This action might not be possible to undo. Are you sure you want to continue?
02 04 06 08 28 42 62 80 81 82
We’ve put all our books in one place just for you. The host of books available in this catalogue is testament to Intellect’s commitment to publish in new and emerging academic areas. Showcased here are volumes and monographs in everexpanding topics of inquiry, ranging from street fashion to Hong Kong pop music, explorations in consumer society to cutting-edge performance texts. The titles are often gloriously multidisciplinary, presenting scholarly work at the cross section of arts, media and creative practice. Alongside the printed books we launch all new books as e-books (see the full list of distributors on our website) and as ePUBs for iTunes iBookstore and Amazon Kindle. We also have robust international distribution arrangements with partners such as the University of Chicago Press and Gardners. Ordering details can be found on page 80. We hope that you find something here to tempt you.
Publish with Us World Film Locations Directory of World Cinema Film Studies Performing Arts Visual Arts Media & Culture How to Order Moblie Apps Contact Us
@ = available as e-book
Publish with us
‘It was great to work with a company that has a love of the subject and was ready to consider a previously unpublished author. From the outset the staff at Intellect were supportive through the whole process from proofing to marketing.’ – Roger Wooster, Author of Contemporary Theatre in Education
At Intellect we pride ourselves on the excellent service that we offer our authors. We are passionate, honest and energetic, and we utilize a range of cutting-edge resources and expertise in order to create the best possible end product. We are committed to creating a platform for original ideas and we are always looking for authors with an interesting perspective. If you would like to release your book to the wider world then download and complete the book proposal questionnaire from the ‘Publish with us’ section of our website and then send the completed form to: email@example.com If you would like to contribute to our exciting range of book series (a selection of which are shown below) then submit the author or editor questionnaire to the respective series editor. Further information about this can be found on our website. Changing Media, Changing Europe Critical Photography Cultural Studies of Natures, Landscapes and Environments Culture, Disease, and Well-Being: The Grey Zone of Health and Illness Directory of World Cinema ECREA Playtext Readings in Art and Design Education Studies on Popular Culture Theatre & Consciousness World Film Locations
World Film Locations Series
‘An elegant tribute to the films and locations that have given New York its private real estate in our minds. The contributors are so immediately readable and movie-savvy.’ – Roger Ebert London: ‘A superb book, indispensable for any cinephile interested in London’s psycho-geography. I could pore over it for hours.’ – Peter Bradshaw Paris: ‘A superbly edited collection that explores the most important movie city in the world.’ – David Sterritt
Succinct articles and film reviews written by respected film scholars and writers Illustrated in full colour with maps of the city, screen captures from iconic films and present-day photographs of key locations Includes in-depth exploration of specific films, and insightful essays about themes, directors and key historical periods Doubles as a guidebook for cinephiles, travellers and tourists
Image: Slumdog Millionaire, 2008. © Film 4 / Celador Films / Pathe International.
Series ISSN 2045-9009 Online ISSN 2045-9017 £9.95, $18 | PB | 2012 | @ 230x155m See the full list on page 27
Be it an elaborate directorial love letter or a time-specific cultural setting, the city plays a central role in a multitude of films, and often acts as a vital character within narratives. The World Film Locations series uses a predominantly visual approach to explore this relationship between cinema and the city.
which should not be underestimated.’ – Pop Matters One feature of the Directory of World Cinema: Spain. • • • • • In-depth information. in both glossy colour and black and white. Each volume takes the form of a collection of reviews. 2009.95. A coffee-table paperback.com Series ISSN 2040-7971 Online ISSN 2040-798X £15. Every section is introduced with a full-page film still and other photos pepper the pages. showing off some of the most iconic images in Spanish cinema. The overall effect is very aesthetically-pleasing. and it is a pleasure to pick up and leaf through: the organization by genre is very intuitive and there are no huge chapters of dense text to overwhelm the reader.Intellect 7 Directory of World Cinema Series ‘Directory of World Cinema: American Hollywood is an attractive collection beyond the critical dissection of many of American cinema’s best-loved films. longer essays and research resources. and is accompanied by film stills highlighting significant films and players. synopses. and expansive recommended reading list Test Your Knowledge Questionnaire Fully illustrated with high-quality screen captures Image: Fish Tank. critiques and reviews from well-respected film scholars Spotlight articles highlight specific directors and actors Comprehensive filmography. © BBC Films / The Kobal Collection. it includes a wealth of gorgeous production stills and other photographs. scholarly criticism beyond the academy. is its beauty. $25 | PB | 2012 | @ 240x170mm See the full list on pages 23–25 The Directory of World Cinema series aims to play a part in pushing intelligent. .’ – subtitledonline.
D. Caputo explores how Polanski’s interest in the nature of perception is manifested in these films. Rosemary’s Baby and The Tenant) and the Investigation Trilogy (Chinatown.9 Polanski and Perception The Psychology of Seeing and the Cinema of Roman Polanski By Davide Caputo Film Studies 09 11 12 13 15 ISBN 978-1-84150-552-7 | 296pp £24. new approach to a director whose contribution to cinema is often overshadowed by the events of his personal life. Case studies of Knife in the Water. and primarily focused on the Apartment Trilogy (Repulsion. Vol. Death and the Maiden and The Ghost are also included in this highly original and engaging new book. . $40 | PB | 2012 | @ 230x170mm Davide Caputo studied psychology and film at the University of Manitoba and completed his Ph.95. at the University of Exeter. Closed Borders Passion of the Reel A Portrait of the Artist as a Political Dissident Film Studies Backlist Caputo presents an innovative. 1 Music and Levels of Narration in Film The Cinema Makers Open Roads. • • • Highly original and engaging new approach Focuses on Polanski’s interest in the nature of perception Film analysis incorporates cognitive research theory 16 17 18 19 20 21 21 22 22 23 Polanski and Perception The Ned Kelly Films Framing Film Cinemas of the Other Stanley Kubrick at Look Magazine Un-American Psycho Watching Films Transnational Film Culture in New Zealand Australian Film Theory and Criticism. Frantic and The Ninth Gate). Gregory. L. Informed by the work of neuro-psychologist R.
Gaunson offers new historical insights about the textual characteristics of the cinematic material as well as their relationship with broader cultural histories. culminating at a siege in Glenrowan on 28 June 1880. Asking what value we can place on such ‘bad’ historical cinema. Immortalized in a series of onscreen productions. Stephen Gaunson illuminates how they give motion to the historical artefacts and story that forever seems fixed to a historical time. he was captured and later sentenced to hang at the Melbourne Gaol. Donned in his homemade metal armour and helmet. Ned Kelly. and two TV movies that have been made about this controversial character. led one of the most spectacular outbreaks the tradition of banditry has ever experienced.Film Studies 11 The Ned Kelly Films By Stephen Gaunson A Cultural History of Kelly History ISBN 978-1-84150-636-4 | 132pp £15.95. Covering the nine feature films. . $25 | PB | 2012 | @ 230x170mm Stephen Gaunson is a research fellow at RMIT University in Melbourne. • • • Explores this infamous outlaw’s onscreen presence Surveys how the films re-work and rewrite popular history Analyses why historical films are regarded as a form of ‘bad’ culture Irish/Australian outlaw. three miniseries. he has since become one of the most resilient screen presences in the history of Australian cinema.
paintings and photographs A must-have for art and film enthusiasts Where exactly film falls within the visual media genre is still a topic up for debate. Turkmenistan and Uzbekistan. and the images of ‘otherness’ displayed in each director’s oeuvre. A Personal Journey with Film-makers from Iran and Turkey ISBN 978-1-84150-548-0 | 120pp £19. the author explores the connection between the different countries and their directors.95. biographical information on the directors interviewed and extensive filmographies • An updated collection of recent interviews with film-makers whose works represent trends in the film industries of Turkey and Iran.95. Two volumes . and the Central Asian republics of Kazakhstan. ranging from the representation of emotions in art (‘Framing Loneliness in Painting and Film’) to adaptation of comics books (‘Adapting Watchmen’) and the art-work that movies can create (‘Here’s Johnny! Re-framing The Shining’). Framing Film: Cinema and the Visual Arts touches upon both high. • A two part follow-up to Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia Includes transcripts of the interviews.95. In a series of interviews.Film Studies 13 Framing Film Cinema and the Visual Arts Edited by Steven Allen and Laura Hubner Cinemas of the Other By Gönül Dönmez-Colin ISBN 978-1-84150-507-7 | 176pp £19. Laura Hubner is a senior lecturer in film studies and director of film studies at the University of Winchester. $30 | PB | 2012 | @ 230x170mm A Personal Journey with Film-makers from Central Asia ISBN 978-1-84150-549-7 | 120pp £15. It also explores cover posts. stills from important films. $30 | PB | 2012 | @ 230x170mm Steven Allen is a senior lecturer in film studies at the University of Winchester. This new two-volume edition expands upon the earlier volume. $25 | PB | 2012 | @ 230x170mm Gönül Dönmez-Colin is an independent researcher and author. Kyrgyzstan. but the impact that film has had on arts – and that arts have had on film – is very clear. • • Explores cinema’s relationship with comics.(and low-) brow art forms. production design and paintings in films. Tajikstan.
15 Stanley Kubrick at Look Magazine By Philippe D. Tracing the links between his photojournalism and films. Mather then demonstrates how exploring these links enhances our understanding of Kubrick’s approach to narrative structure – as well as his distinctive combinations of such genres as fiction and documentary. Mather ISBN 978-1-84150-611-1 | 304pp £14. . $30 | PB | 2012 | @ 230x170mm Philippe D. © Evan Harrington. during the formative years of his career. Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice. Mather is an associate professor of media studies at Campion College at the University of Regina. Offering a comprehensive examination of the work he produced during this period. By kind permission of the Estate of Philip Harrington. Stanley Kubrick worked as a photojournalist for Look magazine. Mather shows how working at Look fostered Kubrick’s emerging talent for combining images and words to tell a story.95. Authorship and Genre in Photojournalism and Film • • Beautifully written and exhaustively-researched look at Kubrick’s career as a photojournalist Features never-before-published photographs from the Look archives and complete scans of Kubrick’s photo essays From 1945 to 1950. and fantasy and realism.
In Un-American Psycho. Chris Dumas places De Palma’s body of work in dialogue with the works of other provocative film-makers. Exhibition and Reception Edited by Albert Moran and Karina Aveyard ISBN 978-1-84150-554-1 | 254pp £24. • • Explores how new technologies have influenced the way we watch and consume films Comprehensive investigation of movie-going. stylistic. it is but one of a sizeable number of controversial films – many of which are consistently misread or ignored – directed by De Palma over his more than four-decade career. including Alfred Hitchcock. with the aim of providing a broader understanding of the narrative. $40 | PB | 2012 | @ 230x170mm Chris Dumas is an independent scholar and artist based in San Francisco.95. films are part of what it means to be socially connected in the twenty-first century. $30 | PB | 2012 | @ 230x170mm Albert Moran is professor of media studies at Griffith University in Brisbane. and Francis Ford Coppola. Watching Films centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? . and thus little understood. cinema exhibition. the act of watching films remains an area of social activity that is little studied. enjoy them in theatres. yet as ingrained as Scarface is in popular culture. • Whether we stream them on our laptops. and cultural factors that influence how we watch and think about movies. or slide them into DVD players. Despite film’s significant role in our lives. economic.95. • • Rethinks received wisdom on De Palma and his films Will appeal to De Palma devotees and those unfamiliar with his work ISBN 978-1-84150-511-4 | 288pp £19. Karina Aveyard is a lecturer at the University of East Anglia.Film Studies 17 Un-American Psycho By Chris Dumas Brian De Palma and the Political Invisible Watching Films New Perspectives on Movie-Going. and film reception around the world A long-overdue consideration of an important topic Brian De Palma is perhaps best known as the director behind the gangster classic Scarface. With a focus on the social. and political gestures that characterize De Palma as a film-maker. Jean-Luc Godard.
Sigley makes a significant contribution to our understanding of the myriad ways film can shape our thinking. Deane Williams is associate professor of film and television studies at Monash University. our icons.Film Studies 19 Transnational Film Culture in New Zealand By Simon Sigley Australian Film Theory and Criticism. and our conversations. He goes on to trace the emergence of the full range of activities and institutions associated with a sophisticated film culture – including independent distribution and exhibition networks. Constantine Verevis is a senior lecturer in film and television studies at Monash University. He examines the reception of international film theories and discourses. Vol. • • • • Focuses on 1975–1985. and new institutions such as film societies. including new forms of reviewing. university courses. $30 | PB | 2012 | @ 230x170mm Simon Sigley is a media studies lecturer at Massey University. In doing so. and liberalized film censorship. the authors examine a multitude of books and journal articles published in Australia and distributed internationally. Tracing critical positions.95. a local feature-film industry. and cultural studies. 1 Critical Positions By Noel King. people. and film festivals. Volume 1 delineates the historical implications – and reveals the future possibilities – of establishing new directions of inquiry for film studies in Australia and internationally. $30 | PB | 2012 | @ 230x170mm Noel King teaches film and literary-cultural criticism at Macquarie University. and institutions across this influential period. . they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English. and shows how these ideas helped to shape distinct cultural practices. Simon Sigley approaches cinema as a form of social practice. At the same time. Constantine Verevis and Deane Williams ISBN 978-1-84150-660-9 | 208pp £19. Ultimately. • • The story of film culture in New Zealand from the 1920s to the present day A must-read for anyone interested in film theory and cultural history ISBN 978-1-84150-581-7 | 192pp £19. our institutions. a formative period for the discipline First part of a three-volume work Preface by Patrice Petro Also by Deane Williams: Australian Post-War Documentary Film In this innovative work of cultural history. art history. art-house cinemas. film archives.95. Australian Film Theory and Criticism. new methods of teaching.
