PIANO (Subject Code: 01): Syllabus requirements

Instruments ABRSM Centres provide a satisfactory piano (which may be upright or grand). Practice before the exam cannot be arranged, but examiners will recognize that the instrument may be one to which candidates are unaccustomed. When exams are held at Visits (i.e. premises provided by the Applicant and visited by the examiner), a satisfactory piano must be provided. An electronic piano may be used, provided it has a clearly recognizable piano tone, a touch-sensitive keyboard with full-size weighted keys, and an action, compass and facilities that match those of an ordinary piano, including a sustaining pedal. Programme planning Candidates should use their discretion in their choice of three pieces to present a contrasted and balanced programme. One piece must be chosen from each of the three lists in each grade (A, B and C). Scales, arpeggios and broken chords Examiners will usually ask for at least one type of scale/arpeggio/broken chord required at each grade and, from Grade 6, will aim to hear a balance of legato and staccato as appropriate. All scales, arpeggios and broken chords should: • be played from memory • ascend and descend according to the specified range (and pattern) • be prepared legato, unless the syllabus specifies staccato (or both) • be played without pedalling • be played without undue accentuation and at a pace that is consistent with accuracy and distinctness Recommended minimum speeds are given in These Music Exams, available free of charge from music retailers and from www.abrsm.org/exams; they are also to be found in the books of piano scale requirements published by ABRSM for each grade. Any practical and systematic fingering that produces a good result will be accepted. Candidates are free to start at any octave, provided the required ranges are covered. For all ‘hands together’ requirements, the hands should be one octave apart, unless otherwise indicated. Arpeggios, diminished and dominant sevenths are required in root position only, except where otherwise indicated. Scales in thirds or a third apart should begin with the tonic in the lower voice, while scales in sixths or a sixth apart should begin with the tonic in the upper voice.

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variety and gradation of tone. phrasing and accent. examiners will be assessing not only the accuracy of notes and rhythm. try out any part of the test before they are required to perform it for assessment. provided the result is musically satisfactory. Effective use of the pedals will be taken into account. they apply for all subsequent grades (albeit with a logical progression of difficulty). but also other elements inherent in a good performance. Any practical and systematic fingering that produces a good result will be accepted. although examiners will make allowances for candidates who cannot reach the pedals. The same apples to candidates whose hands are too small to play the music as written: chords may be ‘spread’ or notes occasionally omitted at wide stretches. Further details of assessment criteria are given in These Music Exams. including quality of touch. Books of specimen sight-reading tests are published for piano by ABRSM for each grade.Sight-reading Candidates will be given a short interval of up to half a minute in which to look through and. provided the result is musically satisfactory. The main parameters for the sight-reading tests for each grade are outlined in this syllabus. if they wish. once introduced. suitable choice of tempo. Marking scheme Schedule of maximum marks for all grades: Scales and arpeggios/broken chords Pieces: 1 2 3 Sight-reading Aural tests Total Piano syllabus requirements 150 21 30 30 30 21 18 7 . and details of expression. Performance and assessment When marking.

the whole piece/movement is still required to be played in the examination (unless otherwise indicated). application should be made to the copyright holder before any copy is made. The examiner is at liberty to review a copy of the music before or after the performance of any piece. k The Copyright. Where no such indications are present in the music. h Candidates should observe da capo and dal segno indications. In all other cases. disqualified. during which pieces from the preceding syllabus may. It is the Applicant’s responsibility to ensure that candidates act within the law with respect to the making and use of photocopies (or other copies). Where a piece/movement comprises more than one tempo indication (or section title). at their discretion. c Where appropriate.EXAMINATION MUSIC AND PERFORMANCE REQUIREMENTS (extracted from the Examination Information & Regulations booklet. or not being prepared to perform the full extent of a piece as indicated in the syllabus) may be penalized. Therefore. i j Performing from memory is optional. or. at the candidate’s choice.g. in certain cases. – which need not be strictly observed. under certain conditions. Examiners may. the interpretation of ornaments.uk) allows copies to be made in certain limited circumstances (such as a difficulty with a particular page-turn) but only if the copyright holder is listed in Appendix C of the Code. 8 . be performed (see syllabus updates on the inside front cover of this booklet). candidates performing from memory must ensure that a copy of the music is available for the examiner’s use.or out-of-print or downloadable) of the pieces listed in the syllabus. fingering.e. the initial tempo indication (or section title) of a piece/movement is listed in the syllabus. 6–7 as well as to the requirements indicated in the current lists of syllabus pieces. ABRSM reserves the right to withhold the examination result of any candidate where it has evidence of the use of an illegal copy (or copies) in connection with that examination. metronome marks. b Teachers and candidates are advised to pay close attention to the syllabus requirements on pp. The editions quoted in the syllabus are given for guidance only and are not obligatory. stop the performance of any piece when they have heard enough to form a judgement.mpaonline. However. except where a specific arrangement or transcription is indicated. Design and Patents Act 1988 (UK) does not permit the making or use of photocopies (or other kinds of copies) of copyright works.org. but other repeats of more than a few bars should not be played in the examination. candidates should use their discretion to achieve a musical performance. performing a piece not listed in the syllabus. Candidates may use any edition (in. a ‘piece’ may comprise more than one movement from a work or more than one item from an album. therefore. the UK Music Publishers’ Association’s Code of Fair Practice (available at www. which should be read in conjunction with this syllabus) a The individual sections of the examination may be attempted in any order. f g Candidates may use their discretion regarding indications or markings (particularly editorial) in the music – e. etc. e ABRSM offers a limited overlap period. phrasing. d Candidates failing to observe specific syllabus requirements or regulations (i. A ‘piece’ comprises all the music set under one number-heading in the syllabus lists (unless an option is specifically indicated). unless stipulated in the syllabus.

