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from Avenged Sevenfold - Waking the Fallen

Waking the Fallen (Intro)
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Moderately q = 95


   
 



         
       

         
       

         
       

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F#5

Gtr. 2 (dist.)

** pp

w/ fingers
fdbk.

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0

**Fade in
*Gtr. 1 (dist.)

 


*** pp
P.M. throughout

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*Doubled throughout
***Fade in


 





mp

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0


         
       
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

Gtr. 2 tacet

  

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 

         
       

         
       

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 



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

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 

         
       

mf

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(Ah.)



Gtr. 1

Rhy. Fig. 1

End Rhy. Fig. 1

         

         

         

         

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© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission

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1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 1




w/ echo repeats & heavy reverb

Rah!

Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)


 

  
 

F#5




Wake

the

  
   
Fall

 

Rise





 

 
-

en


now

 
 




ones

and

and




rise

to


 





 


 

 

souls,

we

shine

so


  



 





ev

-

 
 
-

night.


 

 

er,

leave

your

mem



Rise

now

bright.




and

ev


-

’ries.


-

er,

Segue to “Unholy Confessions”

 

leave

 

your

mem

µ



-



   

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal




’ries.
(No

2

one

can

touch

us.)

Waking the Fallen Unholy Confessions Words and Music by Matthew Sanders. Sorgdal . 2 (dist. All Rights Reserved International Copyright Secured Used by Permission 7 7 1 Digital Conversion © 2011 Sorgdal . James Sullivan. Jr.M.M.  0  5 0 Gtr.  D5          P.For educational use only . No warranty of accuracy or useability is implied or claimed.M.M. Brian Haner.   8 7 5 7 5 8 7 5 5 7  0 0 7 8 8 0 0 7 7 0 0 7 End Riff B Gtr. 7 7 7 1.M. 1: w/ Riff A D5 Bb5 Riff B   0 0 0 0 7 7 7 A5                              P.)      f P.M. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Fast q = 180 * D5  Riff A Gtr. 7 7    7      0 8 0 10   0 *Chord symbols reflect basic harmony.)      f P. 2. 0  5 0 0    7 0 8 0   10  0  8  Bb5 µ            3 0 7 8 7 8 8 8 10   8 8 8      A5     7 7 7  µ  7 7 7      P.. Double-time feel    8 8 8  8  0  5  0  7 3  0 8 8 © 2003 EMI APRIL MUSIC INC. 3.  0        0  7 0 8 0 10  0  8 3    0 7  Bb5 8 7   P.from Avenged Sevenfold . 10 8 8   10   0  8     0 7 A5  End Riff A   P.M.not for sale or trade. 0 8 8 8 0 Gtr.M.M. 2    P. 1 (dist.  P..

1 D5      you. 8        7 7 X 5 5 6 4  . No warranty of accuracy or useability is implied or claimed. 3 & 4: w/ Riffs C & C1        Two vi  - brant      10 10 10 Bb5  hearts   12 X 10 10 10 10 Riff C1         could      12 X 10 14 12    14 X 12       End Rhy.M. 1 divisi                try. 1 & 2: w/ Rhy.  Bb5 µ A5    Verse End double-time feel Half-time feel D5   Screamed: 1.M.    8 8 8 8      10 7 8 8 8 8 8 8 8 8 8    9 X 7   10 8     8 8 8   8 8 8 8 8 8   P. 1                    Gtr.For educational use only .   0 0 0 0 7 7 5   0 0 0   0 0 0    “Try not to Riff C     0 0 0 0 0 0      13 X 10 13 X 10   11 8    11 X 8   10 7      14 X 12 14 X 12   12 10    12 X 10   10 8 Gtrs.)             Gtr.   8 8 8 8 Gtrs. Fig. Fig. “I’ll f Gtr. Sorgdal lose End Riff C   8 X 5            P. 1 10 8 10 X 8 9 7 End Riff C1           9 X 7 9 X 7 10 10 X 8 C5    change.” 2 Digital Conversion © 2011 Sorgdal .M.)  Gtr.4.not for sale or trade. 2 divisi 9 X 7 7 7 7 9 X 7     Bb5   She said as he walked a  10 10 X 8 8 7 5 7 X 5 6  C5   - 7 7 5 4  way. P. 2       7 7 5 P. Fig.”     Rhy. 3 (dist. 1 8 8 8 8 8 8 7 7 7 12 X 10 7 7 7 12 X 10 14 12 14 X 12       10 8 10 X 8 9 7 7 7 5 7 7 5     8 8 8       8 8 8 7 7 7      Gtr.   0 0 0 0 7 7 5 f Gtr. 4 (dist.M.

M.ed         µ P. 5 3 Bb5  0 0 0 0 0 0 0 0 be here wait -           P.M. 3 & 4: w/ Riffs C & C1     7 7 5 7 7 5  P.M. (Ah.”  cure. Sorgdal .M. 2   P. 1 & 2      7 5 7 5        P. Gtrs. Fig. 7 7 5       -  C5 ing.M.     8 8 8       de . Fig.M. Fig. D5  µ  D5   0 0 0 Interlude D5 µ P. 7 5  Bb5 µ  0  0 0 End Rhy.   0 0 0 0    0 0 0 0 0  0 D5     P.D5    Noth .ing Gtrs.cep .not for sale or trade.M. 2  µ  D5 0 masked 2 D5    0 0 0 0 µ   3 1 0 3   3 1     3 1     P.M. No warranty of accuracy or useability is implied or claimed.    8 8 8 8  P.) Un        -  0 0  5 5 3 C5          “I’ll test .      fear.tion. 1 & 2: w/ Rhy.M.   0 0 0 0              Rhy. 3 3 1 3 1 3 3 1 5 3  5 3 Gtrs.M. D5 5 3            more than 7 7 5 7 5             P. 5 5 3 5 3  5 5 3 5 3 and se      8 8 8 8 8 8    P.M.     0       µ  D5 µ P.For educational use only .ing    tears the be .M. 10 10 10 0 0 D5  P.M. 2  3 Digital Conversion © 2011 Sorgdal .

  0 0 0    E5 the   X X X F5  be                           5 5 3 5 5 3 5 5 3 2   at   3 3     2 3 2 5  3    all. No warranty of accuracy or useability is implied or claimed. When   8 0          7 0 8 0 7 0 Ab5     to  P. 0    But               3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 End Rhy.M.Pre-Chorus  Gtrs. 3 & 4: w/ Riff D D5 Ab5 End Riff D  0  8va  P. 7  0 P. 1 & 2: w/ Rhy. 1 & 2 7 7 5  7 7 5 one 3 3 3 4 Digital Conversion © 2011 Sorgdal . Gtrs.M. just af . 8 0  0      P. Fig. 3 & 4    P.not for sale or trade. 7 0 0   P. 3 Gtrs.fects  Riff D Gtrs.For educational use only .M. 5 0      6     fall! “I  Chorus     D5  wish        I could Rhy. 3   3 3 1 .M.H.M. 4 0    7 0 0     you’ll be the one  blood.M. Sorgdal    who    3 3 3  F5 C5   2 2 3 3     Bb5        care        3 3 3 3 3 3 0 0 3 3 1  the 5 5 3 won’t    one. 0     P. Fig.M.        a . 2 (2 times)  D5  Noth -   ing hurts   my   world. 8 0   the ones     sin’s    deep   in my     P.round me. Fig.


 

D5

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-



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the


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7
7
5




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X
X


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 
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7
5

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0


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F5

on

the

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2

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3


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stand,



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Gtrs. 1 & 2

7
7
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 
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5
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 

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

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  
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Gtrs. 1 & 2: w/ Rhy. Fig. 3

D5


 



G5

 

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5
5
3

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3

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C5



Con -


heart.



5
5
3

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

5
5
3

5
5
3

5
5
3

5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

To Coda

 



I

know

it’s

hurt

-

in’

you,

 









3
3
3

3
3
3

X
X
X

3
3
3













5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

5
5
3

Dm/F

   

kill

-

in’

me.”

  







5
5
5

5
5
5

X
X
X

3
5
3

 

  







5
5
5

5
5
5

X
X
X

3
5
3


 

 



5

5
5



 


7

6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7




5

 



7

7

A7







5

Gtr. 2

6

Interlude
Dm





Gtr. 1

Sorgdal

  

G5

F5



7

7

5


8

7



8

8

3
3
3




4

5

8

7

8

2

5

7

 



5

5

7

8

4



8



5

Db

C

5

8




 

 


 


2

4

3

3





4

3

4

4

0

1



it’s

   

2

but




3

Bb


   

2

3
3
3

   



 


















7


 





 

7




7

 

7



Bb


5




1






 








4

4

1

8



7

8

5




7




 

0







4

3

4

4

2

2.
Aaddb13



3




 

1.
Aaddb13

A



Gtr. 1: w/ Riff A (1 1/2 times)

D5



8


7


8

8



 

4

4



Bb5

A5





Gtr. 2

 



0
0
0

End half-time feel

D5



Bb5

 

P.M.
0
0

µ

A5

Gtrs. 1 & 2

  
 
8
8
8

0
0

µ

 
 

8
8
8

7
7
7

7
7
7

Bridge
Double-time feel
Gtrs. 1 & 2: w/ Riffs A & B (4 times)

D5



Screamed: Noth - ing

will

last

in

this

D5

 

Now

you’re

per

Con - strict

D5

 


-

fect

your

hands

-


ing

a

world




a - round


This

air

tastes

dead

in





-

side

life,

D5

 




Bb5


me.

our

time

is

Bb5

meant

to


Bb5

me,


Bb5

squeeze

till

I

Con

-

tri


-

spent


con - struct

A5




-


ing.



sin.


 

A5

bute

A5



can - not

A5

to

breathe.

End double-time feel



our

7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Fig..round    me. Ab5     When .. Fig. 4 Gtrs.   all  your  prom -  is       .not for sale or trade.fects   the ones   a .Half-time feel D5       Break plague..ing 8 Digital Conversion © 2011 Sorgdal . 4 End Rhy. Fig. Ab5 G5  *Gtrs. 3 & 4: w/ Riff D (2 times) D5     Noth . Fig.M.. 4    Re   -   straints  are  use - less      C#5  D5  C5   ing sal    here. 2 (2 times) D5             Ah. A5     0 0 7 7 D5 Ab5   G5     6 6 5 5 0 0  Gtrs.    just af  . 1 & 2: w/ Rhy.M. 1 & 2      P.. 1 & 2: w/ Rhy. - fast wall.tear down this stead  -    es. Fig. Tast Interlude D5    B5  Bb5 - D5 A5  - va - tion’s D5 near. No warranty of accuracy or useability is implied or claimed.   Pre-Chorus Gtrs.                       0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Gtrs. 1 & 2    0 0    12 12 11 11 0 0 C#5 D5       10 10 9 9 8 8 0 0 C5 B5 Bb5 D5       5 5 7 7     6 6 5 5 0 0 *Composite arrangement  D5      0 0 10 10     12 12   11 11 0 0    8 8       10 10 9 9 8 8 P.For educational use only . 2 (2 times) Gtrs. Sorgdal  hurts   my world. 1 & 2: w/ Rhy. Rhy.

Sorgdal . bend 1 1/2 1 0 0 6   5 *Composite arrangement  D5 G5 A5 D5  G5 A5 D5      1 1/2 0    1 1/2 5 0 5  Coda G5 D5  Gtrs. 2 & 4 0 Dm/F F5 3 0 7 5 7 5 4 2       Outro Gtrs.M.   Ab5    fall! Interlude Gtrs. Fig.M. 1 & 2 D5 Gtrs. No warranty of accuracy or useability is implied or claimed. 2 Gtrs.M.  0 0 0 0           P. 0 0 0 0 0 0   D5 µ Gtrs. 2 D5 G5 D5 G5 Riff E    End Riff E    *Gtrs. D5     sin’s deep in my         you’ll be the one to  blood. 0 0   0 0 9 Digital Conversion © 2011 Sorgdal .M.”           5 5 5 5 5 5 X X X 3 5 3 kill   Em    D. bend 1 1/2 1 8   0 6      1 5 0 11    1 0 10   1 0 8    grad. 1 & 2     P.    D5 G5 Gtrs. 1 & 3 divisi           Gtrs. 1 & 2: w/ Rhy. 1–4 Play 3 times      P. Fig. 3 & 4: w/ Riff E (4 times) D5     G5  D5  G5   Ah.M. 0 0 0 0 0 0  D5 G5    P. al Coda A   I         Gtrs.not for sale or trade. 0 0 0 0           P.S.For educational use only . 1–4  G5 0    5       - in’ me. 1 & 2: w/ Rhy. 3 & 4         1 0 11    1 0   1 10 0    0  grad.

M.not for sale or trade. 2 Gtrs. 0 0 Gtrs. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately q = 96 D5 E5      Gtrs.)       * pp 8 *Vol. No warranty of accuracy or useability is implied or claimed. 1 & 2: w/ Rhy. 4      5 © 2003 EMI APRIL MUSIC INC. Fig.from Avenged Sevenfold . 8 8 Gtr.M. 1 & 2     0 0 Gtr. P. 0 0 0 0 0    P.M. All Rights Reserved International Copyright Secured Used by Permission 1 Digital Conversion © 2011 Sorgdal . 1 & 2 (dist.)   ** pp 5 **Vol. Fig.M.Waking the Fallen Chapter Four Words and Music by Matthew Sanders. 0 0 0 0 0  0 0 0 0 0   fdbk. 3 (dist. swell Gtr. Brian Haner. James Sullivan.M. Fig. 1 3 3 0 0 7 7 8 8   Rhy.For educational use only . 1           f  A5 Rhy.    P. 2         P. Jr. Fig.M. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. Sorgdal . 0 0 0 0 0        P. 4 (dist. 3    P. 0 0 0 0 0 0 0 0 0 0 0 0        P.M. 2                  P.M. Fig. swell End Rhy.) F5 D5 Bb5          0 0 2 2  D5 End Rhy. 0 0 0 0 0 0 0 0 0 0 0  0 Gtr.

M.Double-time feel D5     Riff A Gtr. No warranty of accuracy or useability is implied or claimed.ceived and       (Give             3 5 me End Riff A 5 7 5 7 5 7          2 3 3 2  3 1 5 3  3 End Rhy. 2. 3 & 4 tacet  C5 2 3       Verse    D5       1. 1 & 2   7 5 1. End double-time feel                   3  5 5 7 5 7                1 2 3 1 3     3 1 5 3 2 Digital Conversion © 2011 Sorgdal .  P.M..M. Sorgdal 7 C5     5 Gtrs. P.     5 3 3 1 2. 3 Gtrs. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 . Con .For educational use only . Fig.not for sale or trade. 4 C5 7 5 3     5 2    3 2 2 3 5            2 3 2 5           5 8    7    7 5 3 5 3 5 2 Rhy. 4                P. Fig. 3   f 8                 5 7 7 7 8 f        3 2 5 3 3     5 5 2    5 3      8 7     5 Bb5     6 Riff A1 Gtr. Fig. 3  your  End Riff A1 1     Rhy.

1 & 2: w/ Rhy. man. (The one of                   3 1 3 1 3 3 3 3 3 3 3 2 3 2 grace.M. No warranty of accuracy or useability is implied or claimed. Sorgdal .)  0 0 0 0 0 0 0 0 0      - ment F5 taste   too     great   to    C/E the cour -      bear. Fig.er     Gtrs.M. 4    D5   Rain and  dark. your 0 0    0 0         Bb5 black            born    nal   D5   oth .not for sale or trade.           from                           C/E        pun .M.ish head 0 0 0  F5 night. 4       P. P. 1 & 2              3 3 3 2 3 3 3 3 0 0 3 2   C/E light. 3 1 1 1 1           P.For educational use only .F5      born  C/E was   one of Bb5         blood is spilled  hand.  3 1 1 1 3 1 1 0 0             3 3 3 3 3 2 3 3 0 0 3 2 Gtrs.)       age. 1 & 2     the Half-time feel D5       C/E     F5 3 1 3 1 3 1 3 1 Bb5 3 1 3 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 F5    un 3 3 3 A/C#    -   ho - ly night.                            3 1 3 1 3 3 3 3 3 3 3 1 3 1 3 1 3 3 3 3 3 3 3 3 3 3 3 3 End half-time feel    3 1 3 2 3 3 3 3 3 3 2 2 4        2 2 4 2 2 4 2 2 4 3 Digital Conversion © 2011 Sorgdal .      F5      and     man will  fol -  low.  In  -  Raise fer - and 0 0     Bb5 Fall light. Fig. End Rhy.   Gtrs.

M. 2 3 . 3 & 4 Bb5 Dm    leave un . 2 3 5     won’t 10 X 8 died.der born of 14 X 12 15 14 X X 13 12 Gtrs.M.er’s 10 X 8 10 X 8 3 1 4 Digital Conversion © 2011 Sorgdal .Double-time feel Dm C          I’ve come here to kill           14 X 12 14 X 12 14 X 12 you. 3 5         3 5 9 X 7 9 X 7   P. 1 & 2 P. 3 1  eyes             3 1 2 3   Gtrs. 4 10 X 8 10 X 8 10 X 8          Gtr. 3 5 3 5 Bb5     5 P.M. 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 0 2 2 0 2 2 0 2 2 0 .M. 14 X 12 12 X 10 9 X 7 C              Gtrs. 5 6 6 X 4        14 X 12 ven   5 2 3 2 3 2 3 night.not for sale or trade.        9 X 7 3 1    to P. No warranty of accuracy or useability is implied or claimed.M.M.M.             P.geance. 3 10 X 8 10 X 8 10 X 8 2 3 C close my broth . C     5 6  5 6 4     6 X 4 4 5  7 4                             P.til you’ve                                       9 X 7 10 X 8 12 X 10 14 X 12 12 X 10 10 X 8 10 X 8 Mur . 1 & 2                  P.M. Sorgdal 1 1 3 1 2 3 2 3 A5             12 X 10 9 X 7 9 X 7 - 12 X 10 9 X 7 2 3 2 3 2 3 3 1 1 1    2 3 2 3 14 X 12 14 X 12 P.For educational use only .M. 3 5               Gtr. 3 5 5 I            P.

No warranty of accuracy or useability is implied or claimed. Con    5 6 5 2. To Coda C5 7    7 5 7      6 5 8 6    5 5      7 6 5 7 7    5 7 8    6 5 7    7 3              7 5 7 5 3 1 3 1 7 5 5 3 5 3 5 3 3 1 9    6  7 5    5 8 -  10 10    5  6 6       5 3 5 3 5 3 5 3 5 3 5 Digital Conversion © 2011 Sorgdal . C5 Bb5    3 5 7 5           7               3 5 7 5    6 6              3rd time.1.For educational use only .not for sale or trade. al Coda End double-time feel      2. Sorgdal . Interlude    D5 5 6 7 5 Bb5             C5 8 6  5  6 7 5 7  5 7   7 5 7 5 7 5 5 3 5 3 5 3 0 D5     C5      5 6 7 6 5 3 5 3 6 5 5         7    5 6 8   3 1      7 6 5 7     8 7 3 1 3 3 1 9    6        3 1    5       8 10 10 5 3 6 5 3       6       5 3 5      5 3 5 3      7    6 7 7 8 6 5 6 5 5 7 5 7 6 7 5 7 5                     3 1 7 5 7 5 3 1 3 1 3 1 3 1 D5  5 3     6 5  8 7 5 3 5 3 5 3 5 3 7 5 7 5 5 3 C5 Bb5 C5  5 3 5 3 D.S.

     Feel the     pow .For educational use only . 7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6 7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 Gtrs. 1 & 2: w/ Riffs B & B1   took   his side. 0 10 11 10 9 10 9 10 11 10 0 0 0      6   P.M.not for sale or trade. 0 10 11 10 3 0 0 0  3              P.er’s   grave. Sorgdal      you took his gift.M. 3 & 4 tacet D5   cold Gtr.M. Coda   D5      6 5   5 5 6 Bb5    8 6 5  7 7   6 5   7 5                 7 5 7 5 7 5 7 5 7 5 5 3 5 3 5 3        to .en  man.M.night as the clouds turn 5 3     3 1      5 3        3 1 3 1 3 1   8 10 10    5 6 6         5 3 5 3 It’s   9 6 7 8      7   5 6 7          7 C5     5    7   7 C5   5 3 5 3 5 3 Pre-Chorus Gtrs. 10 11 10 0   Riff B1 3 Gtr. P.M. 1  0 0      6  P. 2    grey and from my    hands   to my  broth . You End Riff B1      3   P. P.  6 7 6 .M. P. 6 Digital Conversion © 2011 Sorgdal . 0 10 11 10 0 0 0  0        10 11 10 9 10 9 Riff B End Riff B 3 3 3 3 6 6                                             P.er of a   fall .M. No warranty of accuracy or useability is implied or claimed.M.

Fig. A     D5     A5    -   way in this G5 A5    land I             7 7 7 7  A5    7 7     5 5 sent  G5 know. No warranty of accuracy or useability is implied or claimed.  D5  C5  Bb5  End double-time feel C5  7 Digital Conversion © 2011 Sorgdal . Fig. 1 & 2: w/ Rhy. G5 of the    a  A/E End Rhy.fall .en D5  Far    Gtrs. a of the      5 3 4 2 5 3 4 2 A/E hard . Fig. Sorgdal . 1 & 2: w/ Rhy. Fig.ship that Dm/F  site            Dm/F no. 1 & 2 a Rhy.not for sale or trade.ish . 1 & 2: w/ Rhy. 3 & 4: w/ Riffs A & A1 D5       C5   Bb5  C5  go. 5 Dm/F     Dm/F  hands. 5 (3 times)     One. A5   out 8 8  from                A5   D5 go. no. Bb5 must        Chorus        E5 - way   of the 4 2    no one should A/E    site of the   A/E      in land you must this 0 e= e  Interlude Double-time feel Gtrs. 1 (2 times) D5 E5   D5  A5   Bb5    F5    D5   crest . 7 7 G5  pun . 5             0 0 0 0 0 0  D5    0 0 Gtrs. 3 Gtrs.ment A5 7 7 F5 man.     D5  8 8 Bb5   his           A5 Bb5      A5 e= e Bb5       8 8  8 8 8 8   5 3 0 A5 Bb5          Out       One.End double-time feel Gtrs. Fig.For educational use only .

