the ariel spirits of the arts and sciences in the East. whereas I am the ruler of the Spirits of the Inner Earth.

T.A. To create one I used the method described by Geoffrey James in his book ANGEL MAGIC ( the 9th Chapter of which recounts an G. 182 . ~==~ Raphael -. The signatures of Michael.O.Traditional Michael -.Traditional Auriel . invocation operation) of translating the Phoenician letters in Her name into an Arabic magical alphabet and then running them together to form a continious design.The sigils of the great Archangles of the Quarters should therefore be drawn on the reverse of the sigils of the Goetia Quadrant Rulers. Raphael and Gabriel were traditional but there was no sigil for Auriel. T.Traditional Gabriel -. A.

Vehuiah Et tu Domine ne elongaveris auxilium tuum a me. (See Documentary Appendix. Blaise Viginaire" intended to use them in a sidereal progression. both sides should be shown to the receiver and then the Latin verse is read by the Magus to invoke the power of the Angel. The Angelic Names we use are taken from Agrippa. 9 ii...Ieliel Dicam Domino susceptor meus es tu.. the sigil should be taken from the Brass Vessel. Exodus xiv. ad defensionem meam conspice: . 3. (See video.) 1. Tu Domine susceptor meus es gloria mea et exaltans Caput meum: .so we were required to create a composite of these three lists 1. The sequence and spelling does not always agree with Mathers' version of Blaise Viginaire's sigils or with the angelic names accompanying Thomas Rudd's Latin versicles -. Before beginning the conjuration. ~.P ~ 183 0 . 1. . although such a scheme was used to create a later version of the 72 Holy Names. The names of the angels are derived from three verses in the book of Exodus (vs.Sitael T HE SCHEMHAMEPHORASH are seventy two Angels that form 2. B. This formula actually preceeded the the use of Tetragrammaton in historical Kabbalah. 19-21. ) These sigils and verses are to be drawn and written on the back of the parchment sigil of your Goetia spirit. el refugium meum Deus meus sperabo in sum: . Golden Dawn magicians will point out that these sigils start at 0° Q (Leo) in their system but I would be very surprised if "The Great Magician. making sure that the sigil matches the name regardless of position. .) and are not permutations of YHVH.fJ1ie Schemhamephorasti the extended Name of God.

=-*:1 4~t~. Convertere Domino.Lelahel Miserator et misericors Dominus. salvum me fac propter misericordiam tuam : -Elemiah 5. ~~ . et ex omnibus tribulationibus eripuit me: -" Mahasiah Psalite Domino qui habitat in Sion annunciate inter gentesstudia eius: . Venite. Aladiah goA . quemadmodu speravimus in te: 9.Hahaiah Jubilate Domino omnis Terra. et Psallite: 12.~JP 13.4. Cantate. longanimus et multum misericors: 6. o:g -Akaiah 8. -Ieazel 184 .Cahethel Reminiscere miserationum tuarum Domine et miserationum tuarum quae a saeculo sunt: . 11.til~ Vivit Dominus et benedictus Deus meus et exaltetur Deus salutis meae: -Lauiah Ut quid Domine recessisti longe despiris in opportunitatibus in tribulatione : . ~E'X ~~J ~ 10. 7. et eripe animam meam.Haziel Fiat misercordia tua super nos. et exultate. et procidamus ante Dominum qui ferit nos: . Ex qui sive Dominum et exaudivit me. adoremus.

et Deus meus in adjutorium spei meae: -Mebahel 15. Et nomen Domini invocabo 0 Domine libera animam meam:. Et factus est mihi Dominus in refugium et Deus meus in adjutorium spei meae: .Melahel 185 .Leviah Iudica me Domine secundum misericordiam et iustitiam tuam Domine Deus meus et non supergaudeant mihi: . Domine Deus salutis meae in die clamavi et nocte coramte: -Hakamiah 17. Dominus protectio tua super manum dextram tuam: 22. Xeo autem in te speravi Domine dixi Deus meus es tu:.Caliel 18. Domine Dominus noster quam admirabile est nomen tuum in universa terra: . Et factuts est Dominus refugium. Expectans expectavi Dominum et intendit mihi: -Luuviah -t£ial 20.Hariel 16. . -+~ 19. Dominus custodit introitum tuum et exitum tuum ex nunc et usque in saeculum : .Nelkael Dominus custodit te.Iaiaiel 23.Pahaliah 21.14.

Deus meus memorabor iustitiae tuae solius: -Lecabel Quia rectum est verbum Domini et omnia opera eius in fide:.r L.Iechuiah 186 .L ~ G (C)\ 28.Haaiah 27. '. Domine spes mea a iuventute mea: -Omael 31. Quoniarn tu es potentia mea Domine.24.--~ '_9 41 "(9"'" -Nithhaiah 26. "rri'\ gt>..'. exaudi me Domine.. Beneplacitum est Domino super timentes eum. et in iis qui sperant super misercordiam eius: -Chahuiah 25.. Deus ne elongeris a me Deus meus in auxilium meum respice: . Clamavi in toto corde meo..~. Introibo in potentia Domini.Reiiel - . Ecce Deus adiuvat me et Dominus susceptor est animae meae:. . Eripe me Domine ab homine malo a viro iniquo eripe me: -Ierathel .x. Confitebor tibi Domine in lote corde mea narrabo omnia mirabilia tua: n~ ~~.r!J ~ '-'I .::::/ 1 Co' 30..Vasariah 32. 33. Dominus scit cogitationes hominum quoniam vana sunt: .Seehiah c:::/ 29.~ -u. iustificationes meas requiram: .

" ~66\.34. ~1L. Speret Israel in Domino ex hoc nunc et usque in saeculum: . -Chaamiah 39. Domine libera animam meam a labiis iniquis et a lingua dolosa: 42. avertis faciem tuam a me: -Ihiazel 41.'.Lehachiah 35. ~~ ~ .. Ut quid Domine repellis animam meam.: ~. et mane oratio meae praeveniet te: .". ~.. 187 .Kavakiah 36.Mikael Et Ego ad te Domine clamavit. eT'\C?). Hahahel "1Ho 10( V- Domine custodit te ab omni malo et custodiet animam tuam:. . Quoniam tu es Domine spes mea altissimum profuisti refugium tuum: 5\" ".Monadel (see video) ~~~ Lfllj-. Audivit Dominus et misertus est mihi Dominus factus est adiutor meus: -Rehael 40. Domini dilexi decorum domus tuae et locem habitationis gloriae tuae: .~'.:A i & l' 37..Vevaliah 43. Dilexi quoniam exaudi Dominus vocem orationis meae : .v . Domine Deus virtutum converte nos et ostende faciem tuam et salvi erimus: -Aniel 38.

revelabit justitiam suam: ..e <. ~6~~' ".. adiuvabit me: . nimis profundae factae sunt cogitationes tuae: .~$$. ..Asaliah Notum fecit Dominus salutare tuum in conspectu gentium. 47. Suavis Dominus universis et miserationes super omnia opera eius: . Confitebor Domino sacundum justitiam eius et PsaUam nomini Domini altissimi: . patiens et multum misericors: -Daniel 51.. Voluntaria eris mei beneplacita fac Domine et Judicia tua doce: -Ielahiah 45. Si dicebam motus est pes meus misericordia tua Domine.44.L ~ . :_~.. . Miserator et misericors Dominus. G'J.: cN¥.. _"1ST ~ f.----$\ '..:~ P -Vehuel 50.J 'i' ~_-_. __ .Mihael Magnus Dominus et laudabilis et magnitudinis eius non est finis: ./ ~ .). ~ ~..p'. ~ GT_~ 188 .Ariel Quam magnificata sunt opera tua Domine.= ~ .r'_~.Nanael 53. ~--G .~ -' of- 48.Imamiah Cognovi Domine quia aequitas judicia tua et in veritate tua humiliasti me: . Sit gloria Dominus in saeculullaetabitur Dominus in operibus suis : -Hachasiah 52..0 .Sealiah 46.' • '.V'0 49.

Harachel Iustus Dominus in omnibus viis suis et sanctus in omnibus operibus eius: . ~ .Umabel Vide quoniam mandata tua Domine dilexi secundum misericordiam vivificam: . adiutor eorum et protector eorum est : . Et anima mea turbata est valde sed tu Domine usque quo: --Ieialel 59. Allevat Dominus omnes qui corruunt. Qui timent Dominum speraverunt in Domino.' '. V tb -Y~ ~ -Annauel 189 . -Poliel 57.. introite in conspectu eius in exultatione: .54.* ~. ~. -.I. ~. 62.Mizrael Sit nomen Domini benedictum ex hoc nunc et usque in saeculum:. -..Iahhel Servite Domino in Laetitia.. . . 61.. Dominus in Caelo paravit sedem suam et Regnum suum omnibus dominabitur: . a: . .. ~ 63.. _.' -L .. ~. 55. ~ 60. et erigit omnes elisos: ~~3:EEJ ~. _. .Nithael Tu autem Domine in aetemum permanes et memoriale tuum in generationem et generationem: .Nemamiah s-0 I 58. .~~~•.v~v-~ ~ l~ If' ~ . -Mebahiah 56.'.~ -d> r\'lf\?l <po ~. Ab ortu Solis usque ad occasum laudabile nomen Domini: .