Book 1 ⎬ ⎭ 2012. F majors hands separately A. D minors 2 octaves 1 octave V 68 Š Š Š Š Š Š Š Š Š Š. Simple dynamics. D. Gritton (Faber) 6 Schumann Soldatenmarsch (Soldiers’ March): No. 20 and 21 † This arrangement only * Published by ABRSM (Scale requirements. 3 or 2 in C. F majors hands separately. 3 from 24 Progressive Lessons. C. 6 Scales C. Menuet in F: No.or six-bar piece in 4 . Grade 1 (ABRSM) 3 Swinstead A Tender Flower 4 Rybicki Longing: from I Begin to Play. 81 4 J. Op. Bach Schwaebisch in D. Vol. Specimen Aural Tests) 9 . arr. 7. 51 No. B and C: LIST A 1 Anon. No. 15 from 22 Little Piano Pieces (Editio Musica Budapest Z. Piano Progress. Proctor ⎫ 2 Fiona Macardle Late at Night ⎬ Selected Piano Exam Pieces 2011 & 2012. G or F majors. 6 from Nannerl Notenbuch ⎫ Selected Piano Exam Pieces 2011 & 2012. articulations and occasional accidentals (within minor keys only) may be encountered.H. † 2 Haydn Andante (from Symphony No. AURAL TESTS FOR THE GRADE *: see pp. Bullard ⎬ ⎭ Grade 1 (ABRSM) 3 Hook Gavotta: No. note values. F. Op. may. arr. A or D minors. as pattern below: A. D minors (L. Grades 0–1. Grade 1 (ABRSM) ⎭ 3 Kevin Wooding Vampire Blues 4 Bartók Quasi adagio: No. Specimen Sight-Reading Tests. Bullard (OUP) † 5 Schubert The Trout. with each hand 4 4 4 playing separately and in a five-finger position. Op. arr. Z.Piano GRADE 1 SCALES AND BROKEN CHORDS *: see also p. 2 from Album für die Jugend. See also p. 2nd movt). 68 (ABRSM) also in Schumann for Younger People and More Romantic Pieces for Piano. 20 (PWM 5630130/MDS) or Pianoworks Collection 1. Waterman and Harewood (Faber) 6 Purcell A Song Tune. 3 from Purcell Miscellaneous Keyboard Pieces (Stainer & Bell K22) LIST B 1 Pauline Hall Tarantella ⎫ Selected Piano Exam Pieces 2011 & 2 Martha Mier A Story from Long Ago: from Romantic Sketches. Op. arr. 94. 3 from For Children. be (melodic or harmonic at candidate’s played descending and ascending) choice) Contrary-motion scale C major hands beginning on the key-note (unison) Broken chords C. G. Book 1 (ABRSM) LIST C † 1 Foster Camptown Races. Gar´ cia Little Sonatinas (PWM 8029040/ s s MDS) 6 Lajos Papp Grasshopper: No. Book 1. 6 from Clavierstücke für Anfänger (Schott ED 2572/MDS) 5 Naudot Babiole. Š Š Š Š Š Š Š Š Š. T695. G. 1. at candidate’s choice. A.13216/FM Distribution) SIGHT-READING *: a four. Simply Classics. arr. Š THREE PIECES: one chosen by the candidate from each of the three Lists. No. 1 (Boosey & Hawkes/MDS) 5 Janina Gar´ cia Allegretto: 1st movt from Sonatina in C.