Closed Borders The Contemporary French-Language Road Movie Edited by Michael Gott and Thibaut Schilt • • • First collection of essays about French-language road movies Offers important perspectives on contemporary French ideas about national identity Illustrates how travel and road motifs have enabled directors to re-imagine space and move beyond simplistic binary oppositions ISBN 978-1-84150-662-3 | 181pp £45. • • The first book-length study of narratology of film music Approaches narrative structure from a variety of angles and proposes a toolkit of narratological concepts An indispensable resource for anyone researching or studying film music or film narratology ISBN 978-1-84150-515-2 | 189pp £24. The conceptual toolkit is applied to a study of genres (musicals and horror) and of the narrative strategies of music in individual films. and music’s movement between them. $60 | HB | 2012 | @ 230x170mm Guido Heldt is a lecturer in music at the University of Bristol. Open Roads. such as squatting in existing cinema spaces and organizing cinema ‘events’. Thibaut Schilt is assistant professor of French at the College of the Holy Cross.Film Studies 21 Music and Levels of Narration in Film Steps Across the Border By Guido Heldt The Cinema Makers Public Life and the Exhibition of Difference in South-Eastern and Central Europe since the 1960s By Anna Schober • Investigates how. $60 | HB |2012 | @ 230x170mm Michael Gott is assistant professor of French at the University of Cincinnati. cinema-goers in southeastern and central European cities went from being spectators to cinema-makers Explores the practices. Music and Levels of Narration in Film systematically discusses music on different levels of narration: from the extrafictional to ‘focalizations’ of subjectivity.95. and why. $40 | PB | 2012 | @ 230x170mm Anna Schober is Mercator visiting professor at Justus Liebig University Giessen. that aided this transition Draws on a corpus of interviews with cinema activists across Europe ISBN 978-1-84150-625-8 | 224pp £45. . • • • Moving beyond the distinction between diegetic and non-diegetic music (music that is or is not understood as part of the story world of a film).
95. Emergent Identities By Pietari Kääpä ISBN 978-1-84150-409-4 | 176pp £24. $35 | PB | 2010 | @ Cinema of Mika Kaurismäki. four-time Palme d’Or nominee Analyses how Petrovic developed specific political and social themes in his films A fresh contribution to the scarcely explored history of Yugoslav cinema ISBN 978-1-84150-545-9 | 232pp £45 | $60 | HB | 2012 | @ 230x170mm Vlastimir Sudar teaches film history and theory at the University of the Arts London. social construction and modernization Highlights the challenges faced by this nascent national cinema Emphasizes the need to move beyond colonial legacies and focus instead on indigenous productions of meaning Beauty and the Beast: Italianness in British Cinema By Elisabetta Girelli ISBN 978-1-84150-244-1 | 240pp £24.95. $70 | HB | 2008 | @ In-depth analysis of the output of the Cameroonian film industry Explores postcolonialism.Film Studies 23 Passion of the Reel By Jean-Olivier Tchouaffe • • ISBN 978-1-84150-564-0 | 216pp £45. Declarations of Independence: American Cinema and the Partiality of Independent Production By John Berra ISBN 978-1-84150-185-7 | 224pp £24. Time and Gesture in the Cinema of Werner Schroeter By Michelle Langford ISBN 978-1-84150-138-3 | 215pp £188.8.131.52. $50 | PB | 2010 | @ Diasporas of Australian Cinema Edited by Catherine Simpson.95.95. $50 | PB | 2006 | @ Alternative Worlds in Hollywood Cinema: Resonance between Realms By James Walters ISBN 978-1-84150-202-1 | 232pp £19. $60 | HB | 2001 | @ Danish Directors 2. $50 | PB | 2007 | @ Explores the career of this oft-overlooked. Cinematic versus Modernist Political Fictions in Cameroon Allegorical Images: Tableau. Italy and Spain since the 1980s By Rosanna Maule ISBN 978-1-84150-204-5 | 192pp £34. Renata Murawska and Anthony Lambert ISBN 978-1-84150-197-0 | 128pp £24. Nation and Cultural Geography Edited by Graeme Harper and Jonathan Rayner ISBN 978-1-84150-309-7 | 264pp £19. The: Transvergent Cinescapes. $50 | PB | 2005 | @ Cinema and Landscape: Film. $50 | PB | 2009 | @ • • Beyond Auteurism: New Directions in Authorial Film Practices in France.95.95. $50 | PB | 2009 | @ Directory of World Cinema: American Hollywood Edited by Lincoln Geraghty ISBN 978-1-84150-415-5| 272pp £15.95.95. $70 | HB | 2008 | @ British TV & Film Culture of the 1950s: Coming to a TV Near You By Su Holmes ISBN 978-1-84150-121-5 | 192pp £24. Eva Novrup Redvall and Eva Joerholt ISBN 978-1-84150-271-7 | 310pp £19. $25 | PB | 2010 | @ Directory of World Cinema @ = available as e-book Directory of World Cinema: American Independent Edited by John Berra ISBN 978-1-84150-368-4| 327pp £15. $50 | PB | 2010 | @ Cinemas of the Other: A Personal Journey with Film-makers from the Middle East and Central Asia By Gönül Dönmez-Colin ISBN 978-1-84150-143-7 | 284pp £34. $35 | PB | 2008 | @ Australian Post-War Documentary Film: An Arc of Mirrors By Deane Williams ISBN 978-1-84150-210-6 | 192pp £34. The: Dialogues on a Contemporary National Cinema Edited by Ib Bondebjerg and Mette Hjort ISBN 978-1-84150-035-5 | 288pp £29.95.95. $60 | HB | 2012 | @ 230x170mm Jean-Olivier Tchouaffe is visiting assistant professor at Southwestern University. $70 | HB | 2006 | @ A Portrait of the Artist as a Political Dissident By Vlastimir Sudar • • • The Life and Work of Aleksandar Petrovic Danish Directors. $25 | PB | 2010 | @ Directory of World Cinema Directory of World Cinema: American Independent 2 Edited by John Berra ISBN 978-1-84150-612-8 | 320pp £15. $35 | PB | 2010 | @ David Cronenberg: Author or Filmmaker? By Mark Browning ISBN 978-1-84150-173-4 | 208pp £24. $25 | PB | 2012 | @ Directory of World Cinema .95. $50 | PB | 2008 | @ Deleuze and Film Music: Building a Methodological Bridge between Film Theory and Music By Gregg Redner ISBN 978-1-84150-370-7 | 192pp £24.95. The: Dialogues on the New Danish Fiction Cinema Edited by Mette Hjort.95.95.95.
95. $25 | PB | 2012 | @ Directory of World Cinema Film. $50 | PB | 2010 | @ Directory of World Cinema: China Edited by Gary Bettinson ISBN 978-1-84150-558-9 | 327pp £15.95. The: Race and Affect in Contemporary American Cinema By Paul Gormley ISBN 978-1-84150-119-2 | 192pp £24.95.95. $50 | PB | 2010 | @ Don’t Look Now: British Cinema in the 1970s Edited by Paul Newland ISBN 978-1-84150-320-2 | 256pp £24. $40 | PB | 2005 | @ Feminist Ethics in Film: Reconfiguring Care through Cinema By Joseph Kupfer ISBN 978-1-84150-406-3 | 208pp £19. $50 | PB | 2007 | @ Directory of World Cinema: Iran Edited by Parviz Jahed ISBN 978-1-84150-399-8 | 272pp £15. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Japan Edited by John Berra ISBN 978-1-84150-355-6 | 350pp £15.95. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: East Europe Edited by Adam Bingham ISBN 978-1-84150-464-3 | 320pp £15. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Turkey Edited by Eylem Atakav ISBN 978-1-84150-620-3 | 320pp £16.95. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Spain Edited by Lorenzo J. $25 | PB | 2012 | @ Directory of World Cinema Europe & Love in Cinema Edited by Jo Labanyi.95. Television and Technology By Luke Hockley ISBN 978-1-84150-171-0 | 152pp £24.95. $40 | PB | 2011 | @ Directory of World Cinema: Japan 2 Edited by John Berra ISBN 978-1-84150-551-0 | 327pp £15. $25 | PB | 2011 | @ Directory of World Cinema Directory of World Cinema: India Edited by Adam Bingham ISBN 978-1-84150-622-7 | 320pp £15. $60 | PB | 2010 | @ Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures Edited by Olivia Khoo and Sean Metzger ISBN 978-1-84150-274-8 | 288pp £24. 1933–1948 By Nick Smedley ISBN 978-1-84150-402-5 | 144pp £24.95. $50 | PB | 2009 | @ New-Brutality Film.95. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Latin America Edited by Isabel Maurer Queipo ISBN 978-1-84150-618-0 | 320pp £16. $40 | PB | 2011 | @ Hong Kong New Wave Cinema (1976–2000) By Cheuk Pak Tong ISBN 978-1-84150-148-2 | 268pp £24.95. Luisa Passerini and Karen Diehl ISBN 978-1-84150-379-0 | 256pp £19. Histories.95.Film Studies Directory of World Cinema: Australia & New Zealand Edited by Geoff Lealand and Ben Goldsmith ISBN 978-1-84150-373-8 | 320pp £15. $25 | PB | 2011 | @ Directory of World Cinema Directory of World Cinema: Italy Edited by Louis Bayman ISBN 978-1-84150-400-1 | 240pp £15.95. $40 | PB | 2012 | @ Directory of World Cinema: South Korea Edited by Colette Balmain ISBN 978-1-84150-560-2 | 327pp £15. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Britain Edited by Emma Bell and Neil Mitchell ISBN 978-1-84150-557-2 | 327pp £15. $25 | PB | 2010 | @ Directory of World Cinema Historical Comedy on Screen: Subverting History with Humour Edited by Hannu Salmi ISBN 978-1-84150-367-7 | 232pp £19. The: Challenging Film Theory By Allister Mactaggart ISBN 978-1-84150-332-5 | 224pp £19.95.95. The: Laughing Matters By Rimgaila Salys ISBN 978-1-84150-282-3 | 240pp £24. $25 | PB | 2010 | @ Directory of World Cinema 25 Directory of World Cinema: Australia & New Zealand 2 Edited by Geoff Lealand and Ben Goldsmith ISBN 978-1-84150-634-0 | 320pp £15. Torres Hortelano ISBN 978-1-84150-463-6 | 320pp £184.108.40.206. $50 | PB | 2009 | @ Greek Cinema: Texts. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Russia Edited by Birgit Beumers ISBN 978-1-84150-372-1 | 320pp £15. $25 | PB | 2012 | @ Directory of World Cinema Divided World. $50 | PB | 2007 | @ Film Paintings of David Lynch.95. Identities Edited by Lydia Papadimitriou and Yannis Tzioumakis ISBN 978-1-84150-433-9 | 288pp £24. $25 | PB | 2011 | @ Directory of World Cinema Directory of World Cinema: Sweden Edited by Marcelline Block ISBN 978-1-84150-559-6 | 327pp £15. $40 | PB | 2012 | @ Directory of World Cinema: France Edited by Tim Palmer and Charlie Michael ISBN 978-1-84150-563-3 | 327pp £15.95. $25 | PB | 2012 | @ Directory of World Cinema Musical Comedy Films of Grigorii Aleksandrov. $25 | PB | 2012 | @ Directory of World Cinema Directory of World Cinema: Germany Edited by Michelle Langford ISBN 978-1-84150-465-0 | 320pp £15.95. $35 | PB | 2011 | @ European Identity in Cinema Edited by Wendy Everett ISBN 978-1-84150-916-7 | 124pp £19. $35 | PB | 2010 | @ .220.127.116.11.95.95. $25 | PB | 2011 | @ Directory of World Cinema Directory of World Cinema: Finland Edited by Pietari Kääpä ISBN 978-1-84150-617-3 | 327pp £15. A: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler. $25 | PB | 2010 | @ Directory of World Cinema French Costume Drama of the 1950s: Fashioning Politics in Film By Susan Hayward ISBN 978-1-84150-318-9 | 376pp £29.95. Drama and the Break-Up of Britain By Steve Blandford ISBN 978-1-84150-150-5 | 200pp £24. $35 | PB | 2010 | @ Frames of Mind: A Post-Jungian Look at Cinema.95.95. $50 | PB | 2005 | @ New Irish Storytellers: Narrative Strategies in Film By Díóg O’Connell ISBN 978-1-84150-312-7 | 176pp £19.95. Transnational and Islamic Dimensions By Shahab Esfandiary ISBN 978-9-78184-510-9 | 367pp £24.95. $50 | PB | 2008 | @ Iranian Cinema and Globalization: National.95.95.