Le e-. Ecce oculi Domini super metuentes eum et in eis qui sperant super misericordiam eius : .64.Damabiah Ne dere1inquas me Domine Deus meus ne discesseris a me: .. ::I : J:: o!n rn 71. Confitemini Domino quoniam bonus. ~+~ .. . 190 . Delectare in Domino et dabit tibi petitiones cordis tui : . e--l--t. ~ Q 72. . ' .Mecheiel Convertere Domine usque quo et deprecabilis esto super servos eius: .Eiael 0-1 68. .lfl6lf-1. *~:J ~G~-Q~0 67.Menkiel 65. Here Ends The Schemhamephorash 9{ptes on !fo{[owi:ng Page.Chabuiah ~/.} .Iibamiah Confitebor Domino nimis in ore meo. quoniam in aetemam misericordia eius: .Haiaiel Convertere anima mea in requiem tuam quoniam Dominus benefaciet tibi: . 66.Mumiah 70.' de· .3 %)UA~ 69. 0. \:J '~.L. . et in medio multorum laudabo eum: .Raehel In principio creavit Deus Caelum et Terram: . Dominus pars haereditatis meae et calicis meae tu es qui restitues haereditatem meam mihi: .

1993.I am again including the sigils of the Four Great Archangels for easy reference. Traditional Gabriel. The translations of these scriptural verses into English that McLean includes are possibly proprietory. form (derived from ancient Arabic magical alphabet. therefore the interested reader should consult the McLean edition directly. 1982.) 191 .T. See James' Angel Magic. We have changed Dr Rudd's spelling of the Angelic names to agree with those on our Master Mandala which is derived from Agrippa. 6482 as published by Adam McLean in A Treatise on Angel Magic. (See Documentary Appendix for an exhibit of the title folio of the Mathers' MS.9{ptes onScfiemfzamepfwras/i: 1. ~~=3J1< Raphael. Additional Note: -.A. The sigil designs used in this section are scanned directly from a photo copy of MacGregor Mathers' copy of Arsenal MS. 2495 "Characters or Seals of the 72 Schemahamphorasch (sic)" courtesy of Pat Zalewski. Those interested in the Golden Dawn version of this sequence should consult Zalewski's The Kabbalah of the Golden Dawn. The work would make an excellent addition to any magician's library and is now available in an inexpensive paperback edition. Traditional Michael. 2. In our system they are directly related to the Angels of the Shemehamphorash. Traditional Auriel. O.) The Latin verses used to invoke these Angels are taken from British Library Harley MS.

56. 69. 23. 49. 52. 34. 50. 72. 40.). 65.9l. 22. Foras Biforns Haagenti Balam Zagan Volac Cimejes 192 . 4. etc. 51. 25. Vassago Samigina Amon Paimon Gusion Eligos Botis Ipos Forneus Focalor Vepar Vine Uvall Crocell Murmur Orbas Gremory Dantallion Earthy Spirits Under Ziminiar 2. 17. 58. 62. 24. 15. 9. 61. 38. 67. 26. 7. Ariel Spirits Under Amaymon 5. 70. 8. 21. "Appears in Sagittarius". Agares Valefor Sitri Beleth Zepar Bathin Sallos Purson Marax Bune Astaroth (#36 in our sequence) 37. 7l. in our sequence) Fiery Spirits Under Goap 1. 18. 39. 68. 45. 20. 28. 11.g. 32. 43. 6. 33.. (joetia Spirits 9{ectifieti to the Four Hermetic 'Elements anaQuatirants This listing rearranges the 72 Spirits into four Elemental groupings by their characteristics and certain clues in their descriptions (e. 27. Marbas Naberius Ronove Asmoday Gaap Stol as (#29. 57. 63. Their order of placement in these divisions has no significance beyond their sequential occurance in the original Sloane 2731 list. 19. 13. 60. 29. 53. 48. 36. 55. Phenex Malphas Shax Furcas Carnio Ose Oriax Vapula Andrealphus Amdusias Decarabia Seere 31.. 35. Bael Barbatos Buer Leraje Aim GlasyaLabolas Berith Fufur Marchosias Halphas Raum Sabnock Alloces Amy Andras Haures Belial Andromalius Watery Spirits Under Corson 3. 64. 14. 44. 12. 66. 47. 59. 42.ppena~ 1. 10. 54. 41. 46. 30. 16.

Geburah 6. russett & Black Planet Infinity Zodiac Saturn Jupiter Mars Sun Venus Mercury Moon Earth Incense Ambergris Musk Myrh Cedar Dragon's Blood Frankincense Sandalwood Storax Jasmine Dittany of Crete Goetia Spirits (By Rank) Descending Formula (Atziluth) Ascending Formula (Briah)* Metatron Ratziel Tzaphkiel Tzadkiel Kamael Raphael Haniel Michael Gabriel Sandal phon 1. 4. 4. 193 . 6. 9.. olive. Yesod 10.9lppendii'( 2. Malkuth 1. 8. 7. 5. 3. Color (King Scale) White Grey 'Black Blue Red Yellow Green Orange Violet Citrine. Hod 9. 2. 10. e erence Chart or oetia/J1LEnuufe{ 0 erations: Sephiroth Kether Chokmah Binah Chesed 5. Tiphareth 7. 2. Netsach 8. 3. Knights Princes Earls Kings Dukes Presidents Marquises Eh heh yah Yah AhMahShaOh Elohim EI (001) Elohim Gibor AhMahShaOh Aloah Va-Da'ath AhMahShaOh Tzabaoth Elohim Tzabaoth Shaddi EI Chai Adonai Ha Aretz * Note: The ascending formula is also the list of Archangels attributed to the Tree of Life and the planetary spheres.

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Even so you may want to paint and carpet the area. nine feet -. Magic.a[Tempie Furniture & 'Equipment H ERE IS WHERE WE COME to one of the most satisfying -- and for some people perhaps the most frustrating -. second195 . Avoid black for two reasons: first it will not give you the deep. All considered. Our double cube altar is 42" high and just manages to go through a standard door frame. Right at the outset let me explain that I have not provided fully scaled and dimensioned three view plans because some of you may not want to operate in a full size (18' x 18') temple setting.ppendil( 3.and. along with pillars in the north and south and room to circumambulate.!Jl. Most spare bedrooms aren't that big.aspects of the art magical: building your temple equipment. according to Solomon. Hypnotic magick doesn't work very well when people's teeth are chattering. endless darkness that midnight blue will provide (black actually reflects light whereas blue totally absorbs it as any camera buff will tell you) -. You'll need a two car garage and then you'll have to panel and insulate it or freeze in the winter time. the 18' x 18' floor space is a minimum. it might be better to scale down and settle for the spare bedroom when you are first getting started.which means that. so you may have a lot of remodeling to do just to make the temple comfortable-. you can't bum charcoal and incense in a completely sealed area. The outside diameter of our Circle is.and don't forget ventilation.

Use a carpenter's square to bring your beam compass line out at right angles to mark off the radius at each end of your circle section. but the basic color should always be dark blue. etc. E w If you decide to use a fiberboard backing to keep the plywood from warping. violet veils..ly. Next get a dark blue indoor-outdoor carpet so that you have a completely blue chamber (see video). Cut this section out and use 196 . I opted for plywood backed with fiberboard (but I must confess that I spent-a year designing and building props for Ringling Brother's Circus. Now let's move to the frrst item you'll need to construct: the Magick Circle. then be sure to use plenty of carpenter's wood glue and finishing brads. . Put your pencil through a loop on the far end and score an arc on the plywood. Real midnight blue paint has to be specially mixed at a paint store. if any profane invades your magical inner sanctum (and sooner or later this is certain to happen) black will convince him that you are a satanist. Drop back 14" and score an inside arc. The Circle can be made out of cloth or plywood. You may accent with burgundy drapes.. so I tend to build things that can be stepped on by elephants !). We've never used cloth so I can't give any experienced advice on that. this is the trick: drive a rod into the ground and tie a 4 1/2 ' cord to it. but it should last a lifetime and is worth the trouble. If you are wondering how to cut this monster out.