20 and 21 † This arrangement only * Published by ABRSM (Scale requirements. arr. Grade 2 (ABRSM) 3 Krieger Bourrée (observing 1st repeat): from Sechs musicalische Partien 4 Hummel Dialogue Taquin. 17 from Vienna Classic (Bärenreiter BA 8756) 5 Petzold Menuet [II] in G minor (with no DC to Menuet I ). 8 from Romantic Piano Anthology 1 (Schott ED 12912/MDS) † 6 Tchaikovsky Waltz (from The Sleeping Beauty). arr. White ⎭ 4 Duvernoy Andantino. ARPEGGIOS AND BROKEN CHORDS *: see also p. Grade 2 † 2 Brahms The Sandman. time and key signatures as Grade 1. No. D. 6 from A Little Piano Book (OUP) LIST B 1 Berkovich Mazurka ⎫ Selected Piano Exam Pieces 2011 & 2012. A. The Anna Magdalena Bach Book of 1725 (ABRSM) or Pp. 2 Timothy Salter Cat being bold at first ⎬ ⎭ Grade 2 (ABRSM) † 3 Trad. 7. Some dotted and tied notes may be encountered. Op. 9 from Microjazz Collection 2 (Boosey & Hawkes/MDS) Vb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š SIGHT-READING *: a four. arr. See also p. Richards 4 Elias Davidsson Men’s Dance: from The Gift of Music (Spartan Press SP803) 5 Janina Gar´ cia In the Train: from Miniatures for Piano. G minors (melodic or harmonic at candidate’s choice) Contrary-motion scales C. G minors Broken chords F major hands separately. 5. BWV Anh. Pianoworks Collection 1.Piano GRADE 2 SCALES. 47–48 from Baroque Keyboard Pieces. 1 from Jazz Piano Studies 1 ⎫ Selected Piano Exam Pieces 2011 & 2012. as pattern below: E minor 2 octaves 2 octaves 1 octave 2 octaves 2 octaves THREE PIECES: one chosen by the candidate from each of the three Lists. arr. D. A majors hands separately D. American Down by the Riverside. Specimen Aural Tests) 10 . II 115. Op. 5 (PWM 7490070/MDS) s 6 Christopher Norton Cloudy Day: No. Book 1 (ABRSM) 6 Vaughan Williams Two-Part Invention in G: No. AURAL TESTS FOR THE GRADE *: see pp. F majors hands together and separately E. 3rd movt). 6 Scales (similar motion) G. 176 No. based on Haydn Military Minuet ⎬ ⎭ 2012.or six-bar piece. Pike ⎬ (ABRSM) † 3 Schubert Trio (from Symphony No. D. Book 1 (ABRSM) 5 Gurlitt Gavotte in A minor. Bullard (OUP) LIST C 1 John Kember Bah-ba-doo bah: No. Specimen Sight-Reading Tests. More Romantic Pieces for Piano. E and G minors. with the addition of D major. 15. and with each hand in a five-finger position and playing together. A. B and C: LIST A 1 Daquin Suite de la réjouissance: from Premier livre de pièces de clavecin ⎫ Selected Piano Exam Pieces 2011 & † 2 Pauline Hall. No. E majors hands beginning on the key-note (unison) Chromatic scale beginning on D hands separately Arpeggios G.

C minors hands together and separately 2 octaves hands beginning on the key-note (unison) hands separately hands together only hands separately only 2 octaves 2 octaves 2 octaves 2 octaves THREE PIECES: one chosen by the candidate from each of the three Lists. 19 from 20 englische Tänze ⎬ ⎭ Grade 3 (ABRSM) 3 L. More Romantic Pieces for Piano. 39 (Doblinger 01104/MDS) 6 Weber Écossaise. S. B and C: LIST A 1 J.Piano GRADE 3 SCALES AND ARPEGGIOS *: see also p. White 4 John Rowcroft Triple Blues: from Bigger Picture Piano. Op. Grades 2–3. 7 from Pianinis ⎫ Selected Piano Exam Pieces 2011 & 2 Alan Haughton Stroll On: from Fun Club Piano. Bach Prelude in C. Op. BWV 939 ⎫ Selected Piano Exam Pieces 2011 & 2012. 20 and 22 11 . 9. Grade 3 (ABRSM) † 3 Joni Mitchell Both Sides Now. G. See also p. Spectrum 4: An International Collection of 66 Miniatures for Solo Piano (ABRSM) SIGHT-READING *: a piece of up to eight bars in length. 1 from Beads. Wiener Urtext Album: Easy Piano Pieces from Bach to Schönberg (Wiener Urtext UT 50251/MDS) 6 Telemann Allegretto in C (TWV 30:23/2). 3 from Lieder von der Mur-Insel (Henle 166 or Henle 166/MDS) c c 6 Karen Tanaka Northern Lights. 12 from Miniatur-Bilder. Gritton (Faber) 5 Hugo Reinhold Silhouette: No. 68 † 4 Elgar Enigma Theme. and with hands playing together outside of a five-finger 8 position. B. Beethoven Bagatelles (ABRSM) 5 Petzold Bourrée: from Suite de clavecin. 8 from Album für die ⎧ 2012. Kozeluch Air cosaque 4 Beethoven Bagatelle in A minor. 3 from Jugend-Album. arr. Bb. 6 Scales (similar motion) A. Bb. Grade 2–3 ⎬ ⎭ 2012. E b majors B. E b majors B. 123 ⎫ 2 Korganov Kleiner Walzer (Little Waltz): No. 25 ⎩ Selected Piano Exam Pieces 2011 & 3 Schumann Wilder Reiter (The Wild Horseman): No. 7. B. Tajˇ evi´ Allegretto scherzando: No. E. Occasional two-note chords in either hand may be encountered. P. Op. Grades 3. 19 from Telemann Easy Fugues with Little Pieces (Schott ED 9015/MDS) LIST B 1 Grechaninov Sad Song: No. 2 Dittersdorf Englischer Tanz in A: No. A. with the addition of 3 and A. Op. 4 & 5 (Spartan Press SP713) 5 M. AURAL TESTS FOR THE GRADE *: see pp. Simply Classics. 119 No. Book 1 (ABRSM) LIST C 1 Christian Diendorfer Tastenritt (Riding over the Keys): No. Op. time and key signatures as Grade 2. Bb. Grade 3 (ABRSM) ⎭ Jugend. Eb majors and B minor. arr. C minors (melodic or harmonic at candidate’s choice) Contrary-motion scales A major A harmonic minor Chromatic scales beginning on Ab and on C Arpeggios A major G minor E.