$50 | PB | 2009 | @ World Film Locations: Berlin Edited by Susan Ingram ISBN 978-1-84150-631-9 | 128pp £9. $40 | PB | 2005 | @ Pride and Panic: Russian Imagination of the West in PostSoviet Film By Yana Hashamova ISBN 978-1-84150-156-7 | 136pp £34. Hilary Radner and Barry Keith Grant ISBN 978-1-84150-425-4 | 354pp £19.95. $35 | PB | 2009 | @ South African Cinema 1896–2010 By Martin Botha ISBN 978-1-84150-458-2 | 367pp £29. $18 | PB | 2012 | @ World Film Locations World Film Locations: Vienna Edited by Robert Dassanowsky ISBN 978-1-84150-569-5 | 128pp £9.95. Vision and Experience By Gabrielle A. $115 | HB | 2012 | @ Who’s Who in Research World Film Locations: Beijing Edited by John Berra and Liu Yang ISBN 978-1-84150-642-5 | 128pp £9. $18 | PB | 2012 | @ World Film Locations Peter Weir: A Creative Journey from Australia to Hollywood By Serena Formica ISBN 978-1-84150-477-3 | 176pp £15. $40 | PB | 2010 | @ Studies in French Cinema: UK Perspectives 1985–2010 Edited by Will Higbee and Sarah Leahy ISBN 978-1-84150-323-3 | 304pp £24. $18 | PB | 2012 | @ World Film Locations World Film Locations: London Edited by Neil Mitchell ISBN 978-1-84150-484-1 | 128pp £9.95. $18 | PB | 2012 | @ World Film Locations World Film Locations: Melbourne Edited by Neil Mitchell ISBN 978-1-84150-640-1 | 128pp £9. $40 | PB | 2011 | @ Who’s Who in Research: Film Studies ISBN 978-1-84150-496-4 | 450pp £90.Film Studies New Trends in Argentine and Brazilian Cinema Edited by Carolina Rocha and Cacilda M.95.95. $18 | PB | 2012 | @ World Film Locations World Film Locations: Los Angeles Edited by Gabriel Solomons ISBN 978-1-84150-485-8 | 128pp £9. Hezekiah ISBN 978-1-84150-310-3 | 103pp £18.104.22.168. $50 | PB | 2010 | @ 27 New Zealand Cinema: Interpreting the Past Edited by Alistair Fox. $40 | PB | 2011 | @ New Zealand Film and Television: Institution. $50 | PB | 2010 | @ World Film Locations: New Orleans Edited by Scott Jordan Harris ISBN 978-1-84150-587-9 | 112pp £9. $18 | PB | 2012 | @ World Film Locations World Film Locations: Mumbai Edited by Helio San Miguel ISBN 978-1-84150-632-6 | 128pp £9.95. Auger ISBN 978-1-84150-424-7 | 498pp £60. Site and Screen By Maeve Connolly ISBN 978-1-84150-246-5 | 240pp £24. $18 | PB | 2012 | @ World Film Locations Pop Fiction: The Song in Cinema Edited by Matthew Caley Hobson and Steve Lannin ISBN 978-1-84150-078-2 | 160pp £22.214.171.124.95. $35 | PB | 2009 | @ Stephen King on the Small Screen By Mark Browning ISBN 978-1-84150-412-4 | 144pp £19. The: Space. $18 | PB | 2012 | @ World Film Locations World Film Locations: New York Edited by Scott Jordan Harris ISBN 978-1-84150-482-7 | 128pp £9. $25 | PB | 2012 | @ Phenomenology’s Material Presence: Video. Industry and Cultural Change By Trisha Dunleavy and Hester Joyce ISBN 978-1-84150-457-5 | 208pp £29.95. $70 | HB | 2007 | @ Queer Cinema in Europe Edited by Robin Griffiths ISBN 978-1-84150-079-9 | 160pp £24.95. $95 | HB | 2011 | @ Touring the Screen: Tourism and New Zealand Film Geographies By Alfio Leotta ISBN 978-1-84150-475-9 | 208pp £24.95. $70 | PB | 2006 | @ World Film Locations: Reykjavik Edited by Jez Conolly and Caroline Whelan ISBN 978-1-84150-641-8 | 128pp £9. $50 | PB | 2010 | @ Place of Artists’ Cinema.126.96.36.199.95. $40 | PB | 2011 | @ Traumatic Encounters Italian Film: Locating the Cinematic Unconscious By Fabio Vighi ISBN 978-1-84150-140-6 | 200pp £34. $18 | PB | 2012 | @ World Film Locations .95. $18 | PB | 2012 | @ World Film Locations World Film Locations: Tokyo Edited by Chris Magee ISBN 978-1-84150-483-4 | 128pp £9. $50 | PB | 2011 | @ Urban Cinematics: Understanding Urban Phenomena through the Moving Image Edited by François Penz and Andong Lu ISBN 978-1-84150-428-5 | 328pp £19. $18 | PB | 2012 | @ World Film Locations Stephen King on the Big Screen By Mark Browning ISBN 978-1-84150-245-8 | 256pp £19.95.95. $18 | PB | 2012 | @ World Film Locations World Film Locations: Dublin Edited by Jez Conolly and Caroline Whelan ISBN 978-1-84150-550-3 | 128pp £9. $50 | PB | 2009 | @ Sophia Loren: Moulding a Star By Pauline Small ISBN 978-1-84150-234-2 | 208pp £188.8.131.52. Rego ISBN 978-1-84150-375-2 | 176pp £24.95.95. $18 | PB | 2012 | @ World Film Locations World Film Locations: Paris Edited by Marcelline Block ISBN 978-1-84150-561-9 | 128pp £9. $18 | PB | 2012 | @ World Film Locations Tech-Noir Film: A Theory of the Development of Popular Genres By Emily E. $50 | PB | 2008 | @ World Film Locations: Las Vegas Edited by Marcelline Block ISBN 978-1-84150-588-6 | 112pp £9.95.95. $50 | PB | 2012 | @ World Film Locations: Madrid Edited by Lorenzo J. Torres Hortelano ISBN 978-1-84150-568-8 | 128pp £9. $18 | PB | 2012 | @ World Film Locations World Film Locations: Istanbul Edited by Ozlem Koksal ISBN 978-1-84150-567-1 | 128pp £184.108.40.206. $18 | PB | 2012 | @ World Film Locations Screen Education: From Film Appreciation to Media Studies By Terry Bolas ISBN 978-1-84150-237-3 | 384pp £24.
Exposing the constraints of this male-dominated industry.29 Beyond the Dance Floor By Rebekah Farrugia Female DJs. Technology and Electronic Dance Music Culture ISBN 978-1-84150-566-4 | 130pp £19. Farrugia explores a number of important issues. publicity and networking Performing Arts 29 31 32 33 34 35 36 36 37 37 38 38 39 39 40 Beyond the Dance Floor focuses on women in the field of music technology: from DJ-ing. production. $30 | PB | 2012 | @ 230x170mm Rebekah Farrugia is assistant professor of media studies at Oakland University. to the role female-producers play in the creation of dance-music culture.95. 1930–1960 The Rehearsal Signs of Change Theatre and Performance in Small Nations Resetting the Stage Refugee Performance Sonic Multiplicities Performing Arts Backlist . • • In-depth. and its related technology. Beyond the Dance Floor TRANS(per)FORMiNg Nina Arsenault The Art of Nick Cave Teaching Actors Directors invisible Country Clown Through Mask italian Women’s Theatre. on-site analysis of women who DJ Explores music technology. and the role female-DJs and producers play in dance-music culture and the larger public sphere. including the politics of identity and representation. distribution. women-centred DJ communities.
. scholars and Arsenault herself. columnist. image and the notion of queerness through the lens of Arsenault’s highly personal brand of performance art. • • • First in-depth exploration of this criticallyacclaimed playwright-performer Illustrated with images of Arsenault’s gender transformation and her many personae Includes the full text of The Silicone Diaries.95.Performing Arts 31 TRANS(per)FORMING Nina Arsenault An Unreasonable Body of Work Edited by Judith Rudakoff ISBN 978-1-84150-571-8 | 272pp £19. Judith Rudakoff brings together a diverse group of contributors. Demonstrating Arsenault’s diversity of personae. Arsenault’s autobiographical one-woman play Transgendered playwright-performer. and sex worker Nina Arsenault has undergone more than sixty plastic surgeries in pursuit of a feminine beauty ideal. In TRANS(per)FORMING Nina Arsenault. $30 | PB | 2012 | @ 230x170mm Judith Rudakoff is a professor of theatre at York University in Toronto. Image: © Tanja-Tiziana. to offer an exploration of beauty. including artists. this volume deepens our understanding of what it means to be a woman and what it means to be beautiful.
psychological. Baker is a lecturer in English at the University of Westminster. Covering the full range of Cave’s creative endeavours. $40 | PB | 2012 | @ 230x170mm John H. Prior. devotes particular attention to the different ways in which teachers and students acquire and share knowledge through practical craft-based experience.95. pedagogical. and original research conducted across leading drama schools in England and Australia. • • • Includes essays by a diverse group of scholars and experts Draws on historical. in order to offer those involved in actor-training a critical framework within which to think about their work. the Bad Seeds and Grinderman.Performing Arts 33 The Art of Nick Cave New Critical Essays Edited by John H. Prior is a reader and principal lecturer in drama and acting at the University of Northampton. . including writing and acting. Australian artist Nick Cave has also pursued a variety of other projects. Prior Knowledge Transfer in Actor Training ISBN 978-1-84150-627-2 | 220pp £24. and generic perspectives A lucid overview that will appeal to students. $30 | PB | 2012 | @ 230x170mm Ross W.95. • • • • First book-length treatment of how actor-trainers teach and understand their work Author has over twenty years experience as both a teacher and a performer An invaluable educational resource Includes an extensive bibliography Known for his work as a performer and songwriter with the Birthday Party. fans and experts alike ISBN 978-1-84150-570-1 | 224pp £19. Teaching Actors draws on history. this collection of critical essays provides a comprehensive overview of his multifaceted career. Baker Teaching Actors By Ross W. who brings to this volume more than twenty years of experience as both a teacher and performer in the field. literature.
Dulska and Zapolska’s Women • • The interviews contained in Directors: From Stage to Screen and Back Again demonstrate the myriad ways in which a theatre background can engender innovative and stimulating work in film. In a Small House by Tadeusz Rittner. aspiring filmmakers. is assistant professor of TV and film at DeSales University in Pennsylvania. these translations provide important insights into this under-explored area of Polish dramatic history and practice. $30 | PB | 2012 | @ 230x170mm Playtext Teresa Murjas is a senior lecturer in theatre at the University of Reading. . • • • Insightful interviews with stage-to-screen directors Includes a foreword by Emmy award-winning screenwriter Steve Brown An essential resource for scholars.95. As unique and idiosyncratic as the personalities they feature. with artists and writers working under difficult socio-political conditions. or she. Ashanti by Włodzimierz Perzynski and All the Same by Leopold Staff Latest addition to Intellect’s critically-acclaimed Playtext series Also by this editor: The Morality of Mrs. and film enthusiasts ISBN 978-1-84150-414-8 | 200pp £19.Performing Arts 35 Directors From Stage to Screen and Back Again By Susan Beth Lehman Invisible Country Four Polish Plays Edited and translated by Teresa Murjas ISBN 978-1-84150-490-2 | 150pp £19. Well chosen and carefully annotated. The late nineteenth and early twentieth century marked a tumultuous period in Poland’s history. and facilitate greater understanding of its role in the development of European theatre. the directors’ conversations with Susan Lehman explore a vast field of topics.95. $30 | PB | 2012 | @ 230x170mm Susan Lehman. director and screenwriter. handled the challenge of moving from stage to screen. theatre aficionados. Each one traces its subject’s personal artistic journey and explores how he. • Contains English-language translations of Snow by Stanisław Przybyszewski. an actor.
$30 | PB | 2012 | @ 230x170mm Playtext Anna Fenemore is a lecturer at the University of Leeds.95.95. and Gici Ganzini Granata Only English translations of It Must Have Been Giovannino. $75 | HB | 2012 | @ 230x170mm Veronica Coburn is a performer. scholars and those who wish to recharge their creativity ISBN 978-1-84150-556-5 | 112pp £19. and director.Performing Arts 37 Clown Through Mask The Rehearsal The Pioneering Work of Richard Pochinko as Practiced by Sue Morrison By Veronica Coburn and Sue Morrison • Explores the origins of Pochinko clowning. in contemporary theatre. between the process of rehearsal and the theatrical metaphors that shape our everyday dealings with death Includes the text of all three parts of The Rehearsal New instalment in Intellect’s acclaimed Playtext series ISBN 978-1-84150-574-9 | 292pp £55. • • . performance histories. • • • • • Italian Women’s Theatre. $30 | PB | 2012 | @ 230x170mm Playtext Daniela Cavallaro is a senior lecturer in Italian at the University of Auckland. Clotilde Masci. stills from their plays and even newspaper caricatures ISBN 978-1-84150-629-6 | 200pp £19. artists. Signs of Change By Joan Lazarus • • • • New Directions in Theatre Education First instalment from Intellect’s much-anticipated Theatre in Education series An accessible and up-to-date guide to best practices in theatre education Encompasses the author’s recent interviews with 140 teachers Revised and amplified edition (previously published by Heinemann) • ISBN 978-1-84150-555-8 | 393pp £19. including its synthesis of European and Native American clowning traditions Pochinko’s apprentice discusses her own experience of teaching clown through mask. Pigeon Theatre’s Trilogy of Performance Works on Playing Dead Edited by Anna Fenemore • • First look at experimental work of Manchester-based Pigeon Theatre Raises questions about the interplay. Anna Bonacci. $30 | PB | 2012 | @ 230x170mm Theatre in Education Joan Lazarus is a professor in the department of theatre and dance at the University of Texas at Austin. and the artistic director of Manchesterbased Pigeon Theatre. critical analyses and biographical information Fully illustrated with photographs of the writers. 1930–1960 An Anthology of Plays By Daniela Cavallaro • Explores forgotten lives and works of four Italian playwrights: Paola Riccora. The Excluded and Men Are Always Right Includes commentary. and writing and directing clown shows Describes the training that is the basis of discovering one’s clown Of interest to performers. writer.95. The Fantasy Hour. Sue Morrison is a recognized teacher of Pochinko clown.
