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S. H. Taylor, Death and the Afterlife in Ancient Egypt, British
Museum Press, 2001, pp. 18 ff.
S. Walker & M. Bierbrier et al., (eds.) Ancient Faces, Mummy
Portraits from Roman Egypt, British Museum Press, 1997, p. 77.
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2 .# $ 7' + . F. no. 8 . C. . cit.% 5 " #= n . 7' VaYT $ C C '= ' . *) F. % >9 " #= " % 4-8 %" 4Va`T 8 & 6.^5 4 % + Ancient Faces. & = $ = $ D % I.# " % . 6*) 1: . & &. 7# # \ -. *) & " . 0 -8 %" X 0 . cit. . F. “Mummy Portraits and Roman Portraiture”. .% G E F* j1 " &%# ^5 4F .. . in: Ancient Faces. $ \ 2 7 " '3 X .% . % D'M 8 . p.' % " . $ H % ) 8. $ *) Va]TF. . *. * ) .% Va`T # 9 H % % I 'M 6 . 79.% & = ." 4 ). ^5 D.. . VaUT VaYT Va]T T.% G # F. \ DC . 16. Köhler. . 1: F 3 7 4T."% . 6. J / %= % 1: F. 5 1 . 9 1 &%# G" $ / % 9 Va_T 7 % I$ I$ C -. X .. M %@ . . op. A * ) 8 .% 4VaUT . Interiala Tunica Intima Va_T loc. / " ' $ + <C 7# ' 4F.# 8 G' 1: 0 S. 1 -. Ancient Faces. .. Indusium % EA 7# &' 5 . no.% . &> I' ' D8 ... ' . ." Tunica Interior 8. 8. Walker.

."% 6 1: 5 $ 7' 4VabT7 1: . ' $ m % clavi 9 227. 8 . . 3. M $C .. 90. 92. 7# T $ *= 7 & ' " 9 F & "% G. ^ ' = 5 4 1C VaeT @ . Grimm. ' $ + 4 H V7 \ 7 4J T H @ 4VbfT . 16. H O + " j) 'M% V -. .102. nos.) % 2 . ^ ! . 1: F. 05 &' VabT . 6*) VadT . 3.VaaT 7 4J H % % - > . % "# = & = '' 7# $ % + = G ' 7. # . . 8. 180.^5 % + 4 %# & . 181. ^+ . . 4. *) VadT Ancient Faces. . VaaT % VEA T 7# Ancient Faces. '' % " #= " H% -8 %" 1# C 7 M% Dalmatica 8 %" . Ibid. &: Vbf T F.# 4 D.% L 9 T Antinopolis 7 :" ?% > % D" . Taf. 16. nos. no. 7# $ H% *0 1: .# .% "9 + > J %( # . . op."% .% % . p. " #= 6 1: . 99 . nos."% F A * . p.% 4 j) ?% % 6 > & = VaeT % @E . I# > "9 G 1: V $ "9 / "% & % *= F " 8 ? + > $ 6*) M% & $ 5 4+ !) 9 .F. . 60.. 91. nos. . 8C % 8 ! 9% & ' & % 7 . 4+ " @ H >% EA G.% $ &' ^5 0 ". cit... D8 7# ) "9 G% 1: . ' A * . 8 . 6 * ) @ 4Ancient Faces.% H % " # 8. .N 1: Ancient Faces.

G. $ F. "9 . $ ! 6 >9 : X* 5 D % D1%9 . G G. DC H D8 @ <C F* = % J = & 9% 9 .$ A * G 9 + " 5 .9 0 V 7# T ( 4H @ F .9 " #= $ = % w O ) Vb]TV 7# T . cit. 5 G < %J > D. G. 6*) " 9+ > I. I < > 7 c . #% 5 J> F* = F. % %# % $ *) 1>. C " %# 5 x . 2. Taf. 64.>% . . 4 . 8 9 .= &! = I . op. . Taf.. 64. O 1%9 ' A ) "9 1: F* ' "9 . !) *B 4 1>.! " % .= &! M% + 8 % I> N G 0 9 9 G% 1: V 7# T 7# $ / %= $% 1: 7' G > 9 < J .VbUT F.. . $ E ) " . 1. 88. F* $ ! . cit.% -. & = 4 . 2. *0 + " . $ -.^7 Ibid. % $ . op. \ 7# \ $ H> 1% 1 D1 %9 . 2. "9 1 &. O 5 $% # VbYT 4. 7 / %= %7 1: "9 % + %. % < *= D % <C 7# $ 0 1 + % % . Grimm. Grimm. X* *= . 1.) $ %F G. Taf. Vb]T . . 63.. % G $ *) G . M " . ' $ ' + 4VbYTFaustina J $ . VbUT 0 .

. 7# % 4 4 + % D #&' Vb_T + % . . F* H 8 @.% A * Vb_TH @ @ + = ! & 9 C J % ) 'M &: M< " $ ! . p. O 7 # &' 7# 5 7# $ G%9 0 C 2% 7 ..# ! .F H @ " #= >> . 1: $ *) @ ' &. 74..%% w O V 7# T % >9 " #= . . .92 J% H @ " #= &' G . H > & V 7# T 7# $ 9 5 % . % 8 C % $% 5 -8 %" ."% 7 . . cit.F. . %E 7 *= " 4 1. $% ..% 1% 6 $% 1: 9% H ) #% *= 4/ %= % G." % 6. % H % (Taf. 5 # H> H @ "% -. G% 1: F* V7 \ TH % 0 &$ 4( 6>9 & 9 $ "9 & ' *) 8 @G D."% . Ibid.. & V 7# T 7# $ $ "# G% H M% . G.# 5 1 0 . 2. 5 D ' $ *) & D: < 0 Vb`T . $ 7 '= &%$ ) . Taf 24. $% 1: C " %# 0G & 9.NI ' & ' *) 7# % . " 1 " #= . L M 7 . 2 + % -.% X* 4H @ "% $ L = ! . ' $ *) < @ 4 %)* *) G%9 4 % 7 % *> + = 4 >9 % > 5 . 4.$ 5 "# % . op.% $ G. 24.$ $$ 4. V 7# T " G%9 A * 4& ' *) / %= % < F. ^5 . J% 5 %E Vb`T . Grimm. 3) A. *) G% X . Taf. 24.. O H @ " . G . &' 1" " .? @ #* " % 6* ) 5 J% ..