Bb. Vol. 11 March Melodies. Op. Benjamin Soldiers in the Distance: from Fantasies ⎫ Selected Piano Exam Pieces 2011 & 2012. 69 (Boosey & Hawkes/MDS) SIGHT-READING *: a piece of around eight bars in length. arr. Grade 4 2 Gillock Carnival in Rio ⎬ ⎭ (ABRSM) 3 Hengeveld Blues: from Melody and Rhythm 4 Detlev Glanert Lied im Meer. 5 from Mozart 12 petites pièces (2nd Set) (Edition HH 180/MDS) LIST B 1 Carroll Alone at Sunset: No. Op. 126 No. C. 1 (Peters EP 715a) 6 Mozart Polonoise in D. 39 (Doblinger 01104/MDS) LIST C 1 A. The Romantic Spirit. E b. Ab. The Classical Spirit. Op. 7. 5 from ⎧ (ABRSM) ⎭ Novelettes mignonnes. G#. Bach Scherzo: from Musikalische Nebenstunden ⎬ (ABRSM) 3 Beethoven Minuet in G: No. 1. AURAL TESTS FOR THE GRADE *: see pp. G#. 10 from Sea Idylls ⎫ 2 Kabalevsky Waltz: No. Op. F minors hands together and separately 2 octaves hands beginning on the key-note (unison) hands together and separately hands together and separately 2 octaves 2 octaves 2 octaves THREE PIECES: one chosen by the candidate from each of the three Lists. Spectrum 4: An International Collection of 66 Miniatures for Solo Piano (ABRSM) 5 Michael Rose Habanera: No. WoO 10 ⎭ 4 W. 20 and 22 † This arrangement only ‡ The candidate chooses one of the two groups * Published by ABRSM (Scale requirements. F. C. Allegro in F: No. Ab.Piano GRADE 4 SCALES AND ARPEGGIOS *: see also p. C. 55 No. 8 † 4 Berlioz Hungarian March (from The Damnation of Faust). 6 from Six Children’s Pieces. A. Book 1 (Alfred 16720/FM Distribution) 5 Kuhlau Vivace: 2nd movt from Sonatina in C. C harmonic minors Chromatic scales beginning on any black key named by the examiner Arpeggios B. E b majors D. time and key signatures as Grade 3. 23 from 24 Little Pieces. 39 ⎩ Selected Piano Exam Pieces 2011 & 2012. No. 6 Scales (similar motion) B. Bach Aria in G minor. D b majors C#. 1. E b. Book 1 (Alfred 4638/FM Distribution) 6 Hugo Reinhold Scherzo: No. 6 from Ten Dances (ABRSM) 6 Shostakovich Clock-work Doll: No. Johnson (Fentone F378/De Haske) 5 Chaminade Idyll. Anacrusis and occasional chromatic notes. Grade 4 2 J. B and C: LIST A 1 Anon. Bb. F minors (melodic or harmonic at candidate’s choice) Contrary-motion scales F. pause signs and tenuto may be encountered. D b majors C#. Op. Specimen Sight-Reading Tests. 2 from Six Minuets. 6 from Miniatur-Bilder. Grade 4 3 Maikapar Chez le forgeron (At the Smithy): No. Kuhlau Sonatinas. See also p. Specimen Aural Tests) 12 . Op. 33 from Nannerl Notenbuch ⎫ Selected Piano Exam Pieces 2011 & 2012. F. with the 6 addition of 8 .

