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Photc. by Laurie Pepper

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D FORE W O;'R ;:'


!-r:

is not often that a musician can

I disappear' - ':- Rntn6ithord ,..;


1.

'

.':

often associated with Art's music is

r:

from the jazz world for a number of years


and then make a spectacular comeback.

I consisiency.

No matter how bad he might have feli when

he recorded, his work does not show it. Aiternate takes now available show what a resourceful and hard working soloist he was, making every note and phrase count. He was fortunaie that he was affiliated with the Contemporary and Fantasy labels, with sympathetic label heads Les Koenig and Ralph Kaffel. His years at Fantasy fill over

For someone to do it twice is a miracle.

Art Pepper may be the onlY mqor

iazz

voice that did just that. A major soloist


with the Stan Kenton Orchestra and one of the leading voices in the West Coast jazz scene of the early '50's, his

drug addiction stalled his career and created a lot of


negative publicity. He came back hotter than ever, made a classic series of jazz albums, and then suddenly left again

16 CD's! Yet there is noihing in that collection that would


be thought expendable, even when Art worked with

someone where the rapport was missing.

for an even longer period of time. When he re-emerged in the late'70's, he returned to stay. By the time of his
death in 1 982, he'd proven that he was otre of the greatest voices in the history of jazz'

;,
.-l

And it was Kaffel that gave him what he most

wanted; a ballad album with strings. WINTER MOON has


now jdined the ranks of only a handful of 'soloisi with

string' lbums that really work. lt is understandable that


' 'f.
l

Art Pepper's life is chronicled in detail in his


autobiography STRAIGHT LiFE - The Story Of Art Pepper, perhaps the most candid autobiography by an artist in any field. Art believed in the truth, in lie and his music, so it was typical of him ihat he did not spare himself in telling his tale. The volume you now have before

Art thought it was his finesi album. 1 ,,

..,

'

This book starts with solos from the the years

right after he left Stan Kenton and played with such lead-

'

ers asshorty Rogers and Shelly Manne, as well as lead-

ing'hii own groups. PEPPER RETURNS signifies the


first comeback for Art, and STRAIGHT LIFE begins
a

you celebrates his music. lt is made up of solos on Alto


Sax and Clarinet from the years 1952 thru 1980, and chronicles the long and precarious path that Art's music took. And yet there are a few constants throughout his

. selection of solos from his classic Contemporary albums.

From OPHELIA onward, these solos are from his last' matur period. Art composed many new pieces during
'

work; no matter how 'out' Art could get in his soloing, he


alwaysEtiessed melody and beauty in his music making His ballad playing is one of the treasures that he left us; gorgeous, often effusive, and yet funky at the same time.

ihis time, and he often returned to composiiions from his earlier years. As a bonus, we have included two versions

l-.

of SURF RIDE, the firsi from 1952, the second from 1979. The similarities and differences are striking
between the two, as even a casual look will show.

And when the tempo was fast, his invention was


unflagging; he matured in the era of jazz where musicians had to prove ihemselves constantly against the competition. Art was always ready to show a troublesome rhythm section that he could hold his own and 'cut' them

lf music was truly Art's life, then this book is


him a kick to know his music was being played and studied. I hope you have fun playing it.

supplement to his autobiography. I'm sure it would give

if necessary. His wife Laurie has wrien that he often


played better under such pressures, that ultimately he loved noihing better than to be challenged. He spent his life showing listeners that he deserved their attention, and he experienced their love and adulation many times over
in the years before his death'

Jeff

Sultanof

CONTENTS

TITLE
ART S OREGANO DIANE

ALBUM
SURF RIDE

PAG

lo
'R

GETTIN TOGETHER
LANDSCPE SMACK UP STRAIGHT LIFE
ON E SEPTEMBER AFTERNOON

LANDSCAPE LAS CUEVS DE MARIO


MAKE A Lls-r A

50
e1

IMAKE

wlsH)
HAND

62
74

MR. BlG FALLS Hls


i----------------'G:

oPHELIA
PEPPER RETURNS

LIVING LEGEND THE RETURN OF ART PEPPER LANDSCPE ART PEPPER MEETS

.)+

t+
46

soMErlME
STRAIGHT LIFE

THE RHYTHM SEC-rION

20
o

suRF RIDE

(l)

SURF RIDE STRAIGHT LIFE

suRF RIDE (il)


THAT:S LOVE

56

wlNrER MOON
THE TRIP ART PEPPER MEETS

THE TRIP
WALTZ ME BLUES

39

THE RHYTHM SECTION

Alto

Sax

sflRF Rrritr (r)


Very Fast./ = 216
G6
Written by ART pEppER
2/7 /52 Surf Ride

(w/ Bass + Drums.)