Ours is made out of 1/4" plywood on a 2"x 2" frame with a top lid frame made from l"x 10" lumber. After you've cut out the four sections. Stay with the 2" x 2" frame. sand them. prime coat them and paint them black with a one inch white border along the outside and inside edge. Unless you apply several coats of clear liquid plastic varnish over the altar top it will quickly become 197 . and make sure the top and incense chamber floor are both 1/4" plywood. What could be simpler than that? For a lighter weight circle you might try laminating a top layer of masonite rather than fiberboard. The double cube should be exactly that. bright green. a double cube. you will still have to undercoat all your decorations with white. You'll notice in the video that we have four alchemical symbols in bas-relief around the sides of the upper cube. bright blue and in the North. The Spirit Wheel symbol in the East swings out on a hinge as the door to the incense chamber. in the West. (See the PhoenicianlHebrew alphabet.v. The bottom half is painted black and the top half. All lettering and symbols in the East are in bright yellow. You can jig them out of plywood with a scroll saw. in the South. Our altar is so heavy we need a handtruck to move it back and forth from the temple to our outdoor henge. The altar top is also an area that can lend itself to further decoration.it as a pattern for the next three sections. however. Look carefully at the video and see how we have painted the four quadrant colors (no fluorescents here) on the altar top and then applied a jigged-out. flaming scarlet.) You may also add the signs of the zodiac and their ruling planets around each of the elemental symbols. Now to the Double-cube altar which will be placed in the center of the Circle for Angelic invocations and other transcendental operations. If you don't have to do four offsite ceremonies a year I believe masonite for the four side panels and 1/4" plywood for the top lid frame would be a better choice. then glue and tack them on. Now you are ready to decorate. ~ mercury in the West and Q salt in the North. The other symbols are ~ sulphur in the South. It's also a better painting surface. gold leafed compass rose with the Tetragrammaton letters at each directional point. Even if you are not intending to use u. sensitive fluorescent paint 1. white.

..!~.~ Miter all corners Top lid frame 2"x 2" frame Incense floor Incense serving port -----lll.l~ Vent holes 198 .--..Top lid plate Smoke slots ..

Solomon's Triangle has no standard dimensions but the white inner triangle must be equilateral. stained and chipped with all the charcoal. It gives the Triangle an element mystery it deserves as a portal between the worlds. Inner dim. You may have noticed that our outer triangle (the black border surrounding the white inner surface) is two inches higher at the peak. inner triangle: white. Phoenician letters (see Alphabet). Colors = outer border: black. outer lettering: scarlet. oils. Baseline 3" up from bottom edge.= bottom: 37 1/2" .= 311/2" all sides.Metal or plastic bezel Smoked or painted glass (13 1/2" dia. inner circle: forest green. Build your altar to last. incenses and candle drippings you are going to use on it. Screw eye (4 places typical) \ Screw hook I I @ --I I r/.) I %" plywood round (same dia.marred. sides: 42" ea. Inner Circle =13" dia.) Triangle outer dim. This adds an aspect of dynamic distortion to an an otherwise static design. 199 .) Cardboard backing (same dia.

The place for your alchemical "fluid condenser". that appeals to you. then spray it with three layers of black. We have even experimented by charging our rock crystal Almadel ball with a 250. After your metallic mist effect has completely dried. Clean your glass with alcohol or carbon tetrachloride. If you like the effect of the metallic mist on the black background.but this was only after we knew we didn't need to. Make sure you keep this pattern subtle and delicate. This is not expensive. However. It is much better to prove to yourself that you can make the magick happen through the power of your mind than to depend on a rabbit's foot or a mojo bag. you have a number of choices: you might be able to fmd an antiqued smoked glass panel. then mist the inner surface with the metallic spray paints. one silver (luna). if you don't like the effect (sometimes it is difficult to get it right the first time) just wipe off all the metallic paints with thinner and start over again. I know this sounds like a mundane option but some of these designs are frankly more evocative than what you might be able to create -.000 volt Vandergraff lightning machine -. of the type used by interior decorators. letting each layer dry fully before applying the next coat. 200 . It will save you frustration and possibly serious injury. The reason is this: your subconscious mind is more superstitious than your rational mind is and it will believe that the condenser is an essential part of the process if you start off using it at the beginning of your operations. Buy three cans of spray lacquer.As for constructing your mirror. if you choose to employ one. Also ask the glass shop to grind off the sharp edges for you so you won't cut yourself handling the plate. Don't settle for anything less than the best you can achieve. I use an inward spiraling circular pattern evocative of a vortex far out in the depths of outer space. I suggest that you leave it off your first mirror or at least delay applying it until after you have successfully performed operations without it.in any case you must have your glass professionally cut for you at a glass shop. then do so. 2. If you want to add the condenser later. place the glass plate over a piece of black poster board to see how it will look when you seal it over with the black paint. one copper (venus) and one gloss black. is on your cardboard backing.

The reason why you don't want to permanently mount your mirror in your Triangle is that your mirror is also your Pentacle ofArt. Colors = Border band: gold. olive.TA Magick Mirror -. It is the fourth traditional implement of the Magus. Quadrants colors: citrine. the platter or shield of the Grail Hallows.Your mirror should be anchored to the corrugated cardboard backing with several swatches of industrial grade double-sticky tape. russet and black. No hammering!) Four brass screw eyes must also be attached around the edge (you only need one if you don't intend to suspend your mirror from overhead). if you are more of a Pagan.or. For the reverse side ( the plywood back) you might use the traditional Golden Dawn Earth Pentacle design -. (We have found double-sticky tape to be an essential item for practical magick.) The carboard backing is glued to the plywood round. we suggest the ten-pointed double pentagram for the Sphere of Malkuth as shown and described below: -- O. glued and screwed in around the edge. upright pentagram: gold.Reverse side. holding everything together. (Be sure to drill start holes through the band and into the plywood. You will use it for other magical functions besides Goetia skrying. Earth Pentacle. 201 . downward pentagram: silver. Finally a plastic or metal bezel band is wrapped.

caulking and sanding your forlorn aquisitions -.) Hang them on the four walls of your temple. If you want to add full size pillars to your temple you will need to find a salvage yard and then spend several days patching. We use the double pentagram to form a ten-pointed "Malkuth-Asshia" decagram appropriate to the element. You should also acquire a 3' x 3' square of green silk to wrap up the mirror-pantacle when not in use.but eventually Jochin and Boa: will emerge (with the help of black and white enamel. Each end of the spindle was fitted with a cast iron quatrefoil point of the type used to cap wrought iron fences and gates. The early O. gold and silver leaf and coats of plastic varnish. You can then ceremonially light the Four Quarters as a form of temple opening. However. The Circle.) Smaller pillars can be created from p. The white end was pointed forward for invoking and the black end forward for banishing. You may also hang the mirror on the Triangle with the pentacle side outward when the equipment is not in use -.but this should only be a temporary expedient. had its own distinctive magick wand that was derived from a design by Eliphas Levi. The iron points could be wire wrapped with cotton waste.A.such as the ones shown in the video -. Just a board with a shelf at the bottom will do quite well.A. (We 202 . We constructed it out of a two foot long decorative wooden spindle of the type used for railings.'s Goetia/Almadel system. One half was painted white and the other black.v. This allowed the operator to do some artful wand twirling. before an operation. the sphere and the dimension. which when soaked with naptha and ignited. pipe or even heavy cardboard tubes. Mirror and Triangle are the major items of equipment you will need to construct in order to practice the O. or to cover it. provided a spectacular display -. you should not neglect the four Archangels of the Quarters.c.with shelves for candles.especially when the operator was able to clench the flaming point with his bare hand to extinguish the fire. (They don't have to be as elaborate as ours.You will notice that our pentacle differs from the Golden Dawn version only in the selection of the central design. I suggest that you have the color plates of the Angels enlarged and then mounted on icon frames -.T. Altar.T. as with a veil.

creating two foot long lightning bolts. I can't say that it does any particular good in our case. Bardon does not emphisize optical mirrors.T. 203 . style optic mirrors the fluid condenser is sometimes placed behind the mirror as an added reinforcement. With these non-optic mirrors the condenser is sprinkled directly on the viewing surface. in fact. However.will not be responsible for any injuries incured by anyone attempting to replicate this feat!) Many old time a.but our spirits seem to enjoy the higher frequencies.T.T. lighting in our temple back in 1970. As an operator I came to find it cumbersome in working the psychic center system from directly behind the receiver. Of course we have been criticized by magicians with far less operative experience who believe that only olive oil lamps and candle light are acceptable to their spirits -.) 2. We use it only for the Holy Names around the Magick Circle and on our planetary septagram design.) Fluid condensers are alchemical compounds (either liquid or dry) that attract astral "fluids" and hence are used by magicians of the Franz Bardon school to charge their magic(k) mirrors. He prefers a nonreflective black surface for tantric style visualization. We now use this original two foot wooden version only for seasonal ceremonies in its capacity as a "fire wand". We started using u. !J{ptes on Furniture and'Equipment: 1.A. "The Orb" absorbs energy at such a rate that it actually doubles the usual spark gap. members and numerous students of the various irregular a. it can be considered an alchemical enhancement (See Initiation into Hermetics by F. groups still use this style of wand.A. We have also experimented with a Vandegraff static generator to charge our Almadel rock crystal ball.A. but. The ultraviolet light also lends an otherworldly atmosphere to the temple.v. It is. as long as you don't depend on it. Bardon. With O. (Such experiments are more common in European lodges than in America. very much like the electric blue of the astral plane. For this limited purpose it is very effective because it keeps the wards of power and the correspondences of the working always visually charged and constantly seen even out of the comer of the eye.

from '13. 9fprtliriige.Jf.rsena[:Ms.ppencf~ 4 Documentatu f£l(fii6its 1. courtesg of (j. :Mac(jregor :Matft.) 204 .. Ms. rIfie Cfiaracters or Sears of tfie 72 Schemahamphorasch.9l. courtesg ofPatZafews/(j.witli up-aate!footnotes.L. L. catifomia State Universitg.9LrmareP' arawingfrom Seplier :Mapliteafi Shelomo. 2731 witli[acsimiie of (r. rIfie.) 2.9l. Pytfiagorean Influence on tfie Sepher ~tzirali and its Subsequent .) 3. 2495 copied bgS.9l.rt f4f11UUfe[ ofSolomon (tIJirect transcription. (:Facsimi{e offirst page of54.ers.pp[ication in Metfieva[Magic/( (kaaemic paper inJewisli :Mgsticism. :Frater Sabaeius XJ.1975 .