Fiocco Andante: from Pièces de clavecin. 28 from Contemplations (Boosey & Hawkes/MDS) LIST B 1 Gedike Miniature in D minor: No. 15 from Cimarosa Sonatas. Arne Presto: 2nd movt from Sonata No. 6 from Albumblätter. No. 6. Vol. S. 2 from Dix miniatures en forme d’études. Op. XVI/2 ⎭ 4 T. 5 from Enfantines 4 Mike Cornick First Impression: from Blue Piano (Universal 19762/MDS) 5 Mompou Pájaro triste (Sad Bird): No. Op. D b/C# majors and harmonic minors or Group 2: F#. Four-part chords (two notes maximum in either hand). Op. keys up to four sharps/flats (major) or three sharps/flats (minor). 14. Op. 10 from Tchaikovsky Album for the Young. 6 Scales (similar motion) all keys. Bb majors and harmonic minors Chromatic scales beginning on any note named by the examiner Chromatic contrary-motion scales beginning on D (unison) and on Ab (unison) Arpeggios all keys. C. H. Bach Air: 4th movt from Partita No. A. Book 3 (ABRSM) LIST C 1 Thiman Flood-Time: No. BWV 830 ⎫ Selected Piano Exam Pieces 2011 & 2012. No. B and C: LIST A 1 J. 8 ⎫ Selected Piano Exam ˇ 2 Zilinskis Elegy (In Autumn): from Scenes from Childhood ⎬ Pieces 2011 & 2012.Piano GRADE 5 SCALES AND ARPEGGIOS *: see also p. time signatures as Grade 4. F. See also p. Arne Eight Keyboard Sonatas (Faber) 5 J. F. 5 from Water Pieces ⎫ Selected Piano Exam Pieces 2011 & 2012. Bach Allegro in E minor. 11 from Schumann 16 Albumleaves (ABRSM) 6 Tchaikovsky Polka. 192 4 Glinka Mazurka in C minor. 6 in E minor. 124. Harris ⎬ ⎭ Grade 5 (ABRSM) 3 Bloch Joyous March: No. arr. major and minor hands together and separately 3 octaves hands beginning on the key-note (unison)‡ hands together and separately 2 octaves 3 octaves 2 octaves hands together and separately 3 octaves THREE PIECES: one chosen by the candidate from each of the three Lists. Op. simple syncopation and a slowing of tempo at the end may be encountered. 4 from Fünf kleine Klavierstücke. 12 from J. No. major and minor (minors melodic or harmonic at candidate’s choice) Contrary-motion scales Group 1: F. 7. † 2 Gershwin It ain’t necessarily so (from Porgy and Bess). AURAL TESTS FOR THE GRADE *: see pp. ⎭ Grade 5 (ABRSM) 3 Liszt Andantino: No. 5 from Impresiones íntimas (UME/Music Sales) or Mompou Música para piano (UME/Music Sales) 6 Christopher Norton Dreaming On. 68 from Glinka Complete Works for Piano. Bach Musical Leisure Hours (ABRSM) 6 Cimarosa Larghetto in C minor. 1 ⎬ Grade 5 (ABRSM) 3 Haydn Menuet and Trio: 3rd movt from Sonata in B b. No. Hob. 2 (Könemann Music Budapest K212—Editio Musica Budapest/FM Distribution) 5 Schumann Wiegenliedchen (Cradle Song): No. P. S. 2 J. 39 (ABRSM) or More Romantic Pieces for Piano. C. 39 No. 20 and 23 13 . No. 11 from The Christopher Norton Rock Preludes Collection (Boosey & Hawkes/MDS) SIGHT-READING *: a piece of around eight to twelve bars in length. Book 2 (Broekmans & Van Poppel 871/MDS) or P.

E b majors or Group 2: E. a minor third apart Arpeggios all keys. 6 Scales (similar motion) all keys. Bb majors and harmonic minors Staccato scale in thirds C major Chromatic scales beginning on any note named by the examiner Chromatic contrary-motion scale beginning on A# (L. Specimen Sight-Reading Tests.) and C# (R.Piano GRADE 6 Jazz subject. PREREQUISITE FOR ENTRY : Grade 5 (or above) in Theory of Music.H. hands together and separately legato legato. hands together and separately 4 octaves 4 octaves 2 octaves 2 octaves 4 octaves 2 octaves 4 octaves 4 octaves ‡ The candidate chooses one of the two groups § Same group as chosen above * Published by ABRSM (Scale requirements. B b majors Contrary-motion scales Group 1: A.H. Specimen Aural Tests) 14 .). Eb majors and harmonic minors or Group 2: E. hands together and separately legato. major and minor Diminished sevenths beginning on B and on C# legato. hands beginning on the key-note (unison)‡§ hands separately legato. major and minor (minors both melodic and harmonic) Staccato scales Group 1: A. Practical Musicianship or any solo SCALES AND ARPEGGIOS *: see also p. hands together and separately hands separately‡ legato.