M. Fig.For educational use only .not for sale or trade. 6 Gtrs. 1 14 17 14 17 20 20 17 19 1 17 19 17 17 high  15 14 15 14 Digital Conversion © 2011 Sorgdal .  14 17 13 17 13 14 15                    8 3 a 13  15 3          P. No warranty of accuracy or useability is implied or claimed. 3 3 3 3 3 3  C/E -   bove this             P.mands 1/2 18 0                       P.    Gtr. 6 D5 15        F5 from 15 17 1 0         17           P.  1/2 17 13 1 15  3 3 1 12 3 3 3 1/2  15  P. 5 (dist.  1    3 1 3     From the soil his blood cries 17 17 21 17 14 14 3 3 14 3 3  F5 15 15 12        13 13 15       P. 5 Sorgdal           0 0 0 Gtrs. Fig.M.M.M.)  13 12 3 3 to 12         P.                14 1 14 17 17 20 19 20 17 17 19 17 17 .M.  0 0 0 com .) Gtr.Bridge       D5         D5 µ F5       Where has   he gone?     What have  f 14 17 21 17 14 12 15      0 0 0 Bb5      A voice 15 17 1 1 1   earth. Fig.M. 1 & 2: w/ Rhy.M. 2 2 2 2    out 13 2 12 14 End Rhy.       P. 0 0  17 14 15  Rhy. 1 & 2  15  you done?          (Ah. 6  3 2  me.M.

li -  F5 ar.geance. Fig. No warranty of accuracy or useability is implied or claimed. 5           17 17 15      Bb5 17 Dm/F      A/E   1 1 hold bend 15 15 17 Riff C                 Gtrs. 3 & 4  G5 A5 A5       10 X 8 10 10 10 10 10 X X X X X 8 8 8 8 8                                          10 10 10 10 X X X X 8 8 8 8 9 X 7 9 9 9 9 9 X X X X X 7 7 7 7 7 7 X 5 9 X 7 10 X 8 10 10 10 10 10 X X X X X 8 8 8 8 8 10 10 10 10 X X X X 8 8 8 8 14 X 12 14 14 14 14 12 X X X X X 12 12 12 12 10 14 X 12 15 X 13 Gtr. ven . 3 & 4: w/ Riff C   D5 D5   A5 A5   G5 A5 Bb5 G5 A5 Bb5   Dm/F Dm/F A/E  A/E  9 Digital Conversion © 2011 Sorgdal . 3 & 4 14 X 12 14 14 14 14 14 X X X X X 12 12 12 12 12 12 X 10 10 X 8 A5 G5 A5 Bb5 Dm/F                                     9 X 7 7 X 5 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 7 X 5 9 X 7 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 A/E             End Riff C 10 X 8 10 10 10 10 12 X X X X X 8 8 8 8 10 12 12 12 10 X X X 10 10 10 8 Gtrs. 1 & 2: w/ Rhy.                     15 17 15   de  -   ceit!                     3 1/2 1/2 18  e= e C/E 17 17 13 13 15 17 14 15 14 14 17 13 15 14 15 12 13 13 15 13 12 13 15 12 17 13 17 17 15 Interlude Gtrs.For educational use only . 5 (4 times)  D5 Gtr. 5 tacet D5                  Gtrs. Bb5    Mur -   der.not for sale or trade. Sorgdal .

             18 X 15 18 18 18 18 17 X X X X X 15 15 15 15 14 17 X 14 17 17 17 X X X 14 14 14 .not for sale or trade.way              Sorgdal 10 X 8 12 X 10 Out of the One.      a . land                   Gtrs.For educational use only . 3 & 4 14 X 12 G5   13 13 13 13 13 X X X X X 10 10 10 10 10 G5  pun . no.. 5 (till fade)      D5      A5   Far a -   way in this                       14 14 14 14 14 X X X X X 12 12 12 12 12     D5   One.ment sent from 15 15 15 15 X X X X 13 13 13 13 Bb5     15 15 X X 13 13      his  hands. 13 X 10 14 14 14 14 X X X X 12 12 12 12    A5   A A5  Bb5 I must go.ship that                                    7 X 5 out                 13 13 15 X X X 10 10 12 A5       Dm/F 14 14 14 X X X 12 12 12                 17 X 15 17 17 X X 15 15 17 17 X X 15 15 17 17 17 17 X X X X 15 15 15 15 19 X 17 19 19 X X 17 17 19 19 X X 17 17 19 19 19 19 X X X X 17 17 17 17   A/E in this land you must.                            7 X 5       Dm/F    of the        Bb5   site                     Begin fade        A/E of the hard . 7 7 7 7 7 X X X X X 5 5 5 5 5 9 X 7 9 9 9 9 9 X X X X X 7 7 7 7 7 7 X 5          9 X 7   12 X 10 10 X 8 A/E    no one should 5 5 5 X X X 3 3 3 6 X 4 6 X 4 6 6 6 X X X 4 4 4 A/E    site of the                       9 X 7 10 X 8 10 10 10 10 10 X X X X X 8 8 8 8 8 10 10 10 10 X X X X 8 8 8 8 A5      G5 A5    Bb5 Dm/F     14 14 14 14 14 X X X X X 12 12 12 12 12 10 Digital Conversion © 2011 Sorgdal .Outro-Chorus  Gtrs. 14 X 12 14 X 12 12 X 10 12 12 12 12 12 X X X X X 10 10 10 10 10 12 12 12 X X X 10 10 10 Fade out Segue to “Remenissions” D5  7 7 7 7 X X X X 5 5 5 5   5 X 3 no. 1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed. Fig. 14 X 12 7 7 7 7 7 X X X X X 5 5 5 5 5 7 7 7 7 X X X X 5 5 5 5 6 X 4 6 6 6 6 6 X X X X X 4 4 4 4 4 6 6 6 6 X X X X 4 4 4 4 3 X 1    a 3 3 3 3 3 X X X X X 1 1 1 1 1 12 X 10 Dm/F D5    A5   G5 A5  3 3 3 3 X X X X 1 1 1 1 5 X 3 know..ish .

)   3     D5       P. Jr. 2 (elec. 1 (elec. James Sullivan. All Rights Reserved International Copyright Secured Used by Permission 2 2 2 2 End Riff A 0 4 4 4 4 1 Digital Conversion © 2011 Sorgdal .M. 0 5 3 0 0 2  0 0 0 3 1         P.S.M.)  µ Gtr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately q = 91     D5 (Drums)   f w/ dist.  Bb    A7       (Ulh!)   1 1 1 1  0 0 0 0 3 3 3 3 3 3 3 3                              3 3 3 3 0 0 0 0 1 1 1 1 0 0 0 0 0 0 0 0 4 4 4 4 © 2003 EMI APRIL MUSIC INC. Brian Haner.not for sale or trade. No warranty of accuracy or useability is implied or claimed. 1 & 2                                                        0 0 0 0 2 2 2 2 3 3 3 3 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 0 4 4 4 4 0 0 0 0 2 2 2 2 5 5 5 5 2 4 4 4 4 0 0 0 0 *Chord symbols reflect implied harmony.from Avenged Sevenfold . 0 0 P. let ring 0 0  1   0 1     µ         P.  0 0     Gtr. Sorgdal .M.For educational use only . and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.Waking the Fallen Remenissions Words and Music by Matthew Sanders. f X   w/ dist.  0 0 0 0 0 0 0 0 0 0 0 0 Quadruple-time feel * Dm     A7      Ulh! Riff A Gtrs.

Sorgdal Bb 2 3 End Rhy.not for sale or trade. No warranty of accuracy or useability is implied or claimed. 1: w/ Riff A Dm A7 Gtr.M.                P.M.ly    2 3 0 2 Digital Conversion © 2011 Sorgdal . what   5 0 3 1 1 0 axe comes 0      C5 A5 does that mat 0  5 0    - ter? ’ral . 3         ear .For educational use only . and the 3 1 0 0 0 0 Bb5 G5 So. 3 3 2 0                         P.M. 3 3 3 3 2 2 2 2 3 3 3 3 5 5 5 5 A7 Bb/D 0 3 2 0 0 5 5 5 5 3 3 3 3       2  5 5 3 2 3 0 0 0 4 4 4 4 0 Verse D5   1.ly.M. 3 3 0 0 0 2 2 2 2                                  P. 0 0          P.ly.M. 3 1 5 3 0 0 5 5 0 0 2 0 2 0 2 0 2 0 . Rhy.Gtr.M. P. 1                   P.)           P.M. 1 & 2  3 3 3 3 3 3 3 3 0 0 0 0 3 3 3 3 D5        P. 1    P. 0 0 0 C     0  3 3 2 2  0 0 0  0   nat -  0  0 3 3 2 2 0 0 (On .M. P. Fig. 2                                                           2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 2 Bb              Dsus2 Gtrs.M. Fig. 3 3 3 3 D5      0 0 0 0 0 0 3 3 3 3 0 0 0 0 3 3 3 3 D5 4 4 4 4 4 End quadruple-time feel     0 0 0 4 4 4 4 C#º/D 2 2 2 2 5 5 5 5 A5addb2      P.M.M. With  F5 E5 D5       this ink in my F5 E5 D5  skin. we’ve   sealed our  fate.

1 & 2               P.       F5 E5 D5  (Noth . 11 15 12 16                      P.er G5 see past  Bb  move.tons     Gtrs.ing       Bb5 C Gtrs.   down past F5 E5 D5  type. 1 & 2: w/ Rhy. 1 (2 times) D5    Bb                            P. 5 5 0  D5 A5 for          P.For educational use only .lief. oth .M. un -  0 0 C    see through the A5 ster -    e - o  12     C     I’ll tear you        a grey fog. Fig.man lives.  E5    e . Sorgdal .Gtrs. D5 - seem so breath.M.not for sale or trade.) 0 0     Be .  side. 11 15 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0   12 16 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 Digital Conversion © 2011 Sorgdal .M. 1 (1st 3 meas.) D5    There’s E5 D5 bed of   a     G5 They’re wait Bb5  F5     skel    ing 0 Bb wait . 1 & 2: w/ Rhy.in’ for me    on the  5 3     my 0   next 2 0 0  real. No warranty of accuracy or useability is implied or claimed. Fig. (Next  fa -  tal 2 0   You can’t 2 0 2 0  0 0 0 0   C5  the  you.) F5   built       Bb5 G5 C5 and the one who cre D5 up in   A5    E5 -    at ed - Interlude µ D5       µ D5   you. 1 & 2 3 1 - C5 - F5    struc - ture wall. to me. F5 E5 D5          Hu .M.    Gtrs.

2   re .  Rhy. how  12 16 0 0 0 0                    0 0 0 0 Bb5    would they 0 0 0 0  0 0 0 0 0 0 0 0  act?        (Whoa. 2     3 1 0 0   G5   If we    did .n’t   have  hope.cent Bb5   be .µ    D5     µ                        P.ings?          Or is . Sorgdal     still  have?     End Rhy.) 4 Digital Conversion © 2011 Sorgdal .M.For educational use only . 2 D5    feel    whoa.  how C5     would we be -    Would they     5 3 5 5 Gtrs. 11 15     P. Fig.not for sale or trade.ered     in - no . Fig. 12 16 11 15 0 0 0 0 0 0 0 0 0 0 0 0 Pre-Chorus D5    If  they D5       did .M. Fig. 1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed.morse  if    they slaught .n’t   have 0 0 0 0  One.

acous. 4 3                  0 2 12 End Riff C     3 2 2 0 0 5 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 1 & 2               P.not for sale or trade. 5 3 5 5 0 0 Gtrs. with . 3 (nylon-str. 1 & 2 tacet    Gm   me Gtr. Sorgdal .For educational use only .out       10 12  Fadd9 5 6 8 5 5 7 6 5    them A7 we e   9 5 5 7 7 9 10 12 12 5 3 3 3 5 3 5 3 3 3 5 3 3 0 3 2 0 0 3 0 3 2 3 3 3 0 2 0 3 qual 10 9 12 3 2 1 3 1 3 2 0   11    let ring 2 noth -   12                                           let ring  let ring  let ring 5 -  Gtr.M.Chorus             G5 hope the on  .ly thing that keeps C5  you         sane?     Gtr.)        mp         10    w/ fingers let ring 2 0 1 3 0 3 2 0 1 3 2 0 3 2 0   0 *Doubled throughout Gtrs. acous. 4 (steel-str. 3  Cadd9         you are a mem    11 -  o - 10 11    ry.)  A      Dm          friend once good  told             10 12  Riff B mp 10 10 Riff C *Gtr.

M.For educational use only . 3 tacet        Leaves at my G5  feet.     12 13 12 14  life    was so             11 9 10    to na A7     10 11 Fadd9     10 11 -      the 9 C5    12 10  9 10 10  ground.      Gtr. Sorgdal 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 .den .        P. 4: w/ Riff C Dm   ing. 3 12 12 10 12 9 10 12 9 10 12 Gtr. P.M.M. 0 0 5 5 5 5 0 0 6 Digital Conversion © 2011 Sorgdal . 9 11   Their End Riff B    12 Gtrs.not for sale or trade. 1 & 2                         P.    Gtr. my                    12 12 10 D5      free. No warranty of accuracy or useability is implied or claimed. 3           All I     let ring       can see is a place I wan    Gm         w/ pick & fingers w/ pick & fingers let ring 10 9 7 Cadd9    9 10 10 12 12 13 12 14   w/ pick & fingers 0 Sud .ly. Gtr.     10 10     they’re blown 12 be.

1 & 2           P.                P. Bb5        0 0    Quadruple-time feel Dm    - P. Sorgdal .M.For educational use only .  3 1 0     C5 3 1 0   5 0 but P.M.M.M. 5 0 Keep  5 0     me.   3 3 3 3 3 3 3     fast.M. 7 5 7 5 0 0 0 0 3 1 3 3 3 3 3 3 3     7 5 0 0 0 0   7 5 7 5 0 0   3 3    it’s hard 3 3 C5      3 3   a .M.not for sale or trade.  0   sun’s   Bb5  P.          3 1 C5 5 3 1 5 5 5 5 5 3 C5     5 3 7 5 7 5 0 0 0 0       P. 5 5          way from keep a       to keep me in this    0 3 3 3 3 -         3 2 0 0 3 2 7 Digital Conversion © 2011 Sorgdal .M. 5 3 5  8 0     Bb5           7 0 down. the G5    5     2 0 3 0 0     0 go 0 5    5 5 5 5   D5 keep a .way from 3 1 5 3 3 1 F5       3 1 3 1 5 3 5 3 5 3 5 3 5 3 C/E         5 3 3      0 0 0 0    3 1 0 P.  ech - A5   oes are reach -    D5    ing my           F5 ears.M.    Night’s com - in’ Gtrs.  0 0                  in’ 5 P.M. 7 5 0 0 0 0  7 0                P. No warranty of accuracy or useability is implied or claimed. 5 (Oh.way from me.

For educational use only .not for sale or trade.  5 3 F5           0 3 3 3 3 0 3 2 µ            me.            5 0 5 7 8       Dm 7 5 0 3 1 3 1                        3 1 3 1 5 3 5 3 0 0 3 1     Bb5   3 1   5 3 5 3 5 3 5 3 C5   Keep a           0 5 5 7 7 5 Dm 0 3 1 3 1  way from              3 1 3 1 5 3 5 3 3 1 3 1 5 3 C5  5 3 -     way from              3 2 0 me.       Bb5    5 3 5 3 A5 C5 D5                8 -  a 5 3 C/E  keep  5 3     0 0       me.     Dm Bb5       C5 F5      me. Sorgdal 5 7 8 7 5 0 3 1 3 1             3 1 3 1 5 3 5 3 3 1 3 1 5 3 3 5 3 2 0 5 3 7 5 .    Ulh!)            0 5 8 Digital Conversion © 2011 Sorgdal .      keep   C5    a -     way from   place. No warranty of accuracy or useability is implied or claimed.

  To the End quadruple-time feel       A5    ex - ist      9 X 7  -  A/C#      ence. 1 & 2  End Rhy.For educational use only .not for sale or trade.   6 X 4 Gtr. 2   have cre    may     A5  . Fig. 1    5 3       3 1 2 0 2 4 Interlude D5 Rhy.ning. Fig.        P.man 9 X 7 our Bb5      10 X 8 7 X 5 Bb   -     A   We  Bb5    C gin . 3    P.Bridge D5 C We             may have cre . 3 Gtrs.c’ly.gin . the     10 X 8 9 X 7   3 X 1                 9 X 7    A       3 X 1 7 X 5 7 X 5 10 X 8 men .i . End Riff D1   10 15 15 X X X 8 13 13 2 0                                  5 X 3 3 X 1 2 X 0 3 X 1 3 X 1 3 X 1 2 X 0 5 X 3 3 X 1 2 X 0 3 X 1 3 X 1 3 X 1 3 X 1  3 X 1             4 X 2 6 X 4 6 X 4 End Riff D 9 X 7 14 X 12 14 12 Gtrs. Sorgdal .M. 1 & 2: w/ Riffs D & D1 D5    C5 end    Gtr. 2 7 X 5 7 X 5 9 X 7        Riff D Gtr.ning.  phys .at - ed   the be        of hu . 1 7 X 5 Bb5 7 X 5 A5 -     9 X 7 10 X 8  Bb    ed be .ly. No warranty of accuracy or useability is implied or claimed.     0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 9 Digital Conversion © 2011 Sorgdal .at     Riff D1 Gtr.M.tal .

 Gtr. 1 & 2: w/ Rhy. 3 D5 I       see through you. 3                             Ulh! Gtr. No warranty of accuracy or useability is implied or claimed. 1 & 2: w/ Rhy. Fig.         mf w/ dist. Gtrs.Half-time feel Gtrs. 5 (elec.)           the    fear that’s in    your        eyes.For educational use only . 10 Gtr. 5 & 6 tacet   Eb5  E5 F5 D5  0 0  Eb5 E5 F5 D5       1 1 2 2 3 3 0 0  Eb5 E5 F5 D5       1 1 2 2 3 3 0 0  Eb5 E5 F5      1 1 2 2 3 3  whoa.)      mf w/ dist. 1 & 2        0 0 1 1 2 2 3 3 10 Digital Conversion © 2011 Sorgdal . 6 (elec. 7 8 7 7 8 7 7 8 7 7 8 7 Bridge End half-time feel  Gtrs. Fig. Sorgdal .not for sale or trade. 5    7 7 12 11   8 7 10  12 10 11    7 8 12 10 11     7 7 8  12 11    7 7 8 7 Gtrs.

3 3 3 3 3 3 3 3                          3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 11 Digital Conversion © 2011 Sorgdal .not for sale or trade. 3 5 3 10  8 10 8 10          3 1 1 5 P. 5   10 10 8 10 8 10 10   10 6 6   Rhy. 1 & 2     P.M. 0 0    C5  0 0 0 0 0 1 0            1 1 6 12 13 11 10 11 13 10 5 12          P.M.For educational use only . Sorgdal . 4         P.  5 7 5 6  7  10  P. 6           f   10 10 3 8 10 8 3 6 5 6 3 5 5 7 7 5 End Rhy. Fig.M.M.M. Fig. 4 Gtrs.Guitar Solo D5             Bb5 Gtr. No warranty of accuracy or useability is implied or claimed. 1 1 1 1 1 1 1 1 C/E 3 10 10 8             13 3 11 10 11 3 10 8 10 3 8 10 8 10 9             3  10 6 F5                  5   13 3 12 11         8            0 0  3 10  8 7     0 0 3  11  f 0 0  11             Gtr.

No warranty of accuracy or useability is implied or claimed. 1 & 2: w/ Rhy. 5            Bb5   10 7  Gtr. Fig. 5 & 6 tacet 5 5     5 5 5 5 5 5 0 0 5 5 Gtrs. 4 D5  Gtr. 5 (2 1/2 times) A5       them A/C# we e - qual noth End Rhy.For educational use only . 5 & 6 3 8     good               3 3 3     Gtrs. Fig 5         2 0 2 4 3 3 3 3 3 3 0 D5    - ing. 6    10 8 10 8 10 10             6 7 6 5 7 5 6 7 C5  11 10                       11 10 12 10 11 12  13 12 13 11 10 11 13 10                        8 7 10 8 6 5 6 8  5 10 10 8 8 10 10 10 10 Chorus Gtr. 3: w/ Riff B F5 C/E    D5       A 13 11 10 11 10 8 10 8 10 10 3 3 8 8 10 6 5 6 7 5 7 7 me      ry. 1 & 2 3 5 told    (cont. 1 & 2: w/ Rhy.   All     I can . Fig 5 Gtrs. Sorgdal    with 5 3 5 3 5 3 5 3 5 3 5 3 are a mem - o               5 3 out   3 3 - 5 5 5 5  5 F5   we 7 0 0 C5       Rhy. on upper staff) 10 once      9               3 friend  G5 Gtrs.     5 3 -           5 3 5 3 12 Digital Conversion © 2011 Sorgdal .Gtrs. Fig.not for sale or trade.

For educational use only .     blown                                                14 14 14 X X X 12 12 12 14 14 X X 12 12 14 17 17 17 X X X 12 15 15 15 A5 ech .  G5         see is I na D5         a place  free.     Night’s com the -       A5 my life  A/C#       was so     ground. 5 10 12 12 12 12 10 X X X X 8 10 10 10 10 8     Gtrs. Gtr. con                            Gtr. their                               12 10 10 10 X X X 10 8 8 8 10 12 12 12 12 10 X X X X 8 10 10 10 10 8  in’ 10 X 8 9 9 9 X X 7 7 7     G5    C5     to 17 15 15 15 15 14 14 12 12 12 X X X X X X X 15 13 13 13 13 12 12 10 10 10                F5   Time .oes A/C# are reach .   G5 my feet.  wan -   Leaves at C5    F5   be.less. I don’t know   7 X 5 6 X 4            5 3 5 3 5 3 2 0 5 3 5 3 5 3 5 3 5 3 5 3     the         P. 5 14 14 14 X X X 12 12 12     fast. 5 tacet     C5     down. 1 & 2 5 3 10 X 8 9 7 9 X 7 - 9 X 7 9 X 7 7 5 A5   Eb5        fused.M. No warranty of accuracy or useability is implied or claimed.ing        5 X 3 5 X 3 6 X 4 D5 my  ears.not for sale or trade. 2 0 2 0 2 0 2 0 2 0 2 0      1 1 1 1 1 1 1 1     1 1 1 1 1 1 1 1 13 Digital Conversion © 2011 Sorgdal . sun’s 9 7 7 X X 7 5 5    go in’ -                                                    6 X 4 14 X 12 6 4 14 14 14 X X X 12 12 12 14 14 14 X X X 12 12 12 14 14 X X 12 12 14 17 17 17 X X X 12 15 15 15 17 15 15 15 15 14 14 12 X X X X X X X 15 13 13 13 13 12 12 10 12 12 12 X X X 10 10 10 12 10 10 10 X X X 10 8 8 8 Gtr. Sorgdal .

M.    but neith .F5    an - D5      swers.For educational use only .)     Begin fade Play 4 times & fade                                    Gtrs. 1 & 2                  3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3     rit. 0 0 Outro Faster q = 130 Half-time feel D5          Ulh! Riff E End Riff E                                                                   P. 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 Gtrs.not for sale or trade. 12 0 12 0 14 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed.   rit.er do you. Sorgdal 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0 12 0                                     12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 .  Gtrs. 1 & 2: w/ Riff E (3 times)              Yeah! (Ulh.M. 1 & 2   P.