.

The Lemegeton. ) Readers may wish to recreate their own waxen Almadel. it works well in its own right and the visual effects are spectacular.(When making your Almadel. It is to be 4 inches square. and 6 inches over every way. One pinch of incense lasts for the entire operation -. Sabazius X". (Hermann Gollancz. 2731 Almadel facsimile. literal transcription of The Art Almadel of Solomon from Sloane 2731.9Lrt . as shall be showed in the following matter:Make this (Eastern) Almadel of pure white wax. every part 3. and write 205 . East. (See page 49 for MS. Please be encouraged to do so. but the others must be coloured suitable to the Altitudes.) rrfte . By this art Solomon attained great wisdom from the chief angels that govern the four Altitudes of the World: for you must observe that there are four Altitudes which represent the four Altitudes of the West. dish out a concave depression in the bottom side of the wax plate to channel the smoke up through the holes. North and South: the which is divided into 12 parts. and in every comer a hole. this does not mean that the old Almadel (or Almarel) system itself is essentially flawed. You may even decide to experiment with the original system. And the Angels of every (one) of these parts hath their particular virtues and powers.I N TIDS FIRST SECTION of the Documentary Appendix we are presenting a complete. Although somewhat garbled in its Angelic nomenclature. that is.9L6mu[e[ of Solomon Here beginneth the Fourth Part of this Book (Lemegeton) which is called the Art Almadel of Solomon. We are also showing a drawing of an earlier Almadel type device called "The Armarel" or "Almarel" from one of the oldest surviving Key of Solomon manuscripts. 1914 edition) courtesy of Fra. and then be sure to keep your incense burner well below the wax when you are operating. (See our reconstruction and demonstration in the video). Because the Almadel from the Lemegeton does not match up with the Goetia Spirits (thus prompting our radical rectification). The Sepher Maphteah Shelema.

facsimile folio page 49. BARACHIEL. And (on) the Fourth part which is North write TETRAGRAMMATON. And when you operate set the four candles upon four candlesticks. And they must be of the same colour as the Almadel is of. And upon the second towards the South part HELION. JAR. HELOMI.) This being done. PINE. HELOI. LEBES.betwixt and every hole with a new pen those words and names of God following. or the East Altitude. and making barren women fruitful. And to make an experiment in this Chora it is to be done in the day and hour of the Sun. wherein must be written these names of God HELL. And note that the First Altitude is called Chora Orientis. and the other two parts to make the candles of. and in the middle of it a triangle. But this is to be done in the day and hour of Sol (the Sun). and increase both animals and vegetables in creation and generation. And their names are these. HOD. AGLA. and in the middle of the Almadel make a Sexangle figure.) And of the same wax there must be made four candles. ADONAIJ. HELION. And the power and office of those angels is to make all things fruitful. And betwixt the first and the other parts make the pentacle of Solomon thus: and betwixt the first quarter write this word ANABONA. in the next place you are to make a seal of pure gold or silver (but gold is best) whereon must be engraved those three names HELION. HELLUION. and this last have round about the six-angled figure. Divide your wax into three parts: one to make the Almadel of. advancing the birth of children. SHADAI. GABRIEL. but be careful you do not light them before you begin to operate. ADONAIJ. Write upon the first part towards the East. HELL And upon the West part JOD. Then lay the Almadel between the four candles upon a waxen foot '* 206 . HELISON. as here it is made for an example (see Lemegeton Almadel MS. viz: ALIMIEL. And note you must not pray for any angel but those that belong to the Altitude you have a desire to call forth. And let there come forth from every one of them a foot made of the same wax to support the Almadel. ADONAD. (See facsimile folio of the "Almarel" from Sepher Maphteah Shelomo.

the golden seal will serve and is used in all the operations of all four Altitudes. light the candles and read the invocation. The colour of the Altitude belonging to the first Altitude. and having the invocation ready written upon virgin parchment. He ascends first upon the superscription on the Almadel. which will be smelled for a long time. Then you must answer him. And when he appeareth. the second Chora a perfect red rose colour. But if he do not appear presently. the 207 . praying with humility for what is lawful and just: and that thou shall obtain from him. and what you have called the princes and governors of this Altitude for. saying: "I desire that all my requests may be granted and what I pray for may be accomplished: for your office maketh it appear and declareth that such is to be fulfilled by you. or Chora. then you must obtain the golden seal. asking what your desire is. And as soon as the Angel smelleth it he beginneth to speak with a low voice. and a crown of rose flowers upon his head. it being in the form of a basin. and lay the golden seal upon the Almadel. but not too much lest it should melt the wax of the Almadel. and make with it three or four marks upon the candles."Adding further the particulars of your· request. he appeareth in the form of an angelcarrying in his hand a banner or flag having the picture of a white cross upon it. and the other of his furniture. And put therein three little grains of mastick in powder so that it may fume and the smell go upwards through the holes of the Almadel when it is under it. And when the Angel departeth he will fill the whole place with a sweet and pleasant smell.that comes from the candles. is lily-white. And note. by which means the Angel will presently appear as aforesaid. if it please God. Then must the exorcist have ready a vessel or earth of the same colour as the Almadel is of. his body being wrapped round with a fair cloud. as it were a mist or fog. and his face very fair and bright. and put thereinto a few hot ashes or coals.

the fourth Chora is to be black mixed with a little green or a sad colour. GERON.. with their Signs and Princes (have) power over goods and riches.. viz: APHIRIZA. with clothes of the same colour. asking the exorcist with a low voice why he hath called the princes of this Chora or Altitude. All the furniture to be used is to be of the same colour the Almadel is of. Of tfie Secant!Chota or. And when the Angel smelleth it he tumeth his face towards you. that I may enjoy and obtain all things according to my wishes and desires. put an earthen vessel under the Almadel. in a closet hung with the same colours also. saying: "I recommend myself wholly to your office." And you must not be fearful. But do not pray for anything that is against God and His laws.third Chora is to be a green mixed with a white silver colour. with fire or hot ashes and three grains of mastick to perfume as aforesaid. And if any have a desire to operate in any of these three following Choras or Altitudes.9l1titutfe Note that the other three Altitudes. ARMON. Then you must answer as before: "I desire that my requests may be granted. And the princes of the second Chora are named. but speak humbly. and the contents thereof may be accomplished: for your office maketh appear and declareth that such is to be done by you." 208 . and I pray unto you. And as the first Chora gives increase and maketh fruitful. Prince of this alItitude. they must do it in die Solis (Sunday) in the manner above showed. GENON.. so these give decrease and barrenness. but what God giveth according to the custom or course of nature: that you may desire and obtain. And when you operate kneel before the Almadel. and Can make any man rich or poor. And when he appeareth. for the holy apparition will be of the same colours.. if it please God. GEREIMON.

and their heads compassed round about with a bright shining of divers colours. And they speak as the others do to the exorcist. and a crown of baye leaf with white and colours upon their heads. and leaveth a pleasant smell which will last a long time upon their heads. They appear in the form of little children or little women dressed in green and silver colours very delightful to behold. They leave a sweet smell behind them. having a crown of red gilly flowers upon his head. and in their hands they hold a bird which is naked. 209 . Of the :Fourth Chota or. The Angels(sic) of the second Altitude appeareth in the form of a young child with clothes of a satin. The angels in this Altitude are named. and is compassed round about with a bright splendour as the beams of the sun. "I am your friend and brother.9lftituae In this Chora you must do as before in the others. GEDOBONAI." And illuminateth the air round about with his splendour. with clothes of a black colour mixed with a dark green. DELIEL and CAPITIEL. and the Angels in this Chora are called BARCAHIEL.And you may further express your mind in all particulars in your prayer. And they seem to look a little downwards with their faces. Before he departeth he speaketh unto the exorcist saying. and do the like in the two other Choras following. GELOMIROS. viz: ELIPHANIASAI. but differ from the others something. and leave a mighty sweet perfume behind them. His face looketh upwards to heaven and is of a red colour. GEDIEL. TARANAVA & ELOMINA. They appear in the form of little men or boys. and of a red rose colour. Of the %ira Chota or~titucfe In this Chora you must do in all things as you was before directed in the other two.