20 and 23 15 . 3 ⎬ ⎭ Grade 6 (ABRSM) 3 Nielsen Mignon: No. Bach Prelude in D. 3 4 Howard Blake Prelude (Andantino): No. F. Vol. 4 ⎬ ⎭ (ABRSM) 3 Handel Allegro: 2nd movt from Suite in G. 1 from Lifecycle (or Prelude published separately) (Highbridge Music/ Music Sales) 5 Grovlez Petites litanies de Jésus: from L’Almanach aux images (Stainer & Bell 0534) 6 Tchaikovsky The Witch (Baba Yaga). some clef changes 8 4 8 and sparing use of the right pedal may be encountered. 4 in D minor ⎫ Selected Piano Exam Pieces 2011 & 2012. S. 52 from Peterson Jazz Exercises. HWV 441 4 J. 4 from Five Piano Pieces. Intermediate Piano Book (Peters EP 54199) 5 Frank Martin Clair de lune (Petit nocturne) (Billaudot GB6406/UMP) 6 Oscar Peterson Jazz Exercise No. Grade 6 2 Galuppi Adagio: 1st movt from Sonata in D. 2nd Edition (Hal Leonard/Music Sales) SIGHT-READING *: a piece of around twelve to sixteen bars in length.Piano: GRADE 6 THREE PIECES: one chosen by the candidate from each of the three Lists. 39 (ABRSM) or More Romantic Pieces for Piano. 20. Op. 2 from Piano Pieces for Children ⎭ 4 Ross Lee Finney Jack Rabbit: from Youth’s Companion. 10 from 20th-Century Composers. 2 Grieg Allegro moderato: No. B and C: LIST A 1 Alcock Almand: 1st movt from Suite No. Etudes & Pieces for Piano. Op. A. 126 ⎫ Selected Piano Exam Pieces 2011 & 2012. Grade 6 2 Rodrigo Pastoral ⎬ (ABRSM) 3 Takemitsu Clouds: No. with the addition of 9 . BWV 925 (from Clavierbüchlein für W. Op. S. 7. See also p. 2) (Suite published separately: Süddeutscher Musikverlag SM 2204/44—Bärenreiter) LIST B 1 Chaminade Élégie: No. 39 No. keys up to four sharps/flats (major and minor). Bach 18 Little Preludes (ABRSM) 5 Cimarosa Allegro in G. Triplet rhythms. Book 4 (ABRSM) LIST C 1 Foster Soirée Polka ⎫ Selected Piano Exam Pieces 2011 & 2012. 5 from Poetic Tone-Pictures. Bach A Little Keyboard Book (ABRSM) or J. Bach). Book 2 (Broekmans & Van Poppel 871/MDS) 6 Zipoli Corrente (Allegro): 2nd movt from Suite No. 3. 5 and 5 . S. AURAL TESTS FOR THE GRADE *: see pp. P. J. No. Minuets. 7 from Album des enfants. 1 No. Op. 12 from Cimarosa Sonatas. No. Series 2. Op. No. 20 from Tchaikovsky Album for the Young. time signatures as Grade 5. 1 in B minor (from Sonate d’intavolatura. Op.

E b. hands beginning on the key-note (unison)‡§ hands separately hands separately legato or staccato as directed by the examiner. D. in root position and first inversion‡§ legato. D. Specimen Sight-Reading Tests. A. F#. Bb. hands together and separately‡§ legato. F#. D b Diminished sevenths beginning on A and on C# 4 octaves 4 octaves † This arrangement only ‡ The candidate chooses one of the two groups § Same group as chosen above * Published by ABRSM (Scale requirements. hands together‡§ legato or staccato as directed by the examiner. E b. B. hands together and separately legato or staccato as directed by the examiner legato. Bb. F. F. PREREQUISITE FOR ENTRY : Grade 5 (or above) in Theory of Music. Ab or Group 2: in the keys of G. Db/C# majors & minors (minors both melodic and harmonic) Scales a third apart Group 1 ⎫ keys as above ⎬ or Group 2 ⎭ (majors & harmonic minors only) Contrary-motion scales Group 1 ⎫ keys as above ⎬ or Group 2 ⎭ (majors & harmonic minors only) Legato scale in thirds C major Staccato scale in sixths C major Chromatic scales beginning on any note named by the examiner Chromatic contrary-motion scales beginning on C (unison) and on F# (unison) Arpeggios Group 1 or Group 2 keys as above legato or staccato as directed by the examiner. Specimen Aural Tests) 16 . Practical Musicianship or any solo SCALES AND ARPEGGIOS *: see also p. hands together and separately 4 octaves 4 octaves 2 octaves 2 octaves 2 octaves 4 octaves 2 octaves 4 octaves ⎫ ⎬ ⎭ Dominant sevenths Group 1: in the keys of C. hands together and separately‡ legato or staccato as directed by the examiner. B. Ab/G# majors & minors or Group 2: G. hands together and separately. A. E. 6 Scales (similar motion) Group 1: C.Piano GRADE 7 Jazz subject. E.