identity.95. and China at large Draws on rich empirical research and industry experience Exposes a new path for the study of popular music and its circulation Examines the marginalization of non-commercial theatre Explores why non-commercial theatre should assert its artistic distinctness rather than imitate its larger commercial counterparts Recommended reading for practitioners. and nations that are geographically large. and Wales). $60 | HB | 2012 | @ 230x170mm Michael Balfour is Chair. First Nations (indigenous Australia and the Latino United States). Applied Theatre. Public Theatre Between the Market and Democracy Sonic Multiplicities Hong Kong Pop and the Global Circulation of Sound and Image By Yiu Fai Chow and Jeroen de Kloet • Examines the material. $40 | PB | 2012 | @ 230x170mm Dragan Klaic was a wellrespected theatre scholar and cultural analyst.Performing Arts 39 Theatre and Performance in Small Nations Edited by Steve Blandford • Features an array of case studies that examine the relationships between theatre. Scotland. including small ‘stateless’ nations (Catalonia. and television. and with refugees Combines newly-commissioned scholarly work with examples of writing by refugees Covers performances that range from theatre in Thai refugee camps to site-specific works staged in a rundown immigrant community in the UK Edited by author of Theatre in Prison ISBN 978-1-84150-646-3 |180pp £24.95. $60 | HB | 2012 | @ 230x170mm Yiu Fai Chow is assistant professor at Hong Kong Baptist University. scholars and policy-makers • ISBN 978-1-84150-615-9 | 200pp £45. but in other ways exhibit the cultural characteristics of smaller nation states Edited by author of Film Drama and the Break-Up of Britain ISBN 978-1-84150-637-1 | 224pp £45. Refugee Performance Practical Encounters Edited by Michael Balfour • • • Explores theatre works created for. by. ideological. Jeroen de Kloet is assistant professor at the University of Amsterdam. He served as a permanent fellow of the Felix Meritis Foundation and as a visiting professor of cultural policy at the Central European University in Budapest. Griffith University. $40 | PB | 2012 | @ 230x170mm Steve Blandford is professor of theatre. and the nation Covers a wide range of national contexts. Intellect is honoured to be publishing his final book. and director of the Centre for the Study of Media and Culture in Small Nations at the University of Glamorgan. • • • Resetting the Stage By Dragan Klaic • • ISBN 978-1-84150-547-3 | 176pp £24. film. performance. and geopolitical implications of music production and consumption in Hong Kong. • • .
95. Practices. $50 | PB | 2009 | @ Russia. The Hanging Judge. The By Jon Tuttle ISBN 978-1-84150-224-3 | 176pp £19. The: A Practical Meditation for Practicing Theatre Artists By Donna Soto-Morettini ISBN 978-1-84150-326-4 | 224pp £22. $40 | PB | 2007 | @ Playtext ISBN 978-1-84150-281-6 | 176pp £24.95.95. $25 | PB | 2012 | @ Howard Barker Interviews 1980–2010: Conversations in Catastrophe Edited by Mark Brown ISBN 978-1-84150-398-1 | 218pp £19. $60 | PB | 2004 | @ Trustus Plays. Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez By Michael Thompson ISBN 978-1-84150-134-5 | 228pp £24. $50 | PB | 2007 | @ Theatre & Consciousness Performing Spanishness: History. The: Conversations with Experienced Dancers Edited by Jacky Lansley and Fergus Early ISBN 978-1-84150-418-6 | 176pp £16.95.95. $40 | PB | 2009 | @ Sex on Stage: Gender and Sexuality in PostWar British Theatre By Andrew Wyllie ISBN 978-1-84150-203-8 | 188pp £19. Dulska. Bite or Suck By David Ian Rabey ISBN 978-1-84150-184-0 | 96pp £19.95. $50 | PB | 2009 | @ Octave Mirbeau: Two Plays: Business is Business and Charity By Richard J.95.95. The: The Theory and Practice of Scenography & Performance Edited by Alison Oddey and Christine White ISBN 978-1-84150-137-6 | 188pp £24. Freaks and Foreigners: Three Performance Texts By James MacDonald ISBN 978-1-84150-186-4 | 224pp £19. The: A Play by Gabriela Zapolska Edited by Teresa Murjas ISBN 978-1-84150-166-6 | 192pp £19. $50 | PB | 2008 | @ British Pantomime Performance By Millie Taylor ISBN 978-1-84150-174-1 | 208pp £24.95.95. $50 | PB | 2006 | @ Queer Mythologies: The Original Stageplays of Pam Gems By Dimple Godiwala ISBN 978-1-84150-135-2 | 144pp £24.Performing Arts Applied Theatre: International Case Studies and Challenges for Practice Edited by Monica Prendergast and Juliana Saxton 41 Bringing Down the House: The Crisis in Britain’s Regional Theatres By Olivia Turnbull ISBN 978-1-84150-208-3 | 192pp £24.95. $40 | PB | 2008 | @ Theatre in Passing: A Moscow Photo-Diary By Elena Siemens ISBN 978-1-84150-374-5 | 176pp £24. $50 | PB | 2007 | @ Performing Violence: Literary and Theatrical Experiments of New Russian Drama By Birgit Beumers and Mark Lipovetsky ISBN 978-1-84150-269-4 | 240pp £19. $40 | PB | 2009 | @ Playtext Walking. $30 | PB | 2011 | @ Zapolska’s Women: Three Plays – Malka Szwarcenkopf. Operation Wonderland.95.95. $50 | PB | 2010 | @ Lovefuries: The Contracting Sea. $40 | PB | 2009 | @ Playtext @ = available as e-book . $40 | PB | 2011 | @ Directors & Designers Edited by Christine A. Carl Lavery and Phil Smith Edited by Roberta Mock ISBN 978-1-84150-155-0 | 184pp £24. $30 | PB | 2011 | @ Serious Play: Modern Clown Performance By Louise Peacock ISBN 978-1-84150-241-0 | 224pp £220.127.116.11.95. $40 | PB | 2008 | @ Playtext Sacred Theatre Edited by Ralph Yarrow ISBN 978-1-84150-153-6 | 224pp £24.95. $40 | PB | 2007 | @ Playtext Theatre in Prison: Theory and Practice Edited by Michael Balfour ISBN 978-1-84150-066-9 | 224pp £29.95. $60 | HB | 2012 | @ Potentials of Spaces. $50 | PB | 2009 | @ Carnival Texts: Three Plays for Ensemble Performance By James MacDonald ISBN 978-1-84150-416-2 | 144pp £24. $50 | PB | 2010 | @ Playtext Contemporary Theatre in Education By Roger Wooster ISBN 978-1-84150-170-3 | 176pp £24. $35 | PB | 2009 | @ Philosophical Actor.95. $50 | PB | 2007 | @ Who’s Who in Research: Performing Arts ISBN 978-1-84150-494-0 | 400pp £90. $50 | PB | 2007 | @ Theatre and Consciousness Serbian & Greek Art Music: A Patch to Western Music History Edited by Katy Romanou ISBN 978-1-84150-278-6 | 213pp £29. White ISBN 978-1-84150-289-2 | 208pp £24.95.95. $50 | PB | 2009 | @ Morality of Mrs. $25 | PB | 2011 | @ Playtext Holistic Shakespeare: An Experiential Learning Approach By Debra Charlton ISBN 978-1-84150-471-1 | 111pp £15.95.95. $40 | PB | 2010 | @ Point Blank: Nothing to Declare.95. $115 | HB | 2012 | @ Who’s Who in Research Wise Body. Writing and Performance: Autobiographical Texts by Deirdre Heddon. $50 | PB | 2006 | @ Red Sun and Merlin Unchained By David Rudkin ISBN 978-1-84150-427-8 | 144pp £24. $40 | PB | 2008 | @ Playtext Modes of Spectating Edited by Alison Oddey and Christine White ISBN 978-1-84150-239-7 | 188pp £18.104.22.168.95. $30 | PB | 2012 | @ Playtext Performing Dark Arts: A Cultural History of Conjuring By Michael Mangan ISBN 978-1-84150-149-9 | 280pp £24. Roses and Morphine Edited by Liz Tomlin ISBN 978-1-84150-169-7 | 128pp £19. $50 | PB | 2010 | @ Playtext Christoph Schlingensief: Art without Borders Edited by Tara Forrest and Anna Teresa Scheer ISBN 978-1-84150-319-6 | 176pp £24.95. $50 | PB | 2007 | @ Dancing Across the Page: Narrative and Embodied Ways of Knowing By Karen Barbour ISBN 978-1-84150-421-6 | 208pp £19. The Man and Miss Maliczewska Edited by Teresa Murjas ISBN 978-1-84150-236-6 | 192pp £19. or Money Can’t Buy You Love: Three Plays by Rick Mitchell By Rick Mitchell ISBN 978-1-84150-430-8 | 176pp £22.214.171.124. $60 | HB | 2009 | @ Disaster Capitalism. Processes Edited by Matthias Rebstock and David Roesner ISBN 978-1-84150-456-8 | 367pp £45.95. $50 | PB | 2010 | @ Composed Theatre: Aesthetics. Hand ISBN 978-1-84150-486-5 | 194pp £19.
Shanghai Street Style showcases this remarkable diversity by bringing together more than 100 full-colour images. most glamorous shows at fashion week.95. the most creative attire is often found not on the catwalks or inside the auditoriums but on the streets.43 Shanghai Street Style By Toni Johnson-Woods and Vicki Karaminas Visual Arts 43 45 46 47 48 50 52 53 54 55 55 56 56 57 57 58 58 59 ISBN 978-1-841505-38-1 | 200pp £15. and neon-brights elevate distressed denim to veritable haute couture. Repeat Record Creativity in the Classroom Art Education and Contemporary Culture From Child Art to Visual Culture of Youth Memory Fragments The City is Me Picturing immigration Marion Richardson Visual Arts Backlist Although fashion fixtures and A-list celebrities pack the front rows at the biggest. where a vintage Vivienne Westwood frock pairs perfectly with a chic puffer. Nowhere is this more evident than in the cosmopolitan city of Shanghai. Alongside the photographs are short pieces of critical commentary. Vicki Karaminas is associate professor at the University of Technology in Sydney. . shedding light on the city’s changing culture and how this is expressed through the clothing choices of ordinary city-dwellers going about their daily routines. Researcher. Teacher Writing on Drawing Perform. • • • Stunning street-level look at the trends shaping Shanghai’s fashion scene Illustrated with 100 full-colour photographs Explores the city’s changing culture Shanghai Street Style Critical Studies in Fashion and Beauty Life and Death Uncommon goods Photography and Landscape Photocinema issues in Curating Contemporary Art and Performance Artist. $25 | PB | 2012 | @ 230x170mm Toni Johnson-Woods is a senior lecturer at the University of Queensland.
Ana Marta González is professor of moral philosophy at the University of Navarra. • • Brings together articles from first-of-its-kind journal. and the negotiation of social class and feminine identity. including contemporary Italian fashion identity. who come from disciplines across the humanities and social sciences. $68 | PB | 2012 | @ 220x220mm Efrat Tseëlon is professor of social psychology and a chair of fashion theory at the University of Leeds. Susan Kaiser is professor of women’s and gender studies. and communication of artefacts. the kimono’s metamorphoses. and Susan Kaiser ISBN 978-1-84150-648-7 | 270pp £36. Image: © Future Concept Lab. and master advisor of textiles and clothing at the University of California.Visual Arts 45 Critical Studies in Fashion and Beauty Volume One Edited by Efrat Tseëlon. Critical Studies in Fashion and Beauty Dynamic and growing area of inquiry The volume’s contributors. reproduction. representation. Ana Marta González. the dynamics of luxury and basic fashion after the recent economic crisis. Their collective efforts contribute to the journal’s mission: the examination of fashion and beauty systems as symbolic spaces of production. . explore such topics as: fashion trends in a global context.
most famously christening a urinal as Fountain. embodiment. Fok ultimately illuminates the extent to which we can see corporeality as a significant trend in the history of contemporary art in China.95. and other corporeal substances to represent life and death A must-read for scholars of performance and installation art. Since Marcel Duchamp created his ‘readymades’ a century ago. Silvia Fok opens a new line of inquiry about contemporary art in a rapidly changing environment. corporeality emerges as a common means of highlighting the social and cultural issues that surround life and death. Christoph Büchel. Jaimey Hamilton discusses the work of Ai Weiwei. and globalization Silvia Fok teaches at Hong Kong Polytechnic University. Thomas Hirschhorn. Santiago Sierra. Exploring the strategies employed by a variety of Chinese artists who do engage with these timeless concerns. Art historian and cultural theorist. • • Traces the shift from the installation art of the 1990s to the material turn of current practice An important contribution to scholarship on readymade art. photography. • For all their ubiquity. Cory Arcangel. life and death have not been fully explored as integral themes in many forms of contemporary Chinese art.Visual Arts 47 Life and Death By Silvia Fok Art and the Body in Contemporary China Uncommon Goods By Jaimey Hamilton Global Dimensions of the Readymade ISBN 978-1-84150-626-5 | 176pp £24. . By assessing its effectiveness in the expression of these themes. Tania Bruguera. as well as to the study of materiality. Yinka Shonibare. Uncommon Goods traces one particularly important aspect developing since the 1990s: artistic concern with the hidden ethical dimensions of global commerce. and more. Atelier van Lieshout. Surasi Kusolwong. the practice of incorporating commodity objects into art has become ever more pervasive. Paul Chan. $40 | PB | 2012 | @ 230x170mm • Focuses on the ways artists use their own bodies. animals’ bodies. Over the course of Fok’s investigations.95. and contemporary Chinese art ISBN 978-1-84150-572-5 | 136pp £15. $25 | PB | 2012 | @ 230x170mm Jaimey Hamilton is assistant professor of art history at the University of Hawaii.