they hear it by virtue of that character. after the Sun hath entered Aries: and then I make an experiment. every one ruling thirty days every year.that Sunday after the Sun enters Taurus in April. the next Sunday after again. blessed and glorious Angel of God (N). Now it will be in vain to call any of the Angels unless it be those that govern them. and I do command thee by him whom ye do obey. Therefore observe the form of this conjuration or invocation following: 'Ihe Invocation "0 thou great. Helomi and Pine. and Pine. and in that Sign the Sun is in that or those Angels that belong to that Sign hath the government. beside those in the four Altitudes: and they distribute their offices amongst themselves. 3rd or 4th) Chora or Altitude.Note that there is (sic) twelve Princes. For every Chora or altitude hath its limited time. Helomi. according to the twelve signs of the Zodiac. And so do the like. for they have all one way of working. Therefore it is in vain to call any angel or spirit unless he knows what name to call him by. As. But if you will call the last of the 5. even a character. whom you do obey. I am the servant of the Highest. But the Altitudes have names formed severally in the substance of the heavens. and is set over you as King in the divine 210 . and is your distributor and disposer of all things both in heaven earth and hell. Adonaij. And if you will call the two second that belong to the first Chora. do invocate. who rulest and is the chief governing Angel in the first (2nd. Then choose the first Sunday in March. For when the Angels hear the names of God that is attributed to them. if you will. to make your experiment in. then you must take those Sundays that are in May after the Sun has entered Gemini. the same your God Adonaij. conjure and entreat you (N) that thou forthwith appear in the virtue and power of the same God. for example: suppose that I would call the 2 fITst or the 5 that belong to the first Chora. Do the like in the other Altitudes.

in thy own proper shape and glory. So t£ndetfi the 4tfi fJ3001( (of 'Ihe . "And I do also constrain you in and by this powerful name ANABONA. PINE. that you forthwith appear visibly and plainly in your own proper shape and glory in and through this crystal stone. and that I may have thy blessed and glorious angelic assistance. "0 Mappa Laman. be friendly unto me. and to cause them and all creatures of God to spring increase and bring forth according to their kinds and natures: I. give him or them kind entertainment. through the Almighty Adonaij. that you forthwith descend from thy orders or place of abode to come unto me. and that which is proper and suitable to his office. community and instruction. and then ask what is just and lawful.Lemegeton) called the 7I1maaefofSofomon fJJie Xing 211 . speaking with a voice intelligible to my understanding. vegetables and minerals. Hallelujah. "0 thou servant of mercy (N). King of Kings." # When he appears. so far as in office you mayor can or is capable to perform. do entreat and humbly beseech thee to come from your celestial mansion. that I may visibly see you. familiar friendship and constant society. I do humbly entreat and beseech thee by these holy and blessed names of your God ADONAIJ. and show thyself visibly here before me in this crystal stone. both now and at all times. so far as God shall give you power and presence. HELLOMI. judgement and understanding. And you shall obtain it. o thou mighty and powerful Angel (N). that I may sing with his holy Angels. and shew unto me all things I shall desire of you. Amen. to inform and rightly instruct me in my ignorance and depraved intellect. "Therefore. who art by the power of God ordained to govern all animals. the giver of all good gifts that his bountiful and fatherly mercy be graciously pleased to bestowupon me. 0 thou blessed Angel (N). if God permit to the same. the servant of the Most High God whom you obey.power of God. and audibly hear you speak unto me. and to assist me both herein and in all other truths also. to appear.

$.This early version of The Greater Key of Solomon also contains a Magick Circle diagram that shows a Triangle of Art positioned just outside of its perimeter. M. ~..The "Armrl" (Armarel or Almarel) of Solomon from The Sepher Maphteah Shelomo partially translated and published in facsimile by Herman Gollancz. Oxford Univ.~ . Lit.A. D. Press.H.5-' ~ " Note:-. 1914 -..r.Courtesy of G. Frater Sabazius XO. 212 ..• ' ~ 4 ..

~ :.. ..' .Facsimile of the first page of The Characters or Seals of the 72 Schemahamphorasch as copied from Paris Arsenal MS. _..• "':.." '.. ../ .."-..... 2495 by Samuel Liddell MacGregor Mathers courtesy of Pat Zalewski. ~ .~::.. .... _ . _-"'. . . .. .."-- ' .~" .~<II" • ...'.. 213 ..."":: .....-:..~'....

Pgtliagorean Influence on the Sepher f]etzirafi ana its Subsequent . Kramer California State University at Northridge 2. 20 March. 1975 Revised and expanded.9l. "We can only be sure that it ( the Sepher Yetziran ) was written by a Jewish Neo-Pythagorean some time between the third and the sixth century."l. 214 . M. This serves three purposes: first. Rabbi Kalisch writes. Sh ) in the Sepher Yetzirab is neither a very original nor controversial thesis. in a commentary footnote to Chapter One. it presents the system in a more traditional kabbalistic context and last (and by ALL means least) it shows that I learned the rules before I broke them. In his English translation of the work. Runyon RS 480 Jewish Mysticism Rabbi W. secondly. especially in light of Gershom Scholem's cursory comment. it documents my research and experimentation in Goetia up to the time of submission. 8 April. 1975 Author's 1996 Note: I have decided to present this paper in its original form and reserve my current editing for the footnotes.ppfication in Medieva[Magic P ROPOSING THE TETRACTYS of the Pythagoreans as a philo- sophical inspiration for the concept of "the Three Mother Letters" CA.Carroll R.268 words First draft.

) 'Primordial solid'(4. which transforms the triangle into a solid (this single point in the Sepher Yetzirali alphabet system would translate directly to the Seven Double Letters as they relate to the six dimensions plus the center point of space. YH. It appears that we have uncovered one of the secrets of "Solomon's Triangle of Art" as delineated in the Goetia of the Lemegeton. Before considering the ramifications. namely: 1 plus 2 plus 3 plus 4 equal 10. e.) What better model could we possibly construct to symbolize the creative process (from Atzilutb to Briah ). However comfortable it might be to concede that the Aleph.) 'Line' (2.) 'Triangular Plane' (3. Y.) ( tetrahedron) creation concept.g.and if so. 5. This seems to be independent of the Sepher Yetziran which does not deal with the Tetragrammaton concept. What I am suggesting is that the medieval "Triangle of Art" was a philosophical-mystical spiritus locus par excellence. not simply in its triangular configuration but in its entire design. YHV. we might have to concede that some medieval ceremonial magicians were not such ignorant louts and bumpkins as Arthur Edward Waite would have us believe. . 7. Mem and Shin generative trilogy in the Sepher Yetziran derived from the Pythagorean-Platonic 'Point' (1.Section Three. when we carry this into the realm of the "Practical Kabbalah" we find ourselves faced with what may well be a disturbing reassessment." 2. Whether this is a later derivation from the same source ( the Tetractys ) or a 'deep structure' synchronism. Aleph. "Like Pythagoras. 6. might be debated but direct Pythagorean influence on the Yetzirah seems fairly obvious. etc. leaving the manipulation of Yetziran forms to the magician ? 215 . and this when extended produces the Shemhameforash or 72 letter Name. YHVH. Mem and Shin (the triangular plane) generate a hypothetical fourth point. 4. Although a case can also be made for the Tetractys relating to the Tetragrammaton. who taught that the digits inclusive number ten (sic) which are typified in Tetractys. 3. and which comprise the whole arithmetic system of nature. let us reflect on the compelling elegance of the tetrahedron in relation to Ceremonial Magic.

" 13. 11. forerunner of the Shekinali and the Angel of the Burning Bush certainly relates to Shin. we would probably discover the Letters Aleph (yellow). however. we note that the focal disc in the center is "green" (an Earth attribute) and that the English or Latin letters Mi . he apparently did not care and in Crowley's case he obviously did not know."12. is almost correct: "Two feet outside this circle and three feet over it. 10. Ch. 14. and later Crowley. Mem (blue) and Shin (red) surrounding and 'generating' the green disc in the center. greatest of the Archangels.) It is interesting to note that in Crowley's published version of the Goetia.) In Waite's case. hysterical conjurations. toxic fumes. the Triangle is described or 'quoted' as being positioned.On studying Solomon's triangle further. (It should be noted. which. E." Neither Waite nor Crowley seem to have been aware of what to do with the Triangle even though Waite's rendering was correct. A. however. Michael. I make bold to suggest that the medieval magicians who developed and practiced this system were perhaps more mature and sophisticated in their approach to the ac~al method than Crowley was even 216 . In further considering the significance of the 'green disc'. were working from a Latin MS. "Two feet distant from the Magical Circle and it is three feet across. Waite's version.but because the prevailing opinion of medieval magicians is so universally low. was used as a code glyph to represent the Supernal Triad of the Otz Chiim in later Zoharic notation. 2731 reads: "Two foot off from the Circle and three foot over. with its three seriphs. we should not avoid a reconstruction of how the Triangle Of Art must have been employed in actual practice . no scholar has bothered to consider it beyond a general assumption that it was an area over which hallucinations were supposed to occur (induced by fasting. This transmutation of symbols is certainly allowable by the 17th Century but it is my contention that if we could uncover the original Spanish-Hebrew Lemegeton that Weirus and later scholars date to the 13th Century. etc. Ael (Michael) surround it at the three angles. in the British Museum and not the English Sloane 2731 as was Waite. The actual quotation from Sloane MS. that Mathers.