p. pl.A. M " I: D #. 1: ) > *) 7 + $ E . $ ..romano. 1 : < 8> C 0 6 5 F %7 *) 4 $ . Walker. K. # 7) . 7# &' $ *) L M ". I. II.% 7# 5 F. no. 6 . 86. p." VbaT S. in: Reportorio d'arte dell' Egitto greco .. 444. % ( = $% . pl." >9 . pl.$ " 4 = 9 I) % 1: < D.9 4H @ . . ^F. 79. “Ritratti di mummie”. 57. Vol. Vol. "% 5 1 ( $ 8 l 5 H > .. op. II. Parlaska. 6*) " #= 7 >9 " #= % ? M9 ) D "% = ) ' . VbbT K.) : 6*) / "% . in: Ancient Faces. 109. 9 5 $ M% .= 7 $ G G $% VbaTG . p. 2. II.I1%9 <C 6>9 #* " %# 4 # & >% 9 F* F.N& ' 4V7 \ T = " 5 &' ) Ibid. 9 I " #= G% H M% VbdT " % I$ "9= % C.! ) VbbT . VbdT "9 F* " 7. serie B. % . “Mummy Portraits and Roman Portraiture”. . no.# & > = D "# 4G 5 F* H > % 71 " # 8 71 6. & %' . 15. pl. ' $ + 05 .. p. . p.T. 5 / %" 1 M% :" .8. Vol. ># F* " <C = "% " . Vol. no 452.. 110. '& ' 81. % . 27. 358. Parlaska. nos.# 7 " G ? $ 7 .$ 4 > . $$ A * 7)= I. ^/ % Ibid.$ & . cit.% G 7@ % " # -.9 8 / .

. G' . op. L. Freier.% % 1# . S. cit.. Hawass. q! 5 J> %" 0 ) .N C# ) & F 1 5 %C 1 M% \ I>N * S.# % \ % . 0 = Vy ! T . 15. 104 f. “Mummy Portraits and Roman Portraiture”. W. <% IC % % 71 . in: Ancient Faces. p. Vdf T R." % D: F. Tucker = " Vdf T = 1 ! 7) % 0 %)* . cit. " 0 C 2 % F. p.$ 4 . p.' / = . . cit. 1 %A* 4 " !*? 7) F.O VdYT . VbeT Z.07 & " % % *) 4VbeT $ 8 ' 4 >9 " #= ( @ & % H ) 1 $% % 8 " . Walker. '" 7 / "% Q !*? 6." 4 > J! ' $ ! % 0 7 " #= . + (% VdUT " 8 2 / "% Bagnall & % 7. op. 88.. C $ . T. Hawass. Bagnell & B. 110..9 " #= # 10 9 47 . " #= %? 8 1 / " . $ \ %? 8 ? M% & $ 5 A *8 C *) " #= 6*) ( =D %" D . ! .$ 5 "> 8 O) % . Vy ! T VdYT 4 ! % Q F. E # 1% 7 . 4 H>H ) . VdUT Z. op. pp.$ % '' 1 ! % " . 6*) %. .

% \ <C % Vd]T 0 V % " %T 0 & > % & 2 $ . 7 .= Z. >9 1 A * (% > ) arcosolia 7 % " %# + $ M% ! E < C D" %$ &.4 1 ) -. \ . . % *.. 71 and passim. " : .# \ &#= \ % $ 6* ) 7:" .% & C @ F .%$ F " 1 & %$ 0 C 1O .. Vd_T . cit.. 9 %G % 0& " A *& 3 ) . -. ^5 4E . p..> 8 $% 71 .# 7 \ .# 4 .7 9 Vd_T ! 5# + " 0 " #= 6*1 $% / *) % > 9 & .# " 71 ."% H "% % 05 1 . %2 % $ + 9 . 4I 1 . 7 9 % % >9 " #= 1 @ *) 46 < F '= + 9 &%# ( # 0 *B % "# ) %.$ \ % %$ IC 48 9 1 $% 0 6 !> < F " 9 .. 8 % %$ ' "# . 344. *) 4 . \ * ( 1 " ) 7 0 \ " . " #= F= % L M < 0 Vd]T + 9 ( " F D8 1 6 . cit. Breccia. ) %2 %$ > . op. 7 E . 1%" # -. . %$ &. Ev. Hawass. .% ! J 6*) &' .= 7 $ 7 $ . p. . loculi > )+ C G >9 '= $ <C E . .# ."% 7 7 *0 G = J% % L M & & F '= $ & . . 2 ) A *N -.# J " D% I . op. 1 ." .

2% + . $> " -.% %2 . $ " F " F " F + . H H H > - %E 5 - %E 5 - %E 5 > > G. $> -. $> E -. 2% + . Grimm. 2% + % . H @ # ( # +) * % .! " -.% %2 . $> " -. $> " . H @ .% %2 " &' # F . H @ . op. $> -. $> " *= " *= " " *= " *= H @ " F.

. 24. Grimm. cit.. 2. Taf. F.cit. H C.)$% . 2. Taf.G. G. op. 64. + . @ .

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