^f
E;ttl , x *_---," lAll -G6
cf"
G6tD

=__

.--lD)

,.-;>
E7(b e)

AmiT

D+7(b9)

AmiT

.,---]..

D+7(b9)

G9

FmiT

.---i.
E7(be)

C$mi7

AmiT

DmiT

EmiT

BmiT(b5)

E7

D7(b e)

Copyright @ 1954 ARTHUR pEppER MUSTC Copyrighr Renewed lntcmational Copyrighr Secured All Righrs Reseed

Aml /

D7(be) c6

D7(be)

E7(be)

AmiT

D7(b

e)

MG6

EbmiT DmiT G7(b9)

BmiT

Bbmi6

AmiT

D7(be)

AmiT

D7(be)

EbmiT DmiT

G+7

t4q -G6

BmiT

D7(be)

G6

D7(be)

G6

mt

C7

;\

F;A

AmiT

D7(be)

AmiT

GmaTlD

AmiT

D.S. (w/ Repeat) D7(be)

al.$

D7(be)

W;A
D7

------------'t Ge(c11) ---+-\\

Photo by Laurie PepPer

l0 Alto
Sax

AR.T'S ORtrGAJ{O
Fast J = 200 (Unaccompanied)
12/27 /53

,_f
I

Tenorl

tr--l t utttl

x
D6 EmiT

A7

F{mi7

B7

EmiT

G6

AmiT

D7

BmiT

E7 ,----. : *+;

AmiT

!.- a

f
B7(b' EmiT/A
A7(bs) DmiT

GmiT

_ Gmi6

Fgmi7 F7lB EmiT EbTtA

/ ''-\----'*^rr'' -bt^i :-=---:>


E7(b\ AmiT/D D7ft

,{\
Ab7/D

GmiT

Cmill

cm);;;fmi6

BmiT BbTtEAmiT

D9

-----l--l)
G

lEll

G6

.--T>--

AmiT

D+7

E7

trT>t
DmiT

rlN

G+7

EmiT

A7

r-------..--

Coplrighr O 1954 ARTHUR pEppER tvtusIC


Copyrighl Renewed Inremational Copyright Secured All Righrs ReseNed

CmaT

Cmi6

BmiT Bb7lE AmiT Ab7lD

DmiT

G7

GmiT

C7

FmaT

Fmi6

EmiT Eb7lA DmiT

----

^-)

D6

Inl /

A7

Ffimi7

,<--.

B7

EmiT

AmiT

BmiT

{;; -87

AmiT

;;

Fine
A7 Gmi6

D/A

B7

EmiT A13 D6

----_-::D7A

DmiT

G7,.,

C6

Cmi6

G/D E7

AmiT D13 G6

-*

B7(be)

EmiT

AmiT

D7(be)

Gmi6

F$miZ

B7

EmiT

A7

AmiT

E7{be)

Cmi6

D7(be)

G6

lF
I vLl

D7

Bb7

//---<

B'7

._'-

<-...."....--.

F#miz

87(b e)

EmiT

A7(be)

G6

Gmi6

EmiT A7

413

13

II

enor Jotol

lnal

Al

I Di.-^ uvtv <nl^l I f L4I'v

llml/

F$mi7

G9

AmiT

rr-l
I.JJI

t1A

5t

F*mi7

87(b e)

t4

PE,PPtrR RTTURI\S
VeryFastJ =ZO
8/56 The Retum of Art PePPer Written by ART PEPPER

Alto Sax

WilWth*r*A

tf ----__;
r^-l
lv.j'l

^-

'-,---

^/ f5 fa-rl

| +Rhythm Bb6

D7(be)

't-;
A7(be)

--:

';

----

\/

Bbmi6

--1--

Copyrighl O 195 ARTHUR PEPPER tvluslC


CoPYright Renewed

Intenrational Copyright Secured All Rights Reseryed

15

Bb6

F7(be)

:----\

c7(b9)
FcF= -\

[:=bt

9*i7------>

cll zf-='-

AmiT

D't(bg)

EmiT

A7(b9)

--------fE

fiDmi A7

/1- ^
Eb7

>-'1--.