$45 | PB | 2012 | @ 220x220mm Critical Photography • A unique collaboration between a photography writer and a prize-winning landscape-photographer . Europe and Australia Fully illustrated with striking photographs Latest instalment in Intellect’s Critical Photography series Written by the author of People and Places of Nature and Culture Series editor: Alfredo Cramerotti is a research scholar. Covers the United Kingdom. © Juha Tolonen.95.Visual Arts 49 Photography and Landscape By Rod Giblett and Juha Tolonen • • • • Rod Giblett is director of the Centre for Research in Entertainment. Arts. Image: ‘Roman Ruin. Along with discussions of other contemporary photographers. ISBN 978-1-84150-472-8 | 142pp £29. and Communications at Edith Cowan University in Australia. Technology Education. this illustrated volume demonstrates the influence of settler societies on landscape photography. the New Topographics to Richard Misrach. University of Wales in Newport. the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams. Beginning with the frontier days of the American West. German’. United States. Photography and Landscape provides a new critical account of landscape photography. 2003. Juha Tolonen is an awardwinning photographer.
and encourages viewers to expand their perceptions in order to understand the bigger picture. © Millennium Images. $45 | PB | 2012 | @ 220x220mm Critical Photography Neil Campbell is professor of American studies at the University of Derby. where the whole becomes much more than the sum of its individual parts.95. expanding the boundaries of each in interesting and unexpected ways.Visual Arts 51 Photocinema Working at the Creative Edges of Photography and Film Edited by Neil Campbell and Alfredo Cramerotti Image: Untitled. Alfredo Cramerotti is a research scholar. Campbell and Cramerotti’s innovative approach produces what they call a hybrid ‘third space’. He is also the series editor of Intellect’s Critical Photography series. . • Theoretical and practical exploration of the cinematic techniques exemplified by Wim Wenders and David Lynch Latest addition to Intellect’s Critical Photography series Also by Alfredo Cramerotti: Aesthetic Journalism and Unmapping the City • • Taking as its starting point the notion of photocinema – or the interplay of the still and moving image – the photographs and critical essays in this volume explore the ways in which the two media converge and diverge. ISBN 978-1-84150-562-6 | 224pp £29. University of Wales in Newport. Michael Ormerod.
educators. Alan Thornton shows that many individuals have complex. By elucidating our current situation. and students A great resource for those whose professional or creative lives encompass multiple aspects of art To stay relevant. a distinguished group of contributors consider curation in light of interdisciplinary and emerging practices. Against the backdrop of an expanding research culture and current employment models in the United States and the United Kingdom – where many artists also work as teachers – he argues for the necessity of a theory that both reflects and influences practice in the realm of art and art-related work. non-gallery spaces. Against the backdrop of cuttingedge developments in electronic art. • • Explores the intersecting lives of art practitioners. varied. Researcher. Teacher opens the door to much-needed new approaches. curators. .Visual Arts 53 Issues in Curating Contemporary Art and Performance Edited by Judith Rugg and Michèle Sedgwick Artist. Teacher A Study of Professional Identity in Art and Education By Alan Thornton ISBN 978-1-84150-536-7 |184pp £19. Issues in Curating Contemporary Art and Performance argues that. examine conceptions of curation as intervention and contestation. art/science collaboration. and art enthusiasts alike Also by Judith Rugg: Spatialities ISBN 978-1-84150-644-9 | 96pp £15. Challenging conventional wisdom about specialization and professional identity. and virtual fields. $30 | PB | 2012 | @ 230x170mm Judith Rugg is research coordinator and reader in fine art theory at University College for the Creative Arts in Canterbury.95. and provides fresh insights for those interested in identity formation and professional roles and practices. $25 | PB | 2012 | @ 230x170mm Alan Thornton is a technician. art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. despite these daily pressures. contributors propose new approaches to curating and new ways of fostering critical inquiry. In four thematic sections. and explore curation’s potential to act as a reconsideration of conventional museum spaces. good curating work also requires more theoretical attention. and research supervisor at Anglia Ruskin University. • • • Now in paperback Essential reading for scholars. and evolving relationships with visual art – relationships that do not fit into any single category. Researcher. Artist.95. Michèle Sedgwick is an employment lawyer with an interest in cultural theory and discourse. teacher of general art and printmaking.
this book will be invaluable for me and to my students’. • • Writing on Drawing presents a collection of essays that reveal a provocative agenda for the field. education. Digby Warren is a head of the Centre for the Enhancement of Learning and Teaching at London Metropolitan University. scientists. • • Available for the first time in paperback An essential resource for artists. Birmingham City University Creativity in the Classroom Case Studies in Using the Arts in Teaching and Learning in Higher Education Edited by Paul McIntosh and Digby Warren • Contests the current higher-education paradigm of standardizing teaching and learning processes through an outcomes-dominated approach Proposes learning approaches that draw upon the creative arts and humanities Illustrates that using such methods can foster deeper learning. as an academic who wishes to explore drawing as a cognitive process and as an artist working in the mass-mediated world where the language of drawing has found a vital role. and thinking from a variety of perspectives. designers. Guillermo-GómezPeña. and guidance for a previously fragmented discipline. Repeat. of live art in history Collection of essays from over 40 contributors. this volume offers consolidation. even in subjects not normally associated with creativity Draws on the practical experience of contributors and editors ISBN 978-1-84150-516-9 | 220pp £45. McGill University. visual arts and art history Essayists include Tilda Swinton. Orlan and Tehching Hsieh Recommended reading for art historians/performance scholars Essays on Drawing Practice and Research ISBN 978-1-84150-604-3 | 193pp £19. analysing the latest work on creativity. $95 | PB | 2012 | @ 230x170mm Amelia Jones is an art historian. – Mario Minichiello.Visual Arts 55 Writing on Drawing Edited by Steve Garner Perform. This is an impressive achievement. ‘The book helps to outline an intellectual frame of reference for drawing practices. discussion. • • • . Bringing together contributions by leading artists and researchers.95. who are specialists in dance. $30 | PB | 2012 | @ 230x170mm Readings in Art and Design Education Steve Garner is a senior lecturer in the department of design and innovation at the Open University and director of the International Drawing Research Network. and engineers ISBN 978-1-84150-489-6 | 650pp £50. and transience. theatre. curator. Record Live Art in History Edited by Amelia Jones and Adrian Heathfield • • An exploration of the place. Adrian Heathfield is professor of performance and visual culture at the University of Roehampton. and theorist. $60 | HB | 2012 | @ 230x170mm Paul McIntosh is a research fellow in the Centre for Medical Education at Queen Mary University London. and allows an interdisciplinary conversation around the role of these activities in the wider world.
A critical overview of research on the assessment of visual skills in 6–18-year-old students Reconsiders evaluation practices used in art education and suggests a variety of new approaches A must-have for scholars and practitioners seeking to improve. is a visiting scholar at Columbia University.Visual Arts 57 Art Education and Contemporary Culture Irish Experiences. $50 | PB | 2012 | @ 230x170mm Rosane Araujo. • . Emil Gaul is chairperson of the Hungarian Association of Teachers of Art and Design.95. a Brazilian architect and urbanist. • • From Child Art to Visual Language of Youth Edited by Andrea Kárpáti and Emil Gaul The City is Me By Rosane Araujo • • Proposes a new way of understanding the relationship between the city and personal identity Interrogates the decentralization and fragmentation of personal identity in the globalized world Rethinks urbanism New Models and Tools for Assessment of Learning and Creation in Art Education • ISBN 978-1-84150-624-1 | 224pp £45. and protect.95. International Perspectives Edited by Gary Granville Memory Fragments By Marita Bullock • Visualising Difference in Australian History • • • • A study of arts education in Ireland. Exciting new look at the work of four Australian artists whose work utilizes the conventions of museum display and collecting practices Interrogates dominant representations of Australian history and identity Fully illustrated ISBN 978-1-84150-546-6 | 240pp £45. $60 | HB | 2012 | @ 230x170mm Gary Granville is professor and head of the Faculty of Education at the National College of Art and Design in Dublin. art education • • ISBN 978-1-84150-639-5 | 240pp £34. $50 | PB | 2012 | @ 230x170mm Marita Bullock is a lecturer in the department of English at Macquarie University. and from primary to higher education Written by a diverse group of eminent art educators Locates the challenges and innovations of art education in an international context New information for undergraduate and postgraduate students in arts education. in communities and schools. cultural studies and related fields ISBN 978-1-84150-553-4 | 208pp £34. $60 | HB | 2012 | @ 230x170mm Andrea Kárpáti is professor of education and UNESCO chairholder at ELTE University in Budapest.
$50 | PB | 2009 | @ Art & Theory After Socialism Edited by Mel Jordan and Malcolm Miles ISBN 978-1-84150-211-3 | 144pp £24. Community and Environment: Educational Perspectives Edited by Glen Coutts and Timo Jokela ISBN 978-1-84150-257-1 | 308pp £19. $50 | PB | 2009 | @ Designer. Interaction Edited by Linda Leung ISBN 978-1-84150-264-9 | 128pp £126.96.36.199. The Edited by Alfredo Cramerotti ISBN 978-1-84150-362-2 | 128pp £24.95.95. Training and Techniques By Rosemary Sassoon ISBN 978-1-84150-195-6 | 144pp £19. James Daichendt ISBN 978-1-84150-487-2 | 112pp £15.95. $50 | PB | 2012 | @ Critical Photography Contingency in Madagascar By Stephen Muecke and Max Pam ISBN 978-1-84150-474-2 | 176pp £29. Industries. as well as personal recollections from those who knew her and worked with her Promotes the value and creativity of child art and writing Written by the author of The Designer and Handwriting of the Twentieth Century • ISBN 978-1-84150-543-5 | 96pp £14. $25 | PB | 2011 | @ Artist-Teacher: A Philosophy for Creating and Teaching By G. $40 | PB | 2008 | @ HB also available as hardback @ = available as e-book .95. and now works as an independent consultant.95. $40 | PB | 2004 | @ Drawing: The Purpose Edited by Leo Duff and Phil Sawdon ISBN 978-1-84150-201-4 | 112pp £19.Visual Arts 59 Picturing Immigration By Athanasia Batziou • Photojournalistic Representation of Immigrants in Greek and Spanish Press Aesthetic Journalism: How to Inform Without Informing By Alfredo Cramerotti ISBN 978-1-84150-268-7 | 112pp £24. $35 | PB | 2010 | @ Digital Visual Culture: Theory and Practice Edited by Anna Bentkowska-Kafel.95. $50 | PB | 2010 | @ Drawing: The Process Edited by Jo Davies and Leo Duff ISBN 978-1-84150-076-8 | 100pp £19. Digital Art History Edited by Anna Bentkowska-Kafel.95. $30 | PB | 2012 | @ 230x170mm Rosemary Sassoon was awarded a Ph. $40 | PB | 2008 | @ Honours Richardson’s groundbreaking contribution to the teaching of child art and her two handwriting schemes Draws on Richardson’s own writing and letters.95.95. $70 | PB | 2010 | @ Blind. The: Half a Century of Change in Image.95.95.95. Trish Cashen and Hazel Gardiner ISBN 978-1-85150-248-9 | 112pp £24. James Daichendt ISBN 978-1-84150-408-7 | 132pp £19. $50 | PB | 2005 | @ Computers and History of Art Digital Experience Design: Ideas.95. minorities and stereotypes are represented Interrogates notions of ‘Otherness’ prevalent in migrant discourse Studies a topic of international interest – immigration – specifically in Spain and Greece Also available in paperback HB Art Education in a Postmodern World: Collected Essays Edited by Tom Hardy ISBN 978-1-84150-302-8 | 166pp £24. $50 | PB | 2008 | @ HB Art. Trish Cashen and Hazel Gardiner ISBN 978-1-84150-116-1 | 128pp £24. $35 | PB | 2009 | @ Uses images from Greek and Spanish newspapers to study the way immigrants. from the department of typography and graphic communication at the University of Reading.95. $35 | PB | 2010 | @ ISBN 978-1-84150-519-0 | 152pp £40. • • • HB Atomic Postcards: Radioactive Messages from the Cold War By John O’Brian and Jeremy Borsos ISBN 978-1-84150-431-5 | 208pp £34. $45 | PB | 2011 | @ Critical Photography Marion Richardson By Rosemary Sassoon • Critical Studies in Art and Design Education By Richard Hickman ISBN 978-1-84150-998-3 | 224pp £19.D. $40 | PB | 2008 | @ Readings in Art and Design Education series Her Life and Contribution to Handwriting Design Integrations: Research and Collaboration Edited by Sharon Poggenpohl and Keiichi Sato ISBN 978-1-84150-240-3 | 304pp £24.95. $80 | HB | 2012 | @ 230x170mm Athanasia Batziou teaches in the department of communication and media at the University of Athens. $50 | PB | 2009 | @ Computers and History of Art HB • • Drawing: The Enactive Evolution of the Practitioner By Patricia Cain ISBN 978-1-84150-325-7 | 184pp £24. $50 | PB | 2009 | @ Artist Scholar: Reflections on Writing and Research By G.95.