M. All Rights Reserved International Copyright Secured Used by Permission     P. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. 1.not for sale or trade. Gtrs. Brian Haner. 1. 4 (dist. 0 0 0 0 0 0        0 0 0 0 0 0 1 Digital Conversion © 2011 Sorgdal .)  0 f  E5 F5 Bb5         0 3 2 A5 G#5  Riff A1 8 A5     7 7 6 F5 G5 E5     3 5 5 Bb5 A5 End Riff A1      2 2 7 8 Riff A Gtrs. 0 0 0 0   0 8 7 0 5 7 7 5 8 D5   7  0 0 © 2003 EMI APRIL MUSIC INC. cont.Waking the Fallen Desecrate Through Reverence Words and Music by Matthew Sanders. James Sullivan. Sorgdal . 2 & 3: w/ Riffs A & A1 (2 times) D5     Gtr. 1 & 2 (dist. 2 & 3 5 6 µ Gtr. No warranty of accuracy or useability is implied or claimed. Jr. 4    5 6 Gtr. 4 tacet D5 0 0 0 A5 mf End half-time feel  A5 G#5                  P.from Avenged Sevenfold . 3 6 7 5 6 6 7 6 7 8 9   8 9 Double-time feel      Gtr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately q = 95 Half-time feel * D5      Gtr. on upper staff) 6 7 5 3 5 3 6 3 6 3                 Gtrs.)      End Riff A     0 0 f  2 3      8 7 7 6     3 5 5      2 2 7 8     *Chord symbols reflect implied harmony.M. 1 & 2 (Gtr. 3 (dist.For educational use only .)   E5 F5        Bb5 6 7 3 3 5 3 5 3 6 3 6 3 6 8 6 8 5 6 3 5 3 5 F5 G5 E5 Bb5 A5               6 7 3 3 5 0 5 0   8 Gtrs. 3.

8 8 3 0 µ      0 2 3 5 0 2 2 3 2 3 Em F Em             0 2 0 2 0 2 3 5 3 5 2 3 2 3 µ             0 Dm    oh. P.M.M. 0 0 0 0 2 Digital Conversion © 2011 Sorgdal .S.M. P. Sorgdal 3 3 0 0 0 0 6 6 0 0 0 6 7    2 3 2 3 2 3 2 D5                 P. 1 & 2 tacet Gtr.  5 6   7 7 8 3   0 7 0 5 7 5 7 8 5     Gtr.) 1&2   Gtrs. 3 tacet µ       Dm Em      F    Em     Gm  (Oh. 4          P.not for sale or trade.M. P. 2. Gtr. 3   Gtrs. X         X X X     0 0 0 0 .Gtrs.S.  0 0 0 0 3 3 0 0 0 0 3 0 6 0 6 7 0 0 1.                     P.For educational use only . P. 1 & 2  P.M.M. X  5 P. 3 F     Ulh!                       P. No warranty of accuracy or useability is implied or claimed.M.                      3 5 3 5 0 2 0 2 2 3 2 3 0 2 0 2 0 2                      P.M.M.  X X X X X X  Gtr.

F5    don’t no.S.nored. 1 2 2 D5             2 2 2  2 2 2 2        3 3 2 2  2 2     2 2 2 2           2 2 2 2  2 2 2 2  3 3  Dis      - ap . 3 tacet       E5 1. Rhy. 1  P. 4 tacet D5 µ                       P. No warranty of accuracy or useability is implied or claimed.M.For educational use only .M.   er. Fig. to . 0 0 0 0 0 0 0 0 Verse Gtr. 0 0 0 0         P. Pre -    news.not for sale or trade. 1 & 2    tak be won’t F5 -   E5   en hard ig .point Don’t End Rhy. look not to me.day.End double-time feel Gtr.                            0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 Digital Conversion © 2011 Sorgdal . Fig. sence             2 2 2 Gtrs. Sorgdal .M. Hard 2. X  X X X  X XX X                             D5 8 0 7 8 0  7 5 7 5 8  7    X XX X X XX X      0 0 0 0       P.

Fig.pin -  me. think. Fig.ter - Gtr.  F5   E5  a . E5 came to  me. 6 (dist. D5     (Don’t look my              we in don’t my   for help. 1 & 2: w/ Rhy.gree.       down on Gtrs..) o . No warranty of accuracy or useability is implied or claimed. near. 1 E5  walk ed.      2 2 0 0 2 2 2 2 3 3 .gin . you.ning you Gtrs.mise     2 2  to is me.For educational use only .de .)           f 16 Gtrs.   (Won’t (We don’t E5        ion. 1 (last 2 meas.ing Com .Gtrs. di . Fig. Sorgdal 2 2  play want your your    I spit won’t in let   F5 my you      2 2 2 2 2 2  3 3    games. F5  asked you pre . Ask . way.not for sale or trade. 5 (dist. 1 & 2: w/ Rhy. 5 & 6 tacet D5    praise.)          I you  F5 don’t won’t need find  your them   f 18 Gtr.ing ques way from the be .pro .   I Look don’t F5   2 2 2 2    2 2 2 2   want D5     You’re noth . 1 (1st meas.        F5    I turn don’t the need oth    your er -  praise.)   to mined like an     - me. 1 & 2: w/ Rhy. swers. 2 times)  E5    Nev -  -    er tions.rec      - tion.) Gtrs. here. 1 & 2      2 2 2 2 4 Digital Conversion © 2011 Sorgdal .) And E5    face.

Riff B   5 3 0 0 0 0  don’t  0 0 0 0  0 0  breathe this   P.more. it’s not near.not for sale or trade.M.M. 2                                                         5 3    (Don’t 5 3 5 3 5 3  4 2  look this 4 2 4 2            P. Sorgdal .               P.M. No warranty of accuracy or useability is implied or claimed. 2 0 D5    in me.M. 0 0 0 0 0 0 0 0 Chorus Double-time feel Dm/F     Dark - 0 0 0 0 A/E ened 0 0 0 0 0 0 0 0        P. 0 0 0 0 0 0 0 0 0 0 0 5 Digital Conversion © 2011 Sorgdal . 0 0 7 7 10 10  an  - 8 10 0 0     5 3   5 3 y . 0           P. 0 0 0 0 0 0 0 0 0 0 0          P.    0 0  0 0 8 8 8 10 10 8 8 8 8  don’t  8 8 8 0 0 7 10  7 10  stare this 7 7 7 7 10 10 10 10  0 0 0 0 0 0 0 0 0    way            P.) End Riff B            P. Fig. 0 0 0 0 0 0 0 8 0 10 0 8 0 0   way. 0 0 D5 D5  ’cause  0 0              P.For educational use only . 0 not to me.M. 0 0 Dm/F  eyes  0 0 0 0 0 0 0     you’ll see.M.M.M.M.M. End Rhy. no Gm/Bb there                         P.         0 0 0 3 0 5 6 0 0 7 µ 0 0 0 0 0 0 0 0 0 0 8     Bb5 C    is no hope. 0 0 0 0 0 0 0 0  way. 0   0 0     0 0 0     µ 7 5 6 7 Csus4    sav - ior Rhy. Fig.

1 & 2: w/ Riff B              0 0 0 an         P.M.For educational use only . 5 6  don’t    breathe this  way. 0 0   don’t  0 0    stare this 0 0 0 0 0 0 0 0 0 0 - 0     (Don’t         6 8 10       6 7        Gtrs. Fig. 1 & 2: w/ Rhy. 2     Dm/F  A/E   Learned Dm/F     years gone from D5      by.not for sale or trade. Sorgdal   way. 0   don’t   breathe this   0 0 0 0 0 0 0 0 0   way. 5        y .M.      P.    to   D5    8 5 6  C Csus4 D5    8                    5 3 6 5 5 1 3 3 5 10 10  6 6 8 8  10  6 Bb5 11 6 8 Gm/Bb 8 8 10 11      5 10  5 6 8 6                                                     5 5 5 5 3 3 3 3 4 2 4 4 2 2 5 3 0 0 0 0 0 0 8 8 8 8 0 0 0 10 10 10 8 0 0 0 8 8 8 8 8 8 0 8 0 7 7 7 10 10 10 7 7 7 10 10 10 7 7 7 10 10 10 8 10 0 0 .more. 0 End double-time feel   way me.     (Don’t Gtrs.more.)                         8 6 A/E Dm/F D5  10 Gtr.         P.    Gm/Bb    no one Bb5 C     will care what hap Csus4    - pens 1.M. 1 & 2     look this 0 0 0 0 0 0 0  way.Gtrs. 1 & 2   5 3 5 3 6 Digital Conversion © 2011 Sorgdal .   don’t  stare this     way  0 an   - 0  y .) 2. 6    look this Guitar Solo Dm/F Gtr. No warranty of accuracy or useability is implied or claimed. Gtrs.

M. Gtr.M.   You’re   End half-time feel   left  End Riff C1 fears.           8 0  8  ask. 0    End Riff C 7 0    Riff C P.M. 1 & 2: w/ Riffs C & C1 (3 times) Gtrs.lone   in     here.     P.er  - 8 3     know.ings.M. Sorgdal . 7 Digital Conversion © 2011 Sorgdal .           8 0 7 5 7 7 0 0  feel .M.M. 2     Dm posed.For educational use only .  8 0  Don’t   P. 5 & 6 tacet       I’m Gtr. 8 7 0  10 0  8 7   be - hind. 1  a .not for sale or trade. No warranty of accuracy or useability is implied or claimed.  7 10 8    you’ll    I’ll be ex 7   nev . 0          Riff C1 0   No more   P.  killed my  5 7 8 7 5 7 2 0           P. End double-time feel Bb5 5    6             0 0 0 0 0 0 0 0 0 0 0 0 6     3 1 3 1 5          3 1 3 1 3 1   5            5 3 5 3 5 3 5 3   5 3 Bridge Half-time feel Gtrs. 5 P.       10 10       6  6       0 0 0 0     6 8 0 0 0 0 0 0 C5    10 11 10 8   8              3 3 8           0 0           2nd time.

3 Gtrs. Fig.For educational use only . 1 & 2      7 5 5 3     1 1 Double-time feel D5  Hold C/E C5       - in’ me down    and break 3 3 3 3 3 3 in’ a 3 3 D5        - 3 3 - 2 0 2 0 2 0 2 0 2 4     2 4 2 4 2 4  way. Fig. 1 & 2     try    10 X 8 - 7 5 0 7 5 0    in’ to 7 5 0 3 2    C5 dis - 3 2 3 2 3 2     F5 tance life.                                         10 X 8 10 X 8 9 X 7 9 X 7 9 X 7 9 X 7 7 X 5 7 X 5                        5 3 5 3 5 3 0 0 0 0 0 0 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7                                7 5 0 7 5 0 7 5 0 3 2 3 2  3 3               Rhy.not for sale or trade.M.   7 X 5 0 0 7 X 5 0 0   Not End Riff D                             5 X 3 5 X 3 6 X 4 5 X 3 5 X 3 5 X 3 5 X 3 5 X 3 6 X 4 6 X 4 6 X 4 6 X 4 6 X 4 6 X 4 End Rhy. my             10 X 8 9 X 7 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7                 7 5 7 5 7 5 5 3 5 3 Digital Conversion © 2011 Sorgdal . 4                  P. No warranty of accuracy or useability is implied or claimed. 7 5 7 5 7 5 5 3 5 3 5 3 9 X 7 0 0 9 X 7 9 X 7 5 3 9 X 7 5 3 9 X 7 0 7 X 5 7 X 5 7 X 5 0 0 A/C#                     8 Sorgdal 3 3 Riff D    Gtr.Outro D5     C5 Eb5   Far a -         F5   way. Gtrs. 3              3 3 3 3 3 3 2 4 2 4 2 4 3 3 3 3 3 3 2 4 2 4 2 4 . you     A5   keep on A/C#    try -  in’.

1 & 2      5 3 0 0 Bb5         time. 1 & 2: w Rhy.Gtrs. 3 Gtr.   could  C/E C5  that D5  the  one   the  an -  A/C#       swer.  mind.                 5 X 3 5 X 3 5 X 3 5 X 3 6 X 4 6 X 4 6 X 4 6 X 4            3 3 3 3 3 3 3 3 2 4 2 4 2 4 2 4 2 4 2 4 9 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 7 X 5         Gtr. I  D5   with F5   change     crowd.    C5   don’t need    you. 4: w/ Riff D      one in D5             C5  one   your   true.For educational use only .not for sale or trade. and don’t  waste                  10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8           3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 F5 A/C#             I’m not your mine. Sorgdal . 4    It’s not    Don’t waste your    9 X 7 9 X 7 Gtrs. Fig.

not for sale or trade. 0 0 0 0 0 0 0 0 0 0 0  0 0 0 0         0 0 0 0 0 0 . 4 tacet Sorgdal                 P.M. 5 3 5 3  3 1 0 9 X 7 9 X 7 5 3 5 3  0 0 0 0 0 0 0 0 0  A/C# all dead to 0 0 0 0 0 0 0 0 9 X 7 5 3 5 3     D5 me. 10 Digital Conversion © 2011 Sorgdal . 0 9 X 7  A5 5 X 3              5 X 3 3 3 3 3 2 0 2 0 2 0 3 3 2 0 2 0 0 0  2 0 2 0 2 4 2 0 2 4 2 4 2 4 2 4 2 4    Gtrs.   D5    friend.           5 X 3 5 X 3 5 X 3                       3 3 3 3 3 3            P.M. No warranty of accuracy or useability is implied or claimed.For educational use only .M.     And in the                                        7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7                                           0 0 0 0 0 0 0 0 0 0 0 0 5 3 5 3 5 3 5 3 5 3  0 0 0 0  0 0  0 0   Bb5  end. 1 & 2 0 9 X 7 F5      9 X 7     Gtr.      C5  won’t soothe your soul. you’re                        10 X 8 10 X 8 10 X 8 10 X 8 10 X 8              3 1 3 1 3 1 3 1 3 1 10 X 8 10 X 8 3 1 3 1 10 X 8 3 1 10 X 8 3 1 10 X 8 10 X 8 3 1           P.

Brian Haner. 1 (elec. James Sullivan.For educational use only . Fig. 0 1 1 D5                     11 13 11 14 12 14 12 11 10 10 12   13 16 16                 C5 13 F5 End Rhy. 5 5 3 D5 3 11 12 11 1 1 3 3 3 3 4 4 4 4 3 3 1             Eb5 F5 Eb5 F5  3 12 11 10 13 10 © 2003 EMI APRIL MUSIC INC. Fig. 2 & 3: w/ Rhy.                C5  6 8      9 8 10 8 10 3 3 3 9 10      5 5 3 3 8 5 5 3 15   P. 5 5 3 3 3 3   5 5 3 3 5 5 3             0 1 3 3 1 3 1 *Chord symbols reflect implied harmony. Sorgdal . Jr.not for sale or trade. 1 11 Gb5  8 11 Gtrs.         P. w/ bar 7 5 7 5  5 +1 F5    f w/ dist. 1      Gtrs. 2 & 3 (elec.M. All Rights Reserved International Copyright Secured Used by Permission 12 Eb5 13 10 10 0 1 Digital Conversion © 2011 Sorgdal .M. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E D5 Dm Intro-Guitar Solo Very fast q = 192 Double-time feel * C5 1 D5 8va     Gtr. 1 Gtr.  F5 5 Eb5   loco string noise X  5 -1 -6    Rhy. 1 13 F5        6         Eb5 8        P. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.M.)   f w/ dist. Fig. No warranty of accuracy or useability is implied or claimed.from Avenged Sevenfold .Waking the Fallen Eternal Rest Words and Music by Matthew Sanders.)     Eb5   Eb5  Harm.

C5             D5 Eb5                     3 8 10 11 11 10 8 8 10 10 9 8 9 8 9 10 8 F5 8 10 8 8 D5 Gtr.M. 7 7 5 12 10 7 7 5 5      10 9      7 7 5 10 9 10 P.not for sale or trade. 1/2  0     F5  8va  9 F5 13 10 13 3 5 5 6 6 6 6 5 5 3 3                    F5 8 G5 10 15 F5 13 15 13 13 15 17 12 G5 15 17 F5 15 12 13 15 17 15 . 2 Gtrs.M. 2 17 13 2 Digital Conversion © 2011 Sorgdal .M. No warranty of accuracy or useability is implied or claimed. Fig. 1  8 F5                      6 3 3 Gb5 10 G5  3 7 7  12 9 10 12 13 12 10 9 9 12 10 12          5 5 P. 2   D5  12                     F5       loco            7 7 5 10 7 7 5   9 9 12   7 7 5 D5 12 9   1/2 12 F5 Pitch: F# Rhy. Fig.      5 5 5 9 10 11    12 15 12 14 14   7 7 5 7 7 5 Gtrs. Fig. 1 13 12 End Rhy. Sorgdal 12 10 13 8 10 13 12 13 15 13 12 9 10             0 3 5 5 3 5 3 G5 13 17 13 Ab5 G5 F5  13 15 15 13 15 13 14 13 14 13 15 13 14 13          P.           0 3 3 5 5 3                    Gtr. 2 & 3: w/ Rhy.For educational use only . 2 & 3 13 G5 P.H.

ing F5      D5     me For    2.75 2.25 Gtr. loco    F5   I feel   Eb5  their stare from     +1 /2. * 5 2. Fig.25 2.75 0 Gtr.25 2.75 2.part my F5   pride and C5  cold     runs through my  D5 Eb5  veins. Black. 2 (1 3/4 times) D5  mi . 2 & 3: w/ Rhy.chant . Eb5       F5  They tear 8va        Gb5 a .’ry   step. C5     17 D5 Harm.75 2.      Eb5 15ma w/ bar /2.not for sale or trade. and Eb5  F5 they won’t stop  Gb5   hunt .75 Pitch: C G *Harmonic located three-fourths the distance between the 2nd & 3rd frets. No warranty of accuracy or useability is implied or claimed.75 2. Harm. en . Fig. 1 (2 times) C5      1.25 0 -1 -2 1/2 3 Digital Conversion © 2011 Sorgdal . 2: w/ Rhy.75 0 F5 down. 2 (2 times) Gtr.ing       15ma w/ bar   ev . 3: w/ Rhy. get the -      time will come   /2. Fig.For educational use only .ing      3  20 19    17 17     eyes 8va  D5  Eb5 F5    Eb5   cut through my      1   20 20 F5  heart with    15 20 Eb5   no re  -  19      gret or sign of life. Sorgdal .75 0 /2.D5  F5                     G5 Ab5 G5   loco                    8va 3 13 15 13 15 13 13 12 13 13 15 17 15 20 15 15 15 18 F5 18 18 13 15 17 18 15 3 17 15 16 15 15 17 20 17 0 14 15 17 17 15 Verse Gtrs. +2 C5   fdbk. 1 tacet  haunt .les.

                       0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Oh.and F5 G5 0 0 0 3      2 2 3 3            0 0 0 0 0 0 3 3 2 2 0 0 *See top of first page of song for chord diagrams pertaining to rhythm slashes. Fig.    you left the F5  F5    G5  F5  D5 Ab5 G5 . 3 (3 times)   D5  F5 D5 F5 D5 F5 D5 Ab5  F5     P..son brought you       D5   you’ll still F5 G5     see me there.and why End double-time feel G5   ask .F5 G5   F5 G5    when all a . Sorgdal ..ing burn . 3: w/ Rhy.ing chil .For educational use only .M. 2  4 Digital Conversion © 2011 Sorgdal . .. 3             0 0 3 3 2 2 0 0 5 5 6 6 6 6 F5 D5 Gtr. Fig. 3      Slower q = 118 F5 Gtr.not for sale or trade. 3 3 went F5   * D5 Gtr.ing where you Interlude    Ab5 here. 2 call  G5 .M. for you all a   - 3 5 5 5 what        5 6 6 6 6 5 5 3                         3 and     lone. Gtr... Fig. No warranty of accuracy or useability is implied or claimed.dren        cold. 3 to  Rhy.       2 2      3 3  0 0             0 0 2 2 3 3 0 0 6 6 5 5 6 6     2 2       3 3            0 0 0 0 0 0 2 2 3 3 0 0     (cont. out in the night.... P.round me’s burned and D5        F5    per . in notation)     3 3 0 0 F5 D5 2 2  End Rhy.

1 D5     2.      0 0 0 0 0 0 Gtrs. Bkgd. Fig. Fig.. 0 0 5 D5   me.  3  lives.  3   in their    0 3 5 P.y. No warranty of accuracy or useability is implied or claimed. 4    3  3 ment .ing me    Voc. 0 0 0 0 0 0 X F5 D5 P.ed     with souls.For educational use only .: w/ Voc. 4 (3 times) D5    Tor     3 - G5  - side D5 F5 D5   3  of me. Fig.  F5  G5 End Rhy. Fig.Gtr.    0 0 0 0 0 0 0 0    3  P.  P. 3 young no 3 G5 D5 F5 D5 F5 G5  3   haunt . 2 & 3  hearts.M.not for sale or trade. 2 & 3: w/ Rhy. Fig. 1     5 Digital Conversion © 2011 Sorgdal . Dark   in their 3 Rhy. 4 Gtrs.M. D5     Take these chains a -    way that are  G5 D5 F5 D5 F5 G5 hold .M.er .S. all they To Coda    know 3    is G5 D5 F5 D5 F5 G5 3     mis .  F5 D5 Ab5 F5         X X F5 D5 F5 D5 F5   D5 Ab5   0 X F5  D5   F5 D5 F5 D5 F5 D5  Ab5 F5 D5   F5   D5 Ah! F5   D5 F5   D5 Ab5  F5 D5        I can feel it burn in     F5  D5  F5  D5 F5  D5 Ab5   Verse iq = qK e 2nd time. Sorgdal . 2: w/ Rhy. Voc. 3 (2 times) D5     P.M. Pain 3 3   0 3 P.ing     P.M. Fig.M. 4.