l6

-----:-=--

Cmi

>,-{-=----.

f"Dmi
A7

l-r

.C-t

Ge(f 11)

c13(be)

D7(be)

A7(be)

GmiT

Lmt/

F6

DmiT

GmiT

C7

11

Bb6

')

r.-_ ;l lJolo reaKl


F6

-a.D.
I tl

r--Jl

-'

fF6
-I

al,f,oq

^7(be)

Dmi

GmiT

C7(b9)

AmiT

Gml /

l8

Dmi6

A7(be)

Ab e(f

l1)

c7(re)

/--

(vITlI /

c7(be)

Abo

GmiT

Ab"

GmiT

Abo

)-

F6

.lj+

L7

_-----:-.

EmiT

A'7

t;---_-l ])ms.l
|

A,I

F6

D.S. w/ repeat al Coda

W*')

CODA

Bbe(g11)

Epe ^
so'l
pe1X111

20

Alto Sax

STR.AIGF{T LIFtr
VeryfastJ:fA

I 19:Art Pepper Meets the Rhytlm Sectir-: Written by ART PEPPER.

tr*TD-il

---\

CRhyhA

E E

Cma7

Cmi(ma7)

Cmi6

E7

--

Dmi6

G7(be)

Cmi6

87(be)

EmiT

BbmiT

Ab7

il)\

Copyright O 195 ARTHUR PEPPER MUSIC Copyright Renewed Intemational Copyrjght Secured All Righls Resened

Cmi6

G7(be)

Cmi6

EmiT

D13(be)

22

G6

Cmi6

G6

Db9

l-;

/-;\

. | ,---\

f
G6

D13(be)

CmaT

CmiT

GmaT

G9

Ami6

Go

87(b e)

/J

BmiT

Bb mi7

f-=.---------;--

lftano

Sotol

I Bass Solo Pickuos |'-

,----=fE^'iild
l,1Jl

Dms. Solo Break

Cmi6

3' 6;il

A9

T;--l lJdx.l

tl I JA.T.i ;t rJol
I

C6

Cmi6

f^----l

(t)i

lutns.l

D13(be)

C6

BmiT

Bb

mi7 A,N

D13(+l

l)

D.S. rv/ repeat al Fine Db9

Photo by Laurie Pepper

26

WAL'T'Z Mtr BLTTES


1/19t5'.1

Alto Sax

= 180

tr;r D;A
(c)

Art Pepper Meets the Rlythm Section Written bv ART PEPPER and PAUL CHAMBERS

(c{")

_-----=lqo ^*b- - - -

EmiT C

ATIC* D7

omil ^f

Bb7({e)

AmiT

D7(be)

BmiT

AmiT

F;;A rr@
GmaT

T;I IAJ

r*

Jar.

G7(f e)

tp

r)----. n) \

CmiT

BmiT

Bbmi7 Bbmi6

.-

t.-.

==:>-

AmiT

7> 2:

------

AmiT

M
IA

T^-;t /l
lA

f--:--l bass Jolo


I

u_t:l

XI

| Dms. Solol

Copyright O 1956 ARTHUR PEPPER MUSIC CopYrighi Renewed Intemational Copyrighl Secured Al RiShts Reseed

27

tAql

Frrd:

'l 1a

---:--=:

-'-->\

_ -

f,p-

28

AIto Sax

DAhIE
2/29/60

t_ f;-;;--r arraal
a|

G13(bsXbe)

Gettin'Together Written by ART pEppER

Cma

AmiT

r_

______r

G7(be)

AmiT Abmi7 GmiT

FmaT

G13(be)

FmiT

G13(be)

Eb7(re)

Db7(be)

CmaT

AmiT Abmi7

GmiT

Gb9/13

G9/13

G13(# 11)

-.-l---

Cma9/G

Bb 13/F

Gr3(f

11)

---'----Copyright O 1956 ARTHUR pEppER j\{USIC Copyrighr Renewed lntemalional Copyrghr Secured All Righrs Reserued

29

G7f s(fle)

BmiT

Ami(ma7) AmiT

G7(#sXbe

Cma7

AmiT

G7(f e)

Cma9

AmiT AbmiT GmiT

Gb7

ma/

Gl3

Gl3

|1mt /

EbmiT

DmiT

Db7(be)

Lma /

G7({s,fl9)

Piano Solo - Double Time

[___l tJd,Y.l
Gb7

fz

-(ll ILI
lTl /

ts

Fmil1/Bb

Bb r3({ r 1)

t-J

_J

BmiT

E7(b e)

Ami9 (Double Tme)

it,

DmiT

DmiT

:---G]>-.