Considering the Gnostic influence on the Sepher Yettirali and on the later Kabbalah. 1958. 217 . intoning the conjuration. if they believed in the microcosm-macrocosm analogy. The Seventy-two Spirits of the Brass Vessel might then have constituted a microcosmic (internalized) counterpoint to the Seventy-two Angels of the Shemhameforash.but this is perhaps consistent on some abstract level of Simonian Gnostic (Thelemic) paradox that we benighted 'monists' are not privileged to understand. Crowley's operational methods are totally romantic .. on our 'green disc' and then. the actual demiurge of this world.. holding a pair of. it would seem probable that something like my suggested method was employed. and then place one of "the seven planetary metal mirrors" cited by E. He sees his face in the black water.. Before we declare this method a modem synthetic (which is the opinion of Francis Regardie 19.) we should perhaps consider that if our medieval magicians were philosophical enough to adopt the Pythagorean-Yetziratic Triangle symbolism. The Gnostic Religion. and at the same time how closely this is connected with cosmogony. 16. 15. we will erect our triangle "Two feet out and three feet over". if they held that God created man in His own image. and we have a method that works." This son is Ptahil-Uthra. This example from an area so far removed from the intellectual environment in which Plotinus met his Gnostics shows how persistently the act of mirroring is conceived in Gnostic literature as the production of an alter ego. 17. Rejecting the 'smoke' method and taking a more pragmatic approach to the problem. we stare at our own reflection in the manner Tantric adepts employ to evoke visions of previous incarnations. and if their Triangle was elevated rather than flat.Hans Jonas. 18.though his psychological forward to his version of the Goetia is the very antithesis of credulity. while our Magus stands behind us. as specified. Wallis Budge. candles. we should perhaps consider the following Mandaean passage cited by Hans Jonas: -"Abathur (one of the Uthras plotting the creation of the world) goes into that world (of darkness) .

22. Gershom Scholem. edit. "As some peoples believe a man's soul to be in his shadow. so other (or the same) peoples believe it to be in water or in a mirror.which is the Pantacle ofArt.especially in conjunction with psychoactive drugs (which we do not employ in our operations). is startling. 2. The Kabbalah and its Symbolism ( New York: Schocken Books. attributed to Earth represents a direct theoretical parallel to the original visionary Golem operation. we find the following in Trachtenberg. ( Hollywood. 1. reprint of orig. We should note that our 'green disc' and the Magick Mirror we place upon it ." 20.And for a broader perspective we may tum to Frazer's Golden Bough where we read. 1973. This may be our best argument for a Jewish over an Arabian origin of the Lemegeton... from a Jungian psychological viewpoint.7. n. 23· 9{{Jtes on 1(a66aCali 5lppenab(.. Isidor Kalish. Whether or not the system I have described was used in medieval and renaissance ceremonial magick is of little consequence to its modem effectiveness." 21. 1877 ) p. 167. Sepher Yetzirah. for the demon that is in her glance creates an evil influence in the air which adheres to the mirror. 1965) p.. :J{ptes continued on next page. 11. 218 . "If a woman at the commencement of her period stares fixedly into a bright metal mirror she will behold in it a drop of blood. I and my associates have not thought it wise to broadly exploit this method due to the danger that might be incurred through its misuse by the immature and the impressionable . CA: Signs & Symbols. I have presented the above for your private consideration in your professional capacity and I trust that these matters will remain in confidence. Carrying this theme into the realm of Jewish folklore.. which.

..1(a&&afaft 9{ptes continued. 1972 ) p. 10.but the important element here is that there is a color scale relating to a central focal point. Press. ) Walter Burkert. the green disc. 6. into dark holes and comers. perhaps via Picatrix if a 13th Century Moorish-Spanish origin is correct . his lofty contempt for Magick is rather suspect. 1916) p. 1973) p. Kabbalah ( San Francisco: Straight Arrow Books. See also. p. the Goetia (Chicago. Charles Ponce. who holds that medieval magic had been forced by the Church ". Isidor Kalish. Timeaus and Critias ( Baltimore. Citadel. original edit. Penguin Books. 7. 3. A Dictionary ofAngels (New York: The Free Press. ( 1995 note: . . Plato." But she is not referring to Moorish Spain where the Lemegeton probably originated.. I realize that these four colors are Alchemistic rather than Kabbalistic and may indicate a Hermetic influence. 193. British Museum. 4. 22. not the YHVH permutation. A more accomplished recent proponent is Frances A. Sepher Yetzirah. Chap. 13. 1970. Kabbalah. DeLaurence Scott & Co.D. 8. The triangular Tetractys generating the 72 letter Shemhameforash does have a very interesting relation to the Lemegeton. Sec.175. 222. A.E.e. 1965 ) Chap. Having been a practicing occultist. Arthur Edward Waite. 4. Md. London.OTA uses the version of the Shemhameforasb derived from the Book of Exodus. Gustav Davidson. Giordano Bruno and the Hermetic Tradition. Lee. 4. Yates. 72. 11. 1964. 9. 12. 219 .. 1898) p. 5. Aleister Crowley. which uses a triangle in which 72 spirits are conjured. The Book of Ceremonial Magic (New York. P.. 111. Waite is only the most vehement of those who hold this view. i. 1967 ) p. Charles Ponce. Sloane MS 2731.. H. Lore and Science in Ancient Pythagoreanism ( Cambridge & Harvard Univ.49.

that he and an associate made to work the system conjuring in smoke from a censer placed on a flat triangle outside the Circle. . Hans Holzer. The Golden Bough (New York: MacMillan. conversely. he might have seen "The Great Beast" in a more academic. Simon Magus.. Amulets and Talismans (New York: University Books. Garrison. p. 192. 16. Tantra. 141. 18. The New Pagans (New York: Doubleday. .!l(a66afah 'J\f9tes continued. 490. After several hours they had only a faint suggestion of success. they did it in smoke!" Based on his authoritative assertion I had harbored a nagging doubt about the antiquity of the mirror method until 1985 (the year Regardie died) when I found Adam MacLean's 1982 published version of B. 220 . Omar V. . A Treatise on Angel Magic. Frazer.M. Aleister Crowley. Mead in his monograph. James G. but we cannot properly term Crowley a neo-Simonian because Simon Magus truly venerated and exalted the Divine Feminine according to G. Ns. 1942) p. 2. 20. 41. A. Harley MS 6482. Wallis Budge. dispassionate perspective.) In all due respect to Gershom Scholem. Paul. 1968) p. 1972) p. 14. pp. Crowley certainly was a libertine Gnostic and he did borrow the Scarlet Woman motif from Simon. p. showing a drawing of a magic mirror on a stand with Solomon's Secret Seal from the Goetia of the Lemegeton on the back (see Fig. The Gnostic Magician.R. 201.359.tes continued ne~ page . MN: Llewellyn. 19.S. 1964) p. Scholem had an infinitesimal knowledge of Crowley! (1995 note: Since this writing I have done more research on Simon Magus. (1995 note: When I first told Regardie about my rediscovery of this method in 1970 he barked back at me: "They didn't do it that way. Scholem also wrote that Crowley had "an infinitesimal knowledge of kabbalah" -. 34). 1973. 15. there was more to Crowley than "colorful humbug". This is confirmed by Crowley's description of a primitive and ponderous attempt. Julian Press. 40. The Yoga of Sex (New York. Unfortunately Budge does not give his source on this.. 17. Perhaps if Scholem had considered Crowley as a Simonian Gnostic rather than a pseudo-Jew. Magick Without Tears (St.but.) E.