$25 | PB | 2010 | @ . The: From Hellenistic to Hebraic Consciousness (Second Edition) By Mel Alexenberg ISBN 978-1-84150-377-6 | 192pp £34. The Edited by Trevor Rayment ISBN 978-1-84150-145-1 | 128pp £29. $60 | HB | 2011 | @ Neosentience: The Benevolence Engine By Bill Seaman and Otto Rössler ISBN 978-1-84150-404-9 | 176pp £19. Mind and Technology By Roy Ascott ISBN 978-1-84150-051-5 | 352pp £14. Kathrin Horschelmann and Malcolm Miles ISBN 978-1-84150-212-0 | 144pp £24.95. $50 | PB | 2007 | @ Moving the Eye Through 2-D Design: A Visual Primer By Buy Shaver ISBN 978-1-84150-363-9 | 157pp £188.8.131.52.95.95. $50 | PB | 2010 | @ Technology and Desire: The Transgressive Art of Moving Images By Rania Gafaar and Martin Schulz ISBN 978-1-84150-461-2 | 192pp £29. $40 | PB | 2010 | @ Critical Photography Videogames and Art Edited by Andy Clarke and Grethe Mitchell ISBN 978-1-84150-142-0 | 283pp £34.95. $50 | PB | 2008 | @ Searching for Art’s New Publics Edited by Jeni Walwin ISBN 978-1-84150-311-0 | 160pp £24. $40 | PB | 2011 | @ Handwriting of the Twentieth Century By Rosemary Sassoon ISBN 978-1-84150-178-9 | 208pp £24. $30 | PB | 2011 | @ Public Spheres After Socialism Edited by Angela Harutyunyan. $40 | PB | 2009 | @ Readings in Art and Design Education Franklin Furnace & the Spirit of the AvantGarde: A History of the Future By Toni Sant ISBN 978-1-84150-371-4 | 160pp £24.95. $50 | PB | 2007 | @ Histories of Art and Design Education: Collected Essays Edited by Mervyn Romans ISBN 978-1-84150-131-4 | 224pp £29. $70 | HB | 2008 | @ 61 Engendering Interaction with Images By Audrey Grace Bennett ISBN 978-1-84150-481-0 | 168pp £24. $60 | PB | 2010 | @ Image Critique & the Fall of the Berlin Wall By Sunil Manghani ISBN 978-1-84150-190-1 | 272pp £24. Science. $50 | PB | 2005 | @ Media Poetry: An International Anthology By Eduardo Kac ISBN 978-1-84150-030-0 | 224pp £24.95.95. $40 | PB | 2011 | @ Problem of Assessment in Art and Design. $50 | PB | 2008 | @ Inspiring Writing in Art and Design: Taking a Line for a Write By Pat Francis ISBN 978-1-84150-256-4 | 256pp £184.108.40.206.95. $70 | PB | 2007 | @ Virtuality and the Art of Exhibition: Curatorial Design for the Multimedial Museum By Vince Dziekan ISBN 978-1-84150-476-6 | 176pp £24. $50 | PB | 2007 | @ Computers and History of Art Recording Memories from Political Violence: A Filmmaker’s Journey By Cahal McLaughlin ISBN 978-1-84150-301-1 | 144pp £24.95.95. $40 | PB | 2012 | @ Narrating the Catastrophe: An Artist’s Dialogue with Deleuze and Ricoeur By Jac Saorsa ISBN 978-1-84150-460-5 | 192pp £45. Education and Art Edited by Rachel Mason and Teresa Eça ISBN 978-1-84150-167-3 | 256pp £24. $50 | PB | 2010 | @ Spatialities: The Geographies of Art and Architecture Edited by Judith Rugg and Craig Martin ISBN 978-1-84150-468-1 | 240pp £29. and Postsocialist Landscapes in Poland By Katarzyna Marciniak and Kamil Turowski ISBN 978-1-84150-365-3 | 144pp £29. Technology and Culture Edited by Mel Alexenberg ISBN 978-1-84150-191-8 | 192pp £34. $50 | PB | 2007 | @ Readings in Primary Art Education Edited by Steve Herne. Sue Cox and Robert Watts ISBN 978-1-84150-242-77 | 256pp £19.95. Media.95. $115 | HB | 2012 | @ Who’s Who in Research Why We Make Art and Why it is Taught By Richard Hickman ISBN 978-1-84150-126-0 | 176pp £19.95. $60 | PB | 2005 | @ Robert Frank’s ‘The Americans’: The Art of Documentary Photography By Jonathan Day ISBN 978-1-84150-315-8 | 200pp £24. $40 | PB | 2009 | @ International Dialogues about Visual Culture. $60 | HB | 2008 | @ Readings in Art and Design Education HB Girls! Girls! Girls! in Contemporary Art Edited by Lori Waxman and Catherine Grant ISBN 978-1-84150-348-6 | 242pp £19.95. $50 | PB | 2007 | @ Interventions: Advances in Art and Urban Futures Volume 4 Edited by Tim Hall and Malcolm Miles ISBN 978-1-84150-118-5 | 180pp £24. $50 | PB | 2010 | @ Future of Art in a Postdigital Age. $70 | HB | 2010 | @ Futures Past: Thirty Years of Arts Computing Edited by Anna Bentkowska-Kafel.Visual Arts Educating Artists for Future: Learning at the Intersections of Art.95.95.95. $50 | PB | 2010 | @ Unmapping the City: Perspectives of Flatness Edited by Alfredo Cramerotti ISBN 978-1-84150-316-5 | 128pp £19.95. $50 | PB | 2012 | @ Streets of Crocodiles: Photography. Trish Cashen and Hazel Gardiner ISBN 978-1-84150-168-0 | 144pp £24.95.95. $60 | HB | 2007 | @ Readings in Art and Design Education Who’s Who in Research: Visual Arts ISBN 978-1-84150-495-7 | 400pp £90. $40 | PB | 2012 | @ Flesh Into Light: The Films of Amy Greenfield By Robert Haller ISBN 978-1-84150-488-9 | 192pp £220.127.116.11. $25 | PB | 2000 | @ Research in Art & Design Education Edited by Richard Hickman ISBN 978-1-84150-199-4 | 192pp £29.95. $50 | PB | 2012 | @ Truth or Dare: Art and Documentary Edited by Gail Pearce and Cahal McLaughlin ISBN 978-1-84150-175-8 | 144pp £18.104.22.168. $50 | PB | 2010 | @ Reframing Consciousness: Art.95. $40 | PB | 2005 | @ Why We Make Art and Why it is Taught (Second Edition) By Richard Hickman ISBN 978-1-84150-378-3 | 176pp £14. $50 | PB | 2008 | @ Reading Bande Dessinée: Critical Approaches to French-language Comic Strip By Ann Miller ISBN 978-1-84150-177-2 | 272pp £24.
their protests forced the dictatorial leader to resign. $25 | PB | 2012 | @ 230x170mm Noureddine Miladi is senior lecturer in media and sociology at the University of Northampton. Al Jazeera and the Arab Revolution tells the story of how the network came to have such influence. Further democratic uprisings. experts have argued. which came to be known as the Arab Spring. Participation and Culture in Communication Performative Materials in Architecture and Design Signifying Europe Queer Visibility in Post-socialist Cultures Selling War The Social Use of Media Citizen Voices Television Courtroom Broadcasting Mobile Nation From NWiCO to WSiS. policy-makers. on 14 January 2011.95. • • Traces the emergence. Arab satellite TV – and especially Al Jazeera – helped to sustain revolutions by broadcasting these events live throughout the Arab World. 30 Years of Communication geopolitics Media & Culture Backlist In late 2010. .Media & Culture 63 Al Jazeera and the Arab Revolution Public Opinion. and political activists Al Jazeera and the Arab Revolution Brit Wits Morrissey ConFiguring America Why i Buy TV Format Mogul Mediation and Protest Movements Beached Advertising as Culture Sustainability. and impact. Throughout it all. leading to the ousting of Egyptian president Hosni Mubarak and Libyan leader Muammar al-Qaddafi. Diplomacy and Political Change By Noureddine Miladi Media & Culture 63 64 65 66 67 68 69 70 70 71 71 72 72 73 73 74 74 75 75 76 ISBN 978-1-84150-575-6 | 160pp £15. of this influential Arab satellite channel Draws on a wealth of interviews with relevant journalists. Tunisians began protesting against the government of then president Zine El Abidine Ben Ali. soon spread across the region.
$25 | PB | 2012 | @ 230x170mm Eoin Devereux is a senior lecturer and head of department at the University of Limerick. as is the music industry itself. ethnicity. argument. Pink Floyd. in context.95. An influential star of British pop for more than three decades. including musicology. and continuing through the Smiths. Representations and Identities Edited by Eoin Devereux. vivid in our memories as much for their subversion as for their signature sounds. Rebel rockers and provokers of the public. this important book offers a nuanced and rich reading of his influential creative and cultural contributions. Distinguishing rock humorists from rockers who are merely sometimes humorous. and spirited debate among his many critics and fans. Morrissey has become an anti-establishment icon and continues to provoke devotion. ethnography. Iain Ellis focuses on those whose music and persona exude defiance – beginning with the Beatles.95. . • Covers a broad range of academic disciplines and approaches. Martin Power teaches in the department of sociology at the University of Limerick. the Slits. be every bit as subversive and humorous as a song. and even the Spice Girls – to investigate the nature of rock humour and the ways in which these groups have used it to attack prevailing social structures. class. Yet what very few people realize is that a substantive part of their weaponry was humour.Media & Culture 65 Brit Wits By Iain Ellis Morrissey A History of British Rock Humor Fandom. dissident dance move. literature. Representations and Identities offers a broad overview of those arguments – and that devotion. The first collection of academic essays to focus exclusively on Morrissey’s solo career. the Kinks. and Pink Floyd. and sexuality. Morrissey: Fandom. Ellis demonstrates that a guitar solo. film and visual art ISBN 978-1-8415-0596-1 | 352pp £15. Morrissey is renowned for his musical output with the Smiths and as a solo artist. Aileen Dillane is a performer and lecturer in music at the Irish World Academy of Music and Dance. Aileen Dillane and Martin Power ISBN 978-1-84150-565-7 | 208pp £15. and race are all laid open to ridicule. • • • An action-packed look at some of the most notorious rebels of British rock history Explores how and why humour has been such a powerful catalyst and expressive force Contextualized via contemporary stand-up. and cultural studies Indispensable addition to the bookshelves of Morrissey fans and scholars Now in paperback • • The Sex Pistols. David Bowie. $25 | PB | 2012 | @ 230x170mm Iain Ellis is a lecturer in the department of English at the University of Kansas. Politics and issues of gender. University of Limerick. But he is also known for his outspoken and often controversial views on class. Thanks to these dual talents for music and provocation. sociology. or anti-social hairstyle may. and although lyrics are foregrounded.
By exploring the relationship between our individual needs and our institutions. ConFiguring America sheds light on how these figures. they have names and faces known the world over. Michael Fuchs and Michael Phillips Why I Buy By Rami Gabriel Self. and our societies? An incisive response to these questions. of course.Media & Culture 67 ConFiguring America Iconic Figures. and their media representations. • • Examines the structure of the self and its relationship to consumer society Balances conceptual and historical analyses with examples drawn from popular culture and mass media • Elvis Presley. showing that although these categories overlap and share many common traits. Michael Fuchs teaches American literature and media studies at the University of Graz. and history An important addition to an expanding field ISBN 978-1-84150-645-6 | 166pp £19. Taste. They’re all American. and the American Identity Edited by Klaus Rieser.95.95. $30 | PB | 2012 | @ 230x170mm Rami Gabriel is an assistant professor of psychology at Columbia College Chicago. Marilyn Monroe. With contributions from a diverse group of international scholars. our institutions. Essays also parse the distinction between celebrities and icons. . construct America’s image beyond its borders. but like many cultural figures who hail from the United States. Gabriel ultimately points the way toward transformations that could lead to a more sustaining and sustainable society. $25 | PB | 2012 | @ 230x170mm Klaus Rieser chairs the department of American studies at the University of Graz. and Consumer Society in America ISBN 978-1-84150-635-7 | 288pp £15. Why I Buy explains how consumption came to give meaning and value to social and personal life. Michael Phillips is a lecturer in the English department at the University of Graz. LeBron James. visual culture. • • Will deepen readers’ understanding of celebrity and iconography Draws on theoretical insights from cultural iconography. star studies. they differ in important ways. Why do we buy what we do? How do our acts of – and ideas about – consumption impact our selves. Visuality.
as well as mainstream and alternative media Bridges the gap between social-movement theory and media and communication studies An important text for students and scholars of media and social change • • • Since the late 1990s. • • • A definitive history of programme franchising Written by Australia’s foremost scholar of television Written by the author of News Flows in Global TV. Mediation and Protest Movements explores the nature of the relationship between protest movements. and Who Wants to Be a Millionaire? for markets around the world. when broadcasters began adapting such television shows as Big Brother. Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy’s transnational career. and communication strategies and tactics.Media & Culture 69 TV Format Mogul By Albert Moran Reg Grundy’s Transnational Career Mediation and Protest Movements Edited by Bart Cammaerts. In TV Format Mogul. media representation. Correcting that imbalance.95. • Focuses on the processes and practices that contemporary protesters use when acting with (and through) media Covers both online and off-line contexts. international and national media have been full of stories about protest movements and tumultuous social upheaval from Tunisia to California. Alice Mattoni and Patrick McCurdy ISBN 978-1-8415-0623-4 | 228pp £19. Survivor. becoming the first person to take local productions to an overseas market. the global television industry has been struggling to get to grips with the prevalence of programme franchising across international borders. But scholars have not yet fully addressed the connection between these movements and the media and communication channels through which their messages spread. $30 | PB | 2012 | @ 230x170mm Albert Moran is professor in humanities at Griffith University. By following Grundy’s career. Alice Mattoni is a post-doctoral fellow in the department of sociology at the University of Pittsburgh. Grundy brought non-Australian shows to Australian audiences.95. Patrick McCurdy is assistant professor in the department of communication at the University of Ottawa. TV Formats Worldwide and Understanding the Global TV Format ISBN 978-1-84150-643-2 | 196pp £24. Beginning in the late 1950s. Moran shows how adaptation and remakes became the billion-dollar business that they are today. . Over the past year. $40 | PB | 2012 | @ 230x170mm Bart Cammaerts is a senior lecturer in the department of media and communications at the London School of Economics and Political Science.