G7(f s,f 9)

a---.

,--E\

lbtl

cmae

--\

Cma9

AmiT AbmiT
. r>---<-,'..---:

GmiT

:,_-

Gb7

FmaT

Gl3

FmiT

G7(be)

CmaTlG

Dmi9/G

CmaTlG

FmiT/G

-'^\
LJJ

--- --=

_3-----1
I 7^\

CmaT/G

uml

t-)

Gmr/

GmiT

GmiT

Alto

Sax

LAS CUEVAS Dtr MAR.I


J =roo
7

31

+1

10/24t60 Smack Up Written by ART PEPPER

(Bass)

(+Piano)

(+Dms.)

Ers;
f;
DmiT
G

(uns v,/tpt.)

--'T--.

DmiT

C7

z---.

w)
G
un$.

,h 0.4'

,"-*J

GmiT

r-----"'
C7

DmiT

7pt)

l-:

.---."..--.

:
Ebe
T--;-----

I Jdx.

I rpr
|

(\va)l

t-l
t;;-------;;--yamp
lKhythm

'-*/

@c

? '-:

DmiT

DmiT

:-tT---C7

?n-

GmiT

C7

DmiT

/;\
D7(f e)

DmiT

Eb 7({ e)

@ Copyright 195 ARTHUR PEPPER MUSIC Copyright recwed Inremational Copyright Secured All Rights Reseed

DmiT

GmiT
l\

'j'
C7

DmiT

DmiT

G
l-t',J,

EG

DmiT

GmiT

Eb9

D7(f e)

DmiT

DmiT

/> \ t-

rG

DmiT

,'---

DmiT

33

(rIIll /

GmiT

DmiT

Eb9

(llll

Eb7(fle)

DmiT

D.S.

(with repeat)

/+\ altf

W. tr24

S"t"]Q

Choruses)

tri-".......-\

fPrr" sadfz

Choruses)

r--.:;----:---.;;-l
I

K4,lhnt

Yontp

24

:---:

D7

o Piano

at'p

34

Alto

OPHtrLIA
Sax

9t9/7 5

Living Legend Written by ART PEPPER

ta

ll

DmiT G7

J=roo

=--..'.--

/'

tbl /^/

><---

t\l )' J'^l t -

DmiT G7

Cf mi7 Ffi7

))^)

BmiT(b5) E7(b9)
_-"+-r\

Ami

Ami/G{ Ami/G } *

tBl _
Cdmi7

DmiT G7

)
Ff;7

)-,)
C$mi7 F$7

)^) r

)A
CmiT

/'I

CmiT

hl /'-'/
E7(b9) Ami6/9

F7

F7

),^

^/t

t,
A7

Dmi6/F

--'..,--\

rTt tv'J

Copyright O I 966 ARTlUR PEPPER MUSIC Copyright Renewed Intemational Copyright Secured All Righrs Resened

35

J'

813(be)

Ami2

\ tt

q)

DmiT

G7

DmiT

G7

Cfimi7

F$7

Cfmi7 F+7(bs)

/'

rh/nl

CmiT Bb ma7lF

h /.\

CmiT

BbmaTlF

^)

@v*p;;ll
E13(be)

Ami9

Dmll

G7

Db7(b9)

\'-lE/
F$ 13

Cf mi7(b5)/G

F# 13

BbmaTlF

BbmaTlF

A6/9

BmiT(b5)

E13(be)

F#7(bs)

;-\

Am619

@
Er3(b 9) Am6/9 >/i

^s@;a

(Rough)

Dmi1l

(whole-tone scale)

<f
Ami

fDilo-r!

?P

-<=-==

cf;7(bs)

CTIG

Lnlt

'----:--'-

CmiT

Fl3

Fr3

Fl3

Ami6/9

--

E t^ ---;16
I

,r pass Jotol

Very rough ad lib. (2 measures)

C$mi71add

/'th

F{

F$71bs

/^

Cflmi7(add Ff,) F#7(b s)

CmiT(add F) Fl3

/nl

)^o

CmiT(add F) F13

/'

lh

/ nl

Ami2

DmiT(add

G)

G13

Cmi9

Cmi9/F
/i

)^)

/-/

T'I{E T'R.{P
Alto
Sax

39

9il 5t76 The Trip


Written by ART PEPPER

JazzWaltzJ =tSA
A9
Bb 13

A9

Bb 13

A9

Bb 13

Bb13

|srl fil aq (sim.)