5 (elec.M. 5 & 6 tacet 2 3 3 3 3 3                  0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 .not for sale or trade.      0 0 0 0 0 0    ing me        7 10 12 14 12         5 7 12  3 9 9  3 12 12 12    hold  6 6     10 8 3          9 9 Gtrs. 10 8 12 Gtr. 4 (elec.  Gtr.Half-time feel D5  down.For educational use only . 3           f   3 f      9 10 9 3 9 3       0 0 0 0 0 0 0 0 0 0 0 0 P.    0 0 0 0 0 0 0 0 8 5 3 5 8   3    3   7    - 7       P. 0 0 0 0 6 Digital Conversion © 2011 Sorgdal .M.M. Sorgdal 0 0 0 0 12 3      6  7 5 8  3   7 12 12    3  9 9 5        9  7 10        0 0 P. End half-time feel  down.) 3 5      7 5  P.M.            3 10 5 8      9                7 5  6 8 8          P. 0 0 0 0 0 0 6 8 6 6   3 7 3     5 5        3   4 P.)       w/ dist.M. No warranty of accuracy or useability is implied or claimed. 0 0    10 5 3 3      3 3 3  9 12 Gtrs. 2 & 3   3  w/ dist.M.

your Dº/Ab   eyes and A5    3 pain is their sat    3 see the Eadd#9/G#   dark .M. ways.ous 3 7 8 7 4  3     stone.to 5 3 5 vil . 0 0 0  0     0 2 5 0 3 7   3 3 2 2 2 2         P.   Gtrs.  D5/A 3 3 P. 2 & 3         0 0 0 0   find you a  Eº - 0 A/E        P. They’ll Riff A Gtrs.ance.M. ing 3     3                          3  5 4 2 5 4 2 5 4 2 5 4 2 5 4 2           3 2 4 2 2 4 2 2 4 2 2 4 2 7 Digital Conversion © 2011 Sorgdal . they seek more than   3 3 8            5  3  7 3     Eadd#9/G# 3 their hearts 3 3 Dº/Ab  3 des . 2 & 3: w/ Riff A D5    3   Eº  venge .lain .M.ness  - is -  take Chorus  Dm/F   I’m      A7/E con -     (Wait   trolled by   - C#m/E  3 5 3 3 5 3 3 5 3 3 5 3 3 5 3  5 4 2  for.M.ing         P.   3  3   Look in their D5/A   eyes.   7  3 2  Dm/F   your 3 3 A5   lone.Verse Double-time feel D5      3. Sorgdal . No warranty of accuracy or useability is implied or claimed. 4 2 2 2 2 2 3   5 3     5 7 7  3   in .p’rate and 3 8 Turn . 2 & 3     0 0 0   Look in their Dm/F  tion. 3 3 5 3  fate.not for sale or trade.For educational use only .  3 7 6 8 6 End Riff A     10 8 7 Gtrs. A/E    3 fac - D5      hold.

3             3 2 4 2 2 4 2 2 4 2 2 4 2 3                   3 5 3 7 7 6 7 7 6 3 3 5 3 3 3 5 3 3 5 3 3 5 3 3 5 3 7 7 6             3 3 3 5 3 6 5 8 7 5 5 6 5 8 7 5 Riff B1             Gtr. 2 3 2 4 2 2 4 2 8 Digital Conversion © 2011 Sorgdal ..For educational use only . 3 3 5 3 3 5 3 3 5 3 7 7 6 7 7 6       3 3 5 3  rade.                           3 Dm/F    7 7 6 7 7 6 7 7 6     No sign of venge      wait 3 7 7 6 A7/E -   - ing 3 3                             0 0 0 3 5 3 3 3 5 3 3 3 5 3 3 5 3 3 5 3 3 5 3 5 4 2 5 4 2 5 4 2 5 4 2 5 4 2 5 4 2 End double-time feel C#m/E Dm      Eadd4/G#  ance. 3     -  ing.not for sale or trade. No warranty of accuracy or useability is implied or claimed.         wait µ       for the rest of time.. Sorgdal 2 4 2 2 4 2 3 3 3                               3 5 3 7 7 6 7 7 6 7 3 3 5 3 3 3 5 3 3 5 3 3 5 3 3 5 3 7 7 6 8 3 7 10 8 7 7 8 3 7 10 8 7 .   3 Burn         for.Dm/F Eadd4/G#   Tired     D5    of your pa      wait -  - 3 5 3 3 5 3   ing for.) Riff B Gtr.

No warranty of accuracy or useability is implied or claimed.For educational use only .not for sale or trade.Interlude iq = iq Gtrs. Fig. Figs. 3 (1 3/4 times)    F5  D5 F5   D5 Ah!            End Riff B               3 3 5 3 3 6 5 5 8 3 7 8 7 5 5  3 8 7 F5 D5 F5 D5   7 10 10 F5 D5   8 7 7 Ab5 F5   6 5 6 10 8 10 14 14 End Riff B1 D5 8 7 F5 D5 F5 D5  8 7 6 7 10 9 10 14 F5  F5   3 3 7 8 7              3 10 6 3             7 7 5 8  3 3 D5  14 D5 Ab5  F5 D5 F5 D5  F5   D5 Ab5 F5  D5  Ah! F5   D5 F5   D5 Chorus Half-time feel iq = q K e Ab5 D5       Hear the haunt            4 5 4 4 5 4 D/F#        - ing 3     Rhy. 5 & 5A Gtrs. 2 & 3       2 2 3 3  0 0        0 0 2 2 3 3         0 0 6 6 0 0 0  5 5 6 6        0 0 0 0 0 0 0 0 0 3     0 0 0 0 0 0 4 5 4 4 5 4 4 5 4 4 5 4 9 Digital Conversion © 2011 Sorgdal . Sorgdal . 2 & 3: w/ Rhy.

Fig.ing  0 at 3 3 1 0 1 1 1 1 1 1      G5 0 0 0 0 0 0        out    is    4 4 4 4 4 4 A 3 night.ing. Figs.dren  -    lost Whispered: (They’ll F    words. 5 3 3 3 1   3   them cry . 5A 3 6 3 3 1 3 3 1 6 6 2 2 2 2 2 2 3 3 3 3 3 3 6 0 0 0 0 0 0 4 4 4 4 4 4 End Rhy.ing  3 E5 cry . 2 & 3: w/ Rhy. No warranty of accuracy or useability is implied or claimed.For educational use only . 5 & 5A D5      I    Digital Conversion © 2011 Sorgdal .er they’re call 2 3 3 3                           Turn . Sorgdal       their hearts to                5 5 5 4 7 4 7 4 7 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 4 7 - 3 3 4 7 0 0 Bb A C#m Dm     now. plan .  D5  Bb5  3 - their sat .fac    3    3 side when the    - 5 5 5 5 5 5  tion. stone.  hide!                                 3 3 1 3 3 1 3 3 1         6 6 6 6                            3 3 1 3 3 1 3 3 1      D/F# hear End Rhy.not for sale or trade. run and  ing. Fig.is .  A 3    and you’re the             2 3 3 3 2 3 3 3 2 3 3 3  Gtr. Whispered: Your pain 10     lost moth . 3         lone.ets  are . Screamed: Go Gtr.   G5             you a find             5 5 5 5 5 5 5 5 5        5 5 5 3         with no heart are 3 chil . 2         2 3 3 3 2 3 3 3 2 3 3 3 3 0 0     2 3 3 3 0 0 Gtrs.

Fig. 2 & 3: w/ Rhy. 6 (elec. 4 (4 times) D5       G5   down. Sorgdal .For educational use only .  C#m       now.   For the   rest    of time.  F5 Whispered: Hold . No warranty of accuracy or useability is implied or claimed. al Coda End half-time feel D5 fall  -   F E5              ing.                           3 15 15 15 15 15 15 X X X X X X 13 13 13 13 13 13 3 3 3 G5 D5 F5 D5 F5 G5                          3 14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12 3 15 X 13 15 X 13 D5  3 18 18 18 18 18 18 X X X X X X 16 16 16 16 16 16   9 X 7  9 X 7 9 X 7 9 X 7 9 X 7  3 3 3 14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12 17 X 15 17 X 15 17 X 15  17 X 15 17 X 15  ing.)  Coda Interlude Half-time feel Gtrs.ing   me down. 3 3 3 14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12                          3 - 3 9 X 7 17 X 15                         3 10 10 10 10 10 10 X X X X X X 8 8 8 8 8 8 D5 3 15 X 13  Screamed: Hold                            15 X 13 G5 D5 F5 D5 F5 G5                            3 3 3 3 10 10 10 10 10 10 X X X X X X 8 8 8 8 8 8 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 11 Digital Conversion © 2011 Sorgdal .D.) f D5 3 3 3 w/ dist. Bb5   They want to    Bb        feel and know you hear  A Dm  them.S.not for sale or trade. run and   Go  hide.ing 3 3 3 3 3 D5 F5  G5 me                                                        Gtr. 14 X 12 D5   14 X 12 14 X 12  14 X 12 14 X 12 14 X 12  14 X 12 14 X 12 14 X 12  14 X 12  14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 15 X 13 15 X 13 G5 D5 F5 D5 F5 G5   down. 3 3 3   hold .

8 10 12 Digital Conversion © 2011 Sorgdal .M. 6 tacet  µ    Outro Half-time feel iq = iq Dm Gm7        Riff C2 Gtr.)      Gtr.M.For educational use only . 2: w/ Riff B Gtr. 3       mp 5 6 7 7 8                        6 6 5 8 7 8 7 8 8 8 8 9 8 6 9 End Riff C2 8 9 8 7 6 7 8 Riff C            0 0 5 3 1 0 3 1 0 4   5 5      4 5 4    5 5 Riff C1    0 0 7 5 5 8             Riff D2 5 6 8 8 10 6 8 6         5 2 2 F      5 3 5   5 7 3 8 0   8 7 8 Eº        6 7 8 9 8 6 9  8 9 8           P.not for sale or trade. 3: w/ Riff B1 Gtr. Sorgdal 8 12 8 10 7 8 5   11 End Riff D2        5 8 7 6 7 8 6 End Riff D     3 3    7 5 5    4 7  A7 Riff D 5 7       End Riff C1         6 End Riff C µ 7 A7 6 7 7 Eº 8       5 5 4 5 7 End Riff D1                 7 7 10 8 8 5 8 7 7 12 7 8 8 11 .  5 7 3 5 2 Riff D1          P. No warranty of accuracy or useability is implied or claimed.Gtr. 7 (acous. 2      Gtr.

Gtr. 2. Sorgdal . 3 & 7: w/ Riffs D.For educational use only .Gtrs. C1 & C2 (3 times)  Dm Gm7                           Gm7 E Dm         Dm Eº - ter -    Gm7     A7       Eº nal     A7  rest. D1 & D2        µ  E -              F ter -   Eº nal  rest. 7                                 5 6 7 7 8 7 7 6 6 8 7 8 8 8 7 8 6 8 9 8 6 9 9 8 5 8 7 6 7 8 6 Gtr. 2.not for sale or trade. 3         0 0 7 5 5 8         5 2 3 5 3 0 2      8 7 8 8 11    7 7 7     0 0 0 13 Digital Conversion © 2011 Sorgdal .        Gtrs. No warranty of accuracy or useability is implied or claimed. in Gtr. 3 & 7: w/ Riffs C. 2     time. 2: w/ Riff C Dm Gm7               A7 Eº A7     Dm Gtr. in Eº    A7      time.

     Gtr.from Avenged Sevenfold .Waking the Fallen Second Heartbeat Words and Music by Matthew Sanders.not for sale or trade. 10 10 10 Riff A Gtr.M. 1 (dist.M. 1       Gtrs.   10 10 8 8    6 6 6 © 2003 EMI APRIL MUSIC INC.    Gtrs.)                                      10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10    f P. Brian Haner.M. and Zachary Baker C5 Bb5 F5 G5 Ab5 Bb5 5fr Gtrs. No warranty of accuracy or useability is implied or claimed.For educational use only .  10 *Chord symbols reflect implied harmony.)      f P. Sorgdal . Jr.M. 1 & 2 10 10 10        P. James Sullivan. 1-7: Drop D tuning: (low to high) D-A-D-G-B-E 134 134 111 111 6fr 111 Eb5 VIII 8fr 111 111 Intro Very fast q = 257 * C5 Gtr. 2 (dist. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission     6 6 6 1 Digital Conversion © 2011 Sorgdal . 3 (dist.)     3  10 10  10 10  10 3  10  10 10  10 10 3  10  10  10 10  10 10 10 10 Bb5 Ab5   10  3 10    10 10  3 5 5 5 7 5 7 8 5 8 7 5   3 10 10  10 10  3 8 6 5 7 8 7 5 8 Rhy. 1 & 2                                  10 10 10 P. Fig.

Fig. 1 & 2                   P. 3: w/ Riff A F5      3   G5   C5 End Riff A    Gtr. 3   12 10     5 5   8 10   5 7              10 12 10 8    10    5  G5  12   10 12   7 8 8 10    10    5  3 3 9   12 5 5 5     Gtr.not for sale or trade. No warranty of accuracy or useability is implied or claimed.For educational use only . 4   3 10 End Rhy. 1 & 2: w/ Rhy. 1 Gtr. Fig. 1    3 3 3 7    3 f 6    11 9   12 10   8 7 8 10     8 12     5 8 Gtrs.Gtrs. Sorgdal         10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 .M. 10 2 Digital Conversion © 2011 Sorgdal . 4 (dist.) 3 8 6 5 6       8 8 8 10 3 10 10   10 8 Bb5 Ab5    3      F5        3 3 12 8 10 C5       Riff B1    8 10       Riff B Gtr.

No warranty of accuracy or useability is implied or claimed.For educational use only . 3    5 6    6 6 G5 11 9 10 6 6 6        5   8 6         2.Ab5             10 12 10     8 7 1. 6 6 6 6 6 6 6 6 6 6      Gtr. 3    3 3 3 3 3 3 3 3 10 3 5 5 P. 3 3 3 3 3 3 3 3 3 3 5 5 5   8 8   8 7 8 8 5 5 5        5 5 3  Gtr. 4 6 9     6 8 6 8      Gtr. Sorgdal .M.not for sale or trade. 1         3 Slower q = 185 C5  8 3  End Riff B1                    3          G5 11 9 8 10        5     4    5    5 5 3       5 5 3 3 Digital Conversion © 2011 Sorgdal .M. F5    6 8 6 6 6 6 8 10 6 5 3 3 3 P.M. F5  9         5 6            7 8 7         P. 2         3 3            5 5 3 5 5 5 5  8 5 5 5   10    End Riff B 8 7 5 5  5 5 5        5    Gtr.

S. P. Fig. 5 & 6: w/ Riff C    C5 Bb/D Eb   Eb/G   but C5      We    all Bb/D    know what to              P.M.M. Eb/G  talk -  Ab5  ing.               P. 1 & 2 3 3 4 Digital Conversion © 2011 Sorgdal . 5 X 3 6 6 6 5 X 3  5 5 5 X X P. 2 Gtrs.Verse Double-time feel Gtrs. Fig. P.M.For educational use only .)         f 12 X 10 Bb/D 12 X 10 Rhy. 1 & 2 5 5 3 5 5 3 Eb  writ -  ing. P.’ry . 6 6 6 6 5 6 8 10 10 10 10 10      ing. X X  XX . 6  G5 Ab   does it.not for sale or trade.S.      5 X 3 5 X 3  G                           5 X 3 4 X 2 4 X 2  X  X  5 X 3                               6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 6 6 6 4 X 2 P.M. Fig. 5 & 6 3    3 3 3 5 3 5 5 5 5 3 5                 P. 2                                                      5 5 3 3 5 5 6 5 6 5 6 5 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 3 5 3 5 5 6 5 6 5 5 6 5 6 6 6 6 6 6 5 5 5 5 5 5 Gtrs.M.thing’s Eb   do but Eb/G chang  -   no one 6 6 6 5 6 8 10 10 10 10 10                 P. 2        Gtrs. Gtrs. No warranty of accuracy or useability is implied or claimed.  and  plan -  G5      ning                                                      12 X 10 7 X 5 8 X 6 8 X 6 3 X 1 5 X 3 5 X 3 5 X 3 4 X 2 7 X 5 7 X 5 8 X 6 3 X 1 3 X 1 5 X 3 5 X 3 5 X 3 4 X 2 4 X 2 4 X 2 End Riff C    4 X 2 4 X 2 End Rhy. Gtrs. We  keep Riff C Gtrs. Sorgdal 3 3 5 3 5 5 5 5 3 5  Ab5   ev . 3 & 4 tacet C5      1.M. P.M. 1 & 2: w/ Rhy. 5 & 6 (dist.M.

  P. End Riff D 15 15 13 13   5 Digital Conversion © 2011 Sorgdal .Gtrs. 1. 2: w/ Riff D Bb5 - 0 0 7 X 5 5  heart           5 X 3   Gtr. 12 X 10 12 X 10           Gtrs. 5 & 6      gret. 2 1 1 1 me 8 0 0    15 15 X 13 15 13 12 X 10 Ab5    -    lone. No warranty of accuracy or useability is implied or claimed.  7 Riff D 3  13 X 11 11 Gtr. 2 Gtrs.  -    left 8 X 6 1 1 1 me  0 0    left 12 X 10               (Gtr.For educational use only . 1             P. Sorgdal . on upper staff) P. 5 7 X 5 7 5   13 X 11 11        13 8 X 6  have 13 8 X 6 8 X 6      stand  I      a  stand a               15 17 X 15 17 13      8 X 6           C5 while. 1 1 1            12 X 10         1 1 1 Eb5          C5 Two Gtrs. Fig. cont.M. 1 & 2 1 1 1      8 X 6 1 1 1           a  a           6 10 X 8 10 8 12 X 10           8 6 0 0 0 0 5 10 X 8 10 8 12 X 10 0 0 0 0 0 0       -    12 X 10    12 X 10 5 X 3 5 3             I    while. 1 & 2: w/ Rhy. 5 & 6: w/ Riff C C5     Bb/D  Now this Eb   time has Eb/G   past and   full of Ab5  re End double-time feel  -  G5      D5    Bridge Half-time feel            12 X 10 12 X 10 Ab5   my heart have   my             in (Two in          Gtr. 5 & 6 tacet Eb5     12 X 10      13 13 11 11 lone.H.not for sale or trade. Gtrs.M.

)  it won’t      20 X 18                   Gtr. P. 3 Eb5                 15 X 13    15 X 13 15 12 13 10 12 X 10 12 10     10 X 8 10 X 8 10 8 C5               12 X 10 12 X 10 12 10 10 8 12 X 10 10 X 8 10 8       8 X 6 8 X 6 Ab5 End Rhy. No warranty of accuracy or useability is implied or claimed. 3                         P. 1 1 1 6 Digital Conversion © 2011 Sorgdal .M. P.M. Sorgdal 15 X 13   Bb5 1 1 1 1 1 1 X X X 1 1 1 1 1 3 1 3 1 3 3 1 3 0 3 0 3 3 1 3 1 3 3 1 3 1   8 X 6 .M. P.  P. 6 it won’t be the same.M. 1 & 2                              P.        When they get back.M.M.    Gtr. Fig.  P.M.not for sale or trade.M.M.M. Fig. 3 Gtrs. P. 1 8 X 6 8 10 X 8 6 10 8 12 X 10 12 X 10     15 15 13 13 Ab5           C5                                   Eb5                        19 X 17 15 X 13 17 X 15 19 17  15 X 13   17 15 17 X 15 17 X 15 15 13 Rhy. P. Fig. 5 5 3 5 3 5 3 5 5 3 5 5 3 5 3 3 X X X X X X 0 6 6 6 X X X 0 6 6 6 6 6 6 0 6 6 6 Gtrs.      be the same. P.For educational use only .M. P.Interlude End half-time feel Bb5   When they get back. 1 & 2: w/ Rhy.

  Half-time feel Eb5 Bb5 * C5 Gtrs.   9       0 3 3 3 3 3   5 5 3 7 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed.M. 12 X 10         P. 5 12 X 10     10 8   the             7 X 5 7 5 5 X 3   10           7 X 5 7 3 5           same! 10 X 8 8  3 X 1 5 9 X 7 3     5 X 3 1 5 3 *See top of first page of song for chord diagrams pertaining to rhythm slashes. 6 8 X 6 8 6 10 X 8   be           Gtr. 1&2       It  won’t    12 13 10 13 X 11 11           Gtr. 12 10  life. Fig.For educational use only .not for sale or trade. in notation)              2.M. Verse   Gtrs. 1 & 2   P. 4 Gtrs. Sorgdal . My        9 7 7      Rhy. 5 & 6 tacet  C5   (cont.

ries.  6 6 8 Digital Conversion © 2011 Sorgdal .M.     left the good times.M. 4       6 6 6 6 6 P.       Gtrs.   C5    Mov . Fig.M.   Ab5 5 5 3 5 3 3 3 3 3 End Rhy.        your time has  .in      P.ning.For educational use only .M.    mem .                                                    Gtrs..o . P. 1 & 2: w/ Rhy.M. 3 3 3 3 3 3 3 3  5 5 3    been   5 5 3 F5  there. Fig.not for sale or trade.              P. left the     Ab5     F5   spin . 4 Ab5        F5    the past. Sorgdal      3 3 3 3 3 P. Fig.M.. No warranty of accuracy or useability is implied or claimed. 1 & 2   you’ve al  - ways              P.. 6 6 6  -   ing on. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Gtrs. 4 C5     Now   you’re C5     Left    gone   the child -    and my head’s    hood.M..M.   3 3 3 3 3 Gtrs. 1 & 2: w/ Rhy. 1 & 2 P. 5 5 3 5 5 3   P.

Rhy. Fig.    world can    wait. the    Bb5                Ab5 (Whoa.   Whoa. 1 & 2 End Rhy. 5       4 5 5 3 4 5 5 3 4 5 5 3                        4 5 5 3 4 5 5 3 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 3                 6 6 6 6 6 6 6 6 6 3 3 1 3 3 1 6 6 6 0 Gtrs.    Bb5 once          Bb5 0               3 3 1 3 3 1 3 3 1     lived as           Whoa. Fig.End half-time feel        run  Ab5  F5 Cm  G7                   out.) 9 Digital Conversion © 2011 Sorgdal . 5    Gtrs. Fig.    Gtr. Sorgdal . No warranty of accuracy or useability is implied or claimed.  - ing    a . 1 & 2: w/ Rhy. 3   3    Gtr.ing  the  clock  would stand     still. 4   5 3 3 6 6 5 5 3 6 5 5 3 3 6 3 6 6 3 6 5                 5 3 6 5 5 3 4 4 7 7 6 Bridge Gtrs.gain. 5 Cm     Wast Whoa.way   once         Ab5       a .For educational use only . 3 & 4 tacet Cm       Bb5  Wish .not for sale or trade.

1 & 2: w/ Rhy. 3 Riff F Bb5      8 6 Ab5        Bb5         9 8 6  1 8 6 8 Cm          6 8 Bb5     8   8 6 6 7 8 6 Ab5     7    Digital Conversion © 2011 Sorgdal . 4                             10 8 7  1 8 8 10 Cm       7 7 8 Bb5      8 7 8 7 10 10 Ab5       Bb5       8 7    8   9 8 7 10 7 8 10 11 8 8  End Riff E 11 Gtr. 4: w/ Riff E Cm       Gtr.For educational use only .Interlude Gtrs. 5 (4 times) Cm       Bb5  Ab5  Bb5   friends. Fig.not for sale or trade. No warranty of accuracy or useability is implied or claimed.     Riff E     Gtr. Sorgdal  6 8 10 9 8 10 Bb5     8   8  10  7  As    8  End Riff F 10 .