Tempo changes. No. AURAL TESTS FOR THE GRADE *: see pp. Booth ⎭ † 4 Gershwin ’S Wonderful. with the addition of 7 and 7 . Op. 3rd Series. Grade 7 ⎭ (ABRSM) 3 Turina Conchita rêve: No. Meet George Gershwin at the Keyboard (Faber) 5 Stephen Hough Valse enigmatique No. 280/189e b. Arne Allegro: 2nd movt from Sonata No. 1 (ABRSM) or More Romantic Pieces for Piano. Book 2 ⎬ Grade 7 (ABRSM) † 3 Paul Francis Webster and Sonny Burke Black Coffee. No. Book 5 (ABRSM) LIST C 1 Kabalevsky Presto: 3rd movt from Sonatina. Series 2. Bach Inventions and Sinfonias (ABRSM) 6 Daquin Le coucou (The Cuckoo): from Premier livre de pièces de clavecin. 2. 169). E. Wq. HWV 428 ⎬ ⎭ Grade 7 (ABRSM) 3 Mozart Presto: 3rd movt from Sonata in F. 56 4 Granados Viniendo de la fuente (Coming from the Fountain): No. 2 Handel Allemande: 3rd movt from Suite in D minor. H. 4 C. 6 from Niñerías. 3 in G ⎫ Selected Piano Exam Pieces 2011 & 2012. 2 (Henle 377 or Henle 377/MDS) 5 J. Op. 2 from A Keyboard Anthology. 14 from Schwedische Tänze. arr. 1 ⎫ Selected Piano Exam Pieces 2011 & 2012. 1 (Universal 3852/MDS) or More Romantic Pieces for Piano. 17 ⎬ 2011 & 2012. P. Op. S. ˚ 2 Martinu Harlequin (Scherzo): from Puppets.Piano: GRADE 7 THREE PIECES: one chosen by the candidate from each of the three Lists. 10 in G. Bach Sinfonia No. K. Op. Bach Piano Sonatas. J. Book 5 (ABRSM) LIST B 1 Bruch Schwedischer Tanz in A minor: No. 3 from Nine Preludes. B and C: LIST A 1 T. Hough Suite R-B and Other Enigmas (Weinberger/FM Distribution) 6 Poulenc Le petit éléphant: from L’Histoire de Babar (piece published separately: Billaudot GB6398/UMP) SIGHT-READING *: a piece of around sixteen to twenty bars in length. 5 from Cuentos de la juventud. 16 from C. 3 from Seven Preludes. 7. 63 ⎫ Selected Piano Exam Pieces 2 Skryabin Prelude in Db: No. the 8va sign and the use of the una corda pedal may be 8 4 encountered. Op. time and key signatures as Grade 6. P. No. 15 from Liszt Easy Pieces and Dances (Bärenreiter BA 6577) 6 Szymanowski Prelude in Db: No. 20 and 24 17 . E. 13 No. 62/16. 116. S. BWV 796. Bach Allegro: 1st movt from Sonata in B Vol. See also p. A. Op. Book 4 (ABRSM) 5 Liszt Romance in E minor (S.

hands together legato. hands together and separately 4 octaves 4 octaves 4 octaves 2 octaves 4 octaves 2 octaves 2 octaves 4 octaves 4 octaves 4 octaves † This arrangement only * Published by ABRSM (Scale requirements. hands together and separately legato or staccato as directed by the examiner. B. F#. D. Specimen Aural Tests) 18 . Db Diminished sevenths beginning on any note named by the examiner legato or staccato as directed by the examiner. hands together legato or staccato as directed by the examiner. in root position. Specimen Sight-Reading Tests. B. D b/C# majors & minors (minors both melodic and harmonic) Scales a third apart keys as above (majors & harmonic minors only) Scales a sixth apart keys as above (majors & harmonic minors only) Legato scales in thirds C and Bb majors Chromatic scales a minor third apart beginning on any notes named by the examiner Chromatic scale in minor thirds beginning on A#/C# Whole-tone scale beginning on E Arpeggios keys as for scales (similar motion) above Dominant sevenths in the keys of C. hands separately legato. first and second inversions legato. F. 6 Scales (similar motion) C. D. hands together and separately. Ab. hands together and separately legato. E b. hands together and separately legato.Piano GRADE 8 Jazz subject. Practical Musicianship or any solo SCALES AND ARPEGGIOS * : see also p. Ab/G#. PREREQUISITE FOR ENTRY : Grade 5 (or above) in Theory of Music. F#. hands together hands separately legato or staccato as directed by the examiner. E b. F.