3.-\.

Bb 13

(misterioso)

tl'----___-lll. Eb13 Bb13

l//'

Eb 13

,.
L- 3 --)
Eb 13

---/

cTl as

mp (ntsterioso)
Bb 13

A9

Bb 13

Bb 13

copyright lq) ls66 ARTHUR PEPPER lvlUSIC


Copyright Rcncwcd lntcmafional Copyright Secured All Righls Rescrrcd

G13

Cf mi7

----\--+\

r-;.-'r
BmiT

>----

Fil t3

fTr 1",I

Bb 13

(ntislerioso)
Bb 13 Bb 13

A9

Bb 13

Bb

r3

Wtt-

V"^r=,

tr",r, Srta

(P

iutto

So

lo cotltnues)

A9

Bb 13

(enctpianoSoto)

Fy'wryt r't1

Bb r3

Bb t3

Bb 13

Bb 13

Bb 13

r-

Eb 13
J -------1

D9

Eb 13

Eb13

Eb r3

Eb r3

Eb 13

Eb 13

t;;1 ILJI

Bb 13

Bb

l3

Bb 13

Bb 13

/,,_\
mf

{9

Bbr3

Ebe

Dmi9

C{mi7

F# r3

-:--;-a

(nf)

.tr(ojlL-T-*
----=:
Ar3

-:-- f
El3

Gt3
Cf mi7

Fft3(be)

BmiT

tI'jl

fJ
Bb 13

-49 -Bb 13

nlp
Bb 13

Bb r3

,F DTJ
Bb 13

/--. a^

F\

b)

Bb 13

T;;I rrl {9

Bb 13

A9

-+

-l

A9

Bb r3

Bb r3

Noodle wildlYl

Bb r3 Bb 13

---

/*,*

!,-----

;=---\--^)

Bb 13

-<

f
-i;r
A9
Bb 13

A9

Bb 13

Noodle wildly!

A9

Bb 13

:--l---:

Bb 13

Bb 13

_------->A9
Bb 13

,,G\
A
f-=:l tF\l l'"1

Bb 13

;--)--r

.-----:-

Bb 13

Bb 13

Bb

r3

Bb 13

Bb r3

ryp (mseroso) Bb 13

Bb7

.+.1

trl

A7(f e)

Bb7

A7(#e)

Bb7

-r-_/

split tone
Bb 13
Bb

l3

^f

+'-T\.

Bh

l3

Bb 13

Bb 13

Bb 13

49n

Bb 13

Bb 13

Bb t3

A9

Bb 13

Bb 13

Bb 13

Bb 13

Bb r3

Bb r3

A9

Bb 13

T;;]

lfvlA9

Bb 13

Bb

t3

Bb 13

Bb 13

Bb 13

Bb 13

lFtols

Bb 13

Bb 13

Bb 13

Bb 13

Al3
(split

dint.

46

SOMtrTIMtr
7,16,79

flb t lannel

)=ttz
lSolo

Landscape Wrrtten bY ART PEPPER

breakl
,

G9

GmiT

c11

Bblc cr3(b9)

Fl3

c7

CmiT

Fl3

Bb6t9

Bb7

Eb9tDb

Gmi9/C

c7(f

s,b e)

E"n
CmiT

clt

F13

86tC

Cl3(b9) Fl3

Fr3(be)

Bbma9

F7(fs)

Bb7

F6IC

Eb9/Db

D9

Copyrrghr

1q79 ARTI1UR PEPPER MUSIC'

Copyrrght Rcnc*ctl Inrcffrxrionl ( trr'ght Sceurcri A1l Rights Rtscnccl

GnriT/C

Gb7(f e) F6

t;-t,50lo

ht eok)

--t

GmiT

cil

Db mi7

U
( ml/
F7(f s,f 9)
Bb ma7

Bb6

Eb9

M
GmiT

c11

G9

c7(f

e)

Fl3

CmiTlEb

CmiT/F F7(#5,f9)

Iag--,---BbmaT

CmiT

c#o

Bb6

Bb7

Eb9tDb

cll

C9

F,l3 | Solo hreak |


N

l.:---:-----:-----;-l

G9
,

cr

c7({s.f

e)

t |

,A

>

tr
Fl3 c7(f s,#9)
CmiT
-z.---

Fl-1([9

..1,_-.