3  pass .not for sale or trade.. Fig.. 11 Digital Conversion © 2011 Sorgdal .. 1 & 2                                             5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1    Eb5          for 5 5 3      the rest of Gtrs. 4 divisi   Bb5      -  11 13  Rhy. No warranty of accuracy or useability is implied or claimed. Chorus Gtrs.. 1 & 2: w/ Rhy.. Fig. Gtrs. 3 & 4 tacet C5                  time    Gtr. Fig. 6 were C5             3 3 1 life.es 11 13 10 11    by. 6    Gtrs.re    Gtr. 1 & 2 1 1 1 5 5 3 Bb5   grets 5 5 3               1 1 1 1 1 1 1 1 1 1 1 1 X X X X X X 3 3 1  5 5 3  5 5 3    C5  my  ones Eb5   gone in  3 3 1                3 3 1 5 5 3 5 5 3 3 3 1 3 3 1    who I con      the black Bb5   3 3 1 3 3 1 of     Bb5 -     The             3 3 1 3 3 1 5 5 3 5 5 3             5 5 3 5 5 3  5 5 3 5 5 3 5 5 3 the     5 5 3 5 5 3   fide  End Rhy. Sorgdal .For educational use only . 6 (3 times)       5 5 3 night. .

6     5 X 3 5 3   F5       G5          Bb5 12 X 10 12 10 10 X 8       8 X 6 8 7 X 5 6         Ab5   10 8   5  Bb5 VIII      5 X 3 12 Digital Conversion © 2011 Sorgdal .           Bb5       Eb5  Whoa. Interlude Half-time feel C5          Gtrs. No warranty of accuracy or useability is implied or claimed. in notation)  3. Ah.not for sale or trade. To Coda        Bb5          Eb5  Bb5 C5     Whoa.         Bb5        C5         Whoa. 1&2 Gtr. Gtrs. Sorgdal           12 X 10 12 X 10 10 X 8         5 7 X 5 8 X 6 8 3 6  (cont. 5   5 X 3 5 3      Gtr. 5 & 6   7          10 8   15 X 13     15 13 .For educational use only .

ries  past.       G5     Bb5  G/B    To 13 Digital Conversion © 2011 Sorgdal .   .not for sale or trade.For educational use only .Verse Gtrs. 1 & 2 End Rhy.. 5 & 6 tacet C5     nev  - D5 Eb5        will I for .get  er D5 Eb5 F5 G5 Bb5  you G/B          and all the mem . Fig. Sorgdal . 7         10 10 10 10 10 10 Gtrs.. 7 (3 times) C5     rare     -  D5 Eb5 D5   I get to see  ly Bb5 G/B  C5   Grow G5      guid  -    -     F5  knew that  D5 Eb5 D5   I looked to you  G/B    face.o . 1 & 2: w/ Rhy.  ing. Fig. 5 & 6     15 Rhy. End half-time feel Eb5 D5 Eb5 F5   still so close to me.  G5 your  Bb5   Eb5 Eb5 F5   in C5   would kill  D5   ance... 7                     X X X 0 0 0 1 1 1 0 0 0 1 1 1 3 3 3 5 5 5 5 5 5        X X X 8 8 8 8 8 8        X X X 9 10 9 9 10 9 X X X Gtrs. Fig. No warranty of accuracy or useability is implied or claimed. So        17 X 15 17 Gtrs.but We time you’re us.

M. Fig. 8 D5   Now.Quarter-time feel D5     Eb5  me. Sorgdal  17 13 17 13 17 17 1/4 17 13 17 . D5  you  Eb5  were D5   my   soul F5  com -   pan - E5   ion. Fig.For educational use only .                  0 0 0 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Gtrs. 8 Gtrs. 5 & 6: w/ Riff G ( 2 times)     Eb5  me. D5  you Eb5  D5  were   my       life.)    Eb5 D5 Eb5 you are so far a . Fig. 8 Gtrs. 5 & 6  1/4  10 10 13 13 *Composite arrangement Rhy.way.  Gtr. No warranty of accuracy or useability is implied or claimed. 7 (dist.           0 0 0 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 Gtrs. To         Riff G End Riff G *Gtrs.not for sale or trade.         D5             f let ring grad.M. 1 & 2     0 0 0                       P. 1 & 2     0 0 0                   P. End Rhy. bend 13 14 Digital Conversion © 2011 Sorgdal . 1 & 2: w/ Rhy.

’ries  we’ve     1/2 1/2  E5  19 19             Gtrs. 5 & 6  1/2  F5   let ring 1/4 10 10 10 10 10 10 13 10 10 13 Half-time feel D5     Bb5  G/B    had. bend 1/2 17 20 20  and the 20   mem . 7 loco   19 X 17 19 17 Gtr. No warranty of accuracy or useability is implied or claimed. 6 divisi Gtrs. in slashes) 15 Digital Conversion © 2011 Sorgdal .End quarter-time feel    Noth -  ing   D5 take a     can 8va Gtr. Sorgdal .       Gtr. 5        7 7 5 5 5 7 Gtr. 7 Eb5  Eb5 D5   way the times    -     let ring grad. 1 & 2    0 0 0   0  2  7 8  3  5 7         10 15 1   14                7 8 7 8 4 5        0 3 3 1 4 5 2  (cont.For educational use only .not for sale or trade.

Interlude  Gtrs. 1&2    Gtr. 9 Gtrs.M. 1 & 2 End Rhy. No warranty of accuracy or useability is implied or claimed. 6 6 6 6 16 Digital Conversion © 2011 Sorgdal . 7 tacet  F5       G5   4. 3 & 4: w/ Riffs B & B1 (2 times) Gtrs. Fig.not for sale or trade. 3 & 4: w/ Riffs B & B1 (2 times) C5                to the days back     when we were Rhy. Fig. Come                    P. Come     15 Verse Gtrs. 9                                      10 10 10 10 10 10 P. 1 & 2 tacet       Ab5 End half-time feel Gtr. Sorgdal 10 10 10 10 6 6 6 6 6 6 6 6 6 6 6 6                                   6 6 5 5 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 .For educational use only . 10 10 10 10 Ab5     10 10 10 10  10 10 10 10 10 10 10 10 10 10 10 10 10 10  10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 F5  10 10 10 10 10 10 10 10 10 10 10 10 10 10 G5   10 10 10 10   young. 7          1 15 Gtrs.M. 5 & 6 tacet C5 Gtrs.

1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed. 1 & 2: w/ Rhy. 6 (2 times) C5      time Eb5     grets     for   Bb5     the rest of  Bb5     pass . 4 divisi  5 5 µ tered.    my    re    C5 life. Gtr. 1– 4 tacet        I feel               Gtr.Gtrs.                        when noth G5   - ing    days when noth  - ing Gtrs.es by. 1&2 6 6    3 3 3 3 3 3 3 3 3 3 3 3        mat 3 3 - 5 5 5 5 8 8 5 5 5 5 5 5 5 5 0 Gtrs. Fig.                                                 (cont. 1 & 2 P. Fig.For educational use only .M. 9 C5             back to Ab5     mat   -   F5    the days      to the tered. 3 8 8 3 3  4 5   Chorus Gtrs. in slashes) 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6      6 6 6 6 6 6 6 6 6 6 6 6 6 6  C5 Gtrs. Sorgdal .not for sale or trade.     -   The 17 Digital Conversion © 2011 Sorgdal .

10          5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3                       3 3 1 3 1 P. D. 4: w/ Riff E (1 3/4 times) Cm        Ab5 Bb5     As        8      10 8                  f 9 10 8 11 10 8 11 10 12 8 12 8         8 10 8 9 11       12 8 7 8 10         13 15 10 11 8 8 10 11       13 15  13 12 13 13 9         7 10 10 Bb5 fdbk. 8 (dist. 3 15 15 15 15 16 18 15 *Standard tuning Rhy. Fig. 1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed. Fig.       ones     Eb5   gone in      Bb5    who I con -       Bb5   the black of      fide were    C5  the   night.M. 10            Gtrs.not for sale or trade. Fig.M. 3: w/ Riff F (1 3/4 times) Gtr. Sorgdal 5 3 5 3 5 3 5 3 5 3 5 3 End Rhy. 5 5 3 18 Digital Conversion © 2011 Sorgdal .S. 1 & 2 P. 5 (4 times) Gtr. 13 7         Outro-Guitar Solo C5 *Gtr.For educational use only . al Coda Interlude Gtrs.) 7 Gtr. 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1  . 4 10  Coda         Gtr.

1 1 13 14 15 C5 17 Gtrs. Sorgdal . 8          P. Fig.M.not for sale or trade. 3 3 1 1 1 3 1 3 1 3 1 3 1 12 17 12                           P. Gtrs.M.M. 1 & 2: w/ Rhy. 1 1  1 1 1 1 1 1 1 1 Bb5 13 15 5 3 15 13                  5 3 5 3 5 3 5 3 5 3 5 3 5 3 3 3 1  15 16 loco  15 16 17       3 1  3 1 3 1 3 1  3 1 17  3 1    5 3 5 3 5 3 15 17 15 16 18  5 3 5 3 5 3 5 3 5 3    5 3  17 15 15 0 17 P. 10 Gtr. in slashes) 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 Bb5                                                    5 5 6 3 1 15 5 3 15        P.     Eb5 18 20        20 18 16       16 Bb5     13 15 13 1 1  1 1 1 1 1 1 1 1 C5 13 15 15 P. 1 & 2 1 1 1 18 10 17 Bb5  13       15 Gtr.M. 1 1 1                               3 1                13 12     5 5 3 3 1 5 3 5 3 13 12 13 12 12 10 Eb5     8va 15              18 16 11 C5 Gtrs.For educational use only .M.M. 8 13              3 3           10 13 12    P. 1&2      Gtr. 8 12   1 15 17 16 18 17 16 15 15 17 16 19 16 16 15 18 17 15 15 17 18 17 15 18 17 15 18 15  3 3 3 16 15 18 17 15 15 18 17 15 18 17 15 15 18 15 15 19 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 5 5 3  1 1/2                (cont.

No warranty of accuracy or useability is implied or claimed. Sorgdal 20 20  22 19 20 Eb5 1/2 22 22 22 20 20 C5    16 17 17 5 5 8va    20    Bb5 Gtr. in notation)  loco     5 22 12 13 15 15 12 13 14 15 12 13 15 13                  17 16 15   5 18 15 15 16 17 3 17 15 16 18 15 16 18       20          fdbk. 8 20                  3 22 22 13 15 . 5 5 3 5 Pitch: G 20 Digital Conversion © 2011 Sorgdal .not for sale or trade. Eb5  Bb5                 loco 8va                                                             5  18 16 16 15 5 18 16 15 16 17 15 15 18 15 16 15 17 16 6 3 5 18 16 15 18 16 15 17 X 15 20 20 19 17 15 15 13 12 5 15 15 13 12 13 12 15 15 13 12 15 12 15 13 12 12 15 13 12 C5                   8va                         3 5 1/2  15 15 6 15 Bb5  8va     12  12  15 13 15    17 20  20 20 20 20  20 17 17  20 20 20 20 19 5 20 20 19 20 5 22 22 22 19 18 19 20 22 22 22 18 19 20 19 20 22 22 22 19 20 19 20 20 20 20 20 17 17 6 15       Gtrs.For educational use only . 1 & 2 3 3 1 20 20 20 20 16 17 16    19 19  (cont.

1 Gtrs. Gtr. 2 & 3   Eb5  Play 3 times                                                 P. and Zachary Baker D5 Drop D tuning.M.from Avenged Sevenfold . and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. 1       f  P. No warranty of accuracy or useability is implied or claimed.M.M.For educational use only . Jr. All Rights Reserved International Copyright Secured Used by Permission 0 0 0 0 0   1 1 1 1 1 1 1 1 1 Digital Conversion © 2011 Sorgdal .    0 0 0 0 3 1 1 1        Eb5         0 0 0 0 0 0 P. Fig. Eb5  End Rhy. 1 (dist.Waking the Fallen Radiant Eclipse Words and Music by Matthew Sanders.M.)        5 4     End Riff A    f     D5add#11 let ring 5 3 2 5 3 3 3 2 4 3 2 3  3 2    *Chord symbols reflect implied harmony. 1: w/ Riff A (7 times) D5    Rhy. Brian Haner.M.   D5add#11      0 0          P. 2 & 3: w/ Rhy. 1  D5   Half-time feel D5    Eb5 D5add#11   D5add#11 Eb5 Gtrs. 0 0 0 0 D5 D5add#11          0 0 0 0 0 0 0 0 0 P. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 © 2003 EMI APRIL MUSIC INC. down 1 step: (low to high) C-G-C-F-A-D Intro Moderately fast q = 125 * D5       Riff A Gtr. 2 & 3 (dist.M.M. Fig. James Sullivan. Sorgdal .)  0 0  0 0                  P. 3 1 1 1 Gtrs. 0 0 0 0          0 0 0 0 0 0 P. Fig.not for sale or trade.

M. 0 0 0 1 1 1 1 1 1 1 1 Gtrs. End Riff B     P. 9 X 7 9 10 7 8 10 X 8 10 8 12 X 10 14 12 14 X 12 15 13 14 X 12 14 12 12 X 10 12 X 10 14 14 12 12 Pitch: E 2 Digital Conversion © 2011 Sorgdal .M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 Gtr. 0 0 0 0 0 0             P. 14 14 X 12 12 14 X 10 12 12 14 X 12 15 14 X 12 13 14 12 12 X 10 12 X 10 14 14 12 14 12 14 X 10 12 12 14 X 12 15 13 14 X 12 14 X 12 Pitch: E Riff B Gtrs. 1 tacet D5 Eb5                  Gtrs.)          D5      f Eb5                      fdbk.D5 Gtr. 2 & 3: w/ Riff B D5 Gtrs.M.M. 2 & 3                                                      P. 2 & 3    P. 1       Eb5  D5add#11        Eb5     let ring 5 3 5 3 2 5 3 4 3 2 4 3 2 4 3 2 Gtrs. 4 & 5                             Eb5      D5                      Eb5 fdbk.For educational use only . 0 0 0            P. No warranty of accuracy or useability is implied or claimed.M. 4 & 5 (dist.not for sale or trade.M. Sorgdal 14 12 X 10 14 12 14 X 12 15 13 14 X 12 14 X 12 . 0 0 0 1 1 1 1 1 1 1 1 0 0 0     P.

For educational use only .   G#5 the trig .M. 2 (2 3/4 times)   F5 D5    bul .   D5  so      I  G5 G#5 A5 peace . P.M. A5 D5 his gun.lenced G#5  sunk straight               0 0 0  G5 0 0 0        See . F5   the              F5 D5   through 5 5 5  A5 lence.  D5 G5 this was go  0 0 0 A 0 0 0        0 0 0 0    No pain as I a . Sorgdal . 7 7 7 me. 2 G5     D5 A5   F5 G#5   -            P. nights       a Rhy.woke  ing to take   place. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 0 0 0 5 5 5 6 6 6 7 7 7 0 0 0 0 0 0 0 0 0 0 0 Gtrs.            the D5 friend G5 0    D5 P.let D5   3 3 3  si .M. Fig.go I was shot. 2                                     P.ing   knew skull.M.    F5 End Rhy. Gtrs.M. Two D5 G5 G#5 A5 D5 a . Fig. 2 & 3                  P. so    3 Digital Conversion © 2011 Sorgdal . 4 & 5 tacet  D5         D5  F5 1.ger      pulled  A5 that  G#5 Half-time feel D5 A5   but time  F5 D5 G5 that he layed    White G#5 down  si F5  -   dead. P. Fig. No warranty of accuracy or useability is implied or claimed. 2 & 3: w/ Rhy.not for sale or trade.ful. 6 6 6   D5 G5 G#5 A5 D5 the face of the man.M.Verse End half-time feel Gtrs.

3 0 0 0 0 0 0 0 0 0 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 Bb    knows Gtr...                                               9 X 7 7 X 5 10 X 8 9 X 7 9 X 7 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 7 X 5 7 X 5 9 X 7 9 X 7 10 X 8 9 X 7 9 X 7                                 5 X 3 3 X 1 5 X 3 5 X 3 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 3 X 1 3 X 1 6 X 4 6 X 4 6 X 4 6 X 4 6 X 4 10 X 8 10 X 8 12 12 12 12 X X X X 10 10 10 10               7 X 5 7 X 5 7 X 5 9 X 7 9 X 7 9 X 7 9 X 7  0 0  0 0 . No     one                     0 0 0 0 0 0 12 X 10 12 12 12 12 X X X X 10 10 10 10                     Gtr. End half-time feel D5 C/E       C       No     one 0 0 0 0 0 0 0 0 0 12 X 10 12 12 12 12 X X X X 10 10 10 10                  0 0 0 0 0 0 4 Digital Conversion © 2011 Sorgdal . 6 X 4 6 X 4 6 X 4 6 X 4 7 X 5 7 X 5 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 **Bass plays C#.                                                 9 X 7 7 X 5 9 X 7 10 X 8 9 X 7 9 X 7 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 7 X 5 7 X 5 9 X 7 9 X 7 9 X 7 9 X 7 10 X 8 10 X 8 12 X 10 12 12 12 12 X X X X 10 10 10 10                                                 5 X 3 3 X 1 6 X 4 7 X 5 5 X 3 5 X 3 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 3 X 1 3 X 1 *Bass plays E.For educational use only .not for sale or trade. Sorgdal 0 0 0 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 Bb       will                        Dm see A/C#            Dm C/E            through. 2 0 0 0 Dm **A/C#     the   time Dm C/E        they’re    chang - ing.Pre-Chorus D5 *C/E    C        numb. No warranty of accuracy or useability is implied or claimed.

Verse
Double-time feel
F5
D5

 

µ

    

2., 4. You’re

all

gone

to



(Gone

to

me.)

F5



I’ve

been

pulled

out

to

G5

watch

from

Ab5

End Rhy. Fig. 3


    
P.M.

3
3
3

me.

Rhy. Fig. 3
Gtrs. 2 & 3

  

D5

0

0

 
 
 




    
 
 
P.M.
P.M.
P.M.

0
0
0

0

0

0

0

0

3
3
3

0

0

0

5
5
5

5
5

0

6
6

Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)

F5

 

my

D5

    
e - ter

-

nal

µ

D5

sleep.

F5

In - tu

G5

- i - tion

and

a

Ab5 F5

D5

µ

    

warn - ing

to

be - lieve.
(Will

  

D5



F5

G5

Some - thing went wrong and though
lieve.)

 
F5

D5

som

-

 

ber

bliss...

Ab5 F5

I

felt

0

0

  

0
0
0

F5

...I



0

0

G5

my moth - er


  

       

P.M.
0
0
0

0

0

0

To Coda 1 

Ab5

   

watch

0

3
3
3

I

had

to

F5

- out

5
5
5

shed

0

0


D5

3
3
3

F5

mov - ing

G5

one

0

D5

stay,


good


  

       

P.M.

  
 
      

P.M.
3
3
3


...with
Rhy. Fig. 4
Gtrs. 2 & 3

  

µ



D5

5
5
5



Ab5

F5

-

bye.

on seemed to

be

D5


 
       

P.M.

5
5

3
3
3

0

F5

be -

End double-time feel
G5
Ab5

 

6
6

0

0
0
0

0

D5

G5

G#5

A5

tears.

End Rhy. Fig. 4

            
         

P.M.
5
5

6
6

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

0
0

         
   
0
0
0

3
3
3

0
0
0

5
5
5

6
6
6

7
7
7

5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)

D5

 

No!

3. This


 

    

P.M.
0
0
0

0

0

0

F5

al - tered

eyes

G5

0

D5

of

my

fate.



G5

feel

the

cold

G#5

 


 
 

0
0
0

3
3
3

6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



0
0
0

G#5

A5

D5

in

its

tracks,

 

stopped time



has

wind’s

  
  

5
5
5

6
6
6



7
7
7

        
F5

D5 G5

Des - ti - ny





-

is

G#5

shat - tered

A5

and

D5

 

time - less.

Closed

Pre-Chorus

Bb

em



A5

Gtrs. 2 & 3

has



G5

0

A5

D5



Sorgdal

0

G#5

the course

gun

 

D5

   

0

F5

 

F5

P.M.

   

D5

Gtrs. 4 & 5



0

    

 




D5

Dm

C/E

A5

Bb5

brace.
cries.


 
I’ll





15
X
13

14
X
12

14

12
X
10

12



 
 

 
 
 

7
X
5

9
X
7

10
X
8




12
X
10



14

14

12

12



watch

you




10
X
8






7
7
7

8
8
8


call,




10
8



 
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8
8




0
0

Bb



Dm

C/E

A5

Bb5

Bb



 

call



 




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X
13

14
X
12

14

12
X
10

12

10
X
8

 
 
  

9
X
7


You can’t


 




12
X
10

 
 
 


 

  

7
X
5




14

14

12

12




7
7
7

8
8
8

Bb

bring

back





10

8

8

  

8
8
8

8
8

ing

for

me.







8

 




8
8

Dm

C/E



0
0

A5

A5

Bb5

10



C/E





15
X
13

14
X
12

14

12
X
10

12


12
X
10


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 

 
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7
X
5

9
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7

10
X
8






14

14

12

12


10
X
8






7
7
7

8
8
8

Bb5







14
X
12

17



time.

10

 


10
X
8








-

Dm




0
0








15
X
13

14
X
12

14

12
X
10

12

14
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12

12

10


 
 

 
  
  

7
X
5

9
X
7

10
X
8

7
7
7

15




8
8
8










17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15

17
X
15













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8
8
8

8
8
8

8
8
8

8
8
8

8
8
8

8
8
8

8
8
8





7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

not for sale or trade.                                 End Riff D                 14 X 12 12 X 10 16 X 14 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 16 X 14 16 X 14 17 X 15 16 X 14 14 X 12 12 11 X X 10 9                                                 14 X 12 12 X 10 12 X 10 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 End Riff D1 12 X 10 12 X 10 14 X 12 14 X 12 14 12 12 11 X X 10 9 . 5 (3 times) D         Fate ex Gadd9    -                   Gtr. Sorgdal 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9     let me C5  posed. No warranty of accuracy or useability is implied or claimed. Fig.  End Riff C                 10 8 7 7 9 8 7 7 9 9 7 9 10 9 7                 12 X 10 14 X 12 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 9 0 9 0 9 0 9 0 9 0 14 X 12 14 X 12 End Rhy. 5 Gtrs.For educational use only .    won’t   Gadd9  G%    Gsus2   stay.Chorus Half-time feel D      your eyes * Gadd9        Close   Gtr. 4 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9                   Gtr. 2 & 3: w/ Rhy. Fig. 4 & 5 11 11 11 11 X X X X 9 9 9 9 and         Riff C 7    G%   Gsus2 a .way. 5                   9 0 9                 Rhy. 1            8 7 8 10 7 8 Riffs D & D1 10 7 8 7                                   11 11 11 X X X 9 9 9 7 11 X 9 14 X 12 14 14 X X 12 12 14 X 12 14 X 12 14 X 12 14 X 12    C5  14 X 12      Gsus2   look  8 Gtrs. Gtr. 2 & 3 9 0 10 9 0                                                        9 0 0 7 5 5 12 12 0 0 0 0 12 0 0 12 0 0 12 0 0 12 0 0 12 0 0 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 7 5 5 7 5 5 7 7 5 7 7 5 7 5 5 7 5 5 0 0 *Bass plays G. Fig. 5 11 X 9 11 X 9 8 Digital Conversion © 2011 Sorgdal . 1: w/ Riff C (3 times) Gtrs.