Chap. Joshua Trachtenberg. VI. was visible with myself. The receiver. We were neither exploiting the dark mirror technique. .S. hosted by Tom Snyder. (see Giordano Bruno and the Hermetic Tradition. The method would have been obvious to any one with a knowledge of magick but not to the general public. 1939) p. The upright triangle. standing behind her. the Arabian influence is very strong (see C. . 21. The Goetia and the Almadel are probably the oldest and could date back to the 13th century. was briefly displayed. 221 . 22. supporting the dark mirror. nor making a secret of it. Jewish Magic and Superstition (New York Behrman's Jewish Book House.J. which were accepted by the Hermetic Kabbalists according to Frances Yates. as operator.1(ab6afafi notes continued. holding the evocation candles. in the case of the Goetia. Thrones".) In 1974 on NBC's Tomorrow Show. Thompson's The Mysteries and Secrets ofMagic p. The bibliography for this paper ran to 19 items. we showed a film clip of a Goetia operation in progress. 185. Both systems as we have them are probably of Spanish origin but. 23. compendium of five books on magick. "Virtues". 89) and there is early Christian influence in the references to former angelic orders such as "Dominions". etc. It is included in the general bibliography for this book. possibly 17th century. (1995 note:) the Lemegeton is actually a later.

For Raja Yoga (pranayama. what I can and will do is provide you with a list of the best books for practical exercises. For a concise practical survey of Western Magick The Black Arts by Richard Cavendish is still the best. The latter is essential for talismans and equipment 222 A s STATED IN THE INTRODUCTION. the only three you really need at the outset are the Mathers/Crowley Goetia (the new 2nd edition from Samuel Weiser is recommended) and the Mathers' Key of Solomon the King (also from Weiser). However. ours is a literate tradition . I will also suggest what to avoid in order to keep you ON THE PATH. Positive Gnosis then go directly to the. It is has been through several editions and is back in print at this writing. tratakam. LeCron's Self Hypnotism: The Technique and its Use in Daily Living. As for Grimoires. Leslie M.5tppenail( 5 Stuay quiae & tBi6[iograpfiy (sometimes it seems too literate!) and no one can teach you all about Solomon's magick in one book. etc. a professional book search service will quickly find them for you. study and reference. First I'm going to layout a short "crash course" for those who want to get started quickly: Read my Magick and Hypnosis and Negative vs. practical manuals: for self-hypnosis.) Dr Rammutri Mishra's Fundamentals of Yoga. If you can't locate them. These books are modem classics and usually in print or otherwise available.

It is still basically the Golden Dawn system. and 223 . (Later you may want to collect separate editions of Barrett's source works such as Agrippa's Three Books of Occult Philosophy.) For Kabbalah there are two books that I consider essential.) The above listed monographs and books form the "bare-bones basic library" to back up the Solomonic system taught in this book. etc. Because Enochian is presently so popular.. Several of the books we recommend are actually published by the Theosophical Society (Quest Books). (Contrary to popular myth. Fortunately they are both short.decoration. The best rule is too understand the principles of your own tradition and those of the Eastern systems from the purest source material you can find -. The extensive influence of Theosophy in occultism also presents a continuous veracity problem for the Western magical student who needs to explore and understand both Eastern and Western magical systems. concise and as clearly written as possible considering the complexity of the subject: Kabbalah by Charles Ponce and A Garden of Pomegranates by Francis Israel Regardie. For an operational reference handbook you will need some version of Crowley's 777.) If you become glamorized by this modem myth you will be seduced away from a straight course toward Western adeptship. can decide where they differ and where they agree. The second pitfall you should avoid is a headlong rush into the Enochian system. the main correspondences have not been Thelemized. This book has a bad reputation among scholars because the author lifted so much material from earlier sources but it is still the best compendium of arcane lore for the beginning magician. yourself. and Francis Barrett's The Magus. Back in the 1880's Helena Blavatsky promoted her unique version of Sikh Sant and Buddhist religion under the guise of a super-ancient Tibetan system (she was apparently protecting her Sikh sponsors in Kashmir.then you. In the late 1800's the British and the Russians were fighting a "Cold War" on the Indian frontier. Let me caution you about two major traps you may encounter: the first is the "Eastern Masters" or "Great White Brotherhood" theme. etc. Of course you are going to be interested in further reading and research.

(I have studied and practiced Enochian magick for many years.but I am very much aware that Enochian is not the only Western system.A. etc.A. has to be bound by the Victorian-age restrictions that hobbled their magick. or anyone for that matter.) You should certainly get Regardie's The Golden Dawn (the 6th edition has an index) and use it as a reference tool at the very least. Going through the grades of the Golden Dawn is not unlike earning a degree from a university.O.T. Therefore beginning students should not be maneuvered or tricked into practicing the system before they are ready to make their own knowledgeable commitments. Westcott and Mathers gave us the greatest synthesis of Western esoteric lore since Agrippa in the mid-1500s. operation that Geoffrey James recounts in Chapter Nine of his Angel Magic was Enochian .then decide whether or not you want to experiment with it. The O. On the good side he brought magick into the twentieth cen224 . We use their correspondences and color scales in the O. The Ciceros use dark mirrors and Pat Zalewski employs an obsidian orb in his Enochian operations.T. but this does not mean that we.) systems use it. No serious discussion of the art magical would be complete without considering the contributions and the impact of Aleister Crowley.because both the Golden Dawn and the Thelemic (O. (We should mention that several modem Golden Dawn adepts are very much aware of these Victorian handicaps and now support a return to Renaissance methods. in beginning texts on magick without any qualification as to the special nature of the Enochian system. 1 made my own set of Watchtower Tablets and have even channeled some original Enochian material. Dedicated magicians should certainly consider the advantages. 1 usually tell them that "There are no warm fuzzies in Enochian". there is a tendency to include Enochian conjurations. Donald Michael Kraig's Modem Magick is an example of this trend but he is not alone.T. Enochian entities don't love you. Avoid a commitment to Enochian until you have a good idea of what Western Magick is all about . Watchtower Opening procedures. It is not necessarily 'bad' or especially dangerous but when beginning students ask me about it. In many case they don't even like you.) The same rule applies in some respects to the Golden Dawn system itself.

tury as a vital artistic and intellectual force rather than a quaint anachronism. Bardon demands a major long-term commitment in which the 225 . On the down-side. Like Julius Evola. he did not hide behind smoke screens of ancient mythology. Crowley's lurid public image tainted his legacy. Mathers and even Blavatsky.but regardless of Bardon's quaint style and dogmatically superstitious approach. especially the glorification of his faults and weaknesses over his virtues. He was a professional stage hypnotist. cult-worship of Crowley. Finally we come to the Bardonian system. One of my late colleagues would read passages from Bardon aloud in a thick German accent for a humorous effect . You were introduced to it in The Evocation ofNithael. He boldy created his own religion. a devotee of Rudolph Steiner and a practitioner of both Raja and Tantric yoga. Bardon's books suffer from stilted translation. declared himself its prophet and set out to conquer the world with a declaration that discovering and pursuing one's "True Will" should be the most important single factor in human life. For a quarter of a century following his 1947 demise. This philosophy is especially attractive to magicians and the word "Magick" (using the Renaissance spelling) became almost synonomous with Crowley himself. he was extravagantly amoral and suffered from multiple substance addiction. he forged links between the Hermetic and Eastern systems. Unlike Westcott. he had a profound practical and theoretical knowledge of magick and his is still the best training program for the solitary practitioner who wishes to devote his or her life to the magical art. Crowley's Book of The Law may now be accepted as a subjective declaration of personal freedom rather than a manifesto for social anarchy. Franz Bardon was a European magus who flourished in the years directly before and after WW II. However. continued to distort the true purpose of his teachings. In the 1970's. by the time of this writing his Ordo Templi Orientis has matured into the elite and respected magical sodality it was originally intended to be. No student of modem Magick should consider his or her education complete without at least reading Crowley's Magick in Theory and Practice. He was a freedom loving romantic out to liberate the long-repressed Faustian-Promethean shadow underlying the Western psyche.

He tells the student exactly what must be accomplished in mastering each of his steps but often he does not explain how to do it. When you get to this stage you can no longer fall back on the optical phenomenon of facial reflection/distortion in the mirror or the auric halo around the crystal that make our O.A. operations so easy in the beginning.T. 226 . Look to Bardon for method and technique but for system architecture and magical philosophy you might be better advised to explore Classical and Renaissance Hermetism and Neoplatonism. such as Giordano Bruno and the Hermetic Tradition.A. Bardon's first and second volumes are excellent.student. However. will literally transform himself into a magical adept as powerful and (hopefully) as enlightened as any Tibetan Lama. through a series of intense concentration exercises. The O. providing one realizes that Bardon demands evocation from a non-reflective "mirror". For the most concise and accessible selection of Carl Jung's own work I suggest Modern Man in Search ofa Soul and for a true perspective on ancient Middle-Eastern Paganism underlying the kabbalah I recommend The Hebrew Goddess by Raphael Patai. his Key to the True Quabbalah (3) and Frabato (4) are perhaps too divergent from the British-American magical point of view. starting with the works of the late Frances Yates. is ready to accept a long term regime of personal magical development. Solomonic program is an excellent prerequisite to Bardon. is actually more of an outline for a course of study than a complete program. Initiation into Hermetics. Bardon's first book. Franz Bardon's road is not an easy one. having completed our GoetialAlmadel program. It requires the additional mastery of self-hypnosis along with Raja and Tantric Yoga.T. Bardon's magick is for the advanced student who.