lag--------Bb ma7

F6IC

Eb9

('ml

IBt ce

cil

Gb7(fe)

F6(e)

8ra-.--

DbmiT

CmiT

cr3(be)

F6

F6(9)

EG9

BbmiT

AmiT

Ei

13

C13(b9) Fma9

-_umr/
GmiTlC

,=_>

--/

AmiT

D7(f,e)

GmiT

tr
Fl3
El3
Eb

l3

Dl3
''zl
^

G9

GmiT/C

c'/

Eb9

D7(f e)

cl3(be)

F6

Faili
-_--/-

Clat'. Caden;a

Quickh'

r rj-r

Quickly
3

Quic'klt

A little.slutt'er

:--

,-:::7

a-/

<---9

50

Alto Sax

LAI{DSCAPE
' l6 -9
Nledium Groove

= 176

Landsc

pc

wrirrcn by ART PEPPER

Emill(toircdutlounhsl

F#mill(simile)

j"----.
Emill
AmiT

Emil

(Emi11)

Ff mil

/'=--' .-{

Emil l

Ff mil

Ff mil I

GmiT/C

F#mi7lB

Emill

F$ma7

GmaT

Emill

Ff

ma7

GmaT

Emitl

mv-- .4Zrrtmill
l-ll;f=

s
f

EmiT

l-)..

Cf mi7

F$mi7

(N.C.)

Ff mil l

Ff mil I

Copyrighr ( |s79 ARTftUR P[:ppER NtUSt( lnlchtronal ('opvriet Securcd All Rights Rcscrlcd

Ff mil I

Emil

Ffimil

AmiT

Ff mi11

F#mill Db9

C9

Ff mi7

Fflmill Emill Gmill F{mill Emill F*mi7

) N)

Emill

>

Emil l

F#mil l

Emill

2'.

Ff mil l

Emil l

t\

:------.-\

I"-$mil

El3

Bb9(f,11) AmiT

FfmiT(bs) B7(be)
)n -.

Emill

FSmill

Emill Ffmill

Emill

-:

;-T--B7(fs,fe)

,---,,,_\-

--

Emil

G13

C9

Emil I

Emill

)N) )

Filmill Emill Emil1 Ffmi11 Ff mi11

Emill

L__

F#mil I

Ff mil I

B7 Emill
loc'o

_/---

Dmill Emill
Za

Em9 Db9(#ll)

Emi1l Fflmill

r,---: Emil lA5l

Ff mil

Emil I

F#mill

Gmil I

Ff mil I

Emill

Ff mil

F*mil

Emil

Dmill

/?G,

Bb

mil1

AmiT

BmiT

CmaT

Ami6

>-,-r-

Ff mi7

87(be)

Emi6

Db 13

B7(f,5,f9)

Emil

lol.11

Ff mit I

Emil I

Ff

mi11 Emill
A

E7(be)

B7(fe)

DmiT

Db 13

B9

Fe({ l 1)

mt /

-------_\>

zf:>

->:
M.
EmiT

Emill

4a-=:-t1DInI/

l>\

Ff mi7

B7(fs)

(Trade./burs v;/Dms.) Ff mil

Emil l

>

(Amil l)

Emil

B9sus

Ff mi7

Lmt/

.'----Emil
I

1Dns.1

Ff

mill

Gmil I

t;-__l t)tn.\
I

Amill

B7(f

s)

Emil I

C9
4

D.C. al $ (w/repeat)
87(
$

5,# 9)

t^--l um.\.

CODA

qr.7

w)
Emi( ma7)

E;,t*;;rt

trb]|

Emi9(ma7)

Ae(f

n)

Alto

Sax

EX
,--}-.

FastJ

=2ooc6

r;;------------:,

SIJRF RIDtr' ITI) \t^./

Sill
Straight

79

Lif!