2 & 3  G5        7 7  my 6 6 0 0 Bridge D5 G5 F5             5 5 3 3 0 0 3 3 0 0 D5 E5 F5  1 1 D5      6 6 5 5 5 3 3 3 0 0 Ab5  voice Rhy.. 2 & 3: w/ Rhy.not for sale or trade. Gtrs. 2. 3&5        C5  * To Coda 2  Gsus2  me. cont. Fig..night   with bro .. No warranty of accuracy or useability is implied or claimed. 4 & 5 tacet  D5 G5 F5 D5 E5  F5 D5 A5 Ab5 D5 G5 F5 D5  F5 Eb5 D5              0 0 5 5 3 3 0 0 2 2 3 3 0 0 Ab5 D5 G5 F5 D5 F5 Eb5  P. 4 & 5: w/ Riffs D & D1      will fall D Gadd9        Hope   C5             Gsus2  to .Gtrs. 6 (3 times) D5   me. Fig. *Key signature remains D major (2 sharps) at Coda 2. 2 & 3.    G%    (Gtrs.   F5 D5 E5 F5 D5           5 5 3 3 0 0 3 3 0 0   A5  Ah.. 6     6 6 6 2 2       5 5 5 3 3 3       0 0 0 3 3 3 1 1 1 Gtrs. in notation)   14 12 **See top of first page of song for chord diagram pertaining to rhythm slashes. 4 12 X 10 - ty      Gadd9    in  Interlude ** D5 Gtrs. Fig.For educational use only . 6        A5            0 0 0 5 5 5 3 3 3 0 0 0 3 3 3 Ab5 D5          0 0 0 3 3 3 1 1 1 2 2 2     0 0 0 7 7 7 D5 G5 has been    0 0 0 Eb5 D5 G5 I lis - F5 D5  7 7 F5 Eb5 tak .de - D    scend -       ing en Gadd9    - ti       Gtr. 9 Digital Conversion © 2011 Sorgdal .ken G%   Gsus2    wings.M.en from    End Rhy. . Gtrs. Sorgdal . G5 F5  D5 E5  F5 D5  A5  G5  F5 D5 The more    F5   F5  D5 E5  F5 D5  A5 ten.

Sorgdal 10 10 10 11 12  10 11 12                 Gsus2    yeah.S. Fig.       3 7 G% Gsus2           whoa.   5             9 8 8 9     9 8  8       5 9 8 G% Gsus2         8      fdbk. Fig.) C5 Gsus2          yeah. 6 (dist. 10 12 14 12 10 X 11 12 12 14 12 11 11 D  poco rit. 5 (2 times)       D  Gadd9       Whoa.For educational use only . 2 & 3: w/ Rhy.Ab5   D5 G5 F5 D5 the more I have     F5 Eb5 D5   to G5 F5 D5  E5 F5  D5 A5  Ab5  D5 G5 D. 7 9 0 10 Digital Conversion © 2011 Sorgdal . 4 F5 D5    F5  G5        tears Ab5 F5 D5  and taste the blood that she   F5         cries. al Coda 2 G5 Ab5 Gtrs.      Gtrs. 2 & 3: w/ Rhy. and taste the blood that she  Coda 2 Outro-Guitar Solo Gtrs. No warranty of accuracy or useability is implied or claimed. 3 & 6 poco rit.    f              *w/ wah-wah 1 10 10 10 9 9 12 10 9 10 11 8 9 10 8 8 7 9 10 9 10 12 10 10 12 10 8 5 9 *As filter D Gadd9         Yeah.         Gtr. 0            10 12 X 10 12         10 C5    10 10 7 .S.not for sale or trade.S. 2.     7          whoa.  Coda 1 D. al Coda 1 End half-time feel D5 F5 Eb5 F5   say.

from Avenged Sevenfold . not caused by string vibration.For educational use only . All Rights Reserved International Copyright Secured Used by Permission 5  1/2 5 5 3 6 6 8 1 Digital Conversion © 2011 Sorgdal . Brian Haner.not for sale or trade. Jr. 3 3 3 5 6 6 1/2 6 5 © 2003 EMI APRIL MUSIC INC. No warranty of accuracy or useability is implied or claimed. James Sullivan. †G5 Eb5                                 loco                       Rhy. F5 D5                                                          1/2 5  1/2 5 5 3 6 6 6 Eb5  1/2 4 3 5 7 5 Bb5 5 7 F5                                                            fdbk. next 3 meas.  X **Microphonic fdbk. 2 (dist. 1 (dist.Waking the Fallen I Won’t See You Tonight (Part I) Words and Music by Matthew Sanders..)   f **fdbk. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. and Zachary Baker G5 Eb5 F5 D5 G5 type2 Bb5 5fr Drop D tuning: (low to high) D-A-D-G-B-E 1113 Intro Moderately slow q = 65     (Piano) 5fr 1113 *Gm  1113 3 134 F 111 Eb       D7 8va   Gtr. 1 ***Gtr. *Chords played by piano.) f 1  3 1/2 6 6 5 3  1/2 5 5 3 6 6 4 3 ***Doubled throughout †See top of page for chord diagrams pertaining to rhythm slashes. Sorgdal . Fig.

No warranty of accuracy or useability is implied or claimed. 1  fdbk. 2 tacet ** F/A            15  6  8va Gtr.G5 Eb5                         6 6 3  8                          3 8 5 F5 1/2 5  8 D5                                G5  1/2 5 type2 1 5  3         mf 15 15 12 15 18 15 1 6 6 1 6 6 8 Gtr.not for sale or trade. 1  4 Eb5 6 15 18 17 18 15 15 15                  14 15 18 15 17 17 19 17 20 17 18 17 20 17 8va         Gtr. 3 (dist. 12 12 10 12 12 10 12 10 12 .) F5                            1/2 4 6 End Rhy. Fig. 8 8 8 Riff A *Gtr.For educational use only . 4 (clean)                                    mf w/ fingers let ring throughout 6 3 *Doubled throughout 2 Digital Conversion © 2011 Sorgdal . Sorgdal 5 3 5 3 3 3 5 3 5 3 5 3 3 10 11 12 10 10 10 12 10 10 **Chord symbols reflect implied harmony.

I’ve D7/C    won’t   see you    7 7 7 9  to . I’ve gone  D/F# D7/A      no      more pain.                change.For educational use only .lone.lone.Gtr.                9           D/F# 10 8               7 8 7 9 7 13 11 10  Gm       7 0   End Riff B 13 11 10 3 Digital Conversion © 2011 Sorgdal . No made the  a .night. Eb/G F/A    I’ve a   - Gm    way. 3 tacet Gtr.not for sale or trade. F/A   strength. Sorgdal . 4 11 10 8 10 8 10 8 8 8 10 8 10 8             gone Eb/G 10 8      took all my 10 more nights. No warranty of accuracy or useability is implied or claimed. 4: w/ Riff A (1 1/2 times) 1. 1 tacet Eb/G       8va  15 15               D/F#   12 15 18 15 15 18 17 15  15 15 15 14 D7/A    14    14 15 11 14 16 14 8va        Gm  loco  0 14 15  14 0  16        12 13 13    8 10 8 8 10 8 10 8 8 8 10 10 8 8 10 10 8 10 9 7 7 7    End Riff A 7 9 8 7 7 9 13 7 0 11 12 13 10 10 11 7 8  11                                Verse Gtr. Cry  a . I                     Riff B Gtr.

side                   3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1                7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5            a . Sorgdal  call      in    -    my of me.             name.   2.   As D7/C       . 4: w/ Riff A (1 1/2 times) Gm      build   .night. 4: w/ Riff B     Eb/G  bot . 4 tacet     G5     Sor -       7 5 5 5 Bb5             7 5 5 5 7 5 5 5    All the       3 3 1 ones     sank deep in . 2        me I my  blood.For educational use only .Chorus Gtr.ing up Eb/G      place       Gm mourn   of dark   for me.    F5           3 1 1 1 3 1 1 1 3 1 1 1 0 0 Gb5      cared        for and  loved.round    Eb5    row Gtr.                 had to set not the  F/A   one    I     me free. 2 tacet Gtr.tles 4 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. It’s                             3 3 1 3 3 1 3 3 1 5 3 3 3 6 4 4 4 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 X X X Verse Gtr. Gtr. won’t   Don’t        to place the blame.not for sale or trade.  D/F#     D7/A    I   a D/F# cold you’re  F/A side     so       see you   to .

Fig.round F5      me I                    3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 Gb5     cared  blood.side    ones       3 3 1    my                          7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 a . 2      Sor . Please  cry   while  Gb5 I’m    don’t  for . 1     G5 8va     Gtr. Fig. Fig. 2: w/ Rhy. I                                           3 3 1 3 3 1 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 6 4 4 4 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 X X X      of 6 4 4 4 0 0 loved. End Rhy.               the         for and. Sorgdal .row                 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 Rhy. 2    G5     But Bb5           I can’t    Eb5  see    my .self F5   me   or that     way. 2       6 4 4 4 6 4 4 4 Gtr.For educational use only .get     a - way. 2 Bb5      All Eb5     sank deep in . Guitar Solo Gtr.not for sale or trade. 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed. most all. Fig. 1 Eb5                1 18 1 18 18 15 18  1 18  1 20             1 1/2 20 20 20 20 18 20 20 18 15 5 Digital Conversion © 2011 Sorgdal .Chorus G5       Gtr.

No warranty of accuracy or useability is implied or claimed.not for sale or trade. 15 3 F5 6 10 Eb5 18 16 15 1 20  1 15                   3 18 14 F5 G5 8va      3  18 16 14 16    1 1/2 16 8va            let ring 3 1 hold bend 14 0 15 0 17 0 18 18 17 17 15 17 15 .F5 D5                      8va 1/2 17 1/2 1 17 17 15  16 16 Eb5 Bb5          15    18 20      15 16 1 15 15 17            18  1 15 15 18 17 18 15 17 15 18 15 20 20 15 17 18  20 20 18 18 15 1 18 15  18  18 18                    D5 3  16 15 18 17     18 15 15 14 17 16 16 18 17 18 15 17 15 18 15 F5              15 15 Eb5 8va Sorgdal 17              loco Digital Conversion © 2011 Sorgdal .For educational use only .

For educational use only . 1 18 18 Rhy.   I’ve End Rhy. Cry  a .          took all my   F5         strength. 1 tacet   Eb5    D5           No more nights. Fig. 7 Digital Conversion © 2011 Sorgdal . Fig.Verse G5       3.lone.    I D5    won’t  see    you to    - Eb5   But I’ve    F5 night.       made the change. 2 3 1 1 1 3 1 1 1 Gtr. Sorgdal .   I’ve gone           F5 a -  way. 3                                                                                                 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3  F5 Gtr. 1   fdbk. no Eb5   more pain.not for sale or trade. 3    G5   gone Eb5     a - lone. 2 7 5 5 5 7 5 5 5 Gtr. Fig. 3                                                                                                    3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 5 3 3 3 5 3 3 3 5 3 3 3 Gtr. No warranty of accuracy or useability is implied or claimed.       Gtr. 2: w/ Rhy.

night. Fig.For educational use only . 2: w/ Rhy.not for sale or trade.’ry .       1/2   15 18 17 15              13      17        14 20 18 Eb5     ev .Bridge Gtr. 3 3 1  5 6    6 6 1 3 5 8 5 3   5           6  10   10 5  8 6 6 5 5 2   Please   5      I’m Eb5       1 6    gone.thing    loco   1/2     be al will  1/2  14 7 11 11     11 11 F5        3 10 17 20 1/2 17          gone. Sorgdal  15 15 12     17 G5  18   18 to .way. 1 G5 Eb5          far Gtr. D5  17      And while I’m 8va 15 Eb5           low me  15 F5    13 11  -  3 10 13 11 12 . 3 3                      (So           F5        6 5 don’t   6   3 6 15 5 15   Bb5               fol   -       15  18 F5    8va  15  18 8 Digital Conversion © 2011 Sorgdal .   1 D5   a . No warranty of accuracy or useability is implied or claimed.

)  divisi f      7 8 5 7  7 8 8 10 3 5 8 10               7 8 5 7 7 8 8 10 7 8 5 7 7 8 1 13           f Gtr. 6 3 5 5 7 7 8 5 7 7 8  8 10 8 10    3 5    3 5        7 8 5 7 7 8 8 10 7 8 5 7 7 8               5 7 7 8 5 7 7 8 5 7  7 9 7 9          F5        7 8 5 7 7 8 8 10 7 8 5 7 7 8 5 7 7 8 5 7 7 8  7 8     7 8 7 9    3 5        8 10          8 10 8 10  10 12 10 12        7 8 5 7 7 8 8 10 7 8 5 7 7 8 9 Digital Conversion © 2011 Sorgdal .Interlude Gtr. 2: w/ Rhy. 5    Gtr.)   F5            Gtr. 5 (dist. 3 tacet Eb5 D5  Eb5  F5   11 11              5 7 7 8 5 7 7 8  8 10 8 10                  G5 Gtr. 3 (2 times) G5        right.) 5 7   5 7 7 8 5 7      7 8 7 8 3 5 7 8        7 8 5 7 7 8 8 10 7 8 5 7 7 8 Gtr. 3 1  13      1 13 13              Gtr. 6 (dist. Sorgdal . No warranty of accuracy or useability is implied or claimed.not for sale or trade. Fig.For educational use only .

4   Bridge Gtr. Sorgdal more F5   breath     in Eb5      - side.not for sale or trade.For educational use only . 5 5 5 5 5 5 5 5 5 5 Eb5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 F5                                                      7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3       F5 Rhy. 1 10   fdbk.night.M. in notation)      *fdbk. Fig.               Eb5 5 7 7 8 5 7 7 8     8 10        Gtr. 2 F5 Play 8 times              P. not caused by string vibration. F5  G5      Es . bend 7 8 Eb5  7 9  7 9 F5  8 10 7 9 8 10 8 10    10 12 10 12 (cont. 4 (2 times) G5         No 10 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 5 5 7 7 8 8 10   7 8 5 7       grad. bend 8 7 8  G5 Gtr. 2  (Piano)    7 5 5 5 G5 G5 Gtr. 6 7 8 8va fdbk. Fig. 2 7 8 3 5 8 10                                        D5 12 Pitch: F Gtrs. 2: w/ Rhy. 1/2 12 10 5 7    grad. 2 tacet G5        Gtr. X *Microphonic fdbk..sence F5  left  my    Eb5 heart    to .  .   5 7   10 Gtr. 5 & 6 tacet Gtr. 4 7  55 5      End Rhy. Fig.

Voc. 11 Digital Conversion © 2011 Sorgdal .     F5         yeah.    F5         Eb5     whoa. No warranty of accuracy or useability is implied or claimed.                                3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1          End Voc. 5       3 1 1 1 3 1 1 1 yeah. * Begin  F5          Eb5     yeah.not for sale or trade.  whoa. Fig.)                                                                                        7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 3 3 1 3 3 1 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 Bkgd. 2 7 5 5 5 7 5 5 5 7 5 5 5  yeah.For educational use only . Fig.     G5       Bb5     Yeah. 1       F5     Eb5  End Rhy. *Signal distortion increases as track fades out.        whoa. 1      whoa. 5 (till fade) Eb5            G5  Bb5           Whoa.         3 yeah.: w/ Voc.      whoa. Bb5      Yeah.       yeah. 2: w/ Rhy. Fig. Fig. Voc. fade G5            Repeat and fade    Bb5  Whoa. G5        whoa.       Bb5       (Whoa. Rhy.    whoa. Fig. F5                    3     Eb5 yeah. Fig. Sorgdal . 1 (till fade) Gtr.Outro G5       Whoa. 5        Gtr.

0 0 0 0 0 0     P. 1 Digital Conversion © 2011 Sorgdal . 1     22ma             †fdbk.   Gtr.ing a .M. +6    X X             15ma       1.ceiv .)  Riff A End Riff A      P. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. 2: w/ Riff A (3 times) **D5                    Ah!           15ma Gtr. Brian Haner. release 19 19 20 19 20 19 †Microphonic fdbk.)   f ***w/ DigiTech Whammy Pedal +6          +6 19 18 19 18     16 15 16 15 ***Set for one octave above when depressed (toe down). Verse Half-time feel Gtr. Come    P. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Fast q = 215 Gtr.    *Gtr.      break .a . Sorgdal . 1 tacet Gtr.Waking the Fallen I Won’t See You Tonight (Part II) Words and Music by Matthew Sanders. 2 (dist.H.. 1 (dist.not for sale or trade.M. not caused by string vibration. James Sullivan.M.part    the ones you © 2003 EMI APRIL MUSIC INC. 2: w/ Riff A (4 times) D5   back    to me. No warranty of accuracy or useability is implied or claimed. 0 0 0 0       P.from Avenged Sevenfold . 0 0 0 0   0 *Doubled throughout **Chord symbols reflect implied harmony.For educational use only . All Rights Reserved International Copyright Secured Used by Permission   love.ble. +6  grad. Jr.   this is  in  -    con .

lone      through su - i - Quarter-time feel Eb5 F5 G5                              Gtr. 2: w/ Riff A (8 times) Gtrs. 3 (dist.End half-time feel   Hate      runs deep for what   you’ve done   to us. 4 (dist. mf Gtr.)  divisi mf   5 Su     Bb5   A5   D5     .For educational use only . Sorgdal       just wan -   na die. 5 6 6 7 5 6 6 7  7 8          1 1 1 1 1 1 6 7 5 6 6 7 6 6 7 5 6       8 8 8 7 7 7 7 7 7 6 7 5 6 6 7 5 6 6 7     6 7 6 7 3 5    0 0 0 A/C#         7 7 7 7           7 9  9 11     2 2 0 2 4 9 11 Verse Gtr.) 5 6 6 7 5 6 6 7  7 8       Gtr. 2   1 1 1 1 1 1 6 7 5 6 6 7 6 6 7 5 6        8 8 8 7 7 7 7 7 7 6 7 5 6 6 7 5 6 6 7        6 7    0 0 0 6 7 4 5  6 7 5 6  - i -      6 7 5 6 6 7 5 6       3 3 3 5 5 5 5 5 5 6 7 End quarter-time feel Eb5      Bb5  A5   D5     A5                                  5 cide. No warranty of accuracy or useability is implied or claimed.    left  a .not for sale or trade. I 2 Digital Conversion © 2011 Sorgdal . 3 & 4 tacet D5   2.way  my .       Take   a .cide.

End half-time feel    through su -   i - Interlude Slower q = 134 Gtr. 4. Fill 1 Ebmaj7b5   D5  D5 3.M.a . 10 10 8     face.not for sale or trade.ceiv .M. Fill 1             10 10 8 0    0 0 0 0 0 0 0 0 0 0 0 0 0 0   P.M.ble. 1  P. 10 10 8 0 0 D5     10 10 8   P. 0 0    blank stare. 10 10 8 0 0 0 0 0 0 0 0 0 0 0 0  Verse Half-time feel 2nd time. Fig.M. Sorgdal .part   left  a . you Ebmaj7b5 D5        10 10 8       pierce        with Ebmaj7b5 D5 Ebmaj7b5 D5 a 0 0 0 0 0 0 0 0 0 P. Voc. break .     lay by your     side. 10 10 8 0 Voc. Lead & Bkgd.M. 2       P.ing  a . 5 (dist.        P. No warranty of accuracy or useability is implied or claimed. D5    Ebmaj7b5                    P. Look        P. this  is  in     runs deep for what -         con .M.)         mp    P.: w/ Voc.. Gtr.5 tacet   D5  Ebmaj7b5 .M.lone     the ones you  love.M.    you’ve done   to us.    Please come Half-time feel      back to   Hate   me.cide.For educational use only .      life.       0 0 0 0 0 0  at my Rhy.M. 0 0  10 10 8 0 0 0 0 0 0 0 0   Ebmaj7b5 D5       Gtr. 10 10 8 0 0 0 0  3 Digital Conversion © 2011 Sorgdal .

2                P. 2: w/ Rhy.  P.M.      10 10 8 0 less Ebmaj7b5 D5 End Rhy. Fill 1            0 0 0 0 0 0 6 6 6 wah-wah off 4 4 4 6 6 6   just F E         fine with you in   my life Rhy. Fig.M. 0 0 0 0 0 0 0 0 0 0 0 7 8 0 0 6 7 .ing will take    back time.   P.M. P. 2     *w/ wah-wah 12 0 0  11 0         0 10 0 8 0 6 0 5 5   12 0 0   11 0   0 10 0        8 0 6 0 5 5  12 0   0 11 0 F D5   0 10 0       8 0 6 0 5 5 *As filter D5 Chorus Half-time feel D5 G5  Ab5      D5 Gm        I   Rhy.M. 1 0 0 0 0 0 0 - 0 0 0 0 0 0 0 0 0 0 0 0 0 0 friend.M.M. Interlude D5    G5  D5  G5  D5 G5  Gtr. 0 0 0 0 0 0 0 0 0 0 0 0 8 10 0 0 7 8           P.M.     No dream could   Ebmaj7b5 D5 pre -                  pare a heart    for a  life                      P.  P. 10 10 8 0 0 0 0 0 0 End half-time feel               Ebmaj7b5 D5 Ebmaj7b5 D5 noth . 1   10 10 8 0 0   Ebmaj7b5 D5 Ebmaj7b5 D5 P. Gtr. No warranty of accuracy or useability is implied or claimed. Sorgdal  11 0    0 10 0   grad.M. P. I    Ebmaj7b5 D5 need him back but     Ebmaj7b5 D5 Ebmaj7b5 D5 noth . bend 1 5 can see End Rhy.M.For educational use only .not for sale or trade.       He’s gone. Fig. P. Fill 1  12 0  0 4 Digital Conversion © 2011 Sorgdal . Fig.ing will take    back time.M.