95. Together they cofounded SEAMLab. Participation and Culture in Communication Theory and Praxis Edited by Jan Servaes Investigates the varied narratives associated with the Australian shore Links the study of landscape with questions of postcolonial historiography and memory Encompasses a variety of theoretical perspectives Includes a collection of fascinating snapshots of the Australian beach ISBN 978-1-84150-661-6 | 280pp £24. $40 | PB |2012 | @ 230x170mm Rashida Ng and Sneha Patel are assistant professors of architecture at the Tyler School of Art at Temple University in Philadelphia. Landscapes and Environments Anja Schwarz is junior professor of cultural studies at the University of Potsdam.95. information technologies. • • • Explores topics such as community mobilization.95. gender and social norms. $40 | PB | 2012 | @ 230x170mm Christopher Wharton is programme leader in advertising and media in the department of media at Northumbria University. $40 | PB | 2012 | @ 230x170mm Cultural Studies of Natures. including art history. and the relationship of advertising to a range of cultural fields such as art. $40 | PB | 2012 | @ 230x170mm Jan Servaes is UNESCO chair in Communication for Sustainable Social Change at the University of Massachusetts. and media and cultural studies Explores such topics as the conceptual relationship between advertising and culture.Media & Culture 71 Beached A Postcolonial Reading of the Australian Shore By Anja Schwarz • • ISBN 978-1-84150-668-5 | 240pp £24. interpersonal communication. speculative design projects and relevant theories • • . and integrated communication Draws on contemporary theories of communication. sociology. digital fabrication and prototyping have had on built environments Provides an overview of experimental research. and practice Explores the impact that factors such as digital design.95. design. and music • • ISBN 978-1-84150-649-4 | 180pp £24. mass media. Performative Materials in Architecture and Design Edited by Rashida Ng and Sneha Patel An informed and critical overview of approaches to the study of advertising Penned by contributors from a range of disciplines. Illuminates the role of performative materiality in research. Sustainability. fashion. as well as real-world examples Showcases the increasing richness and versatility of communication research and practice Also by this editor: Towards a Sustainable Information Society • • • Advertising as Culture Edited by Chris Wharton • • ISBN 978-1-84150-614-2 | 194pp £24.
media effects. and post-national cultural identity Also available in hardback ISBN 978-1-84150-610-4 | 240pp £24. and the public Sheds new light on conflicts spanning from World War I through the so-called ‘War on Terror’ Explores the roles of traditional media. and empirical methods at the University of Augsburg. of war correspondents and embedded journalism. Selling War The Role of the Mass Media in Hostile Conflicts from World War I to the ‘War on Terror’ Edited by Josef Seethaler. and media criticism at the University of Nevada. $60 | HB | 2012 | @ 230x170mm Nárcisz Fejes is a postdoctoral fellow and research associate at Case Western Reserve University.Media & Culture 73 Signifying Europe By Johan Fornäs • • • Explores and analyses the wide range of symbols used to represent Europe and European-ness Provides insights into how Europe currently identifies itself and is identified by others outside its borders Will appeal to students. and politicians interested in European policy issues. Traudt teaches audience theory and research methods. $40 | PB | 2012 | @ 230x170mm ECREA Helena Bilandzic teaches audience research. sociology. Romy Wöhlert is a post-doc researcher at the Austrian Academy of Sciences in Vienna. and eyewitness reporting. audience research. Geoffroy Patriarche teaches communication theory. $40 | PB |2012 | @ 230x170mm Johan Fornäs is professor in the department of media and communication studies at Södertörn University. and media use as a social and cultural practice A significant contribution to the development of interdisciplinary theories and approaches to audience and user studies • • • • .95. and of propaganda. Explores the paradigm of visibility politics in postsocialist cultures Features eleven essays by international scholars and activist researchers Encompasses gender and sexuality studies. Traudt • ISBN 978-1-84150-512-1 | 202pp £24. global media. wartime public relations. Matthias Karmasin is chair for media and communication sciences at the University of Klagenfurt. Matthias Karmasin. Andrea P. and information warfare The first textbook for students in this area ISBN 978-1-84150-521-3 | 384pp £19. media and film studies. Geoffroy Patriarche and Paul J. Paul J. Balogh is assistant professor at the University of Szeged. • • Queer Visibility in Post-socialist Cultures Edited by Nárcisz Fejes and Andrea P. The Social Use of Media Cultural and Social Scientific Perspectives on Audience Research Edited by Helena Bilandzic. Balogh • • ISBN 978-1-84150-630-2 | 272pp £45. and cultural anthropology An innovative overview of research on the social uses of media Brings together competing research approaches Explores activity and interactivity.Louis. $40 | PB | 2012 | @ 230x170mm ECREA Josef Seethaler is a senior scientist at the Austrian Academy of Sciences in Vienna. Eastern European studies. media. and social history of the media at the Facultés universitaires Saint. Gabriele Melischek is a consultant to the Austrian Academy of Sciences in Vienna. war blogs. Gabriele Melischek and Romy Wöhlert • • • Explores the changing relationship between war.95. scholars. cultural studies.95.
Mobile Nation España Cambia de Piel (1954–1964) By Tatjana Pavlovic • • • First systematic treatment of Spain’s transition to modernity Draws on the methodologies of literature. and the national automobilemanufacturing industry Offers valuable insights into postmodern Spain’s transformation Also available in hardback ISBN 978-1-84150-621-0 | 192pp £24. and institutional contexts ISBN 978-1-84150-324-0 | 256pp £14.95.Media & Culture 75 Citizen Voices Performing Public Participation in Science and Environment Communication Edited by Louise Phillips. Jérémie Nicey. Julie Doyle is principal lecturer in media studies at the University of Brighton. From NWICO to WSIS: 30 Years of Communication Geopolitics Actors and Flows. Explores whether courtroom personnel and participants get distracted by in-court television cameras Analyses the role that eye-tracking technology could play in this debate Opens the door to a new era of research on the effects of in-court distraction • Analyses the two major events that have framed global media policies since World War II: the New World Information and Communication Order (NWICO) and the World Summit on the Information Society (WSIS) In-depth account of the major issues concerning information flows in international geopolitics Includes interviews and contributions from important witnesses • • . $40 | PB | 2012 | @ 230x170mm ECREA Divina Frau-Meigs and Michael Palmer are professors at the University Sorbonne Nouvelle. from countries across Europe and North America Investigates citizens’ scope for action in different national. $40 | PB | 2012 | @ 230x170mm ECREA Louise Phillips is professor of communication at Roskilde University. Anabela Carvalho is associate professor at University of Minho. Anabela Carvalho and Julie Doyle • • Explores the ways in which citizen voices are articulated and silenced in the mass media Includes a range of case studies. feminist theory. and writer.95. as well as mass tourism. • • • Television Courtroom Broadcasting Distraction Effects and Eye Tracking By Paul Lambert • • ISBN 978-1-84150-647-0 | 200pp £45. cultural. Structures and Divides Edited by Divina Frau-Meigs.95. Jérémie Nicey is a postdoctoral researcher at the University Sorbonne Nouvelle. lawyer. Julia Pohle and Patricio Tupper • ISBN 978-1-84150-675-3 | 240pp £24. film studies. Julia Pohle is a doctoral researcher at the Vrije Universiteit Brussel. and empirical insights. $30 | PB | 2012 | @ 230x170mm Tatjana Pavlovic is associate professor of Spanish at Tulane University. Patricio Tupper is professor at the University Paris 8 Saint-Denis. cultural studies. and history Explores consumer culture in the media. Michael Palmer. $60 | HB | 2012 | @ 230x170mm Paul Lambert is a lecturer.
Stephen Lax. Susan Forde and Kerrie Foxwell ISBN 978-1-84150-275-5 | 208pp £24. $60 | PB | 2010 | @ Grey Zone in Health and Illness. Brian O’Neill.95. $60 | HB | 2011 | @ Confronting Theory: The Psychology of Cultural Studies By Philip Bell ISBN 978-1-84150-317-2 | 160pp £22. $70 | HB | 2006 | @ ISBN 978-1-84150-469-8 | 96pp £45.95. d c Eu ro pe get speciﬁc ly in terms of ustrial society is terns as well as for collective . $40 | PB | 2009 | @ Gendered Transformations: Theory and Practices on Gender and Media Edited by Tonny Krijnen. $60 | PB | 2010 | @ Bangladesh’s Changing Mediascape: From State Control to Market Forces Edited by Brian Shoesmith and Jude William Genilo ISBN 978-1-84150-473-5 | 272pp £48.95.com 9 781841 508702 intellect ISBN 978-1-84150-279-3 | 212pp £29. $50 | PB | 2008 | @ Changing Media. $40 | PB | 2011 | @ . Changing Europe Habitus of the Hood Edited by Hans Skott-Myhre and Chris Richardson ISBN 978-1-84150-479-7 | 336pp £29. Race.95.95.95. Industries and Cultures Edited by Per Jauert.95. $40 | PB | 2011 | @ Digital Radio in Europe: Technologies. and describes nal texts. Changing Europe European Media Governance: The Brussels Dimension Edited by Georgios Terzis ISBN 978-1-84150-664-7 | 216pp £19. The: A Tale of 21st Century Consumption By Christopher Smit ISBN 978-1-84150-410-0 | 144pp £21. $40 | PB | 2009 | @ Europe in Black and White: Immigration. Rather m and persuade. x Odb er de Bau be ta & Pa tric ia Age of Television: Experiences and Theories. $35 | PB | 2011 | @ ISBN 978-1-84150-238-0 | 246pp £24.95.95. The By Alan Blum ISBN 978-1-84150-364-6 | 192pp £34. $50 | PB | 2008 | @ nsula. $50 | PB | 2008 | @ ECREA Broadcasters and Citizens in Europe: Trends in Media Accountability and Viewer Participation Edited by Paolo Baldi and Uwe Hasebrink China’s Environment and China’s Environment Journalists: A Study By Hugo De Burgh and Zeng Rong “” “” Communication Skills: Stepladders to Success for the Professional (Second Edition) By Richard Ellis ISBN 978-1-84150-249-6 | 165pp £19.95.95. how do ssment of the usiness across the esses and failures ope.95. but actively dered looks at products. $60 | PB | 2003 | @ Audiences and Publics: When Cultural Engagement Matters for the Public Sphere By Sonia Livingstone ISBN 978-1-84150-129-1 | 200pp £24. $70 | HB | 2010 | @ Culture.95.95. João Ferreira Duarte and Leonor Pires Martins HB ISBN 978-1-84150-357-8 | 304pp £29.95. $50 | PB | 2005 | @ Changing Media. $70 | HB | 2012 | @ Being Human: The Search for Order By Seán Ó Nualláin ISBN 978-1-84150-088-1 | 296pp £19. Fernando Clara. $40 | PB | 2004 | @ Changing Media. the of regional. $40 | PB | 2010 | @ Culture and Contestation in the New Century Edited by Marc James Léger ISBN 978-1-84150-426-1 | 144pp £24. Climate Change and the Poles Edited by Jane Marsching and Andrea Polli ISBN 978-1-84150-478-0 | 272pp £29.95. $50 | PB | 2010 | @ Exile of Britney Spears. Disease and Well-being: Grey Zone in Health and Illness Convergence and Fragmentation: Media Technology and the Information Society Edited by Peter Ludes ISBN 978-1-84150-182-6 | 256pp £24. $40 | PB | 2010 | @ Far Field: Digital Culture.Media & Culture v f 77 Advertising and Identity in Europe: The I of the Beholder Edited by Patricia Odber de Baubeta and Robin Warner ISBN 978-1-84150-870-2 | 160pp £19. $40 | PB | 2003 | @ Berliner Chic: A Locational History of Berlin Fashion By Susan Ingram and Katrina Sark ISBN 978-1-84150-369-1 | 144pp £24. Lars Nyre and Helen Shaw European Culture and the Media Edited by Ib Bondebjerg and Peter Golding ISBN 978-1-84150-111-6 | 288pp £19. The By Milly Buonnano ISBN 978-1-84150-181-9 | 144pp £24. The By Lakhmi Jain and Graziella Tonfoni ISBN 978-1-84150-072-0 | 297pp £29. $50 | PB | 2010 | @ Cultural Quarters (Second Edition): Principles and Practice By Simon Roodhouse ISBN 978-1-84150-158-1 | 170pp £19.95.95. $40 | PB | 2012 | @ Kinesthetic Empathy in Creative and Cultural Practices Edited by Dee Reynolds and Matthew Reason ISBN 978-1-84150-491-9 | 224pp £29.95. Rob in W ar ne r Advertising and Identity in Europe The I of the Beholder ISBN 1-84150-870-5 00 ellectbooks. and Identity in the ‘Old Continent’ Edited by Manuela Sanches.95. $60 | HB | 2010 | @ SKILLS Stepladders to success for the professional By Richard Ellis COMMUNICATION ISBN 978-1-84150-160-4 | 116pp £22.214.171.124. Claudia Alvares and Sofie Van Bauwel ISBN 978-1-84150-366-0 | 192pp £126.96.36.199. $50 | PB | 2012 | @ Media and Participation: A Site of Ideological-democratic Struggle By Nico Carpentier ISBN 978-1-84150-407-0 | 410pp £19. $40 | PB | 2005 | @ Art and Science of Documentation Management. $50 | PB | 2009 | @ Italian TV Drama and Beyond: Stories from the Soil. $50 | PB | 2011 | @ Finding the Right Place on the Map: Central and Eastern European Media Change in a Global Perspective HB Edited by Karol Jacubowicz and Miklós Sükösd ISBN 978-1-84150-193-2 | 304pp £24. $50 | PB | 2010 HB also available as hardback @ = available as e-book “” “” | intellect HB Ancient Laws and Modern Problems: The Balance Between Justice and A Legal System By John Sassoon ISBN 978-1-84150-123-9 | 240pp £188.8.131.52.95. Changing Europe European Journalism Education Edited by Georgios Terzis ISBN 978-1-84150-235-9 | 272pp £54. $50 | PB | 2009 | @ HB Developing Dialogues: Indigenous and Ethnic Community Broadcasting in Australia By Michael Meadows.95. $35 | PB | 2012 | @ European Media Governance: National and Regional Dimensions Edited by Georgios Terzis HB ISBN 978-1-84150-291-5 | 464pp £24. $40 | PB | 2003 | @ ected in the way of group identity gies. Stories from the Sea By Milly Buonanno ISBN 978-1-84150-459-9 | 192pp £24. $50 | PB | 2010 | @ ECREA Global Technological Change: From Hard Technology to Soft Technology (Second Edition) By Zhouying Jin ISBN 978-1-84150-376-9 | 320pp £29. Marko Ala-Fossi. vertisers to render e of relevance not holars of media A Th dve e I rtis of in th g e B an eh d old Id er en tit yi Ed n ite Amateur Images and Global News Edited by Kari AndénPapadopoulos and Mervi Pantti ISBN 978-1-84150-420-9 | 176pp £19. Christiane Paul and Victoria Vesna ISBN 978-1-84150-308-0 | 270pp £24.95.95. $50 | PB | 2011 | @ Harm and Offence in Media Content: A Review of the Evidence (Second Edition) By Sonia Livingstone and Andrea Millwood Hargrave ‘I Am An American’: Filming the Fear of Difference By Cynthia Weber ISBN 978-1-84150-422-3 | 226pp £19.95. $110 | HB | 2009 | @ d Brookes urer in Hispanic Director of d by Ja ck ie Can no n. $40 | PB | 2010 | @ Context Providers: Conditions of Meaning in Media Arts Edited by Margot Lovejoy.