;#^:il:*i
E7(be)

D7(f

5, b

9)

l.
G6

AmiT

---:-

D7(fls,b e)

GmiT

C7

FmaT

FmiT

---:-

DbmaT

=-BmaT

BmiT

AmaT

S o-,,

_;l l^Ll

G6

DmiT

c7(f 5,b9)

BmiT

Bb

mi7

AmiT

D7(fls. b e)

AmiT D7(b9)

pEppF_R \IUSIC Coprnsht Rtnt'rre!l lcrrronl (irprright Sccurcd .{ll Rrshr\ Rcscr\cd

(otlriqhr r lqrJ ARTf{LR

G6iD

DmiT

G7(f,s,b e)

.-

cfo

E7(be)

D7( b 9)

AmiT D7(b9)

cf'

E7(#e)

Amt/

D7(#5,b9)

G6

sz( b s)

AmiT

D7(*s)

Gr3

C7

cf"

G6iD

-f:

G6/D

C7

BmiT

Eb9

D7(be)

G6

Ami9 D13( be)

cl3

Cf,'

G6/D

D9

DmiT G7(b9)

C7

cf'

E7( b 9)

\mi7

D7(be)

AmiT

'--:\

-<j
C9

c$"

'---'T-c$'
GiD

-----

E7(fie)

r-=->

:---->-

.-G-;-.

-=-:---

D+9

G6 E7(f5,b9) Ami9

Dr3(be) G6 G7

'--T--

/--T.\_

EbmiT

DmiT

Gl3(b9)

>-

c{o

G6/D

Bb7
C9

BmiT
/'

--.-'^ z

ll

a\

-:---=--

D7(b e)

AmiT

Abl3

EGl3
Ce

G13

Gl3(b9)

cf.

BmiT BbmiT

AmiT

Eb9

D7(be) j
----.--]

Gma9

AmiT

D7b9

--

G6

G9

-----.

C1

cf'
^l ..-?

D+9

Gr3(b9)

cfo

AmiT

r-:F--.-

D7tb9)

AmiT D+7

Eb9

Dmig Db9

C9

BmiT

E7( b 9)

.C

AmiT EbglBb

AmiT

De(fl 1 1)

BmiT ---T-

Bb7

AmiT

Ab7

G13

r\

C7

cfo

G6/D

.-----

c#'
b

E7(#e)

\mi7

G6ID

AmiT/D

D7(#e)

,.-...:\

--_---,

G7

@r,,r,t S,tl,t

LlJ

GI

I Ba.s.s

S,r/,r

L(7 " G/D

choru.ses)

5 chot'use.t

Trude 4's w/Dnts.

Cf

-----...,...'.---\

DmiT

G6

AmiT

D7(be)

-/--->.

AmiT

lDms.l

L__r

G6

EX

bo-^fp

AmiT

D7(#9)

Gr3

-f

ID;;

la IUJI

G6

T;___l
I

Dn6.l

D13(b 9)

E7(b e)

A9(bs) D7(fs,b9) G7

E7(re)

D7 -G6

C7

cfo

G/D

EbmiT

D9

/'-a-t

E7(be)

AmiT

cfo

E7(be)

^--.

_-.,---\ t '-+

AmiT

T:----t
I

D.S. w/ repeat al

Dms.l

oz

Alto Sax

MAKtr A LIST (MAKtr A WISH)


Latin .l = 144 (even Sths)
(unis. wth piano) Written by

a----:, .----\

_ Al3
LAl

|)
G13

L-]
Al3

rl>..

x
lRhyth;;"-A

CopyriSh! ('r 1980 ARTHUR pEppER VUSIC ntema!ional Coprighr Secure<J AII Righrs Rese^ed

l''o,a
pluy otr D.S. onh,

Gr3

,--]rt'or I lst time onlyl

A13

G13

--.a

@d 0 A13

Tmprou6si,

lEilar:

FP

Al3

Gl3

Al3

64

_ Al3 tru

(split pitch)

-;1 I l-, tl

Al3
a

t-=_tl

gradualb) louder and more urgenl

-----/
G13
7

_Ar3

trl

A13

A13

6--

Al3
41

\ l3

loc'o

Ven' rough al lib (ot,erblcv.')

G13

| tr11 tL,l

,At3

Al3

- -\

r;--::--=-=-

trll

_ Al3

Ar3

Gr3

Al3

Gt3

(gr tt d u a I l r- d i m i n u e n d o )

G13

A13

G13

A13

Gl3

Al3

Gl3

^Bavampl

Gr3

lDrums and Latinl

Al3

G13

lrl -t

IPercussion

20

solo |t-2 s./. srcs

-T
r;---t-';t I LOWD?U
D.S. w/repeat
I

ut,

CODA

(Vamp)

Ar3'

G13

Al3

Gr3

Al3

Intprov.)