P. Fig. Fig.mare full   D5 Dm  A/C# D5       of sor Eb5   G5 Ab5  mare Rhy.For educational use only . 3      steady gliss. End half-time feel Eb5        right.M. 3 5 0  to End Rhy.M. 4 (3 times) D5     Eb5  F5  G5 A5 pain. 2         E    full   P. 3              P. 12 12 12 0 0        P.M.M.M. P. 0 D5 0 0 0      P. 2           P. P. Fig.M. Fig. 0 0         End Rhy. 13 13 13 0 0 1 1 1 3 3 3 5 5 5 7 7 7 5 Digital Conversion © 2011 Sorgdal . Bridge  Gtr. 2: w/ Rhy.  12 12 12 0 Eb5 0 0   12 12 12        P. 2       D5  Gm  know this can’t F D5   be stuck in  1st time.not for sale or trade. Fig.M. To Coda    F   a D5 - 1 1 1 1 1 1 0 0 0         P. 4   dream. a night Em Dm . 12 12 12 10 10 10 12             End Rhy.   Night       P.  Night      D5 - row.D5        Em and there by  Dm    D5   my Dm A/C# D5 Eb5         side as it starts  0 0 0 0 0 0 0 0 0 5 7 0 0 0 0 0 0 3 5 0 0 2 4 0    D5 µ  fade. Sorgdal .M. 2: w/ Rhy.M.M.M. Fig.M. 1 1 1 12 12 1 1 1 0 0 Ab5 I Rhy. P. 4     -   Eb5 mare  P. No warranty of accuracy or useability is implied or claimed.M.M. P. 10 10 10 12  13 13 13   6 6 6  of        5 5 5 F5 6 6 6 1 1 1   3 3 3 Gtr.      6 6 6 6 6 6 Gtr. Fig. steady gliss.

M.For educational use only . Sorgdal F5    way. 2: w/ Rhy.Half-time feel   G5  Ab5 Eb5 F5   full  G5    the D5  of Ab5   Eb5    F5 G5  A5  D5    I back pain. Fig. No warranty of accuracy or useability is implied or claimed.    twist - Eb5 F5  D5      ed road. 5 (1 1/2 times) D5 C#5     D5 C5 B5  Bb5 A5  D5  A5 Ab5 D5    A5 Ab5 D5  G5   F5 Interlude Half-time feel D5    a -  D5  Take Take a C#5  - D5  C5 B5  Bb5  way.                         P. 2  Eb5   take a D5 C#5 D5 C5 B5 Bb5 A5  -   D5 A5 Ab5 D5 G5 F5   way. 6 Gtr. Fig. Rhy.) D5 G5 6 6 0 0 5 5 3 3 0 0 0 0    0 0 0 0               P.not for sale or trade. 5 11 11 0 0 10 10 9 9 8 8 7 7 7 7 6 6 0 0 5 5 3 3 0 0 12 12 11 11 0 0 10 10 9 9 8 8 7 7 7 7 6 6 0 0 5 5 3 3 Gtr.   Rah. Gtr. 5 12 12 End Rhy.M. Fig. (Ah. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0   A5 . Fig. Eb5   F5 G5 A5 look D5  Eb5     and    Best friends and  see Eb5  de - End half-time feel G5    Ab5      spair Eb5      took D5 its C#5 D5 C5 B5 Bb5 A5    F5  D5    D5 A5 Ab5 D5 G5 F5      F5  G5  A5 toll.   Take a -                                                                        0 0 0 0 0 0 Rhy.     way. 2 0 0 7 7 6 Digital Conversion © 2011 Sorgdal .

)       D5  f 11 13 10 12 10 11 12            3 1  8va 17 16   17 16 11 10 13 10 13 17 17 17 loco   11         19 20 Gtr. 6 tacet Ab5 8va grad.M.M. 0 0 7 Digital Conversion © 2011 Sorgdal . 7 0 0 0 0 0 0 6 6 6   5 5 5 End Rhy.For educational use only . 2: w/ Rhy. 7 (dist.M.not for sale or trade. 0 0 0 0 End Rhy.Gtr.) 3 G5 F5 G5 D5 Eb5 F5 loco                                              17 20 18 17 20 17 19 20 17 19 20 19 15 17 15 16 17 15      grad. 0 0 3 3 3   P. 7            P. Fig. 6                          P.  P. Fig. Fig. 6 (2 times) Gtr. 0 0 3 5 0 0 0 0 0 0     0 0 0 1 1 1     P. 2: w/ Rhy. Sorgdal . bend 1                             Double-time feel Gtr.M. 2  Rhy. bend 1 15 17 15 14 14 15 17 15 17 13 12 10 10 10 11 10 10 11 10 10 10 12 10 13 12 10 13 12 1013   13               P. 6 (dist. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Guitar Solo                                Gtr. Fig.M. Gtr. No warranty of accuracy or useability is implied or claimed. Fig. 6       0 0       P. 6    18 11 13 10 12 10 12  13 10 12 13 3 13 13 10 12 11 10 11 10 11 10 11 10 11 11 11 11 11 10 11 10 11 10 11 13 11 10 11 10 11 10 13 Gtr.M.M.

Sorgdal Eb5 13 11 13 13 11 10 13 12 10 13 11 10 11 10 11 10 11 10 12 10 13 10 13 13 11 13 10 11 13  .Gtr.not for sale or trade. D5 8va     Ab5    G5 F5 G5                                                    12 12 12 12 +6 X 12 16 12 14 D5      loco  8va  16 14 14 14 16 15 14 12 14 12 14 12 14 Eb5              7 12 14 13 15 15 14 15 14 15 15 14 F5 12 15 16 15 D5 14 12 15 15 16 Ab5 12 15 15 16 G5 12 12 15 12 14 14 F5 G5                                 7 5 6 5 6 +6 12 12 14 12 10 12 10 11 13 11 10 11 10 13 11 10 11 11 10 12 10 11 12 11 13 11 10 12 10 10 10 12 10 12 10 11 10 12 10 10 12 10 12 10 11 13 10 13 10 12 10 10 End double-time feel                                  D5  F5 7 11 13 8 Digital Conversion © 2011 Sorgdal .For educational use only . Fig. No warranty of accuracy or useability is implied or claimed. 2: w/ Rhy. 7 8   13 11 14 14 15 15 12 15 12 10 10 10 10 10 13 13 15 D5 14 15 14 14 12 12 10 10 Eb5 14 12 15 14 12 13 F5 8va                                                 10 9 9 10 *w/ Whammy Pedal +6 15 13 12 14 12 12 15 15 16 16 12 15 12 17 18 14 16 15 12 16 15 12 16 16 16 12 16 12 16 12 12 14 16 12 16 12 16 15 14 *Set for one octave above when depressed (toe down). 7 (3 times)                                       D5 Ab5 G5 F5 G5 Gtr.

Fig. No warranty of accuracy or useability is implied or claimed. 8                                     7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 7 5 5 5 Bb5       All the ones                                                       3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 3 1 1 1 X X X X Gtr. Fig.self    that   way. most      of I all. 7 tacet      a . 2: w/ Rhy. Sorgdal .round         me I F5     cared  3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1  and. 6 4 4 4 End Rhy.For educational use only . 7 -   row.side blood. 8     6 4 4 4 6 4 4 4 Gtr.get 9 Digital Conversion © 2011 Sorgdal .   13                    Gb5   for       3 3 1 my  13             Gtr. Fig.Chorus Half-time feel G5        Sor   Gtr.   Please  don’t    for . sank      1  13        deep in .  Rhy.not for sale or trade. 2 Eb5                                                  3 3 1 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 6 4 4 4 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 X X X X X X 5 3 3 3 5 3 3 3 loved. 8     G5      But   I can’t    Eb5   see my .

can’t  F D5      stuck in    F E D5   a       dream. 2: w/ Rhy. 2       Gtr.way. Fill 1 Gtr.S.For educational use only . 15ma Gtr. 2: w/ Rhy. Fig. (A . 1        **w/ Whammy Pedal +6 19 18 **Set for one octave above when depressed (toe down). Sorgdal      19 18 . Outro Tempo I Gtr. 2 D5 D5 Ab5     Gm  I   can see      just F D5    F fine    with you in   E      my life Gtr.D. Fig. 2: w/ Riff A (2 1/2 times) Eb5      D5     Ah!  15ma Gtr. al Coda Bb5             me F5      or cry while  Gb5     I’m a . a night -    Em Dm mare full D5    Dm A/C# D5       of sor - row.not for sale or trade. No warranty of accuracy or useability is implied or claimed. D5 µ Ab5  I Gtr. 2 D5   know       this End half-time feel Gm   be right.)  Coda  Gtr. 3 D5        Em    and there by Dm my   D5 Dm A/C# D5 Eb5         side as it starts     to     fade. 10 Digital Conversion © 2011 Sorgdal .way. 7        *w/ Whammy Pedal & delay +6 +6 24 24 24 24           +6 24 24 24 1 1 1 *Whammy Pedal set for one octave above when depressed (toe down). 2: w/ Rhy. 2: w/ Rhy. Fig.

M. 1   19     +6              0 0 0 0 0 0  19 18 19 18        P. 0 0 0 0       0 0 11 Digital Conversion © 2011 Sorgdal .not for sale or trade.M.M.For educational use only . 2    24 24 15ma   +2 1/2 24 24 Gtr. 0  +6 24 let ring Gtr.  15ma             24 24                +4 +4 1/2 24   +6 +5 1/2 15ma   24 24        21 21         let ring +6 +6 16 15 16 15 19 18 17         15ma     Gtr. 7        µ  +6     19     P. Sorgdal . No warranty of accuracy or useability is implied or claimed.  0 0 0 0      P.

and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.not for sale or trade.     mp w/ chorus let ring throughout 3 5 5 17 19 17 19 17 19 17 19 17 19 17 17 18 19 17 18 **Standard tuning      Riff A ***Gtr. and Zachary Baker Gtrs. 2 (dist. No warranty of accuracy or useability is implied or claimed. 1 (dist. 3 (clean)               mp              w/ fingers let ring throughout 5 7 7 5 7 9 6 5 9 7 5 6 5 9 7 5 5 7 5 5 7 6 5 5 6 7 6 *Chord symbols reflect implied harmony. All Rights Reserved International Copyright Secured Used by Permission 1 Digital Conversion © 2011 Sorgdal . ***Standard tuning © 2003 EMI APRIL MUSIC INC. Dust      Riff B **Gtr. 4 (clean)               be . Sorgdal . Jr. James Sullivan.gins to fall to the Bbmaj13#11            ground.Waking the Fallen Clairvoyant Disease Words and Music by Matthew Sanders. 1. Brian Haner. 2 & 5–11: Drop D tuning: (low to high) D-A-D-G-B-E Intro Slowly q = 71 µ Gtr.)                   5 7 3 2 3 3               7 5 4 5 5    7 5    8 7         mf  7 Gtr.For educational use only .)     7 7 8 7 5 7 mf  8 8 8 10 8 7 8 8 7 8 7   8 8 7 5 7 7       10 8 7 8 8 Verse Gtrs.from Avenged Sevenfold . 1 & 2 tacet     * Dm[add9]   1.

Sorgdal 9 6  19 7 5 19   17  19       6 5 9 7 5  19 17 18       5 6     17 18 5 9 21  7 5    5 7 5 5 6    6 7 End Riff A .     21 19 17 19 17 7 19    9 7     19  17      9 7  19   are haunt   17 17  19   17 18  5 5      7     5 5 7   5 5 6 6 7  5 6 Bbmaj13#11    Thoughts thin. In my life. You’re content with doing nothing. 5      21 6 5 Dm[add9]  and  18 5 6 9          5        - ing         me as I look a - round. No warranty of accuracy or useability is implied or claimed.For educational use only .not for sale or trade.Dm[add9]          Bbmaj13#11    The air is cold Whispered: And you sit there and do nothing.       17 19 21      19 17          5 7 2 Digital Conversion © 2011 Sorgdal . I wanted more.

M. Gtrs. 0 0 7 6      P.M. 1 & 2  End Rhy. just dwell on wrong. 0 7 8 0 Bb[#4]/D              P. Fig. 1 (3 times) D5     15 Em/D   D5        P.not for sale or trade. 5 & 6 (dist. Fig.M.er. Fig. 1     f  P.edge right.M.   0 0 0 0 0  5 7 Gtrs. So I’ll never end.M.For educational use only .Dm[add9] 3     17 21 19  21 7 end     6 5 Em/D 19 17   9 7 5 Gtrs.knowl . Sorgdal . 0 0 0     0    F/D     P.M. 0 0    P.ev . 1 & 2: w/ Rhy.)    f **w/ wah-wah 15 15 15 *Composite arrangement **As filter Rhy. 0  P. 3 & 4 tacet    bleed   End Riff B 17 D5              7 5 5 5 7       5 5 7 5 6 F/D for .M.M. 1 Gtrs. 0 E/D 7 7 0 A5/D                 This spot in hell’s where I be - long.   Chorus D5  when I     9 er 19    5 6 -   18        19 17   will nev     7  19   9    This       5         Bbmaj13#11 6  Bb5/D Bb[#4]/D E/D A5/D        Don’t ac . 7 8 0 Bb5/D 0  8 8     P. 5 & 6    15 15 15  15 15 15 15 15 13 13 15 15 3 Digital Conversion © 2011 Sorgdal . *Gtrs. No warranty of accuracy or useability is implied or claimed.

Sorgdal    slow . Stuck alone inside your head. 8 (slight dist.M.For educational use only . 6 divisi 13 15 16 13 13 13 15 E/D      15 15                  12 12            15 15 A5/D   from! 1/2 16 Bb[#4]/D  ah. Dm[add9]     Like a       man plagued with   dis .side Riff C Gtr. Gtr. 5 & 6 tacet                12 12 A5/D   15 15  15 *As filter E/D   Gtr. 5 & 6 tacet    Dm[add9]   2. 7 tacet Gtrs.not for sale or trade.)       mp  P. 11  Gtr.) F/D 14 14              14 14 11 11  13 13 13 13   12 12 14 14 14 14  Verse Gtr. 4: w/ Riff B Gtrs. 1/2 *w/ wah-wah 15  Bb5/D     it’s  mf    far. 5 & 6 tacet D5 Em/D           D5                Screamed: I’ve (Ah.)  13          ed 1/2 16 F/D          Don’t know why it (Ah.fi - dent      End Riff C  3 1 3 Gtr.ly eats  Bb6    a .ease. No warranty of accuracy or useability is implied or claimed. come so   13   13     Gtr.way. 7   D5   start - 13 15   14 14                          14 14 11 11  or where Bb5/D   13 13   13 13 12 12     it came 14 14 14 14     Gtr.Gtr. . 7 (dist. 5   Gtr. Out . 6 divisi 16 15 13     long! 1/2 16 16 11     Bb[#4]/D   been so ah. 0 0 2 3      2 3 3 5  Bb6      shell is strong.          3 2     3 1 3 3 1   con . 7 tacet Gtrs. 8: w/ Riff C (3 times) Dm[add9]         but 4 Digital Conversion © 2011 Sorgdal . 5   15 15 13 13 13 D5 Em/D            Gtr. Whispered: There’s nowhere to run and hide.

Bb6         I try to Dm[add9] Bb6    3      fight. Riff D Gtr. Sorgdal ..   it’s  15    1/2 16 - 15 D5           Screamed: I’ve (Ah. just dwell on wrong. ah. 1 (4 times) D5      Em/D   D5      F/D            Bb5/D Bb[#4]/D    for . No warranty of accuracy or useability is implied or claimed.knowl .not for sale or trade. seep so better off dead. Fig.er. E/D A5/D               Don’t ac . it  seems    to when I bleed When I’m bleeding. 15 Bb5/D          1/2 15 F/D  13 16 15 1/2 16      long.For educational use only .edge right.ev .    Through my pores. Chorus Gtrs. 6   13      13    15 16 11 13 long!   13 15 13     15 16 13 15      16 13 15 15 14 14     14         14        End Riff D  11 13 13  12 14 14                12 15 A5/D   12 15          15 E/D    1/2 16 13 13  16        Bb[#4]/D   been so ah. be 15 Em/D     I 11 13 13 12 14 14 5 Digital Conversion © 2011 Sorgdal . *Gtrs. 1 & 2: w/ Rhy. 5 & 6 15 15 15 15 15 15 15 *Composite arrangement D5       Em/D     D5    F/D   Bb5/D Bb[#4]/D         E/D A5/D                  This spot in hell’s 15 15 D5 where 15       come so     far. 5 11 Gtr..

M.ing! 5   3 3 0 0 0 0 0 0         8 8 9 5 5 7 5 6        5 5 5 5 5 5 0 0 2 4  5 7 P.M. 1 1 D5  6       3 1 0 0 D5 A/C# Em   1 1 1 1        7 7 7  P. 0 0 0 5 6 5 6 5 7 7       0 0 0 0 0 0 0 0  . 6 tacet D5  Bb5           Gtr.  Riff E    Gtr.For educational use only . No warranty of accuracy or useability is implied or claimed. 3 3 3 3 3 3 3            P. 0 0 0 0 0 0 0     sit there and do  5 6 5 3 2 6 Digital Conversion © 2011 Sorgdal . 3 2 3 1 F5           2       P.M. 7 7 5 7 7 5 6 5 6 5 7  7 D5       8 10 8 5 8 Bb5           5 7 7 7 5 6 5 6 5 7 7      8 10   Screamed: And you    8 5 8 7 Gtrs. 0 0            Sorgdal 0 0      C/E                3 2 1 1 1   1           3 3  8 6 5 5 7 6       P. 0 0 0 G5 noth .Gtr.not for sale or trade.M. 5: w/ Riff D D5 Em/D               Don’t know why it (Ah. 8 6 5 5 6 3 2 0 1 1    8 P. 1 & 2    P.M.M. 6     D5 start -     ed or    11 13       where   it came 15 13 E/D A5/D     from!     16 Bb[#4]/D           1/2 16 13    Bb5/D ah.)  15    1/2 16 F/D 16 13 13 15        15 12 14       End Riff E  14 13 11  13 12 14 14 Interlude Double time (q = 142) Gtr.M.

7 tacet      F5  G5    D5 A/C# Em Dm           8 8 9 6 7         noth . 1 1 1 1 1 1 1 1 1 1 1 1     tent 5 5    6 5 6 5 8           P.M. 1 1 3 2 3 2 2 3 2 3 2 0 Gtr.ing!          5     8 6 5 5 7 6       P. Bb5 D5  Bb5     C/E   You’re con       8 10 8               5 7     - 8      P. No warranty of accuracy or useability is implied or claimed. 3 3 3 3 3 3 3 3 3 3 3 6 5 7 5 6        5 5 5 5 5 5 0 0 2 4 6 7       P.M. P.not for sale or trade.M.For educational use only .M.ing         6 5 8 7                   P. 3 1 5 7 6 5 6 5 8 7 7 10 8 5 8   0 0 0 0 0 0 0 0 0 3 1 0 0 1 1 1 1 1 1 1 1 1 1 with do .M. 5 7 3 5 5 5 5 5 5 5          5 3 5 3 5 3 5 3 5 3 5 3 5 0 7 Digital Conversion © 2011 Sorgdal . Sorgdal .M.

2 Gtrs. bend 1     3 1 3 3 3 3 3 3 3 3 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 . No warranty of accuracy or useability is implied or claimed. 9 & 10 (dist.)     Bb5                  C5  10 11 11 11 3  f **w/ wah-wah 11 10 11 10 12 10 9  9 10 9 10 10 12 10 **As filter Riff F *Gtrs.)                                                            15 X 13 15 X 13 15 X 13 15 X 13 14 X 12 12 X 10 12 X 10 12 X 10 12 X 10                                                   3 1 3 1 3 1 5 3 5 3 5 3 5 3 f 10 X 8 15 13 15 X 13 15 X 13 15 X 13 15 X 13 14 X 12 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 *Composite arrangement Rhy. Fig. 1 & 2    3 1 F5   3 1 3 1    3 3 7 9 10   14 X 12 12 X 10 12 X 10 14 X 12 3 1      14 X 12 3 1                    12 X 10 9 10     9 X 7 9 X 7 5 3 5 3 5 3 5 3            10 12 10      D5  9 X 7 5 3 5 3       12 12                       10 10 X 8 10 X 8 10 X 8 10 X 8 10 X 8 8 12 5 3 10 X 8 10 X 8 10 X 8 10 X 8 12 12 10 10 8 End Rhy. Fig. 2                                  3 3 3 2 3 2 0 0 0 0 0 0 0 0 8 Digital Conversion © 2011 Sorgdal .For educational use only .      Guitar Solo Gtr. Sorgdal   12 14 X 12 3 1 C/E  12 14 X 12 3 1  grad.not for sale or trade. 11 (dist.

Gtrs. 1 & 2: w/ Rhy. Fig. 2






Bb5




Gtr. 11



 






10

12

10

C5



3

steady gliss.




9

8

8

Gtrs. 9 & 10


 
7
X
5

10
X
8

10

10

10

9

10

12

9

9

5

10





     
     


    
    

7
X
5

7
X
5

7
X
5

7
X
5

7
X
5

9
X
7

9
X
7

9
X
7

9
X
7

7
X
5

7
X
5

7
X
5

7
X
5




 

10


   
  



11

8



     
     

F5

13

7


       

 

10

12

9
X
7

9
X
7

9
X
7

      

 
  

C/E

13
10

9
X
7

D5

12

10

12


10

1

13

10

9
X
7

9
X
7



  
1

13

13

13

13

     
     


    
    


    
    

  
  


10
X
8

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

9
7

9
X
7

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

9
X
7

10
X
8

10
X
8

13


End Riff F

10
X
8

Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtrs. 9 & 10: w/ Riff F

Bb5

 




 



C5



There’s
Gtr. 11

Gtr. 11 tacet

no

- where

to

run

and


 



hide

when you’re



11

F5




 

liv





-

C/E



ing

to


 

D5





die.

9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 
 

  

Stuck

a - lone

Bb5





   

in - side

 
 

your

  

 

C5

 

head,

Gtrs. 1 & 2

 

3
1


  

D5

     
     


    
    


     
     


    
    

3
1

3
1

3
1

5
3

5
3

5
3

5
3

3
1


  
 

3
1

3
1

3
1


7
5

3
1


 
 

    

7
5

7
5


 

7
5

7
5

 


  

10
X
8

15
13

5
3

5
3

  
  

5
3

5
3


5
3


  

The


    
    


     
     


    
    

3
2

3
2

3
3

3
3

3
3

3
3

3
2

3
2

3
2

 

phone would ring

Gtrs. 9 & 10

5
3

dead.



5
3

F5

off

G5

 

3
1





C/E

bet - ter

  

3
1

in

the

C5

3
3

3
3

3
3

3
3

   

emp - ty

3
3

3
3



3
3

house.

     
     

       
       


     
     

      
      

15
X
13

15
X
13

12
X
10

12
X
10

12
X
10

12
X
10



     



    

5
3

5
3

5
3

5
3

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

15
X
13

14
12

14
X
12

12
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

12
X
10

Gtrs. 1 & 2

 

5
5

10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    









5
5

5
5

5
5

5
5

5
5

5
5

5
5

5
5

5
3

5
3

5
3

5
3

5
3

5
3

5
3

 




D5



No

  




C/E

one’s



 


14
X
12

14
X
12

  

   
   

14
X
12

14
X
12

12
10


12
X
10

12
X
10

P.M.