95. Governance and Regulation By Richard Collins ISBN 978-1-84150-233-5 | 208pp £19.95. $25 | PB | 2011 | @ Philosophical Approaches to Communication By Claude Mangion ISBN 978-1-84150-429-2 | 338pp £19. Meier. $40 | PB | 2009 | @ Radio Content in the Digital Age: The Evolution of a Sound Medium Edited by Angeliki Gazi. $35 | PB | 2009 | @ Towards a Sustainable Information Society: Deconstructing WSIS Volume 2 Edited by Nico Carpentier and Jan Servaes ISBN 978-1-84150-133-8 | 215pp £24.95. Paolo Mancini and Stylianos Papathanassopoulos ISBN 978-1-84150-159-8 | 192pp £24.95.95. $60 | HB | 2011 | @ Culture. Werner A. Leen d’Haenens. Morrison. $50 | PB | 2007 | @ Television and Criticism Edited by Solange Davin and Rhona Jackson ISBN 978-1-84150-147-5 | 128pp £24. $50 | PB | 2004 | @ Three Myths of Internet Governance Making Sense of Networks. Democracy and European Culture Edited by Ib Bondebjerg and Peter Madsen ISBN 978-1-84150-247-2 | 288pp £19.95.95. $50 | PB | 2007 | @ Changing Media. $50 | PB | 2009 | @ Media.95. $40 | PB | 2011 | @ New Flows in Global TV By Albert Moran ISBN 978-1-84150-194-9 | 192pp £24. $50 | PB | 2009 | @ One for the Girls! The Pleasures and Practices of Reading Women’s Porn By Clarissa Smith ISBN 978-1-84150-164-2 | 192pp £34. Changing Europe Media.95. $40 | PB | 2006 | @ Press Freedom and Pluralism in Europe: Concepts and Conditions Edited by Andrea Czepek. $50 | PB | 2005 | @ Visual Communication: More Than Meets the Eye By Harry Jamieson ISBN 978-1-84150-141-3 | 132pp £19.95. Markets & Public Spheres: European Media at the Crossroads Edited by Jostein Gripsrud and Lennart Weibull ISBN 978-1-84150-305-9 | 328pp £24.95. Katherine Hayles ISBN 978-1-84150-113-0 | 224pp £24. $50 | PB | 2008 | @ Changing Media. Guy Starkey and Stanislaw Jedrzejewski ISBN 978-1-84150-423-0 | 184pp £19.95.95. Melanie Hellwig and Eva Nowak ISBN 978-1-84150-243-4 | 308pp £24.95. Representations and Identities Edited by William Uricchio ISBN 978-1-84150-207-6 | 304pp £24. Frangonikolopoulos ISBN 978-1-84150-349-3 | 322pp £19. Methods and Subjects Edited by Natascha Just and Manuel Puppis ISBN 978-1-84150-467-4 | 400pp £55. $50 | PB | 2010 | @ Cultural Studies of Natures. $70 | PB | 2010 Trends in Functional Programming TV Formats Worldwide: Localizing Global Programs Edited by Albert Moran ISBN 978-1-84150-306-6 | 336pp £24.95. Landscapes and Environments Trends in Communication Policy Research: New Theories. 565-711 By Harold Livermore ISBN 978-1-84150-966-2 | 116pp £24.95. $50 | PB | 2005 | @ We Europeans? Media. $50 | PB | 2007 | @ Changing Media.95. $50 | PB | 2010 | @ Myths: Decode Volume 1 Edited by Gabriel Solomons ISBN 978-1-84150-981-5 | 114pp £10.95. $70 | PB | 2008 | @ Media in Europe Today Edited by Josef Trappel. $80 | HB | 2012 | @ ECREA Trends in Functional Programming 10 Edited by Zoltan Horvath and Viktoria Zsok ISBN 978-1-84150-405-6 | 192pp £34. N/A | PB | 2007 | @ Decode NanoCulture: Implications of the New Technoscience Edited by N. $50 | PB | 2010 | @ Media in the Enlarged Europe: Politics.95. The: The Role of Media and Culture in the Northern Ireland Peace Process By Greg McLaughlin and Stephen Baker ISBN 978-1-84150-272-4 | 176pp £24.95. $40 | PB | 2011 | @ Reinventing Public Service Television for the Digital Future By Mary Debrett ISBN 978-1-84150-321-9 | 256pp £29. Matthew Kieran. $25 | PB | 2012 | @ Twilight of the Goths: The Kingdom of Toledo. $40 | PB | 2010 | @ Visualizing Anthropology: Experimenting with Image-Based Ethnography Edited by Anna Grimshaw and Amanda Ravetz ISBN 978-1-84150-112-3 | 250pp £24.95. Michael Svennevig and Sarah Ventress 79 Media Between Culture and Commerce Edited by Els de Bens ISBN 978-1-84150-165-9 | 256pp £24. The Edited by Ralph Negrine.95. $50 | PB | 2010 | @ Changing Media.95. Jeanette Steemers and Barbara Thomass ISBN 978-1-84150-403-2 | 288pp £184.108.40.206. $50 | PB | 2009 | @ People’s Pornography: Sex and Surveillance on the Chinese Internet By Katrien Jacobs ISBN 978-1-84150-493-3 | 208pp £15. Changing Europe Propaganda of Peace. $50 | PB | 2009 | @ ECREA Professionalisation of Political Communication.95.95. Disease and Well-being: Grey Zone in Health and Illness Switching to Digital Television: UK Public Policy and the Market By Michael Starks ISBN 978-1-84150-172-7 | 256pp £24. Changing Europe . $70 | HB | 2007 | @ People and Places of Nature and Culture By Rod Giblett ISBN 978-1-84150-401-8 | 144pp £24. $40 | PB | 2011 | @ Reaching Audiences: Distribution and Promotion of Alternative Moving Image By Julia Knight and Peter Thomas ISBN 978-1-84150-157-4 | 272pp £19. $50 | PB | 2006 | @ ECREA Transnational Celebrity Activism in Global Politics: Changing the World? Edited by Liza Tsaliki. $50 | PB | 2006 | @ Understanding the Global TV Format By Albert Moran and Justin Malbon ISBN 978-1-84150-132-1 | 256pp £24.95.95. Asteris Huliaras and Christos A. c. Policy and Industry Edited by Alec Charles ISBN 978-1-84150-998-3 | 240pp £24. $50 | PB | 2010 | @ Visual Cultures By James Elkins ISBN 978-1-84150-307-3 | 118pp £22. $40 | PB | 2011 | @ Pop Up: Popular Music since 1945 By Anthony May and Cory Messenger ISBN 978-1-84150-232-8 | 304pp £14.95.Media & Culture Media & Values: Intimate Transgressions in a Changing Moral & Cultural Landscape By David E. $50 | PB | 2008 | @ Misreading Postmodern Antigone: Marco Bellocchio’s Devil in the Flesh (Diavolo in Corpo) Edited by Jan Jagodzinski ISBN 978-1-84150-361-5 | 176pp £24.95. Christina Holtz-Bacha.95.95. $60 | HB | 2010 | @ ISBN 978-1-84150-183-3 | 416pp £34. Changing Europe Spectacular Death: Interdisciplinary Perspectives on Mortality and (Un) Representability Edited by Tristanne Connolly ISBN 978-1-84150-322-6 | 316pp £29.
000 titles in digital format in a range of subjects. Mobipocket and Adobe. Our e-books are now available in ePub format for sale via Amazon Kindle store and iTunes iBookstore. performing arts. Visit Google Book Search.uchicago. Search for a particular Intellect e-book by title. type in the ISBN/title.edu . Chicago. UK Tel: +44 (0) 1323 521777 Fax: +44 (0) 1323 521666 E-mail: custcare@gardners. Libraries can purchase individual e-books or discounted subject-focused e-book bundles for libraries.edu www.uchicago.Intellect 81 Ordering E-books All Intellect books are also available in e-book format for both libraries and individuals to purchase.uchicago. BN23 6QH. Initial enquiries should be addressed to Masoud Yazdani (masoud@intellectbooks. see the e-book section on our website. Blackwells. please order through Central Books: Tel: +44 (0) 845 458 9910 E-mail: mo@centralbooks. In 2011 we began publishing our books for various e-readers in the ePUB format. Eastbourne.com. Printed by Bell & Bain Ltd Intellect books can be ordered from Amazon. IL 60628.com www. eBooks.com North America and RoW The University of Chicago Press 11030 South Langley Ave.press.html For customers based in North America and RoW. ISBN or author and then buy and download a whole book or part of a book. We have now released our first app for the iPad and plan to follow it up with a number of others for iPhone. iPad and android-based alternatives. com offers over 100. For a full list of where to buy Intellect e-books for individuals and libraries. Trade orders UK and Europe Gardners Books 1 Whittle Drive. We believe that there are a number of publishing projects that are better suited to being made into independent apps because the design element of the page can be better represented. then click on one of the links underneath ‘order from a bookstore’ in the right-hand column.press. and in all three of the major formats: Microsoft Reader. visual arts and media and cultural studies – includes the unlimited purchase of twenty Intellect e-books. If you have a publishing project that you feel is better suited to mobile devices then we would be pleased to hear from you.co. Mobile Apps Personal orders Order online: Intellect offers secure online ordering through our website: www. USA Tel: +1 800 621 2736 Fax: +1 800 621 8476 E-mail: PUBNET@202 5280 www.com www.gardners. Each of the four collections – film studies.uk/ acatalog/search. its first books in 1989 and its first e-book in 1999. Individuals can purchase Intellect e-books through eBooks.com).com For customers based in the UK and Europe.centralbooks. please order through the University of Chicago Press: E-mail: custserv@ press.intellectbooks. Waterstones and a host of other sellers.edu Intellect published its first journal in 1986.
Bristol.UK & International The Mill. 6th Floor. UK Tel: +44 (0) 117 958 9910 | E-mail: info@intellectbooks. BS16 3JG. ON M5T 1V3.com USA 601 South College Road.com . Parnall Road. Toronto. USA | Tel: (+1) 910 470-7075 Canada Suite 7602. King Hall. 205 Richmond Street West. Canada www. North Carolina 28403. Fishponds. Wilmington. Suite 106C.intellectbooks.
This action might not be possible to undo. Are you sure you want to continue?
We've moved you to where you read on your other device.
Get the full title to continue reading from where you left off, or restart the preview.