Gl3

Al3

Gl3

A13

G13

Al3

G13

Al3

Gl3

Al3

Gl3

At3

Gl3

Al3

413
lip slide

G13

413

Gl3

Al3

Gr3

Al3

Gl3

Al3

Gr3

Al3

Gl3

At3

Gl3

EJI ar

Gr3

\-/_
Al3

;cl3
At3

---.\"- _;
Gt3

At3

Gr3

Al3

Gl3

At3

I'i:..:,
a:iilrlil'a;

t..

'

iii'.;

Photo by Laurie Pepper

70

Alto Sax

THAT'S LOVtr
Slow Blues (J. = 76) 813

9 '1, 80

Winter Moon Written by ART PEPPER

f^-t

lJlgs.

D9

A7(f s) De

I /ht ^/'

A13

A7(fs) De

De A7(#s) De

AmiT

slightly higher in pitch

Copyrighr e 1980 ARTHUR PEPPER VUSIC Inlemational Copyrighr Secured Ail Rights Rescned

l tmel

(Dl3)

Al3

Verv rottgh ad lib

--

..---_-)

-----

E7

72

Al3 At3
E7(fs,#e)

EmiT At3 ll

)'^)

Al3

EmiT
/

At3

/ ^,t'

ht

Ar3

EmiT

At3

br / n//'

simile
D9

A9D9>

?*-*

--

--]--

AI3

F9

E9

At3

F9

E9

413

Rough ad lib

,---

.47-

-\

A
Bb 13

Gl3

Ff

13

F13

tr
@d;;;rh
rbl]
Dr3 Db13 Cr3 Ar

/-/-rT
El3

rTn

br

Al3

74

Alto

Sax

MR. BIG FALLS HIS J. G. HAND


Medium Blues
G7

9i -i180

One September Aftemoon Written by ART PEPPER

----T--r

(quartal over C)

G13

WV*p;q

Copyright :e 1980 ARTHUR PEPPER IIUSIC ltemalional Cop!.ight Securcd All Rights Resened

(Gt3)
..'---l.

N --\

-Rll
| ""
I

Gl3

8va---

(verv rough)

---

za-.

EGl3

-.-,--\

C/D T;lCt3 lrJ

re, t a;S;;l ( 2 C ho rLtse s )


t

I --

| tr,

| Dass

Jqto

c13

E
G9

G9

D9

::--T-:

2--.'

-r----.----

I,t

.<,,,,'---

G7(#e)

A9

Ab9

---=--.''...S---

(Rough)

quartal over C

Photo by Laurie Pepper

Photo by Laurie Pepper

A R T

s T

TRNSCHIPTIOIffi
Arlist lronscriptions ore outhenfc, nole-for'note lronrcriplions of lhe hottesl orlisfs in iozz, pop, ond rock fodoy. Ihese oufslonding o((urole 0rr0n ure in on eosy'lo-reod formot whith includes oll essenfiol lines. Artisf Trons<riptions con be used lo perform, sequen(e or reference.

][tMrlfl/0l

Guil &

Bos
0f Piene
Bensuscn

The Guitor Book

ffiffiffi:

flute
Jomer l{ewlon
000r08.....

i-:j:ir;,.;l
lmprovising Ilufe

(horlev ftisliqn

Ihe An 0f Jozz Guitor

larry (oryell
Al Di Meolo Al Di Meola
Al Di Illeolo
The

Jozr Guitor Solos


Terro

ftitk

Pino & Keybocrd' :,,:: Coreo - Eeneoth The tflask


(oeo

00/3225...................

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lVlusir, Words, Picfures Tol

(hick (oreo - tye 0f fh. 000007 . :.. ftkk (oreo - liqht Yeors

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_,..",'S#$.;,i'-i o"'1l t:u::li'l ll',','!:::::Tll


Mkhoel Brecker
0073237. ...............

Soxophone

i'r,,,

leo Kollke

- [iqht Sonq
Guitor lronscriptons

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0073233....

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0099375..............................

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0073252

Diongo Reinhordt Anthology


The Genius

- Selecfions from "lush Life" & "50 Neor 5o Ior"

ol Diongo Reinhordt

Best

0f

Kenny G Breolhless

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A Treosury of Songs

0073?39...................................

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Gt

The Nine Moidens, The Hermit, Sfelon ond John

00673729

lee Rifenour
Greot Rockobillv Guitor 5olos John 5colield
0003390.
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