7
5

7
5

7
5

7
5

7
5



a - round.


    
     



F5




     
     

      
      

9
X
7

9
X
7

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

10
X
8

       
       

       
       

       
       
*

3
2

3
3

3
3

0
0

3
2

3
2

3
2

3
2

3
2

3
2

P.M.

3
2

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

3
3

*Gradually lift P.M.

Chorus
Tempo I
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
Gtrs. 9 & 10 tacet

D5

 

Em/D

D5






 


Don’t

ac - knowl - edge

right,

just

dwell

on

15






18

15

Bb5/D

Bb[#4]/D

E/D

A5/D

wrong.

**Gtrs. 5 & 6






 

F/D









18

10

11



1/2

9

9

**Composite arrangement

D5

 



This

Em/D

 
spot

in

D5

 
hell’s




 





15

   

F/D




where I

be


 
-

17





17

Bb[#4]/D

       

E/D

A5/D

long.






1/2
15

Bb5/D

10

11

9






1/2

9

11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 & 10 A5/D      long! F/D Bb5/D     it came  Bb[#4]/D   E/D A5/D     from!     I want        Dm D5 ed more!        10 X 8 7 X 5 9 X 7   -    Dsus2    I need  Dm D5 ed more!   -    10 X 8            7 X 5 7 P. P.M.      Gtrs. 1 & 2        Dm D5 my life.M. P. 6: w/ Riff E (2 times) D5 Em/D          Screamed: I’ve (Ah.    come so far.       Bb5/D 5  . P.M. in    9 X 7 Gtrs. release Sorgdal E/D         Bb[#4]/D ah. P.        10 X 8 7 X 5 9 X 7   Gtrs.not for sale or trade. 0 0 0 0 0 0   1 12  more! let ring      P. 5: w/ Riff D (2 times) Gtr. 0 0 0 0   13             P.        Dsus2 grad.M.M. 7 0 0 0 0 0 0 0 0 0 0 0 7 0 0 0 0 0 0 0 0 0 0 0 7 0 0 0 0 0 0 0 0 0 0 0      I taste         1 1  13 10 15 16 13 0 0 12 Digital Conversion © 2011 Sorgdal .) Outro Dsus2     Ah.Gtr.For educational use only . 9 & 10 tacet 0 0 0 0 0     P.M. D5  D5          Don’t know   why it    it’s Em/D F/D   been ah.M. so D5     start .M. No warranty of accuracy or useability is implied or claimed.ed   or where     Screamed: But.

8        P. 1 & 2    Bbmaj13#11      0 0 Gtr.For educational use only . 3                7 6 5 9 7 Gtr. 3: w/ Riff A Dm[add9]     Gtrs. 8: w/ Riff C Dm[add9]     Bbmaj13#11                         (Oo.) Gtr.M. Dm[add9]  Bbmaj13#11                               Oo. Sorgdal . No warranty of accuracy or useability is implied or claimed. 1 & 2 tacet  Bbmaj13#11  Dm[add9]   Gtrs.Gtr. 0 0 2 3  2 5 9 5   3 6 3  5 7     3 2 3 5 5 7 5 7  5 5 7 5 6 6      1    5 9          3 3 1        1 3 13 Digital Conversion © 2011 Sorgdal .not for sale or trade.

)             f P. Sorgdal . No warranty of accuracy or useability is implied or claimed.M. 0 0 6 0 6 0 P. 2 (dist. James Sullivan. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E Intro Slowly q = 82 * Dm C Bb6   mp w/ fingers let ring 2 0 3 2 3 5 0 2 2 3 0 0 2 0 2 2 3           let ring 1 2 3 0 0 2 0        0 3  let ring 0 2 3 2 2 3 2 0  5 3   2 let ring Aaddb9                        Gtr. 1 (clean) *Chord symbols reflect implied harmony. 1 tacet D5 µ    Gtr.M.from Avenged Sevenfold .not for sale or trade. 0 0   D5  5  6 µ P.Waking the Fallen And All Things Will End Words and Music by Matthew Sanders. 0 0           0 0 6 0 Gtr. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.)      5 0 0   D5 0 0 0 0 0 0        P. 0 0 0 0 0 0 0 0 0 7                5     0 0 0 0 0 0 0 0           6 0 0 0 0 0 0 0        5      7         P. Double time (q = 164) Gtr. 6 0 © 2003 EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission 0 0 0 0 0 0 0 0 1 Digital Conversion © 2011 Sorgdal .  0 0 0 0 0 0 0 0     f P.M.For educational use only .M. 3 (dist.M. Jr.M. Brian Haner.

3      P.M. 2   µ 0 0   5 8 5 8 5 6 5 0 Gtr.    5 7 5       7 6 7 0      f Riff A1           0 0 0 0 0 0 0 0   8  7 5 7 5           2 Digital Conversion © 2011 Sorgdal . 8 5 8 5 6 5 6 0 Gtr. 2      P.M. 0 0 0 0 0 0 0 0 7 8      5 7 8 5 7 µ    5            6   P.M.  7  5  5 0 0                   0 0 0 0 0 0 0 0 P. 5 0 0 6 0 0 6 0           5 5 D5    6 6 0 5      D5    8 7 8 5 8 5 6 5  5  Riff A 5 5    5 0 P.not for sale or trade. 4 (dist. 3 5 8  6 0 8 5 6 5       5 0 8 5  5 0 5      0 0 0 0 0 0        P.M. 5 (dist.M.M.µ Gtr. 4 tacet Gtr. 6 0 0 0 0 0 0 0 0 0       7   6 5   0 0   7   6 0 0         P.)   5 8 5 8 5 6 5   8 Gtr. No warranty of accuracy or useability is implied or claimed. 6 0 0 0 0 0 0 0 0 .For educational use only .)   D5                             3 3 3 3 3 3 f 5    Gtr.         5 Gtr.M.M. Sorgdal 7 8 5 8 5 6 5 6 5 0 0 8 5       P.

lived in   our your Gtrs.M.Gtr. Sorgdal .M. 4 tacet D5 1. 5   8 5 8 5             6 5 5    5 6 5 5 5 0    8 6 5 5 8 8 7 6 7 8 5 8 5 6 5 5 8 8 0 End Riff B 5 7 8 5 8 5 6 5         7 5 6 5 8 6 5 8 5 7 6 5 8  5              End Riff A1     0 0 0 0  5 End Riff A   8                   6 0 5 8   7 8 5 8 5 6 5 5       5          P. When I through see      F5          you. you.not for sale or trade.M. Gtr.M. 2 & 3   0 0                 0 0 P. 0 0 0 0 0 0 0 0 0 0 0 3 3        P.    safe I with can how read       G5 we it lives. 0 6 5 0 Gtr. eyes. 3 3 3 3 3 3           3 3 3 3 3 3 3 5 5 3 Digital Conversion © 2011 Sorgdal .For educational use only . bend 1 5 Riff B Gtr. Lived 2. 3  8 8 5 6 5 5 7 5 7 5 0 8 7 5 7 5 8 7 7    6 0 0 0 0  Verse 1st time. 0 6 5 5            Gtr. 4   3    3 grad. No warranty of accuracy or useability is implied or claimed. 2  8 5 8 5 6 5  P. 5 tacet µ D5 µ                                       Gtr.

 0 0          all 6 D5  mis .  6 6       5 5 6 6 0 0                 0 0 P.M. 5 5 5 5  Un - cov Swal - lowed   turned - der        P. you for           3 3 3 3 3 3 3 5 5 3 To Coda 1   F5 G5 A5 Bb5         Some Some -      Fill 1 Gtr.   - 3 3 3 3 0 3 3 0   0 0 G5   through blame    5 5 - out. 0 0 0 0 0 0 0 0 3 3 5 5 7 7 8 8 . 0        P.not for sale or trade.M.M. D5           the 0           sur 0 0  lies. No warranty of accuracy or useability is implied or claimed.M. Screamed: (But       P.For educational use only . Ab5      with    how it fate    5 5      0 0          P. 2 & 3    5 5         P. 5 4 Digital Conversion © 2011 Sorgdal .M. heart.M. 0 0   F5 G5  ered           0   out.un 6 6 5     G5 Ab5   End Fill 1   *w/ wah-wah 10 15 *As filter Gtrs. 3 3  0  lies. 4     faced       3 0    P. Sorgdal 5 5 5 5 6 6     P.M.ing with 0 D5 your your mind.  5 5 6 -  6 6 -    F5   0 0 Ab5      will  0 0    things are bound to change!) things are bound to change!) 0 0 0 0 0 0 can’t 0     G5 Ab5 make you change think .M. Screamed: (But stood.

1 3 3  1/2 14 P. End Voc.M.        Can’t   turn D5      out right.not for sale or trade. 4 tacet F5 µ    right. 1         1/2 17  P.M. 2 & 3: w/ Riffs A & A1     µ  D5  µ  D5  5 Digital Conversion © 2011 Sorgdal .)      1/2 18 17 14               10       0 0 0 0 0 0 0       8va     18 14 17 17 14       P. Fig.Chorus     - times        F5     8va 18 15 10 15 10        loco al 18     17 17 14 14   - 17 8 8 8 8   8 8   3 3          Bb5 Won’t       (Whoa. 0 0 0 0 0 0 0 F5 G5 0 Gtr.  1/2 17 15    is 1/2 17      D5       life      G5  3 1 15 15 17 17    3 1 3 1    3 3      3 3 0 0 5 5 Interlude Gtrs. No warranty of accuracy or useability is implied or claimed. Sorgdal .M. Fig. 8 8  1/2 15   tered.For educational use only . 0 out 15 18  17 15 10 10  5 5    17 3 3 turn   Voc.

Gtr.M. 2 & 3      8 8   8 8 8 8              8 8 3 3 3 3 0 0 3 3 5 5 2nd time.M. al Coda 1 Gtr.eas - 1/2 17 0  1/2 18 0                    18 0 loco 1/2 17 0 are tied. 1/2 17              P. Break  1/2 18  Bb5    8va                           loco  - Gtr.      8va   your G5 D5     hands 18 15 10 10 15    3 1 6 Digital Conversion © 2011 Sorgdal .S.   0 0 0  3 1 .For educational use only . 5: w/ Riff B µ    D5  µ   Coda 1  Chorus        times             G5 D5   life is al 17 15 10 10 15 -  tered.not for sale or trade. No warranty of accuracy or useability is implied or claimed. 4: w/ Fill 2     from the           F5  ropes. 4  F5 1/2 17 15 18 17 14 17 15 17 1/2 14 14 15 18 14 17 1/2 17 18 14 14 17    10 15  17 17 Gtrs.D. 3 1 0 Un . Sorgdal  3 1 15   3 1 0    0    3 3 0 0  17 15  17 0 18 17 14 14 15       3 3 3 3 5 5 X X 0 0  0 0 14 17 14 0        18 14 17 0 0 0 0 0 0 0 0 0    10 15 17         0 Bb5     17       P.

M.    - End Fill 2 loco       1/2 17 15 Bkgd. 2 & 3       dim. 4 tacet µ   X X 18 Bb5 Won’t 1/2 14 15   3 3 out  17      tion. F5   right.fron .: w/ Voc. 1                  with Fill 2       D5 1/2 18   G5   2 0 0 2 0 2 3 Dm[add9]         let ring     2 5 7 5 3 2 5  2 5          let ring 6 5 5 7 8 7 5 5 6 5 6  6 7  0 0 7 Digital Conversion © 2011 Sorgdal . Gtrs. Voc.For educational use only .ta 18 3 1    17 14   14 15     8va 17       3 3 3 3 To Coda 2  F5 5 5  17 15 10 10 15       17 14 1/2 17 18 14 14 17 0 0 0 0 0 0 0 0 0 Can’t D5     turn out 0 0  10 15   3 1 0    0   17        G5    17       P. 2 & 3 tacet Dm 5    3 3 Interlude Tempo I    0 0   right. Fig. No warranty of accuracy or useability is implied or claimed.   -   F5   y              8va 10 10 15    3 1 17 15     3 1 con . Sorgdal .    17 15 17     3 1 3 1    3 1 C Riff C            let ring 3 2 0 3 2 3 5  2 3 3 0 0 5 5   A7b9/E          let ring 3 Gtrs. 1  Gtr.   turn 1/2 18 Gtr.not for sale or trade.

Bbadd9 G5addb9 Gtr.     Bbadd9  eyes. No warranty of accuracy or useability is implied or claimed.  know.For educational use only . arr.            let ring          8 7 8 10 12 12 12 13 13 12 12 12 14 14 14 15 14 14 12 14 12 14 14 15 14 15 14 12  7   let ring 10 7 End Riff D   Aaddb9  I    8 G5addb9    Gtr. I                 let ring 6       let ring 6   know.        I’ll be al - .not for sale or trade. Sorgdal  C      will turn    to light.fore my                     let ring        let ring 12 14 13 14 12 12 14 13 14 12 14 12 13 14 *Two gtrs. 1: w/ Riff C (2 times) Dm C             see my world I Riff D   mp 5 6 8 6 let ring 5 6 7  7 5 8 9 10 8 10 Dm[add9] crum                  *Gtr.) Dm      Dark 8 Digital Conversion © 2011 Sorgdal . for one. 6: w/ Riff D (1st 4 meas. A7b9/E      In Dm[add9]  time. 1         let ring 1 3 1 3 0  1  let ring 0 3 5 5 5 5 7 6 6 5          let ring 5 2 0 2 2 3 2 2 0          let ring  2 2 2 0  2 3 2 0  0            End Riff C   Aaddb9 3 Bridge Gtr. 6 (clean) w/ fingers let ring     A7b9/E 8 9 10    -    ble and fall 9 12 14  11 12 10 12 12 be .

7 (dist. No warranty of accuracy or useability is implied or claimed.)  5  8      10 13 12 13 8    8      13 15 10 10 8   mf 8 10 8 10 10 12 12         mf 6 so alone.    Gtr. Gtr. Sorgdal . 12 14 14 15 14 15 14 12  1 3 3   I             1        know. 8 (dist. 6: w/ *Riff D Dm  C A7b9/E Whispered: I never imagined my life could turn out this way. 1: w/ *Riff C Gtr.       8 10 10 8 Bbadd9         10 11 11 10   10 8 G5addb9  6    11 8 10     3 5      8 4   Aaddb9   6     6 9 7 6       8 10  9   12    7 10 14 9 Digital Conversion © 2011 Sorgdal .      so black. 9 10 9 6 6 6 8 6 5           10 10 11 10 8 12 *Last chord of both riffs held for two beats.not for sale or trade. 6 3 Aaddb9     Guitar Solo Gtr. I  let ring      let ring             let ring         8 10 12 12 12 13 13 12 12 12 14 14 15 14 14 14 12 14   let ring 10 3 3     know.     Bbadd9 G5addb9  right.For educational use only .     5 5 6        3 5   8  Gtr.)        8 12 Dm[add9] So cold.

9 & 10 tacet Gtr.M.)   11     0         5 6                     12 0 Gtrs. bend 10 1/2   13  12 7 1/2 14 8 12 13 14   15 0    mf 0 End Riff E1  1/2         **w/ wah-wah  5 6 mf *w/ wah-wah Gtr. 3  D5  µ       P.not for sale or trade. 5: w/ Riff E1 (2 times) Gtr. 5             f 12 10 0    11  Riff E        f 0 0      5 3 0        0         7 1. 2 & 3             9 10  13 14 14 5 7 6 7 7    8 18    11 1 14    20 14 8va          1/2 1/2 13 10 15 16 **As filter Tempo II Gtrs. 9 (dist.        6 0 0 0 Gtr. 7 & 8 tacet µ Riff E1    Gtr. grad. No warranty of accuracy or useability is implied or claimed. 2 & 3: w/ Riff E (2 times) Gtr. bend 1/2         grad.For educational use only .    18 17    *As filter  15 15 12 14  0      0  17 8     7     2.) 14 12 0 Gtrs. 10 (dist. 2  0 0  0 0 0 0  0       7 6 5 Digital Conversion © 2011 Sorgdal .Interlude Gtrs. Sorgdal         5 8 5 8 7 5 0      7 10 7 8         7 5 7 5 8     8va  14 8 15          1/2   12 14 End Riff E 3   9  7        8 5 7 8 5 6 5 0        5  7 8 5 7 7  6 0 .

o . F   And it   C   won’t   last  to Bb   sulk with A      the mem .    0 0   P. 2  Bb5  Some Gtr.M.ries you D. 3     0     5 7     8 7    7 5 5   5 0    0 0 P. 2 & 3: w/ Riffs F & F1 Dm     by.Bridge Dm    Screamed: Liv -   ing F   fast.not for sale or trade.For educational use only . 4: w/ Fill 1 D5    µ     hold!  P.M.M.S. Sorgdal .      7 8  8   7   7 8 8   4 8 8 - 11 Digital Conversion © 2011 Sorgdal . 0 0 Gtr. No warranty of accuracy or useability is implied or claimed.           5  5  5               7 5 7  7  8 Riff F 5  by   8  goes       Riff F1  C 7 8 6    5    5 7      7 3    Bb   catch your  breath and       8 7 5         5 3 2 1   it  you      7 5   will pass     A End Riff F1 5 4        3 End Riff F 2 0 Gtrs.S.M. 0  0  0    0     0 0 0 0 P. al Coda 2 Gtr.

bend 17    3 3 0 0 5 5               0 0 0 0 0 0 0 0 0 0 0 0 0 G5   is      al -   18 15 10 15 15       3 1 3 1 3 1 Rhy.   Bb5 Some - 17      1/2 17 F5 times  17      -  17       right.not for sale or trade. Sorgdal 15 Yeah.For educational use only . loco 1/2         14 14 17 14     Bb5 Un . Fig. 4     8va              from  1/2 18         tered.eas - 1/2 17 3 1 0 0      1/2 18  18 14 17    10 15  17 17 . Coda 2 µ F5      Can’t G5 out   8va   turn   D5        grad. your hands       are tied. 1/2 17 15 10  D5   17 8va 17 1  1/2 10 grad. bend       loco                    life          P. No warranty of accuracy or useability is implied or claimed.M. Fig. 1 (2 times)   18 17 14 17 13 17 14 14 15 14 17 1/2 17 18 14               3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 F5        G5 D5 ropes. 1  Gtrs. 2 & 3: w/ Rhy. 18 15 10 10 15 12 Digital Conversion © 2011 Sorgdal . Fig.  1/2 17 1/2 17 18 17 17 14 12 15 17 15  10 15 End Rhy. 1   5 5   17      3 3 Bb5  17       the 14 17      3 3 3 1 Break  loco            Gtr.

loco 15 Gtrs.ta 17 14 F5   17 14 15 µ   out   10 10 15 3 1    3 1 3 1 3 1 G5 D5       Can’t turn 18    right. 2 5 5 5 5 5 5 8 8 8 8 8 8              F5 3 Eb5 5 8 7 8 7 5 D5   5         5 4 5 8 5 4    4         5 7 5 End Riff G 8 8   7                                   5 7 3 5 8 5 8 6 6 5 6 6 5 6 End Riff G1 5 8 7 8 7 8 7 5 4 5 5 7 8 5 7 8 End Rhy. Voc.H.     17 8va 17 15 - 15 1/2 18              1/2 17 10  D5 1/2 10 Gtr. Fig. 4 tacet                    7 5 7 10 10  G5 Bb5 Riff G Gtr. 2                         3 3 1 1 1 1 0 0 3 3 3 3 1 1   7 P.M. Sorgdal .: w/ Voc.not for sale or trade.For educational use only . No warranty of accuracy or useability is implied or claimed. Fig. 7 5 7                   Riff G1 Gtr. 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0    13 Digital Conversion © 2011 Sorgdal . 8    7 8  7 8 8 12 12                   Gtrs. bend 17 17 17   out 14 Bb5 Won’t 1/2 14 17               tion.        with 15 15 17 15   18 con . 2 & 3    F5   right. Fig. 2 & 3   Rhy.fron . 4  y 18     G5  8va loco                      -  Bkgd. 1/2 17     3 3 17        3 3 0 0 5 5 14 18 14 turn    10 15  17 17 17        grad.      semi-P. 1 F5   1/2 17 17      Outro-Guitar Solo Tempo I Gtr.

For educational use only . Fig.Gtrs. 2 & 3: w/ Rhy. No warranty of accuracy or useability is implied or claimed. Sorgdal 12 9 3 6 10 11 12 10 11 10 12 10 11 13 17 15 17 14 15 17 15 17 15 16 18 15 16 18 15 17 .not for sale or trade. 2 (3 times) Gtrs. 7 & 8: w/ Riffs G & G1 (3 times)        G5   7 5    Bb5        F5    5 7 10  Eb5   10 10 7 7 10    1 7 12 12     12 10 1 1/2 12 12 10 12                                        6 D5 12 G5      6 6 11 12 10 11 10    10 11 13 10 11 10 10 11 13           12 10 11 13 15 15 14 11 13    10 11 10 F5 8va     10 loco 12 Bb5  13     12 13      3  12   11 15  18    17 17 10 12 10     12 10 10 13 12 Eb5   15 11 13 16  20  16 18   1/2 17 17 17 15 18 13    1      15 14    15 14    18 18 10 18 15 17 10 12                   8va                     D5 11 12 14 Digital Conversion © 2011 Sorgdal .

-20 sec. 7 & 8: w/ Riffs G & G1 G5              15 15 17    Bb5        20 13 15    16 18 16 15 15 10 11 11   17 15  17     3 12 11    F5  11 13 12 17 17 11 13 Eb5      1/2 15  18 17 17 18 17 14      6 17 11 12 14 15 15 15   1/2 21 14 8va 20 grad. 15 Digital Conversion © 2011 Sorgdal . bend 22 21 1 min. continue shredding while using a DigiTech Whammy Pedal (set to sweep two octaves below). Fig. 2 & 3: w/ Rhy. No warranty of accuracy or useability is implied or claimed. To approximate the sound of the Master Tape being slowed down. 2 Gtrs. D5        1/2 1/2       18 15  grad. bend 11                 10 11  11 6 11    11 12    12 10 15    11 6 14 8va  15 6 17   13 6 13 15 D5  6 17     1 10 10 12   6 19     19 semi-P. and gradually depress the treadle while the tempo slows.H. bend 17 13 12 11 17 1/2 17    6  18 grad.G5           18    Bb5 8va   1 18 15 18 18     loco      F5 Eb5      1/2 17 20 18  1/2 17         6 20 15 15 13   13      14 10 Gtrs. Sorgdal . 21 17 1/2 17  Pitch and tempo gradually decrease while the previous four-measure chord progression repeats and fades.For educational use only .not for sale or trade.