P. 1968. Mass. 7. 6.. Agrippa. New Hyde Park.A. Germany The Practice ofMagical Evocation Rudolf Pravica. Press. translated by Edwin L. Ritual Magic Cambridge Univ. Franz Initiation into Hermetics Osiris-Verlag. 1967 The Magus (1801) University Books. University Books. Burton. 1.Y. Kettig Uber Koblenz. MN 2.. 1967 Amulets and Talismans. Harvard University Press. Putnam's Sons. Austria. by James Freake. Richard The Black Arts G. Richard Alf Lahyah wa Lahyah (1885) (The Arabian Nights) 16 Volumes Reprint by The Burton Club. E. Cavendish. Cambridge. Walter. n. Minar Jr. New Hyde Park. The rest are cited for purposes of documentation. Llewellyn Publications. St.Y. Graz-Puntigam. 1949 8. Budge. Paul. N. Lore and Science in Ancient Pythagoreanism. Burkert. N. Butler. 1962 W. 3. Barrett. Wallis. 1967 227 . 1972. Francis 5.'Bi6[iograpli!J: Note: Those books we consider important for you to read. 1993 edition edited by Don Tyson. study and/or have available for reference are listed in bold typeface.d. N.Y. Eliza 9. 4. Bardon. Henry Cornelius Three Books of Occult Philosophy (1651) Trans.

York Beach. Gustav. Gerald 20. The Yoga of Sex. Samuel Weiser. York Beach. Samuel Weiser.. Press. 18. 19. N. Llewellyn Publications. Evans -Wentz. The Lesser Key of Solomon the King (1904) -.2nd Edition. Garrison.¥. Paul..Y. Los Angeles. York Beach. N. Hall. The Free Press. Davidson.¥. N. 1972. Geoffrey . 22. ME. N. The Tarot of Ceremonial Magick Samuel Weiser. Frazer. Doubleday & Co.¥. Holzer. Gardner. Angel Magic. New York. ME 1995 Tibetan Yoga and Secret Doctrines Oxford Univ. Arkon 14.. 21.. Lon Milo 16. Samuel Weiser. N. Manly P. (1890) Gramercy. 12. DuQuette. Avenel. Julian Press. Hans. 1973 Magick (new expanded version of Magick in Theory and Practice. Garden City. 13. Edited by Hymenaeus Beta. 1962 Dictionary of Angels. 1967. 1962 The New Pagans. London. ME. Omar V. N. 1995 777 and Other Qabalistic Writings of Aleister Crowley. 1995 (Includes 777 and Liber Al ) A History ofSecret Societies Citadel Press. 1949 The Secret Teachings ofAll Ages (1916) Philosophical Research Society.10. MN 1995 228 11. W.J. James G. 1964.Y 17. James. 15. 1981 Tantra. Aleister The Goetia.Y. Daraul. 1935 The Golden Bough... Crowley. New York. St. High Magic's Aid Michael Houghton.

Mead. London. Raphael 34. U. Wheaton IL. Mathers. IL 1981 The Hebrew Goddess KTAV Publishing House. Lee.. 1965. Motoyama. The Gnostic Religion. 1982 Simon Magus. CA. Sepher Yetziran (1877) Symbols & Signs. Laurence. Kalisch.. Isidor. Boston. 31. 1967 Kabbalah Quest Books. Jung. Adam 30. Beacon Press. Modern Man in Search of a Soul (1933) Harvest Books. Regardie. Md. New York. 1963. Edinburgh. North Hollywood. Jonas. 26. G. 1973 The Book ofEnoch (Ethiopian Enoch) (1883) Wizard's Bookshelf.d. MacGregor 29. 28. Carl Gustav 25. The Gnostic Magician. Mishra. Magnum Opus Hermetic Source Works. H. New York. S. Patai. 1972 (also available from Samuel Weiser) A Treatise on Angel Magic.. Inc. Ponce. Baltimore. Hans. Hiroshi 33. MA. Francis Israel 229 . Charles 35. McLean. n. L. Minneapolis. 1973 A Garden of Pomegranates Llewellyn Publications. 1959 Theories of the Chakras Quest Books. R. Penguin Books. St. Richard (translator) 27.K. (1992 reprint) The Alexandrian Press. 1976 Plato. Wheaton.D. WA Fundamentals of Yoga The Julian Press. Timaeus and Critias . Paul. MN 1970 24. The Key of Solomon the King (1888) Routledge & Kegan Paul.23.. Rammurti 32. New York. S.P.

Behrman's Jewish Book House. C. N. 1978 On the Kabbalah and its Symbolism Schocken Books.Y. New York. 1993 A History of Magic and Experimental Science.S. 1963 The Sufis Doubleday. Carroll R. 5. 1964 Kabbalah Meridian Books. J. Gershom 43. 41. whole no. Scholem. Shah. N. B.. 1996. 45. Thorndike. Posititve Gnosis Gnostica. Inc...H. New York. Joshua 230 . Llewellyn Publications. Idries 42. no. New York. Scot. The Golden Dawn (6th edition) Llewellyn Publications.) Magiek and Hypnosis Gnostica. 37.) The Discoverie of Witchcraft (1584-1930) Dover Publications. 1972 The Sabian Mysteries from: Vanished Civilizations. 9. 5.. 1996. Segal. 1978 (Reprint by C. Inc. 1939. 45. MN 1989 Negative vs. McGraw-Hill. Paul.H.36. 44. 39. Lynn 46. 8 vols. New York. New York. St.Y.S. New York 1969 The Mysteries and Secrets ofMagic (1927) Barnes & Noble. Runyon. Press. 40. Llewellyn Publications. New York.S. whole no. 1976 (Reprint by C. 1923 Jewish Magic and Superstition. Trachtenberg.J. Reginald 40. 4. Thompson. 38. vol. Columbia Univ. vol. no..

Press. MacGregor Mathers-courtesy of Pat" Zalewski..0-- 231 .copy by S. Frances Giordano Bruno and the Hermetic Tradition University of Chicago Press. N. New York. 1970 The Serpent Power Dover Publications.. John (Arthur Avalon) 50. Sabazius XO Private Collection. (ISBN 0-9654881-0-1) from C. Lit. Oxford Univ. London.S.A. VHS videotape documentary.. 1993 51. Carroll "Poke" Runyon. CA. Waite.Y. New York.. Inc. Other Media: The Magick of Solomon. Paul. Walker. 1996 -. 1683. 1974 49. D. Yates. M. Chicago 1991 The Kabbalah of the Golden Dawn Llewellyn Publications. Zalewski. The Lemegeton. The Characters and Seals of the Schemahamphorasch from Ar.courtesy of G. 1970. 48. M. Fra. The Sepher Maphteah Shelomo.A. 1914 -. Private Collection. Herman Gollancz. Woodroffe. Benjamin Sex and the Supernatural Harrow Books.H. Arthur Edward The Book of Ceremonial Magic (originally titled The Book of Black Magic and of Pacts) The Citadel Press.H. Sloane MS 2731. New York. MS 2495 -.L. St.47.. MN. Pat Manuscripts: British Library. Silverado.

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g.. e. This attribute likewise determines the number of circumambulations...~~. Bael (Ba'al).." The Master Mandala is not used directly in Goetia Evocation operations but the corropondances are followed. Michael.Mtn- d\19.. In our example: "Six turns deosil in the Sphere of Tiphareth of Yesod. The first Spirit. The sequence of both the 72 Goetia Spirits of the Brass Vessel and the higher 72 Angels of the Schemhamephorash both start in the first quinance (five degree segment) of the first decan of Aires.1 . Runyon This is the Key to the integration of the Lemegeton Invocation and Evocation systems.) A crystal orb on an openwork stand is placed in the center of the Mandala as the visual focal point for the operation.. should be facing due East. The dates when each particular Spirit is exalted are listed in the notes following the Spirit's description in the text. e. Vehuiah. It provides a spiritually contolled and psychologically balanced method of practice. The crystal is to be covered with a white silken cloth when not In use. ©1996 by C. (This can also be "magical" East and West if your temple is not so aligned.:J7e d\19 . This symbol also determines the Spirit's kabbalistic sephira (within Yesod).. with Astaroth (Astarte) due West.g. It also represents the psychic structure of the Magical Universe in the lower Yetzirah or astral plane. R. In this sequence the Triangle is placed outside the Southern Quadrant.. The proper incense for each summoning is determined by the fourth ring from the center of the Mandala. the Master Mandala should be mounted in the center of the top of the double-cube incense altar. 232 . Bael (Ba' al) a "King" = Sun (8) = frankincense.. For Almadel Invocation operations. the planetary attributes of the Spirits. Goap. The two linked sets (Angels and Spirits) continue their matched progression together through the signs in harmony with the general scheme of tropical astrology. Bae1 (Ba' al).

R.~ ©1996 by C. Runyon .Jfe dVt9 ~st't\· JVt9 ~~~~.

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