3 from Morceaux de fantaisie. 7 from Ten Pieces. Mompou Música para piano (UME/Music Sales) 13 Rachmaninov Mélodie in E: No. Salsa nueva (Boosey & Hawkes/MDS) 9 Nikolai Kapustin Sonatina. See also p. 32 No. Op. Three-part chords in either hand.Piano: GRADE 8 THREE PIECES: one chosen by the candidate from each of the three Lists. Grade 8 (ABRSM) 5 Gershwin Novelette in Fourths ⎪ 6 Prokofiev Prelude: No. BWV 826 ⎫ Selected Piano Exam 2 Trygve Madsen Prelude and Fugue in C: No. Rachmaninov Piano Compositions. Op. 100 (A-RAM/MusT) 10 Liszt Au lac de Wallenstadt: No. Op. 2 (ABRSM) or No. 26. 5) in E (1720 Collection). Op. Op. Scarlatti Sonata in F# minor. 1. 13 ⎫ (Grande Sonate pathétique) ⎩ Selected Piano Exam Pieces 2011 & 2012. 1 (ABRSM) LIST C 1 Albéniz Sous le palmier: No. Vol. 8 from Scarlatti 200 Sonatas. Op. 3 (Boosey & Hawkes/MDS) 14 Schumann Abschied (Farewell): No. 1 (Peters EP 146a) 6 Haydn Moderato: 1st movt from Sonata in C # minor. 2 from Three Preludes and Fugues.7817/FM Distribution) LIST B 1 Beethoven Rondo: 3rd movt from Sonata in C minor. Sonata published individually (ABRSM) or Beethoven The 35 Piano Sonatas. HWV 430. Bach Capriccio: 6th movt from Partita No. XVI/38. Haydn Complete Piano Sonatas. 449). 82 (ABRSM) 15 Smetana Polka in E: from Trois polka de salon. 6 from Scarlatti 200 Sonatas. 20 and 25 19 . Vol. Op. Op. Op. Vol.7817/FM Distribution) 8 D. Vol. 566. No. Scarlatti Sonata in B minor. 101 ⎬ Pieces 2011 & 2012. Part 1 (ABRSM) 5 Handel Prelude and Allemande: 1st and 2nd movts from Suite (No. trans. Op. Hob. Book 4 (ABRSM) or No. H. Kp. 12 ⎭ 7 Y. A. No. Book 2 (ABRSM) or No. Brubeck ⎩ Selected Piano Exam Pieces 2011 & 4 Chopin Nocturne in B. 19 from Baroque Keyboard Pieces. 25 (L. 25 from Scarlatti Keyboard Pieces and Sonatas. 3. Appendix 4a from Schubert Complete Pianoforte Sonatas. 481). Handel Eight Great Suites. XVI/36. Smetana Polkas (Bärenreiter BA 9506) 16 Carl Vine Bagatelle No. 284/205b 4 Beethoven Allegro: 4th movt from (Grand) Sonata in Ab. 2 Field Allegro moderato: 1st movt from Sonata in Eb. 2 from Années de Pèlerinage: Première année – Suisse (Henle 173 or Henle 173/ MDS) 11 Messiaen Plainte calme: No. Op. 1 No. Vol. Op. 3 from Haydn Selected Keyboard Sonatas. 3 C. spread chords and simple ornaments may be 8 encountered. 1 ⎧ 2012. 232 ⎫ 2 Debussy Valse romantique ⎪ † 3 Dave Brubeck King for a Day. Op. 7. 16 ⎭ Grade 8 (ABRSM) 4 J. 12 from Beethoven Complete Pianoforte Sonatas. 1 (Editio Musica Budapest Z. 7 from 24 Preludes. 2 in C minor. 3 (2009 new edition: Wiener Urtext UT 50258/MDS) 7 Haydn Allegro moderato: 1st movt from Sonata in Eb. 7 from Préludes (Durand/UMP) 12 Mompou Canción y Danza No. 1 from 24 Preludes and Fugues. S. B and C: LIST A 1 J. No. 2 (Wiener Urtext UT 50028/MDS) or Vol. 1 (Editio Musica Budapest Z. 7. 2: from Five Bagatelles (Faber) SIGHT-READING *: a piece of around a page in length. 102 (Weinberger/FM Distribution) 8 Douglas Finch Toccata montuna. 9 from Waldscenen. 6 from Clementi Sonatas. Hob. BWV 866: No. Bowen Prelude in Eb: No. 1 ⎧ Grade 8 (ABRSM) ⎭ 3 Mozart Allegro: 1st movt from Sonata in D. Kp. with the addition of 12 and B and D b majors. No. Vol. K. Vol. S. Vol. 27 (L. Schumann Prelude and Fugue in B b: No. 2 (ABRSM) 5 Clementi Allegro: 1st movt from Sonata in A. 2 from Le tombeau de Couperin (Durand/UMP or Peters EP 7376) 7 D. Bach Prelude and Fugue in B b. Book 2 (ABRSM) 8 Schubert Moderato: 1st movt from Sonata in E minor (unfinished). AURAL TESTS FOR THE GRADE *: see pp. Book 2 (ABRSM) 6 Ravel Fugue: No. D. 3 from Chants d’Espagne. 21 from The Well-Tempered Clavier. time and key signatures as Grade 7.

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